TAKE A BOW
Words and Music by MIKKEL ERIKSEN, TOR ERIK HERMANSEN and SHAFFER SMITH ( = 80) E
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= . . . ?. ... . . . ' I I I I PP > .0 . . . . . . . . . . . . . . ( I I I I PP How oh, how ’bout a round of
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ap - plause;
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' IIII > ( IIII I ' IIII . ' IIII . ( IIII ' IIII =
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= > ./ . > F ‡1 . . . . . . = = > ./ . . . . . . . . . . . . . . > .0 . . . . . . .0 yeah, a stand - ing o - va tion.
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Oo
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; . . . . . F . . . . = . ./ . ./ . . . . . . . > .0 . . . . . . G ,, , G, whoa, yeah, yeah, yeah, yeah, yeah.
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© 2008 Sony/ATV Music, EMI Music Publishing and Universal Music Z-Tunes All Rights Reserved
; . . . . . . ' IIII > / . . . . . . . . . . . . .. F . . ( IIII You look so dumb right now
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= . . . . . . > /. . . . . . . Stand-ing out - side my
house
Eriksen – Take a Bow (Page 2 of 5)
' IIII ' IIII
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. . . . . . .. F . . > E B/D
;
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Try - ing to
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a - pol - o - gize;
... ..... .. .. . . . . . . . . .. F . . you’re so ug - ly when you cry.
' IIII ' IIII
( IIII
Please,
= ; > ./ . . . . ‡ > / . . . . . G ,, . . , G, just cut it out
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Don’t tell
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caught.
me you're sor - ry ’cause you’re
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' IIII = ' IIII . . . . . ( IIII not,
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.. . . . . . . . . - = . . .. .. F . . > ./ . . . . . . G , , GG , ,
ba - by,when I know you’re on - ly sor - ry you got
But you
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' IIII . . . . . > ./ . . . . . . ? . . . . F . . = ' IIII . . . . .. .. .. .. .. . . .. .. .. .. ( IIII -----put on quite a show; you real - ly had me go - ing. But now it’s time to go,
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Eriksen – Take a Bow (Page 3 of 5)
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' IIII . . . . . ./ > . . . . . = . . . . . . = . . . . . ' IIII . . . . . ... .. .. .. .. .. .. .. .. -- .. . . ( IIII -- -- -- - -I c I I . . .; . ' II / . . . . .. ... . = . . . . . . > . . . . . . . . ./ > =' IIII .- . . . .0. . F . . , , ( IIII , --G, , I ' IIII = . . . . . . -= . . ?. .. .. .. .. .. ... > F .1 . . . . . . .
cur - tain’s fi - n’lly clos - ing. That was quite a show, ver - y en - ter - tain - ing,
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F m7
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but it’s o - ver now,
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E/G
to
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Go on and
take
a
bow
Whoa
(but it’s
o - ver
now)
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Grab your clothes and get
gone,
you bet - ter hur - ry up
be - fore the sprink - lers come on.
(get gone)
' IIII > / . . . . . . . . . . .. F . . .. ( IIII I ' IIII .. ... ...= =. . . . . . . . . . .. . .= ' IIII . . . . . .. F . . > ./ . .. .. . . ( IIII C m A E B
(come on)
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Talk - in’’bout, “Girl, I love you; you’re the one.”
This just looks like the re - run
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. . . . . . .. F . . -
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Eriksen – Take a Bow (Page 4 of 5)
' IIII
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> ./ . ..0 ;.. ‡ . . -= > ' IIII > / . . . . . . . G ,, , ( IIII G, Please! What else is on? (Huh,
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D.S.
.. .. ..
Whoa)
b
al Coda
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-
> ./ . .
Oh
. . . -. F .0 . ( IIII G,
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Bsus
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Bsus
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' IIII .F ' IIII .. FF ( IIII , , ' IIII . ' IIII .. FF ( IIII .
And
./ . /. .. .
the
. ..
a
-
ward
.F .. FF
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for
the
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be - lieve
. F ./ ./ . ./ . /. . .. .. FF .. . ..
best line goes to
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you
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ful to
for mak - ing
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Let’s
me
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. . ./ > ../ .. .....
ow.
that you
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could be faith
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me.
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,
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D
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B
' I I I I ./ . / . . = ? . . ... . ... ' IIII > .0 . . . G, , ( IIII G,
hear your speech,
How ’bout a round of ap - plause;
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Eriksen – Take a Bow (Page 5 of 5)
' IIII = >F 1 . . . . = . . . . . . . > ./ .. .. ' I I I I > .0 . . . . . . G ,, , .. .. .. .. ( IIII . . --. . G, I I ' IIII . . . . . . ?. . ... ... . = . . . . . . ' IIII .. .. .. . .. . .. .. .. .. . . . . . ... ( IIII -----I I I ' IIII . . . . . = . . . . . . = . . . . . -= .. .. ;.. .. .. ' IIII .. .. .. .. .. .. .. .. -- .. . . . - . FF . . ( IIII -- , - - -, I I I E; ' IIII . = = .. . . . .= . . . . . . . . . . . . . . . . .. ' IIII = . . . . . . . .E . . 0.. . F . . , .- . >- . F .-/ . F ,> . F E ( IIII GG .. FF .0 -š A stand-ing o - va tion. But you put on quite a show; you
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B
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real - ly had me go
-
ing.
But now it’s time
to go,
cur - tain’s fi - n’lly clos - ing.
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E/G
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That was quite a show
ver - y en - ter-tain - ing
But it’s o
-
ver now
(but it’s o - ver now)
E/G
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E/G
A
Go on and take
a
bow
But it’s o - ver now.
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