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A Beautiful Mind Abel Richard bout de souffle see

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									                                                             Index




                                                      AL
                                                  RI
                                             TE
                                     MA
A Beautiful Mind 151                  The Red and the Black 137
                                   D

Abel, Richard 12                    Auteuil, Daniel 166
                                   TE


A bout de souffle see Breathless    auteur theory 7–9, 13, 183
Abraham, Nicolas 159–60, 164
Acheron River 136                   Back to the Future 111
                         GH




Adjani, Isabelle 111–12, 126        Barrington, George
Aeschylus 49                          Prince of Pickpockets 74
Albertazzi, Giorgio 98              Barsanti, Chris 182
                     RI




Alice in Wonderland 30              Battle of Algiers, The 169, 172, 175
Altman, Georges 7, 8                Baudelaire, Charles
              PY




Amants, Les see The Lovers            on cats 28
analysis of movement 3                on “correspondences” 184
Andalusian Dog 23, 31                 on crime 54, 62
       CO




Andrew, Dudley 12, 34, 184            on the Dandy 61–2
Apollinaire, Guillaume 180          Baudry, Jean-Luc 10, 131
Aristotle 54, 64                    Bazin, André 6, 185, 187
Arnheim, Rudolf 20                    as founder of Cahiers du cinéma 75
  Film as Art 20                      credo of realism 110, 184–5
Artamène ou le Grand Cyrus 87         on “depth of field” 41–2, 52
Artaud, Antonin 6                     on film and theater, 55
Astruc, Alexandre 9                   on Renoir 41, 184
Aurenche, Jean 75                     on “The Ontology of the
Autant Lara, Claude                      Photographic Image” 36–8
220 Index

Bazin, André (cont’d)                      Pickpocket 10, 64–75, 82
  on Vigo 22                             Breton, André 23, 29, 31
  What is Cinema? 41–2, 51, 53,          Buñuel, Luis
     126, 139, 184–5                       Un Chien Andalou 23, 33
Beatles, The 16                          Burel, Léonce-Henri 64, 68
Beauty and the Beast 29, 31              Burr, Ty 152
  Cocteau’s film 33
Beckett, Samuel 180                      Caché 11, 165–78
Being and Nothingness 40, 80, 190        Cahiers du cinéma 70, 75, 123, 137,
Belmondo, Jean Paul 75–7, 79                   187
Bénichou, Maurice 166                    Cain and Abel 174
Bergson, Henri 188–9                     Caligula 55
  Creative Evolution 188                 camera stylo, le 9
  Matter and Memory 188                  Camus, Albert
Berléand, François 134                      Caligula 55
Berling, Charles 149                        death of 17
Bertolucci, Bernardo                        The Stranger 54–5, 171–2
  Last Tango in Paris 97–8               Canet, Guillaume
  on cinematic style 33                     Tell No One 181–3
on dreaming in the cinema 109, 130       Canizario 121
Beyond the Pleasure Principle 96         Carné, Marcel
Binoche, Juliette 98–9, 166                 as criminal 183
Biro 81                                     as “maudit” 181
Blue 101, 107                               Children of Paradise 10, 55–64, 82,
Blum-Byrnes Accords 181                        192
Bogart, Humphrey 75–6, 80                carnival 30, 43, 48, 51, 56
Bonaparte, Marie 190                     Carte du pays de Tendre 85, 87–91
Bordwell, David 4, 34, 65–6, 68          Cartographic Cinema 83–4
Bory, Jean-Marc 84, 86                   Casar, Amira 157
Bost, Pierre 75                          Cavell, Stanley 119
Bouquet, Michel 150                      Chanson de Roland, La see The Song of
Bourdieu, Pierre 183                           Roland
Bourne Identity, The 182                 Charcot, Jean Martin 190
Brando, Marlon 19, 97                    Chenier, André 121
Braudy, Leo 12, 56                       Chevreul, Michel-Eugène 122
Breathless                               Chien Andalou, Un see Andalusian
  Godard’s 11, 70, 75–82, 83, 183              Dog
  McBride’s 183                          Children of Paradise 10, 55–64, 82,
Bresson, Robert                                192
  as contemporary of Godard 11           Cinéa 5
  as criminal 183                        cinécriture 9
  as icon of Haneke 166                  cinéma de papa 75
  as revolutionary 192                   Cinéma du diable 185–8
  Notes sur le cinématographe 64–5, 73   Cinématographe 4
                                                               Index 221

