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					 25 years of ars electronica
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Literature:                                                               Literature (2) :                                                                                                                          Literature:                                                                                                                                                                   Literature:
                                                                                                                                                                                                                                    Winners in the film section – Computer Animation – Visual Effects                                                                                              Literature:                                                                                            Literature :
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Literature (2) :                                                                                                                          Future cinema !! / Jeffrey Shaw, Peter Weibel Ed.                         Gary Hill / Selected Works                                                                                                                Blick, Stimme und (k)ein Körper – Der Einsatz                                                                                                                                 Soundcultures – Über elektronische und digitale
                                                                                                                                                                                                                                    1987: John Lasseter, Mario Canali, Rolf Herken                                                                                                                 Cyber Society – Mythos und Realität der                                                                Maschinen, Medien, Performances – Theater an
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Kunst als Sendung – Von der Telegrafie zum                                                                                                Kunst und Video / Bettina Gruber, Maria Vedder                            Intermedialität – Das System Peter Greenaway                                                                                                 der elektronischen Medien im Theater und in                                                                                                                                   Musik / Ed. Marcus S. Kleiner, A. Szepanski
                                                                                                                                                                                                                                    1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right)                                                                                     Informationsgesellschaft / Achim Bühl                                                                  der Schnittstelle zu digitalen Welten /
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Internet / Dieter Daniels                                                                                                              VideoKunst / Gerda Lampalzer                                                 Yvonne Spielmann                                                                                                                          interaktiven Installationen / Mona Sarkis                                                                                                                                  Resonanzen – Aspekte der Klangkunst /
                                                                                                                                                                                                                                    1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali,                                                        Tausend Welten – Die Auflösung der Gesellschaft                                                           Martina Leeker (Ed.)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Interferenzen IV (on radio art)                                                                                                           Videokunst in Deutschland 1963 – 1982                                                                                                                                                                               Liveness / Philip Auslander
 A Survey as Memory Theater                                                                                                                                                                                                         John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas,
                                                                                                                                                                                                                                    Motohiro Hayasaka, William Latham
                                                                                                                                                                                                                                                                                                                                                                                                      im digitalen Zeitalter / Uwe Jean Heuser
                                                                                                                                                                                                                                                                                                                                                                                                   The Society of Text – Hypertext, Hypermedia,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Perform or else – from discipline to performance
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Jon McKenzie
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   TRANSIT #2 (on radio art)                                                                                                                 Ulrike Rosenbach / Videkunst, Foto, Aktion /
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       Arquitecturanimación / F. Massad, A.G. Yeste
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       Look at me – VIDEO – 25 Jahre Videoästhetik                                                                                               Rasender Stillstand / Paul Virilio
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Ed. Bernd Schulz
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               sound : space / Bernhard Leitner
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Art Telecommunication / Heidi Grundmann                                                                                                      Performance, feministische Kunst                                          (important references to timeline)                                                                                                     Geschwindigkeit und Politik / Paul Virilio                                                                                                                                    Cybernetics of Cybernetics / Heinz von Foerster
                                                                                                                                                                                                                                    1990: Mario Sasso & Nicola Sani, Robert Lurye, Philippe Andrevon, Flavia Alman & Angelica Nascimento,                                                             and the Social Construction of Information /                                                        Multimodal Discourse – The modes and media
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Radiokultur von morgen / Ed. Johanna Dorer,                                                                                               Video – 20 Jahre später – Eine Zwischenbilanz                             Simulation und Wirklichkeit – Design . Film .                                                                                             Fluchtgeschwindigkeit / Paul Virilio                                                                                                                                          Der Anfang von Himmel und Erde hat keinen
                                                                                                                                                                                                                                    Gerhard Pakesch, Paul Coudsi, William Latham, Alan Norton, Karl Sims, Christiane Geoffroy, Rebecca Allen,                                                         Edward Barrett                                                                                         of contemporary communication / Gunther
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Alexander Baratsits                                                                                                                       Kunstforum Bd. 77/78                                                                                                                                                                                             Revolutionen der Geschwindigkeit / Paul Virilio
 Electronic Media in Art and Science                                                                                                                                                                                                Denis Muren, John Lasseter, Jeff Kleiser, Diana Walczak, Eihachiro Nakamae, Steve Goldberg
                                                                                                                                                                                                                                    1991: Karl Sims, James Duesing, Yoichiro Kawaguchi, Rashel B de F, Jean Luc Faubert, Maurice Benayoun,
                                                                                                                                                                                                                                                                                                                                                                                                   Medien-Theologie – Das Werk Vilém Flussers /
                                                                                                                                                                                                                                                                                                                                                                                                      Elizabeth Neswald
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Kress & Theo van Leeuwen
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Alles jetzt! – Die Mediatisierung / Gerhard
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Apparitional Aesthetics (1995/P15) /                                                                                                      Objekt : Video / G. Hattinger, P. Assmann
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Architektur . Naturwissenschaften . Ökologie .
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Ökonomie . Psychologie / Angela Schönberger                                                                                            Der negative Horizont – Bewegung,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Namen / Heinz von Foerster
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               Noise Gate / Granular Synthesis
 Art in the Context of Software and Complex Machines                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Roy Ascott !!                                                                                                                          Computerkulturtage Linz – ORF Videonale                                   Videokunst / Lydia Haustein                                                                                                                  Geschwindigkeit, Beschleunigung / Paul Virilio                                                                                                                             Zur Kunst formalen Denkens / R. E. Burkard,
                                                                                                                                                                                                                                    Peter Claridge, Boris S. Dolgovesor, Herve Huitric, Monique Nahas, Nancy Kato, Mike McKenna & Bob                                                              Kultur – über alle? gegen alle? für alle?                                                                 Johann Lischka
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   performative installation / Ed. Angelika Nollert                                                                                          topographie II: Untergrund – Videoinstallationen                          Fernseh-Design / Gunther Rambow et al.                                                                                                    Die Sehmaschine / Paul Virilio                                                                                                                                                   Wolfgang Maass, Peter Weibel (Ed.)
                                                                                                                                                                                                                                    Sabiston, Simi Nallaseth, Eduard Oleschak, Michel Tolson, Pascal Vuong, Jason White & Richard Wright                                                              M. Wagner, H. Fabris, I. Mörth u.a.                                                                 Cyber_Reader – Critical writings for the digital
 ... perform _ or else - from discipline to performance (JM)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    in der Wiener U-Bahn                                                   Christian Mikunda                                                                                                                         Der reine Krieg / Paul Virilio & Sylvére Lotringer                                                                                                                            sonic graphics – seeing sound / Matt Woolman
                                                                                                                                                                                                                                    1992: Karl Sims, Charlie Gunn & Delle Maxwell, Cécile Babiole, Bériou, Dennis Muren & Mark A. Z. Dippé &                                                       cyber-moderne – medienevolution, globale                                                                  era / Ed. by Neil Spiller
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Nam June Paik – Fluxus – Video / Wulf                                     Die Spiele des Realen und des Virtuellen                                                                                                  Die Beschleunigung der Bilder in der                                                                                                                                          Music vs motion – FLIPS 5
                                                                                                                                                                                                                                    Steve Williams, Matthew Brunner, Mario Martin Buendia, Jéróme Estienne & Xavier Duval, Fantome, Keith                                                             netzwerke und die künste der kommunikation /
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Herzogenrath                                                                                                                                                                                                        Chronokratie / Peter Weibel
 Original Idea and Archive - Research and Network: Gerhard Dirmoser                                                                                                                                                                 Hunter, Xavier Nicolas & Jerzy Kular, Alan Norton, Marc Raibert & Leg Laboratory                                                                                  Manfred Faßler                                                                                                                                                                                                                                                                                                                                                                                      (article) / Edmond Couchot
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 Das Tempo-Virus / Peter Borscheid
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               geometrie der Töne / Guerino Mazzola
 Quality Assurance and Additional Observations: Attila Kosa                                                                                                                                                                         1993: Pascal Roulin, Mark Malmberg, Darrin Butts, Bériou, George Barber, Jules Bister, Jos Claesen &                                                                                                                                                                                                                                                                                                                                                                                     Deanimated / Martin Arnold                                                Stuff it – the video essay in the digital age /                                                                                                                                                                                                                                                                         Geometry of sound / Bernhard Leitner
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                catalogue: Walter Pamminger                                               Ed. By Ursula Biemann                                                                                                                  Dauer-Simultaneität-Echtzeit / Kunstforum 151                                                                                                                                 Crossings – Musik zum Hören u. Sehen /
 Translation (English version): Aileen Derieg                                                                                                                                                                                       Anton Roebben, Philippe Gassie & Bruno Simon, Industrial light & Magic, Eku Wand                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     music theory / semiotics
                                                                                                                                                                                                                                    1994: Dennis Muren & Mark Dippé, Marc Caro, Maurice Benayoun, Eric Coignoux, Bériou, Peter Callas,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   electroacoustics                                         Cathrin Pichler
                                                                                                                                                                                                                                    Cassidy J. Curtis, Eric Darnell & Collery, Yoichiro Kawaguchi, Sabine Mai & Frank Pröscholdt, John Tonkin,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           perception theory of                                  Klangkunst / Akademie der Künste – Berlin
 The project was financed without funds from the Administration of Culture
                                                                                                                                                                                                                                    Hideo Yamashita & Eihachiro Nakamae, Thomas Zancker, Tamás Waliczky                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     architecture                                       der larsen effekt / OK Linz
 last update 05/2004
                                                                                                                                                                                                                                    1995: Bob Sabiston & David Atherton, Thomas Bayrle, Steve Williams, Gayle Ayers & Dough Sutton, Dough                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                techno-culture discourse                              Norbert Wiener
 first presentation 05/2004 TransPublic Linz
 Version 1.1 E                                                                                                                                                                                                                      Kingsbury & Jeff Thingvold, Chuck Gamble, George Murphy, Violet Suk & Martin Koch, Francois Launet,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  structuralism (discourse)
                                                                                                                                                                                                                                    Silvio Levy & Tamara Munzner, Franck Magnant, Jon McCormack, Medialab, Ben Stassen, Demetri                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             dance theory                                                         music theater view                                                                                      system theory / system discourse
 Comments/notes and requests for the file:                                                                                                                                                                                          Terzopoulos, Alexei Tylevich                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            body research                                                                                                                                                                self-organization theory
 gerhard.dirmoser@energieag.at / G. Dirmoser Waltherstr. 2 – 4020 Linz                                                                                                                                                              1996: John Lasseter, Marc Caro & Jean-Pierre Jeunet, Michel Gondry & Pierre Buffin, Philippe Billion,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   dromology                                                                                                                                                                    symbol theories of knowledge                                          25 acoustic "view"
                                                                                                                                                                                                                                    Christian Boustani, John Clyne, James Duesing, ILM, Pierre Lachapelle, Arnauld Lamorlette, Denise Minter &                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              time theories                                                     performance view (II)                                                                                      formal sciences
                                                                                                                                                                                                                                    Tim Johnson                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             theater studies                                                                                                                                                              complexity theory
 The original PowerPoint file is available for study purposes (revisions).
