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2008     STYLE
         A R C H I T E C T U R E   I N T E R I O R         D E S I G N




                                        arqiteqtura   interieri   dizaini
serTificirebulia
serTificirebulia
serTificirebulia
serTificirebulia
                              gamomcemeli     - kompania stili da dimitri mosuliSvili
sareklamo kompania            direqtori -  eka javaxiSvili
                              redaqtori -  nino laRiZe
                              informacia   - nino laRiZe, lali baxtaZe,
                                 qeTevan odiSeli (spec.kor. berlinidan)
                              marketingis menejeri - alisa Somaxia
                              reklama - qristina gorodniCeva
                              Targmani - nata kurtaniZe
                              kompiuteruli dizaini - Tamaz CxaiZe
                              dizaini - gia nozaZe
                              gavrcelebis menejeri - mirian margalitaSvili

                                     PUBLISHER - Company STYLE & Dimitri Mosulishvili
                                     DIRECTOR - Eka Javakhishvili
                                     EDITOR - Nino Laghidze
                                     INFORMATION - Nino Laghidze, Lali Bakhtadze,
                                         Ketevan Odisheli (Special correspondent from Berlin)
                                     MARKETING MANAGER - Alisa Shomakhia
                                     ADVERTISING - Kristina Gorodnicheva
                                     TRANSLATION - Nata Kurtanidze
                                     COMPUTER GRAPHIC - Tamaz Chkhaidze
                                     DESIGN - Gia Nozadze
                                     SALE MANAGER - Mirian Margalitashvili
                              kompania "stili"
                              0160 Tbilisi, gamrekelis q. N7, b.27
                              tel/faqsi: 38-33-24.
                              mob: 877 44-86-00, 893 42-74-73

                              7 Gamrekeli Str., 0160 Tbilisi, Georgia.
                              Tel/fax: (+995 32) 38-33-24.
                              Mob: (+995 77) 44-86-00, (+995 93) 42-74-73

                              http://www.archistyle.ge
                              E-mail: style_inbox@mail.ru
                                       inbox@archistyle.ge

                                                                 sareklamo teqstis              Sinaarsze
                                                                    redaqcia pasuxs             ar agebs


gTavazobT:
   gare reklamis damzadeba da ganTavseba;
   video reklamis damzadeba da ganTavseba;
   proeqtireba, mSenebloba, dizaini.



                                arqiteqtorebisa da dizainerebis
                                        sayuradRebod!
                                  arqiteqturul-dizaineruli Jurnali "stili" kvlav agrZelebs
                              TqvenTan TanamSromlobas.
                                  gTxovT, mogvawodoT Tqvens mier realizebuli arqiteqtu-
                              rul-dizaineruli proeqtebi. maT Soris saukeTesoebi ganTavsebuli
                              iqneba Jurnali "stilis" momdevno nomrebSi, risTvisac winaswar
                              gixdiT madlobas.
                                  redaqcia itovebs uflebas gacnoboT masalis momzadebisa
                              da publikaciisaTvis aucilebeli piroba - JurnalSi gamosaqveynebe-
                              li obieqti warmodgenili iqnas misi amsaxveli foto-masalis
                              maRalmxatvruli xarisxiT - avtorma uzrunvelyos obieqtis pro-
          nomris sponsoria    fesiuli fotogadaReba.
       Sps `kaparol-jorjia~
serTificirebulia
serTificirebulia
sarCevi
Content          1                 axali dizaingalerea -
                                   yvelaferi Tqveni
                                   interierisTvis
                                   New Design Gallery –
                                   Everything for Your
                                   Interior
                                                            50
                          qalaqi
                           CITY      ucxouri arqiteqtura
                                     FOREIGN ARCHITECTURE
     sivrcis orientiri             palaco
     A Landmark
                             22    dela rajione
                                   PALAZZO DELLA RAGIONE
                                                            58




     firosmani                     furnitura
     Pirosmani
                             28
                                   Furniture and
                                   Furnishings
                                                            64



     epataJs moklebuli
     aqtualuroba
     Modernity
     Without Excess
                             32    sportuli nagebobebi
                                   Sports Constructions
                                                            68
                           saxli
                          HOUSE
     profesionalis
     savizito baraTi
     Visualization
     of Professionalism
                             36    briuseli
                                   Brussels
                                                            70




                                   TurqeTis turistuli
     marjanov eqspresi
                                   industria
     Marjanov Express
                             44
                                   Tourist Industry
                                   in Turkey
                                                            87

                                                      interieri
                                                      INTERIOR

                                   dominanti interierSi
                                   Dominant in Interior
                                                            96




                                   cxaurSuqfarnebi, anu sinaTle
                                   Tqvens sardafebSi
                                   Light in Your
                                   Basement Windows
                                                            98
serTificirebulia
sarCevi
Content         2                 deJavu
                                  Club Dejà Vu
                                                            116




     qarTuli saxli
     Kartuli Sakhli
                            102   jazi operasTan...
                                  Jazz near the Opera…
                                                            118




     eleganturoba dekorSi
     Elegance in Décor
                            106
                                  1001
                                                            120

     brendis
     axali
     interpretacia
                                  `saxlobana~
     New Interpretation           `rumsTan~ erTad
     of Brand
                            108
                                  Play "House Game"
                                  together with ROOMS
                                                            122


     sazogadoebrivi zonis
     moculobiTi struqtura
                                  sacxovrebli sivrcis
     Volumetric Structure         moduluri kompozicia
     of public zone
                            110
                                  The modular composition
                                  of residential space
                                                            125




                                  sacxovrebeli garemo -
                            112   cocxali organizmi
     NumBar 1
                                  Residential space -
                                  A living body
                                                            128




                                  sacxovrebeli garemo
                                  konkretuli ojaxisaTvis
                                  Living Space for a
                                  Particular Family
                                                            132

                                                     furnitura
                                                    FURNITURE



                                  La maison Bleue
                                                            140
serTificirebulia
sarCevi
Content                3
                                vernsaJi
                              VERNISAGE

             cira kalandaZe
             Tsira   Kalandadze
                                          144




             baia galerea
             Baia Gallery
                                          150




              `adamianebma unda
              iswavlon silamazis xedva~
              People Ought to Learn
              to Value Beauty
                                          152

                            axali ambebi
                                   NEWS         formis
              Îäèí òîëüêî ñïèñîê ñåìèíàðîâ,     iluziuri TamaSi
              âîðêøîïîâ è ìàñòåð-êëàññîâ        Phantom play
              ôåñòèâàëÿ ñïîñîáåí                of shapes
                                                                          160
              ñîðâàòü êðåàòèâíóþ êðûøó
                                         154


              saerTaSoriso konkursi

              INTERNATIONAL UNION
              OF ARCHITECTS (UIA)
              Information Center –              Change the Old with New
                                                                          161
              “Infopoint” In Turin
                                          156



                                                On 21-24 May, 2008 ExpoGeorgia
              "qaRaldis arqiteqtura" -          Company organizes
              arqiteqturuli fantazia            Caucasus Build ’08 -
                                                13th International
              “Paper Architecture” –            Fair for the Building
                                                                          161
              Architectural Fantasy
                                          158




     Jurnali vrceldeba                          "rediqsi" ukve TelavSia
"kviris palitra" - jixurebsa da wignis          RedX in Telavi
                                                                          162
    maRaziebSi
"macne" - jixurebi                              kote marjaniSvilis
"planeta forte" - jixurebi                      saxl-muzeumi sazeimod
"omega" - jixurebi (doloZis kuTxeSi,            gaixsna
                                                Official Opening
    infeqciuri saavadmyofos mimdebared,         of Kote Marjanishvili
    yifSiZis kuTxeSi)                           House-Museum
                                                                          163
aeroporti
"parnasi" - qseli
"gudvili"
"wignis saxli"                                  `aqsisma~
                                                mediaturi moawyo
         supermarketebi:                        Media Tour by Axis
                                                                          165
         "masivis" - qseli
         "livo" - qseli
         "ibisi" - qseli
         "kontinentali"
         "big beni"                             CubCikas damSvidobeba
                                                Farewell to Chubchik
                                                                          168
serTificirebulia
     stili #28. 2008




kidev erTi stadioni
kaparolisgan pekinSi
    “Citis bude” – ase eZaxian siyvaruliT peki-
nis CrdiloeTiT ganlagebuli olimpiuri kom-
pleqsis centrSi wamoWimul axal olimpiur
stadions, romelic furorsa da aRfrTovaneb-
as iwvevs da romelic amieridan pekinis samar-
ko niSani gaxdeba. Tumca pekinis olimpiada 2008
w. 8-24 agvistosaa dagegmili, magram Sveicaru-
li arqiteqtoruli biuros “hercog da de mo-
ronis” es saocari qmnileba magnitiviT ukve aT-
asobiT mnaxvels izidavs.
    “hercog da de moronis” proeqtebi maTi ga-
numeoreblobiT da tradiciuli samSeneblo ma-
salebis, maT Soris samSeneblo saRebavebis or-
iginalurad gamoyenebis meTodebiTaa cnobili.
    sulac ar iyo gasakviri is faqti, rom rode-
sac saqme saRebavze midga, cnobilma Sveicarel-
ma arqiteqorebma kvlav kaparols mimarTes.
kvlav imitom, rom maT miunxenis safexburTo sta-
dionis, alianc arenas mSeneblobisas mWidro da
efeqturi TanamSromlobis gamocdileba ukve
hqondaT. gadawyda - pekinis stadionis 90 000 kv.m.
kedlebis SesaRebad mWaxe wiTeli feris saReba-
vi gamoeyenebinaT, romelic foladiT “naqsov bu-
deSi” Signidan “gamoanaTebda”. aRsaniSnavia, rom
es “uCveulo” wiTeli saRebavi, romelic saer-
TaSoriso saxelwodebiT - amfiboliniTaa
(Amphibolin) cnobili, pekinSi mdebare kaparolis
adgilobriv sawarmoSi iqna warmoebuli.




16
                                        stili #28. 2008




    saRebavs Semdegi moTxovnebi unda
daekmayofilebina: unda yofiliyo eq-
stremalur klimatur pirobebSi (ro-
goricaa pekinSi) gamoyenebadi, uki-
duresi meqanikuri datvirTvis amta-
ni (aTasobiT mayurebeli daeswreba Ta-
maSebs), ekologiurad sufTa, WuWyisa
da gansakuTrebiT ki sinaTlis amta-
ni. erTi sityviT, gansakuTrebuli fi-
zikuri Tvisebebis mqone unda yofili-
yo. yvela moTxovnili Tvisebis mqone
saRebavi specialurad SemuSavebul
iqna doqtor robert murianis insti-
tutSi, Tavisi unikalurobis wyalo-
biT aTobiT sxva mwarmoeblis mier
SemoTavazebul saRebavTa Soris am
saRebavma saerTaSoriso tenderSi Ri-
rseulad gaimarjva.
    Jak hercogi, am grandiozuli pro-
eqtis erT-erTi avtori, darwmunebu-
lia, rom pekinis “Citis bude” pekini-
sTvis iseTive ukvdav simbolod iqce-
va, rogoradac parizisTvis eifelis
koSki iqca.


                                                          17
     stili #28. 2008




                                           `lam lis~ eqskluzivi
                                                         2009 wlis pirveli naxevris
                                                         axali koleqcia - siaxleebi
                                                                                         moxarulni varT warmogidgi-
                                                                                       noT kompania `lam lis~ axali
5769-225-X DESK, CRAWFORD, 163X76X77H                                                  koleqcia `antiprima~. aRsaniSna-
                                                                                       via, rom Cvens statiaSi aRweri-
                                                                                       li nivTebi mxolod 6-8 TveSi wa-
                                                                                       rsdgeba farTo sazogadoebis
                                                                                       winaSe evropul gamofenebze.
                                           5758-107-X    DINING    TABLE,     ECLAT,
                                           112X76X48H



                                                                                                  `lam lis~ nawarmis aso-
                                                                                              rtimenti gamorCeulad di-
                                                                                              dia: kompania uSvebs 12000
                                                                                              dasaxelebis produqcias,
5756-308-X DINING TABLE, CAPRI,74H                                                            romlis TiToeuli nimuSi,
                                                                                              faqtiurad, xelovnebis na-
                                                                                              warmoebia. es sagnebi unika-
                                                                                              luria, romelime stilistu-
                                                                                              ri mimarTulebis xist Car-
                                                                                              CoebSi maTi gamomwyvdeva
                                                                                              SeuZlebelia.
                                           5773-835-2325A, OCCASIONAL CHAIR,                      weliwadSi orjer fir-
                                           VIVIENNE, 117X79X97H                               ma uSvebs 600-ode nivTisg-
                                                                                              an Semdgar axal koleqcias.
                                                                                              aseTi arCevanis pirobebSi
                                                                                              nebismier, yvelaze momTx-
                                                                                              ovn klientsac ki SeuZlia
                                                                                              SearCios TavisTvis is erTa-
                                                                                              derTi da ganumeorebeli
5782-350-X, BUFFET, SONATA, 196X57X97H                                                        nivTi, romelic ganumeore-
                                                                                              bel saxes mianiWebs mis in-
                                                                                              teriers. `lam li~ yvelaze
                                                                                              sasurveli aqsesuaria sila-
                                                                                              mazis motrfiale da damfa-
                                                                                              sebeli adamianebis saxleb-
                                                                                              Si. kompania `marko polo
                                           5792-310-X,   GAME     TABLE,    REUNION,
                                                                                              lam li koleqSenis~ genera-
                                           93X93X81H                                          luri direqtoris stefano
                                                                                              urbinatis TqmiT, `lam li~
                                                                                              imdenad SeuzRudav arCevans
                                                                                              gvTavazobs, rom masSi yve-
                                                                                              la adamianisTvis moiZebne-
                                                                                              ba sayvareli nivTi.

5820-105-X,    GAME    TABLE,   REUNION,
93X93X81H




                                           5820-200-X,     CONSOLE,         INVERSE,
18                                         112X122X52H
                                                                                              stili #28. 2008




    `lam li~ mxolod naturalur
masalas iyenebs Tavis muSaobaSi -
es kompaniis kredoa. xe, qva, fisi,
oqro da vercxli - aseTia `lam
lis~ ostatebis arsenali. `lam
lis~ dizainerTa 300-kaciani gun-
di safuZvlad iRebs erT romeli-
me stils, amdidrebs mas axali, maT
mierve mofiqrebuli formebiT da
aniWebs yovel sagans ganumeoreb-
el auras. Sedegad viRebT ulama-
zes kompoziciebs, romlebSic os-       5772-835-2323L, OCCASIONAL CHAIR,   LF0100-5363, CABINET, ZEBRA LEAVES,
taturadaa Sezavebuli Zveli te-        KELLY, 84X84X112H                   91X53X137H
qnologiebi da Tanamedrove gemo-
vneba. `lam lis~ erT-erTi yvela-
ze mimzidveli Tavisebureba isaa,
rom verasdros ver ityvi danam-
dvilebiT risganaa damzadebuli
esa Tu is nivTi, radganac kompa-
niis dizainerebi ostaturad ax-
denen xis, qvis, bronzis, tyavis da
Zvlis faqturis imitirebas. `lam
lis~ erT-erTi yvelaze cnobili
teqnikaa `koromandeli~, romelic
jer kidev 300 wlis win gamoiye-
neboda CineTSi.
    lam li savsebiT realuri pi-
rovnebaa: mxatvari da dizaineri,
xelovnebis istoriis da filoso-
fiis dargSi samecniero xarisxis
mflobeli; adamiani, romelmac mo-
axerxa sakuTari, uaRresad indi-
vidualuri da Taviseburi logi-
kiT ganmsWvaluli stilis Seqmna.
                                      5776-830-2324A, OCCASIONAL CHAIR,   LF0101-5365, CABINET, SNOWLEOPARD,
2003 wlis 18 ianvars baton lam        CASEY, LEFT, 71DX91H                91X51X91H
lis gadaeca prestiJuli premia
`Academy of Achievement Award~.
dResdReobiT lam li uZRveba sa-
kuTar firmas da garemoculia
mis mierve Seqmnili dizainerTa
profesionaluri gundiT. misi xe-
lmZRvanelobiT, `lam lis~ kole-
qtivma SeiTvisa dizainis globa-
luri xedva da gaaerTiana uamra-
vi idea da teqnika, rac, saboloo
jamSi, gamokveTilad individual-
ur, gansxvavebul saxes aniWebs ko-
mpaniis nawarms.




   0160, Tbilisi,
   gamrekelis q. #7
   tel: +995 93 42-74-73
                                      5771-835-2322A, OCCASIONAL CHAIR,   NS0008-5360,NIGHT STAND, KENSA,
                                      CLAUDETTE, 84X76X125H               69X46X71H                             19
     stili #28. 2008




                                      Exclusive from Lam Lee
                                      NEWS ABOUT THE FIRST SEMESTER 2009 COLLECTION


                                                                              It is our pleasure to introduce sev-
                                                                           eral samples of „Antiprima“ collec-
                                                                           tion, newly developed by LAM LEE,
                                                                           which will be presented to the pub-
                                                                           lic at the European exhibitions in
                                                                           6-8 months.

16489E, TABLE LAMP, JESTER, 20X71H    NT0022-5360, NEST TABLE KENSA2/SET
                                      61X41X64/50X36X58H

                                                                                The range of LAM LEE products is surprisingly wide: they
                                                                           produce over 12000 items, each of them - a full-fledged work of
                                                                           art too unique to be labeled as belonging to this or that particu-
                                                                           lar style.
                                                                                Each semester the company creates a new collection includ-
                                                                           ing up to 600 new items. Facing such a choice, any client - how-
                                                                           ever choosy and demanding - can find the one and only object,
                                                                           capable of highlighting individuality of his interior. LAM LEE prod-
                                                                           ucts are welcomed by people understanding and appreciating beau-
                                                                           ty. According to Stefano Urbinati, general director of MARCO POLO
                                                                           LAM LEE COLLECTION, the great choice of LAM LEE products
                                                                           includes a favorite object to anyone.
                                                                                The company’s credo is exclusive use of natural materials.
                                                                           Wood, stone, resin, gold and silver - this is what LAM LEE crafts-
                                                                           men consider as their arsenal. LAM LEE designers (a team con-
                                                                           sisting of over 300 members) take this or that style or trend as
                                                                           a foundation, enrich it with their own forms and endow each item
                                                                           with unique aura, applying secret techniques and finishing prac-
                                                                           tices. Their work invariably results in a beautiful composition, rep-
                                                                           resenting a mixture of old techniques and modern taste. One of
                                                                           the attractive distinctions is that you can never tell what an object
                                                                           is made of, because the craftsmen can skillfully imitate textures
                                                                           of wood, stone, bronze, leather and bone. One of the most famous
16545, CONSOLE LAMP, CRANE I,         FG0275-5386, FIGURINE, HARLEQUIN,    techniques applied by LAM LEE is the so-called „coromandel“,
41X51X98H                             34X15X64H                            which was known in China over 300 years ago.
                                                                                Lam Lee is an actual personality - artist and designer, owner
                                                                           of a scientific degree in art history and philosophy, a man who
                                                                           has created his own style, saturated with highly individual logic.
                                                                           On January 18 2003 Mr. Lam Lee received the prestigious Academy
                                                                           of Achievement Award. Today, he runs his own company and is
                                                                           surrounded by a team of professional designers, who acquired a
                                                                           global vision of design and adopted a wide range of ideas and
                                                                           techniques, having integrated them into the distinctive LAM LEE
                                                                           style.


                                                                               7, Gamrekelis Str.
                                                                               0160, Tbilisi, Georgia
                                                                               Tel: +995 93 42-74-73




       LF0093-5360, CABINET, KENSA,   CN0283-5368, CANDLE HOLDER, AMBRO,
20     91X46X97H                      3/SET15X15X46/41/36H
                                                stili #28. 2008




kaparol jorjias
qarxana TbilisSi
    15 maiss zemo aleqseevkas dasaxlebaSi Se-
dga kaparol jorjias qarxnis oficialuri
gaxsna. kaparol jorjia, rogorc germanul
firmaTa jguf kaparolis sawarmo ukve sami
welia moRvaweobs saqarTvelos bazarze. Tvi-
Ton kaparolis jgufi 114 wlis win daars-
da germaniaSi da wamyvani poziciebi uWir-
avs evropaSi samSeneblo saRebavebis bazar-
ze. 2005 wels kaparolis jgufi investici-
iT Semovida saqarTveloSi, bolo wlebis
Sedegebze dayrdnobiT 2007 wlis gazafxul-
ze gadawyda ufro didi qarxnis aSeneba sa-
qarTveloSi, romlis warmadoba gasammagde-
boda da weliwadSi 10 000 tonas miaRwevda.
kaparol-s germaniis garda warmoeba aqvs ki-
dev 14 qveyanaSi: safrangeTSi, espaneTSi, av-
striaSi, italiaSi, belorusiaSi, inglisSi,
poloneTSi, ruseTSi (ori sawarmo), rumine-
TSi, CineTSi da maT Soris, saqarTveloSi. es
Zalian kargi da saamayoa. imaze metyvelebs,
rom dasavluri kompaniebisTvis qveyana mim-
zidveli xdeba.
    qarxnis mSenebloba gazafxulze daiwyo da
dRes ukve awarmoebs wyaldispersiul saRe-
bavebs. qarxana aRWurvilia germanuli dana-
dgarebiT, rac germanuli xarisxis garanti-
as iZleva. aRsaniSnavia isic, rom saqarTve-
loSi kaparolis mxolod erTi xazis produ-
qcia iwarmoeba – wyaldispersiuli saRebave-
bi da gruntebi, danarCeni 1500 dasaxelebis
produqti pirdapir germaniidan Camodis.
2010 wlisaTvis qarxnis sruli datvirTviT
amuSaveba igegmeba, rac 10 000 tona wyaldi-
spersiuli saRebavis warmoebas gulisxmobs,
am droisTvis qarxana mTlianad amierkavka-
siis regionis momsaxurebas SeZlebs da sa-
qarTveloSi saRebavebis bazrze arsebuli
moTxovnis 30%-35 %-s daakmayofilebs. war-
madobis zrda TavisTavad produqciis gai-
afebas Seuwyobs xels. mTliani investicia,
rac dRemde kaparolis jgufma saqarTvelo-
Si ganaxorciela, 7 milion dolars Seadg-
ens, saidanac 2 milioni TviTon qarxnis mSe-
neblobaze daixarja.
    qarxnis gaxsnisTvis specialurad Camovi-
dnen germaneli kolegebi, maT Soris kapar-
ol jgufis mflobeli batoni robert uri-
jan –i romelmac saqarTvelos premier mini-
strTan, baton lado gurgeniZesTan erTad sa-
zeimod gaWra lenti. gaxsnas daeswro aseve
Tbilisis meri batoni gigi ugulava da ge-
rmaniis ataSe ekonomikis dargSi batoni
qristian ernhorst-i . garda amisa gaxsnas es-
wrebodnen samSeneblo, dizaineruli da ar-
qiteqtoruli kompaniebis warmomadgenlebi,
developerebi, romelTanac kaparoli misi sa-
qarTveloSi gaxsnis dRidan mWidrod Tana-
mSromlobs.


                                                                  21
     stili #28. 2008

qalaqi
CITY

                                              TbilisSi mniSvnelovani obieqti -

sivrcis orientiri                          `kaparol jorjias~ qarxana aRimarTa. mi-
                                           si Rirseba – misi sivrcis garemosTan ur-
                                           TierTkavSirSi mdgomareobs. nageboba
"kaparol jorjias" qarxana                  kompaqturia – arqiteqtonikis ZiriTadi
                                           jgufebi erTmaneTTan moxerxebuladaa
                                           dakavSirebuli. misi arqiteqtura ori-
        proeqtis avtori: merab gujejiani   ginaluri kompoziciiT gamoirCeva da
                                           erT mTlianobaSi aRiqmeba. sxvadasxva
                                           geometriuli, mobiluri formebis Ser-
                                           wymiT, Senobis moculoba dinamiuria.
                                           igi Tavidanve ipyrobs yuradRebas vizu-
                                           aluri simsubuqiTa da siluetis grafi-




22
                                                                                                                stili #28. 2008




kuli sizustiT. amasTan erTad mniSvne-      rom urTulesi, Tanamedrove teqnologi-          is aTinaTi interierisaTvis damaxasiaTe-
lovania is, rom SemoqmedebiTad gaazre-     ebiT aRWurvili nagebobis interierSi           bel grafikul ideas, ufro metad aqcen-
bul moculobaSi arqiteqturuli deta-         yuradRebas ipyrobs arqiteqturuli fra-         tirebs. saerTo gamWvirvalebaSi SeWrili
lebis koloriti yovel vertikalur Tu         gmentebis dekoratiuli kompoziciebi. ga-       xazebi da paralelebi, dinamikuri simru-
horizontalur WrilSia gadaTamaSebu-         mWvirvalebas da simsubuqes, originalu-        deebi maorientirebel monaxazebsa da si-
li da mikrosamyaros simbolur vels          ri formawarmomCeni koloristuli gada-          luetebs qmnian.
qmnis. proeqtis avtori arqiteqtori me-     wyveta udevs safuZvlad, romelic opti-            Senobis mgrZnobiare membranad garda-
rab gujejiania.                            malur fons uqmnis nebismier sagans, gamo-     qmnili garsi, Sida da gare samyaros, er-
   interieris atmosfero Seminuli sib-      kveTs mis moculobas. es, gansakuTrebiT mni-   Timeoris monacvleobiT aRiqvams. masSi
rtyeebidan SemoWrili sinaTliTa da ha-      Svnelovania - interierSi yovelives Ta-        mTliani sivrcis Tavisuflebis mzardi
eriTaa savse da Tavisufalia. didi mase-    visi adgili aqvs miCenili da skulpturu-       xarisxis gamoyenebiT komfortuli da mSvi-
bis konstruqciul simsubuqes dizainis el-   li xasiaTis matarebelia. gamoyenebul ma-      di saqmiani garemo iqmneba.
ementebic imeoreben. yuradsaRebia, is,     salaTa faqturebis zedapirebze sinaTl-                                      nino laRiZe




                                                                                                                                  23
     stili #28. 2008




     A Landmark
     Plant of CAPAROL GEORGIA

     Author: Architect Merab Gujejiani




24
                                                                stili #28. 2008




      An important construction – Plant of CAPAROL
GEORGIA, was recently built in one of the fashionable
districts of Tbilisi. A strong point of the project is inter-
action of its interior with the existing environment. Major
architectonic groups of this compact construction are con-
veniently linked with each other. The unusual architec-
tural composition is based on dynamic integration of diverse
geometrical forms.
      Glazed surfaces give ample access to the sunlight
and visually expand the interior, failing to delimit its bor-
ders and creating an illusion of lightness and freedom.
The most noticeable elements of the interior are deco-
rative compositions of architectural fragments, shapes
of various accessories, the illusion of lightness and trans-
parency, based on original coloring solution, etc. The
general palette forms an optimal background for any arti-
cle, accentuating its volume. This is especially impor-
tant, because every element of the interior occupies its
own place, where its sculptural quality is advantageous-
ly highlighted. Interplay of sunlight on the reflective sur-
faces accentuates the graphical conception of the inte-
rior; lines, parallels and dynamic curves, interrupting the
general transparency, form orientating shapes and sil-
houettes.
      Hull of the building, reflecting in turns the inside of
the bank and its surroundings as a sensitive membrane,
makes the interior still more comfortable and enhances
its interaction with the outer world.
                                           NINO LAGHIDZE




                                                                                  25
     stili #28. 2008




26
serTificirebulia
     stili #28. 2008




firosmani
    arqiteqtor daviT maxarobliSvilis           interieris mTlianobis STabeWdileba er-    sa, sivrcis yoveli monakveTis individu-
proeqtiT, sul axlaxans, siRnaRSi, centr-   Tiani kompoziciuri gadawyvetiT, zonid-        aluroba SenarCunebulia. dekoris feri-
pointis sastumroebis qselis, `rCeulis~     an zonaSi gardamavali dekoris motivebiT,      sa da faqturis monacvleoba, maTze mxed-
axali sastumros - ~firosmanis ~ prezen-    erTi sibrtyidan meoreze feris gadaTama-       velobis koncentrirebas axdens.
tacia Sedga.                               SebiT, moculobiT-plastikuri gadawyve-             profesionalizmi yovelTvis detale-
    ~firosmani ~ quCasTan absolutur si-    tebiT, xazebisa da figurebis dialogebi-       bSi gamovlindeba. mocemul garemoSi igi
nqronSi modis. gare samyaro - eqsterier-   Ta da dizaineruli refrenebiTaa miRweu-        igrZnoba yvelgan - masalis faqturaSi, aq-
is Seminuli didi sibrtyeebiT, moculo-      li. dizainis mniSvnelovan komponents wa-      sesuarebSi, avtoris Canafiqris sabolo-
bis Sida sivrceebSi iWreba. eqsterieri-    rmoadgens kedelze Sesrulebuli ferweru-        od srulyofisaTvis SerCeul niuansebSi,
sa Tu interieris arqiteqtonika daxvewi-    li kompoziciebi, romelTa avtori mxatva-       romelTa aliansiT, sivrce harmoniul
lia da maT aRqmas kompoziciisa da piro-    ri nika cecxlaZe gaxlavT. interieris di-      mTlianobad - saintereso, vrcel dekora-
biTobis sxvadasxva xarisxis Tanaarseboba   namikaSi gansakuTrebuli niuansis Seaqvs ra-   tiul panod gardaiqmna.
amZafrebs. sivrcis dadebiTi `ekologia~     ti erisTavis mier Seqmnil liTonis dekors.                                 nino laRiZe
masSi moxvedrisTanave SeigrZnoba.              miuxedavad stilistikuri mTlianobi-                             foto: zinka barnovi




28
stili #28. 2008




                  29
     stili #28. 2008




                       Pirosmani
                             The project of Rcheuli Pirosmani, belonging to the
                       network of Center Point Group hotels, has been created
                       by David Makharoblishvili.
                              Pirosmani, is almost entirely open to the outer world
                       – large glazed surfaces successfully synchronize it with
                       the adjacent street surroundings. Refined architectonics of
                       the interior integrates several compositional and conven-
                       tional layers, highlighting originality of the design. The first
                       impression one feels upon entering the café is the posi-
                       tive ecology of the interior space.
                            The author skillfully adapted unfavorable proportions
                       of the interior to the new requirements. Impression of integri-
                       ty is achieved by a unified compositional solution, soft tran-
                       sition of decorations and colors from zone to zone and
                       from surface to surface, an intricate system of spatial solu-
                       tions, dialogues and refrains of lines and shapes. Important
                       components of the interior are wall paintings and metal
                       design by Nika Tsetskhladze and Rati Eristavi.
                               Stylistic integrity does not subdue originality of dif-
                       ferent sections of the interior, highlighted by distinctive col-
                       ors and textures. Varying intensity of artificial lighting fur-
                       ther accentuates the depth of form and color.
                              Professionalism is best revealed in the approach toward
                       minor details. In this particular instance, this feature is pres-
                       ent everywhere – in the choice of textures, accessories,
                       decorative ornaments, highlighting the general design
                       theme, which come together to transform the space into
                       a harmonious interior, opening up before the visitor’s eyes
                       as an interesting, vast decorative panel.
                                                                  NINO LAGHIDZE
                                                          PHOTO BY ZINKA BARNOV




