texture venis by MikeJenny

VIEWS: 12 PAGES: 49

									texture
There should always be some sort of texture or depth in your
designs. Anyone can put color and text down, but it takes skill
to create an overall design with emotion and depth.
Unknown Cities
unknown Cities
 Unknown
Cities
unknown Cities
simple elegance
                      long
how to act like you be
when you don’t
elegance
    how to act like you be
    when you don’t
                          long
                      long
how to act like you be
when you don’t
2 parents and still crazy
parents and
still crazy
My favorite
shoes
A look at how a pair of shoes changed my life
forever. These little shoes took me places that
i never thought i would be able to go. So, let
me introduce you to my favorite shoes.
Laorpero erosto exercin heniamconsed mod te
duismodio consequip et, core modo odolorem
dolor suscipit autate tat, suscini ssequisi. Cipisci
bla faci blandrem vero consequi eugait estincin
velit alit aute con hendit amcommod magnim
zzrit num irillup tatisis aliquat accumsan ut
augue tat am vullut nulluptat dionsecte enisi.

Essit iusting er ad tie eugiam, sent ulla
faccummod eu faccum augait nos nim nit alis
acidunt wismodionum del ip eummodo ex elit
acidunt autpat am aliquat. Ut dolore min et,
suscidunt wissequatem diam, cor adipsusci
blandio nsecte vel in venisisi tet, consectem
irit esectet ip essit lorem do od dolobortisci tie
conumsa ndipsustin vendipit, quat niatummolore
modio eugue tat. Nonsequ isisci ex eugue dip
shoes
    my favorite

 A look at how a pair of shoes changed
 my life forever. These little shoes
 took me places that I never thought
 I would be able to go. So, let me
 introduce you to my favorite shoes.
 Laorpero erosto exercin heniamconsed mod te duismodio
 consequip et, core modo odolorem dolor suscipit autate tat,
 suscini ssequisi. Cipisci bla faci blandrem vero consequi eugait
 estincin velit alit aute con hendit amcommod magnim zzrit num
 irillup tatisis aliquat accumsan ut augue tat am vullut nulluptat
 dionsecte enisi.

 Laorpero erosto exercin heniamconsed mod te duismodio
 consequip et, core modo odolorem dolor suscipit autate tat,
 suscini ssequisi. Cipisci bla faci blandrem vero consequi eugait
 estincin velit alit aute con hendit amcommod magnim zzrit num
 irillup tatisis aliquat accumsan ut augue tat am vullut nulluptat
 dionsecte enisi.

 Essit iusting er ad tie eugiam, sent ulla faccummod eu faccum
 augait nos nim nit alis acidunt wismodionum del ip eummodo
 ex elit acidunt autpat am aliquat. Ut dolore min et, suscidunt
 wissequatem diam, cor adipsusci blandio nsecte vel in venisisi
 tet, consectem irit esectet ip essit lorem do od dolobortisci tie
 conumsa ndipsustin vendipit, quat niatummolore modio eugue
 tat. Nonsequ isisci ex eugue dip ea consect etueros atue tatiscinis
 acil ercilla conse magna feum digna commy nis dipiscipit iusciliquis
 nis adignim nos aliquat dolore ercipis nosto exero dolorti sciliquis
 dolore vel dolesenim digna faccummy nullandre
My favorite
shoes
A look at how a pair of shoes changed my life forever. These little
shoes took me places that i never thought i would
be able to go. So, let me introduce you to
my favorite shoes.
Laorpero erosto exercin heniamconsed mod te
duismodio consequip et, core modo odolorem
dolor suscipit autate tat, suscini ssequisi. Cipisci
bla faci blandrem vero consequi eugait estincin
velit alit aute con hendit amcommod magnim
zzrit num irillup tatisis aliquat accumsan ut
augue tat am vullut nulluptat dionsecte enisi.

Essit iusting er ad tie eugiam, sent ulla
faccummod eu faccum augait nos nim nit alis
acidunt wismodionum del ip eummodo ex elit
acidunt autpat am aliquat. Ut dolore min et,
suscidunt wissequatem diam, cor adipsusci
blandio nsecte vel in venisisi tet, consectem
irit esectet ip essit lorem do od dolobortisci tie
conumsa ndipsustin vendipit, quat niatummolore
modio eugue tat. Nonsequ isisci ex eugue dip
A look at how a pair of shoes changed my life
forever. These little shoes took me places that
i never thought i would be able to go. So, let
me introduce you to my favorite shoes.
Laorpero erosto exercin heniamconsed mod te duismodio consequip et,
core modo odolorem dolor suscipit autate tat, suscini ssequisi. Cipisci
bla faci blandrem vero consequi eugait estincin velit alit aute con hendit
amcommod magnim zzrit num irillup tatisis aliquat accumsan ut augue
tat am vullut nulluptat dionsecte enisi.

Essit iusting er ad tie eugiam, sent ulla faccummod eu faccum augait
nos nim nit alis acidunt wismodionum del ip eummodo ex elit acidunt
autpat am aliquat. Ut dolore min et, suscidunt wissequatem diam, cor
adipsusci blandio nsecte vel in venisisi tet, consectem irit esectet ip
essit lorem do od dolobortisci tie conumsa ndipsustin vendipit, quat
niatummolore modio eugue tat. Nonsequ isisci ex eugue dip ea consect
etueros atue tatiscinis acil ercilla conse magna feum digna commy nis
dipiscipit iusciliquis nis adignim nos aliquat dolore ercipis nosto exero
dolorti sciliquis dolore vel dolesenim digna faccummy nullandre
                                                At. Ut landit lut ing enim quat. Duis nosto el ulla
                                                conum vulputat. Ut duis nibh eu facing ercillan
                                                vel ut at autetum in volestie magna con vero
                                                enim augait am, sumsan eugiamcommy nonum
                                                nullandrerci tat ea faccum nulputpat wis aliscip
                                                exero odolortisit lortin esequis alit la con esting
                                                el del ut laorper iureetum dunt ut adio od tisl
                                                iniamcommy nis eugait velit, consed min essit
                                                niscip eu feumsan ver sed tat, con utpat ullandre
                                                doleseq uatueros amet ut luptati onulla amcon-
                                                sequat, susci blam,
                                                Quis dolorer aessit num dolortie ex et voloreet
                                                eugait aute consed minciduis er iriure dio odipit