 Placement on the Internet, print-outs and distribution in paper form (4x A0 oder A1) are desired.
                                                                                                                                                                                                                                    1997: Scott Squires, Chris Wedge, Jim Mitchell, Stefen Fangmeier, Larry Lamb, Anna Henckel-Donnersmarck,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         view of music
                                                                                                                                                                                                                                    Michèle Cournoyer, Taku Kimura, Raquel Coelho, Carlos Saldanha, Michel Gondry, Stephen Weston,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    26 dance view                                                 choreography view
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              stereophony (PV)
                                                                                                                                                                                                                                    Francois Vogel, Marine Poirson & Lionel Richerand                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Moviephon – opto-acoustic                                                                    auditive view       various music projects 1986 (Richard Teitelbaum)
 Thanks to: H.W. Franke, Boris Nieslony, Astrit Schmidt-Burkhardt, TransPublic, Stadtwerkstatt, Servus, MEXX,                                                                                                                       1998: Robert Legato, Liang-Yuan Wang, Christophe Hery & Habib Zargarpour, Rob Coleman, Tamás Waliczky,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     transformer (influencing sound)                                                                                                          musical Bruckner
 G. Lischka, Udo Wid, Ruth Schnell, Georg Ritter, Rainer Zendron, Christa Schneebauer, Gitti Vasicek,                                                                                                                               Kazuma Morino, Joey Lessard, Thierry Prieur & Pascal Roulin, Nobuo Takahashi, Yan Breuleux & Alain                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    speed view                                           (K&K Experimentalstudio) (1980/K124)                           electronic aids                             (2000/P58) Set of             experiment (1979/K25)
 Martin Sturm, Walter Pamminger, Sabine Zimmermann, Walter Ebenhofer, Lioba Reddeker, Kurt Kladler,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     installation for ballet.                              microphones and loudspeakers                techno-instruments
                                                                                                                                                                                                                                    Thibault, Laurence Leydier, Steven Stahlberg, Nobuto Ochiai, Constantin Chamski, Julien Dajez, Stefan                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (1979/K09)                                                                symphonic Bruckner
 Lydia Haustein, Bernhard Cella, Gerhard Fröhlich, Josef Lehner, Franz Reitbauer, Magarete Jahrmann,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    interaction with light                                                                            (P. Mühlfriedel, G.
                                                                                                                                                                                                                                    Smith, Violet Suk & Martin Koch, Yves le Peillet, Nelson Max, Diana Walczak & Jeff Kleiser, Sebastien Larrue,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (1997/K305)               see also: view of handicaps                          link between code and                                                                                          MP3, RealAudio                                       sound environment
 Margit Knipp, F.E. Rakuschan, G. Harringer, Manuel Schilcher, Willi Mayrwöger, Eva & Attila Kosa, Florian Brody,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (C. Möller) (1995/P132)                                                                           Markeffsky, L. Schaumann)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1979/K25)
 G. Hattinger, Dieter Mersch, Oliver Schürer, Isabell Muhr, Helmut Stadlmann, Tim Otto Roth, Josef Nemeth, Energie AG
                                                                                                                                                                                                                                    Mark Stetson, Jan Pinkava, Kaori Saito, Tom Bertino, Charles Gibson, Denis Muren, Phil Tippett & Craig
                                                                                                                                                                                                                                    Hayes, Ben Stassen & Anthony Huerta, Wayne Gilbert
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     computer-generated
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     dancers
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               see also: transport view
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               see also: view of performativity
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    choreographical processes
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (2003/K303) (Scott deLahunta)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        The virtual cage (1994/P131)                           digital musics (PRIX)                           (SLP)                 environment concert
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (1982) (Nam June Paik,            (M. Helene Tramus)                                                                                                         Dance of the Machines - 2003                   problems of definition and
                                                                                                                                                                                                                                    1999: Chris Wedge, John Lasseter & Andrew Stanton, Bob Sabiston & Tommy Pallotta, Jun Asakawa &                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Open-Source choreography?                                                                                                              (1990/K-I-95)         (1987/K148) Schiffshörner
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Charlotte Moorman)                                                                                                                                           (Qrio: walking robots)                         stagnation
 The occasion: 25 years of working as a systems analyst in Linz &                                                                                                                                                                   Toshifumi Kawahara, Erwin Charrier, Paul Kaiser & Shelley Eshkar & Bill T. Jones, Christopher Landreth,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (2003/K311) (Scott deLahunta)                                                                                                                                (Alvin Curran)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (1989/J115)
 25 years of attending "ars electronica" ( ... a journey through time) & 25 years of the Stadtwerkstatt & 25 years of Atelier Wels                                                                                                  William Le Henanff, Patrice Mugnier, Dietmar Offenhuber, Bruce Pukema, Daniel Robichaud, Christian                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               dance theater "Tobias Zapfel"                                                               electronic dance projects                      music in real time                  audio performance                  electronic sound carpet
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1970/T) AEG/Teldec/Decca put the                  Improvisation Technologies. A Tool for                                                                                                                                                                 (1979/K35)
                                                                                                                                                                                                                                    Sawade-Meyer, Seiji Shiota & Tohru Patrick Awa, Emre Yilmaz & Lev Yilmaz, Vincent Ward & Stephen                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 (Thomas Pernes, Tanztheater Wien)                                                                                                                                                                                 (1980/K11)
 On the method: The structure of the verb study serves as the starting arrangement.                                                                                                                                                 Simon & Barnet Bain, CFC, Alain Escalle, Manuel Horrillo Fernandez, Peter Miles & Damon Murray & Stephen
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     film, video, TV (I)                                                              first image record on the market
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1971/T) U-Matic as the first
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         the Analytical Dance Eye (coproduction
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         with William Forsythe) (2003/K311)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (1984/K265)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Black and White
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (2002/K440)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      dance and electronic-architectonic
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      set-up (photo-cells) to control                          Gameboyzz Orchestra                       Sound Park                                       Platzkonzert
 The first content placement was made with the help of material from "take over"                                                                                                                                                    Sorrell, Ray Giarratana, Geoffrey Guiot & Bruno Lardé & Jerome Maillot, Juan Tomicic Muller, Phil Tippett &                                                                                                                                                                                                                                                                                                                film semiotics                                                                                                                                                         cassette video system in the world                                                                                                          intermedia theater
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (66b/cell)               synthesizer sounds (Chris Janney)                        (J. Kujda) (2002/K420)                                       sound environment             (1987/K166)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (1995) project by M. Saup for Forsythe                                                   computer graphics and
 (this edition of the ars electronica can be read as a kind of preliminary balance).                                                                                                                                                Craig Hayes                                                                                                                                                                                                                                                                                                                                                                                                                film theory                                                                                                                                  see also:                                                                                                                                                                                                                 (1980/K103)                                                                                Clouds of Sound            (1979/K02)                    (Stadtwerkstatt)
 The language material used was taken from publications on "ars electronica", notes                                                                                                                                                 2000: Jakub Pistecky, John Lasseter & Lee Unkrich & Ash Brannon, Yasuo Ohba, Denis Bivour, Jean-Francois                                                                                                                                                                                                                                                                                                                   psychoanalysis (Lacan school)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       27 filmic view                                       view of the
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     interactive music               video music
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     clip (Han Hoogerbrugge) (Win Grabill)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                (ML) Nik Haffner tested the                     dance performance                 dance (SIGGRAPH 85)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Ghostcatching                                         movement theater                electronic
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              musical-cybernetic
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                1979
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                partnership of dance and                                                          (1986/K299)                                   (AH) interactive                 (in a mirror scenary)           music performances                                                                  Online-Instrument
 (on the symposium lectures) and relevant literature.                                                                                                                                                                               Bourrel & Jerome Calvet, Paul Debevec, David Gainey, Cécile Gonard, Jean Hemez & Sébastien Rey, Dariusz                                                                                                                                                                                                                                                                                                                    process theories                                                                                                                             image                    (2003/P64)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (1999/P116)                                                                                                        environment (1979/K43)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (1982/K86)                 technology as a dancer                                                                                     dance & drawing dance performances                    (1979) (1989/J105)              (1980/K07)                                                                          (1999/P42) Lundgren
 Cf. methods of "grounded theory".                                                                                                                                                                                                  Krzeczek, Guy Lampron, Charlotte Manning, Juliette Marchand, Timm Osterhold & Max Zimmermann, Makoto                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (Saburo Teshigawara)                MidiDancer                                                                                                                                (P. Vogel)
 The study "Designing Gestures" on ars electronica 2003 was carried out in parallel.                                                                                                                                                Sugawara, Christian Volckman, Pierre Buffin, Markus Degen, Zach Bell & Chris Gallagher & Steven
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    view of animation                                       (1951/T) Ampex starts with recorder development                                     (technology becomes interesting when
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                it opens up new possibilities of                (1995/K386)                         (Dawn Stoppiello)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (P. Kaiser u.a.)     (pioneer: Ed Tannenbaum)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       computer-acoustic dance theater
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   distorters & faders
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              The time of the
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       Symposium: Electronics in Music /
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (1958/T) Ampex presents the first color video recorder                                                                                                                                                                                                                                 (Tommy Lehner)                                      Synthesizer – Music Computer –
                                                                                                                                                                                                                                    Schweickart & Scott Smith, N+N Corsino, Ray Giarratana, Stephen Katz & Josselin Mahot, Manfred Laumer,                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (1963/T) fully transistorized recorder                                              perception for the dancer)                                                                                    Telechoreographie                        (Tanztheater 46) (1982/K207)                                           Ancien Régime
 Members of the staff of ars electonica, AEC or ORF had no influence on the selection and arrangement.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              notes: video works have been very selectively                                                                                                                                                            (AH) dynamic instead                     networked virtual (1997/K154) (Stelarc)                                                                                                                          Digital Technology (1980/K65)
                                                                                                                                                                                                                                    Fred Raimondi, Lisa Slates & Chitra Shriram, Mark Stetson, Alexander Szadeczky & Marcus Salzmann,                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (1965/T) Portapak – first affordable B/W camera                                                                                                                                                                                                                                         (1) electronic            of the                                                         (Douglas Kahn)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    included here. The field of video art has long been                                                                                                               dancer with sensors attached           of static                                dancefloor               office furniture                D.A.V.E – Performer as part of the video
                                                                                                                                                                                                                                    Cornelia Unger, Francois Vogel                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          (1975/T) Betamax home video system (1977/T) VHS                                                                                                                                                                                                                                         concert performance electroacoustic musicians                                            (1999/J1987)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    a subject of art-historical analyses                                                                                                                              to the body (1962)                                                              (Josephine Anstey,       performance                     Projection adapted to the body                                                                                         electronic