30
serTificirebulia
     stili #28. 2008




epataJs moklebuli aqtualuroba
    arqiteqtor zaza ciciSvilis mier Se-     ruli arqiteqturuli dekoraciebis gare-         rdapir miwis doneze gadis da kibe Tu sa-
qmnili sacxovrebeli saxlis moculoba         Se iqna miRweuli. esTetika esTetikisaT-       fexurebi saerTod ugulvelyofilia. Ria
TavSekavebuli, daxvewili maneriTaa Ses-     vis - es Tezisi ar iyo avtoris mTavari        da daxuruli sivrceebis saerTo stilis
rulebuli. mis arqiteqtonikas, epataJs mo-   mizani. mis mier xorcSesxmuli moculoba,       warmomqmneli Temebi, maT erT mTianobaSi
klebuli aqtualuroba - mokrZalebulo-         romelic konkretuli ojaxisaTvis, misi          moaqcevs. ganaTeba, feri, gemovnebiT gamo-
ba axasiaTebs. saxlis gamomxatveloba, ara   cxovrebis wesis Sesabamisad `iwyoba~, mSvi-   yenebuli masalis faqtura, furnitura ga-
eqspresiis, aramed ostatis mier Seqmnili,   di, araordinaluri, metad komfortuli           momxatvelobiTia da maTze wuTieri moda
misi maRali xarisxis fonzea miRweuli. Zi-   sacxovrebelia da ara Sou-rumi Tu Tana-        ar batonobs. am uCveulod myudro sacxo-
riTad princips, romelic arqiteqtorma        medrove `muzeumi~.                            vrebeli garemos yovel fragmentSi axl-
sacxovreblis Seqmnisas gaatara (ra Tqma        gare samyarosgan absoluturad mowyve-       is, Tanamedrovis suliereba SeigrZnoba da
unda saxlis mflobelis moTxovnebis da        tili interieri oTx Sida ezoSi ixsneba.        visac unari aqvs SeigrZnos Teatraluro-
gemovnebis gaTvaliswinebiT), SeiZleba ra-   erT-erT maTganSi oranJereiaa mowyobili.       bas moklebuli silamaze, srulad aRiqv-
cionalurisa da esTetikuris wonaswo-            sacxovreblisTvis damaxasiaTebeli           ams saxlis esTetikas.
roba daerqvas. aq, yovelive sivrciTi eq-    mTlianoba da harmonia misi gegmarebiTi                                     nino laRiZe
sperimentebis, specefeqtebisa Tu zedapi-    gadawyvetis identuria. iatakis done, pi-                            foto: nana koberiZe




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                  33
     stili #28. 2008




                       Modernity
                       Without Excess
                             This residential house has been designed by archi-
                       tect Zaza Tsitsishvili.
                             Balance of rational and aesthetic are the key princi-
                       ples, underpinning the design, created without any exces-
                       sive experiments, special effects or superficial architec-
                       tural decorations. Obviously, the author did not give him-
                       self up to aesthetics for aesthetics sake only. His design,
                       built upon the habits, lifestyle, characters of a specific fam-
                       ily, is a peaceful, comfortable house, and not a show-
                       room or modern art museum.
                             The interior is absolutely isolated from the outer world
                       and opens up onto four inner courtyards, of which one
                       contains a greenhouse.
                             Integrity and harmony of the house are greatly due
                       to its efficient planning solution. The ground floor is level
                       to the site, excluding the necessity to use any stairs. Open
                       and closed spaces are integrated by themes, highlight-
                       ing the general style of the house. Lighting, colors, taste-
                       fully matched textures and furniture further highlights indi-
                       viduality of the house without pointing out to any tran-
                       sient fashion trend. Each fragment of this unusually com-
                       fortable living space radiates spirituality and invites to rel-
                       ish beauty devoid of any stage effects.
                                                               NINO LAGHIDZE
                                                    PHOTOS BY NANA KOBERIDZE




34
serTificirebulia
                                     kopania
                      VIP DESIGN AND BUILDING
                     gTavazobT momsaxurebis
                         farTo speqtrs:
                       eqspresproeqtireba;
                       sxvadasxva daniSnulebis interierebis
                        mxatvruli da sainJinro proeqtireba da kon-
                        struireba;
                       maRali klasis dizain proeqtebi;
                       interieris sruli mowyoba;
                       teqstilis da avejis farTo arCevani.


                   kompania VIP DESIGN AND BUILDING
                   SegisrulebT nebismieri sirTulis                       wels, aprilis TveSi, `stilis~ warmomadgenloba, milan-
                   sarekonstruqcio-saremonto samuSaoebs:             Si Semdgar dizainis saerTaSoriso gamofenaze viyaviT miw-
                       ofisebis mSeneblobas da mimdebare teritori-   veulni. erTi kviris ganmavlobaSi, gamofenis uzarmazar mo-
                        is keTilmowyoba;                             culobaSi ganTavsebul, msoflio mniSvnelobis brendebis mi-
                                                                     er warmodgenil eqspoziciebs vaTvalierebdiT da vswavlo-
                       ezoebis dekoracia, avzebis mSenebloba;
                                                                     bdiT da erT-erT samuSao dRes, am ulamazes `ukideganoba-
                       gare fasadis mopirkeTeba;
                                                                     Si~, sruliad SemTxveviT `gadavawydiT~ erTmaneTs `patara~
                       mcire arqiteqtura da mSenebloba;
                                                                     qarTvelebi - Cven da dizaineri xaTuna fircxalava. mogexse-
                       ultraTanamedrove samSeneblo masalebiTa da     nebaT, ucxo qveyanaSi TanamemamulesTan Sexvedras mZafri em-
                        aRWurvilobiT obieqtis kompleqtacia;          ociuri datvirTva axlavs Tan - mokled, Cveni gacnoba Sed-
                       arqiteqturuli naxazebis sivrcobrivi           ga da gairkva, rom xaTuna, rogorc profesionali ecnoboda
                        vizualizacia (kompiuteruli grafika);         milanSi warmodgenil dizainisa Tu avejis axal koleqciebs,
                       saproeqto gadawyvetebis SeTanxmeba;           Tavisi samomavlo proeqtebis gansaxorcieleblad. igi oci wlis
                       proeqtis ganxorcielebis yovel etapze          ganmavlobaSi cxovrobda moskovSi - swavlobda da moRvawe-
                        avtoris zedamxedveloba.                      obda iq. xaTunas ori profesia aqvs. igi Jurnalisti da di-
                                                                     zaineria (damTavrebuli aqvs moskovis dizainis saerTaSori-
                   Tqven mogemsaxurebaT maRalkvalificirebuli         so skola), Tumca amJamad, dizainis sferoSi moRvaweobs da
                   specialistebi, romlebic Tqven nebismier           sakmaod warmatebiTac. misi proeqtebiT, moskovSi, mravali
                                                                     interieri ganxorcielda, araerTgzis mopovebuli aqvs war-
                   Canafiqrs da survils realobad aqceven.
                                                                     matebebi saerTaSoriso konkursebSi (rac, presis furcleb-
                                                                     ze Tu sxvadasxva sainformacio saSualebebiT iqna dafiqsi-
                           Cveni momsaxurebiT                        rebuli), gavlili aqvs master-klasebi Tanamedrove dizain-
serTificirebulia




                   Tqven namdvilad kmayofili darCebiT                is korifeebTan. bolo erTi weliwadia igi saqarTveloSi Ca-
                                                                     movida da axla, rogorc axlad daarsebuli arqiteqturu-
                                                                     li studiis - VIP DESIGN AND BUILDING COMPANYs erT-erT fu-
                   Tbilisi, WavWavaZis I Cixi, 4a                    Zemdebels da warmomadgenels, aqac saintereso gegmebis gan-
                   tel.: (+995 32) 29-06-22, 36-97-99                xorcieleba aqvs dagawyvetili.
                   vdb_company@inbox.ru
          stili #28. 2008

                     saxli
                    HOUSE




profesionalis
     savizito
       baraTi


                            37
     stili #28. 2008




38
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                  39
     stili #28. 2008




   pirveli interieri, romelic saqar-      dawyvetebiT, arqiteqturuli riTmebiTaa            gegmarebis gadawyvetis lakonizmi,
TveloSi, TbilisSi, xaTuna fircxalav-      miRweuli.                                     detalebisadmi unatifesi damokidebu-
as proeqtiT Seiqmna - misi sakuTari sa-      yovel Strixsa da niuansSi, maT tona-       lebiT kompensirdeba. maTi vizualizacia
cxovrebeli binaa. igi qarTuli interi-     lobasa da sivrceSi gadanawilebaSi, pro-       dizainis stilis ganmsazRvreli xdeba. in-
eruli realobisaTvis sakmaod araordi-      fesionalizmi, daxvewili gemovneba Cans. Ta-   terieri, TiTqos Signidan naTdeba gan-
naluria.                                  visuflad formirebul sacxovrebelSi             sakuTrebuli, miseuli SuqiT, rasac `ga-
   sacxovreblis erTiani interieruli       TiToeuli nivTi aqcentirebulia. yoveli         mWvirvale~ detalebis, klasikuri aqse-
saxe Tanamedrove da klasikuri dekoris     monakveTi ipyrobs yuradRebas, rogorc ga-      suarebis, avtoris mier Seqmnili deko-
motivebiT, moculobiTi da plastikuri ga-   nsakuTrebuli movlena.                         ratiuli kompoziciebis, bunebrivi da xe-

40
                                           stili #28. 2008




lovnuri ganaTebebis sinqroni aRrmavebs
da ara mxolod...
   sacxovrebeli avtoris pirovnebis, pro-
fesionalizmis savizito baraTia. igi, mi-
si cxovrebis kulturis erT-erTi metad
mobiluri formaa, romelic metad faqiz-
ad reagirebs nebismier cvlilebaze.
                            nino laRiZe
                     foto: gia javeliZe


                                                             41
     stili #28. 2008




Visualization
of Professionalism
     In April 2008 representatives of STYLE Magazine       master-classes with leading specialists of modern          positioning declare refined taste. The loosely formulat-
were invited to an international design exhibition tak-    design), though right now design is her primary activ-     ed residential space puts special accents on each item;
ing place in Milan. All through our 7-day visit there we   ity. Khatuna’s activities are rather successful – she      each section attracts attention with its originality.
had been studying expositions of the most successful       designed numerous interiors in Moscow; her works were           Simplicity of planning is compensated with the most
brands from all over the world, displayed in the huge      acknowledged at international exhibitions. Last year she   careful approach toward details. Their visualization actu-
exhibition space, and – very unexpectedly – met there      returned to Georgia and established architectural stu-     ally defines the style of overall design. The interior seems
a Georgian designer Khatuna Pirtskhalava. As it            dio VIP Design and Building Company.                       to be lighted from inside with a special radiance, which
appeared, Khatuna was researching new furniture col-            The first interior designed by Khatuna Pirtskhalava   is further highlighted by transparent details, classic acces-
lections, presented at the exhibition, with professional   in Tbilisi was her own apartment. This space stands        sories, decorative compositions, created by the author
goals, intending to use the subsequently generated ideas   out as rather original against the common background       and combination of artificial and natural lighting.
in her new projects.                                       of Georgian interiors.                                          The apartment is a visualization of the author’s indi-
     Khatuna Pirtskhalava moved to Moscow twenty years          The integral interior space represents a combina-     viduality and professionalism, representing her lifestyle
ago to study and work. She has two professions: jour-      tion of modern and classic decoration motives, volu-       in a mobile form and reacting to every change.
nalist and designer (Khatuna graduated from the            metric and spatial solutions and architectural rhythms.                                            NINO LAGHIDZE
International Design School of Moscow and attended         Each line and feature with their coloring and spatial                                      PHOTO BY GIA JAVELIDZE




42
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                  43
     stili #28. 2008




    kote marjaniSvilis saxelobis Tbili-      arqiteqturul-mxatvruli Tvalsazris-            ori erTmaneTisagan gansxvavebuli -
sis saxelmwifo TeatrTan, TiTqmis mis mo-     iT, restorani ganumeorebelia. misi mocu-   sivrcisaTvis, winaswar SemuSavebuli
culobaSi italiuri restorani `marjan-         lobis zeda done - Ria kafe-restorani -     Tematuri scenariT Sinaarsoblivad
ov eqspresi~ gaixsna. igi, arqiteqtoreb-     italiuri vagzlis peronia Tavisi mosa-      rTuli da STambeWdavi eqspozicia Sei-
is, levan saluqvaZisa da gela iordaniS-      cdeliT. aqedan, qveda doneze - `restora-   qmna da maTSi sivrcis mTlianoba cal-
vilis (arq. kompania `gilsi~) proeqtiT ga-   ni vagonSi~ - matareblis vagonSi Cavdiv-   keuli moduluri elementebiTaa gaje-
nxorcielda. Tbilisuri panoramisaTvis,        arT.                                       rebuli.




44
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                  45
     stili #28. 2008




46
                                              stili #28. 2008




   arqiteqturuli sivrce - es sirTulea,
romlis gadalaxvasac, zogjer arqiteqto-
ri ver axerxebs. mocemul SemTxvevaSi ki av-
torTaTvis arsebul moculobaSi Sesvlas
dabrkoleba ar Seuqmnia. maT SesaSuri si-
TamamiT Seqmnes araordinaluri ` sakuTa-
ri arqiteqtura~. eqterierisa Tu interi-
erebis gadawyvetisas, maTSi iseTi gansaku-
Trebuli - statikuri da dinamikuri `sam-
yaroebi~ Seiqmna, romelic dasvenebisaTv-
is maqsimalurad komfortulia. warmoqmn-
il sivrceebSi evropuli tradiciebi Ta-
namedroveobasTan sinTezirdeba da erTma-
neTTan mWidro kavSirSia.
   calkeul SemTxvevaSi, interierebSi, ut-
ilitaruli Tu stilisturi elementebi na-
tifi dekoriT erwymian erTmaneTs da av-
torTa peofesionalizms gamoxataven.
   interierul monakveTebSi ara mxolod
kompoziciis kanonebis ganmeorebaa, aramed
moulodneli mkveTri gadawyvetebis Zieba-
caa. masalis mravalferovneba, ferTa to-
nalobebi, maTi gaazrebulad organizebu-
lad kombinireba, mTlian sivrceebs TviT-
myofads xdis.
   `marjanov eqspresis~ ganwyobis TiTeu-
li niuansi adamianis yuradRebas adunebs
gare samyaros mimarT. mTliani sivrciTi ko-
mpoziciebi, maTSi gadanawilebuli arqite-
qturuli elementebi, detalebi - mdidru-
li apartamentebis STabeWdilebas tovebs.
dizaineruli fragmentebi damoukidebeli
da individualuria, Tumca erT mTliano-
baSi aRiqmeba.
                                                                47
                               nino laRiZe
     stili #28. 2008




Marjanov Express
     New Italian restaurant “Marjanov Express”, designed           Architectural space is an issue, which sometimes             Interior design reflects not only the observance of
by architects Levan Salukvadze and Gela Iordanishvili        remains unsolved even in the architect’s hands. In this       composition rules, but also the quest of unexpected
(architectural company “Gils”) was recently opened at        particular case transformation of the space has not cre-      solutions. Diversity of construction materials, colors and
the premises of Kote Marjanishvili State Georgian Theatre.   ated any problems for its authors. They showed a great        their carefully organized combinations further increase
     From the architectural and artistic point of view,      deal of boldness in creating an original style. Design        originality of the spaces.
Marjanov Express enriched the panorama of Tbilisi with       solutions of restaurant exterior and interior resulted in          The atmosphere of Marjanov Express makes its
a unique component. The upper part of its volume –           creation of special static and dynamic “worlds”, provid-      visitors forget the outer world. Spatial compositions with
open-air café-restaurant – resembles an Italian railway      ing maximal comfort and relaxation to visitors. The spaces    their architectural elements and details leave the
station platform. From there you can access the lower        successfully merge old European traditions with moder-        impression of luxury. Minor elements are independent
floor: replica dining-car. The two different spaces are      nity. Functional and stylistic elements of the interior are   and individual, though integrated into the general
integrated by a complex thematic scenario, balanced          integrated by refined decorative elements, further high-      design.
by a range of modular elements.                              lighting the authors’ professionalism.                                                                 NINO LAGHIDZE




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                  49
     stili #28. 2008




                       axali dizaingalerea -
                       yvelaferi Tqveni
                       interierisTvis
                           miuxedavad imisa, rom TbilisSi bevri galereaa, mas erTi lamazi adgi-
                       li Seemata diumas quCaze – dizaingalerea “guga kotetiSvili da noma stu-
                       dio”. maspinZlebi arian guga kotetiSvili da “noma studiis” damfuZneble-
                       bi nino liparteliani da maka tabataZe.
                           galereis koncepcia erTia - Tavisufleba xelovnebas. es xelovnebaa Tu
                       xeloba - xSirad bWoben adamianebi, mogzauroba mxolod mgzavroba ar aris
                       – vpasuxobT Cven.
                           Temas rom sasurveli mimarTuleba mivceT, mogiTxrobT ra xdeba Cvens ga-
                       lereaSi, rCevas ki mogcemT - Tavad naxeT. mis yovel kuTxeSi bevrs sainte-
                       resos ipovniT. gugas aveji, saocari siyvaruliT Segrovebuli nivTebi da
                       “nomas” naqargi, xelnakeTi teqstili, haerovani Sarfebi da aqsesuarebi in-
                       terierisTvis.
                           aq SemTxveviTi araferia, yvela nivTs Tavisi daniSnuleba aqvs konkret-
                       ul interierSi. Cveni funqcia xom es aris adamianebs SeuqmnaT gamsakuTre-
                       buli samyaro.
                           gemovnebaze ar kamaToben. Cven ar vkamaTobT, Cven gTavazobT estetiur
                       garemos. es varT Cven...
                           galerea sxva dizainerebsac maspinZlobs. mraval proeqtsa da ideas So-
                       ris varCieT erTi, rac sevdas da Rimils erTdroulad hgvris. es aris epo-
                       qa, istoria, bavSvoba, siTbo, nivTebi. vfiqrobT ar SevcdiT, radgan Tema
                       “yvelaferi bebiaCemis Sesaxeb” saintereso aRmoCnda. Txu-
                       Tmeti avtoris TxuTmeti istoria, sevdac da iumoric -
                           arafers giambobT dawvrilebiT, radgan yoveli vizi-
                       tis dros siurprizi geliT.
                                  reportaJis da ideis avtori: buba svimoniSvili




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                  53
     stili #28. 2008




                       New Design Gallery –
                       Everything for Your Interior
                            Though there already are many galleries in Tbilisi, a still another nice place – “Guga
                       Kotetishvili and Noma Studio”, located in Dumas Street – was recently added to the list of
                       such establishments. Its hosts are Guga Kotetishvili and founders of Noma Studio Nino Liparteliani
                       and Maka Tabatadze.
                            The concept of the gallery is simple – “give freedom to art”. To people wondering whether
                       artisanship may be leveled with art, we can answer that “trip” does not necessarily mean
                       “transportation”.
                            To change the topic, we will just tell you what goes on in our gallery (though, frankly, it
                       would be much better if you came to see it with your own eyes). The space is filled with
                       interesting objects. Guga’s cherished collection of furniture and decorative articles is com-
                       bined with Noma embroideries, handmade textiles, scarves and interior accessories.
                            There is nothing occasional here – every article can assume a specific function in this
                       or that interior. Actually, this is what we envision as our goal – to help people create origi-
                       nal environment.
                            As the saying goes, there is no accounting for tastes. We do not break this rule, we
                       just offer you to add aesthetic quality to your life.
                            The gallery also hosts expositions of other designers. From among many projects and
                       ideas we singled out the one, which is both funny and sorrowful: interpretation of the epoch,
                       history, childhood, warmth and objects. We believe we did not make a mistake, because the
                       theme “Everything about My Grandmother” proved really interesting and compelled fifteen
                       authors to present fifteen totally different stories with different humor and sorrow.
                            No more details – please come and visit us, and stay assured that your every visit will
                       be a surprise.
                            You can come to “Guga Kotetishvili and Noma Studio” every day
                       except Sundays from 11 a.m. to 19 p.m. Our address is 6 LEselidze
                       Street / 4 Dumas Street.
                                             REPORTAGE AND IDEA BY BUBA SVIMONISHVILI




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                  57
     stili #28. 2008

ucxouri arqiteqtura
FOREIGN ARCHITECTURE




                                            palaco
                                            dela rajione
                                            avtori: arqiteqtori tobia skarpa


   tobia skarpa daibada veneciaSi 1935          maT mier Sesrulebul arqiteqturul              tobia da afra skarpas sarestavracio
wlis 1 ianvars; 1969 wels daamTavra ve-      proeqtebSi gansakuTrebuli yuradRebis          proeqtebidan, yvelaze sainteresoa bar-
neciis universitetis arqiteqturis faku-      Rirsia `B&B~-s qarxana (novedrate), kasa      Ceza vila lia da punto sipi (trevizo),
lteti; 1957 wlidan TanamSromlobs ar-         benetoni (paderno), vila frajiakomo           palaco del monte (rejo emilia), me-14 sa-
qiteqtor afra bianCin skarpasTan dizai-      (triesti), moltenis saxli da moltenis         ukunis kompleqsi trevizoSi, vila garni-
nis, arqiteqturisa da istoriuli Zegle-       saxli (karimate), kasa lorencini (abano Te-   eri (ponsano veneto), lojia dei kavali-
bis restavraciis sferoebSi.                  rme), kasa tonolo (ponsano), `Benetton        eri (trevizo), palaco bonati da balaco
   tobia da afra skarpas dizaineruli na-     Group~-is industriuli kompleqsi (kastre-      bruzati (karpi, rejo emilia), palaco
muSevrebi inaxeba msoflios umsxvilesi mu-    te di vilorba), palaco delo sporti (sa-       bomben-karnarota (trevizo), galerie
zeumebis koleqciebSi da dajildoebu-          lerno), `interportos~ axali Stab-bina (pa-    del’akademia (venecia) da palaco del me-
lia mravali saerTaSoriso priziT.             dua).                                         rkato vekio (verona).

58
                                               stili #28. 2008




    arqiteqtor tobia skarpas mier SemuSa-
vebulma da `fondacione kariveronas~ mi-
er dafinansebulma sarestavracio proeqt-
ma daubruna veronis palaco dela rajio-
nes uwindeli silamaze. proeqtiT gaTvali-
swinebuli samuSaoebi Zveli tradiciebis Se-
sabamisi martivi xerxebiT ganxorcielda, ra-
mac arqiteqtors saSualeba misca minimu-
mamde daeyvana Tanamedrove teqnologieb-
is Tanamdevi agresiuloba.
    palacos Sida sivrceebi aRsdga Tavisi
pirvandeli formiT; am mxriv, proeqti Za-
lian gavda palimfsestis SedarebiT axali
naweris qveS naxevrad waSlili, gamqrqale-
buli pirvandeli teqstis amokiTxvas.
    sarestavracio proeqtze saubrisas, to-
bia skarpa gansakuTrebiT gamoyofs palac-
os ZiriTadi sarTulis uzarmazar, wvril
rafebSi Casmul fanjrebs, aguriT da Ta-
baSiris panelebiT nageb kedlebs, romleb-
ic foladis arSiebiTaa Semovlebuli sxva-
dasxva sivrceebis gamosakveTad, iatakze
dagebul ruxi granitis filebs, romelTa
erTferovneba vizualruad aerTianebs sa-
gamofeno darbazebs, WerSi gaWril Riob-
ebs.
    TumcaRa, skarpa aqve xazs usvams imasac,
rom arqiteqtura pirvel rigSi unda akma-
yofilebdes funqciurobis moTxovnebs: `me
mudam maxsovda, rom es konkretuli Seno-
ba erT did sagamofeno sivrces warmoadg-
ens. maqsimalurad vecade, rom interieris
arqiteqtura gamokveTilad TviTmyofadi ar
yofiliyo; magram, meores mxriv, sagamofe-
no struqturebi zedmetad moqnili da us-
axuric ar unda gamomsvloda. amis gaTva-
liswinebiT da palacos momaval administ-
ratorebTan xangrZlivi diskusiebis Sede-
gad, SevqmeniT 2.5×4 metriani liTonis mo-
biluri konstruqciebi, romlebic fonad ed-
eba eqsponatebs da Seicavs xelovnuri ga-
naTebisa da usafrTxoebis sistemebs.~
    Sedegad, palaco dela rajiones STam-
beWdavi da uCveulo sagamofeno sivrceebi
nebismieri gamofenis maqsimaluri efeqtu-
robiT organizebis saSualebas iZleva.
    sarestavracio samuSaoebis dros, gansa-
kuTrebuli mniSvneloba mieniWa sgamofeno
sivrceebis xelovnur ganaTebas: sasurveli
gadawyvetilebis misaRebad, arqiteqtorma
tobia skarpam gamoiyena mizaris sistema RAY,
romelic gamoirCeva sinaTlis intensivob-
is marTvis unikaluri saSualebiT. mizari
– sinaTle Cvens samyaroSi - gTavazobT Se-
moqmedebiTi Ziebisa da uaxlesi teqnolo-
giebis STambeWdav nazavs.
    1994 wels Seqmnilma am kompaniam male-
ve moipova sakuTari niSa gasanaTeblebis wa-
rmoebaSi. mizaris ganaTebis sistemebi wa-
rmoadgens SemoqmedebiTi Ziebis, uaxlesi te-
qnologiebisa, xarisxis da Sesrulebis STa-
mbeWdav nazavs, romelic imavdroulad iT-
valiswinebs ekonomiurobis moTxovnas da ga-
remosdacviT aspeqtebs.

                                                                 59
     stili #28. 2008




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                                                                                                               stili #28. 2008




                                              mizaris nawarmi saukeTesoa yvelgan, sa-
                                           dac ganaTebis xarisxs pirveladi mniSvne-
                                           loba eniWeba – rogorc profesiul pro-
                                           eqtebSi, mag. komerciul interierebSi,
                                           muzeumebSi Tu ofisebSi, ise sazogadoe-
                                           brivi TavSeyris adgilebSi da sacxovre-
                                           bel interierebSi.
                                              tobia skarpa - ganaTebis xelovnebis Se-
                                           saxeb:
                                              - `xelovnebis, SemoqmedebiTi azrovne-
                                           bis, grZnobebis da SegrZnebebis memkvidre-
                                           oba, romelic gvimxels gasul TaobaTa me-
                                           ntalitets da mamoZravebel motivebs, un-
                                           ikalur formebSi ukvdavyofili simdid-
                                           re, romelsac mTels Tavis sisruleSi mxo-
                                           lod xelovnebaTmcodnis gamocdili Tva-


                                                                                        li xedavs... swored aseTi gziT midioda
                                                                                        proeqt "RAY"-ze muSaoba – Tavdapirveli
                                                                                        esTetiuri, konstruqciuli da funqciu-
                                                                                        ri kvlevebis ganxorcielebisas, gaTvali-
                                                                                        swinebul iqna uamravi gansxvavebuli ti-
    Tavisi unikaluri Tvisebebis wyalob-
                                                                                        pis sagamofeno sivrcis ganaTebis moTxo-
iT, mizari sargeblobs msoflios wamyva-
                                                                                        vnebi, ramac transpoziciis Sedegad mig-
ni dizainerebis da arqiteqtorebis: to-
                                                                                        viyvana mniSvnelovani arqiteqturuli fa-
bia skarpas, devid liuisis, momodizain-
                                                                                        seulobis mqone sivrceebisTvis moqnili ga-
is, silvio de pontes, mateo fiores, Ste-
                                                                                        naTebis sistemis Seqmnamde~.
fano ankonentanis, karlo vietris erTsu-
lovani aRiarebiT.




                                                                                                                                 61
     stili #28. 2008




                                      Tobia Scarpa Born in Venice on January 1 1935,             Villa Loredan in Volpago del Montello (TV), Villa Guarnieri


PALAZZO                          and graduated in architecture from the Istituto Universitario
                                 di Venezia in 1969. He has worked together with archi-
                                 tect Afra Bianchin Scarpa since 1957, in the fields of
                                 design, architecture and the restoration of monuments.
                                      Design projects by Tobia and Afra Scarpa have won
                                                                                                 in Ponzano Veneto (TV), La Loggia dei Cavalieri in
                                                                                                 Treviso, Palazzo Bonati and Palazzo Brusati in Carpi
                                                                                                 (Reggio Emilia), Palazzo Bomben-Carnarotta in Treviso,
                                                                                                 the Gallerie dell’Accademia in Venice and the Palazzo
                                                                                                 del Mercato Vecchio in Verona.


DELLA                            many international awards; some of their works are in the
                                 collections of the most important museums in the world.
                                      Their architectural projects include: the B&B facto-
                                 ry in Novedrate (CO), Casa Benetton in Paderno (TV),
                                 Villa Fragiacomo in Trieste, Casa Lorenzin in Abano
                                                                                                                                      Treviso, April 2008

                                                                                                      The renovation project, which restored the Palazzo
                                                                                                 della Ragione in Verona to its ancient beauty, was
                                                                                                 designed by Tobia Scarpa and sponsored by the
                                 Terme (PD), the Molteni house in Carimate (CO), the             Fondazione Cariverona. A project carried out with sim-


RAGIONE                          Meroni house in Carimate (CO), Casa Tonolo in
                                 Ponzano (TV), the Benetton Group industrial complex
                                 in Castrette di Villorba (TV), the Palazzo dello Sport in
                                 Salerno; the new headquarters for the Interporto in Padua.
                                      Their restoration projects include: Barchessa Villa
                                                                                                 ple techniques respectful of ancient practices, using mod-
                                                                                                 ern technology whose natural aggressiveness was mit-
                                                                                                 igated to a minimum.
                                                                                                      The spaces themselves were restored to their orig-
                                                                                                 inal form, “well aware that in the palimpsest, the ori-
Author: Architect Tobia Scarpa   Lia and Punto Sip in Treviso, Palazzo del Monte in              gins are lost, stratified, mixed”.
                                 Reggio Emilia, a fourteenth-century complex in Treviso,              In describing the renovation project, Tobia Scarpa
                                 projects for the restoration of Via Isonzo in Treviso and       speaks of the “trifora windows on the piano nobile




62
                                                                                                                                                               stili #28. 2008




reframed with a thin window structure”; “of lightweight               Every exhibition will thus be in a position to devel-        Mizar’s products are displayed at their best where
masonry or gypsum board walls, redesigned, framed,              op its own strategy to enhance these intense and in           light quality assumes primary importance as in profes-
with a steel lip, to delineate new spaces”; “of the floor       some ways extraordinary spaces of the Palazzo della           sional projects, i.e. task-orientated commercial interiors,
paved in large grey marble tiles that run through all           Ragione” (see The exhibition design project).                 museums, offices and directional centres, as well as
the exhibition rooms to create unity”; “of the ceiling which          Great importance was therefore attributed to the        in collective areas and residential concepts.
opens towards the sky in one point like a telescope             lighting solutions for which architect Tobia Scarpa used
to frame the tower of the Lamberti”.                            the Ray system, by Mizar, a project conceived to solve             TOBIA SCARPA ON LIGHTING ART:
     “But – reflects Scarpa in the end – architecture must      the problem of regulating the intensity of the cone of             […] “The work of art, a legacy of thoughts, feel-
always bow to the functions, and in this architecture the       light to create a balanced lighting solution.                 ings, perceptions, which testify to the way an entire
main function is exhibition space. The risk was that the              Born in 1994, Mizar has immediately obtained, through   people or period think and act, a wealth transcribed
interior architecture would be too obvious, too distinc-        its own products, a remarkable position in the field of       into forms made up of unique qualities which are often
tive, or that the exhibition structures would be flexible       technical and architectural lighting. The main features       invisible even to the expert eye of the critic. This is
but indistinct. For this reason, after lengthy discussions      of its products are the constant search of equilibrium        the order of ideas that underlies the development of
with the future management of the Palazzo, we designed          among style, technique and performance without neglect-       the Ray project; the initial esthetic, formal and func-
metal structures for Alucore panels measuring two and           ing the aspect of energy saving and environmental impact.     tional studies were conducted with the purpose of sat-
a half by four meters, which may be used in either a                  For these reasons Mizar has chosen to collabo-          isfying the lighting requirements of many different exhi-
vertical or horizontal position, to guarantee a flexible dis-   rate with some of the greatest exponents of design            bition spaces and consequently, by transposition, given
tribution, and electrical power to light the paintings, to      and architecture such as Tobia Scarpa, David Lewis,           the historical and architectural importance of many muse-
power any digital signals and to control the structural         Momodesign, Silvio De Ponte, Matteo Fiore, Stefano            um venues, the accent lighting and the general light-
panels for the protection of the artworks hung on them.         Anconetani, Carlo Vietri.                                     ing for spaces with significant architectural value”.