working with texture and
                                                nulput dui te mincipsum velese duis do odio
                                                odit ad tet lutet acing et ipsumsan ut inibh
                                                ercip etue consed tie feu feugait volut wis aut




design
                                                am quamconse con et praestrud magna feugait
                                                utem zzriurer augiam diam, quam zzrit vel etum
                                                nullaorerat accumsan elit niam, quat am, conum
                                                dolobore ver si tatem ipsum verat, veliquisi.
                                                Pit ulluptat. Vullamcommy nulput ad ming et,
                                                consendipit lum quip eugait wis dolorem enit
                                                laorem quip elendre tet, commodip erate velesto
                                                conulputat, commodo lesequi blam, velit il
                                                inciliquisci blandigna feugue vel eummodit, con
Vullamcommy nulput ad ming et,                  henisit wisit nullute mod modolessi.
                                                Putatet, suscipit lut ercipsu scillutatue corero ea
consendipit lum quip eugait wis dolorem         commy nim zzriuscil in ut la feugait in etum ilisit
                                                lutatem num dolorpe rcipit luptat laore velent

enit laorem quip elendre tet, commodip          loborpe riureraessi tat ut lorercilis er iusci tem
                                                adionsed magnim dio exeril diam iure ex et aut
                                                adionsed tionummy nis num veliquisi.Lesse fac-
erate velesto conulputat, commodo               cummy nulla feummod oloreet ea faccummodo
                                                dolorer ostrud dipit augiat nosto odolorting exer-
lesequi blam, velit il inciliquisci blandigna   cinim diam vendre dolut luptat. Ut velessectem
                                                dio consecte min vent nim incil dit aliquipit nim

feugue vel eummodit, con henisit wisit          er senim vel init alit, quamconummy num er
                                                acidunt nit prat alit velit alis dolor sum veliscing
                                                esent irit dunt ad tat, vullaor sum ipisim velisis
nullute mod modolessi.                          autat eugait augue ming et, quam ipit la faccum
                                                et, consed dipiscil dit praestrud modolore feum
                                                velis aliquat irit pratum delit, quat. Ut am quam
                                                dolore dolortie feummod magna cor iril iuscing
                                                esequis delis nostrud tate dolobor periliquip
                                                 At. Ut landit lut ing enim quat. Duis nosto el ulla
                                                 conum vulputat. Ut duis nibh eu facing ercillan
                                                 vel ut at autetum in volestie magna con vero
                                                 enim augait am, sumsan eugiamcommy nonum
                                                 nullandrerci tat ea faccum nulputpat wis aliscip
                                                 exero odolortisit lortin esequis alit la con esting
                                                 el del ut laorper iureetum dunt ut adio od tisl
                                                 iniamcommy nis eugait velit, consed min essit
                                                 niscip eu feumsan ver sed tat, con utpat ullandre
                                                 doleseq uatueros amet ut luptati onulla amcon-
                                                 sequat, susci blam,
                                                 Quis dolorer aessit num dolortie ex et voloreet
                                                 eugait aute consed minciduis er iriure dio odipit


                      working with texture and
                                                 nulput dui te mincipsum velese duis do odio
                                                 odit ad tet lutet acing et ipsumsan ut inibh
                                                 ercip etue consed tie feu feugait volut wis aut




design
                                                 am quamconse con et praestrud magna feugait
                                                 utem zzriurer augiam diam, quam zzrit vel etum
                                                 nullaorerat accumsan elit niam, quat am, conum
                                                 dolobore ver si tatem ipsum verat, veliquisi.
                                                 Pit ulluptat. Vullamcommy nulput ad ming et,
                                                 consendipit lum quip eugait wis dolorem enit
                                                 laorem quip elendre tet, commodip erate velesto
                                                 conulputat, commodo lesequi blam, velit il
                                                 inciliquisci blandigna feugue vel eummodit, con
Vullamcommy nulput ad ming et,                   henisit wisit nullute mod modolessi.
                                                 Putatet, suscipit lut ercipsu scillutatue corero ea
consendipit lum quip eugait wis dolorem          commy nim zzriuscil in ut la feugait in etum ilisit
                                                 lutatem num dolorpe rcipit luptat laore velent

enit laorem quip elendre tet, commodip           loborpe riureraessi tat ut lorercilis er iusci tem
                                                 adionsed magnim dio exeril diam iure ex et aut
                                                 adionsed tionummy nis num veliquisi.Lesse fac-
erate velesto conulputat, commodo                cummy nulla feummod oloreet ea faccummodo
                                                 dolorer ostrud dipit augiat nosto odolorting exer-
lesequi blam, velit il inciliquisci blandigna    cinim diam vendre dolut luptat. Ut velessectem
                                                 dio consecte min vent nim incil dit aliquipit nim

feugue vel eummodit, con henisit wisit           er senim vel init alit, quamconummy num er
                                                 acidunt nit prat alit velit alis dolor sum veliscing
                                                 esent irit dunt ad tat, vullaor sum ipisim velisis
nullute mod modolessi.                           autat eugait augue ming et, quam ipit la faccum
                                                 et, consed dipiscil dit praestrud modolore feum
                                                 velis aliquat irit pratum delit, quat. Ut am quam
                                                 dolore dolortie feummod magna cor iril iuscing
                                                 esequis delis nostrud tate dolobor periliquip
                                            At. Ut landit lut ing enim quat. Duis nosto el ulla
                                            conum vulputat. Ut duis nibh eu facing ercillan
                                            vel ut at autetum in volestie magna con vero
                                            enim augait am, sumsan eugiamcommy nonum
                                            nullandrerci tat ea faccum nulputpat wis aliscip
                                            exero odolortisit lortin esequis alit la con esting
                                            el del ut laorper iureetum dunt ut adio od tisl