 Questions about completeness:                                                                                                                                                                                                      2001: Xavier de l´Hermuzière & Philippe Grammaticopoulos, Ralph Eggleston, Laetitia Gabrielli & Max                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (1980/T) Camcorder is presented                                                           (1992/K92)                                   (AH) dance and controlled D. Pape, D. Neveu)                                                                                                                               is over. Astonish us or
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               (K. Obermaier, C. Haring))(2000/K299)                  electronic
 Due to the limitations of the available surface, it is not possible to provide a complete detailed presentation                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (Gary Hill) Computer controlled laserdisc                               Streaming Media                (1984/T) first videodisc in the art field             small economical                                                                 real-time videos
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               (Istvan Kantor)                                                                                                disappear ! (Jury ! 2000/P196) wind instruments
                                                                                                                                                                                                                                    Tourret, Mathieu Renoux & Pierre Marteel, Julien Charles & Lionel Catry & Nicolas Launay & Olivier Pautot,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (Lee Harrison III) (1992/II-K93)                                                (2001/K301)              (2000/K290/P94)                 VIVISECTOR (2002/K430)                                 orchestra                                                       (1980/K43)
 of all the participating artists, scientists and developers (about 3100 persons are listed). All the participants                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (1988, 1992, 1994, 1996, 1998)                                                                                                                               video systems (1980/K94)                                                                                                                                                                                                                              computer organ                                                          (Rupert
                                                                                                                                                                                                                                    Candice Clémencet & Jean-Dominique Fievet, Mike Daly, Sébastien Ebzant & Aurélien Delpoux & Loic Bail &                                                                                                                                                                                                                                                                                                                                                                                                      video lab                                              MPEG, RealAudio, RealVideo                                                                                                                     stage set projection (D. Bruckmayr)                     metal junk                                                                             (1979/K15)
 were compared with the AEC/Ars database.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          video-film processor                                                                                  (1989/T) Sony Hi8              computer dancer                                                                                                                             self-made instruments                                               (1979/K49)                                    game electronics          Huber)
                                                                                                                                                                                                                                    Benjamin Lauwick, Alain Escalle, Stefen M. Fangmeier, One Infinity, Bob Sabiston & Tommy Pallotta, Robert                                                                                                                                                                                                                                                                                                                                                                                                    (1986/K335)                                                                                                                                                                                           for dance performance (Marina Koraiman) Kepler's Dream                    electronic                                                                                                   analog synthesizer
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                (1999/K345)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (1989/K180)                     video technology                 link between video art and                                          (Akke Wagenaar, Masahiro Miwa)                                                                                                              performance (Maywa Denki)                                                                                         (L. Rehberg)
 The choice/placement is thus to be regarded as the author of the study's subjective/content-based selection.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          see also: history of                                                                                                                                                                                                                                                                                                                                                                                                                   (1992/II-K37)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         1970s
                                                                                                                                                                                                                                    Seidel & Michael Engelhardt, Jeremy Solterbeck, Hans Uhlig & Tony Hurd, Jason Wen & Howard Wen &                                                                                                                                                                                                                                                                                                                                                                                                                               (Georges K. Shortess)                                            computer film (1979/K10)                        John Sanborn                                                       (2001/K116)                                       music theater           control            (2003/P96)                                         First electronic orgel                                         (1979/K49)
 The study is intended to provide a wide-ranging survey, but it cannot substitute for reading the catalogues.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (1993/K415)
                                                                                                                                                                                                                                    Andrew Jones & Casey Hess & Don Relyea                                                                                                                                                                                                                                                                                                                                                                                                                             "Audio/Video Instruments" (1992/II-K89)                                                                                                                                      (1986/K121)                                                                                                          (Giorgio Battistelli)                                           (1996/K410) (E. Redl)         (1929) (Laurens Hammond)           digital synthesizer                           computer as

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         1986/87/88/...                                                             video effects              interactive choreography system for a                         Linzer Steel Opera (Studio Azzurro)                                                         puppet dance                                                     (1984/K48)                                    musical instrument
                                                                                                                                                                                                                                    2002: Pete Docter & David Silverman & Lee Unkrich & Andrew Stanton, BUF, Peter McDonald, Hiroshi Chida,                                                                                                                                                                                                                                                                                                                                                                         Video: State of the art                          (Inge Graf + Zyx)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (Dow-Jones-Index)                                                                 oscillator bank
 In some cases, key works (or concepts) are cited, which were not shown in Linz, but are described in detail                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (rockefeller Foundation 1976)                    (1986/K180)                                                                      digital video portraits                                  ballet by W. Forsythe                                         (Giorgio Battistelli)       (1990/K-I-43)                electronic purgatory                                                live synthesizer fortresses                                                   (1984/K150)
                                                                                                                                                                                                                                    Erik Nash, Lars Magnus Holmgren, Wojtek Wawszczyk, Jason Watts, Yasuhiro Yoshiura                                                                                                                                                                                                                                                                                                                                                   Image Processing and                                                                                                                                                                                                                   (Michael Saup)         Electro Clips (Installation for                                                                                                                                                                                      (1984/K55)
 in catalogues.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (1992/II-K63) (Johanna Branson Gill)                                                                                              (Shelley Lake) (1980/K106)                                                                                             (1982/K11)                                               music theater (Kristi Allik, Robert Mulder)                         (1980/K11)
                                                                                                                                                                                                                                    2003: Romain Segaud & Christel Pougeoise, Carlos Saldanha, Koji Yamamura, Christoph Ammann, Eric                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  ballet) (C. Möller, Stephen                                                                                                                                                               live electronics           (Kazuo Uehara)          sound processors
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        Video Synthesis (1975)                      The Kitchen (1992/II-K83)                                                                      Video Art                                                                                   (1995/P100)                                                                        ICARUS laser opera for              (1992/K205)
                                                                                                                                                                                                                                    Armstrong, Jérome Decock & Olivier Lanerès & Mélina Milcent & Cécile Detez de la Dreve, Roger Gould &                                                                                                                                                                                                                                                                                                                                                                                                                                 ORF Videonale 86                                                           (1971/T) start of the electronic kitchen NY                                      Galloway) (1994/II-K122)                                                                                                                                                                                                                     (1984/K157)
                                                                                                                                                                                                                                                                                                                                                                                                                                                             performative theories from                                                                                                                                                                                 (Stephen Beck) (1992/II-K161)                                                                                                                                                                                                                                                                                             multimedia and electronics                                                           Switched-On-Bach (1964)              total automatization in music
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          (1986/K392-1)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              1982
 The poster can also be used as an index with the page numbers.                                                                                                                                                                     Pete Docter, Thorsten Fleisch, Luc Froehlicher, Ludovic Houplain, Wayne Lytle, Siri Melchior, Jordi Moragues,                                                                                                                                                                                                                                                                                                                                                                               manipulating video                                                                                                   (1974/T) Projekt 74                                                                                                                                                                                                                                                                                                           (Jean-Baptiste Barrière)
 The search engine at www.aec.at is useful for further research, since many catalogue texts are available as                                                                                                                                                                                                                                                                                                                                                     cultural studies                                                                                                                                (ML) At a closer look, there is an extremely                                                                   in real time                                                              (1980/K94)                                 shows American video             Proposal from Bognermayr in 1979 for an                                                                     (Otto Piene, Paul Earls)                                                 MIDI        (Wendy Carlos) Moog III              (1979/K35)
                                                                                                                                                                                                                                    Tippett Studio, Satoshi Tomioka                                                                                                                                                                                                                                                                                                                                                                                                                    The Video Synthesizer                                             VideoOnDemand                                                                                                                                                                                                                                                                                                                 Mini-Moog (1970)                                         electronic sound                  Dark symphony (2003)
 pdf files in the AEC database.                                                                                                                                                                                                                                                                                                                                                                                                                              performativity discourse                                                                                                                            interesting relationship of tension between
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (Tom DeWitt) (1992/II-K165)              (Justin Manor)                                                                                                       productions extensively          electronics symposium, an "Electronic                                                                       (1982/K50)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         storing original                                                        The more technology            deformation device
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 theater as live performance and mediatized                                                                                              (2001/K295)                (1977/T) documenta 6 focuses                                                                                                                                                                                                                                                                       (Robert A. Moog)                                                                           (Tim Didymus)
                                                                                                                                                                                                                                                                                                                                                                                                                                                             performance studies                                                                                                                                                                                                                                                (2003/F42/P110)                                     on film, video !