                                                                                                                                                                                     63
     stili #28. 2008




                                             furnitura
                                      Serralunga - 2007
                                      Designers:
                                        Luisa Bocchietto, Michel Boucquillon,
                                        Zaha Hadid, Patrick Jouin,
                                        Ross Lovegrove, Marc Sadler,
                                        Jean-Marie Massaud.

                                                italiuri mrewvelobis istoriaSi `se-
                                             ralunga~ gvevlineba rogorc xangrZlivi
                                             da warmatebuli muSaobisa da mudmivi ga-
                                             nviTarebis iSviaTi magaliTi.
                                                am saojaxo biznesis asakma ukve 300 we-
                                             liwads gadaabija.
                                                `seralunga~ daarsda 1825 wels rog-
                                             orc tyavis gadamamuSavebeli sawarmo,
                                             romelic Tavdapirvelad sxvadasxva samre-
                                             wvelo daniSnulebis tyavis produqcias




                                                                                                            awarmoebda, xolo me-20
                                                                                                            saukunis dasawyisSi Se-
    furnituris dizaini teqnikuri sru-                                                                      udga gutaperCis da pla-
lyofilebiT, novatoruli xasiaTiT,                                                          stikis gadamuSavebas.
Tanamedrove cxovrebis temps unda Se-                                                         80-ian wlebSi kompaniam (pirvelma it-
esabamebodes da damawynarebel stabilu-                                                    aliur sawarmoTa Soris) aSS-dan Semoita-
robas qmnides. adamianis mier gamoyene-                                                   na axali sawarmoo xazi da daiwyo sayva-
bul mraval saganTagan, mas wamyvani ad-                                                   vile larnakebis gamoSveba. axali aRWur-
gili uWiravs.                                                                             viloba `seralungas~ uzarmazari – 2000
    dizainze yovel epoqaSi garkveuli Se-                                                  litramde tevadobis WurWlis damzadeb-
xedulebebi hqondaT. igi drois specifi-                                                    is saSualebas aZlevda. kompania male mi-
kas, sazogadoebis kulturas da mflo-                                                       xvda rom didi zomis nivTebis warmoeba
belis materialur SesaZleblobebs war-                                                      misi Zlieri mxare iyo; Semdegi nabiji ki
moaCens. interieris Seqmna-mowyobisas ad-                                                 garegnuli silamazis, stilis da origi-
amianis saqmianoba SemoqmedebiTia. sagne-                                                 nalobis miRweva unda yofiliyo.
bis garegnuli saxe, maTi funqciur-xari-                                                      erTgvari gadatrialeba kompaniis sa-
sxobrivi maCveneblebi da komfortulo-                                                      qmianobaSi gamoiwvia ori megobris: mar-
ba, furnituris SerCevisas, gadamwyveti fa-                                                ko seralungas da luiza boCietos Semo-
qtorebia. Tanamedrove furnituris Sefa-                                                    qmedebiTi aliansis Camoyalibeba. markos
sebis kriteriumebia - msubuqi formebi Se-                                                             saqmianma alRom da luizas wa-
sabamisi statikuri Tu dinamikuri Tvise-                                                                     rmosaxvam da gemovnebam
bebiT, romelic ergonomikul moTxovnebs                                                                              bolo 15 wlis
akmayofilebs da samuSaod da dasasveneb-
lad mosaxerxebelia.
                    Tanamedrove fur-
                    nituraze msjelo-
                      bisas, gansaxilve-
                           lad warmogi-
                            dgenT frag-
                            mentebs `sera-
                            lungas~ ko-
                            leqciebidan.




64
                                                                                                        stili #28. 2008




                            manZilze sruli-   amovno disonans qmnis. bunebrivi da xelo-     `di
                          ad Secvala kompa-   vnuri masalis ostaturi kombinireba, fo-        pa-
                       niis profili da aq-    rmis Camoyalibebisas, dausrulebeli va-       lma
                     cia igi Tanamedrove      rirebis saSualebas iZleva.                    as-
     stilis kanonmdeblad. bolo aTwle-            `seralungas~ 2007 da 2008 wlis kole-        o-
     ulis manZilze, marko seralungam da       qciebis avtorebis – dizainerebis luiza        Si-
      luiza boCietom, 20-ode saerTaSo-        boCietos, miSel bukionis, zaha hadidis,      at-
      riso donis dizainerTan TanamSro-        patrik Juenis, ros lavgrovis, mark sed-      im~,
       mlobiT, Seqmnes furnituris ko-         leris, Jan-mari masos, klaudio belinis,      it-
            leqciebi gasaocari formebiT       filip starkis, rodolvo dordonis da             a-
              da axali funqciebiT, romle-     sotas asoCiatis axali namuSevrebi skul-
             bmac dizainis am sferos isto-    pturasTan miaxloebuli, mkveTri dasama-
             riaSi axali furceli gaxsnes.     xsovrebeli formebiT gamoirCeva. isini fu-
                mobiluri furnitura erTi       rnituris Seqmnas axleburad udgebian -        liur di-
            saTavsodan meoreSi advilad        uaryofen stereotipebs, amravalferovne-         zainer-
           gadaadgildeba. sacxovrebel Tu      ben tradiciul wesebs.                          ul kom-
           sazogadoebriv interierSi esTe-        `seralungas~ furnituris dizaini Ta-          paniaTa
          tikuri STabeWdileba, ara misi       visufalia, novatorulia da Tu igi Tao-         gaerTia-
          calkeuli monakveTebiT, aramed       baTa esTetikasa da socialur moTxovni-        nebis sae-
         mTliani interieriT iqmneba, ami-     lebebs pasuxobs, Tavisi individualuro-         rTaSo-
         tom furnituris ganTavsebisas         biT drosa da stils Seesabameba - Cvens wi-        riso
        yovel niuanss gansakuTrebuli da-      naSea xelovneba.                              pres-of-
        tvirTva eniWeba.                                                    nino laRiZe          isma
            furnituris avangarduli fo-                          informacia mogvawoda
        rmebi komfortis SegrZnebas aZ-
               lierebs. interierSi, misi
                dekoris erT-erTi kompone-
                 ntis, avejis arqiteqtur-
                   ul detalebTan Serwyma,
                   sasurvel atmosferos
                   qmnis.      furnituris
                    mrgval skulpturasTan
gaigiveba, sivrceSi, misi TavisTavad war-
moCenis saSualebas iZleva. moqnili, zed-
meti xveulebisa da ornamentebisagan Ta-
visufali dizaini naTeli, Tbili, zogj-
er kontrastuli ferebiT gamoirCeva da
Tanamedrove stilis interiers harmoni-
ulad erwymis, an mis tonalobasTan sasi-




                                                                                                                          65
     stili #28. 2008




Furniture and
Furnishings
Serralunga - 2007
                                                                                                                                                   Bellini Hour, Claudio Bellini
Designers:
  Rodolfo Dordoni, Philippe Starck,
  Sottsass Associati, J-M Massaud,
  Claudio Bellini, Michel Boucquillon, Marc Sadler.

     Design of furniture and furnishings with its techni-
cal perfection and innovative character follows the pace
of modernity and creates an atmosphere of pacifying
stability. Of numerous items, used by humans in the
daily life, furniture plays a key part.
     Requirements toward furnishings have been vary-
ing from epoch to epoch. They reflect the specifics of
time, culture of the society and creative taste of its
owner. Outward look of the furnishings, their function-
al and qualitative characteristics as well as the level
of comfort provided, are decisive factors one usually
considers while selecting this component of interior.                                                                                     Bellini Hour, Claudio Bellini, sistema
Modern furnishings are valued by lightness of forms
in combination with appropriate static and dynamic fea-
tures, satisfying the ergonomic requirements and ensur-
ing the comfort during work or leisure.                         While discussing modern furnishings, we would like           In the 1980-ies the company imported an innova-
                                                            to attract your attention to the designs, created by        tive equipment line from USA and was the first in Italy
                                                            design company Serralunga.                                  to install a pilot system, with which it started to man-
                                                                  In the history of Italian enterprise Serralunga is    ufacture flower vases. The new equipment allowed
                                                             a rare example of long life and capacity for ongoing       Serralunga to produced hollow articles with capacity of
                                                             evolution. This family-run firm has now come to its        up to 2000 litres. They soon understood that the over-
                                                             third century in business, the 5th generation of entre-    size dimension was the ace up their sleeve; the next
                                                             preneurs and is living its second youth.                   step was to make them beautiful, intriguing and sur-
                                                                   After its establishment in 1825 as a tannery, it     prising.
                                                              started manufacturing leather items for industrial pur-
                                                              poses, such as driving belts and similar products.
                                                              In the 1900s it started processing gutta-percha and
                                                              later plastic for industrial purposes.




                                                                                                                             A turning point in the company’s activities was the
                                                                                                                        creative encounter of two friends: Marco Serralunga
                                                                                                                        and Luisa Bocchietto. The passion and business
                                                                                                                        courage of the former, combined with the creative flair
                                                                                                                        of the latter, revolutionized the company over a 15-
                                                                                                                        year period, projecting it towards the dimension of cut-
                                                                                                                        ting-edge modern language and lifestyle. Over the last
                                                                                                                        decade, Marco Serralunga and Luisa Bocchietto have
                                                                                                                        been cooperating with about 20 international design-
Missed Tree Collection. Jean-Marie Massaud. laccato

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                                                                                                                                               stili #28. 2008




La Regista. Boucquillon. trasparente



ers to create collections of furnishings with spectac-
ular shapes and new purposes that have become a
benchmark and trendsetter in its section.
       Mobile furnishings are easy to move from one                                      Pile Up
area to another. Aesthetic quality of interior or exte-
rior design is based on its general look, and not the
value of its individual sections; this is why positioning
of furnishings has special importance.
       Right style of the furnishings enhances the feeling
of comfort and well-being. Compatibility of decorative
furnishings with other elements of interior design, e.g.
architectural details, helps create the desirable atmos-
phere. Furnishings with their light, warm and some-
times contrasting coloring and flexible design can also
serve as stand-alone highlights, matching or disrupting
the general design. Skillful combination of natural and
artificial materials allows for endless variation while design-
ing the shapes.
       Serralunga 2007 and 2008 collections, created by
designers Luisa Bocchietto, Michel Boucquillon, Zaha
Hadid, Patrick Jouin, Ross Lovegrove, Marc Sadler,                                                                                      Holly All. Philippe Starck. amb
Jean-Marie Massaud, Claudio Belini, Philippe Starck,
Rodolfo Dordoni and Sottsass Associati, feature remark-
able, refined sculptural forms. The authors treat fur-
nishings design in an innovative manner, defying the
stereotypes and diversifying traditional logic.
       Serralunga furnishings are uninhibited and original;
and if you agree that they conforms to the present-
day aesthetic and social requirements, if you think that
their individuality corresponds to the time and style –
then we will add that they represent true art.
                                            NINO LAGHIDZE                       Sevres. Rodolfo Dordoni. bordo rame
                Materials for this article were provided
                                                                                                                          Faituttotu.
           by Di Palma Associati – foreign press-office
                                                                                                                  Sottsass Associati
                 for several remarkable Italian furniture
                     and furnishings design companies.




                                                                  One. Sadler


                                                                                                                                                                   67
     stili #28. 2008




sportuli nagebobebi
fineTis arqiteqtura

                                                       Cerepovecis stadioni
                                                            (ruseTi)
                                                    Cerepovecis stadionis mSenebloba dasrul-
                                                da 2006 wlis noemberSi
                                                    tribunas nalis forma aqvs; konstruqcia Zi-
                                                riTadad betoniTaa nagebi; misi fasadi min-
                                                iT da foladis filebiTaa mopirkeTebuli.
                                                    samSeneblo samuSaoebi Seasrula kompania
                                                "xansamSenma".
                                                    farTi: 12900 m2
                                                    moculoba: 128750 m3
                                                    tevadoba:                                    JAROSLAVL ARENA, Russia
                                                        yinulis hokei 6000 adgili                    Our first arena in Russia was Jaroslavl Arena for
                                                        koncerti 7000 adgili                     Lokomotiv in Jaroslavl.
                                                                                                     It was finished year 2001
                                                    simaRle: 20 m
                                                                                                     The shape of the tribune is ellipse.
                                                    loJebis raodenoba: 11                            Part of the tribune is removable as well as the
                                                    adgilebi SSm. pirTaTvis: 10-20               stage.
                                                                                                     There is a restaurant for 360 seats , bowling hall
                                                                                                 and night club
architect Else Kettunen                                                                              It has steel trusses length 70,5 m, and the main
                                                                                                 construction is of concrete elements and the facade is
                                                                                                 made of steel plates and glass
      iaroslavlis stadioni                                                                           The arena was built by Skanska East Europe
            (ruseTi)                                                                                 FLOOR AREA 33620 M2
    es pirveli stadionia, romelic avaSeneT                                                           VOLUME 272550 M3
iaroslavlSi klub "lokomotivisTvis".                                                                  NUMBER OF SPECTATORS:
                                                                                                     ICE HOCKEY 9046 seats
    mSenebloba dasrulda 2001 wels.
                                                                                                     CONCERT 8505 seats
    tribunebi ovaluri moyvanilobisaa; isini
                                                                                                     HEIGHT 25 M
nawilobriv mobiluri konstruqciisgan Sedgeba,                                                         LODGES 32
iseve rogorc scena, romelic survilisamebr mo-                                                        HANDICAPPED 40
ntaJdeba da iSleba.
    kompleqsi Seicavs 360-adgilian restorans,
boulingis saTamaSo darbazs da Ramis klubs.
    konstruqcia ZiriTadad betoniTaa nagebi;
misi fasadi miniT da foladis filebiTaa
mopirkeTebuli.
    samSeneblo samuSaoebi Seasrula kompania
"Skanska East Europe"-m.
    farTi: 33620 m2
    moculoba: 272550 m3
    tevadoba:
        yinulis hokei 9046 adgili
        koncerti 8505 adgili
    simaRle: 25 m
    loJebis raodenoba: 32
    adgilebi SSm. pirTaTvis: 40



sportuli centri "arqtika",
   saTxilamuro darbazi
    saTxilamuro darbazi jer mSeneblobis pro-
cesSia. igi Seicavs 1.3 km sigrZis saTxilamu-
ro biliks, qerlingis darbazs, satrenaJoro da-
rbazs, sabavSvo skeitingis moedans, yinulis
alpinistur kedels, golfis simulatorebs, maRa-
ziebs da restornebs, VIP-loJebs da saunebs.
    farTi: 18553 m2
    moculoba: 166000 m3

68
                                                                                                                                                            stili #28. 2008




Sports Constructions
Finnish Architrcture
    Perception of architectural work implies, in the first        The buildings - integral organizms with a distinc-      the exterior highlights the specificity of building func-
place, aesthetic pleasure, conditioned by an original com-   tive structure, dominate their immediate urban settings,     tion and increases the dynamics of inner space.
bination scale of urban planning solution, site location,    at the same time uniting and contradicting the surround-     Scaling and proportional distribution of architeqtural mass-
spatial organization of the composition, technique and       ing space. The form of the buildings not so much cor-        es as well as choice of up-to-date materials stresses
functional structure of a construction.                      responds to, rather represents the authors creative inter-   peculiar character of the buildings, enriching the archi-
    The above sequence precisely characterizes the           pretation of their function.                                 tectural panorama of the city with interesting, original
Sports Constructions, designed by architect Else                  Interior spaces of the buildings are subjected to       details.
Kettunen.                                                    a uniform planning system, while volumetric design of                                                  NINO LAGHIDZE




ARCTIC SPORT CENTER,                                         ARENA TSEREPOVETZ,                                               NUMBER OF SPECTATORS:
INDOOR SKIING HALL                                           Russia                                                           ICE HOCKEY 6000 seats
                                                                                                                              CONCERT 7000 seats
     Skiing hall is under construction. It has a ski track       Tserepovets arena was finished in November 2006
                                                                                                                              HEIGHT 20 M
of 1,3 km, curling hall, GYM, skating field for children,        The shape of the tribune is ” horse shoe”
                                                                                                                              LODGES 11
climbing wall made of ice, golf simulators, shops and            It has steel trusses length 69,5 m, and the main
                                                                                                                              HANDICAPPED 10-20
restaurants.                                                 construction is of concrete elements and the facade is
     There is also a big amount of VIP lodges and saunas     made of steel plates and glass
for quests                                                       The arena was built by Hansastroi.
     FLOOR AREA 18553 M2                                         FLOOR AREA 12900 M2
     VOLUME 166000 M3                                            VOLUME 128750 M3




                                                                                                                                                                                  69
     stili #28. 2008




     briuseli
70
                                                                                         stili #28. 2008




   belgiis dedaqalaqi, briuseli, VIII sa-   imdenad uCveuloa, rom mogzaurisTvis
ukuneSi daarsda. igi saukeTeso geogra-      Tu turistisTvis Znelia konkretulad ro-
fiuli adgilmdebareobiT gamoirCeva da        melime maTganze yuradRebis koncentrire-
ukve 1000 wlisaa.                           ba. barokosa da goTikis uxvad Serwyma, Ta-
   axlandeli briuseli vrcel dablob-         visi didebuli silamaziT, erTbaSad Tav-
zea gaSenebuli, romlis erTi mxarec sam-     brudamxvevia.
xreT-aRmosavleTisken maRldeba. aman ga-         `grand-plasze~ aRmarTul uZveles Se-
napiroba misi dayofa zeda da qveda qala-    nobaTa Soris gamoiCeva qalaqis ratuSa,
qad, romelTa Soris misi centraluri na-      romlis mSenebloba ramdenime saukunis
wilia ganTavsebuli.                         ganmavlobaSi mimdinareobda. igi cnobilia
   mTavari adgili, romliskenac guli mi-     imiTac, rom misi centraluri Sesasvleli
uwevs yovel Camomsvlels - `grand-plasia~.   Senobis asimetriulia. arqiteqtoris Se-
sinamdvileSi, igi sulac ar aris didi. Tu-   cdomis Sedegad, igi ar emTxveva ratuS-
mca, Znelia, warmoidgino briuseli Sua-      is RerZs.
saukuneebis arqiteqturuli ansamblebiT           `grand-plasze~ mdebareobs `mefis sax-
garSemortymuli moednis gareSe. uZvele-      li~ (sasaxle) - eleganturi, TiTqos una-
si SenobebiT, qandakebebiT daxunZluli       tifesi qvis maqmanebisgan Seqmnili Seno-
mdidruli fasadebiT, caSi aWrili wveti-      ba, aTeulobiT kolonazea dayrdnobili.
ani koSkebiT, movarayebuli karnizebiT,      es goTikuri sasaxle sxva Senobisgan war-
grZeli koridorebiT Seqmnili panorama        moiqmna, romelic aq XIII saukuneSi arsebo-

                                                                                                           71
     stili #28. 2008




72
                                                stili #28. 2008




bda. istoriuli qronikebidan igi `puris
saxlis~ saxelwodebiTaa cnobili. XV sa-
ukuneSi `mefis saxlma~ mniSvnelovani re-
konstruqcia ganicada, XVI saukuneSi ki,
mefe karlos V mier xelaxla gadakeTda,
Tanac Zirfesvianad. amJamad `mefis saxl-
Si~ ganTavsebulia qalaqis muzeumi, rome-
lic qalaqis istorias moicavs. mis dar-
bazebSi warmodgenilia dawvrilebiTi eq-
spoziciebi qalaqis ganviTarebis Sesaxeb,
misi daarsebis droidan.
    ukanaskneli aTwleulis manZilze, we-
liwadSi orjer, `grand plasi~ begoniis
yvavilebis xaliCad gardaiqmneba. Tumca,
Zvelad briuselSi es ar xdeboda. cent-
ralur moedanze, ZiriTadad eretikosebs
wvavdnen koconze an buntisTavebs kveTd-
nen Tavs. XIX saukunis Sua xanebSi evropa-
Si Semotanili tropikuli mcenareebiT ga-
tacebulma stautemansma gadawyvita maT-
Tvis reklama gaekeTebina. 1950 -ian wleb-
Si man, flandriis ramdenime patara qala-
qSi da safrangeTis qalaq lileSi yvavi-
lebis xaliCebi Seqmna. 1971 wels ki bri-
uselis `grand plasi~ daipyro. mas Semd-
eg, gentTan axlos arsebuli plantaciebi-
dan briuselSi 700 000 begoniis yvavilis
Ziri CamoaqvT da ramodenime saaTSi 77X24m.
zomis marTxkuTxa formis xaliCa iqmneba.
igi sami dRis manZilze amSvenebs dedaqa-
laqis mTavar moedans. Tumca, belgielebs
sjerad, rom `yvavilovani xaliCebis~ mo-
wyobis tradicia saTaves, im pirveli xa-
liCidan iRebs, romelic warmoSobiT fla-
ndrieli espaneTis mefis karlos V pati-
vsacemad Seqmnes marTlmorwmune moqala-
qeebma.
    `grand plasis~ gverdiT, kuTxeSi, Cab-
nelebuli kolonadis qveS ganTavsebulia
mwoliare wmindanis bareliefi. odesRac,
ubeduri dedebi, romlebsac siRaribis
gamo ar SeeZloT TavianTi Svilebis gaz-
rda, specialur yuTSi tovebdnen maT. yu-
Ti ido didi anTebuli sanTlis qveS. yu-
Tis meore mxares arsebuli Riobidan ba-
vSvebs monazvnebi iyvandnen da maT monas-
teri patronobda. am adgilas, mogvianeb-
iT, gaCnda wmindanis bareliefi. amJamad mi-
si xeli gacveTilia da damabrmaveblad pri-
alebs - mas exeba yvela, vinc natrobs ga-
nikurnos avadmyofobisagan.
    briuselsa da mTels belgiaSi gansaku-
Trebuli datvirTva SeiZina cnobilma qa-
ndakebam, `maneken pisma~. mas belgielebi si-
yvaruliT `dedaqalaqis uxuces moqalaq-
es uwodeben~. qandakeba warmoadgens Ro-
beriT SemozRudul patara fantans. qvis
piedestalze dgas 2-3 wlis brinjaosgan
Camosxmuli biWunas naturaluri zomis qa-
ndakeba, romelic zedmeti `siTxisgan~ ic-
leba. belgiaSi, misi warmoSobis Sesaxeb,
bevri saxaliso legenda arsebobs. ambob-
en, rom igi hercog gotfrid brabanelis
patara Svilis gamosaxulebaa. qandakeba da-

                                                                  73
     stili #28. 2008




                       idga 1619 wels. misi avtoria,
                       cnobili belgieli skulpto-
                       ri j. diukesnoe.
                           `grand plasze~ danTavseb-
                       ul Zvel Senobebs Soris, tu-
                       ristTa yuradRebas ipyrobs
                       `TerZTa da viqtor hiugos sa-
                       xli~. am saxlSi frangi mwera-
                       li mas Semdeg cxovrobda, rac
                       napoleon III ganidevna safra-
                       ngeTidan. arsebiTad es araer-
                       Ti saxlia, aramed saxlebis
                       mTeli kompleqsia. erT-erT ma-
                       TganSi, romlis Tavzec moed-
                       nisaken xelgaSlili qalis qa-
                       ndakeba dgas, didi frangi mwe-
                       rali cxovrobda.
                           qalaqis gareubanSi mTeli
                       rigi RirSesaniSnaobebia gan-
                       Tavsebuli: samefo sasaxle le-
                       kenSi (XVIII s.) - Tanamedrove re-
                       zidencia; mis Soriaxlos `at-
                       omiumis~ metalis modeli; `mi-
                       ni -evropa~ - arqiteqturuli
                       margalitebis modelebiT (na-
                       turalur zomasTan Sedareb-
                       iT 25-jer Semcirebuli) gaSe-
                       nebuli parki.
                           masaze, qalaqidan Crdilo-
                       eTiT, 12 kolometris daSore-
                       biT saxelmwifo botanukuri
                       baRi mdebareobs; aqvea saaba-
                       to da parki `la Sambri~.
                           aRmosavleTiT, 13 kilome-
                       tris manZilze centraluri
                       afrikuli muzeumi mdebare-
                       obs. igi, dRevandel zairze be-
                       lgiis adreul mfobelobas eZ-
                       Rvneba.
                           ukle, briuselis erT-erTi
                       gareubania. aq, erT-erT Zvel,
                       mravlismomswreb qvis Senoba-
                       sTan mijriT wiTeli aguris
                       Suasaukuneebisdroindeli
                       nageboba dgas. masSi gan-
                       Tavsebulia momcro restorani
                       `monadiris rqa~ - swored is,
                       sadac uleinSpigelma, ukleli
                       beris xarjebiT, bogano brme-
                       bi daapura.
                          specialuri korespondenti
                                          briuselidan
                          foto: qeTevan mwariaSvili




74
                                                                                                                                                                  stili #28. 2008




Brussels
      Brussels, the capital of Belgium, was founded in          tion of which went on for several centuries. This build-        newly introduced into Europe, decided to conduct a pub-
the 8th century A.D. This city, distinguished for its advan-    ing is famous for the asymmetric positioning of its main        licity action. In the 1950-ies he arranged flower carpets
tageous geographic location, is over 1000 years old.            entrance: due to the architect’s mistake, it does not           in several Flemish towns and in Lille (France), and in
      The today’s Brussels is spread out on large low-          match the central axis of the building.                         1971 he “conquered” the Brussels Grand Place. Since
land, slightly elevated on its south-eastern part and divid-         The Grand Place also houses the King’s House               then, up to 700000 live begonias are brought from Ghent
ing the city into higher and lower parts.                       – elegant, filigree palace supported by dozens of stone         plantations to spread out a 77 by 24 m carpet in the
      The main landmark of Brussels invariably attract-         columns. This gothic building is the descendant of              Grand Square. In spite of these facts, the Belgians believe
ing the attention of all the visitors is the Grand Place.       the 13th century Bread House – a wooden building                that the tradition of flower carpets originated from the
Actually, the place is not that large, but it would be          where bakers sold their bread in a covered market.              divertissement, which faithful citizens arranged in honor
too hard to imagine Brussels without this square, sur-          This construction underwent a significant reconstruc-           of King Charles V, Flemish by origin.
rounded by medieval architectural ensembles. The                tion in the 15th century and was further renovated                    In a shadowed recess aside the Grand Place, there
panorama, formed by ancient buildings, whose luxuri-            by King Charles V in the 16th century. Right now,               is a bas-relief depicting a lying saint. In the past, unhap-
ous facades are decorated with innumerable statues,             the King’s House incorporates the city museum,                  py mothers, who could not raise children due to the
pointed spires, piercing the sky, carved perches and            offering exposition on the history of Brussels from the         poverty, left their babies here in a special box, on the
long lanes, is so unusual that a traveler might find it         day of its founding.                                            other side of which there was an opening, through which
difficult to concentrate his attention on one of them in             Every two years, the Grand Place is transformed            nuns took the foundlings away and brought them up
the midst of this breathtakingly beautiful mixture of baroque   into a large carpet of begonias. This custom is just 40         in the monastery. Later on, this place was decorated
and gothic.                                                     years old. In the past, the Grand Place hosted execu-           by the bas-relief; the hand of the saint carved on it is
      Among the oldest buildings surrounding the Grand          tions of the rebels and heretics. In mid-20th century, land-    worn down and polished – everyone wishing to cure
Place one could single out the Town Hall, construc-             scape architect E. Stautemans, captivated by tropical plants,   himself from a disease comes here to touch this hand.




                                                                                                                                                                                        75
     stili #28. 2008




76
                                                                                           stili #28. 2008




     Especially known in Brussels and throughout Belgium is the sculpture of Manneken
Pis. The Belgians lovingly call it the oldest citizen of the country capital. The sculp-
ture – a fountain surrounded with grating – represents a life-size bronze figure of a
2-3-year-old boy relieving himself of excess water. There are numerous jocular leg-
ends as to its origin, one of them saying that it portrays the little son of Godfrey,
the Duke of Brabant. This way or that, the sculpture was erected in 1619 by famous
Belgian sculptor Jerome Duquesnoy.
     Another old Grand Place building, capturing the attention of tourists is the house,
where Victor Hugo lived after the Emperor Napoleon III expelled him from France.
Actually, this is construction a whole complex of houses; one of them – the one
crowned by a statue of a woman, stretching her hand in direction of Grand Place
– hosted the great French writer.
     A variety of landmarks is scattered in the outskirts of the city – the 18th centu-
ry royal palace in Laeken (the current residence of Belgian monarchs), the Atomium,
located in its vicinity; mini-Europe – a park with 1:25 scale replicas of famous build-
ings from across Europe.
     12 km to the north from Brussels there is the National Botanical Garden, the
Abbey and La Chambris Park.
     13 km to the east from the city you will find the Royal Museum for Central
Africa, mainly focused on Congo, Belgium’s former colony.
     In one of the suburbs of Brussels – Uccle, there stands a weathered medieval
red brick building housing a small restaurant “Hunter’s Horn” – this is a place where
the legendary Till Eulenspiegel fed blind paupers at the expense of an Uccle monk.
                                       CPECIAL CORESPONDENT FROM BRUSSELS
                                             PHOTO BY KETEVAN MTSARIASHVILI




                                                                                                             77
     stili #28. 2008




   - minda visargeblo SemTx-
veviT da didi madloba gavda-
vuxado turistuli kompaniis
`levon Trevelis~ turizmis
menejers, Cems megobars, baton
mamuka kelauriZes, romlis Za-
lisxmeviT Sedga specialuri
programa arqiteqturuli tu-
ris Casatareblad - SeirCa ga-
nsakuTrebuli, arqiteqturu-
li stilistikiT, infrastru-
qturiT gamorCeuli sastumro
kompleqsebi, kvalificiuri gi-
debi da mogzaurobis optima-
luri marSruti.
   gTavazobT am Zalzed sain-
tereso, egzotikuri voiaJis
Cemeul interpretacias.