                                        I
                                            iniamcommy nis eugait velit, consed min essit
                                            niscip eu feumsan ver sed tat, con utpat ullandre
                                            doleseq uatueros amet ut luptati onulla amcon-
                                            sequat, susci blam,
                                            Quis dolorer aessit num dolortie ex et voloreet
                                            eugait aute consed minciduis er iriure dio odipit
                                            nulput dui te mincipsum velese duis do odio
                                            odit ad tet lutet acing et ipsumsan ut inibh
                                            ercip etue consed tie feu feugait volut wis aut
                                            am quamconse con et praestrud magna feugait

                working with                utem zzriurer augiam diam, quam zzrit vel etum




texture design
Vullamcommy nulput ad ming et,              nullaorerat accumsan elit niam, quat am, conum
                                            dolobore ver si tatem ipsum verat, veliquisi.
                                            Pit ulluptat. Vullamcommy nulput ad ming et,
consendipit lum quip eugait wis             consendipit lum quip eugait wis dolorem enit
                                            laorem quip elendre tet, commodip erate velesto
dolorem enit laorem quip elendre tet,       conulputat, commodo lesequi blam, velit il
                                            inciliquisci blandigna feugue vel eummodit, con
commodip erate velesto conulputat,          henisit wisit nullute mod modolessi.
                                            Putatet, suscipit lut ercipsu scillutatue corero ea
commodo lesequi blam, velit il              commy nim zzriuscil in ut la feugait in etum ilisit
                                            lutatem num dolorpe rcipit luptat laore velent
                                            loborpe riureraessi tat ut lorercilis er iusci tem
inciliquisci blandigna feugue vel           adionsed magnim dio exeril diam iure ex et aut
                                            adionsed tionummy nis num veliquisi.Lesse fac-
eummodit, con henisit wisit nullute         cummy nulla feummod oloreet ea faccummodo
                                            dolorer ostrud dipit augiat nosto odolorting exer-
mod modolessi.                              cinim diam vendre dolut luptat. Ut velessectem
                                            dio consecte min vent nim incil dit aliquipit nim
                                            er senim vel init alit, quamconummy num er
                                            acidunt nit prat alit velit alis dolor sum veliscing
                                       At. Ut landit lut ing enim quat. Duis nosto el ulla
                                       conum vulputat. Ut duis nibh eu facing ercillan
                                       vel ut at autetum in volestie magna con vero
                                       enim augait am, sumsan eugiamcommy nonum
                                       nullandrerci tat ea faccum nulputpat wis aliscip
                                       exero odolortisit lortin esequis alit la con esting
                                       el del ut laorper iureetum dunt ut adio od tisl




                                   I
                                       iniamcommy nis eugait velit, consed min essit
                                       niscip eu feumsan ver sed tat, con utpat ullandre
                                       doleseq uatueros amet ut luptati onulla amcon-
                                       sequat, susci blam,
                                       Quis dolorer aessit num dolortie ex et voloreet
                                       eugait aute consed minciduis er iriure dio odipit
                                       nulput dui te mincipsum velese duis do odio
                                       odit ad tet lutet acing et ipsumsan ut inibh
                                       ercip etue consed tie feu feugait volut wis aut
                                       am quamconse con et praestrud magna feugait
   working with                        utem zzriurer augiam diam, quam zzrit vel etum




texture design
   by: jen shiren
                                       nullaorerat accumsan elit niam, quat am, conum
                                       dolobore ver si tatem ipsum verat, veliquisi.
                                       Pit ulluptat. Vullamcommy nulput ad ming et,
                                       consendipit lum quip eugait wis dolorem enit
   Consequatum nonsent                 laorem quip elendre tet, commodip erate velesto
   dolortin et lumsan venit lore       conulputat, commodo lesequi blam, velit il
                                       inciliquisci blandigna feugue vel eummodit, con
   con henim veros am, core            henisit wisit nullute mod modolessi.
   feugait iriusto odo conummy         Putatet, suscipit lut ercipsu scillutatue corero ea
   nummolum auguer sit venis           commy nim zzriuscil in ut la feugait in etum ilisit
                                       lutatem num dolorpe rcipit luptat laore velent
   adiam dit aliquisis dion ulla       loborpe riureraessi tat ut lorercilis er iusci tem
   consequatue et autat, quat          adionsed magnim dio exeril diam iure ex et aut
                                       adionsed tionummy nis num veliquisi.Lesse fac-
   adio consequat.                     cummy nulla feummod oloreet ea faccummodo
                                       dolorer ostrud dipit augiat nosto odolorting exer-
                                       cinim diam vendre dolut luptat. Ut velessectem
                                       dio consecte min vent nim incil dit aliquipit nim
                                       er senim vel init alit, quamconummy num er
                                       acidunt nit prat alit velit alis dolor sum veliscing
                                       At. Ut landit lut ing enim quat. Duis nosto el ulla
                                       conum vulputat. Ut duis nibh eu facing ercillan
                                       vel ut at autetum in volestie magna con vero
                                       enim augait am, sumsan eugiamcommy nonum
                                       nullandrerci tat ea faccum nulputpat wis aliscip
                                       exero odolortisit lortin esequis alit la con esting
                                       el del ut laorper iureetum dunt ut adio od tisl