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     for the first time in            Music & Video Art Symposium" (1989/J12)                                                                                                            sounds               (1998/K250)                                        the more boring                (1979/K43)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 performance from film to television, all the way                          Image Processing (1986)                                                                                                                                   Europe                                                                                         (Paul Virilio) (2002/K238)                                                                                                         (1980/K69/K70)
                                                                                                                                                                                                                                                                                                                                                                                                                                                             speech-act theory                                                                                                                                                                                                                                                                     video installation               opening with a video satellite transmission                                                                                                                                                                                                          (1980/K34)           (surpreme particles,                               the result           synthesizer
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 What does humanoid genetic structure
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 to the computer game.                                                     (Experimental Television Center)                                                                                                                                                       Infermental (1987/K174)                                           velocity of terror                                     (1997/K310) (J. Harrison)                          from scratch)                                                                                      sound like? (R. Spour, M. Veitl)
                                                                                                                                                                                                                                                                                                                                                                                                                                                             language game theory/praxeology                                                                                                                                                                                               (Sherry Miller Hocking, Richard Brewster)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (C. Steiger) (1994/K32)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Spectro-Morphology                                                         Kepler's last dream        (1997/P44)           (1979/K09/K39)
                                                                                                                                                                                                                                                                                                                                                                                                                                                             feminist theories (J. Butler)                                                                                                                                                                                                                                                                                                                                                                                        magazine on video cassettes                                                                                                                                                                                                    (1996/P60)                                      (1999/K337)              radio art (see below
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             see also: view                       (ML) media performances                                                                                                                                                                                                                                                                                                                                                                   sampler collages (1999/K383)
 Literature that was important in structuring this study:
 All the catalogues on the "ars electronica" and the "Prix ars electronica"                                                                                                                                                                                                                                                                                                                                                                                  pragmatism
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      28 performativity as view                              of communication                     differ from interactive
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (1992/II-K169)                                          (jomasounds) (1999/K380) (2000/K315)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Image manipulation soundtrack: Found
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (1989/T) Cologne: exhibition "Video-Skulptur" ...)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (1996/T) Linz: Ojekt : Video / G. Hattinger, Assmann                  interactive video installation
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          the dream of flying
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          (1982/K07)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 umbrella as
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 resonance body              Environmental Art
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (Frances-Marie Uitti)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1990/K-I-55) vocoder, digital reverberation,                meta-
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     electronic
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     music                     Kunst-Radio
                                                                                                                                                                                                                                                                                                                                                                                                                                                             symbolic pragmatism                                                                                                                                                                  installations in that they are                    The Form and Sense of Video (1973)             Footage from CCTV surveillance cameras                                                                                                                                                                   singing bows         (Paul de Marinis)                                          (V. Delay)         (1998/K273)                                                                         trumpets !
 Medien der Vernunft (Medien als Mengen von Tätigkeitstypen) / Matthias Vogel (MV)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                performed before an audience                      (Robert Arn) (1992/II-K183)                                                                                                multi-monitor multi-channel installaiton
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (1993/K397) (Gideon May)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (1988/K190)                                                                                        (Rupert Huber) multi-track                 equalizer, harmonizer, delay-            (J. Impett)       electronic music (1992/K240)
                                                                                                                                                                                                                                                                                                                                                                                                                                                             pragmatic-hermeneutical turn                                                                                                                    see also: dance view                                                                                                                  Traffic Cams, earth observation satellites,                                                                                                                                                                                   (2001/F04)                                                 (2001/F17)
 Synchronopse (in: look at me – Video – 25 Jahre Videoästhetik) / Petra Wenzel
 Der bewegte Betrachter – Theorien der interaktiven Medienkunst / Anette Hünnekens (AH)                                                                                                                                                                                                                                                                                                                                                                      role theory (T. Sarbin)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           performance view (I)                              theater view                                                                                 Space-Time Dynamics in                   ATM cameras, ...                                                            (1986/KII-261)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               staircase as piano
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               keys
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (Ron Kuivila,                                                                                                           polyphony             devices, ... (1979/K26/K39)              (1994/P142)       J. Chowning, J. Fritsch, B. Mason,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           interactive video                                                                                                                                                Radial Arcs) (M. Popp) Flexible             simulation space – mosaic of mobile machine noises                          (S. Ferguson)        ring modulator, echo devices, filter                        S. Stockhausen, J. Tenney,
                                                                                                                                                                                                                                                                                                                                                                                                                                                             media theory                                                                     Note: this study can also be read                                                                                                                           Video Feedback (1984)                                                                                     electronic film                                                   art from the screen                      (1987/K58)
 Digitaler Schein – Ästhetik der elektronischen Medien / Ed. Florian Rötzer                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               (James P. Crutchfield)                                                           used on stage                                            videoinfography (PV)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 long-stringed installation                  Sound-Engine               data sounds (knowbotic research)                 (1980/K10)                 (1984/K40)           (1980/K11)                  jazz und electronic             D. Youngerman
                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (literature studies)                                                        as a supplement to the performance                  performance-based *OR* Performance                                                                                                                (AH) feed of all-around                                                                                                                                                                                                                                                                                                                                                                                                                   (A. Wollscheid,
 Maschinen, Medien, Performances / Ed. Martina Leeker (ML)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (2003/K228)                 (1997/K360)                 performativity as mediality                     (1992/II-K191)                                                                   (Istvan Kantor)                                                                                                                       (1987/K110)                                 (2001/F35)                                                                                                                                              (1982/K251)                                              D. Wiesner)
                                                                                                                                                                                                                                                                                                                                                                                                                                                             media discourse                                                                  study - in keeping with                                                                                                                                                                               videos into a VR environment (2000/K290)                                   Video game (see also: games)                         (Ron Hays) (1982/K199)                                                                                       sound dome        Brain Opera – Instruments                 sound-therapeutic objects                 (S. Penny, J. Schulte)                             X-topia (E. Sharp,
 perform or else – from discipline to performance / Jon McKenzie (JM)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (Sybille Krämer)                                                                          (Jaron Lanier)                                                                                                                  He is the creator of the first               (P. Panhuysen, J. Goedhart)             (Bruce Odland)                                                                                                                                                                   Soldier String Quartet)             (1993/K273)
                                                                                                                                                                                                                                                                                                                                                                                                                                                             media studies                                                                    Jon McKenzie: perform or else –                                                                                                                                      stereoscopic film                                                                                                                                                                                                                                                             (Leo Küpper) (Tod Machover / MIT Media Lab)                 (1979/K37)                                (1996/K422)
 Kunst als Medientheorie / Hans Ulrich Reck (UR)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              from discipline to performance             (ML) In media performance the liveness                                                                                                                     "Horizonscan"                               interactive videodisc art
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           game animation                           completely multimedia concerts,                 interactive sound sculptures (Sam Auinger)                                                                                                                                                                            (1994/II-K116)
                                                                                                                                                                                                                                                                                                                                                                                                                                                             media anthropology                                                                                                                                                                                                                                    (T. Shannon, J. Hassell)                                                                                                (2001/F16)                                                                                                                                            (1984/K16)        (1996/K300)                                                                                                   space-filling                                    cell phone concert
 Various articles by: Monika Fleischmann (MF) / Peter Weibel (PW) / Dieter Mersch (DM) /                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  of theater and the interaction of computer                               Programmed performances?                        (1988/K111)                                                                  (1989/K240) (David Tafler)                                                          music visualizations, in which lights                                                (1990/K-I-146)                                                   dummy head          (Yoshi Wada) (1988/K261)           auto-correlative
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 Glockenspiel !