TurqeTis turistuli industria
avtori: arqiteqtori zurab nikolaiSvili




78
                                          stili #28. 2008




    saqarTveloSi xSiria saubari tur-
izmis ganviTarebis perspektivaze, mis
SesZleblobebze da ganviTarebis gze-
bze. am mxriv sainteresoa TurqeTis
turistul qveynad qcevis magaliTi.
gansakuTrebiT mis samxreT-aRmosavl-
eT nawilSi.SarSan dasasveneblad Ca-
sul ukrainelTa ricxvi iyo 400 000,
xolo ruseTidan 2 000 000 !! gasuli
saukunis 70-ian wlebSi antalia iyo
yvelasaTvis ucnobi patara dasaxle-
ba (30 000 macxovrebliT)! 1976 wels
mis axlos gaixsna hiltonis xuTvar-
skvlaviani sastumro. dRes qalaqis mo-
saxleobam 800 000 gadaacila!
    regionis sanapiro zolis sigrZe
daaxloebiT 180 km-s Seadgens! anu sa-
qarTvelos sazRvao sigrZis naxevars!
klimati subtropikulia,zamTari Tbi-
lia (+13 - +15), zafxuli cxeli da
mSrali. 30 wlis ganmavlobaSi saoca-
ri raodenobis sastumroebi, maRazi-
ebi, savaWro centrebi, kafe-restor-
nebi Tu diskoTekebi aSenda da kid-
ev ufro meti Sendeba! axal saukune-
Si kidev ufro gaizarda tempebi da
mSenebare kompleqsebis masStabi! am zo-
lSi aris: qemeri, lara, beleki, side
da alania – msoflioSi erTerTi ud-
idesi turistuli industria! aq se-
zoni oria: sazafxulo da e.w. wynari
sezoni! sazafxulo sezoni iwyeba pi-
rvel aprils da grZeldeba pirvel no-
embramde! wynar sezonSi Cadian gol-
fis moyvarulebi da ... pensionerebi!!
xnieri xalxi evropidan TveobiT cxo-
vroben sastumroebSi – aq xom Tbila!?
irgvliv aremare golfis saTamaSo te-
ritoriebs ukavia an kidev aSeneben!
rac Seexeba sastumroebs - isini Ziri-
Tadad zRvis napirzea ganlagebuli.
maTi teritoriebi umravles SemTxve-
vaSi wagrZelebuli formisaa da uf-

                                                            79
     stili #28. 2008




80
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                  81
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82
                                         stili #28. 2008




ro viwro mxare zRvisken iyureba. am-
itom sastumros Senobebi wagrZele-
buli formisaa da Sedis xmeleTis si-
RrmeSi. amiT maqsimalurad optimalu-
rad iyeneben zRvispira teritorias
didi sastumroebis asaSeneblad. na-
pirTan ZiriTadad ganlagebulia xu-
Tvarskvlaviani sastumroebi, siRrme-
Si oTxvarskvlaviani, samvarskvlavi-
ani. Semdeg aris dasaxleba da gesT-
hausebi. aq naxavT praktikulad yve-
la cnobil satumro brends: rixos,
lamers, limaks, kristals, kempinsks,
ics, hiltons da a.S. maRali klasis
sastumroebis teritoriebis farTi me-
ryeobs 10 000 kv.m.-dan 160 000 kv.m.-
mde!!! TiToeul aseT sastumros aqvs
1000kv.m da meti farTis ramdenime sa-
curao auzi, patara auzi bavSvebis-
Tvis, akvaparkebi, daxuruli auzi.
zogSi auzi zRvis wyliT! sami an me-
ti restorani (Turquli, iaponuri, me-
qsikuri, franguli, Cinuri da a. S.),
ramdenime bari maT Soris Ramis, auz-
is bari. spa centrebi sauniT, Turqu-
li abanoTi, tailanduri Tu sxva sa-
xis masaJiT. aris bavSvis momvleli,
erTgvari sabavSvo bagebi, rogorc Se-
nobaSi, aseve teritoriaze.




                                                           83
     stili #28. 2008




    aucileblad aris nomrebi invalidebi-          Arcadia Limak International                bebi segmentebad SeRebilia sxvadasxva fe-
sTvis da saerTo moxmarebis. gansakuTre-           1995 wels aSenda, rekonstruqcia da-       rSi, rac datexil formebTan erTad uka-
biT sainteresoa maTi arqiteqturuli Tu         srulda 2005 wels. (aeroportidan 35 km.)       rgavs kompleqss did zomebs da ufro ka-
dizaineruli gadawyveta. yvela proeqti         mdebareoba-beleki. teritoria 30 000 kv.m.     merul STabeWdilebas tovebs. rasac myu-
ganxorcielebulia (Turqi arqiteqtore-          sul 444 nomeri (aqedan 119 naxevrad lu-       dro Sida ezoebi, Ria kafeebiT da Sad-
bis samwuxarod) mowveuli specialisteb-        qsi da 4 luqsi), mTavari restorani (750       revnebiT, kidev ufro xazs usvams!
is mier! Tumca, arcerT sastumroSi ar ic-      adg.) 5 restorani alia kart, 7 bari, 3 Ria        interieri sada da upretenzio,zogan
ian maTi vinaoba! rac, Zalzed samwuxaro       auzi (1100 kv.m.), daxuruli auzi, sabavSo     gaulesavi aguriT mopirkeTebuli, xSir-
faqtia. nebismieri gemovnebis Tu kapriz-      auzi, 3 sakonferencio darbazi (20-400kac.),   ad liTonis, xis da gobelenis elementeb-
is adamiani ipovis aq TavisTvis misaReb sa-   4 tenisis korti, safexburTo moedani,          iT!
stumros Tu serviss!                           golfis mindvrebi, amfiTeatri, diskoTe-
    sainteresoa Tvali gadavavlod ramde-       ka. kompleqsi Sedgeba ZiriTadi 7 sarTu-          Calista Luxury Resort Hotel
nime sastumro kompleqsis apartamentebis       liani Senobisa da 3 sarTuliani koteje-            dasrulda 2007 wels. (aeroportidan
rogorc vizualur mxares, aseve detal-          bisgan. aivnebi xis masalisgan aris aSene-    27 km. antaliidan 35 km.) mdebareoba bele-
ur aRwerilobas.                               buli, rogorc saqarTveloSi ician! Seno-        ki. teritoria 120 000 kv.m.




84
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                  85
     stili #28. 2008




                           standartuli nomeria - 507(42 kv.m.
                       da 10 kv.m. aivani.) corner suites -
                       18 (saZile da sastumro 70 kv.m.
                           aivani 20 kv.m.) saojaxo oTaxi - 63
                       (dupleqsi, 80 kv.m.) prezidentis apa-
                       rtamenti - 2 (160 kv.m., 2 saZile, sa-
                       tumro, holi.) samefo apartamenti -
                       1 (240 kv.m.2 abazana, 2 saZile, sastu-
                       mro, holi.)
                           vila - 3 (260kv.m. samzareulo, 3 sa-
                       Zile, 3 abazana, jakuzi, sakuTari
                       auzi)

                           “tyupi vila” - 10 (150kv.m. duple-
                       qsi, sastumro, samzareulo, terasa,
                       2 saZile, 3 abazana)
                           vip vila - 1 (1500 kv.m. dupleqsi,
                       didi sastumro, samuSao kabineti, mi-
                       saRebi, saTamaSo darbazi, terasa, sa-
                       kuTari auzi, samzareulo, lifti,
                       vipspa centri)
                           aseve ZiriTadi restorani 1000
                       adgilze, 7 restorani a lia kart da
                       vip, spa centri, vip sauna, Ria da da-
                       xuruli auzebi, 7 CogburTis korti,
                       diskoteka, kinoTeatri, serfingi, bo-
                       Ca, dartsi, pliaJis frenburTi, kala-
                       TburTi, wylis sporti. botanikis,
                       kulinariuli xelovnebis, koqteilis
                       damzadebis da cekvis wreebi! konfe-
                       renc darbazi 1070kv.m. foie 408 kv.m.
                           mTeli kompleqsi gadawyvetilia
                       modernis stilSi. mis ganxorcieleba-
                       ze daixarja 140 mln.$. (proeqti Sea-
                       srula germanulma firmam “gmp”). be-
                       vria liToni, SuSa,feradi SuSa. sa-
                       ocari lamazi drapirovkebi nomreb-
                       Si Tu restornebSi! lamazi da gemo-
                       vnebiT SerCeuli naxatebi yvela siv-
                       rceSi! aveji da abazanis elementebi
                       (onkani, jakuzi, metlaxi, kafeli da
                       a.S.) italiuri.
                           uzarmazari vestibiulis iatakze
                       dagebulia versaCes eskizis mixedviT
                       moqsovili erTnaWriani xaliCa! mTe-
                       li dizaini gadawyvetilia frenk so-
                       lanos mier, is aris avtori «Jumeriah
                       Beach» da «Burj Al Arab» (dubai)

                          Kempinski Hotel
                          The Dome
                          aeroportidan 25 km-is daSorebiT
                       beleqSi mdebareobs 1897 w.-dan cno-
                       bili brebdis SedarebiT axali satu-
                       mro (2006 w). mas aqvs ori msoplio do-
                       nis golfis mindori “paSa” da “sul-
                       tani”.aseve regionSi yvelaze didi
                       spa-centri (3 600 kv.m.) wardgenilia
                       2008 wlis saukeTeso sastumroebis no-
                       minaciaze. ceremonia Catardeba qei-
                       fTaunSi ama wlis 18 oqtomberSi! ko-
                       mpleqsis arqitqturul gadawyvetaSi
                       gamoyenebulia seljukuri epoqis tra-
                       diciuli elementebi Serwymuli Ta-


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                                            stili #28. 2008




namedrove sastumros dizainTan! Se-
nobis fasadis, iatakebis, kedlis fra-
gmentebis da nomris abazanis mosapi-
rkeTeblad gamoyenebulia bunebrivi
qva (tupi, granite, marmarilo). sas-
tumroSi 175 nomeria iatakis gaTbo-
biT,internetiT, elevizoriT,minibar-
iT, seifiT.
    standartuli nomeri 139 c.-38kv.m.
(aivniT) naxevradluqsi nomeri 13 c. -
48kv.m. (aivniT,saZile da sastumro oT-
axebiT) luqsi – 4 c. 76kv.m. (erTi sa-
ZinebeliT) prezidentis apartamenti
1 c. -180 kv.m. (ori saZinebeli, sastu-
mro samuSao magidiT) Garden golf vila 16
c. - 120 kv.m. (ori saZinebeliT, sastu-
mro oTaxiT, didi terasiT, mdidru-
li abazanebiT, sakuTari auziT, sam-
zareuloTi. mdebareoba- golfis mo-
ednis Sua!) samefo vila 2 c.- 200 kv.m.
(sami saZinebeliT, sastumro oTaxiT,
didi terasiT, mdidruli abazanebiT,
sakuTari auziT, samzareuloTi. mde-
bareoba- golfis moednis Sua!) aqvs eq-
vsi restorani, sami kafe, auzis, gam-
is da kidev ramdenime bari, diskoTe-
ka, konferenc darbazi 550kv.m., ori mo-
laparakebis darbazi 90-90kv.m., sami
gruntis CogburTis korti, sabavSo
klubi, auzis zedapiris farTi
1500kv.m., spa-centri 3600kv.m!..

   cezar temple
    gaixsna 1995 wels. ganaxlda 2005 w.
aeroportidan 30 km.belekidan 5 km.
teritoria 200 000 kv.m. 680 nomeri:
380 standartuli 26kv.m. farTiT, 260
nomeri saojaxo 30 kv.m., 40 nomeri “lu-
qsi”. sami restorani, 6 bari, 3 Ria
auzi, 1 daxuruli, konferenc-darba-
zi 500 adgilze, CogburTis kortebi,
amfiTeatri, diskoTeka, sabavSvo mo-
edani, mini klubi (4-17 w), Turquli
abano, sauna, fitness centri. aerobi-
ka, mSvildiT srola, kalaTburTi,
pliaJis frenburTi, magidis Cogbur-
Ti, dartsi, vindserfingi, masaJi, pi-
lingi, biliardi, internet-kafe, ZiZ-
is momsaxureba, samrecxao, wylis spo-
rtis saxeobebi. romaul stilSi Ses-
rulebuli arqiteqtura da interi-
eris dizaini TiTqos gabrunebs im
droSi da xdebi romis moqalaqe-pat-
rici! Tumca Sexamebuli dRevandelo-
basTan ar dagaviwyebs realobis Seg-
rZnebas bolomde! garda amisa erT auz-
Tan gakeTebulia gamoqvabulebi da iq-
ve napovni dinozavris Zvlebi saoc-
ar ganwyobas qmnis!

           foto: zurab nikolaiSvili
                  gagrZeleba 29 - nomerSi




                                                              87
     stili #28. 2008




     In Georgia they frequently discuss
the outlooks, possibilities and ways of
tourism development. In this regard it
would be interesting to take a look at
how Turkey – especially its south-east-
ern part – was transformed into a tourist
country. Last year the number of
Ukrainians arriving to Turkey during
summer holidays was 400000, while the
quantity of Russian holiday-makers
reached 2000000! In the 1970’ies Antalya
was a totally unknown little settlement
with up to 30000 residents! In 1976 a
five-star Hilton hotel was opened near-
by and now the population of this city
has exceeded 800000 people!




Tourist Industry in Turkey
Author: Architect Zurab Nikolaishvili




88
                                                                                                                                                       stili #28. 2008




     The coastline of the region is about 180 km long,      imum efficiency in coastline development. The hotels            Arcadia Limak International
i.e. half the length of Georgian coastline! The climate     nearest to the seashore are mostly five-star, while four        Built in 1995 and reconstructed in 2005
is subtropical, with warm (+13-+15oC) winters and hot       and three-star hotels are shifted deeper inland; further        Location: Belek
and dry summers. In the course of the last 30 years,        on there are guesthouses and houses of local resi-              Distance from the nearest airport: 35 km
numerous hotels, restaurants, cafes and dancing clubs       dents. Here you can find the hotels of practically all          Area: 30000 sq. m.
have been built there and even more are being con-          famous brands: La Mer, Crystal, Limak, Kempinski, IC,           Quantity of rooms: 444 (including 119 junior suites
structed! In the new century, the speed and magni-          Hilton, etc. The premises of high-class hotels are from    and 4 suites)
tude of construction has increased even more!               10000 sq. m. to 160000 sq. m. large. Each of such               Other services: 1 main restaurant (750 seats), 5
     The range of seaside resorts includes Kemer, Lara,     hotels has several swimming pools (up to 1000 sq. m.       a la carte restaurants, 7 bars, 3 outdoor swimming pools
Belek, Side and Alanya – all servicing one of the world’s   and larger), small swimming pools for children, aqua       (1100 sq. m.), an indoor pool, a youth pool, 3 confer-
largest tourist industries! The year is divided into two    parks, indoor swimming pools (some of them filled with     ence halls (seating from 20 to 00 persons), 4 tennis
parts – summer season and the so-called winter win-         seawater), restaurants, indoor and poolside bars, spa      courts, a soccer pitch, golf courses, amphitheatre, a
dow! The summer season starts on April 1 and lasts          centers with saunas, Turkish baths and various kinds       disco-bar.
until November 1! During the winter-time, the Turkish       of massage, indoor and outdoor child care services,             The complex comprises a 7-storey construction and
Riviera hosts golf amateurs and… retirees! Elderly peo-     special rooms for the disabled... Especially interesting   3-storey cottages with wooden balconies (just like in
ple from all over the Europe come here to pass whole        is the architecture of these hotels. All of them are       Georgia!). Different sections of the buildings are paint-
months in the hotels and enjoy the warm climate! The        designed by invited (non-Turkish) specialists, though in   ed in different colors, visually reducing their size and
neighborhood is all covered in golf courses already func-   none of the hotels the personnel would be able to tell     softening angular shapes – this effect is further inten-
tioning and ready to be launched; as regards the hotels,    you the name of its author… which is a really unfor-       sified by inner terraces with open-air cafes and foun-
they are mostly scattered along the seashore. Hotel         tunate fact, especially because the environments they      tains.
sites are usually rectangular, with a narrower side fac-    have created can satisfy any taste and requirements.            Interior of the hotel is very simple and unpreten-
ing the sea; consequently, hotel buildings are elongat-          Below you will find description and characteristics   tious, featuring brick, metal and wood surfaces, deco-
ed, drawing inland. This principle is applied with max-     of several hotel complexes:                                rated with tapestry.




                                                                                                                                                                            89
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90
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                  91
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92
                                                                                           stili #28. 2008




     Calista Luxury Resort Hotel
     Built in 2007
     Location: Belek (35 km far from Antalia)
     Distance from the airport: 27 km
     Area: 120000 sq. m.
     Quantity of rooms: 507 standard rooms (42 sq. m. of indoor area and 10 sq. m.
at the balcony); 18 corner suites (bedroom and living room of each suite constitute
70 sq. m., while the balcony is 20 sq.m.); 63 family suites (80 sq. m.); 2 presidential
suites (160 sq. m. space comprising 2 bedrooms, a living room and a hall); 1 royal
suite (240 sq. m. with 2 bedrooms, 2 bathrooms, a living room and a hall); 3 villas
(260 sq. m. of total floor surface with a kitchen, 3 bedrooms, 3 bathrooms, a Jacuzzi
and a dedicated swimming pool); 10 twin villas (150 sq. m. with a living room, a
kitchen, a terrace, 2 bedrooms and 3 bathrooms); 1 VIP villa (1500 sq. m. with a
large living room, a study, a reception room, a playroom, a terrace, a dedicated swim-
ming pool, a kitchen, an elevator and a VIP spa center)
     Other services: main restaurant with 1000 seats, 7 a la carte and VIP restau-
rants, a spa center, a VIP sauna, outdoor and indoor swimming pools, 7 tennis courts,
a disco-bar, a cinema, a 1070 sq. m. conference hall, a 408 sq. m. foyer; surfing,
darts, beach volleyball, basketball, water sports as well as botany, cuisine, cocktail-
mixing and dancing classes.
     This is a modern-style complex, built by the German company GMP (total cost of
the project is 140 million USD). The design abounds in metal, transparent and stained
glass surfaces and decorations, with artful draperies in the rooms and restaurants as
well as tastefully matched paintings everywhere. Furniture and bathroom equipment (taps,
Jacuzzis, floor and wall tiling, etc.) are Italian.
     The floor of the foyer is entirely covered in a huge carpet of Versace design. The
design works were performed by Franck Solano (the author of Jumeriah Beach and
Burj Al Arab complexes in Dubai).

     Kempinski Hotel
     The Dome
     Built in 2006
     Location: Belek
     Distance from the airport: 25 km
     This comparatively new hotel, belonging to the 111-year-old brand boasts two
world-famous golf-courses: “Pasha” and “Sultan” and the largest (3600 sq. m.) spa
center in the region. The Dome by Kempinski is one of the candidates for nomina-
tion “Best Hotel of the 2008” (the award ceremony scheduled for October 18 2008 in
Cape Town). Architectural solution of the complex represents a blend of Seljuk motives
with modern hotel design elements. Hotel façade, floors, bathrooms and – partially –
walls are tiled with tuff, granite and marble. The hotel complex has 175 rooms with
floor heating, internet connection, TV, mini-bars and safes.
     Quantity of rooms: 139 standard rooms with balconies (38 sq. m.); 13 junior suites
(48 sq. m.; each including a bedroom, a balcony and a living room); 4 single-bed-
room suites (76 sq. m.); 1 presidential suite (180 sq. m.; 2 bedrooms, a living room
with a desk); 16 garden golf villas (120 sq. m.; 2 bedrooms, a living room, a terrace,
bathrooms, a dedicated swimming pool and a kitchen; NB – located in the middle of
golf courses!); 2 royal villas (200 sq. m.; 3 bedrooms, a living room, a large terrace,
luxury bathrooms, a dedicated swimming pool and a kitchen; located in the middle of
golf courses).
     Other services: 6 restaurants, 3 cafes, several bars, a disco-bar, a 5500 sq. m.
conference hall, two 90 sq. m. ballrooms, 3 tennis courts with clay surface; a youth
club, a 3600 sq. m. spa center and a 1500 sq. m swimming pool.

                                                      PHOTO BY ZURAB NIKOLAISHVILI
                                                                 TO BE CONTINUED




                                                                                                             93
     stili #28. 2008




mTavari mxatvruli principi
    amjerad warmodgenili, dizaineruli         atmosferos. mTliani sivrce saintereso Te-    bebiT~ Seqmnili eqspoziciis fonze aRiqvams,
kompania `arteqskluzivis~ mier (direqtori,    mebiTaa savse da mis organizebaSi swored     rom dRes, sacxovrebeli interieris esTe-
arqiteqtori vasil ToxaZe) ganxorcielebu-      es gaxda mTavari mxatvruli principi. amda-   tika saWiroebs ara mxolod Tanamedrove fo-
li, sacxovrebel interierTa garemo,            gvari midgoma Tanamedrove stilistikaSi       rmebsa da sagnebs, is aucileblad eyrdnoba
saxasiaTo moulodnelobebzea agebuli. si-       sxvadasxva dizainerul CarTvebs ganapirob-    saxasiaTo niuansebs, calkeul asociaciebs,
vrceSi originaluri kompoziciebis, nivTe-      ebs da mas dasaSvebs xdis. sacxovreblebSi    rac mTeli sivrcis TviTmyofadobis gamosa-
bis, nakeTobebis, aqsesuarebis gadanawileba   ramodenime dominanti niuansia koncentri-     vlenadaa aucilebeli.
gansazRvrul kanonzomierebebs emorCileba       rebuli, Tumca aralokalurad. aq moxved-                                     nino laRiZe
da mniSvnelovnad gansazRvravs mis saerTo      rili damkvirvebeli, `dekoratiuli nakeTo-                            foto: gia javeliZe




94
                                                                                                         stili #28. 2008




Key artistic principle
      The residential interiors designed by Artexclusiv Company (director, architect Vasil Tokhadze)
are built up on the effect of pleasant unexpectedness. Original compositions, articles and acces-
sories are distributed within the space in accordance with definite rules, by large defining the
general character of the atmosphere. The interior is filled with an array of interesting themes,
and this is the key creative principle underlying its design. Such an approach allows for intro-
duction of retro elements into the modern stylistics. The residential activity within the interior is
focused on several dominants, though in a non-localized manner. The visitors, looking at this
improvised exposition of decorative articles, are sure to feel that the aesthetics of modern inte-
riors should be based not only on modern-style forms and objects, but also on the characteris-
tic touches and associations with the past, indispensable for highlighting individuality of the space.
                                                                                 NINO LAGHIDZE
                                                                            PHOTO: GIA JAVELIDZE




                                                                                                                           95
     stili #28. 2008

interieri
INTERIOR



dominanti interierSi
    quTaisis centrSi, mdebare erT-erTi Se-   minimumamdea dasuli `gzebis~ gadakveTa. Se-   rSi lokalur ferTa kontrasti domini-
nobis rekonstruirebis Sedegad, masSi         svlisTanave SeigrZnobT, rom interieri fe-     rebs. mocemuli Tematika guldasmiTaa da-
`banki respublikis~ filialma daido bi-       riTi da sivrciTi gadawyvetiT aqtiuri da       muSavebuli da originaluri gadawyvetiT
na. misi interieris dizaini arqiteqtor       lokaluria, rac misi iersaxis ganmsazRv-       gamoirCeva. masSi wamyvani, dominanti el-
daviT baxtaZis proeqtiT ganxorcielda.        relia. dizainSi avtorebisaTvis damaxasi-      ementebis gadanawileba, dizaineruli xe-
    saerTo sivrcis gonivrulad daculi         aTebeli manera, stili, TvalsaCino piro-       rxebiT ostaturadaa Sesrulebuli, rac me-
zonirebiT, rogorc saofise, aseve sazo-       biToba, mTliani sivrcis originaluri ko-       tad sasiamovno, komfortul garemos qmnis.
gadoebriv monakveTebSi, horizontalSi         mpozicia, naTlad gamoikveTeba. interie-                                    nino laRiZe




96
                                          stili #28. 2008




Dominant
in Interior
      Interior of Bank Republic, locat-
ed in Kutaisi, has been created by
architect David Bakhtadze.
      Reasonable zoning of the inte-
rior space allows for minimal over-
lapping between office and public
areas. Coloring and spatial solutions
are active and localized, defining the
image of the showroom. The design
efficiently reveals the authors’ man-
ner and style as well as original com-
position of the space. The dominat-
ing element of interior design is the
contrast of local colors. Thorough
development and original solution of
the general theme, masterful distri-
bution of design dominants create a
really pleasant, comfortable environ-
ment.
                      NINO LAGHIDZE


                                                            97
     stili #28. 2008




                                                                       cxaurSuqfarnebi*,
                                                                            anu sinaTle
                                                                                  Tqvens
                                                                             sardafebSi
    bunenebriv ganaTebas msoflios qala-     ve perforirebuli qvis filebsa da Jalu-      nagebobebis am segmentSi ganaTeba, insola-
qmSneblobis praqtikaSi gansakuTrebuli       zebs saWiro temperaturul reJimis dasa-      cia, aeracia, Termoregulacia xorciel-
adgili uWiravs. is metad mniSvnelovania     myareblad. maT mzis sxivi sarkofagebSic     deboda bunebrivi gziT anu Senobis gar-
SenobaTa sardafebis, sawarmoo farTebis,     ki Seiyvanes.                               Semo gakeTebuli sahaero sistemebiTa da
metropolitenebis, miwisqveSa gadasasv-          yvela kargad aSenebuli qalaqi inso-     cxaurSuqfarnebiT.
lelebis, daxuruli bazrebis, sagamofeno      laciis swor principzea agebuli. eseTia          Tanamedrove samSeneblo tendenciebSi
darbazebis, avtosadgomebis mSeneblobi-      Zveli Tbilisic, gansakuTrebiT XIX sau-      es martivi da metad sasargeblo sistema
sas.                                        kunis bolos da XX saukunis dasawyisSi       sruliad ugulvelyofilia.
    Zvel egvipteSi TabaSiris da oniqsis     Zveli ubnebis Senoba-nagebobebi.                Tu CaixedavT XX saukunis II naxevris ga-
Suqgamtar Txel firfitebs iyenebden sa-          Cven ar SevexebiT arqiteqturul ier-     nmanmavlobaSi agebuli Senobebis sardafe-
surveli ganaTebis misaRebad da Sida si-     saxis ganxilvas, mxolod sardafebisa da      bSi, isini bneli da nestiania, uares Sem-
vrcis mtvrisa da mavne radiaciuli das-      miwisqveSa TaRovani konstruqciebis Sene-    TxvevaSi wyliT savse. ukeTesi mdgomare-
xivesbisagan dasacavad. iyenebdnen agreT-   bis mTavar principebs avRniSnavT. Senoba-   oba arc im SenobebSia, romelTac es sis-




98
                                                                                                                 stili #28. 2008




temebi sworad hqondaT gamoyenebuli, ra-      mSeneblebs aseve iq macxovrebelT. xolo    nebulia.
dganac trotuarebis mowyobisa da sarda-       aeraciisa da ganaTebis metad gamocdili       am statiis mizania mivawvdinoT xma im
febis ama Tu im miznebisaTvis rekonstru-     martivi sistema gamoyebuli egviptis ak-   samSeneblo kompaniebs, romlebic dainte-
qciis Sedegad cxaurSuqfarnebi umetesad       ldamebidan Tanmedroveobamde saerTod       resebulebi arian aSenon usafrTxod, xa-
gaauqmes. samwuxarod es procesi dRemde       miviwyebulia.                             risxianad da iafad!
grZeldeba. amis TvalsaCino magaliTi ru-         Tumca aRniSvnis Rirsia, rom yofili
sTavelis prospeqtis savali nawilis mim-      manTaSevis rigis rekonstruqciisa da       * ganmarteba: cxaurSuqfarani warmoadgens Tu-
dinare rekonstruqciaa.                       wyneTSi erT-erTi agarakis mSeneblobis-    jis cxaurs, romlis segmentebSi montaJdeba mi-
   TbilisSi Tanamedrove samSeneblo bu-       as es sistema funqcionalurad aris ga-     nis gamWvirvale, Suqgardamtexi prizmebi da fi-
                                                                                       lebi.
mis pirobebSi mravalsarTulian Senobeb-       moyenebuli.
Si ewyoba ramdenime doniani miwisqveSa av-      bolos SevniSnavT, Zvel TbilisSi ar-
                                                                                       ideis avtori da reportaJi -
tosadsgomebi, sadac iyeneben mikroklima-     sebobda cxaurSuqfarnebis mwaemoebeli
                                                                                                 buba svimoniSvili
tis Semqmnel agregatebs da eleqtro ga-       ormocze meti manufaqtura. es teqnolo-
                                                                                             (fotosuraTi + beWedi)
naTebas, rac metad Zviri ujdeba rogorc       gia enTuziazmis doneze dResac SenarCu-




                                                                                                                                   99
    stili #28. 2008




                                                                                                         Light in Your
                                                                                                            Basement
                                                                                                            Windows*
     Natural lighting plays a special role in urban archi-   sarcophaguses.                                                  spaces was ensured by natural means, i.e. by air cir-
tecture practices worldwide. It is very important in con-         Quality urban architecture is always based on cor-         culation systems arranged around the buildings and
struction of basements, industrial spaces, underground       rect application of solar exposure principles, samples          basement windows.
stations and passages, indoor markets, exhibition halls,     of which you can find in Tbilisi, especially in the turn-            In the present-day construction practices these sim-
parking lots, etc.                                           of-the-century buildings of its old districts.                  ple and efficient systems are totally neglected.
     Ancient Egyptians used thin transparent plaster and          As this article is not dedicated to discussion of archi-        Remember the buildings of the 1950-ies – their
onyx plates to regulate the lighting and protect interi-     tectural values in general, we will only draw your atten-       basements are dark and damp, sometimes filled with
or spaces from dust and harmful ultraviolet irradiation,     tion to basements and underground vaulted construc-             water. Even the constructions, which were built earli-
perforated stone slabs and blinds – to control temper-       tions dating back to early 20th century. Lighting, inso-        er with correct application of the above principles, are
ature and shading. They even introduced sunlight into        lation, air conditioning and thermal regulation in such         in the same situation because their basement windows




100
                                                                                                          stili #28. 2008




                                                   were mostly walled up during side-        successfully applied during renova-
                                                   walk paving renovations or basement       tion of Mantashev complex and
                                                   reconstructions. Unfortunately, this      construction of a cottage in Tskneti.
                                                   process still continues; one could             For the conclusion, we would like
                                                   even point to the ongoing restora-        to add that in old Tbilisi there exist-
                                                   tion of Rustaveli Avenue as one of        ed over forty manufactories, produc-
                                                   its notable examples.                     ing basement windows. This tech-
                                                        Residential constructions built      nology still exists at an amateur level.
                                                   in Tbilisi in the recent years are usu-        This article is mainly intended
                                                   ally provided with multilevel under-      for realty developers, interested in
                                                   ground parking lots, which are            building safely, cheaply and preserv-
                                                   equipped with HIV equipment and           ing good quality!
                                                   electric lighting – very expensive both
                                                   for the construction companies and        * Note: basement windows consist of
                                                   the residents of such apartment           cast iron grids inlaid with transparent
                                                                                             light-refringent glass prisms and slabs.
                                                   blocks. Again and again, the sim-
                                                   ple and time-tested ancient Egyptian
                                                                                                    Author of the
                                                   method of giving access to natural
                                                                                              idea and the article
                                                   light to underground interiors (e.g.
                                                                                                         – Buba
                                                   tombs) has been lost somewhere
                                                                                                     Svimonishvili
                                                   between the past and the present.
ase iyo ganaTebuli sardafi zamTris Rrublian dRes        However, this system has been
BASEMENT LIGHTING IN CLOUDY WEATHER


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qarTuli saxli
sul cota xnis win Tbilisis erT-erT ubanSi - giorgi axvledianis quCaze (CvenTvis kargad nacnob
perovskaias quCaze) gaixsna axali restorani "qarTuli saxli".
qarTuli aguriT mopirkeTebul kledlebze Zveli Tbilisis Sav-TeTri peizaJebi Tixis WurWeli erovnuli
ornamentebi - yovelive es "qarTuli saxlis" interiers XIX saukunis ganumeorebel kolorits sZens.
aq Seqmnili atmosfero Tavs qarTveli TavadiSvilis stumrad gagrZnobinebT . sada da mdidruli garemo
kidev erTxel gvagonebs winaprebis mier saTuTad Semonaxul stumarmaspinZlobis wmnida adaTs.
proeqtis avtorebi: giorgi doliZe, gaga zaqareiSvili.