Ciné pour tous 5                     doppelgänger 47
Citizen Kane 38                      Dostoevsky, Fyodor
Clair, René 5                          Crime and Punishment 71–7, 81
Cluzet, François 181                 dream and cinema 10, 109–31
Coban, Harlan 181
Cobban, Alfred 61                    Ebert, Roger 152, 182
Cocteau, Jean                        Edison, Thomas Alva 4
   Beauty and the Beast 33           Einstein, Albert 185, 188
   Orpheus 97                        Eisenstein, Sergei 20
Comment j’ai tué mon père see How    Eminem 176
     I Killed My Father              Enfants de paradis, Les see Children of
Conley, Tom                               Paradise
   Cartographic Cinema 83–4          Epstein, Jean
Contini, Barbara 174                   Cinéma du diable 185–8
Cousteau, Jacques 92                   on cinégraphie 13
Creative Evolution 188                 on cinema as calligraphy 9
crime and cinema 10, 11, 54–82         on cinema as poetry 6, 13
Crime and Punishment 71–2, 81          on “cinematic grammar” 6, 13
Croze, Marie-Josée 181                 on the “pain” of cinema 6
Cuny, Alain 86                       Etranger, L’ see The Stranger
                                     Etre et le néant, Le see Being and
Dalio 39                                  Nothingness
Damage as film and as novel 11,      Evolution créatrice see Creative
     92–101                               Evolution
dandy, the 61–2                      existentialism 11, 190–1
Dante’s Inferno 27, 28, 136
Dark Knight The 149                  Faraday, John 122
Darwin, Charles 3, 187               Faulkner, William
Dasté, Jean 23                          The Wild Palms 80
Dawson, Tom 152                      Faure, Elie 6
deconstruction 11                    Feder, Frédérique 101
découpage 9                          Fellini, Federico 97
de Gaulle, Charles 180               Feng Shui 136, 143
de Jean, Joan 87                     Fight Club 151
Dekalog 106                          Film, Le 5
Deleuze, Gilles 104                  Film as Art 20
Delluc, Louis 5, 7, 180              Film d’Art 3, 5, 13
depth of field 39–53                 Films in Review 84
Derrida, Jacques 163, 188            Filteau, Claude 88
Descartes, René 56, 179, 180, 187,   Fincher, David
     189                                Fight Club 151
  Discourse on Method 179            Fontaine, Anne
Diamant-Berger, Henri 5                 How I Killed My Father 10,
Discourse on Method 179                   148–64, 192
222 Index

Four Hundred Blows, The 70, 75              The French 179–80
French, The 179–80                        Green, Marika 64
French Cinema 8                           Grégor, Nora 39
French National Cinema, The 8             Grundman, Roy 178
Freud, Sigmund                            Guille, Frances Vernor 109
  and thermodynamics 114–15               Guinée, Jean 28
  Beyond the Pleasure Principle 96, 128
  Mourning and Melancholia 148,           Hades 28, 136
    151, 154–5, 157–9, 163–4              Hamlet 155, 157, 162
  on dream 32, 114–17, 130, 131           Haneke, Michael
  on “Freudian slips” 116                  Caché 11, 165–78
  on projection 99                         Code inconnu 166
  on “secondary elaboration” 120           “Film as Catharsis” 165
  on the return of the repressed 30,       film as terror 192
    116                                    “Frenchness” of 180
  on “the unconscious as unity” 29         The Piano Teacher 166
  on Trauerarbeit 163                     Harder They Fall, The 76
  on Traumarbeit 163                      Hart, Josephine
  The Interpretation of Dreams             Damage 92–6
    114–17                                Hatfield–McCoy feud 49, 174
  theory of the unconscious of 190        Hayward, Susan 8
Fromm, Erika 147                          Hérédia, José-Maria 180
                                          High Sierra 76
Gance, Abe 6, 8, 13                       Hitchcock, Alfred 80
  and discontinuity 119                    Rear Window 123–5
  Napoleon 22                              Rope 119
Gaumont Studios 4, 23                      Vertigo 97
General Course in Linguistics 70          Hollywood
Geoffroy St. Hilaire 3                     and books 137
Girard, René                               and the “biopic” genre 110
  on the sacrificial crisis 48–52, 53      and the “whodunit?” 9
  Violence and the Sacred 49–51, 53,       “an instrument to convey
     173–4                                    actions” 5
Gleiberman, Owen 182                       as dream machine 191
Glück, Christoph Willibald 180             as “pleasure palace” 6
Godard, Jean-Luc                           attitudes of directors 69
  as criminal 183                          budgets of 8
  as “maudit” 181                          characters 65
  Breathless 11, 70, 75–82, 83, 183,       “classical style” of 4, 13, 19, 21
     192                                   “continuity” of 9, 21, 119, 182, 183
  radical editing of 182–3                 critiqued by Bresson 65–6, 68, 71
  waging war on the French film            difference from French films 1, 4
     industry 70                           domination of French movie
Gramont, Sanche de                            houses 181
                                                                  Index 223

