THE PRODUCER’S THINKING MAP Figure 2 1 by gor32372

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									                                                      THE PRODUCER’S THINKING MAP                                                                     Figure 2-1
                                       DEVELOPMENT                                                          PREPARATION SET-UP


                      • Begin to Build Core Team: Director, Writer(s), Visual            •   Continue to Build Core Team
                        Development Artist(s), Legal Department and Business             •   Identify Production Space
                        Affairs, Technology, Accounting, Recruiting, Training            •   Begin to Purchase or Rent Production Equipment
 STRUCTURE / STATUS




                        and Human Resources                                              •   Start Recruiting Production Team
                                                                                         •   Hire Editor and Editorial Staff
    PRODUCTION




                                                                                         •   Editorial Equipment in Place
                                                                                         •   Hire Post Supervisor (Feature)
                                                                                         •   Software and Hardware Selection Based on Project’s Digital Needs
                                                                                         •   Development and Testing of Software
                                                                                         •   Establish Production Process and Procedures




                      • Writer’s Deal(s)                                                 •   Script Revisions (Feature)
                      • Script Development - Premise, Outline, Treatment, Draft          •   Bible Finalized/Pilot Finalized/Other Scripts in Progress (TV)
                      • Bible and Pilot (TV)                                             •   Script Revisions/Polish (D-T-V)
 STATUS
 SCRIPT




                                                                                         •   Greenlit Final Script (D-T-V)




                      • Conceptual Artwork: Main Character Designs and Key               •   Establish Style of Animation and Technique
    VISUAL




                                                                                         •   Narrow Down Character Designs and Locations
     DEV




                        Locations
                                                                                         •   Finalize Main Characters, Props and Locations (TV, D-T-V)
                                                                                         •   Explore Color Treatment of Key Characters and Backgrounds


                      • Potential Cast of Voice Actors as a Selling / Promotional Tool   • Hire Casting Director (Feature)
                      • Song Demo, if applicable                                         • Hire Lyricist and Song Writer, if applicable
                                                                                         • Identify Recording Facility
        AUDIO




                      • Obtain Demo Reels from Subcontracting Studios                    • View and Evaluate Tests by Subcontracting Studios
     SUBCONTRACTING




                                                                                         • Narrow Down Choice of Subcontracting Studios
         STUDIO




                      • Preliminary Pass on Budget, Schedule and Crew Plan               • Finalize The Production Plan: List of Assumptions, Budget,
    PROD
    PLAN




                                                                                           Schedule and Crew Plan
RELATIONSHIP

BUYER/EXECS




                      • Notes on Script Development                                      • Agree on Creative Check Points
                      • Notes on Visual Development                                      • Approve Production Plan
   WITH




                      • Notes on Songs, if applicable                                    • Sign-off on Main Characters and Locations; Linework and Color
                      • Discussion with Ancillary Groups on Publicity,                     (TV and D-T-V)
                        Promotions, Merchandising, Marketing and Distribution            • Sign-off on Script (TV and D-T-V)
                      • Establish the Final Delivery Format                              • Sign-off on Conceptual Artwork (Feature)
                      • Notes on Production Plan
                                                                                                                                           Figure 2-1
                                        PRE-PRODUCTION                                                 PRODUCTION FEATURE ONLY

                      •    Hire Staff Based on Crew Plan                                   • 2D Pipeline: Work Book, Sequence Draft: Scene Number, Footage
                      •    Set-up Production Space                                           Dialogue and Description, Sequence Handout and Evaluation with
                      •    Continue to Purchase or Lease Production Equipment                Department Heads, Scene Issue, Layout, Animation, Scene
 STRUCTURE / STATUS




                      •    Storyboarding: Prioritize Song Storyboards, if applicable         Plan/Scan, Rough Animation Approval, Clean Up Layout and Blue
                      •    Broadcast Standards and Practices Legal Script and Storyboard     Sketch, Clean Up Animation, Visual Effects, Clean Up Animation
    PRODUCTION