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                                                                                                 stili #28. 2008




    . interieris arqiteqtonika daxvewilia, qa-   vrcis yoveli monakveTis individualuroba Se-
rTulia da mis aRqmas kompoziciisa da piro-       narCunebulia. dekoris ferisa da faqturis mo-
biTobis sxvadasxva xarisxis Tanaarseboba amZa-   nacvleoba, maTze mxedvelobis koncentrireb-
frebs. sivrcis dadebiTi ekologia masSi mox-      as axdens. xelovnuri ganaTebis sxvadasxva in-
vedrisTanave SeigrZnoba.                         tensivoba ki xazs usvams formisa da feris si-
    arsebuli arasaxarbielo proporciebis Se-      Rrmes.
cvla profesiuli intuiciis arsebul pirobe-            profesionalizmi yovelTvis detalebSi ga-
bTan adaptirebiT moxda. interieris mTliano-      movlindeba. igi igrZnoba yvelgan - masalis
bis STabeWdileba erTiani kompoziciuri gada-      faqturaSi, aqsesuarebSi, sivrcis sabolood
wyvetiT, zonidan zonaSi gardamavali dekor-       srulyofisaTvis SerCeul niuansebSi, romel-
is motivebiT erTi sibrtyidan meoreze feris       Ta aliansiT, igi harmoniul mTlianobad ga-
gadaTamaSebiT, moculobiT-plastikuri gadaw-       rdaiqmna.
yvetebiTaa miRweuli.                                                              nino laRiZe
    miuxedavad stilistikuri mTlianobisa, si-                         foto: mindia midelaSvili




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                                                                                           The initial uncouth proportions were ingeniously transformed into


Kartuli Sakhli                                                                        an efficient interior space based on professional intuition and existing
                                                                                      requirements. The interior is visually integrated by the unified composi-
                                                                                      tion, soft zone-to-zone transitions, color sequences and flexible volume
                                                                                      solutions.
                                                                                           In spite of the stylistic integrity, every section of the interior retains
A new restaurant „Kartuli Sakhli“ is opened in Tbilisi (Giorgi Akhvlediani st. 23).   its individuality, accentuated by the interplay of coloring and textures
Traditional Georgian elements, red brick earthenware and the pictures of old          and varying intensity of artificial lighting, further highlighting the depth
                                                                                      of colors and forms.
Tiflis give create the classic Georgian aristocratic spirit.                               The professionalism is best revealed by an approach toward minor
Here You’ll experience an ancient Georgian hosting tradition which                    details. In this particular interior it is felt everywhere – in the choice of
happens to be sacred for Georgians.                                                   textures and accessories, in the creative touches, giving the space a
                                                                                      finished look and turning it into a harmonious entity.
                                                                                                                                               NINO LAGHIDZE
Authors: Giorgi Dolidze, Gaga Zakareishvili                                                                                     PHOTO BY: MINDIA MIDELASHVILI




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eleganturoba dekorSi
    maRaziis, `roial dekoris~ interieri Tvi-   rebuli da gadanawilebuli ganaTebis di-        gaTvaliswinebiT, gadawyvita.
Tmyofadia - absoluturad gansxvavebuli sti-     zaini, mocemul saTavsoTa saerTo stili-           `roial dekori~ warmogidgenT msof-
listikiT gamoirCeva. araordinaluri antu-       stur gadawyvetasTan Sesabamisi furnitu-       lios premium brendebis mier warmoebul
raJi sagnobriv garemos kidev ufro amrava-      ra, gemovnebiT SerCeuli aqsesuarebi ... uz-   produqcias - gamoyenebiTi xelovnebis ni-
lferovnebs. interieris eleganturoba da-        ado dizaini, saerTo ideiTa da TemiT ga-       muSebs saxlebis, samuSao kabinetebis Tu
xvewil dekorSi vlindeba, Sesabamisad avto-     mTlianebul, harmoniul interierul sa-          komerciuli dawesebulebis interierebis
ris - sofo SevardnaZis profesionalizmi yo-     xes qmnis. masSi detaluradaa gaTvlili yo-     gasalamazeblad; sxvadasxva ZviradRirebu-
vel fragmentSi SeigrZnoba.                     veli niuansi, gaTvaliswinebulia damkve-       li masalisgan Seqmnil xelnakeT aqsesua-
    sivrcis sworad organizacia, ferisa         Tis individualuroba da dizainermac,           rebs da piradi moxmarebis nivTebs.
da masalis harmonia, ostaturad mofiq-          mocemul SemTxvevaSi, amocana, yovelives                                   nino laRiZe


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Elegance in Decor
     The interior of Royal Decor features original,            Sophio Shevardnadze.                                          or, integrated by a general idea and theme. With every
absolutely unique stylistics. Its unordinary atmosphere            Correct spatial organization, harmony of colours and      detail carefully considered and matched to the owner’s
stresses the diversity of objects and articles “populat-       materials, tasteful choice of light fixtures, furniture and   individuality, the designers successfully reached their
ing” the shop. Elegance of the interior, revealed in refined   accessories, conforming to general stylistic solution…        goal in every aspect.
décor, manifests the professionalism of its author             Flawless design, serving to form a harmonious interi-                                                NINO LAGHIDZE


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brendis
axali
interpretacia




                       warmogidgenT, sayovelTaod cnobili brendis `ronikos~ axali Sou rumis inte-
                    rierul garemos, romelic dizainerebis, nia mgalobliSvilis, sofo SevardnaZis
                    da ia lipartelianis proeqtiT Seiqmna.
                       ulamazes interierul monakveTTa sivrcis sworad organizacia, ferisa da ma-
                    salis harmonia, ostaturad mofiqrebuli da gadanawilebuli ganaTebis dizaini,
                    konkretuli saTavsos saerTo stilistur gadawyvetasTan Sesabamisi furnitura,
                    gemovnebiT SerCeuli aqsesuarebi uzado garemos qmnis, saerTo ideiTa da TemiT
                    gamTlianebuli harmoniuli interieruli saxis Seqmnas gulisxmobs, romelSic de-
                    taluradaa gaTvlili yoveli niuansi, gaTvaliswinebulia brendis individualu-
                    roba Tu specifika.
                       warmodgenili interieri TviTmyofadia - daxvewili, zomieri dekoriT da gan-
                    sxvavebuli stilistikiT gamoirCeva. araordinaluri anturaJi sagnobriv garemos
                    kidev ufro amravalferovnebs. interieris eleganturoba daxvewil dekorSi vli-
                    ndeba, Sesabamisad avtorTa daxvewili gemovneba yovel fragmentSi SeigrZnoba.
                                                                                     nino laRiZe
                                                                         foto: irakli bluiSvili

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New
Interpretation
of Brand
     We would like to introduce to you the interior of new Roniko show-
room, which was created according to the ideas of its owner, design-
ers Nia Mgalpblishvili, Sophio Shevardnadze, Ia Liparteliani.
     The correct space organization, harmony of colors and finishing
materials, skillful selection and positioning of light fixtures, furniture, per-
fectly matching the general style of the interior, tastefully picked textile
and accessories form a flawlessly tasteful and thematically integral envi-
ronment, every detail of which accentuates individuality and specificity
of the brand.
     The interior, is an original space, distinguished by its integrity and
unique stylistics. Unordinary entourage adds to the diversity of interior
accessories. Elegance of the interior is highlighted by refined décor,
revealing the author’s taste at every step.
                                                          NINO LAGHIDZE
                                               PHOTO BY IRAKLI BLUISHVILI




                                                                                                 109
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sazogadoebrivi
zonis moculobiTi
struqtura
    arqiteqtor miSa baliaSvilis (arq. studia `3 kvadratis~ direqtori) Za-
lisxmeviT, aRqmadi lakonizmiT SeniRbuli zustad gaTvlili gadawyveteb-
is fonze, misi datvirTvis specifikis Sesabamisi, stiluri garemo Seiqmna,
romelmac absoluturad Secvala aqamde arsebuli uferuloba.
    maqsimalurad efeqturad warmoCenili Sedegi originalurobiT gamoir-
Ceva da funqcionalurad da esTetikurad Seesabameba konkretul moTxovn-
ebs.
    TbilisSi, vaSlovanis quCas bari `farengeiti~ moevlina. misi interier-
is arqiteqtonika plastikurad viTardeba. yoveli dizaineruli amocana ko-
mpoziciuri xerxiTaa gadawyvetili da kompoziciuri principis SenarCune-
biT moculobis struqtura formaTa mravalferovnebiT iqmneba. araordina-
luri arqiteqturuli niuansebiT Seqmnil sivrces, calkeuli, gansakuTre-
buli xiblis matarebel monakveTTa erToblioba qmnis.
    interieris Tavisebureba - detalebamde gaTvlili sivrcis funqciuri or-
ganizebaa. msubuqi dekori Sesabamis ganwyobas qmnis. amgvarad warmoqmnili
erTiani sazogadoebrivi zona afarTovebs `manevrirebis sivrces~ da mocem-
ul farTobze funqciaTa maqsimumis koncentrireba xdeba SesaZlebeli.
                                                                                       nino laRiZe




Volumetric Structure
of public zone
     Stylish environment of Farenheit Bar, located in Vashlovani Street in Tbilisi, has been created
to architect Misha baliashvili (Director of Studio 3 Quadrates).
     The highly efficient design, based on precisely calculated laconic solutions, is original, aesthet-
ic and function-specific. The construction conforms to a supreme compositional principle, integrating
diverse forms into a flexible structure.
     The interior space is surprisingly well-organized. Unusual and light decor helps create a rele-
vant atmosphere. The unified, unbroken public zone leaves a lot of space for maneuvering and
allows for maximal concentration of functions.
                                                                                       NINO LAGHIDZE


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      NumBar 1
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                                                                           stili #28. 2008




   Sardenis quCaze axlaxans bari      anobas qmnis. didi da mcire, Ria
NumBar 1. gaixsna.                    da daxuruli formebis simaRli-
    proeqtis avtori, arqiteqto-       sa da siRrmis, SuqCrdilebis ur-
ri levan muSkudiania. baris in-       TierTTamaSi yovelives amraval-
terieri uCveulo geometriiT ga-        ferovnebs.
moirCeva. araordinaluri forme-           interieri Tanamedrove sti-
bi efeqturi moculobebiTaa gan-        lis esTetikas deklarirebs. aq, mo-
sazRvruli. misi dizaini intele-       notonuri, erTferovani zedapi-
qtualuri da sulieria. avtoris         rebis nacvlad, daxvewili forme-
mizani - Seeqmna Zveli Tbilisis qa-   bi da tonalobebi dominirebs. me-
rgaSi Camjdari stabiluri, siv-        tali, minisa da xis zedapirebi ci-
rcobrivi organizmi - Sedga.           lindrul. sivrcobriv-moculob-
    baris interierSi sivrce ir-       iT formebSi gadaiRvreba da mo-
ibi arekvlis formiT zemoqmedebs,      biluria. dinamikuri formebis
rac drois sxvadasxva momentSi         efeqturi monacvleobiT da uza-
sxvadasxvagvarad intensiuria. in-     do grafikiT, rafinirebuli at-
terieris TiToeuli komponenti          mosfero, intimurobis maRali xa-
- kedlebis, Weris dinamika, daki-     risxia miRweuli.
duli antresolebi da a.S. urTi-                             nino laRiZe
erTdakavSirebulia da erT mTli-             foto: qristina gorodniCeva




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      NumBar 1
114
                                                                                                                                                      stili #28. 2008




     A new bar called NumBar 1, designed by archi-        nent of the inner space – walls, ceiling, suspended         and flawless graphics forms a highly refined, intimate
tect Levan Mushkudiani, was recently opened in            entresols etc. and their dynamics are interlinked and       interior. The author’s goal – to enrich the environment
Chardin Street.                                           integral. Sequences of big and small, open and closed       of old Tbilisi with a stable spatial organism – has been
     Interior of the bar is based on a highly unusual     forms are highlighted by the effects of height and depth,   achieved to perfection by this new bar with its intellec-
geometric solution, defining unordinary forms and effi-   light and shadow.                                           tual and spiritual atmosphere.
cient volumes.                                                 The design features the aesthetics of modern style.                                        NINO LAGHIDZE
     Outer world reaches into the bar in the form of an   Here monotonous surfaces are substituted by refined                         PHOTOS BY KRISTINA GORODNICHEVA
oblique reflection with varying intensity. Each compo-    forms and colors, efficient interchange of dynamic shapes

                                                                                                                                                                          115
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                       warmogidgenT, TbilisSi, kostavas qu-      davia, didi bari mravalferovani safir-


deJavu              Caze gaxsnili axali klubis, `deJavus~ in-
                    terierul garemos, romelic misi erT-er-
                    Ti mflobelis, araprofesionali dizai-
                    neris, zviad Selias ideebiT Seiqmna.
                                                                 mo koqteilebiT.
                                                                    musika ki, amarTlebs klubis saxelwo-
                                                                 debas: 70-90 wlebis hitebs aniWeben upira-
                                                                 tesobas _ es ki mTlianad dagabrunebT wa-
                       klubi deJavu - ukve nanaxis SegrZnebaa.   rsulSi, gagaxsenebT im dros da gaTqmevi-
                    mdgomareoba, romlic drosac adamiani          nebT: „es xom ukve iyo“.
                    grZnobs, rom is odesRac ukve iyo msgvas         retro da Tanamedrove musika droTa-
                    situaciaSi. es grZnoba ar ukavSirdeba wa-    ganmavlobaSi erTmaneTs cvlian. erTi si-
                    rsulis gansazRvrul moments, aramed uk-       tyviT, SesvlisTanave igrZnoba Tavisufle-
                    avSirdeba warsuls mTlianad.                  bis aromati.
                       ver vityviT, rom klub „deJavu“-Si mo-        saRamos cxra saaTze klubSi gelode-
                    xvedrisas warsuli gagaxsendebaTTqo, ra-      baT koncerti cocxali SesrulebiT, kon-
                    dgan interieri sakmaod Tanamedrove sti-      certis damTavrebisTanave - diskoTeka.
                    lSia gadawyvetili. erTi uzarmazari da-       wagiRebT harmoniuli talRebis koriante-
                    rbazi terasebad dayofili, SuaSi scena,       li da SegiZliaT waqcevamde icekvoT me-
                    romlis ganaTeba gansakuTrebiT STambeW-       gobrebTan erTad.




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                                                                                                                               stili #28. 2008




Club Deja Vu
      We would like to introduce to you the interior of new        Famous hits of 70-90’’-ies may really remind you of
Deja Vu Club, in Kostava street, in Tbilisi, which was cre-    the past and make you exclaim „it’s been before“, though
ated according to the ideas of its owner, amateur design-      they are from time to time replaced with modern rhyth-
er Zviad Shelia.                                               mical tunes.
      Deja Vu – French for „seen before“ - An impression           At 9pm live concerts start followed by dizzy discothe-
or dull familiarity of having seen or experienced some-        ques. Let you be gulfed into the whirlwind of harmonious
thing before. Well, even if visiting Club Deja Vu will not     waves and dance endlessly.
directly cast your memories to the past, it is still worth         Deja Vu – offers plenty of surprises to its visitors. All
visiting for many reasons for those looking for a good         I can inform is that the program changes frequently and
place for entertainment.                                       special events and parties are given everyday (announce-
      Interior is very modern. A large, terraced hall with a   ments are permanently announced at the Events’ Calendar
stage in the middle, impressively fiery lights and wide        of www.info-tbilisi.com) Don’t wait too long. Deja Vu is at
range of exquisite cocktails look very attractive.             your disposal.




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                    jazi operasTan...
                       pasuxad kiTxvaze, Tu ra iyo am adgilas Near        arasodes giocnebiaT operasTan gatareb-
                    Opera-s gaxsnamde (`kala jgufis~ qseli), Tamam-   ul Rameze? aucileblad iocnebebdiT, da in-
                    ad SeiZleba iTqvas: `araferi~. mxatvar guga ko-   ebeT: CvenTan es ocnebac agixdebaT. dabrZan-
                    tetiSvilis ideebiT, araferi silamazad gada-       diT marTlac mefur savarZelze, miirTviT, ra-
                    iqca, patara sasaxled, sadac yoveli nivTi fu-     sac isurvebT da yuri ugdeT - rogori musi-
                    funebis sagania, yoveli kerZi - kulinariis Se-    kaa! yvelaze kargi jazi, jazi operasTan...
                    devri, da sarkeebSi brolis WaRebi da pirve-                        foto: qristina gorodniCeva
                    lad mosulTa gaocebuli saxeebi irekleba...




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                                                                                                          stili #28. 2008




Jazz near the Opera…
     To answer your question about what there was at this place, before we opened the Near Opera
(Kala Group Network), we can confidently reply: „nothing“. With ideas of artist - Guga Kotetishvili
turned „nothing“ into a beautiful place, a small palace, where every object is a piece of luxury, every
meal – a culinary masterpiece, where crystal chandeliers, along with astonished faces of visitors are
reflected in the mirrors…
     Have you never dreamed about spending a night near Opera house? I’m sure, you have, and
there we go: your dream will come true at our place; please take a seat in a king size armchair, and
order whatever you wish and listen – what a music! The best jazz ever, jazz near the Opera…
                                                                 PHOTO BY: KRISTINA GORODNICHEVA




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  stili #28. 2008




                      1001
                    interieris dizainis avtorebi:
                     giorgi banZelaZe, nika baxtaZe
                    mxatvari: qeTi matabeli

                        aqve sionTan, Sardenis quCaze
                    Tbilisis erT-erT yvelaze lamaz
                    quCaze, mivageniT sivrces, romel-
                    ic imTaviTve cota jadosnuri
                    iyo: TaRebiani miwisqveSeTi, rom-
                    lis aguris kedlebic vin icis,
                    ramdeni ramis momswreni yofilan,
                    sadac RumelebTan mimsxdarni vin
                    icis, ramden zRapars uyvebodnen
                    erTmaneTs...
                        „1001“ - Si (`kala jgufis~ qse-
                    li) aTas erTi sixaruli geliT:
                    1001 qveynis samzareulo, 1001 da-
                    saxelebis sasmeli, 1001 wvrilma-
                    ni, 1001 zRapari da 1001 adamia-
                    ni, romelic aq yvelafer amasTan
                    da Tqvens, swored Tqvens gasacno-
                    badaa mobrZanebuli.
                            foto: qristina gorodniCeva




                    Authors: Designers -
                     Giorgi Bandzeladze, Mika Bakhtadze
                    Artist: Keti Matabeli

                         Near Sioni, in one of the most beautiful
                    streets of Tbilisi, we uncovered a space that
                    from the very beginning stood out as magic:
                         basement space with arcs, the walls of
                    which have probably witnessed hundreds of
                    interesting stories, while those who sat
                    around its ovens, told one another dozens
                    of fairly tales.
                         In „1001“ (Kala Group Network) you will
                    experience 1001 delights: cuisines of 1001
                    countries, 1001 types of drinks, 1001 small
                    things, 1001 fairy tales and 1001 people that
                    come here for all of these, and of course,
                    to get to know with you.
                          PHOTO BY : KRISTINA GORODNICHEVA




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              121
  stili #28. 2008




                      `saxlobana~ `rumsTan~ erTad


                                                                   SvedeTi, Sveicaria, taivani,
                                                                   tailandi, TurqeTi, didi
                                                                   britaneTi, aSS.

                                                                       damTvaliereblebi: 25880
                                                                       dizainerebi, arqiteqtore-
                                                                   bi, mwarmoeblebi, maRaziebis
                                                                   warmomadgenlebi, distribiu-
                                                                   torebi, developerebi, sxva.

                                                                      aq, msoflio mniSvnelobis
                                                                   saerTaSoriso gamofenaze sa-
                                                                   qarTvelodan dizaineruli
                                     faqtebi:                      kompania `rumsi~ warsdga Ta-
                                     sagamofeno sivrce: 14500      visi axali, saintereso pro-
                                 kv.m.
                                     monawileebi:                                                      Tumca, isic unda iTqvas,
                                     255 debiutanti (40%), 311                                     rom saerTaSoriso gamofena-
                                 aSS-s warmomadgeneli (48%),                                       ze, misi organizatorebis mi-
                                 331 ucxoeli (52%)                                                 er `rumsis~ monawiled ofi-
                                     dizainerebi, Tanamedro-                                       cialurad dafiqsirebis da
                                 ve saofise da sacxovrebeli                                        mowvevis miuxedavad, mxol-
                                 avejis, teqstilis, xaliCebis                                      od realizebuli proeqti ga-
                                 / iatakis safaris, saaveje ma-                                    moifina (avtorebs, CvenTan,
                                 salebis, Spaleris, aqsesua-                                       amerikaSi gamgzavrebaze uari
                                 rebis, samzareulos da abaza-                                      uTxres). es ise cnobisTvis...
                                 nis avejis mwarmoeblebi.
                                                                                                       saerTaSoriso gamofena-
                                     warmodgenili qveynebi: 38                                     ze wardgenili siaxleebi -
                                     argentina, avstralia, av-                                         `Cacmuli skamebi~ - roca
                                 stria, belgia, botsvana, bra-                                     Tqveni skami Cacmulia, igi ga-
                                 zilia, kanada, CineTi, CexeTi,                                    nsakuTrebiT Tbili da mosa-
                                 dania, salvadori, fineTi, sa-                                     xerxebeli iqneba; frTxilad
                                 frangeTi, saqarTvelo, germa-                                      iyaviT, uceb qurTukis patro-
                                 nia, irlandia, israeli, ita-                                      nma ar mogakiTxoT.
                                 lia, iaponia, korea, litva, ma-
                                 laizia, meqsika, holandia, ax-
    aSS-Si 2008 wlis 17-18 ma-   ali zelandia, norvegia, fi-
 iss Catarebulma Tanamedro-      lipinebi, poloneTi, portu-
 ve avejis me-20 saerTaSori-     galia, singapuri, espaneTi,
 so bazrobam niu-iorkis jek-
                                                                   eqtiT. sasixaruloa, is faq-
 ob jevicis sazogadoebrivi
                                                                   ti, rom msoflio mniSvnelo-
 centri cota xniT dizainer-
                                                                   bis brendebs Soris warmoCe-
 ul `saocrebaTa samyarod~
                                                                   nilma axalgazrda Semoqmed-
 gadaaqcia. aSS-Si Tanamedro-
                                                                   Ta eqspoziciam specialistTa
 ve dizainisadmi miZRvnili es                                                                         proeqti `saxlobana~ - ko-
                                                                   da damTvalierebelTa jero-
 umsxvilesi RonisZieba erTg-                                                                       ncepcia, masalebi, struqtu-
                                                                   vani interesi gamoiwvia, rac
 vari xidia `dizaineruli si-                                                                       ra da teqnologia Sejerebu-
                                                                   samomavlod `rumsis~ Semoqme-
 marTlis maZieblebsa~ da av-                                                                       lia axali, gasaocari dizai-
                                                                   debaSi mniSvnelovan siaxle-
 angarduli dizainis Semqnel-                                                                       nis Sesaqmnelad.
                                                                   ebs ganapirobebs.
 ebs Soris.

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                                                                                stili #28. 2008




                                  oqebis da kulturebis Seza-
                                  vebis Sedegia, romelic, miu-
                                  xedavad uCveulo detalebis
                                  simravlisa, harmoniuli da
                                  originaluria.

                                     `rumsi~ arasdos ar iviw-
                                  yebs azrovnebis gansxvavebu-
                                  lobis faqtors da martivad
                                  iRebs gabedul gadawyvetile-
                                  bebs.

                                     `rumsis~ damaarseblebi da
                                  wamyvani dizainerebi arian
                                  nata jamberiZe da qeTi To-
                                  loraia. qarTuli dizainis ax-


   komodi `yiramala~ - mod-
iT bavSvebiviT davarRvioT
yvela wesi -
   amerikaSi gadagzavnamde,
TbilisSi, merab berZeniSvil-
is saxelobis kulturis sae-
rTaSoriso centr `muzaSi~
gamoifina, raTa qarTvel sa-
zocadoebasac miscemoda sa-
Sualeba exila kompaniis axa-
li proeqti.                       ali Taobis es warmomadgen-
                                  lebi cxovroben da muSaoben
                                  TbilisSi. nata da qeTi ro-
                                  melime konkretul stils ar
                                  misdeven; maTi azriT, dizai-
                                  nis CarCoebSi Casma SeuZlebe-
                                  lia, dizaini TavisiT warmo-
                                  iSoba konkretuli situaci-
                                  idan, dizaineris ostatobi-
                                  sa da klientis moTxovnebis
                                  Sejerebidan, miRebuli meTo-
                                  debisa da ocnebis nazavidan.

                                     proeqti `saxlobana~ gTa-
                                  vazobT TamaSis gansazRvr-
                                  ul wesebs – iTamaSeT es Ta-
                                  maSi `rumsTan~ erTad da ais-
                                  ruleT bavSvobis ocnebebi.

   dizaineruli kompania
`rumsi~ daarsda saqarTvelo-
Si 2003 wels. kompaniis slo-
gani - `Semoqmedebis wyarod
nebismieri sagnis qceva SeiZ-
leba~ - yovel nabijze xorci-
eldeba praqtikaze da muSa-
obas amaRelvebel TamaSad aq-
cevs...

    `rumsis~ gansakuTrebuli
Tvisebebia inovaciuri xedva
da iumoris grZnoba. `rumsi~
StampebiT ar xelmZRvanelobs
– misi yvela nakeToba damou-
kidebeli fiqris, sxvadasxva ep-                                   NATA & KETI
                                                                                              123
    stili #28. 2008




Play “House Game” together with ROOMS



     The 20th annual International Contemporary Furniture   voking programs and a schedule of supplementary
Fair (ICFF) May 17-20 2008 converted New York City’s        exhibits and features.
Jacob K. Javits Convention Center into a worldwide
wonder for design disciples. North America’s singular             Facts:
showcase for contemporary design, the Fair draws the              Exhibit space: 14500 sq. m.
most intrepid seekers of design truth and design trends           Exhibitors: 255 first time (40%)
to an extraordinary exhibition of the most inspired mod-          311 US (48%)
els of design on the forefront, as well as thought-pro-           331 Non-US (52%)
                                                                  Designers, manufacturers, representatives of contem-
                                                            porary furniture, seating, carpet and flooring, lighting, out-
                                                            door furniture, materials, wall coverings, accessories, tex-
                                                            tiles, kitchen and bath for residential, home/office, contract

                                                                   Countries represented: 38
                                                                   Argentina, Australia, Austria, Belgium, Botswana,
                                                                                                                                  Innovation, distinct vision and the sense of humor
                                                            Brazil, Canada, China, Czech Republic, Denmark, El
                                                                                                                             are the noteworthy features of ROOMS.
                                                            Salvador, Finland, France, Georgia, Germany, Ireland, Israel,
                                                                                                                                  Rooms is not guided by rubber stamps; any prod-
                                                            Italy, Japan, Korea, Lithuania, Malaysia, Mexico, Netherlands,
                                                                                                                             uct is always the result of the intelligent efforts, merge
                                                            New Zealand, Norway, Philippines, Poland, Portugal,
                                                                                                                             of various epoch and cultures, which in spite of unusu-
                                                            Singapore, Spain, Sweden, Switzerland, Taiwan, Thailand,
                                                                                                                             al details creates harmony and makes it poles apart the
                                                            Turkey, United Kingdom, U.S.
                                                                                                                             pack.
                                                                                                                                  ROOMS takes into consideration mental peculiari-
                                                                Attendees: 25880
                                                                                                                             ties and courageous decisions are taken with simplicity.
                                                                Interior designers, architects, retailers, designers,
                                                                                                                                  Nata Janberidze and Keti Toloraia are the founders
                                                            manufacturers, representatives, distributors, developers and
                                                                                                                             and the main designers of ROOMS. They live and work
                                                            general public
                                                                                                                             in Tbilisi and represent the new generation of the young
                                                                                                                             Georgian designers. Nata and Keti are not followers of
                                                                 Georgia was represented at this highly important inter-
                                                                                                                             any particular style, they think, that design cannot be
                                                            national fair by design company ROOMS with their new
                                                                                                                             described by a dogma, the designs come about through
                                                            project. The exposition of young Georgian designers enjoyed
                                                                                                                             the situation, product and costumer-oriented design
                                                            considerable interest on the part of specialists and the
                                                                                                                             process, which exists somewhere between method and
                                                            public, which provides ROOMS with new outlooks for
                                                                                                                             magic.
                                                            further development.
                                                                                                                                  Project “The House game” offers the rules of the
                                                                 Here we would also like to note that ROOMS was
                                                                                                                             game: follow them with Rooms and your childhood dreams
                                                            represented at the ICFF by its newly realized project only,
                                                                                                                             will come true.
                                                            because the authors were not allowed to visit the U.S.
                                                            in spite of being officially invited by the Fair organizers.
                                                                 The new designs presented by ROOMS at the
                                                            International Contemporary Furniture Fair were as follows:

                                                                 Chairs “Dressed Chairs” - To keep the space around
                                                            you always warm and cozy, somebody will come back
                                                            to get the coat back.
                                                                 Project “The House game” - the concept, material,
                                                            structure and technique must all be in balance to create
                                                            the surprising and new design.
                                                                 Commode “Upsidedown” - Breaking the rules like
                                                            children do.