 Fred Forest (FF) / Paul Virilio (PV) / Heinrich Klotz (HK) / Frank Popper (FP) / Oliver Grau (OG)                                                                                                                                                                                                                                                                                                                                                           communication theory                                      (AH) performative works                                           technology are related to one another in such                                                                                                                                                          (1989/K246) (Peter D´Agostino)                                                      and laser, wide-screen video and film                  echo sculptures               (1995/K206)                                                      stereophony         (G.-W. Raes, Moniek Darge) communication process (Haruo Ishii)                            computer sonology         (2001/K57) (2002/P98)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   "performative"                    apparitional                                       WebCinema                    interactive                                                                                                                                                                                                                     Sound from the same hands
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         a way that they achieve a synthesis in the                                                                                                                                                                                                                                                 projections, slide overlays, fireworks,                                              (2002/K417)                                                                                                             (1979/K36)                                             (1984/K48)                (Golan Levin)
 PERFORMANCE-ART Kontext (poster study) / G. Dirmoser (DG), B. Nieslony                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              aesthetics (see below)                                                          video narrative                                                                                                                                                                                                                 (Jaron Lanier) (1994/II-K110) (1979/K14)                 (1988/K274)                                                        (2003/F42/P106)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 mediatized performance (ML)                                             performative, i.e. in the reality-constituting            programs                                                                                                                                      random access to lasar            The videodisc was technically                    pyrotechnical and other stage effects                 liberation of sound            listening perspective                                                                                                                                                                                    (S. Gibbons, G. Shakar,
 Verben im Kontext (poster study) / Denken (ein semantisches Netz) / G. Dirmoser, B. Nieslony                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1995/P15) (R. Ascott)!!                                                                                                                      already available in 1970; it was                                                                                                                                                                                                      Well-tempered-Synthesizer
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Lichtorgel
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Yasmin Sohrawardy)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         execution of symbolic acts.                                etoy                                                                        interactive narrative                                            videodisc (1989/K225)                                                              are combined.                                                                                                                 dummy head / quadrophony                                                                                concert machine –                     (1979/K19)
 Studie Stadtwerkstatt-TV (on the ars electronica TV-projects and others) / G. Dirmoser                                                                                                                                                                                                                                                                                                                                                                                                                                                          combination of installation,                                                                                                        Performativer approach 1995!                                             the first interactive                                                                                                                                                                                                         wind-driven                                             (1996/K382)           (1980/K71)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                1987
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         The intersection between media and                         (1996/P80)                                                                  (4-fold projection)                                              (Grahame Weinbren)                not used for artistic works, though,                                                                      sound lab                                                            (1980/K19)                                                              tyranny of the tuned            mathematical
 Designing Gestures (poster study on ars electronica 2003) / G. Dirmoser                                                                                                                                                                                                                                                                                                                                                                                                                                                                         performance and website                                                                                                                                                                                      video record (1989/K232)                                             until the early 80s at MIT                                                                                                                               sequenzer                                               Winfried Ritsch
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         theater is thus the performative.                          digital hijack                                                              (Luc Courchesne)                                                                                                                             Video Clip         sound animation as real-time                 (1986/K332)                      sound                                                                                                       piano (1980/K52)                musical instrument
 Institutions affiliated with ArchiMedia & ars electronica / G. Dirmoser                                                                                                                                                                                                                                                                                                                                                                                                                      abrasion of art on the construction site           (Fakeshop) (1999/K321)                                                                                                                                                                                       (Lynn Hershman)                                                                                                                                                                                                               (1987/K98)                   underwater microphones                                                                                                                graphical music visible music
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (AH) the art work does not exist              (1999/P66)                                                                                                                                                      process (K. Obermaier, R. Spour)                                                                                                                                                                                          (W. Giers) (1979/K46)                                     (1979/K19)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              (Stadtwerkstatt) (1994/II-K108)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (1987/K57)                           electronic timbre                                                                                (1979/K18)

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          performative installations
 Additional specialized literature is listed radially in the area of the content sectors                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          until the viewer becomes an active                                                                         interactive videos                                                computer animation               (1993/K260)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (Rosa Binaria) (1993)                      Autonomie der Klänge          sound synthesis                                                                                    Radio Violins
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Interactive Cinema                     navigation through voices film techniques that                                                                                                                                                                                                                   timbre dynamics                                               electronics and automation for catharsis computer concert
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  participant                                                                                                                                                                  (1979/K17)                                                                                                                   (1989/K106)                                                                                        (1989/K294)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                       Social Club                                                                                                                                                                                                                                                                    (1999/J94) (1989/K225)                 (Luc Courchesne)                switch the time and space                                                                                                                                                                   audio microscope (1987/K59) (1980/K43)                                                             the analysis and synthesis of          (1994/II-K120) (G. Rabl)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               Japanese Animation!                                                                                                                                                                             (Jon Rose)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (Stadtwerkstatt)                      With Lynn Hershmann, Jeffry Shaw,                          suggestion for a PRIX category                                           A Cybernetic Sculpture
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (AH) The art object is not the                                                                                                   axes (1998/K197)                                                                                                             sound performance                virtual reality and           (magnifying small sounds)                                                                          music (1979/K03)
 Questions of little use:                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   computer or the display, but the                                                         interactive cinema                                                                                        ACA Media Arts Festival                                                                                                                                                                             music for the glove                         (M. Nyman) (1999/K385)                        electroacoustics
                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (2000/K283) (MAIZ)                    Peter Weibel, Bill Seaman ... their interactive                                                                                     (LesLevine) (1979/K10)                                                                                                                                                      (M. Reinhart,                                                                                                                                                 the electronic musician                              (AH) Mandala System (V. John Vincent)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   expanded cinema                                                                                                                             (2003/F19,K393)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 Ars: Performativity
 What does all of this have to do with art?                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 interactivity of both interacting                                                                                                                            (Jane Veeder)(1984/K128)                                                                                                                                                                                                                  (Mark Trayle)
 Old /vs/ new (electronic) media
                                                                                                                                                                                                                                                                                                                     (historical) anthropology                                                                   29 socio-logical view                         Cyberspace and society
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             works can be derived directly from their
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             experience with performance art (AH)                                                                                                                                           with the participant.
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (Peter Krieg) (1991/P140)               V. Widrich)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               (S. Tomioka, K. Yamamura, U. Tanaka, S.
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (Erik Hobijn, Lydia
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (Scott Fisher)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (1990/II-K295)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      rotor system with         interaction with sound & design modules            (1994/II-K26)
                                                                                                                                                                                                                                                                                                                     ethnology                                                                                                                                                                                                                                                                                                                                Performance stage as                                                                   future cinema               Interstitial (1994/K162)                               (2002/T exhibition "Animations" P.S.1 NY               Hirata, S. Sakamoto, A. Kondoh, M. Shinka)                                                                             loudspeakers              (1990/II-K307)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       algorithmic audio                                                          cybernetic view
 "take over" of electronic media art (take over /vs/ self-disbandment)
                                                                                                                                                                                                                                                                                                                     theology / New Age discourse                                                                                                              Siehe auch: Sicht der Sorge                                     many performances use "new"                                       as Mediality      (S. Krämer, R. Ascott)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              sensory environment
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              (2003/K300)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Why are aesthetic criteria
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             applied to software                                                 (Carole Ann Klonarides)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        digital advertising                these projects are ultimately nothing other than
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Lunch, Z´EV)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (1991/K103)          Sound Experiments                     (1996/K268)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (Auinger, Just Merrit, et al.)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (2003/K228)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  white noise
                                                                                                                                                                                                                                                                                                                     ethnography                                                                                          societal view                        kulturtheoretische Sicht                                        media (see: Performance Study)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    Pixelspaces – DAMPF                                                        Live Electronic               (2003/K13) ... and not
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               stereographic                            films                              carnival shows (1997/P53)                                                         game sounds
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                (2001/K94) (H. Deisl)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (1982/K184)
                                                                                                                                                                                                                                                                                                                     performance studies ethnography                                                                                                                                                                                                                                                                                                                           Performance practice          performative criteria? (DG)                      computer-controlled                                                                                                                                                                                               compare:                                                                                                                                                        25 systemic view
 other poster studies:
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    computer animation /
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    Sensory Environments – Immaterial Interfaces                                                                                                                                               video production                         (as trailblazers)                                                                                                    (2001/K209)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 26 temporal view
                                                                                                                                                                                                                                                                                                                     cultural anthropology                                                                                                                    Anthroposcope (1993/K398)                                                            performance art                                                                                                             (1992/II-K48)                                                                  editing (1984/K122)                                                                                                                                                                                               historical view
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (2003/F14, K299) (Heimo Ranzenbacher, Horst Hörtner)                                                                   media actions                                                       (Laura Bellof) (1999/K402)                                                                                                           comp. generated
 http://www.servus.at/kontext/ARS/weitere_Studien/                                                                                                                                                                                                                                                                   media anthropology                                                                        anthropological view /                         (Laurent Mignonneau, Christa Sommerer)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       video transmission                                                                           Film (Rolf Herken)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (Fred Forest)                                                                                                                                                                                                                                                                                                                                                       Raindance !!