                                   I
                                       iniamcommy nis eugait velit, consed min essit
                                       niscip eu feumsan ver sed tat, con utpat ullandre
                                       doleseq uatueros amet ut luptati onulla amcon-
                                       sequat, susci blam,
                                       Quis dolorer aessit num dolortie ex et voloreet
                                       eugait aute consed minciduis er iriure dio odipit
                                       nulput dui te mincipsum velese duis do odio
                                       odit ad tet lutet acing et ipsumsan ut inibh
                                       ercip etue consed tie feu feugait volut wis aut
                                       am quamconse con et praestrud magna feugait
   working with                        utem zzriurer augiam diam, quam zzrit vel etum




texture design
   by: jen shiren
                                       nullaorerat accumsan elit niam, quat am, conum
                                       dolobore ver si tatem ipsum verat, veliquisi.
                                       Pit ulluptat. Vullamcommy nulput ad ming et,
                                       consendipit lum quip eugait wis dolorem enit
   Consequatum nonsent                 laorem quip elendre tet, commodip erate velesto
   dolortin et lumsan venit lore       conulputat, commodo lesequi blam, velit il
                                       inciliquisci blandigna feugue vel eummodit, con
   con henim veros am, core            henisit wisit nullute mod modolessi.
   feugait iriusto odo conummy         Putatet, suscipit lut ercipsu scillutatue corero ea
   nummolum auguer sit venis           commy nim zzriuscil in ut la feugait in etum ilisit
                                       lutatem num dolorpe rcipit luptat laore velent
   adiam dit aliquisis dion ulla       loborpe riureraessi tat ut lorercilis er iusci tem
   consequatue et autat, quat          adionsed magnim dio exeril diam iure ex et aut
                                       adionsed tionummy nis num veliquisi.Lesse fac-
   adio consequat.                     cummy nulla feummod oloreet ea faccummodo
                                       dolorer ostrud dipit augiat nosto odolorting exer-
                                       cinim diam vendre dolut luptat. Ut velessectem
                                       dio consecte min vent nim incil dit aliquipit nim
                                       er senim vel init alit, quamconummy num er
                                       acidunt nit prat alit velit alis dolor sum veliscing
                                       At. Ut landit lut ing enim quat. Duis nosto el ulla
                                       conum vulputat. Ut duis nibh eu facing ercillan
                                       vel ut at autetum in volestie magna con vero
                                       enim augait am, sumsan eugiamcommy nonum
                                       nullandrerci tat ea faccum nulputpat wis aliscip
                                       exero odolortisit lortin esequis alit la con esting
                                       el del ut laorper iureetum dunt ut adio od tisl




                                   I
                                       iniamcommy nis eugait velit, consed min essit
                                       niscip eu feumsan ver sed tat, con utpat ullandre
                                       doleseq uatueros amet ut luptati onulla amcon-
                                       sequat, susci blam,
                                       Quis dolorer aessit num dolortie ex et voloreet
                                       eugait aute consed minciduis er iriure dio odipit
                                       nulput dui te mincipsum velese duis do odio
                                       odit ad tet lutet acing et ipsumsan ut inibh
                                       ercip etue consed tie feu feugait volut wis aut
                                       am quamconse con et praestrud magna feugait
   working with                        utem zzriurer augiam diam, quam zzrit vel etum




texture design
   by: jen shiren
                                       nullaorerat accumsan elit niam, quat am, conum
                                       dolobore ver si tatem ipsum verat, veliquisi.
                                       Pit ulluptat. Vullamcommy nulput ad ming et,
                                       consendipit lum quip eugait wis dolorem enit
   Consequatum nonsent                 laorem quip elendre tet, commodip erate velesto
   dolortin et lumsan venit lore       conulputat, commodo lesequi blam, velit il
                                       inciliquisci blandigna feugue vel eummodit, con
   con henim veros am, core            henisit wisit nullute mod modolessi.
   feugait iriusto odo conummy         Putatet, suscipit lut ercipsu scillutatue corero ea
   nummolum auguer sit venis           commy nim zzriuscil in ut la feugait in etum ilisit
                                       lutatem num dolorpe rcipit luptat laore velent
   adiam dit aliquisis dion ulla       loborpe riureraessi tat ut lorercilis er iusci tem
   consequatue et autat, quat          adionsed magnim dio exeril diam iure ex et aut
                                       adionsed tionummy nis num veliquisi.Lesse fac-
   adio consequat.                     cummy nulla feummod oloreet ea faccummodo
                                       dolorer ostrud dipit augiat nosto odolorting exer-
                                       cinim diam vendre dolut luptat. Ut velessectem
                                       dio consecte min vent nim incil dit aliquipit nim
                                       er senim vel init alit, quamconummy num er
                                       acidunt nit prat alit velit alis dolor sum veliscing
                      I
                                        At. Ut landit lut ing enim quat. Duis nosto el ulla
                                        conum vulputat. Ut duis nibh eu facing ercillan
                                        vel ut at autetum in volestie magna con vero
                                        enim augait am, sumsan eugiamcommy nonum
                                        nullandrerci tat ea faccum nulputpat wis aliscip
                                        exero odolortisit lortin esequis alit la con esting
                                        el del ut laorper iureetum dunt ut adio od tisl
                                        iniamcommy nis eugait velit, consed min essit
                                        niscip eu feumsan ver sed tat, con utpat ullandre
                                        doleseq uatueros amet ut luptati onulla amcon-
                                        sequat, susci blam,
                                        Quis dolorer aessit num dolortie ex et voloreet
                                        eugait aute consed minciduis er iriure dio odipit
                                        nulput dui te mincipsum velese duis do odio
                                        odit ad tet lutet acing et ipsumsan ut inibh
                                        ercip etue consed tie feu feugait volut wis aut
                                        am quamconse con et praestrud magna feugait
   working with                         utem zzriurer augiam diam, quam zzrit vel etum