                                                                Before being sent to the U.S., the ROOMS designs
                                                            were exhibited in Merab Berdzenishvili International
                                                            Culture Centre Muza, so that the Georgian public could
                                                            take a look at the new project.

                                                                The design company ROOMS was founded in 2003
                                                            in Georgia. The motto of the company: “Inspiration can
                                                            come from everything that’s around” is applied to every
                                                            pace and very frequently the work turns into exciting game…

124
                                                                      stili #28. 2008




sacxovrebli sivrcis
moduluri kompozicia
   dizaineruli kompania `rumsis~ dizainerebis nato janberiZisa da
qeTi Toloraias proeqtiT Seqmnili, sacxovrebeli interieri Tbili-
sSi, Tanamedrove esTetikiTaa gajerebuli. masSi mkveTradaa gamoxa-
tuli stiluri dominanti. Tavisufali gegmareba, geometrizmi da fo-
rmaTa grafika esTetikasTanaa Serwymuli. gamoyenebuli masalis faq-
tura da feri, Tavisufali moculobebis da dekoris TvalSisacemi es-
Tetizmi naTlad warmoaCens interieris TviTmyofadobas, avtorTa pro-
fesionalizms.
   sacxovrebli sivrcis moduluri kompozicia - arqiteqtonikuri el-
ementebis proporciebi funqciur-mxatvruli xasiaTis matarebelia da
interieris TviTmyofadobas gansazRvravs.
   sacxovrebeli sivrce, yovel mocemul SemTxvevaSi, Tavisi `xasiaT-
iT~, identur mopyrobas moiTxovs. zedmeti dekoratiuli detalebis
ignori lakonuri feriTi kontrastebiTaa kompensirebuli, rac diza-
inerTa daxvewil gemovnebas deklarirebs. sacxovreblTa fragmenteb-
is saerTo tonalobebis, formaTa grafikulobis Tanaarseboba mSvid,
dadebiT ganwyobas qmnis.
   mTlianobaSi, interieri Tavisufali da gamomgoneblurobas abso-
luturad moklebulia, gansakuTrebuli emociuri datvirTviT aRiq-
meba da srulad Seesabameba mobinadreTa moTxovnebs, gemovnebas, cxo-
vrebis esTetikas.
                                                       nino laRiZe




                                                                                    125
  stili #28. 2008




                    The modular
                    composition
                    of residential
                    space
                           Residential interior in Tbilisi, designed by Nato Janberidze and Keti Toloraia
                    ( Design Company Rooms), is saturated with modern aesthetics. It has a dis-
                    tinctive stylistic dominant. Free planning, geometric precision and graphic solu-
                    tion of forms is integrated with aesthetic beauty. Textures and colors of finishing
                    materials, the apparent aestheticism of the décor serve to highlight the original-
                    ity of interior design, as well as professionalism of its authors. The modular com-
                    position of residential space and proportions of architectonic elements combine
                    creativity with functionality and increase originality of interior.
                           Despite their unique and exquisite character, all parts of the interior space
                    are equally efficient. The lack of excessive decorative elements is compensated
                    by eloquent color contrasts, which manifest the designers’s.
                           In spite of all its originality, the atmosphere in the house is uninhibited with-
                    out being overly ingenious. The residential interior is organically integrated with
                    the surrounding landscape, enriching the site with special emotional charge and
                    fully conforming to its dwellers’ requirements, taste and lifestyle aesthetics.
                                                                                          NINO LAGHIDZE




126
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              127
  stili #28. 2008




 sacxovrebeli garemo - cocxali organizmi
128
                                                                           stili #28. 2008




   Tanamedrove sacxovrebeli interieri, misi dizaini da avtoris mier ma-
sSi Seqmnili atmosfero, rTuli, Sromatevadi, SemoqmedebiTi gzis Sedegia.
   dizainer ruska TumaniSvilis proeqtiT TbilisSi erT-erTi saintereso
sacxovrebeli interieri ganxorcielda. misi erTiani sivrcis organizebis
mTavari mxatvruli principi minimalizmi da sisadavea. moculobis mTliani
saxe sasiamovno disonansebzea agebuli.
   interieris arqiteqtonika martivicaa, rTulic da lamazic. sivrcis mTli-
anobis STabeWdileba kompoziciis dinamizmiT, dekoris, ferebis lavirebiT,
moculobiT-sivrcobrivi gadawyvetebis riTmebiTaa miRweuli.
   interieris `vizualur moZraobas~ specefeqtebisa da moulodneli di-
zaineruli gadawyvetebis sistemebi ilustrirebs.
   sacxovrebeli garemo, misi Semadgeneli mobiluri elementebis urTier-
TharmoniulobiT, erTi mTliani, cocxali organizmia. gaxsnili sivrce er-
Tianad aRiqmeba, Tumca masSi yoveli calkeuli elementi erTgvarad mniSv-
nelovani da dasamaxsovrebelia. maTi lavireba SeuCneveli niuansebiT war-
moebs. interieris ToToeuli horizontaluri Tu vertikaluri sibrtye Ta-
mami, araordinaluri dekoraciaa, dizaineruli kolaJia. maTi kompoziciu-
ri wyoba, tonaloba, furniturasTan, aqsesuarebTan sinqroni, srulyofile-
bis SegrZnebas badebs.
                                                            nino laRiZe


                                                                                         129
  stili #28. 2008




130
                                                                                             stili #28. 2008




Residential
space -
A living body
      The residential nterior , created by designer Rusidan Tumanishvili, is based on
simplicity and minimalism. The general principles, underlying this integral space, are
sequence of unexpected solutions.
      Architectonics of the interior is simple, complex and beautiful. The impression
of integrity is achieved by the dynamism of composition, decoration, color-matching
and rhythms of spatial and volumetric solutions. Still another notable concept real-
ized in the interior is the idea of visual motion, illustrated by a system of special
effects and unexpected design solutions.
     The open space is perceived as a unity, nonetheless consisting of self-impor-
tant and original elements, integrated by a carefully considered and unobtrusive struc-
ture of minor details. Each horizontal or vertical surface of the interior is an unordi-
nary decoration, a part of design collage. Their compositional structure, tonality, match-
ing with furniture and accessories evoke the feeling of perfection.
                                                                         NINO LAGHIDZE




                                                                                                           131
   stili #28. 2008




                     sacxovrebeli garemo
avtori: dizaineri - maia mesxi                                winaswari 3D versia
1988 w. daamTavra Tssa-s arqiteqturis fakultetis
interieris dizainis ganyofileba;
2005 wlidan "maia mesxis dizain studiis" damfuZnebeli;
2007 wlidan samodelo saagento "leonis", interieris
dizainis ganyofilebis pedagogi, samxatvro xelmZRvaneli.




   mogexsenebaT interierze muSaobisas, ideis ganxorciele-
bis procesSi, Sedegi, xSir SemTxvevaSi, mTlianad Tu ara
nawilobriv mainc gansxvavdeba sawyisi Canafiqrisagan, mag-
ram mocemul SemTxvevaSi dizaineris maia mesxis (`maia mesx-
is dizain studia~. interieris Sesruleba - samSeneblo ko-
mpania `aqtiuri TanamSromloba~) mier Seqmnili renderuli
variantebis identuri sacxovrebeli sivrcis realizacia Se-
dga - maqsimalurad gamovlinda avtoris gemovneba da pro-
fesionalizmi.


 realizebuli proeqti




132
                                                                                        stili #28. 2008




   konkretuli ojaxisaTvis
   sacxovreblis interieris Camoyalibeba-gaformebis Ziri-      winaswari 3D versia
Tadi idea dizaineruli svlis ganumeoreblad, funqciur-
ad sxvadasxva zonebis efeqtur gadanawilebaSi mdgomare-
obs. Tavisi arqiteqtonokiT TviTmyofadi, damoukidebeli
saTavsoebi sacxovrebeli mTlianobis komforts, simyudro-
ves ganapirobebs. aq moxvedrisas, stumars maspinZlebTan sa-
kuTari `merkantiluri~ sakiTxebis garkvevamde, amaRlebu-
li, Tbili ganwyoba eufleba, rac kvlav aq mosvlis surv-
ils badebs.
   interierSi TiToeul niuanss is adgili aqvs miCenili,
saidanac igi saukeTeso saxiT aRiqmeba. formasTan, faqtu-
rasTan, ferTan damokidebuleba, dizaineris SemoqmedebiT
principebs gamoavlens da araordinaluria. mTlianobaSi, ki
avtoris originaluri da saintereso mignebebi erT amoca-
nas emsaxureba - Seiqmnas sacxovrebeli garemo - mSvidi, es-
Tetikuri yofisa da maRali komfortis garanti - konkre-
tuli ojaxisaTvis.
                                               nino laRiZe
                   3D vizualizacia - irakli CxubianiSvili
                                  foto: guram wibaxaSvili


                                                                                    realizebuli proeqti




                                                                                                      133
  stili #28. 2008




                       winaswari 3D versia




winaswari 3D versia




                      realizebuli proeqti




134
                                                                      stili #28. 2008




realizebuli proeqti




                                            winaswari 3D versia




                      winaswari 3D versia




                                                                  realizebuli proeqti




                                                                                    135
  stili #28. 2008




                    winaswari 3D versia




                                          realizebuli proeqti




136
                          stili #28. 2008




winaswari 3D versia




                      realizebuli proeqti




                                        137
    stili #28. 2008




Living Space for a Particular Family
Author: designer Maia Meskhi                        realizebuli proeqti
   1988 Graduated from the archi-
   tectural faculty (interior design
   department) of Tbilisi State
   Academy of Arts
   2005 established Maia Meskhi
   Design Studio
   2007 started to work in Leoni
   Model Agency as interior design
   department tutor and arts director



      Realization stage of interior design
often yields certain deviations from the ini-
tial sketches. However in this particular case
the interior created by designer Maia Meskhi
(Maia Meskhi Design Studio) and realized
by construction company Active Cooperation,
is absolutely identical to its render version,
revealing the author’s professionalism at its
best.
      The key highlight of this residential inte-
rior is efficient development of design theme
from zone to zone. The spaces with their
original architectonics integrate into an utter-
ly comfortable living environment. A visitor
entering this apartment perceives its posi-
tive, pacifying atmosphere from the very first
step and feels an urge to visit the place
again and again.
      Every detail in the interior is positioned
so as to stand out with most efficiency.
Approach toward shapes, textures and
colours clearly expresses the designer’s artis-
tic principles and perfect taste. On the whole,
the author’s interesting and original solu-
tions aim to achieve one and only goal –
to create a living environment, guarantee-
ing comfortable and tasteful life to one par-
ticular family.
                       NINO LAGHIDZE
            3D VISUALIZATIONS BY IRALI
                    CHKHUBIANISHVILI
      PHOTOS BY GURAM TSIBAKHASHVILI


                                           winaswari 3D versia




138
                                    stili #28. 2008




          winaswari 3D versia   realizebuli proeqti




winaswari 3D versia




                                realizebuli proeqti




                                                  139
  stili #28. 2008

furnitura
FURNITURE



La maison
Bleue


                        mxatvruli teqstilis saxelosnos - La
                    maison Bleue-s SemoqmedebiT jgufs, profe-
                    sionali mxatvrebi - qeTi qavTaraZe, nino
                    yvavilaSvili, irma xoferia, nino xoferia
                    da eka xunwaria qmnian.
                        saxelosnos sagamofeno darbazSi Segi-
                    ZliaT SeiZinoT naturaluri abreSumisa-
                    gan Seqmnili namuSevrebi: kedlis panoebi,
                    Tavsafrebi, sakabe qsovilebi, dekorati-
                    uli sanaTebi da baliSis pirebi, Sirmebi
                    da sxva. TiToeuli namuSevari aris xel-
                    iT Sesrulebuli. sruldeba individualu-
                    ri SekveTebic.
                        saxelosnos wevrebi mudmivad Rebulo-
                    ben monawileobas sxvadasxva gamofenebSi,
                    rogorc saqarTveloSi, aseve qveynis saz-
                    Rvrebs gareTac. `stilis~ wina nomerSi La
                    maison Bleue-s ori wevri ukve gagacaniT.
                        amjerad warmogidgenT La maison Bleue-s      nino yvavilaSvilis dizaini ferTa da
                    erT-erTi wamyvani mxatvar-dizaineris nino    formaTa paradoqsia, cocxalia, Tavisufa-
                    yvavilaSvilis SemoqmedebiT fragmentebs.      lia pirobiTobisagan. igi stilisturi
                                                                 epataJis zRvarzea, magram savsea Sinaar-
                                                                 siT, araCveulebrivad funqciuria da ko-
                                                                 mfortulia misi mflobelisaTvis.
                                                                    saerTod, ra Tqma unda furnitura, aq-
                                                                 sesuari interieris kompoziciaSi domini-
                                                                 nants ar warmoadgens, magram ninos mier
                                                                 Seqmnili nakeTobebi sivrcobrivi gadaw-




140
                                                       stili #28. 2008




yvetis Rirebulebas usvams xazs da mxat-
vrulia, adamianTan `dialogSi~ Sedis da
nebismier arqiteqturul sivrceSi ipyr-
obs yuradRebas.
   xelovanis maRali ostatoba yovelTv-
is jerovnad iyo dafasebuli. dRes igi sxva-
gvarad gaiazreba, iZens axal faseulobebs,
gamoxatulebas da Sesabamisobas Tanamed-
rove gemovnebasTan.
   da kidev, rac ar unda mouxelTebeli
iyos sasurveli saxis an cxovrebiseuli mo-
vlenis silamaze, igi ar qreba, yovelTv-
is rCeba SemoqmedSi da Tuki mSvenieri na-
keToba xangrZlivad gvemsaxureba, Cvens
winaSea xelovneba.                           dizaineri nino yvavilaSvili
                              nino laRiZe        DESIGNER NINO KVAVILASHVILI




                                                                        141
  stili #28. 2008




La maison Bleue

                         The creative group of textile workshop La Maison            In the previous issue of STYLE we introduced
                    Bleue consists of professional artists Kate Kavtaradae,    to you two of La Maison Bleue artists. Now we would
                    Nino Kvavilashvili, Irma Khoperia, Nino Khoperia and       like to describe the works by Nino Kvavilashvili, one
                    Eka Khuntsaria.                                            of the leading members of La Maison Bleue work-
                         In the exhibition room of the workshop you can        shop.
                    see and buy various handmade articles in natural silk:           Nino Kavlashvili’s designs are a paradox of
                    wall panels, scarves, textiles, decorative lamp shades,    colours and forms – live and free from convention-
                    pillowcases, screens, etc. The artists also work on cus-   ality. They balance on the verge of stylistic excess,
                    tom assignments and systematically participate in dif-     but are utterly meaningful, functional and comfortable
                    ferent exhibitions both in Georgia and abroad.             for their owners.




142
                                                         stili #28. 2008




      Generally speaking, accessories do not tend to dominate in the interior
design, but Nino’s works contradict this rule by highlighting the value of spa-
tial solution and entering into artistic dialogue with people.
      High quality of artistic performance always enjoyed respect; nowadays it
is estimated at a different plane, gaining in value, expressivity and compati-
bility with modern taste.
      Just one more note for the conclusion – however elusive the beauty may
be, it invariably continues to exist in the artist’s mind – and if the artist man-
ages to interpret it so as to preserve its value for a long time to come, then
we deal with real art.
                                                                 NINO LAGHIDZE




                                                                             143
  stili #28. 2008

vernsaJi
VERNISAGE




cira kalandaZe
144
                                                                                      stili #28. 2008




wiTeli iordasalami
muyao, zeTi, 51X50, 1984

RED PEONIES
OIL ON CARDBOARD 51X50, 1984




                              edmond kalandaZe
                      `cira~, Svilis portreti
          qaRaldi, carci, sangina, naxSiri, 2002

                   EDMOND GABRIEL KALANDADZE
                  TSIRA, PORTRAIT OF DAUGHTER
CHALK, SANGUINE, CHARCOAL ON PAPER 45X60, 2002




      ciras mis saxelosnoSi gavesaubre. mogawv-              b : Sens Semoqmedebaze ras gvetyvi?
   diT amonaridebs am saubridan.                             c : ferwerul namuSevarsa da feradi naku-
      buba : Seni cxovrebis umniSnelovanesi mo-          webiT akinZul xumrobaSic gamoxatvis maqsima-
   menti.                                                lur sizustes, srulyofilebas veswrafvi, ra-
      cira : 1956 wlis 9 marti!                          dgan, mark tvenisa ar iyos, zust sityvasa da
      - bavSvebs esvrian! me wavedi! - babuaCemis, is-   TiTqmis zust sityvas Soris iseTive gansxvave-
   torikos sargis kakabaZis am sityvebiT iwyeba          baa rogoric qariSxalsa da qariSxalas Soris.
   Cemi Segnebuli cxovreba.                                  b : ra aris SenTvis ferwera, feriT-wera?
      maxsovs, rogor vcdilobdi sulisSemxuTav                 c : swored eg, feriT wera. amouwurav,
   wyvdiadSi, wamis win Cemi oTaxis simyudrove rom       zRvardaudebel SesaZleblobaTa samyaro... Ce-
   erqva, SemoWril sityvaTa bundovan konteqst-           mi xedvis, Cemi siyvarulis, qveynierebisadmi Ce-
   Si garkvevas.…ase Seejaxa Cemi oTxi wlis gu-          mi damokidebulebis sxvisTvis gacxadebis saSu-
   lubryviloba sastik realobas.                          aleba.




            saxelosno

                STUDIO
   stili #28. 2008




Tbilisuri Semodgoma
muyao, zeTi, 45X40, 1982

AUTUMN IN TBILISI
OIL ON CARDBOARD 45X40, 1982



                                      minda ferTa TamaSiT, zeTis saRebavis bzinvare-
                                   biT sulis siRrmeSi miyuJuli fiqri iseve gamovk-
                                   veTo, warmovaCino, rogorc aaelvarebs xelSi mom-
                                   wyvdeul kenWebs zRvis movardnili talRa.
                                      b : rogor aRiqvam Tanamedroveobas, am zambara-
                                   saviT daZabul dros romelSiac Cven vcxovrobT?
                                      c : me atomuri afeTqebebiT naiarev dedamiwaze
                                   davibade. es arasdros maviwydeba. Cemi siyvaruli da
                                   Cemi saTqmeli ki Cemi mravaltanjuli, lamazi saqa-
                                   rTveloTi iwyeba da mTavrdeba.
                                                         ideisa da reportaJis avtori
                                                                    buba svimoniSvili




                               saxelosno
                               STUDIO


146
                                                                                                      stili #28. 2008




Tsira Kalandadze
     We met with Tsira at her studio. Here below you can find a
brief review of our conversation.
     Buba:     What was the most important, crucial moment of
your life?
     Tsira: 9th of March of 1956!
     - They are shooting children! I am gone! - They were Russian
soldiers, children were teenage demonstrators… I remember how,
at the age of four, in the impenetrable, suffocating darkness, which
a minute ago was my room, I started to decipher the words of
my grandfather, historian Sargis Kakabadze. The moment marks           qariani saRamo
the beginning of my conscious life.                                    muyao, zeTi, 50X40, 2000
     B: What are the main points of your art?
                                                                       WINDY EVENING
                                                                       OIL ON CARDBOARD 50X40, 2000




 mkvlelebi
 tilo, zeTi, 130smX130sm, 1989

 MURDERERS
 OIL ON CANVAS 130CM X 130CM, 1989

                                                                                                                    147
  stili #28. 2008




qrizanTemebi
tilo, zeTi, 70X50, 2005

CHRYSANTHEMUM
OIL ON CANVAS 70X50, 2005

148
                                                                                                                 stili #28. 2008




      Ts: I try to express my visions, my emotions most precisely,
whether playing with paints or with colored patches of fabrics… I will
quote Mark Twain, ‘The difference between the right word and the
nearly right word is the same as that between lightning and the light-
ning bug.’
      B: And what about painting itself?
      Ts: Painting? It’s the medium of unlimited, unimaginable pos-
sibilities… And when I try to materialize my love through sparkling-
wet brilliance of oil paints I want all my silent, innermost feelings to
stand out bright and vivid, as the pebbles, accentuated, glorified by
the frothy onslaught of wave, stand out on my wet palm.
      B : What is your perception of the overstrained reality of our
times?
      Ts : I was born on a planet scorched by first atomic explosions.
And on this endangered planet my ultimate love and ultimate pain
is my beautiful, long-suffering Georgia.
                                             REPORTAGE AND IDEA BY
                                                BUBA SVIMONISHVILI           krimanWuli
                                                                             KRIMANCHULI




                                                                                                       simRera
                                                                                                       SONG


 monadiris zRaprebi
 HUNTER'S STORIES




                                                                               konkia
                                                                           CINDERELLA      Cem Zvel  TbilisSi
                                                                                           IN MY OLD
                                                                                                     TBILISI                   149
  stili #28. 2008




                                                                        gia buRaZe

baia galerea                                                            “Tbilisi dRisiT da RamiT”
                                                                        13. 05. 2008

maisi – ivnisis sagamofeno sezoni                                       Gia Bugadze
                                                                        “Tbilisi day and night”
                                                                        13. 05. 2008

                                 iuri beriSvili -                        Tbilisi – Cemi cxovrebis
                                 ferwera 29.05. 2008                 yoveldRiurobaa. misi quCebi,
                                                                     kedlebi da gansakuTrebiT fa-
                                 Yuri Berishvili –
                                 Painting 29.05. 2008                njrebi, yovel wams gvmimxel-
                                                                     en maTSi mcxovrebi adamianeb-
                                                                     is, adamianTa mTeli Taobebis
                                                                     gaumxelel saidumlos, mogvi-
                                                                     Txroben ambebs maTi mSfoTva-
                                                                     re cxovrebisa da Tavgadasav-


                                                                                                   lebis Sesaxeb. da amitomac,
                                                                                                   miuxedavad imisa, rom Tbili-
                                                                                                   si ymawvilkacobis Semdgom
                                                                                                   TiTqmis ar damixatavs da
                                                                                                   TiTqos davSordi kidec am
                                                                                                   Temas, mainc gadavwyvite am
                                                                                                   gadasaxedidan kidev erTxel
                                                                                                   davxato, kidev erTxel vu-
                                                                     Txra Cems qalaqs rom Zalian miyvars, masze vdardob, vbra-
                                                                     zob, vwuxvar da ubralod vfiqrob dRe da Rame.
                                                                                                                     gia buRaZe




elene axvlediani    “suraTebi kerZo koleqciebidan”      17.06.2008                     gamofena da proeqtis prezentacia




                                                                                                gamofena moewyo galereis da sa-
                                                                                             qarTvelos kulturis, ZeglTa da-
                                                                                             cvisa da sportis saministros ku-
                                                                                             lturuli memkvidreobis dacvis
                                                                                             2008 wlis saxelmwifo programis
                                                                                             dacvis erToblivi proeqtis gansa-
                                                                                             xorcieleblad. proeqti iTvalis-
                                                                                             winebs elene axvledianis albomis
                                                                                             momzadebasa da gamocemas, romel-
                                                                                             Siac Seva suraTebi kerZo koleq-
                                                                                             ciebidan.


150
                                                                                                                       stili #28. 2008




Baia Gallery
MAY – JUNE EXHIBITION SEASON
                                                                                                                    vaxo buRaZe
                                                                                                                    “sxeuli” - kidev
”lev baiaxCevi” –
                                                                                                                    erTxel sxeul-
proeqti “procesi” pirveli gamofena 17.05.2008
                                                                                                                    is Sesaxeb.
Lev Baiakhchev –    Project “Process” First exhibition 17.05.2008                                                   06.06.2008

                                                                                                                    Vakho Bugadze
                                                                                                                    “Body” – Onemore
                                                                                                                    time about the
                                                                                                                    body
                                                                                                                    06.06.2008




Presentation                                                        Helene Akhvlediani   “Paintings from private collections” 17. 06. 2008
of the project and exhibition




     The exhibition was made by Baia Gallery
in the framework of cultural heritage protec-
tion state program of Ministry of Culture of
Georgia. The aim of this project is making
and publishing Helene Akhvlediani’s album in
which will enter paintings of Helene Akhvlediani
from private collections.

                                                                                                                                      151
  stili #28. 2008




                                    `adamianebma unda
                                    iswavlon silamazis xedva~
                                  Cven gvqonda SesaZlebloba, Tqve-                                       blic-interviu
                             nTvis, saiuveliro kompaniis `david                                           - Tqveni SemoqmedebiTi STagonebis
                            end kabirskis~ SemoqmedebiTi frag-                                       wyaro?
                          mentebi gagvecno. kompaniis mimarT in-                                           - qali
                         teresi dRiTi dRe izrdeba. sul axla-                                               - 2 ram, rasac Tqveni aforiaqeba
                           xans ki moskovis cnobil saiuvilero                                         SeuZlia?
                           Jurnalis bolo nomrebSi - `Style - ru-                                            - utifroba da upasuxismgebloba.
                            skaia iuvelirnaia sec~ - gamoqveyn-                                            - 2 ram, rasac yvela -dizainer-iuv-
                                da interviu, kompaniis dizaine-                                    eliri unda flobdes?
                                    rebTan. amjerad, gTavazobT                                        -zomierebis da iumoris grZnoba.
                                       fragmentebs daviT CxeiZis                                   - 2 ram, rac dizainer-iuv-
                                         interviudan da warmogidg-                          elirma arasdros ar unda ga-
                                          enT dizaineris axal namuSev-                   akeTos?
                                           rebs.                                      - plagiati da sakuTari Tav-
                                                                                is qeba.
                                                  - rogor viTardeboda Tqve-         - 2 wigni, romelmac Tqvens pi-
                                              ni SemoqmedebiTi biografia? da    rovnebaze yvelaze didi gavle-
                                              ratom SeaCereT minanqarze arCe-   na moaxdina?
                                             vani?                                  - `sami muSketeri~ da `sami
                                               - profesiiT arqiteqtori var.     megobari~.
                                         minanqarze, bolo aTi wlis manZil-          - 2 filmi, romlis naxvac ar-
                                       ze vmuSaob; erTmaneTTan vaxameb saiu-    asdros ar gbezrdebaT?
                                  veliro dizains, minanqars da minanqris mi-        - `makulatura~ da `qin-Za-Za~.
                    niatiurebs. vmonawileob sxvadasxva konkurseb-                              - 2 pirovneba/persona-
                    Si, zogjer vimarjveb kidec. Cemis azriT, Ce-                              Ji, romlebsac gindaT
                     mi amJamindeli saqmianoba mainc arqiteqtu-                                hgavdeT?
                         raa, Tumca gansxvavebuli, ufro kame-                                        - supermeni da kapitani
                           ruli masStabebiT.                                                    nemo.
                                 - arsebobs Tu ara cneba `qar-                                        - 2 qali, romelmac gagaocaT?
                               Tuli saiuveliro skola~? Sei-                                            - sofi loreni da maSa malinovskaia.
                                Zleba Tu ara vilaparakoT qa-                                           - Tqveni sayvareli sasmelebi?
                                rTveli iuvelirebis gansxva-                                             - Cai da tomatis wveni.
                                vebel stilze?                                                           - Tqveni sayvareli alkoholuri sa-
                                    - samwuxarod, qarTuli sa-                                     smelebi?
                                iuveliro skola, ubralod,                                                - qarTuli Rvino da viski.
                               amJamad ar arsebobs. aris cno-                                          - Tqveni sayvareli qalaqebi?
                             bili dizainer-iuveliri guji                                              - Tbilisi da talini.
                           amaSukeli; igi safrangeTSi cxo-                                          - sayvareli adgilebi am qala-
                         vrobs da misi mTavari damkveTi va-                                   qebSi?
                      tikania. xelosnebi, oqromWedlebi, aR-                                     - Sardenis quCa da vi-
                      mosavluri filigranis ostatebi - yove-                               Sgorodi.
                       live es warsulSia. Zalian sawyenia, magr-                           - survili, romelic jer
                       am faqtia.                                                 ar agsrulebiaT?
                          - rogor iqmneba Tqveni samkaulebi?                        - gemovnebiani da finansurad
                             - rodis rogor - zogjer vwvalob, zogjer             SeuzRudavi, xelgaSlili damk-
                              idea uceb modis. magram mxatvari arasdros         veTi.
                                ar unda iyos damokidebuli Tavis ganwyo-
                                baze, aq mudmivi muSaobaa saWiro.
                                           - SeuZlia Tu ara silamazes samya-
                                         ros, an Tundac erTi konkretuli ad-
                                         amianis Sinagani samyaros gadarCena?
                                             - silamaze erT adamiansac gada-
                                         arCens da mTels kacobriobasac - ub-
                                         ralod amisTvis adamianebma silama-
                                         zis xedva unda iswavlon.
                                                                     esaubra
                                                         sergei dimitriuki


152
                                                                                                               stili #28. 2008




              People Ought to Learn
               to Value Beauty
                                 We have already had an opportunity to tell you about G. Kabirski &
                             David jewelers. The interest toward this company grows daily; not long
                             ago, popular Moscow magazine „STYLE - Russian Jewelers’ Network“ pub-
                             lished an interview with G. Kabirski & David designers. On our part, we
                             would like to offer you quotations from their interview with David Chkheidze
                             and some of his new works.

                                 - How did your artistic career develop? Why did you choose enam-
                   el in the long run?
                        - I am an architect by profession, however during the last ten years I have been
                   working with cloisonne enamel, combining jewelry design, enamel accessories and
                 miniatures. From time to time I participate in competitions and win occasional awards.
                 I believe that my current occupation can be leveled with architecture, but on a differ-
                 ent scale.
                      - Is there any such notion as „Georgian jewelry school“? Is it possible to
                     say that Georgian jewelers have a distinctive style?
                           - To my deep regret, at the time being Georgian jewelry school does not exist.
                       There is a famous jewelry designer Guji Amashukeli; he lives in France and his
                            main client is Vatican. Artisans, armourers, Oriental filigree masters - this is
                                 all in the past. Very unfortunate, but such is the reality.
                                        - How do you create your jewelry designs: do the ideas come
                                    to you in pain or as an insight?
                                         - It depends... However, an artist should never
                                    depend on his mood, one should work on a per-
                                    manent basis.
                                         - Can beauty save the world - the uni-
                                   verse in general or, at least, the inner world
                                 of one particular person?
                                  - Inner world of a person it can save in any case,
                       and universe in general too - but before this, people ought
                       to learn to value beauty.
                                                 INTERVIEWED BY SERGEI DMITRIUK


                             FLASH INTERVIEW
                            - What/who do you see as a source of your inspira-
                       tion?
                           - Women.
                           - 2 things that can unsettle you?
                               - Impudence and irresponsibility.
                                 - 2 things that any designer should have?
                                  - Moderation and sense of humo.r
                                  - 2 things that a designer should not do?
                                            - Engage in plagiarism and praise himself.
                                             - 2 books that formed you as a person-
                                        ality?
                                              - Three Musketeers and Three Comrades.
                                              - 2 movies that you like to review?
                                              - Pulp Fiction and Kin-dza-dza.
                                              - 2 persons / characters you would like
                                       to resemble?
                                          - Superman and Captain Nemo.
                                  - 2 women that have struck your imagination?
                                  - Sophia Loren and Masha Malinovskaya.
                                 - 2 of your favorite drinks?
-   Tea and tomato juice.
-   2 of your favorite alcohol drinks?
-   Georgian wine and whiskey
-   2 of your favorite cities?
-   Tbilisi and Tallinn.
-   2 of your favorite places in these cities?
-   Chardin Street and Toompea.
-   Your unrealized wish?
-   A good client with unlimited funds.




