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      A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
   http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
                          by José Ángel GARCÍA LANDA
                         (University of Zaragoza, Spain)



MAX OPHULS


Works

Ophuls, Max, dir. Letter from an Unknown Woman.
- - -, (Max Opuls), dir. The Reckless Moment. Screenplay by Henry
       Garson and R. W. Soderborg, based on Elizabeth S. Holding's
       novel The Blank Wall. Cast: James Mason, Joan Bennett,
       Geraldine Brooks, Henry O'Neill, Shepperd Strudwick. USA,
       1949. (Spanish title: Almas desnudas; on blackmail victim
       turned murderer).



Criticism

Bacher, Lutz. "Max Ophuls's Universal-International Films: The
      Impact of Production Circumstances on a Visual Style." Ph.D.
      diss. Wayne State UP. Detroit, 1984.
Camper, Fred. "Distance and Style: The Visual Rhetoric of Max
      Ophuls' Letter from an Unknown Woman." Monogram 5 (1974):
      21-4.
Chamblee, Robert. "Max Ophuls' Viennese Trilogy: Communications
      Styles and Structures." [sic]. Ph.D. diss. New York University,
      1981.
Davis, Howard. "Form and Function of the Father: An Alternative
      Analysis of Max Ophuls' Letter from an Unknown Woman."
      MA diss. Los Angeles: U of California, 1983.
Greenspun, Roger. "Corrections: Roger Greenspun on Letter from an
      Unknown Woman." Film Comment 11 (Jan-Geb 1975): 89-92.
Hale, Norman. "Letter from an Unknown Woman: The Dance of Time
      and Space." Cinemonkey 5 (Winter 1979): 11-14.
Heath, Stephen. "Postscript." In Ophuls. Ed. Paul Willemen. London:
      British Film Institute, 1978.
 - - -. "The Question Oshima." In Ophuls. Ed. Paul Willemen. London:
         British Film Institute, 1978. Rpt. in Heath, Questions of
         Cinema.
McVay, Douglas. "Letter from an Unknown Woman." Focus on Film
         35 (April 1980): 28-30.
Perkins, V. F. "Letter from An Unknown Woman." Movie (Summer
         1982): 61-72.
Pipolo, Tony. "The Aptness of Terminology: Point of View,
         Consciousness and Letter from an Unknown Woman." Film
         Reader 4 (1979): 166-79.
Reisz, Karel. "Ophuls and La Ronde." Sequence (January 1952): 33-5.
Rivera, Juan Antonio. "6. La formación del gusto moral. I. Almas
         desnudas." In Rivera, Lo que Sócrates diría a Woody Allen:
         Cine y filosofía. 2003. Barcelona: Círculo de Lectores, 2004.
         97-108.* (Ophuls, The Reckless Moment).
Walker, Michael. "Ophuls in Hollywood." Movie (Summer 1982): 39-
         48.
Wexman, Virginia Wright. "The Transfiguration of History: Ophuls,
         Vienna, and Letter from an Unknown Woman." In Letter from
         an Unknown Woman. Ed. Virginia Wright Wexman and Karen
         Hollinger. New Brunswick (NJ): Rutgers UP, 1986.
Wexman, Virginia Wright, and Karen Hollinger, eds. Letter from an
         Unknown Woman. New Brunswick (NJ): Rutgers UP, 1986.
Willemen, Paul. "The Ophuls Text: A Thesis." In Ophuls. Ed. Paul
         Willemen. London: British Film Institute, 1978.
- - -, ed. Ophuls. London: British Film Institute, 1978.
Williams, Alan [Larson]. Max Ophuls and the Cinema of Desire: Style
         and Spectacle in Four Films, 1948-1955. New York: Arno,
         1980.

								
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