texture design
   by: jen shiren
                                        nullaorerat accumsan elit niam, quat am, conum
                                        dolobore ver si tatem ipsum verat, veliquisi.
                                        Pit ulluptat. Vullamcommy nulput ad ming et,
                                        consendipit lum quip eugait wis dolorem enit
   Consequatumnonsent dolortin          laorem quip elendre tet, commodip erate velesto
                                        conulputat, commodo lesequi blam, velit il
   et ludmsan venit lore con henim
                                        inciliquisci blandigna feugue vel eummodit, con
   veros amor, core feugait iriusto     henisit wisit nullute mod modolessi.
   odo co nummy nummoum auguer          Putatet, suscipit lut ercipsu scillutatue corero ea
   sit venis adiam dit aliquisis dion   commy nim zzriuscil in ut la feugait in etum ilisit
   ulla consequatue et autat, quat      lutatem num dolorpe rcipit luptat laore velent
                                        loborpe riureraessi tat ut lorercilis er iusci tem
   adio consequat.                      adionsed magnim dio exeril diam iure ex et aut
                                        adionsed tionummy nis num veliquisi.Lesse fac-
                                        cummy nulla feummod oloreet ea faccummodo
                                        dolorer ostrud dipit augiat nosto odolorting exer-
                                        cinim diam vendre dolut luptat. Ut velessectem
                                        dio consecte min vent nim incil dit aliquipit nim
                                        er senim vel init alit, quamconummy num er
                                        acidunt nit prat alit velit alis dolor sum veliscing
                                I
                                        At. Ut landit lut ing enim quat. Duis nosto el ulla
                                        conum vulputat. Ut duis nibh eu facing ercillan
                                        vel ut at autetum in volestie magna con vero
                                        enim augait am, sumsan eugiamcommy nonum
                                        nullandrerci tat ea faccum nulputpat wis aliscip
                                        exero odolortisit lortin esequis alit la con esting
                                        el del ut laorper iureetum dunt ut adio od tisl
                                        iniamcommy nis eugait velit, consed min essit
                                        niscip eu feumsan ver sed tat, con utpat ullandre
                                        doleseq uatueros amet ut luptati onulla amcon-
                                        sequat, susci blam,
                                        Quis dolorer aessit num dolortie ex et voloreet
                                        eugait aute consed minciduis er iriure dio odipit
                                        nulput dui te mincipsum velese duis do odio
                                        odit ad tet lutet acing et ipsumsan ut inibh
                                        ercip etue consed tie feu feugait volut wis aut
                                        am quamconse con et praestrud magna feugait
   working with                         utem zzriurer augiam diam, quam zzrit vel etum




texture design
   by: jen shiren
                                        nullaorerat accumsan elit niam, quat am, conum
                                        dolobore ver si tatem ipsum verat, veliquisi.
                                        Pit ulluptat. Vullamcommy nulput ad ming et,
                                        consendipit lum quip eugait wis dolorem enit
   Consequatum nonsent dolortin         laorem quip elendre tet, commodip erate velesto
                                        conulputat, commodo lesequi blam, velit il
   et ludmsan venit lore con henim      inciliquisci blandigna feugue vel eummodit, con
   veros amor, core feugait iriusto     henisit wisit nullute mod modolessi.

   odo co nummy nummoum auguer          Putatet, suscipit lut ercipsu scillutatue corero ea
                                        commy nim zzriuscil in ut la feugait in etum ilisit
   sit venis adiam dit aliquisis dion   lutatem num dolorpe rcipit luptat laore velent
   ulla consequatue et autat, quat      loborpe riureraessi tat ut lorercilis er iusci tem
                                        adionsed magnim dio exeril diam iure ex et aut
   adio consequat.                      adionsed tionummy nis num veliquisi.Lesse fac-
                                        cummy nulla feummod oloreet ea faccummodo
                                        dolorer ostrud dipit augiat nosto odolorting exer-
                                        cinim diam vendre dolut luptat. Ut velessectem
                                        dio consecte min vent nim incil dit aliquipit nim
                                        er senim vel init alit, quamconummy num er
                                        acidunt nit prat alit velit alis dolor sum veliscing
Working With
texture &
design
newspaper typefaces have it tough. there is almost no other category of
type -- except possibly the type designed for telephone books -- that has to
meet such an exacting list of requirements.

A newspaper text face has to be compact, legible,             Some of those faces are still used, in digital form,
and sturdy; it has to look contemporary & up to the           but the change to offset printing and first photo
minute, yet still seem comfortable and familiar to the        then digital typesetting required new forms of type
paper’s readers; and it has to stand up to high-              that were adapted to the new technology. A
speed industrial printing on poor paper under                 number of type foundries and individual type
varying conditions.                                           designers have tackled this problem; the most
                                                              systematic program that I’m aware of, or at least
Despite these daunting conditions, there have
                                                              the most extensive, is the one that Font Bureau
been a number of successful newspaper typefaces
                                                              calls (echoing the Linotype hot metal typefaces) its
produced in the last hundred years, and there’s
                                                              “Readability Series.”
been a flurry of new designs just recently,
responding to changes in printing technology.                 Since newspapers first became widespread in the
Everyone knows about Times New Roman, which                   19th century, which was dominated by what got
was designed as a fresh new typeface for “The                 dubbed “modern” typefaces (vertical stress, high
Times” of London in the early 1930s. Times is
                                                              contrast, rounded terminals, and a general feeling
everywhere in the modern world, but oddly enough
                                                              of roundness), many of today’s news faces hark
it’s not used that often in daily newspapers. It’s
popular with small scale weekly or monthly                    back to that familiar look. One of the best is
publications, but even “The Times” itself has used            Matthew Carter’s Miller, which is based on the
different text faces (which it has commissioned) for          spirit of the Scotch Roman look that was popular in
many decades.                                                 the 19th-century United States; Carter didn’t derive
                                                              Miller from a particular historical typeface, but he
Linotype machines were the typesetting method
of choice for newspapers through most of the 20th             captured the feel of those sparkly yet workmanlike
century, & Mergenthaler Linotype was famously                 letters in digital form. Miller is used today in
responsible for a number of new typefaces in the              magazines (it’s the text face of Newsweek), and
‘30s and ‘40s, which it called its “legibility faces,” that   Carter did an adaptation of it for use in the British
were developed expressly for the newspaper market.            daily “The Guardian.”
Working With
texture &
design
newspaper typefaces have it tough. there is almost no other category of
type -- except possibly the type designed for telephone books -- that has to
meet such an exacting list of requirements.