                                                                                                                             153
    stili #28. 2008

axali ambebi
NEWS




                                                                                                                                Ñåãîäíÿ ñâîèìè âïå÷àòëåíèÿìè îò ôåñòèâàëÿ
                                                                                                                                äåëèòñÿ ñïåöèàëèñò êðåàòèâíîãî îòäåëà àãåíòñòâà
                                                                                                                                Publicis Hepta Georgia Àíàñòàñèÿ Ãðèøàíîâà




                             ,
                 ê ñåìèíàðîâ
Îäèí òîëüêî ñïèñî
  âîðêøîïîâ è ìàñòåð-êëàññîâ ôåñòèâàëÿ
     ñïîñîáåí ñîðâàòü êðåàòèâíóþ
                                 êðûøó
     Êàííû âñòðåòèëè ñèçûì íåáîì è ïàñìóðíîé ïîãîäîé.              èíòåðåñíûå, êàê, ñîáñòâåííî, è ñàìè îïèñûâàåìûå ìåñòà.           Ðàçäàâàëè ñîêè, Êîíôåòêè ðàçíûå âåçäå â âàçî÷êàõ ñòîÿò,
Íî âåòåð, ãîñïîäà!!! Îí ïðîïèòàí ìîðåì, à çíà÷èò âñå                     õîëëå Äâîðöà ôåñòèâàëåé óæå çàðàáîòàëè                îáîæàþ òàêèå âîò ìåëî÷è. ×òî ìîæåò áûòü ïðîùå? Ðàññòàâèòü
ïðåêðàñíî! Øøøøø… Ýòî âîëíû ïîþò… Íó, äà ëàäíî. Ìû                 èíòåðàêòèâíûå êèîñêè: ðÿäû ñòîëîâ ñ êîìïüþòåðàìè, â          âàçî÷êè ñ êîíôåòêàìè. Íî ýòî òàê touching.
íå îá ýòîì. Íà ïåðâûé âçãëÿä äóõà êðåàòèâíîñòè è êàêîãî-           êîòîðûõ íàõîäÿòñÿ áàçû äàííûõ âñåõ ó÷àñòíèêîâ ôåñòèâàëÿ.
òî áåçóäåðæíîãî ôåñòèâàëüíîãî êóðàæà â Êàííàõ ìàëîâàòî.            Ìîæíî ïîñìîòðåòü âñå ðàáîòû ïî âñåì íîìèíàöèÿì. Âûñòàâêè         Ïåðåä Äâîðöîì íåáîëüøàÿ ïðîìî-âûñòàâêà îò
Ïðåäñêàçóåìàÿ Êðóàçåòò, ïàëüìû, äîðîãèå ìàãàçèíû,                  ñ ôîòîãðàôèÿìè ýòèõ ðàáîò. Âûñòàâîê ìíîãî, ñòåíäû äëèííûå,   GettyImages, äåìîíñòðèðóþùàÿ èçâåñòíûå âñåìó ìèðó
ñìåøàííûé äóðìàíÿùèé êîêòåéëü èç ñëàäêîâàòûõ ïàðôþìîâ,             ðàáîò îãðîìíîå êîëè÷åñòâî (èõ ê òîìó æå íåëüçÿ               ôîòîãðàôèè è ïðåäëàãàþùàÿ âñåì æåëàþùèì îñòàâèòü
áëàãîñòíûå ñòàðóøêè ñ ìàëåíüêèìè ñîáà÷êàìè, ïàëüìû,                ôîòîãðàôèðîâàòü), ïîýòîìó ýòè èíòåðàêòèâíûå êèîñêè î÷åíü     ðÿäîì ñ íèìè ñòèêåðû ñî ñâîèìè èäåÿìè ïî èñïîëüçîâàíèþ
ÿõòû. Âñå ðîâíî è ñïîêîéíî, îæèäàåìî.                              êñòàòè.                                                      ýòèõ ñþæåòîâ â ðåêëàìå: ÷òî ìîæíî ïðîðåêëàìèðîâàòü,
     Ïî-êóðîðòíîìó çâåíÿò áîêàëû íà óëèöàõ, ìàëåíüêèå óëî÷êè
íàïîëíåíû ìèêñîì èç ðàçíûõ ÿçûêîâ, îãðîìíûå ÷àéêè ñèäÿò
íà ïîäîêîííèêàõ âïîëíå ñåáå æèëûõ äîìîâ è ïåðåïîëíåííûõ
îòåëåé. Íî! Âñå ýòî òîëüêî íà ïåðâûé âçãëÿä â ñàìûé ïåðâûé
äåíü.
     Ëüâû.
     Âñå ïîñòîÿííî òâåðäÿò î òîì, ÷òî Äâîðåö ôåñòèâàëåé
íå òàêîé óæ è êðàñàâ÷èê, è íå îáëàäàåò âîæäåëåííîé ìàãèåé
«ïî ýòîé ëåñòíèöå ïîäíèìàëîñü òàê ìíîãî çíàìåíèòûõ íîã».

     Ñêàçàòü ÷åñòíî? Íå òàêîé óæ îí è êðàñàâ÷èê è äà — íå
îáëàäàåò. Íó è ôèã ñ íåé, ñ ìàãèåé! Ìàãèþ â ýòè äíè íàäî
èñêàòü â äðóãîì. Îäèí òîëüêî ñïèñîê ñåìèíàðîâ, âîðêøîïîâ
è ìàñòåð-êëàññîâ ôåñòèâàëÿ ñïîñîáåí ñîðâàòü êðåàòèâíóþ
êðûøó ëþáîìó, êòî õîòÿ áû êàêèì-òî áîêîì èìååò îòíîøåíèå
ê ðåêëàìíîìó áèçíåñó, à îñîáåííî ê èäåéíîé åãî ÷àñòè.
     Èòàê, çàõîäèøü â registration area ôåñòèâàëÿ è, ñîáñòâåííî,
ðåãèñòðèðóåøüñÿ. Òåáÿ ñ óëûáêîé ôîòîãðàôèðóþò, ñ óëûáêîé
âûäàþò áåéäæ ñ òâîåé (íå ñàìîé, êñòàòè, ëó÷øåé, èáî íåêàÿ
îøàëåëîñòü îò ïðîèñõîäÿùåãî ÿâíî îòïå÷àòûâàåòñÿ íà ëèöå)
ôîòîãðàôèåé, ïðåäëàãàþò ïðîéòè â orange zone, ãäå âñåì
òåì, êòî óæå ñ áåéäæàìè âûäàþò âíóøèòåëüíîãî âèäà ñóìêó
è ïðèãëàøåíèÿ íà öåðåìîíèè íàãðàæäåíèÿ è ãàëà îòêðûòèå
ôåñòèâàëÿ.

      Öåðåìîíèè íàãðàæäåíèÿ ÷åòûðå: Press, design & cyber
lions, Radio, media & outdoor lions, Direct & Promo Lions è
ôèíàëüíàÿ — Film, Titanium & Integrated Lions. Äà, è åùå
ïðèãëàøåíèÿ íà ãàëà îòêðûòèå è çàêðûòèå. Êàê-òî, çíàåòå
ëè, ïðèÿòíî âèäåòü ñâîå èìÿ ðÿäîì ñî ñëîâàìè «Opening
Gala Carlton Hotel Beach Invitation».
      ×òî â ñóìêå? Êíèãè, æóðíàëû, äèñêè, ðàçíîãî ðîäà
êðåàòèâíûå ïðèãëàøåíèÿ íà ñåìèíàðû è âûñòàâêè, «Little Black
Book» î ìåñòàõ â Êàííàõ, ãäå ìîæíî «drink, eat and have
fun». Êíèãà ýòà, êñòàòè, ñîñòàâëåíà ñïåöèàëüíî äëÿ ó÷àñòíèêîâ
ôåñòèâàëÿ, ÷òî ìèëî è ïðèÿòíî. Òåêñòû â íåé ñìåøíûå è


154
                                                                                                                                                                            stili #28. 2008




èñïîëüçóÿ ýòîò èìèäæ, ê ðåêëàìå êàêîãî ïðîäóêòà ýòîò
ñþæåò íèêîãäà áû íå ïîäîøåë è ò.ä.

    Ñòèêåðû ïîñòåïåííî ïðèêëåèâàþòñÿ. Èäåè åñòü âåñüìà
âåñåëûå. ×òî-òî òàì ïðî Éîêî Îíî ñ Äæîíîì Ëåíîíîì è
ðåêëàìó ïðåçåðâàòèâîâ âñïîìèíàåòñÿ… Èëè òàì áûëî ïðî
îäåÿëà îò Ikea? Óæå ïóòàåòñÿ êëóáîê â ãîëîâå…

    Ãóùà.
    Ñåìèíàðíîå áåçóìèå. Âòîðîé äåíü ôåñòèâàëÿ.
    Ñåìèíàð Thenetworkone îá èíòåðåñíûõ ïðîåêòàõ
íåçàâèñèìûõ êðåàòèâíûõ àãåíòñòâ. Ââîäíîå ñëîâî Äæóëèàíà
Áîëäèíãà, ïðåçèäåíòà âûøåîòìå÷åííîé êîìïàíèè, à çàòåì
âûñòóïëåíèÿ è êåéñû îò ïðåäñòàâèòåëåé ðåêëàìíûõ àãåíòñòâ
Èíäèè, Áðàçèëèè, Êèòàÿ è Ðîññèè.
    Âñå áûëè èíòåðåñíûå è äîñòîéíûå, íî îñîáåííî
çàïîìíèëîñü âûñòóïëåíèå Äìèòðèÿ Ëåâòååâà, äèðåêòîðà
àãåíòñòâà IQ Marketing, Moscow ñ óìîïîìðà÷èòåëüíî
çàëèõâàòñêîé ìóçûêàëüíî-àíèìàöèîííîé ïðåçåíòàöèåé,
ïîñâÿùåííîé òîìó, êàê èç ïðîñòîãî íîâîãîäíåãî ïîäàðêà äëÿ
êëèåíòà (à èìåííî êðåàòèâíîé ñêàòåðòè-ñàìîáðàíêè è
òàáóðåòêè) ïîëó÷àþòñÿ ñàìîñòîÿòåëüíûå áðåíäû, çà êîòîðûì
âïîñëåäñòâèè ãîíÿþòñÿ êðóïíûå ìàãàçèíû (â äàííîì ñëó÷àå
ðå÷ü øëà î ñåòè êíèæíûõ ìàãàçèíîâ «Áóêáåððè»).

      Òýãè:
      - 7 beliefs of the independent agency (Brazil): creativity and
inspiration, impartiality, multidisciplinary team, brand reputation,
collaborative work, new media strength, new remuneration for-
mats.                                                                      SAWA. Screen Advertising World Association.
      - the agency without fake promises                                   Íàñòîÿùèé âçðûâ ýìîöèé! Ó âõîäà íà ñåìèíàð ðàçäàâàëè
      - strong positioning and visual identity                         ñïåöèàëüíûå î÷êè äëÿ ïðîñìîòðà 3D âèäåî, à òàêæå î÷åíü
                                                                       óìåñòíûé äëÿ ïåðåãðóæåííûõ èíôîðìàöèåé è âïå÷àòëåíèÿìè
   Mindshare USA                                                       ìîçãîâ — Ðåä Áóëë. Ýìì, íó ðàçäàëè î÷êè è îòëè÷íî.
   Êåéñ óäèâèòåëüíîãî ïðîåêòà In the Motherhood. Íîâàÿ
ôîðìà ðàçâëåêàòåëüíîãî êîíòåíòà. Ðàññêàç î òîì, êàê èç                       Ñîáñòâåííî, íèêòî, ïîõîæå, è íå îæèäàë, ÷òî íà÷àëîì
                                                                       ñåìèíàðà ñòàíåò ïî-íàñòîÿùåìó ñóìàñøåäøèé ÏÎÄÀÐÎÊ —
                                                                       îòðûâîê èç îòñíÿòîãî ñîâñåì íåäàâíî ïåðâîãî â ìèðå 3D
                                                                       êîíöåðòà ëåãåíäàðíîé U2!!! Çàë ëèêîâàë! Åùå áû — âèäåòü
                                                                       Áîíî, ïîþùèì ïðÿìî ïåðåä òîáîé, áóêâàëüíî íà êðåñëå
                                                                       âïåðåäè ñèäÿùåãî ÷åëîâåêà! Ïîëíûé ýôôåêò ïðèñóòñòâèÿ!
                                                                             Òîò ñàìûé, ìîäíûé íûí÷å â ðåêëàìíîì îáèõîäå òåðìèí
                                                                       — WOW effect! Òàêîå íà÷àëî ñåìèíàðà ïðîñòî ðàçîðâàëî
                                                                       âåñü çàë. Êàê ïî ìíå, òàê äàæå ýòîãî îòðûâêà èç êîíöåðòà
                                                                       U2 õâàòèëî áû äëÿ òîãî, ÷òîáû çàïîìíèòü ýòîò ñåìèíàð íàäîëãî.
                                                                       Íî äàëüøå áûëè óäèâèòåëüíûå, ïîëíûå èñêðîìåòíîãî þìîðà
                                                                       (äåéñòâèòåëüíî ñìåøíî!) âûñòóïëåíèÿ ñïèêåðîâ ñåìèíàðà,
                                                                       óíèêàëüíàÿ èãðà, â êîòîðîé âåñü çàë ïðåâðàòèëñÿ â «human         Îãèëâè ïîâåäàëè î ÷åòûðåõ «ëèíçàõ», ñêâîçü êîòîðûå ñåé÷àñ
                                                                       joystick»: çðèòåëè ïîäíÿëè ðóêè (è ÿ âìåñòå ñ íèìè, of course)   íåîáõîäèìî ñìîòðåòü íà digital ìàðêåòèíã.
                                                                       è óïðàâëÿëè ìàøèíîé íà ýêðàíå, êîòîðàÿ åçäèëà è ñîáèðàëà
                                                                       î÷êè.                                                                ×åòûðå ïåðñïåêòèâû, êîòîðûå óæå ðåàëüíîñòü. Îãèëâè
                                                                                                                                        íàçâàëè èõ DADA, DATA, ALPHA, BETA. Ðå÷ü â îñíîâíîì
                                                                            Èãðà áûëà ñäåëàíà äëÿ êîìïàíèè Volvo è                      øëà î WEB 2.0, î òîì, êàê âàæíî ñåé÷àñ ïðèäóìûâàòü ÷òî-
                                                                       ïðîäåìîíñòðèðîâàíà íà ïðàêòèêå âî ìíîãèõ êèíîòåàòðàõ ðàçíûõ      òî ñîâåðøåííî íîâîå, ëîìàþùåå ñòåðåîòèïû, ïî-íîâîìó
                                                                       ñòðàí ñ îãðîìíûì óñïåõîì. ×òî åùå? Óíèêàëüíûå 3D                 ïåðåêðó÷èâàòü ñòàðûé îïûò (ñîáñòâåííî, ïðèíöèï, êîòîðûé
                                                                       ðåêëàìíûå ðîëèêè RedBull, Vodafone, ïîðòóãàëüñêîãî ïèâà,         èñïîëüçîâàëñÿ äàäàèñòàìè), ðàçâëåêàòü ïîòðåáèòåëÿ,
                                                                       à òàêæå ýêñêëþçèâíûé ïîêàç òðåéëåðà íîâîãî è åäèíñòâåííîãî       ðàçãîâàðèâàòü ñ íèì è áûòü åìó ïîëåçíûì.
çàáàâíûõ ìàìàøèíûõ èñòîðèé î äåòÿõ ìîæåò ïîëó÷èòüñÿ
óíèêàëüíîãî ðîäà ãëîáàëüíûé èíòåðàêòèâ: ïîïóëÿðíåéøèé ñàéò             â ìèðå 3D ôèëüìà, êîòîðûé ñêîðî âûõîäèò íà ýêðàíàõ ÑØÀ.
                                                                                                                                            «Content and Functionality are the new creativity», —
ñ áëîãàìè, ôîðóìàìè, ñîâåòàìè, ìàãàçèíàìè, à ãëàâíîå —                                                                                  ïîâåäàëî Îãèëâè. Ýòî áûë èíòåðåñíûé ñåðôèíã ïî íàèáîëåå
î÷åíü ñìåøíûì ñåðèàëîì, îòñíÿòûì ðåæèññåðàìè ïî                            Íîâåéøàÿ èñòîðèÿ òåõíîëîãèé, êîòîðàÿ òâîðèòñÿ ïðÿìî
                                                                       ñåé÷àñ è brand-new âîçìîæíîñòè äëÿ ðåêëàìû! Ïðîãðåññ óæå         èíòåðåñíûì Èíòåðíåò-ïðîåêòàì, ïîÿâèâøèìñÿ â ïîñëåäíåå
ñöåíàðèÿì, íàïèñàííûì ïî ìîòèâàì èñòîðèé-ïîáåäèòåëåé.                                                                                   âðåìÿ â ñåòè. Ñåìèíàð ñòàë íàñòîÿùåé êîïèëêîé òðåíäîâ,
                                                                       íå ïðîñòî íàëèöî, à, èçâèíèòå, â ïðîöåññå ãëóáîêîé
                                                                       ïåíåòðàöèè â íàø ìîçã, æèçíü è ìèð. Íàñòîÿùèé                    íîâûõ äåôèíèöèé, êðåàòèâíûõ èäåé è òýãîâ
    Ïëþñ ÒÂ-øîó, ïëþñ óíèêàëüíûé êîíòåíò äëÿ ìîáèëüíûõ
òåëåôîíîâ, ïëþñ ïðîìî â ñóïåðìàðêåòàõ, ïëþñ… Ïëþñ òî,                  äèäæèòàëüíûé âçðûâ. Îé…
                                                                                                                                            Íàïèøó òîëüêî ïàðî÷êó èíòåðåñíûõ òýãîâ, èëè, êàê
÷òî ñåðèàëîì çàèíòåðåñîâàëñÿ êàíàë NBC, êîòîðûé êóïèë                                                                                   ñêàçàë áû ìîé ïðèÿòåëü — õóäîæíèê ãðàôôèòè — çàòýãèðóþ:
ïðàâà íà ïîêóïêó âòîðîãî ñåçîíà ñåðèàëà (òðàíñëèðóåìûé                     Ogilvy.
äî ýòîãî òîëüêî â WEB ôîðìàòå). Íî, êîíå÷íî, ñàìûé                         Áëàãî ïðèøëà ïîðàíüøå è óñïåëà çàíÿòü ìåñòî, ïîòîìó
                                                                       êàê íà ñåìèíàð ÿâèëîñü îãðîìíîå êîëè÷åñòâî ÷åëîâåê.                   - YouTube is DADA
áîëüøîé óñïåõ àãåíòñòâà — ýòî íåìûñëèìûå shifts èõ                                                                                           - we must use new forms of art in advertising
êëèåíòîâ, ðàäè êîòîðûõ, ñîáñòâåííî, âñå ýòî è äåëàëîñü.                Ïîëíûé àíøëàã (Ðåãèíà Äóáîâèöêàÿ, ïðèâåò!)! Ïðåäñòàâèòåëè
                                                                                                                                             - collaboration: breaking down the walls between different
                                                                                                                                        disciplines
      Ïðåäñòàâèòåëè Mindshare íàçâàëè èõ «forward thinking                                                                                   - people like sharing things and points of view
clients», êîòîðûå íå ïîáîÿëèñü ðèñêíóòü, ñìîãëè ïîääàòüñÿ                                                                                    - addressable media!
íà òàêóþ «ïðîâîêàöèþ» àãåíòñòâà è â ðåçóëüòàòå âûèãðàëè.                                                                                     - environmentally friendly — trend # 1
Äâà êëþ÷åâûõ áðåíäà êàìïàíèè ïîêàçàëè îòëè÷íûå ðåçóëüòàòû,                                                                                   - storytelling — trend # 2
ýòî áûë íàñòîÿùèé óñïåõ.                                                                                                                     - ALPHA dogs — ALPHA consumers
                                                                                                                                             - Utility: create new services for your customers and let
      Òýãè:                                                                                                                             them participate in the history of your brand
      - consumers want to have a voice, they want to participate                                                                             - äåìîíñòðèðîâàòü õîðîøèå è ïîëåçíûå äëÿ ÷åëîâå÷åñòâà
      - 3 keys of the campaign: marketing dynamics, brand posi-                                                                         äåëà — trend # 3
tioning & real insights                                                                                                                      - Listen to your customers!!!! Future belongs to those mar-
      - Consumers: “thank you for respecting us and not putting                                                                         keters who can ACTIVELY listen the customers, giving them feed-
brands at our faces!” (less direct product placement)                                                                                   back (Lego, Starbucks)
      - Forward thinking clients, collaborative work and enthusi-                                                                            - the time when your campaign starts and finish is over.
astic reliable partners                                                                                                                 Continuous and innovating campaigns rule the market (perpe-
                                                                                                                                        tum BETA)



                                                                                                                                                                                                   155
  stili #28. 2008




                    saerTaSoriso konkursi
                    35 wlamde asakis
                    arqiteqtorebisaTvis
                    sainformacio centri - infopointi turinSi (italia)

                        arqiteqtorTa saerTaSoriso kavSiris        rsis gverdis avliT, damoukidebladac mi-
                    UIA-s mier mimdinare wlis ivnis-ivlisSi tu-   iRes monawileoba gamocxadebul konkurs-
                    rinSi dagegmili kongresis konteqstSi ga-      Si da misi moTxovnebis Sesabamisad, dawe-
                    mocxadda konkursi, romlis Tanaxmad, qa-       sebul vadebSi gaagzavnes namuSevrebi tu-
                    laq turinSi unda Seqmniliyo arqiteqto-        rinSi gansaxilvelad.
                    rTa saeTaSoriso kavSiris (UIA) `sainfor-          saerTaSoriso Jiurim, romelic msof-
                    macio centri - `infopointi~.                  lio mniSvnelobis profesionalebisagan
                        konkursi saqarTveloSic Catarda. ko-       iyo dakompleqtebuli, (luka moliani, ar-
                    nkursis mizani iyo xeli Seewyo saqarTve-      qiteqtori, italia; maria Teodoro, arqi-
                    loSi moqmedi axalgazrda arqiteqtoreb-         teqtori, saberZneTi; jorj kunihiro, ar-
                    is SemoqmedebiTi potencialis gamovleni-       qiteqtori, iaponia; ruben mutiso, arqite-
                    saTvis, maTi integraciisaTvis arqiteqto-      qtori, kenia; jenifer li, arqiteqtori),
                    rTa saerTaSoriso kavSiris (UIA) egidiT        kompetenturad Seafasa msoflios sxvada-
                    msoflio doneze mimdinare arqiteqturul         sxva qveynidan warmodgenili saukeTeso na-
                    procesebSi.                                   muSevrebi da Zalze sasixaruloa is faqti,
                        am miznis gansaxorcieleblad konkur-       rom saerTaSoriso konkursis II premia wi-
                    sis organizatorebi :                          lad xvda axalgazrda qarTveli arqiteq-
                        - arqiteqtorTa saerTaSoriso kavSir-       torebis jgufs - kaxa kaxiSvilis, daTo gi-
                    is (UIA) nacionaluri seqcia -                 orgaZis, gigi SukakiZis SemadgenlobiT.
                        saqarTvelos arqiteqtorTa kavSiri,             30 ivnisidan 3 ivlisis CaTvliT turi-
                        - saqarTvelos moTxilamure arqiteqto-      nSi arqiteqtorTa saerTaSoriso kongre-
                    rTa klubi „SKIA“,                             si Sedga. specialur pavilionebSi gamofe-
                        SeuerTdnen UIA-s mier mimdinare wlis      nili iqna msoflios sxvadasxva wamyvani
                    ivnis-ivlisSi dagegmili kongresis konte-      arqiteqturuli kompaniebis, arqiteqto-
                    qstSi gamocxadebul konkurss da damate-        rebis namuSevrebi. saqarTvelodanac bevri
                    biTi wamaxalisebeli winapirobebi Seqmnes      saintereso proeqti iqna eqspozirebuli.
                    saqarTveloSi moqmedi axalgazrda arqite-       gamofenili iqna kongresis erT_erTi mTa-
                    qtorebisaTvis..                               vari movlenis konkursis priziorTa namu-
                        29 Tebervals, daba gudaurSi, sastum-      Sevrebic. 2 ivliss Sedga dajildoebis
                    ro „gudauris“ sagamofeno darbazSi kon-        ceremoniali.
                    kursis dajildoebis sazeimo ceremoniali            metad saamayoa Cveni TanamemamuleTa
                    Sedga.                                        warmateba am rangis Sejibrze.
                        Tumca, garda amisa, qarTvelma axalga-         vulocavT maT am did gamarjvebas.
                    zrda arqiteqtorebma, `gudauris~ konku-                                    lali baxtaZe




156
                                                                                                                               stili #28. 2008




INTERNATIONAL UNION OF
ARCHITECTS (UIA) Information
Center – “Infopoint” In Turin (Italy)
COMPETITION FOR ARCHITECTS UNDER 35

     The International Union of Architects (UIA) launched              Below please find the project description, submit-
the ideas competition in the framework of UIA                    ted to the competition organizers by Georgian archi-
Congress, scheduled for June-July 2008. The aim of               tects, who won the 2nd prize:
the competition was to create a UIA information point                  “Firstly, we wanted to design a space without fixed
in the city of Turin – a place, dedicated to urban democ-        architecture, not permanent, but as mobile and flexi-
racy where people could meet, socialize and relax.               ble, as the free space of the plaza.
     A relevant national competition was arranged in                   It should not be an architecturally pretentious solid
Georgia in order to support young Georgia-based archi-           body, but should appear to be a simple and function-
tects in expression of their creative potential and their        al information provider.
integration in the international architectural processes               The original idea for the structure is based on a
in the framework of UIA.                                         square – a Closed Model of Open Space.
     To ensure achievement of the above goals,                         The Info box must be multirefious, accessible, vari-
Georgian competition organizers:                                 able and self-evident. The transformable body whose
     Union of Architects of Georgia (national member             attributes will be dynamic and which will be able to
of UIA network), and                                             follow the rhythm of changing purposes.
     Georgian Skier Architects’ Club SKIA                              The pavilion is designed to be universal: this makes
     Joined the initiative of UIA and offered addition-          it possible to place it anywhere on the plaza or to
al incentives for young Georgia-based architects.                move it to a new location without disrupting its func-
     On February 29, exhibition hall of Gudauri Hotel            tionality.
hosted the competition award ceremony.                                 Its multilateral modification brought us to the cre-
                                                                 ation of the curved body type, which absorbs the sur-
     It should be noted that some Georgian architects            rounding environment. This optical illusion is achieved
took part in the UIA ideas’ competition bypassing the            by both the shape and materials used. It allows the
“Gudauri qualifier” and sent their entries directly to Torino.   free flow of movement around and through the pavil-
     The jury of the competition, consisting of the best         ion, without forming barriers, even taking into account
international professionals (Luca Molinari, architect, Italy;    that it has walls.
Maria Theodorou, architect, Greece; George Kunihiro,                   The reason, it is not perceived as a solid object,
architect, Japan; Reuben Mutiso, architect, Kenya;               but as a transparent, continually transforming struc-
Jennifer Lee, architect, USA Representative of the               ture, is the material.
Municipality of Turin; Representative of the Piedmont                  Material – MIRRORS – flat surfaces providing good
Region) carefully studied the entries, submitted by rep-         visual reflection, and smooth enough to show a clear
resentatives of different countries worldwide to single          image.
out the most valuable projects; we are really happy                    The facades are constructed with modular mir-
to say that the 2nd prize was awarded to a group of              ror segments, in which the reflections of the surround-
young Georgian architects – Kakha Kakhishvili,                   ings are divided, repeated and multiplied causing the
David Giorgadze and Gigi Shukakidze.                             pavilion to become invisible.
                                                                                                         LALI BAKHTADZE




                                                                                                                                             157
  stili #28. 2008




                    "qaRaldis arqiteqtura" -
                    arqiteqturuli fantazia
                    (XXI studenturi konkursi-klauzura)
                        konkursis iniciatori gaxldaT “imma” jgufis erT-erTi damfuZnebe-
                    li da stu-s arqiteqturis fakultetis kursdamTavrebuli laSa mamala-
                    Ze, romlis arqiteqturul proeqts „The Void“ wilad xvda pativi war-
                    modgenili iyos 2008 wlis londonis arqiteqturis festivalze .
                        batoni laSas iniciativiT festivalis xelmZRvaneloba (Peter Murrey)
                    daTanxmda sxva qarTveli axalgazrda talantebis warmoCinebas am festi-
                    valze,
                        am axalgazrdebis SerCevis mizniT, 2008 wlis 31 maiss, dilis 10 saa-
                    Tze, saqarTvelos teqnikuri universitetis arqiteqturis, urbanistikis
                    da dizainis fakultetze Catarda 2 etapiani blic-konkursi.
                        pirvel etapze saqarTveloSi gamovlinda 16 saukeTeso finalisti, ro-
                    melTa namuSevrebi eleqtronuli fostiT gadaigzavna londonSi.
                        konkursis mizania Seaxsenos sazogadoebriobas is sayovelTaod aRia-
                    rebuli WeSmariteba, rom arqiteqtura xelovnebis erT-erTi fuZemdeblu-
                    ri dargia, am sityvis farTo filosofiuri gagebiT. mas didi mniSvenlo-
                    ba eniWeba momavali arqiteqtorebis mxatvruli da metaforuli azrov-
                    nebis Camoyalibebis da ganviTarebis urTules procesSi.
                        saqarTveloSi konkursis organizatorebi:
                        - saqarTvelos teqnikuri universitetis arqiteqturis, urbanistikis
                    da dizainis fakulteti; - Tbilisis saxelmwifo samxatvro akademiis ar-
                    qiteqturis fakulteti;
                        - “imma” jgufis warmomadgenloba saqarTveloSi.
                        Jiuri: sakonkurso namuSevrebi Seafasa stu-s da Tssa-s profesorebi-
                    sagan paritetul sawyisebze Semdgarma Jiurim.
                        Jiurim yuradReba miaqcia rogorc mxatvruli azrovnebis, aseve Ses-
                    rulebis (azris gamosaxvis) mxatvrul xarisxs.
                        konkursSi monawileobdnen saqarTvelos teqnikuri universitetis ar-
                    qiteqturis, urbanistikis da dizainis da Tbilisis samxatvro akademiis
                    arqiteqturis fakultetis studentebi.
                        gamarjvebulTa gamocxadeba Sedga imave dRes - 31 maiss, 18.00 saaTze.
                        warmogidgenT maT: Tbilisis teqnikuri universitetis arqiteqturis
                    fakulteti:
                        beqa xuciSvili, nino potapova, vaxtang joxaZe, giorgi qobulia, mamu-
                    ka maxoSvili, nika maisuraZe, SoTa ZagniZe, dima ajimiani, naTia gelovani,
                    Temur ninua, giorgi slivini,zurab kilaZe.
                        Tbilisis saxelmwifo samxatvro akademia:
                        Tika mosiZe, gvanca nikolaiSvili, Tika cofuraSvili, gio maxaTaZe, To-
                    rnike dadiani, lado Sonia, qeTi RuduSauri, salome papiaSvili, nuca ka-
                    ndelaki, salome iremaSvili, nika wulaia.
                        meore etapze konkursis iniciatorebma, londonis arqiteqturis fe-
                    stivalis organizatorebTan erTad, SearCies 6 saukeTeso da 2 saTadari-
                    go avtori. maT, LFA 2008 organizatorebisagan miiRes mowveva festival-
                    Si monawileobis misaRebad, romelic gaimarTeba londonSi 2008 wlis 20
                    ivnisidan 20 ivlisamde.
                        meore etapze gamarjvebulebi:
                        giorgi qobulia, SoTa ZagniZe, Temur ninua, Tika mosidze, Tika cofu-
                    raSvili, Tornike dadiani, lado Sonia, qeTi RuduSauri.
                        warmatebebs vusurvebT maT konkursis meore etapis gadasalaxad.




