Rowell 156.qxp

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Suzanne Ballou Rowell
Newton, New Hampshire


                                                 Shop name: Grey Wolf Graphics Nickname: SignChick Age: 38 Shop size: 12-by-18
                                                 ft. basement studio and a two-car garage Shop dogs: Rusty and Harley Guitar:
                                                 C. F. Martin Dreams: Design a major league soccer team logo, and write/illustrate
                                                 a children’s book Graphics equipment: SignLab™ software and a 24-in. Roland
                                                 CAMM 1 plotter/cutter Web site: www.greywolfgraphics.com



                                             I
                                                   ’ve been in this business for almost 20                    Connecticut, and was bound for a state uni-
                                                   years. I graduated from Butera School                      versity or an Ivy League college. Something
                                                   of Art in Boston, then spent the next ten                  changed for me when I was in high school,
                                                 years working for a few sign shops in the                    and I decided to venture towards art. I was the
                                                                      Northeast. I learned a                  kid who always won the supermarket coloring
                                                                      lot during that time and                contests, and to everyone’s dismay, except my
                                                                      wouldn’t trade those                    mother’s, I decided to go to art school.
                                                                      experiences for anything.                 I looked at several art schools before
                                                                      Ten years ago I struck                  enrolling at Butera; that school impressed me
                                                                      out on my own—I’ve                      because I saw a lot of people there learning
                                                                      been a sole proprietor                  real skills. Until then I never knew people
                                                                      with a home-based sign                  could make their living making signs. I left
                                                                      business ever since.                    Butera trained in hand lettering, pinstriping,
                                                                        I’m originally from                   and gold leaf, and all the signs I made for the




Arlon [800-854-0361, www.arlon.com] vinyl film




Reproduced with permission from SignCraft Magazine, www.signcraft.com, 800-204-0204   Silver leaf with painted outline, varnish by Manchester Marine

74 SignCraft | September/October 2007
next five years were hand lettered.
   These days I keep busy lettering trucks and
boats, and making small signs. I’ve become
known around here as “the Boat Girl of the
North Shore.” I have three or four marinas
that use me exclusively and it’s a terrific
arrangement. I really don’t want big sign
projects, so when something comes in that
is too large for me to handle, I refer it to a
larger sign shop.
   Staying small means that I get to choose the
sign projects that interest me and helps keep
the overhead down. I have a 12-by-18 studio
here at home, and a two-car garage with an
overhead door. I call in help now and then if
I need an extra set of hands for an installa-
tion, but I’m not interested in hiring anyone.
I like being the one who does the work and
would love to focus more on the design end
of things, especially logo design.
   I’m always amazed when a new customer
walks in with a truck that’s lettered one way,
a sign that looks completely different, and
a business card with a third design. I like to
make it uniform—a design that looks right
everywhere, whether it’s on a T-shirt, a sign,
a business card, a truck, whatever it might be.
That’s the sort of consistency that people
notice.
   I do nearly all of my truck and boat lettering
on site. It works for everyone. The electricians,
plumbers, and carpenters love it because they
don’t have to pull their truck off the road.
They can go to a job site and work around
what I’m doing.
   Computer-cut vinyl graphics and lettering




Mirror gold Oracal [888-672-2251, www.oracal.com] vinyl film, vinyl
lettering, design provided by customer

                                                                      September/October 2007 | SignCraft 75
                                        “I was the kid who always won the
                                        supermarket coloring contests, and
                                        to everyone’s dismay, I decided to
                                        go to art school.”




Avery [Avery Graphics, 800-231-4654,
www.averygraphics.com] and Oracal
vinyl film




                                        Oracal vinyl film




                                        Oracal vinyl film

76 SignCraft | September/October 2007
Oracal vinyl film                                                         Avery and mirror silver Arlon vinyl film




Avery and Oracal vinyl film, vinyl lettering, logo provided by customer




Hand-applied 23k gold leaf with painted outline

                                                                                                                     September/October 2007 | SignCraft 77
                                                                                                          18-by-36-in. banner [Creative Banner Assemblies, 800-528-8846,
                                                                                                          www.creativebanner.com] with vinyl lettering
2-by-8-ft panel with vinyl lettering and hand lettering, paint and Arlon vinyl film




Arlon vinyl film



                                                                                      Oracal vinyl film




Arlon vinyl film




                                                                                                          Mirror silver Arlon vinyl film


78 SignCraft | September/October 2007
make up about 75% of my work. I still hand
letter a boat now and then, and I do some
touch-up striping for local car dealerships.
I do some cartoon work, too, and seasonal
window splashes. I still hand-apply gold leaf
on boats, and I’m probably one of the only
ones around here who will tackle that.
   My vinyl graphics system is made up of
a PC, CorelDraw®, SignLab™ [CADLink Tech-
nology Corp., 800-545-9581, www.signlab.ca]
software, and my trusty 24-in. Roland CAMM 1
[Roland DGA Corp. 800-542-2307, www.roland-
dga.com] that I’ve had for years. I love that
plotter—all I do is change the blades and
vacuum it out now and then. I contemplate
getting a large-format inkjet every so often,
but I’m not really sure that I need it yet.
   We’ve all seen how the computer has
changed this industry. Fifteen years ago, peo-
ple around here would order a sign and were
okay with waiting a week or two for it. Now
people order a sign and two days later they’re
calling and asking, “OK, where’s my sign?”
That’s where the vinyl has taken over. It just
keeps speeding things up. And I’m fine with
that. I’m not one of those “everything-has-to-
be-paint” people. I was trained in it, I can still
do it, and I enjoy it.
   I’ve been very fortunate in that I’ve never
had to advertise or knock on doors. It’s all
word of mouth. I’ll put my card on a local
coffee shop bulletin board, and whenever I
work with a new customer, I always make it a
point to give them a few of my business cards.
Customers who refer my business get spoiled
with small gifts and thank you notes. My best
friend owns a cookie company and I often
have cookies sent to customers to let them
know how much I appreciate the work they
give me.
   We live in a small town bordering
Massachusetts and thirty minutes south
of Maine. I’ve been taking guitar lessons in
classical, fingerstyle and bluegrass flatpick for
over three years. I garden quite a bit and play
indoor and outdoor soccer on a women’s over-
thirty league. I’m a huge soccer fan and would
love to go to England someday and watch a
match of my favorite team, Manchester
United. Soccer and playing the guitar are a
few things I can do without thinking about my
work. I love my job and my customers, but it’s
nice to get away from it all once in awhile. •SC


—From an interview with John McIltrot




                                                     September/October 2007 | SignCraft 79

						
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