A newspaper text face has to be compact, legible,             Some of those faces are still used, in digital form,
and sturdy; it has to look contemporary & up to the           but the change to offset printing and first photo
minute, yet still seem comfortable and familiar to the        then digital typesetting required new forms of type
paper’s readers; and it has to stand up to high-              that were adapted to the new technology. A
speed industrial printing on poor paper under                 number of type foundries and individual type
varying conditions.                                           designers have tackled this problem; the most
                                                              systematic program that I’m aware of, or at least
Despite these daunting conditions, there have
                                                              the most extensive, is the one that Font Bureau
been a number of successful newspaper typefaces
                                                              calls (echoing the Linotype hot metal typefaces) its
produced in the last hundred years, and there’s
                                                              “Readability Series.”
been a flurry of new designs just recently,
responding to changes in printing technology.                 Since newspapers first became widespread in the
Everyone knows about Times New Roman, which                   19th century, which was dominated by what got
was designed as a fresh new typeface for “The                 dubbed “modern” typefaces (vertical stress, high
Times” of London in the early 1930s. Times is
                                                              contrast, rounded terminals, and a general feeling
everywhere in the modern world, but oddly enough
                                                              of roundness), many of today’s news faces hark
it’s not used that often in daily newspapers. It’s
popular with small scale weekly or monthly                    back to that familiar look. One of the best is
publications, but even “The Times” itself has used            Matthew Carter’s Miller, which is based on the
different text faces (which it has commissioned) for          spirit of the Scotch Roman look that was popular in
many decades.                                                 the 19th-century United States; Carter didn’t derive
                                                              Miller from a particular historical typeface, but he
Linotype machines were the typesetting method
of choice for newspapers through most of the 20th             captured the feel of those sparkly yet workmanlike
century, & Mergenthaler Linotype was famously                 letters in digital form. Miller is used today in
responsible for a number of new typefaces in the              magazines (it’s the text face of Newsweek), and
‘30s and ‘40s, which it called its “legibility faces,” that   Carter did an adaptation of it for use in the British
were developed expressly for the newspaper market.            daily “The Guardian.”
Working With
texture &
design
newspaper typefaces have it tough. there is almost no other category of
type -- except possibly the type designed for telephone books -- that has to
meet such an exacting list of requirements.

A newspaper text face has to be compact, legible,             Some of those faces are still used, in digital form,
and sturdy; it has to look contemporary & up to the           but the change to offset printing and first photo
minute, yet still seem comfortable and familiar to the        then digital typesetting required new forms of type
paper’s readers; and it has to stand up to high-              that were adapted to the new technology. A
speed industrial printing on poor paper under                 number of type foundries and individual type
varying conditions.                                           designers have tackled this problem; the most
                                                              systematic program that I’m aware of, or at least
Despite these daunting conditions, there have
                                                              the most extensive, is the one that Font Bureau
been a number of successful newspaper typefaces
                                                              calls (echoing the Linotype hot metal typefaces) its
produced in the last hundred years, and there’s
                                                              “Readability Series.”
been a flurry of new designs just recently,
responding to changes in printing technology.                 Since newspapers first became widespread in the
Everyone knows about Times New Roman, which                   19th century, which was dominated by what got
was designed as a fresh new typeface for “The                 dubbed “modern” typefaces (vertical stress, high
Times” of London in the early 1930s. Times is
                                                              contrast, rounded terminals, and a general feeling
everywhere in the modern world, but oddly enough
                                                              of roundness), many of today’s news faces hark
it’s not used that often in daily newspapers. It’s
popular with small scale weekly or monthly                    back to that familiar look. One of the best is
publications, but even “The Times” itself has used            Matthew Carter’s Miller, which is based on the
different text faces (which it has commissioned) for          spirit of the Scotch Roman look that was popular in
many decades.                                                 the 19th-century United States; Carter didn’t derive
                                                              Miller from a particular historical typeface, but he
Linotype machines were the typesetting method
of choice for newspapers through most of the 20th             captured the feel of those sparkly yet workmanlike
century, & Mergenthaler Linotype was famously                 letters in digital form. Miller is used today in
responsible for a number of new typefaces in the              magazines (it’s the text face of Newsweek), and
‘30s and ‘40s, which it called its “legibility faces,” that   Carter did an adaptation of it for use in the British
were developed expressly for the newspaper market.            daily “The Guardian.”
Working
With texture


and
design
     newspaper typefaces have it tough. there is almost no other
                                                                                                                        a number of type
                                                                                                                foundries and individual
                                                                                                                     type designers have
                                                                                                                tackled this problem; the
                                                                                                                most systematic program
                                                                                                                  that i’m aware of, or at
                                                                                                               least the most extensive,
                                                                                                                     is the one that Font
                                                                                                          category of type Bureau
     except possibly the type designed for telephone books -- that has to meet such
     an exacting list of requirements.
                                     A newspaper text face has to be compact, legible,
                                     and sturdy; it has to look contemporary & up to the
                                                                                                   developed expressly for the newspaper market.
                                                                                                   Some of those faces are still used, in digital form,
                                     minute, yet still seem comfortable and familiar to the        but the change to offset printing and first photo then
                                     paper’s readers; and it has to stand up to high-speed         digital typesetting required new forms of type that
                                     industrial printing on poor paper under varying               were adapted to the new technology. A number of
                                     conditions.                                                   type foundries and individual type designers have
                                                                                                   tackled this problem; the most systematic program
                                     Despite these daunting conditions, there have been
                                                                                                   that I’m aware of, or at least the most extensive, is
                                     a number of successful newspaper typefaces
                                                                                                   the one that Font Bureau calls (echoing the
                                     produced in the last hundred years, and there’s been
                                                                                                   Linotype hot metal typefaces) its “Readability
                                     a flurry of new designs just recently, responding to
                                                                                                   Series.”
                                     changes in printing technology. Everyone knows
                                     about Times New Roman, which was designed as a                Since newspapers first became widespread in the
                                     fresh new typeface for “The Times” of London in the           19th century, which was dominated by what got
                                     early 1930s. Times is everywhere in the modern                dubbed “modern” typefaces (vertical stress, high
                                     world, but oddly enough it’s not used that often in
                                                                                                   contrast, rounded terminals, and a general feeling
                                     daily newspapers. It’s popular with small scale
                                                                                                   of roundness), many of today’s news faces hark back
                                     weekly or monthly publications, but even “The
                                     Times” itself has used different text faces (which it         to that familiar look. One of the best is Matthew
                                     has commissioned) for many decades.                           Carter’s Miller, which is based on the spirit of the
                                                                                                   Scotch Roman look that was popular in the
                                     Linotype machines were the typesetting method
                                                                                                   19th-century United States; Carter didn’t derive
                                     of choice for newspapers through most of the 20th
                                                                                                   Miller from a particular historical typeface, but he
                                     century, & Mergenthaler Linotype was famously
                                     responsible for a number of new typefaces in the ‘30s         captured the feel of those sparkly yet workmanlike
                                     and ‘40s, which it called its “legibility faces,” that were   letters in digital form. Miller is used today in
Working
With texture
               newspaper typefaces have it tough. there is almost no other category of
               type -- except possibly the type designed for telephone books -- that has to
               meet such an exacting list of requirements.