  editing in 9                           Keats, John 14
  “epic” approach of 4                   Kiberlain, Sandrine 134
  financial success of 2                 Kieslowski, Krystof 11, 101–8
  Godard’s attack on 80–1                  as icon of Haneke 166
  remakes of French films 182              Blue 101, 107
  size of audiences 3, 4                   Dekalog 106
  star system of 2                         “Frenchness” of 180
  storyboards 183                          Red (Rouge) 11, 101–8
  storylines 1, 68                         White 101, 107
Howard, Ron A Beautiful Mind 151         Kline, T. Jefferson 82, 103, 131
How I Killed My Father 10, 148–64        Koundé, Hubert 161
Hugo, Adèle 109–31                       Kristeva, Julia 164
Hugo, Léopoldine 122, 127–8, 148
Hugo, Victor                             Lacan, Jacques 187, 190
  “Demain dès l’aube” 122                Lagarde, Christine 2
  in The Story of Adele H. 104–8, 121,   Lagerlöf, Selma
     130                                   The Wonderful Adventures of
  Les Misérables 130                          Nils 137–9, 142, 145
  on realism 14                          Laing, R. D.
  Préface de Cromwell 14                   The Divided Self 156–7
Huston, John The Misfits 149             Lankton, S. and C. 147
hypnosis and film 10, 132–47             Lasalle, Martin 64, 66
                                         Last Tango in Paris 97–8
Imagination, L’ 190                      Last Year at Marienbad 98–9
impressionism in film 3                  L’ Atalante 10, 22–34, 90, 147
Inferno, The 27, 28, 136                 Lautréamont, Isidore Ducasse 29
Ionesco, Eugene 180                      Leaud, Jean-Pierre 98
Irons, Jeremy 96, 98                     Legaut, Marcel 184
Isaacs, Susan 154                        Levi-Strauss, Claude 70
                                         L’Herbier, Marcel 9
Jacob and Esau 174                       Lorit, Jean-Pierre 101
Jacob, Irene 101                         Lovers, The 11, 84–92, 98
Jacquot, Benoit                          Lozinska, Elizabeth 22
  Seventh Heaven 101, 132–47, 163,       Lulli, Jean-Baptiste 180
    192                                  Lumière, Louis 3, 4
Jarmusch, Jim 20
Joseph, interpreter of Pharaoh’s         Macbeth 17
    dreams 117                           Magritte, René 87, 98, 135
Joyce, James 16                          Malle, Louis 11, 101
                                          Damage 11, 92–101
Kant, Emmanuel 141, 187                   Murmurs of the Heart 98
Kassagi 72                                Phantom India 92, 97
Kazan, Elia                               The Lovers (Les Amants) 11, 84–92,
  On the Waterfront 19                       98
224 Index

Map of the Country of Tenderness see   Oedipus 158, 162
     Carte du pays de Tendre           On the Waterfront 19
mapping and film 11, 83–108            ontology of cinema 11, 38
Margaritis, Jules 23, 29, 30           optical synthesis of motion 3
Maritain, Jacques 184                  Ordinary People 134
Marx, Karl 3                           Oresteia, The 49
Matière et mémoire see Matter and      Orpheus 30, 153
     Memory                            Orpheus 97
Matter and Memory 188                  Othello 59, 63
McBride, Jim                           Ovid 33
 Breathless 183                          The Metamorphoses 156
Mehlman, Jeffrey 190                   Ozu, Yasujiro 21
Memento 160
Metamorphoses, The 156                 Papon, Maurice 167
Miller, J. Hillis 156                  Parlo, Dita 23, 26
Misfits, The 149                       Pathé Studios 4
Mitchell, Elvis 152                    Phantom India 92, 97
Modot, Gaston 85                       phénakistoscope 58
Molière (Jean Baptiste Poquelin)       phenomenology 190
 Les Précieuses ridicules 87           photography
Mon ciné 5                               as memento mori 148
montage 9, 23                            development of 3
Moreau, Jeanne 84, 88                  Picasso, Pablo 180
Mounier, Emmanuel 184                  Pickpocket 10, 64–75
mourning and film 10, 148–64           poète maudit, le 61
Mourning and Melancholia 148, 151,     Poetic Realism 3, 60
     154–5, 157–9, 163–4               Pontecorvo, Gilles
Murmurs of the Heart 98                  Battle of Algiers, The 169, 172, 175
                                       Porte, Pierre 5
Napoleon 22                            Powrie, Phil 8
Napoleon Bonaparte 135                 Précieuses ridicules, Les 87
Napoleon, Louis 113, 121               Précisosité 87, 91
Nash, Michael 147                      Prince of Pickpockets 74
Nausea 190                             prosopopoeia 156
Nausée, La see Nausea                  psychoanalysis 11, 187
New Wave 8, 70, 75, 81, 83, 137,       Pygmalion 155–7
    182
Nietzsche, Friedrich 191               Qu’est-ce que l’hypnose? (What is
Nolan, Christopher                         Hypnosis) 139–42
  The Dark Knight 149
Notes sur le cinématographe 64–5,      Raiders of the Lost Ark 111
    73                                 Rambouillet, La Marquise de 87
Nounez, Jacques-Louis 23               Reader, Keith 8
Nuit noire 168–9, 175                  Rear Window 123–5
                                                                   Index 225