                           Review (TV, D-T-V)                                                and Effects Approval, Background Paint, Animation Check, Color
                      •    Pre-Editing Story Reel, Prepare Sequence for                      Styling, Color Model Mark Up, Paint Mark Up, Ink & Paint, Final
                           Buyer/Executive’s Approval and Recording (Feature)                Check, Color Approval, Film / Video Output
                      •    Pre-Editing: Story Reel, Slugging, Track Reading, Exposure      • 3D CGI Pipeline: 3D Workbook / Staging, Animation,
                           Sheets (TV, D-T-V)                                                Texture/Color, Lighting, Effects, Rendering, Composite, Touch Up,
                      •    Prepare and Check Shipment Package for Subcontracting             Film/Video Output
                           Studio (TV, D-T-V)                                              • Prioritize Production on Scenes Needed for Trailer and Promotions
                      •    3D CGI Pipeline: Modeling, Rigging, Surfaces                    • Release Print Tests
                           (Texture/Color), Animation Tests, Lighting and Effects Test
                      •    Start Compiling Credits




                      • Greenlit Script/Script Revisions in Progress/Production            •   Finalize Script/Storyboard on a Per Sequence and Per Act Basis
                        Begins Based On Approved Storyboard Sequences (Feature)            •   Numbered Script, Recording Script, Conformed Script
                      • Multiple Scripts in Progress (TV)                                  •   Final Script
 STATUS
 SCRIPT




                      • Greenlit Final Script (D-T-V)                                      •   Research and Script Clearance, as necessary
                      • Numbered Script, Recording Script, Conformed Script (TV,
                        D-T-V)
                      • Research and Script Clearance



                          • Design and Art Direction: Visual Style Guide                   • Character and Location Design on a Per Sequence Basis
    VISUAL
     DEV




                          • Create Model Packages (TV, D-T-V)                              • Art Direction: Color Design and Application for Characters,
                          • Title Sequence (TV, D-T-V)                                       Backgrounds/Sets, Props and Visual Effects



                      • Hire Casting Director and Voice-Over Director (TV, D-T-V)          • Rehearsal and Voice Track Recording Based on Production Needs
                      • Finalize Deal with Recording Facility                                and Talent Availability
                      • Casting, Rehearsal (Pending the Budget and Schedule) and           • Choose Composer and Complete Deal
        AUDIO




                        Recording Voice Track                                              • Prioritize Song Composition and Recording, if applicable
                      • Hire Song Composer, if applicable                                  • Clearance on Music and Songs, as necessary
                      • Clearance on Music and Songs                                       • Research and Finalize Deals with Post Team and Facilities
                      • Song Recording, if applicable


                      •    Finalize Deal with Subcontracting Studio                        • Possible Use of Subcontractor For Various Elements such as
     SUBCONTRACTING




                      •    Hire Overseas Supervisor, if applicable                           Animation, Clean Up, Visual Effects, Digital Ink & Paint, Rendering
                      •    Ship Artwork Materials and Audio to Subcontractor                 and Compositing
                      •    Select Customs Broker for Clearing all Finished Elements
         STUDIO




                           to be Shipped Back by the Subcontracting Studio




                      • Production Cost Reporting Begins                                   • Cost Reporting Continues
    PROD
    PLAN




                                                                                           • Weekly Assessment of Work Completed and Approved versus
                                                                                             Quota
                                                                                           • Adjustment of Schedule and Money Based on Status of Production
                                                                                           • Finalize Post Production Plan and Schedule
RELATIONSHIP




                                                                                           •   Final Sign Off on Key Production Design and Art Direction Choices
BUYER/EXECS




                      •    Receiving Notes/Obtaining Approval on Creative Check Points
                      •    Sign Off on Voice Casting Selection and Recording               •   Receiving Notes/Obtaining Approval on Creative Check Points
   WITH