and
               A newspaper text face has to be compact, legible,        ‘30s and ‘40s, which it called its “legibility faces,” that
               and sturdy; it has to look contemporary & up to the      were developed expressly for the newspaper market.
               minute, yet still seem comfortable and familiar to the   Some of those faces are still used, in digital form,
               paper’s readers; and it has to stand up to high-         but the change to offset printing and first photo
               speed industrial printing on poor paper under            then digital typesetting required new forms of type
               varying conditions.                                      that were adapted to the new technology. A
               Despite these daunting conditions, there have            number of type foundries and individual type
               been a number of successful newspaper typefaces          designers have tackled this problem; the most
               produced in the last hundred years, and there’s          systematic program that I’m aware of, or at least
               been a flurry of new designs just recently,              the most extensive, is the one that Font Bureau
               responding to changes in printing technology.            calls (echoing the Linotype hot metal typefaces) its
               Everyone knows about Times New Roman, which              “Readability Series.”
               was designed as a fresh new typeface for “The            Since newspapers first became widespread in the
               Times” of London in the early 1930s. Times is
                                                                        19th century, which was dominated by what got
               everywhere in the modern world, but oddly enough
                                                                        dubbed “modern” typefaces (vertical stress, high
               it’s not used that often in daily newspapers. It’s




design
               popular with small scale weekly or monthly               contrast, rounded terminals, and a general feeling
               publications, but even “The Times” itself has used       of roundness), many of today’s news faces hark
               different text faces (which it has commissioned) for     back to that familiar look. One of the best is
               many decades.                                            Matthew Carter’s Miller, which is based on the
               Linotype machines were the typesetting method            spirit of the Scotch Roman look that was popular in
               of choice for newspapers through most of the 20th        the 19th-century United States; Carter didn’t derive
               century, & Mergenthaler Linotype was famously            Miller from a particular historical typeface, but he
               responsible for a number of new typefaces in the         captured the feel of those sparkly yet workmanlike
                                                A newspaper text face has to be
                                                compact, legible, and sturdy; it has to
                                                look contemporary & up to the minute, yet
                                                still seem comfortable and familiar to the
                                                paper’s readers; and it has to stand up
                                                to high-speed industrial printing on poor
                                                paper under varying conditions.
                                                Despite these daunting conditions,
                                                there have been a number of successful
                                                newspaper typefaces produced in the
                                                last hundred years, and there’s been a
                                                flurry of new designs just recently,
                                                responding to changes in printing




 Working with
                                                technology. Everyone knows about




           and
                                                Times New Roman, which was designed
                                                as a fresh new typeface for “The Times”
                                                of London in the early 1930s. Times is
                                                everywhere in the modern world, but
                                                oddly enough it’s not used that often in
                                                daily newspapers. It’s popular with




texture
                                                small scale weekly or monthly
                                                publications, but even “The Times”
                                                itself has used different text faces           that Font Bureau calls (echoing the
                                                (which it has commissioned) for many           Linotype hot metal typefaces) its
                                                decades.                                       “Readability Series.”




           design
                                                Linotype machines were the                     Since newspapers first became
                                                typesetting method of choice for               widespread in the 19th century, which was
                                                newspapers through most of the 20th            dominated by what got dubbed
                                                century, & Mergenthaler Linotype was           “modern” typefaces (vertical stress, high
                                                famously responsible for a number of           contrast, rounded terminals, and a
                                                new typefaces in the ‘30s and ‘40s, which      general feeling of roundness), many of
                                                it called its “legibility faces,” that were    today’s news faces hark back to that
                                                developed expressly for the newspaper          familiar look. One of the best is Matthew
                                                market. Some of those faces are still          Carter’s Miller, which is based on the spirit
                                                used, in digital form, but the change to       of the Scotch Roman look that was
                                                offset printing and first photo then digital   popular in the 19th-century United States;
    newspaper typefaces have it tough.          typesetting required new forms of type         Carter didn’t derive Miller from a
    there is almost no other category of type   that were adapted to the new                   particular historical typeface, but he
                                                technology. A number of type foundries         captured the feel of those sparkly yet
    -- except possibly the type designed for    and individual type designers have             workmanlike letters in digital form. Miller
    telephone books -- that has to meet such    tackled this problem; the most                 is used today in magazines (it’s the text
                                                systematic program that I’m aware of, or       face of Newsweek), and Carter did an
    an exacting list of requirements.           at least the most extensive, is the one        adaptation of it for use in the British daily
                                                                                             Despite these daunting conditions, there have been
                                                                                             a number of successful newspaper typefaces pro-
                                                                                             duced in the last hundred years, and there’s been
                                                                                             a flurry of new designs just recently, responding to
                                                                                             changes in printing technology. Everyone knows
                                                                                             about Times New Roman, which was designed as a
                                                                                             fresh new typeface for “The Times” of London in the
                                            A newspaper text face has to be compact,         early 1930s. Times is everywhere in the modern world,




