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603 01/04/2011 4:11:29PM Vanity Fair Graydon Carter Editor Ms. Lenora Jane Estes Editorial Assistant (212) 286-2896 firstname.lastname@example.org 12 1,198,618 91919 http://www.vanityfair.com/ Total subscriptions 854,534 Newsstand sales 344,084 % men/women 23/77 Median age 41 Median hh income $78,187 Writers/photographers William Langewiesche From world affairs to entertainment, business to fashion, crime to society, Vanity Fair is a cultural catalyst—a magazine that provokes and drives the popular dialogue globally. With its unique mix of long-form narrative journalism, stunning photography, and social and cultural commentary, Vanity Fair accelerates ideas and images to the world’s center stage. READER PROFILE: Vanity Fair’s 7.1 million readers are affluent, smart, stylish, and voraciously interested in the world. Median age: 40.6. Median household income: $78,187. Seventy-three percent of V.F.’s readers have attended or graduated from college; 77 percent are women; 23 percent are men. (Source: MRI Doublebase 2010) Feature Writing No. 2: “The Distant Executioner” “The Distant Executioner” February Starts on page 90. Feature Writing No. 2: “The Distant Executioner” [Vanity Fair] By William Langewiesche (February) He does not look like a killer. He is a military man, quiet and unassuming. He wears glasses. He is a fervent churchgoer. Before joining the army, he was a police officer. But the thing about good killers, as Russ Crane acknowledges, is that “you never know it about someone. You can’t tell it in advance.” Russ Crane is the pseudonym of a 47-year-old Texan who has served tours in Iraq and Afghanistan as an army sniper—a member of an elite but also mysterious and sometimes despised breed of soldier. In previous wars, captured snipers have been summarily shot, so powerful is the whiff of malign capability. But today, as the United States fights unconventional enemies who prowl rugged terrain in twos and threes, the role of the army sniper in combat has never been greater. The United States now has nearly 3,000 of them. They need no special equipment—just an M16 and a scope. They can reliably hit a playing card at a range of 500 meters, and pretty reliably hit the same card at 800 meters. A man’s head is larger. The performance standard is “one shot, one kill.” After taking an enemy down, a sniper may keep the spent cartridge for himself—it is known as “kill brass.” Russ Crane has collected quite a lot of them. “Personally,” he says, “I believe there are bad people, and God put people here to shoot those people.” Russ Crane occupies the center of William Langewiesche’s gripping exploration of U.S. military sharpshooters, a tight-knit group who believe their time has come. Langewiesche, who has covered war zones for more than a decade, delves deep into the military history of “handcrafted kills.” He walks the battlefields of the Somme with the world’s pre-eminent authority on snipers. He reviews the specialty literature and assesses the record of snipers in America’s various wars. (In Vietnam, snipers used an average of 1.39 bullets for each Vietnamese they killed; ordinary soldiers, spraying machine guns into foliage, used an average of 50,000 bullets per kill.) And he describes the special culture of men often referred to by other soldiers as “Murder, Inc.” In between all this he lays out in cinematic detail two set-piece episodes, one in Iraq and one in Afghanistan, in which Russ Crane encounters the enemy and performs his job. What snipers do is inherently disturbing. Langewiesche does not flinch in his portrayal, nor does he pass judgment. He ventures as best he can inside the sniper’s worldview. He explains the effect that a career as a killer can have on a man. He steps back and considers what the top brass at the Pentagon are planning for its sniper corps—how many men, what kind of equipment, what level of skill. In the end he comes back to what sniping is all about: an existential transaction that changes two people utterly. Vanity Fair’s coverage of the wars in Afghanistan and Iraq has been substantial and sustained. These are the most significant military conflicts of our time, and their impact—on individuals, on nations—will be felt for generations to come, in ways that cannot always be predicted. William Langewiesche has contributed greatly to this coverage, with firsthand experience, incomparable reporting, and narrative writing that doesn’t let go.
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