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    visual effects
                                                                                                                                                                                                                                                                                                                     sociology and performance                                                                                                                                                                                               structural affinity with                                                  media performance                                                   mixed reality                                                            WebCinema (2001/K106)                                                                                                                                                                        (1979/T) Walkman is presented                                                                                                                                                         formal view
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Festival for: Art, Technology and                                                                 media performance                                                 Sensory Environments                                                                                                                                                                                                                                                                                                                                                                                                                  electronic nozzles
                                                                                                                                                                                                                                                                                                                     sociological discourse                                                                      ethnological view                                                                                                           media art
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (1989/K275)                     (1994/P108)                                                         performance (MF)                                                         (Nora Barry)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         VJs of the club scene                                                            (PRIX) 1969 Ronald Michael Baecker: (1985/T) portable CD-Player                                                         view of the score
 http://www.servus.at/kontext/ausstellungskunst/art_in_context.htm                                                                                                                                                                                                                                                                                                                                                                                                                   Society (1979/K01)                                      (cf. construction of this study)                                          TRANSIT: I. Bordoni,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Trace of the viewer in the                                                                                                                                                                                                                                                                                                                                         modulate a stream
                                                                                                                                                                                                                                                                                                                     exoticism discourse                                                                                                                                                                                                                                               (David Chesworth)                                                                                                                    image ... (MF)                                  (AH) "closed-circuit" of the                 (2001/K87)                            stagnation in perfection                                 Interactive Computer-mediated                                                                                                                                          of water                       view of signs (2)           see: process view              view of
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Join-In Concert                                                                                              A.Bosshard, K. Hentschläger,                                                                                                                                                                                                                                                                                                                  (1997/K354) (H. Zachmann)
                                                                                                                                                                                                                                                                                                                     tribalism debate                                                                                                                         democraticization of                                                                    (D. Bruckmayr)                                                                                             mixed reality applications (2003/K328)                                                                                                                  real-time animation software                                                                   Animation (PW)                                                                                                                                                         (2001/P98)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                (Peter Zegveld)                        H. Hörtner, M. Kreihsl, R. Paci                                                                                                                      interactive video image                                                                                                                                                                  3D audio-siphon                                                                                                                                          view of agreement                                          control systems
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          (1980/K05/K55)                                                                                                                                         Performances transferred to avatars (see below) DAMPF Lab: dance performance                                                                                                                                   cartoon (film) culture
                                                                                                                                                                                                                                                                                                                     (tribal culture)
                                                                                                                                                                                                                                                                                                                                                                                                                       theological view                       mass events
                                                                                                                                                                                                                                                                                                                                                                                                                                                              (1980/K05)                                  Linzer Sound Street
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (2001/K25)                (1991/K314)                            Daló, W. Rogojsza, G. Stocker,                                                                        Cologne, Futurelab, V2_Lab Rotterdam,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   surveillance
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Realtime 3D Visuals             vector-based                                                                 real-time animation                                                                                          script view                                          (Paul DeMarinis)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                This kind of music has become a
                                                                                                                                                                                                                                                                                                                     structuralism discourse                                                                                                                                                              (1980/K61)                                                                                                   I.Strobl, T. Ungvary, Mia Zabelka                                                                     Animax Multimedia-Thater Bonn                                                      (Basicray, Crashsite,           animation technology                                                         (F. Fischnaller, M. Monzani)                                                                                                                                         rotation                                                                          from cybernetics
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Online-Performances (2001/K37)                                                                           installations                                                                                                                                                                                                                                                                                                                                formula (2000/P197) (Peter Rehberg)
                                                                                                                                                                                                                                                                                                                     (game rules of art)                                                                                                                           patchwork                              (Michael Jüllich) (AH) society of                                     Interactive Performance (3 ORF Landesstudios)                                                                                                (2003/K302)                                                                        M. Bruner, K. Taschler, (2001/K196) "Banja" total simulation feature photorealism                            (1999/K349)                                          virtual time –                                                                                                  loudspeaker                                                                       through the process
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             film (1984/K124)             (1990/P70)                                                              can the subjective                                                                                              (John Driscoll)               PRIX         stochastic matrix
                                                                                                                                                                                                                                                                                                                                                                                                                                                                   biographies                                                  interactivity                                   (new art form) developed by ..... Stocker´s Ruf nach Linz                                                                                                                                                                       Nappi) (2000/K314)                                                                                                                                                                                      movement view / dynamic                                                                                                                                     view to performative
                                                                                                                                                                                                                                                                                                                                                                                                                              ritual view                   Online communities
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            culture for all                                                                     Scott Fisher, Ann Marion
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                (AH) the performer controls electronic
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Ars: Performance – mixed reality                                                                                Interactive VR art works                                                                                                                 compare:
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  experience of time
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  be programmed?
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (1980/K132)                   Jury         (for chord concatenations)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (1979/K36)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    analysis
 Literature:                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               Community Internet Radio                                                                                                                                                                                                                                                                                                                       27 process view                                                                                                                                                                       schematizing compositional                 whirling
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  1979-82
                                                                                                                                                                                                                                                                                                                                                                                                                                                            and reputation capital                                                                                              stage images through sensors (attached                                           performance focus                                                                                                           in real time (2001/K301)                                                                                                                 historical view                             (Georg Franck)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         1984
 Wie geWOHNT – Neue Wohnkezepte auf dem                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    Broadcasting (2002/K196)                                                                                                                                                           Flying large four-                                                             (T. Margolis)                                                                                                                                                                                                                                                      processes (1979/K34)                       instruments                                            control system technology
                                                                                                                                                                                                                                                                                                                                                                                   (Baudrillard) All our machines are screens, we ourselves                 (2002/K258)                                                                                                         to the body) in real time                                                                                                                                                                                                                                                                                                                                                                         (1990/II-K57)                view of acceleration (AH)                                                                                            Musikgesteuerte
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              dimensional figures in                                                                                                                                                                                                                                                                                                                            (VOSIM – Prof. Kaegi)                      (1989/K320)
    Prüfstand / Symposium 2003                                                                                                                                                                                                                                                                                                                                                     have become screens, and people's relationships with one                                                                                                                                                                            integrated media performance                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 Laserprojektion
                                                                                                                                                                                                                                                                                                                                                                                                                                                        Internet as social space                                (1997/K386)         MUDs, MOOs
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Performative Interfaces                    the sky with an airplane.                                                               Video-on-demand                                                                                                                   event view I                                                                                                                                                       (Max Eastley)                                                     remote-controlled
    LifeTool, Computer Aided Communication                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               temporalization (AH)
 Die Individualität der Medien – Eine Geschichte
                                                                                                                                                                                                                                                                                                                                                                                   another have become those of screens.
                                                                                                                                                                                                                                                                                                                                                                                                                                                        software scene           social networking
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Terminal bar
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          socio-cultural
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (Bruce Damer) animation projects
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (PoMo CoMo) (1992/K226)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (R. Lozano-Hemmer et al.)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (Monika Fleischmann)                       (Steve Poleskie)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              (1982/K106)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           concert performance (2)                                    (1995/K175)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (J. Smetschka) (2001/K358)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            view of the act                                                                                                                                 orbital acceleration
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (1986/K231)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     active score –
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     interactive                automatic musical
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (Paul Earls) (1980/K102)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             sensory systems
                                                                                                                                                                                                                                                                                                                                                                         life counselling for       (David Rokeby) Those who create interactive                                                                 BBS, Info-DB        (1997/P84)                                                                                                                                                                                             (2001/K57)                                                                                                                                                                                                                                    (Steve Mann) (1997/K218)                             Kickass-Engine
    der Wissenschaften vom Menschen /                                                                                                                                                                                                                                                                                                                                                                                                                   culture                                                                                           (1980/K05)                                                                      electronic                                                                                                                                                                                                                                                                                    the term "process" was central                                                                                               graphical instrument       composition (P. Barbaud)              Telesteuerung (PV)                     cybernetic sculptures
                                                                                                                                                                                                                                                                                                                                                                         participants/children interfaces assume social responsibility                                           systems (2004)                                                                                                       An Internet actuated and                                                                                                                                                                                                                                                                                                                                                           high-speed surveillance                              (2001/K207)
    Stefan Rieger                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    Face Settings                                                                                                                                                                       Recombinant 9.9.99                                      video performance                                                                                                                                                      for Ascott around 1980                                                                                                       (K. Furukawa,              (1979/K51)                                                                   (Wen-Ying Tsai)
                                                                                                                                                                                                                                                                                                                                                                             (2003/P23)                                                                        gaming communities (2001/K20)                                                                                                          uploaded Performance                performance                        Happening                   concert performance
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             film series "artificial
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            simulation view                                                                                              superhighways (see right)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (Kathy Rae Huffman)                             Telecenter (2004)                                                                                                                                                                                                                       life" (1993/K282)                                                                                                                                                                                                                                       M. Fujihata,                                                                                            mutual effects between
 Technologies for People With Handicaps                                                                                                                                                                                                                                                                                                              lines of demarcation                         (1997/F51)                                                                                                                                                                                          (1997/K154) (Stelarc)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Elektronic Happening                                            (K: Naut Humon) (1999/K380)                                                                                                                                                                                                                                                                                                                                                         real-time composition for                 conceptual-systemic