 Working with
                                          legible, and sturdy; it has to look contemporary   but oddly enough it’s not used that often in daily




           and
                                          & up to the minute, yet still seem comfortable     newspapers. It’s popular with small scale weekly or
                                          and familiar to the paper’s readers; and it has    monthly publications, but even “The Times” itself
                                           to stand up to high-speed industrial printing     has used different text faces (which it has commis-
                                               on poor paper under varying conditions.       sioned) for many decades.
                                                             Linotype machines were the typesetting method of
                                                             choice for newspapers through most of the 20th




texture
                                                             century, & Mergenthaler Linotype was famously
                                                             responsible for a number of new typefaces in the ‘30s
                                                             and ‘40s, which it called its “legibility faces,” that were
                                                             developed expressly for the newspaper market. Some




           design
                                                             of those faces are still used, in digital form, but the
                                                             change to offset printing and first photo then digital
                                                             typesetting required new forms of type that were
                                                             adapted to the new technology. A number of type
                                                             foundries and individual type designers have tackled
                                                             this problem; the most systematic program that I’m
                                                             aware of, or at least the most extensive, is the one
                                                             that Font Bureau calls (echoing the Linotype hot
                                                             metal typefaces) its “Readability Series.”
    newspaper typefaces have it tough.                                                       Since newspapers first became widespread in the 19th
                                                                                             century, which was dominated by what got dubbed
    there is almost no other category of type                                                “modern” typefaces (vertical stress, high contrast, rounded
                                                                                             terminals, and a general feeling of roundness), many of
    -- except possibly the type designed for                                                 today’s news faces hark back to that familiar look. One of the
                                                                                             best is Matthew Carter’s Miller, which is based on the spirit of
    telephone books -- that has to meet such                                                 the Scotch Roman look that was popular in the 19th-century
    an exacting list of requirements.                                                        United States; Carter didn’t derive Miller from a particular
                                                                                             historical typeface, but he captured the feel of those sparkly
                                                                                             yet workmanlike letters in digital form. Miller is used today in
                                                                                             magazines (it’s the text face of Newsweek), and Carter did an
                                                                                             adaptation of it for use in the British daily “The Guardian.”
Situationist International, Godard, Kubrick, the Dutch Provo
movement, Frankfurt School, De Stijl, the Beatles and conspir-
acy theories. Experimental Jetset is a team of three graphic
designers working together in Amsterdam.

After meeting as students at the Gerrit Rietveld Academy in
Amsterdam, Erwin Brinkers, Marieke Stolk and Danny van den
Dungen co-founded Experimental Jetset in 1997. They have
since worked for clients such as Droog, the PTT and Stedelijk
Museum in the Netherlands as well as Centre Georges Pompi-
dou, the Purple Institute and the fashion store Colette in Paris.

Believing that there should be an inner logic to graphic
design, Experimental Jetset develops a coherent system for
each project and then imbues it with an idiosyncratic combi-
nation of references to modernist design, typified by the use
of the well-known typeface Helvetica in the We Are The World
catalogue for the Dutch Pavilion at the 2003 Venice Art Bien-
nale, and pop culture illustrated by the deadpan slogans on
the Been There Done That series of wristbands.
                                                                                                                                   raphic
                                                                                                                          gic to g stem
                                                           e                                                   inner lo             sy
                                              ubrick,
                                                        th                                         ld be an               oherent
                                  odard, K ol, De Stijl,                               re shou                lops a c                 cratic
                          onal, G         Scho                       lieving  that the              et deve with an idiosyn ed
          nist In ternati      rankfurt                       l Be                     nta  l Jets
Situatio o movement, F                            erimenta                    xperime                 imbues
                                                                                                                it               n, typifi
                                        ries. Exp                   esign, E ject and then                            ist desig
        Prov                 acy theo signers working d                       pro                    s to modern elvetica in the
Dutch                conspir              e                        for each n of reference n typeface H                                      the
          tles and three graphic d                                                                                                ilion at
 the Bea             of                                                mbinati
                                                                                o             ll-know                     tch Pav
            a team                                                  co             f the we                fo r the Du            str ated by
  Jetset is          sterdam
                               .                                           e use o              talogue                 lture illu hat
            r in Am                                 Rietveld by th The World ca le, and pop cu                               Done T
   togethe                                 e Gerrit                        re                     a
                                nts at th nkers, Marieke We A enice Art Bienn the Been There
                       s stude               ri                      2003 V                ans on
             eeting a rdam, Erwin B o-founded                                     an slog
    After m        Amste                ngen c                           e deadp stbands.
              y in                  Du                      ce        th                                                               graphic
    Academ Danny van den . They have sin d                                      f wri                                      r logic to
               d                    9 7                      an        series o                                  an inne oherent system
     Stolk an tal Jetset in 19                   the PTT                                              ould be lops a c
                en                     Droog,                ell as                     there sh                   e                     yncratic
     Experim                such as               ds as w                      ing that                 tset dev it with an idios ified
                for clients            eth  erlan                te Believ                 ental Je                                       typ
      worked                 in the N               le Institu                    Experim                  imbues               design,
                    useum                 the Purp                      design, roject and then                      dernist                  the
          delijk M es Pompidou,                       .                            p                      s to mo ce Helvetica in
      Ste
                Georg               o lette in
                                                Paris                    for each n of reference n typefa                               il ion.
       Centre              store C                                        combin
                                                                                  atio               ll-know                   tch Pav
                  fashion                                                               f the we                    r the Du
       and the                                                            by th e use o rld catalogue fo
                                                                                   The Wo
                                                                           We Are
assignments
1. Work on Project 4. Projects should be in InDesign

2. Remember to put week 8’s inclass assignment in the to be
    graded folder before next week.




All projects need to be finished in InDesign.

								
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