                      •    Approve Sequences For Production (Feature)                      •   Meeting with Ancillary Groups and Provide Materials as necessary
                      •    Meeting with Ancillary Groups                                   •   Market Research and Test Screening
                      •    Prioritize Material for Ancillary Groups                        •   MPAA Rating
                      •    Review and Sign Off on Title Sequence (TV and D-T-V)            •   Approval of Design and Content of Opening Titles and End Credits
                                                                                           •   Approval of the Final Cut: Lock Picture
                                                                                                                                       Figure 2-1
                               PRODUCTION                                                                                  DELIVERY
                            TV/DIRECT TO VIDEO                        POST PRODUCTION
                                                                      • Delivery on Video: Receive      • Cast and Crew Wrap Party
                      • High-end TV Series and D-T-V Projects
                                                                        Color Rough Cut, Video          • Finalize Choice of Elements for DVD
                        Commonly Complete the Following
                                                                        Transfer, Off Line Edit,        • Film Transfer for Home Video Market (Feature)
                        Steps In-house: Layout, Key Animation,
                                                                        Generate Retake List, Retakes   • International Version/Foreign Dubbs
                        Key Clean Up Poses, Effects Treatment
 STRUCTURE / STATUS




                                                                        Cut-In, Legal Review,           • Archiving Traditional and Digital Production
                        on Samples Scenes, Color Key and
                                                                        Locked Picture, Online            Elements
                        Continuity Checking
    PRODUCTION




                                                                        Assembly, Color Correct,        • Archive as applicable: 35 mm Release Print, Digi-
                      • Ship Material to the Subcontractor for
                                                                        Credits, Textless Version,        Betacam tape or D-1/D-2 Tape, Negative,
                        Production
                                                                        Quality Control and Delivery      Interpositive, Duplicate Negative, Low-Contrast Print,
                                                                      • Delivery on Film: Locked          Textless Background, Work Print, Magnetic
                                                                        Picture, Final Re-takes Cut-      Composite Mix, Music and Effects Track, Music Cue
                                                                        in, Negative Cutting, Color       Sheets, Song Lyrics and Composer’s Score
                                                                        Timing, Credits, Textless
                                                                        Version, Final Quality
                                                                        Control, Release Prints and
                                                                        Delivery
                                                                      • Complete Trailer and Promo


                      • Finalized in Pre-Production                   • Prepare ADR Script(s)           • Final As-Aired/Released Script: Conform Script
                                                                                                          to Final Picture
 STATUS
 SCRIPT




                      • Finalized in Pre-Production                   • Completed                       • Completed
    VISUAL
     DEV




                      • Voice Track Locked                            • Sound Spotting, Music           • Sound Track Released
                      • Identify Post Supervisor and Editor             Spotting, Temp Dub, Record
                      • Finalize Deal with Post Production              Score and Songs, Music Mix,
        AUDIO




                        Facilities                                      Record ADR, Foley, Effects
                      • Choose Composer and Complete Deal               Pre-Mix, Foley Pre-Mix,
                                                                        Dialogue Pre-Mix, Final Mix,
                                                                        Fixes M&E, Print Master


                      • Receive material from Domestic Studio         • Retakes in Progress             • Job Completed
    SUBCONTRACTING




                      • Animation Handout By Director                   Until Final Completion          • Ship Production Elements to the Domestic Studio
                      • See Chapter 9 “Production” for details on       (TV, D-T-V)                       for Promotions, Archiving and Future Sales
                        2D and 3D CGI Production Processes
        STUDIO




                      • Customs Broker in Place
                      • Ship Sample Tests (if applicable) and Color
                        Rough Cut to Domestic Studio
                      • Receive Retake List From Domestic Studio
                      • Ship and Obtain Approval on Completed
                        Retakes


                      • Cost Reporting Continues                      • Cost Reporting Continues            • Close Out All Accounts
 PROD




                                                                      • Assess Post Production
 PLAN




                      • Evaluation of Production Budget and
                        Schedule Based on Status of Pre-                Goals Versus Actuals in
                        Production, Subcontractors’ Delivery,           Relation to Budget and
                        and Approval of Color Film or Video             Schedule
RELATIONSHIP




                      • Color Rough Cut Review: Creative              • Screening for the Ancillary
BUYER/EXECS




                                                                                                        • Publicity, Promotions, Merchandising, Marketing
                        Retakes, if necessary                           Groups on as Needed Basis         and Distribution of the Project
   WITH




                      • Approval of Final Cut                         • Approval of Release             • Submission to Festivals and Awards Circuits
                      • Approval of Content Main and End                Print/Edited Master
                        Titles plus Font Style and End Credits
                      • Meeting with Ancillary Groups
                      • Market Research and Focus Testing

								
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