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (1997/K364)                       Internet cafe                                                                                                                                                                          In Yokohama, Ito realized a performance of                                                                                                                                                                                                                                                                             W. Münch)                                                                                               environment and artwork
    1994/K98/2                                                                                                                                                                                                                                                                                                                                       "separating" persons in                      Social Web       Multi-User-Dungeons                                 MediaMOO:                                                                                                                                                         (1984/K147) (Paik, Moorman)                                     (Sound Traffic Control, Mix-                                                                                                                                                                                                                                                                            visual sensor registering movements                                         12 radio receivers                        art (2) (AH)
                                                                                                                                                                                                                                                                                                                                                                                                                                                 MUD MOO                                   MOO Workshop                                                                                                                                                                                                                                                                                                                                                                                                             (G. Stocker) The products of this (media) art                                                                                                    (1999/K347)
    CARETEC exhibition                                                                                                                                                                                                                                                                                                                               a space                                      (John Coate, Multi-User-Dimensions                                   for media
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Scenarios for Virtual                                                    Electronic Cafe                                                                                                                      master Mike, Scratch Perverts, "networks" for "samplers", "performance devices",                                                                             (AH) the focus is much more on                                                                                          real-time          in space                                                                    (1989/K317) (Konrad Becker)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                       researchers                                                                                                                                                                                                                                                            "interface devices" for interaction between these                                 (AH) process instead of                                                             are shifted from object to process, from information
                                                                                                                                                                                                                                                                                                                                                                                                  Station Rose) (2002/K253)                                                                                            collective weblogs (2004)                    (Project 1984 Los Angeles)                                   Telematic performances (ML)                                             Powerbook Orchrstra, The                                                                                                                                                                                                                                                             movement                                                functional descriptions of dance
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       1960/70s
                                                                                                                                                                                                                                                                                                                                                     (1998/P100) (Scott Sona Snibbe)                                                                                                       Communities                                                                                                                                                                                                                                                                                                                                                                processes than on completed                                                                                                                                                                                                                                                                               formal languages
                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (1995/K139)                                                                                                                                                                                                                                                            and computer connections of harbor networks                                                                                                                           and presentation to interaction and communication,                                             Vision System
 Text collection from Willi Mayrwöger:                                                                                                                                                                                                                                                                                                                                                                                                 virtual communities                                 (1996/K389)                                                                        FreeNet initiatives (2004)                         Viewers and actors on site can be networked with                        User, T. Brinkmann, Richie                                                                                             essence                               works                                         or as the Japanese researcher-artist Masaki
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              control                                                 notation show similarities with those
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              with other networks
                                                                                                                                                                                                                                                                                                                                                                                                                                        2004
                                                                                                                                                                                                                                                                                                                                        (AH) The communication artist                                                                                                                                                      (2004) Digital Communities                                                                            people in other places in an interactive, multimedia                    Hawtin, Ikue Mori, Barry                                                                                                                                                                                                                                                             (1995/K178)          (optical tracking)                 of software code                             electronic musical score
 Computer-Didaktik in der Sonderpädagogik /                                                                                                                                                                                                                                                                                                                                                                                                                                                (O. Frommel)                                                                                                                                                                                                                                       (Toyo Ito) (1995/K59)                                                                                                                                                 Fujihata has said, "from document to event".                                                                                                                                                                                                         foundation of cybernetic
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           addresses the wide-ranging                      Multimedia for all (H.-J. Hack)                                                                                               Schwartz, Stefan Betke,                                                                                               first approximations to the performative view                                                                                                                                                                          (2003/K314) (Scott deLahunta)
                                                                                                                                                                                                                                                                                                                                        Roy Ascott had his first idea of an
                                                                                                                                                                                                                                                                                                                                                                                                                                                          digital communities
    R. Bonfranchi                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                process                                                                                                                                                                                                                                                                            (1999/J68) (2001/K322)                                                                       reading the user's
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           social impacts of the Internet                  (1997/P88)                                                                                                                    Otomo Yoshhide, Scot Jenerik, Mazk, Sam Auinger,                                                                                                                                                                                                                                                                                                                                                                                                                thinking (1986/II-125)
 Behinderte Kinder am Computer / M. Meyer                                                                                                                                                                                                                                                                                               "art of behavior" and the "cybernetic vision"                                                                                                           (PRIX ab 2004)                                                                                                                                                                                           Virtual Appearance "Modules", Christian Marclay,                                                                                                                     Musical arrangement is                                                            obstinate                                        movement (MF)                 script languages              score for television projects
                                                                                                                                                                                                                                                                                                                                        as early as 1966                                                                                                                                                                                 community networks                       Social CODE (Symposium)                                              The category "Interactive Art"                                                                                                 (1998/II-K64) OODA-Loop:                                                                inherently interactively processual. (Stahl Stenslie) the flowing,                art works                                                                                                                                                                  artworks as
 Elektronische Kommunikationshilfen für                                                                                                                                                                                                                                                                                                                                                                                            socio-cultural applications of the Internet                                                                                                                                                                                                                           Terre Thaemlitz, DJ Olive, Carl Stone, Kit Clayton)                                                                                                                                                                                                                                                                                                                 (Stadtwerkstatt) Encoded Music
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (2003/F11)          gaming communities                               deals with interactive works of                                                                                                observation                                          processualness of                  (Werner Jauk) (1995/P27)                  decentral, process-oriented                                                      graphics and music SW                                                                                                             complex systems                 robo-ecologies (1993)
    nichtsprechende SchülerInnen ... / A. Lingen                                                                                                                                                                                                                                                                                                                                                                                                                                                   ... who set links to other artists
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (Golan Levin)                     understanding music as a kind                             (Alex McLean, Adrian Ward)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   in turn (1996/P47)                                                                                 (2004)                                           all kinds ... from installations                                                                                               orientation                                          media art (2003/K13)                                                         character of a large portion            dynamic systems
 Computer- und Informationstechnologie –                                                                                                                                                                                                                                                                                                                     (AH) ... Myron Krueger, Roy Ascott and                                                                                                                                                         Radio FRO conference                                                                                                                                                                                                                                                                                                                                                                                                                         (2000/K308)                       of software (H. Ranzenbacher)                             (2003/F38)                                                                 cybernetic sculpture
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   2003
                                                                                                                                                                                                                                                                                                                                                                                                                                              community art                                                                                                                                                                                            all the way to performance                                                                                                     decision         On paradigm changes,                                                                                                                                                                                                                                                                                                                  cybernetic art
    Geistigbehinderten-pädagogische Perspektiven                                                                                                                                                               therapeutic discourse                                                                                30 behavior view                         Fred Forest thus also stress the "concept of action" or the                                                                                    participative WWW works (DH)                    Towards a Society of Control                  control society                              (2004)                                                                       view of action                                    action           new role models, working                  shift of significance from the              process-oriented of interactive art                                beyond a rigid                           (M. Fujihata, K. Furukawa, Code – Notation (2003/K341)                                                                                                                 (Wenig-Ying Tsai) (1983)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (2000/K214)                                                                                                                                                              CODE (2)
    Hg. Wolfgang Lamers                                                                                                                                                                                        disability studies                                                                                                                            "matrix of behavior" as a fundamental precondition for                                                                                         download, manipulate, upload,                   (2003/F15) (Cindy Cohn,                       Towards a Society of Control?                                                                                                                                                                models, and the creative                  object to the dynamic system                languages                                                          geometry (AH)                            W. Münch) ((2000/K309)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Art Com Electronic Network
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Christiane Asschenfeld, Juliane                                                                                                                                                                                                                                                      (2003/K13)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          shift in time                                                                                                                          self-organization
 Augmentative und alternative Communication /                                                                                                                                                                  Gestalt therapy                                                                             The term "behavior" was                           the participants' behavior and aesthetic characteristic                                              ACEN (1986) (1989/K130)                   control (robots)                                                                              (O.L. Tremetzberger) (2003/K54)                                                                                                                                                              burst(2001/F08)                                                                                                                                                                                                                                                                       Code and Music – Technique and
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 (AH) technical                                                                                                           (Dan Graham)                                                                                           reaktiv, responsiv
                                                                                                                                                                                                                                                                                                                                                             of an "aesthetics of communication".                                                                                                                                                           Alton, M. Terkessidis, E. Möchel)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (knowbotic research)
    David Beukelmann, Pat Mirenda                                                                                                                                                                              psychodrama / psychotechniques                                                              central for Ascott around 1980                                                                                 As artists working with                 electronic community                      contributions to a lasting change
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            in the form of a project:                       (K. Becker, A. Toner, M. Vojtechovsky, Modern                              Electroacoustic                                                                     28 pragmatistic view                                       process character of action
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   model bedroom with eye-
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   controlled projection                         reproducability                             spatial representations                          the temporal structure (1992/K136)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              of WWW works
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             creativity while composing
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (Jonathan Norton) (2003/K294)                       triggern
                                                                                                                                                                                                               therapeutic pedagogy                                                                                                                                No Man´s Land                                          digital media, we are constantly (electronic Bulletin Board)                                                                      Z. Blace, Eugen Babau-Iladi, H. Harger) primitives                         Visitation Mass                                                                                                                                see also: political view                                                                                                   instead of original                         pseudo 3D                                                                                                                                                                                                                   electronics as
                                                                                                                                                                                                                                                                                                behavior of forms - forms of behavior                                                                                                                                                                       (Eva Grubinger, Antonio Muntadas,                                                                                                                                                                                                                                                                                                                      (Lynn Hershman) (1997/P119)                                                                                                                                                                    motion capturing
                                                                                                                                                                                                               system theory                                                                    (Roy Ascott) (1995/P20)                                            Robot installationen /                                 reminded that when we create                                                                                                                                                                                 (Diamanda Galas)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      see also: power-theoretical view                                                                                                                                                           VRML                              temporal structure of                                                     correlating body/movement                                                                   gentle technology