158
                                                                                                                                            stili #28. 2008




“Paper Architecture” –
Architectural Fantasy
(21ST STUDENT BLITZ-COMPETITION)

     Initiator of this competition was one of the founders of IMMA Group
and graduate of Georgian Technical University Architecture Faculty Lasha
Mamaladze, whose architectural project The Void won the ticket to London                           salome iramaSvili
Festival of Architecture 2008.                                                                     SALOME IRAMASHVILI
     Following Lasha’s initiative, manager of the Festival Peter Murrey agreed
to feature more young Georgian architects at this event.
     To select the talented young architects for participation in the festival, a two-stage blitz-com-
petition was arranged at the Architecture, Urbanistics and Design Faculty of the Georgian Technical       Tika cofuraSvili
University on May 31 2008.                                                                                TIKA TSOFURASHVILI
     16 students were shortlisted as a result of the first stage; their works have been e-mailed to
London. The goal of the competition is to remind the public once again that the architecture is
one of the fundamental branches of art in its broad, philosophical meaning. The competition is
very important in terms of developing creative and metaphoric thinking among the future archi-
tects.
     The theme of this year’s competition was “material and immaterial”.

    Georgian organizers of the competition were:
    Architecture, Urbanistics and Design Faculty of the Georgian Technical University;
    Architectural faculty of Tbilisi State Academy of Art;
    Representatives of IMMA Group in Georgia.

     Competition works were evaluated by the jury, comprising the professors of Georgian Technical
University and Tbilisi State Academy of Art.
     The jury focused its attention on creative thinking as well as artistic qual-
ity of performance. It was not necessary to create realizable compositions -
the key points were the ability to express ideas and originality.
     Participants of the competition were the students of Architecture,
Urbanistics and Design Faculty of the Georgian Technical University and the
Architectural faculty of Tbilisi State Academy of Art.
     Competition winners:
     Of Georgian Technical University: Beka Khutsishvili, Nino Potapova, Vakhtang
Jokhadze, Giorgi Kobulia, Mamuka Makhoshvili, Nika Maisuradze, Shota
Dzagnidze, Dima Ajimiani, Natia Gelovani, Temur Ninua, Giorgi Slivini, Zurab
Kiladze.
      Of Tbilisi State Academy of Art: Tika Mosidze, Gvantsa Nikolaishvili,
Tika Tsopurashvili,Gio Makhatadze, Tornike Dadiani, Lado Shonia, Keti
Gudushauri, Salome Papiashvili, Nutsa Kandelaki, Salome Iremashvili, Nika
Tsulaia, were announced on the same day – May 31 2008.
     The initiators of the competition together with LFA organizers will select
6 best and 2 alternative authors, who will eventually be invited to the London
Festival of Architecture on June 20-July 20 where.
     Competition winners:
     Giorgi Kobulia, ShoTa Dzagnidze, Temur Ninua, Tika Mosidze, Tika
Tsopurashvili, Tornike Dadiani, Lado Shonia, Keti Gudushauri,
     We would like to wish good luck to all of the winners and hope that
they successfully pass the second stage of evaluation.




                                                                    Temur ninua
                                                                    TEMUR NINUA


                                                                                           Tika mosiZe
                                                                                           TIKA MOSIDZE




                                                                                                                               nika maisuraZe
                                                                                                                               NIKA MAISURADZE


                                                                                                                                                          159
  stili #28. 2008




formis
iluziuri TamaSi
   guram joxaZis, klasikur formebSi, Taviseburad gamovlenili met-
ad plastikuri da polifoniuri SemoqmedebiTi stili - natifi da da-
xvewilia. joxaZis moderni mravalferovania da dramatuli msaxiobis
darad erTi xazidan meoreSi araordinalurad gansxeuldeba. ostat-
is yoveli nakeTobis aRqmisas, axal, moulodnel niuansebs aRmovaCenT
da mis mier vizualurad mowodebul poetur talRaze verTvebiT.
   joxaZe improvizirebul-STagonebiTi stilis mxatvaria, romlis az-
ri, grZnoba da Semoqmedi suli Serwymulia silamazis ganuwyveteli,
daJinebuli Ziebis procesSi.
   avtoris fantaziiT da monumenturi gaqanebiT buneba xis xveuleb-
Si ulamazesi da ganumeorebelia. moqniloba, sirbile da denadoba si-
vrceSi plastikuri formebis riTmis ganuwyvetel cvalebadobas gana-
pirobeben.
   Semoqmedis ideebi, masalis faqturis, feris, formis iluziur Ta-
maSSi realizdeba. xelovneba, xom iluziaa da guram joxaZec srulyo-
filebis iluzias qmnis.
                                                       nino laRiZe




                                                                        Phantom
                                                                        play
                                                                        of
                                                                        shapes

                                                                     Classical forms of Guram Jokhadze,s
                                                                works reflect a highly plastical and poly-
                                                                phonic creative style, refined and exqui-
                                                                site manner. Jokhadze is an artist of
                                                                improvisational-inspirational style, whose
                                                                mind, feelings and hands are united in
                                                                incessant, stubborn search for beauty. the
                                                                themes of his work come from the very
                                                                depths of his soul, reflecting his knowl-
                                                                edge and reverence of traditions and cul-
                                                                ture.


                                                                                                                   Jokhadze,s moderne resembles adra-
                                                                                                             ma actor with unusual gift of imperson-
                                                                                                             ating radically different characters. In
                                                                                                             each of his works, one can discover unex-
                                                                                                             pected nuances intensifing the poetic
                                                                                                             mood, which the author conveysso mas-
                                                                                                             terfully. The author,s imagination and
                                                                                                             monumental scale enclose the nature with-
                                                                                                             in the fine curves, phantom play of tex-
                                                                                                             tures, colors and shapes.
                                                                                                                   Art is but an illusion, and Guram
                                                                                                             Jokhadze creates the illusion of perfec-
                                                                                                             tion.
                                                                                                                                      NINO LAGHIDZE


160
                                                                                                                                                       stili #28. 2008




                                                                                                                                             On 21-24 May,
                                                                                                                                             2008
                                                                                                                                             ExpoGeorgia
                                                                                                                                             Company
                                                                                                                                             organizes
                                                                                                                                             Caucasus Build
                                                                                                                                             ’08 - 13th
                                                                                                                                             International Fair
                                                                                                                                             for the Building
Change the Old with New                                                                       and Interiors, GeoRealty ’08 - 1st Fair for Real Estate and GeoTech ’08 - 2nd
                                                                                         International exhibition for Construction machinery and Equipment.
                  LIRIO – CREATE LIGHT, CONTROL SHADOW!                                       The exhibitions will be held in #3, 4, 5, 6, 11 pavilions and at the open exhi-
     This conception was adopted by New Light prior to introduction of a new glob-       bition space.
al brand into Georgia.                                                                        On 140 exhibition stands more than 250 companies will display their products
     On May 19 2008 Dighomi showroom of New Light hosted a presentation of               at the fair.
the new Belgian brand Lirio by Philips.                                                       Products are offered from 17 countries:
     The point is that Philips recently launched a new line of decorative light fix-     Austria, Finland, France, Turkey, Ukraine,
tures, which is known under the name of Philips Consumer Luminairs, and Lirio            Germany, Italy, Japan, Lithuania, Russia etc.
is one of the most successful and famous brands within this group.                            The Turkish National participation is pro-
     Lirio is a blend of advanced technologies and high level craftsmanship, result-     vided by “TUYAP” company.
ing in sparkling originality, refined design and breathtaking combination of light and
shade.                                                                                         The main products and services repre-
     Lighting is more than a remedy against darkness – lighting means comfort            sented at the fair are:
and design, and this is the principle underpinning Lirio products.                             Adhesives and Injection Materials,
     You can already find fine samples of Lirio brand in Dighomi showroom of             Admixtures, Alucobond, Armature, Bathtubs
New Light.                                                                               and Shower Trays, Ceiling and Wall, Chemical
                                                                                         Substances, Coatings, Concrete and Cement,
                                                                                         Concrete Pumps, Construction, Construction
                                                                                         Equipment, Corrosion Protection Materials,
                                                                                         Covering Materials, Decorative Stone, Electric
                                                                                         Installation and Equipment, Equipment, Fire
                                                                                         Alarm Systems, Furniture, Gas Heaters,
                                                                                         Glazed Tile, Granite, Handles, Heat and
                                                                                         Vent, Hydro-Massage Systems, Industrial Kitchen Equipment, Laminate Flooring
                                                                                         Technology, Lifts and Escalators, Lighting Systems, Locks, Measuring Equipment,
                                                                                         Paints, Panels, Parquet, Plinths, Polycarbonate, Processing Machines, PVC Pipe
                                                                                         and Fittings, PVC Profiles, Sanitary, Ware, Secure ID, Security Alarm Systems,
                                                                                         Sewage Systems, Steel Raw Materials, Swimming-Pools, Thermal Ceramic
                                                                                         Chimneys, Tools, Waterproofing Materials, Windows and Doors, Wood.
                                                                                               Newly erected buildings, Elite real estate, Cottages, Suburban real estate,
                                                                                         Construction Commercial real estate, Premises for offices, Warehouses and indus-
                                                                                         trial facilities, Investment, Real estate abroad, Realty services, Mortgage loans, Real
                                                                                         estate rent, Purchase and sales of real estate, Real estate management, Property
                                                                                         insurance, Architect and design projects, Design and repair works, Legal services,
                                                                                         Information services, Insurance, Bank services.




                                                                                                                                                                           161
  stili #28. 2008




                    "rediqsi" ukve TelavSia
                    erTi dRiT gacocxlebuli istoria q. TelavSi
                        developeruli kompania `rediqsi~ TelavSi evro-        li iqneba kanaduri muxis xisagan. aRsaniSnavia, rom
                    puli standartis sacxovrebel saxls aSenebs. `redi-        `rediqsi~ momaval mobinadreebs mudmiv wyalsa da el-
                    qsi~ pirveli developeruli kompaniaa, romelmac ka-        eqtro momaragebas sTavzobs, rac sakmaod problema-
                    xeTis am istoriul qalaqSi samSeneblo investiciis         turia Telavis sinamdvileSi. sacxovrebel kompleq-
                    ganxorcileba gadawyvita.                                 sSi gaTvaliswinebulia miwisqveSa avtosadgomi, bine-
                        proeqti `saxli parkSi~ TelavSi, nadikvaris go-       bSi Seyvanili iqneba satelefono, satelevizio da in-
                    raze mdebare parkTan xorcieldeba. es istoriuli pa-       ternetkabelebi.
                    rki erT-erTi prestiJuli adgilia qalaqSi, aq imar-            `saxli parkSi~ samsadarbazoiani Senobaa, romlis
                    Teba seirnobebi da funqcionirebs gasarTobi atraq-        sacxovrebeli sarTulebi 38 ojaxzea gaTvlili. arqi-
                    cionebi. saxlis aivnebidan da terasebidan iSleba pa-     teqtorma mas odnav morkaluli forma misca. xolo
                    rkisa da kavkasionis daTovlili mwvervalebis xedi.        gamomdinare iqidan, rom TelavSi ZiriTadad dabal-
                        1 ivniss q. TelavSi `rediqsis~ gayidvebis ofisi      sarTuliani Senobebia, axali sacxovrebeli kompleqs-
                    gaixsna, romelic proeqtiT dainteresebul yvela msu-       ic Sesabamisad, maRliv nagebobad ar daproeqtebula.
                    rvels moemsaxureba. developeruli kompaniis survi-            mSenebloba wlis bolosaTvis dasruldeba da ko-
                    lia, Telavma kvlav daibrunos kulturuli da tu-            mpaniaSi miiCneven, rom miuxedavad dedaqalaqTan mia-
                    ristebisTvis mimzidveli qalaqis saxe. ofisis gaxna-      xloebuli fasebisa, TelavSi axal sacxovrebel kom-
                    sTan dakavSirebiT kompaniam saxalxo dResaswaulis mo-     pleqsSi binebis gayidva SesaZlebeli iqneba.
                    wyoba gadawyvita.                                            mzia SaraSiZe, `rediqsis~ sazogadoebasTan urTi-
                        am dRisaTvis `rediqsis~ warmomadgenlebma Zveli       erTobis menejeri:
                    Telavis suraTebis gacocxleba gadawyvites. amisaT-            `realurad migvaCnia, rom TelavSi Cveni proeqti
                    vis arqivSi specialurad iqna moZiebuli fotomasa-         warmatebuli iqneba. imisaTvis rom SeiZino bina da ga-
                    la, gasuli saukuneebis Telavis yoveldRiuri cxov-         aremonto, gacilebiT meti dro da xarjebia saWiro,
                    rebis amsaxveli kadrebiT.                                vidre axladaSenebuli binis fasia. vfiqrobT, rom be-
                        `rediqsis~ sacxovrebeli kompleqsi ekologiurad        vri msurveli iqneba. proeqti jer ar dasrulebula,
                    sufTa adgilze mdebareobs da Telavis arqiteqturi-         magram ukve uamravi adamiani rekavs da fasebiT da pi-
                    saTvis damaxasiaTebel ganwyobas erwymis. es aris 6 sa-   robebiT interesdeba. `rediqsis~ proeqtebi saSualo-
                    rTuliani kompleqsi, romlis pirveli sarTuli ko-           ze maRali Semosavlis mqone segmentisTvisaa gankuT-
                    merciuli daniSnulebis iqneba, xolo danarCeni _ sa-       vnili, miT ufro, rom momxmareblebs SeuZliaT bina
                    cxovrebeli. amJamad mSeneblobis karkasuli nawili         kreditis daxmarebiT SeiZinon. axladaSenebul komp-
                    dasrulebulia da Sida mosapirkeTebeli samuSaoebi          leqsSi binis yidvis msurvelebi arian rogorc adgi-
                    mimdinareobs.                                            lobrivi macxovreblebi, aseve Tbiliselebi da kidev
                        evropuli standartis Sesabamisad `rediqsi~ bin-       yofili Telavelebi, romlebmac erT dros es qalaqi
                    ebs dasrulebuli remontiT abarebs, rac Telavis pro-       datoves, magram imdenad sayvarelia maTTvis, rom su-
                    eqtzec vrceldeba.                                        rvili aqvT, iq bina SeiZinon~
                        rogorc kompaniis sazogadoebasTan urTierTob-              `kaxeTi didi turistuli potencialis mqone ku-
                    is menejerma mzia SaraSiZem gviTxra, dasrulebul re-      Txea. swored amitom, vfiqrobT, rom Telavi uaxlo-
                    montSi aseve gaTvaliswinebulia italiuri warmoeb-         es momavalSi aqtiur da ganviTarebul turistul ce-
                    is CaSenebuli samzareulo da `boSis~ firmis teqni-        ntrad iqceva. amisaTvis ki saWiroa qalaqSi evropu-
                    ka _ macivari, gazqura, gamwovi, sarecxisa da WurW-      li standartebis Sesabamisi nagebobebis Seqmna. Cveni
                    lis manqanebi. saabazano mopirkeTebuli iqneba evro-      mizania regionebis mosaxleobasac SevuqmnaT cxovre-
                    puli keramikuli filebiT. evropuli warmoebisaa            bisaTvis aucilebeli komfortuli pirobebi”. - acxa-
                    gayvanilobis umciresi detalebic ki. ToToeul bin-         debs kompania “rediqsis” generaluri direqtori da
                    as eqneba gaTbobisa da kondicirebis individualuri        “banki respublika” jgufi “sosiete Jeneralis” same-
                    sistema, germanuli warmoebis aluminis gare kar-fa-       Tvalyureo sabWos Tavmjdomare, batoni laSa papaS-
                    njara ormagi minapaketiT, xolo iataki damzadebu-         vili.

162
                                                                                                    stili #28. 2008




RedX in Telavi
HISTORY REVIVED
      Developer Company RedX builds a European-standard residential construction in Telavi.
RedX is the first realty developer to invest into construction in this historical town of Kakheti
region.
      Project “House in the Park” is implemented in Telavi, near Nadikvari Hill Park. This
historical park is one of the prestigious parts of the town, frequented by its residents.
Balconies and terraces of the future residential complex will open up on the park and offer
vistas of snowy Caucasian mountain peaks.
      On June 1 2008 RedX opened a sales office in Telavi in order to provide services to
clients interested in this project on the local basis. Developer company wishes that Telavi
returns its reputation of cultural and tourist center. In connection with opening of the office,
RedX decided to arrange a public festival.
      For this day, RedX representatives decided to revive the atmosphere of old Telavi.
Photo materials reflecting the everyday life of Telavi in the past centuries were specially
retrieved from the state archive.
      RedX residential complex is located in an ecologically clean area and fits into the
architectural background of Telavi. The ground floor of the 6-level complex will be fully
commercialized and the rest of the construction will serve to residential purposes. By now,
carcass of the construction has been already finished and interior finishing works are under-
way.
      According to PR-manager of the company Mzia Sharashidze, the finishing works imply
installation of Italian built-in kitchen furniture and Bosh equipment – refrigerators, gas ovens,
flue systems, linen and dishwashing machines. Bathrooms will be tiled with European ceram-
ic tiles. Each apartment will have individual heating and air conditioning systems, German
doors and windows and Canadian oak floors. It should be noted that RedX offers the
future residents of the complex unbroken water and power supply as well as phone, tel-
evision and internet connections. The residential complex also includes underground park-
ing lots.
      “House in the Park” comprises 38 individual apartments. The construction is slightly
curved; considering that Telavi mostly consists of low buildings, the complex was not designed
as a high-rise.
      Construction works will be finalized by the end of the year; though the apartment
prices are almost the same as in the capital, company representatives believe it possible
to sell all the apartments.
      Mzia Sharashidze, PR-manager of RedX:
      “Our Telavi project is going to be a success. It takes much more time and money to
buy and refurbish an apartment than to purchase a newly-built one. We believe the demand
will be high. The project has not been finalized yet, but we receive numerous phone calls
from people interested in prices and conditions. Generally, RedX projects are intended for
people with incomes above overage, but our clients can also buy apartments in credit. It
should be noted that the newly-built complex attracts both the residents of Tbilisi and peo-
ple who once left Telavi but wish to return there.”
      Lasha Papashvili, general director of RedX and member of the board of directors of
Bank Republic – Group Societe Generale:
      Kakheti region has a huge touristic potential. Considering this, we hope that Telavi will
soon become an active and highly developed tourist center, but to achieve this, it is nec-
essary to enrich the town with European standard infrastructure. Our goal is to contribute
to this process by providing the local population with modern comfortable living conditions.”


                                                                                                                  163
    stili #28. 2008




kote marjaniSvilis
saxl-muzeumi
sazeimod gaixsna
   7 ivniss sazeimod gaixsna kote marjaniSvilis gana-
xlebuli saxl-muzeumi yvarelSi, - saxli, sadac daiba-
da da gaizarda kote marjaniSvili - reJisori, Teatr-
is damaarsebeli, me-20 saukunis saqarTvelos umniSvne-
lovanesi kulturuli moRvawe.
   saxl-muzeumis restavracia–reabilitacia ganaxorci-
ela saqvelmoqmedo fondma `ciskari~, romelsac am pro-
eqtis ganxorcielebisas mxarSi amoudga developeruli
kompania `rediqsi~ da `banki respublika~ - jgufi `so-
siete Jenerali~.




Official Opening of
Kote Marjanishvili
House-Museum
      Renovated house-museum of Kote Marjanishvili – a place where this
outstanding representative of Georgian culture of the 20th century was born
and passed the first years of his life – was officially opened in Kvareli on
June 7 2008.
      Restoration and rehabilitation of the house-museum was implement-
ed by Tsiskari Foundation with the support of Developer Company RedX
and Bank Republic – Group Societe Generale.
      Restoration works, based on archive photo materials, went on for a
year. Marjanishvili house, which had been extremely decayed, was fully
rehabilitated; which is most important, both the house and the courtyard
returned their original look (architect G. Sosanidze). On the other hand,
museum expositions were refreshed, diversified and systemized to include
the following subjects:
      materials reflecting Kote Marjanishvili’s activities in Georgia, Russia
and Ukraine;
      stage setting, decorations and costumes representing theater play “Uriel
Acosta”;
      life of 19th century Georgian nobility;
      marani (wine-cellar), where Kote Marjanishvili used to stage small the-
atrical performances.
      Part of the exposition, represented in the house-museum, is dedicat-
ed to the life of Kote Marjanishvili’s sister nun Tamar Marjanishvili. Activities
of Mother Tamar, a notable representative of ecclesiastic history, are con-
nected with Georgia (Bodbe monastery) and Russia.
      Exposition conception has been developed by David Tskhadadze, cur-
rent curator of the house-museum.
      Renovated house-museum is equipped with new lighting system and
monitors, showing the highlights of Kote Marjanishvili’s theater plays and
movies. The museum also stores audio and video records of Kote Marjanishvili’s
plays and movies, his correspondence with distinguished representatives
of Georgian theater and cinema world, photos, play scripts, paintings, draw-
ings and sculptures by Lado Gudiashvili, Elene Akhvlediani and Petre Otskheli,
samples of decorative and applied art, manuscripts, etc.
      All these changes endowed Kote Marjanishvili house-museum with a
special charm and attracts numerous visitors by reviving turn-of-the-centu-
ry Georgian history and the life of one of the notable families of this time.
      A modern museum should combine the functions of a cultural center,
and this is what Kote Marjanishvili museum should be like – a lively place,
equally interesting for representatives of all generations. The museum com-
plex will become a unique, qualitatively new landmark of Georgian culture
– a “theatrical Mecca” of the kind, hosting theater amateurs, profession-
als, Georgian and foreign travelers and tourist groups. The museum plans
numerous interesting projects, e.g. revival of the excellent tradition of “fire
baptism” for first-year students of Theatrical University, which used to take
place in the winec-ellar of the museum for many years.
      According to the initiative of Lasha Papashvili, general director of RedX
and member of the board of directors of Bank Republic – Group Societe
Generale, Kote Marjanishvili museum will annually award the best theater
plays with Duruji award (Duruji corporation was established in Rustaveli
theater in 1924 and its president was Kote Marjanishvili).



164
                                                        stili #28. 2008




`aqsisma~ mediaturi moawyo
    26 ivniss kompania `aqsisma~ masmedias saqmianob-
is Sesaxeb angariSi Caabara.
    mediaturis programa 11.39 saaTze AXIS TOWERS-
is monaxulebiT daiwyo. mSenebare AXIS TOWERS - is
saZirkvelSi, miwidan 8 metris siRrmeze - Senobis
birTvSi, momavali biznes centris Sesaxeb filmis Cve-
neba gaimarTa. mSenebloba 2010 wels dasruldeba.
    abaSiZisa da yazbegis gamzirze obieqtebis daT-
valierebis Semdeg `aqsisis~ sacxovrebeli saxlis sa-
xuravze coffe break-i moewyo. amis Semdeg kompaniam
medias `aqsis palasebi~ daaTvalierebina. mediatu-
ri saguramos `Taunhauzis~ mimdebare teritoriaze
ganlagebul sportkompleqs `saguramoSi~ vaxSmiT da-
srulda.
    21-e saukunis saukeTeso, jansaRi, cxovrebisTv-
is Seqmnili ,,saguramos Taunhauzi” sakuTari tyepa-
rkiT, yvela sezonze maqsimalur komforts qmnis.
    75 sacxovrebeli Taunhauzi da vila erTmaneTi-
sgan sami tipis arqiteqturiT gansxvavdeba. TiToe-
ul saxls eqneba 400 dan 450 kv.m. sakuTari ezo auz-
iT, aseve pirdapiri gasasvleli 10 000 kv. m, farTo-
bis xeivanSi, romelic mxolod ,,saguramos Taunhau-
zis” mcxovrebTaTvis iqneba gankuTvnili.
    teritoriis garSemo ganviTardeba infrastru-
qtura, moewyoba skola da sabavSvo centri. srul-
ad aRWurvili sportkompleqsi ,,saguramo” romel-
ic saqarTvelos fexburTis federaciisa da silq ro-
ud grupis erToblivi proeqtia da warmoadgens sa-
qarTvelos erovnuli nakrebis oficialur sawvrT-
nel bazas, ganlagdeba saguramos Taunhausis gver-
diT da Ria iqneba aqsisis ,,saguramos Taunhausis”
binadarTaTvis. sportkompleqsi moicavs sam safex-
burTo moedans, or korts, sacurao auzsa da sas-
tumros.
    saguramos Taunhauzi idealuri adgilia jansa-
Ri cxovrebis wesisa da garTobisaTvis weliwadis
nebismier dros.
    `am RonisZiebebiT gvsurs, Cveni saqmianoba kid-
ev ufro gamWvirvale gavxadoT, vimegobroT media-
sTan da ukve arsebul proeqtebTan erTad Jurnali-
stebs samomavlo gegmebi gavacnoT. Cveni gundi mo-
xarulia, umaspinZlos mediis warmomadgenlebs saku-
Tar oboeqtebze da maT mSeneblobis uaxlesi teqno-
logiebi gaacnos.~ - ganacxada `aqsisis~ direqtor-
ma giorgi kapanaZem.
    kompania `aqsisi~ TbilisSi - avlabarSi, boWor-
mis quCaze gansxvavebuli tipis `aqsis palass~ aaSe-
nebs.
    mravalfunqciuri kompkleqsi sacxovrebeli da
sastumro tipis nawilebisgan Sedgeba. mSeneblobis
procesSi `aqsisi~, rogorc wesi uaxlesi tipis sam-
Seneblo teqnologiebs gamoiyenebs.
    22-sarTulian koSkebs eqnebaT Tbilisis saukeTe-
so panoramuli xedebi, ifunqcionirebs premier kla-
sis launj bari (Lounge Bar), biblioTeka, naxevrad
Ria sacurao auzi saxuravze (Sky Pool).
    kompleqsSi damontaJdeba uaxlesi tipis Sida ko-
munikaciebi da dainergeba Tanamedrove servisebi, maT
Soris IP TV.
    `es aris gansxvavebuli tipis sacxovrebeli da
dasasvenebeli palasi, romlis analogia regionSi ar
moipoveba. kompleqsis sastumro nawilSi
    apartamentebis xangrZlivvadiani daqiravebac
iqneba SesaZlebeli, maTTvis visac surs icxovros sa-
xlis tipis sastumroSi~. - acxadebs `aqsisis~ deve-
lopment-menejeri oTar dixaminjia. `aqsis palasi av-
labari~ -s mSenebloba 2011 wlisTvis dasruldeba.
                          foto: giorgi abdalaZe


                                                                      165
   stili #28. 2008




                      Media Tour
                      by Axis
                          On June 26 2008 Axis Company offered representatives
                     of Georgian mass-media a visualized report on its activities.
                          Media tour started at 11:30 a.m. with a visit to Axis Towers
                     construction site. Mass-media representatives descended to
                     the foundation of the construction – 8 meters deep under-
Townhouse




                     ground – to see the core of the future building and watch
Saguramo




                     the movie on this business centre, construction of which should
                     finish in 2010.
                          After a visit to another construction site located on the
                     crossing of Abashidze Street and Kazbegi Avenue, a coffee-
                     break was arranged on the roof of an apartment block. After
                     this, the hosts took mass-media representatives to Axis Palaces.
                     Media tour ended in a function in sports complex Saguramo,
                     located near Saguramo Townhouse site with its 75 cottages
                     and rich infrastructure to be finalized in the nearest future.




166
                                                                   stili #28. 2008




     “With this action, we wanted to ensure increased transparency of our activities,
strengthen our ties with mass-media and publicize more information about our ongo-
ing projects and future plans. Our team was happy to host mass-media representa-
tives at Axis sites and let them see advanced technologies we use in construction
process.” – stated Axis director Giorgi Kapanadze.
     Axis Company launched construction of an Axis Palace of a totally different type
in Borjomi Street (Avlabar district, Tbilisi).
     The multifunctional complex will consist of residential and hotel blocks. As usual,
Axis will use best available technologies during construction. The 22-floor towers, offer-
ing the best panoramic views of Tbilisi, will include a premium-class lounge bar and
a library and a semi-open swimming pool – a so-called “sky pool” – on the roof. The
complex will be equipped with advanced communication systems and will provide a
range of modern services, including IP TV.
     “This is a residential / recreation complex of a totally different kind, which does
not have any matches in the region. The hotel part of the new Axis Palace will offer
long-term leasing services to consumers, wishing to live in an apartment-style hotel.”
– said Axis development manager Otar Dikhaminjia.
     Construction of Axis Palace Avlabar will be finalized in 2011.
                                                            PHOTO BY GIORGI ABDALADZE




                                                                                      167
  stili #28. 2008




                    Tengiz mirzaSvili – foto gia CxataraSvilis
                    TENGIZ MIRZASHVILI – PHOTO BY GIA CHATARASHVILI




                                              CubCikas damSvidobeba
                                                                      baton Tengiz mirzaSvilis -
                                                                      `CubCikas~ bolo namuSevari



                                   FAREWELL TO CHUBCHIK
                                                                          THE LAST WORK
                                                         BY TENGIZ MIRZASHVILI (CHUBCHIK)




                                                                            ideis avtori buba svimoniSvili
                                                                                      IDEA BY BUBA SVIMNISHVILI




168
serTificirebulia
serTificirebulia

				
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views:491
posted:8/23/2011
language:English
pages:172