Red 11, 101–8                            Shakespeare, William
Red and the Black, The 137                  Hamlet 155, 162
Règle du jeu, Le see Rules of the Game      Macbeth 17
Regnier, Natasha 150                        on the theater as a mirror of
Renoir, Jean                                  nature 58
  and Truffaut 110                          Othello 59, 63
  as “maudit” 181                        Simenon, Georges 180
  as viewed by Bazin 184                 Simon, Michel 23
  on sacrifice 48                        Song of Roland, The 172, 177
  Rules of the Game 8, 10, 35–53, 54,    Sontag, Susan 56, 148
     85, 110, 130, 191                   Sophocles 49
Republic of Images The 8                 Spitzer, Leo 13
Resnais, Alain                           Stendhal 137
  Last Year at Marienbad 98–9            Stewart, James 125
Robbe-Grillet, Alain 153                 Stok, Danusia 103
Rope 119                                 Story of Adele H., The 10, 20,
Rouge see Red                                 109–31, 132–4, 144, 148–9,
Rousseau, Jean-Jacques 180                    163, 190
Roustang, François                       Stranger, The 54, 171–2
  Qu’est-ce que l’hypnose? (What is      structuralism 11, 187
     Hypnosis?) 139–46                   Studios de l’Albatross 2, 75
Rules of the Game 8, 10, 35–54, 85,      Styx, river 27
     130, 191                            Surrealism 23, 29, 32, 141, 191

sacrifice 48–52, 173–4                   tables tournantes 121–2, 126
Sainte-Beuve, Charles Augustin 122       Tasma, Alain
Santner, Erik 163                           Nuit noire 168–9, 175
Sartre, Jean-Paul                        Tell No One 181–3
  as a contemporary of Vigo 22           terrorism and film 11, 165–78
  Being and Nothingness 40, 80, 190      thermodynamics and Freudian
  Imagination, L’ 190                          theory 114–15
  Nausea 190                             Thompson, Kristin 34
Saussure, Ferdinand de 70                Torok, Maria 159–60, 164
  General Course in Linguistics 70,      Toutain, Roland 35
     185, 188                            tradition of quality 11, 70, 75
Scenes from a Marriage 134               Trintignant, Jean-Louis 101
Schneider, Maria 97                      Truffaut, François
Scudéry, Madeleine de 87, 88                and “auteurism” 183
  Artamène ou le Grand Cyrus 87             and the war on the French film
Seberg, Jean 80                                industry 70
Septième ciel, Le see Seventh Heaven        as “maudit” 181
Sessonske Alexander 53                      on the intellectualism of French
Seventh Heaven 132–47, 163                     cinema 7, 70
Seyrig, Delphine 98                         The Four Hundred Blows 70, 75
226 Index

Truffaut, François (cont’d)               Villalonga, José Luis de 85
  The Story of Adele H. 10, 20, 109–31,   Violence and the Sacred 49–51, 53,
    132–4, 144, 148–9, 163, 192                173–4
Turk, Edward 82                           Vitascope 4
                                          Voltaire, François Marie Arouet
Universal Studios 2                            de 121
utopia 94                                 Vuillermoz, Emile 7

Van Gogh, Vincent 180                     What is Cinema? 41–2, 126, 139, 184
Varda, Agnès 9                            What is Hypnosis? see Qu’est-ce que
Vertigo 97                                     l’hypnose?
Vigo, Jean                                White 101, 107
  and poetry 191–2                        Wild Palms, The 80
  as “maudit” 181                         Williams, Alan 3, 8, 12
  L’Atalante 10, 22–34, 35–6, 90, 147     Wonderful Adventures of Nils,
  victim of censorship 8                       The 137–9, 142, 145
  Zero for Conduct 22–23, 135
Vigo, Miguel 22                           Zero for Conduct 22–3, 135

								
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