                                                                                                                                                                                                                                                                                                                                                                                                                                                                            BBS Bulletin Board              Douglas Davis, Jenny Holzer, Ed Stastny,                learning and knowledge                     (Andrea Juno)                                                                                                                                                                                                                                                                                                                                                                                                                                                                 with a telematic                                    circulation, feedback,
                                                                                                                                                                                                               dance theory
                                                                                                                                                                                                                                                                                               Cognitive behavior patterns that are
                                                                                                                                                                                                                                                                                                                                                                   implanted and emergent                                 digital artworks, we are really building
                                                                                                                                                                                                                                                                                                                                                                   behavior (the parasites, the undomesticated, virtual machines. Every aid (regardless
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Joachim Blank, Karl Heinz Jeron)                        communities (2004)                         (1990/II-K234)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (1986/K83)(1989/J59)                                                                               role view                                   see also: historical view                                                                     simulation software           (AH) Appropriation and                                                                           animation works                     (1997/K285) (Stadtwerkstatt)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             counterpart                                         self-controlling,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (1979/K05)

                                                                                                                                                                                                                                                                                                                                                                                                                          of whether "soft" or "hard") is a mechanistic                     Cyber society – Myth and Reality of the                                                                                               Sermon on the Mount (1984/K187)                                                                                                                                                                 action bots
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  model                                           simulation instead of the original Was ist eine Virtual Reality                                                                                                            (Heimo Ranzenbacher)                                self-organization,      the term "system" was central
                                                                                                                                                                                                                                                                                               multiplied and replicated through communication                     the inverted scavengers, ...)                                                                                                                                                      (2004) digital              citizens' participation                                                                                                                                                                                                                                                                                                                                                          Modelling Language (VRML)                              motion tracking                   kinetic                                                                                                      for Ascott around 1980
                                                                                                                                                                                                                                                                                                                                                                   (L.-P. Demers, Bill Vorn)                              immitation of a small area of human                               Information Society (book)                                                                                                            (Bognermayr, Zuschrader, Prünster)                                                                                                                     (AH) aesthetics of action                                                                                                                                                                                                                                                                           (2003/K334) following filmed                        autopoiesis (AH)
                                                                                                                                                                                                                                                                                               were called "topoi", "habits" or "cliches". They were                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     simulation works                                                                          (David Blair)                                                                            interference objects
                                                                                                                                                                                                                                                                                               regarded as social constants that were stable,                      (1996/K262) see below                                  behavior. (1996/K203) (Simon Penny)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      neighborhood                citizens' conferences (2004)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               Some Code to Die for
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        radio view                                      tele-actors (PV)             acting remotely (FF)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Simulation            set of operations                (1995/K220)                Multi-User-VRML              ultrasound movement              (P. Barbaud) (1979/K51)                             passers-by                                                   Logicaland (M. Aschauer,
                                                                                                                                                                                                                                                                                               except for marginal changes. This characteristic                    expressive automatons (1996/P129)                                                                                                        There is no world view or art, no                           Wearable System (GPS for                                                                                                                                                                                                                                                                                                                                                                   interactive 3D-cinema world (1997/K390)                 holograms                                                                            (M. Desbazeille,                                             J. Deinhofer, Maia Gusberti,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            social structure or symbolic order that                                                            (Leo Findeisen) (2003/K73)             hobby religion in                                 virtualization of action with                                                                                                                                                                                                                                                                                                                                                                                                                                        Nik Thönen) (2002/K364)
                                                                                                                                                                                                                                                                                               gets lost in the discussion of "memes".                                                                                                                                                                                                                                  determining position) Conveying
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (AH) disclosing                                                                                   simulation space mosaic of mobile                                                                                                             (1988/K276)                    light-kinetic                                         S. Canto) (2001/P100)
                                                                                                                                                                                                                                                                                               (1996/K34) (H. Hrachovec)                                                                                                                                                                                    could do without art (DM)                                   belonging to a community (MF)                                                 films like                                        electronic remote action (PV) (1998)                                                                 decentered connective                                                                                                                                    To simulate processes of life: Evolution,                                           objects (H.M. Ihme)         the kinetic complex                                                regulators          (2002/P34)
                                                                                                                                                                                                                                                                                                                                                                                                                                    Changing the behavior of                                                                                                                                                                                                                                                                                                               actions                                                                                           data sounds (Knowbotic Research)
                                                                                                                                                                                                                                                                                                                                                                                       (AH) Krueger discovered that users                                                  Concerns of music are                                                                                                                    Indian philosophy                 final phantasie                                            science fiction, socio-fiction, political fiction ...                                       actions (ML)                                                                                                                                             breeding and selection (OG): Thomas                  Speaker Swinging               light machine               Centerbeam (Gyorgy Kepes)
                                                                                                                                                                                                                                                                                                                                                         1993
                                                                                                                                                                                                                                                                                                                                                                                                                                    puppets through changes in                                                                 Social Software                                                                                                                                                                                                                                                                                                                               (1993/P98)                                                                                                                                                                                                                                                                                          syntax of binary images
                                                                                                                                                                                                                                                                             Behavior is movement, in which an                                                                         quickly identify with a figure in a                                                 tendencies to excessive                                                                                                                  Indranet                                                                                     Thse are role plays, parallel strategies,                                                                                                                                                                                                            Ray, Christa Sommerer, Karl Sims,                    (Gordon Monahan)               (1980/K120)                 (1980/K98)
                                                                                                                                                                                                                                                                                                                                                       Artifical Life (2)                                                           stockmarket courses                                                                        (2004)                                                                                                   AEC as "Evangelist"                                                                                                                                                          (MF) Unlike immersive image strategies                                                                                                                                                                                                                                            kinetic             cybernetic                feedback                    (Woody Vasulka)
                                                                                                                                                                                                                                                                             intention can be recognized. The                                                                          game, if it reacts to instructions in                                               behaivor (Diamanda Galas)                                                                             Is God flat? Is the devil                                                                                                       ... scattered images of a future cyberspace (PV)                  harmonizing actions                                                                                  A brief introduction to the       games as simulation                         Jane Prophet                                         (1988/K277)
                                                                                                                                                                                                                                                                                                                                                                                                                                    (Erwin Redl) (1996/P152)                                                                               Station Rose in the                                                                          (1996/P14)                                                                                                                                                                                                                                                                                                                                                                                                                                                     light sculpture     play of movement          (2001/K353)                 (1989/J22)
                                                                                                                                                                                                                                                                             combination of simple behavior                                                                            real time. It is not the realistic                                                  (1986/K84)                                                                                            curved? (1995/P112)                                                                 (Nam June Paik) his career:                                                                                                                     that draw the viewer into a space of illusion,                                                       (war games with simulated                                                                                                                          kinetic sculpture
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Social Web (1997/K426)                                             (Stahl Stenslie)                                                                                                                                                                                                                                                          art of flight simulation                                                                                                                    Music for Mechanical Metal                                         (C. Möller,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  ars: on simulation
                                                                                                                                                                                                                                                                             patterns produces "personality"                                                                                                                                                                                                                                                                     (M. Benayoun)                                                                       transforming television and new                                                                                                                 the mixed reality concept focusing on the                                                            radar data on missile                                                                                                                              (Chryssa Vardea)                              (Roland Kayn)
                                                                                                                                                                                                                                                                                                                                   behavior of complex systems                         portrayal that determines                                                                                                                                                                                              Techno-religious ecstasies                                                                                 spin-offs       (Monika Fleischmann) Mixed Reality:                                                                                                            (Ron Reisman)                                                                                                                               (1996/P211)                                                        R. Kramm)                                        cyberneticists and physicists
                                                                                                                                                                                                                                                                             or "predisposition" (2003/K183)                                                                                                                                                                                                                              Holography and Society                                                                                                     video techniques into contemporary                                                                                                              body-space experience leads the viewer into an                                                       guiding computer systems)                                                                                                                          (1980/K101)                                   (1986/K184)
                                                                                                                                                                                                                                                                                                                                                                                       aesthetic pleasure, but rather the                                                                                                                                                                                     (2000/K213)                                                                                                                The interfaces as input/output instrument is not a                                                                                             (1990/II-K159)                                                                                                                              (Gordon Monahan)                                                   (1994/P132)                                      H.W. Franke – ars co-founder
                                                                                                                                                                                                                                                                                                                                                                                                                                                Immersion in war pictures - removing,                                                     (Vito Orazem)                                                                                                              art (1982/K102)                                                                                                                                 action-oriented situation that leaves room and
                                                                                                                                                                                                                                                                                                                         (PW) Systems theory approach to the                           identification with the controlled behavior.                                                                     (PW) Intelligent                                          Working up to the rank                                                                                                                                                 multimedia instrument, but an instrument of action                                                                                                                                                                     Symposium                                                                                                                                                                               (1979/K02)
                                                                                                                                                                                                                                                                                                                                                                                                                                                deleting (Maurice Benayoun, Jean-                                                                                                                                                                                                                                                                                                                                    imagination for thinking.                                                                                                                                                    Survival by                       kinetic water display                                                              calculations by
                                                                                                                                                                                                                                                     Journey through the                                                 behavior of complex systems (1994/K09)                                                                                                                                         products, intelligent                                     of a god in the MOO                                                                                                                Instinct TV                         for a synaesthetic transformation of the perception                                                                                                                                                                                                                                                                                              Kinetic Art
                                                                                                                                                                                                                                                                                                                                                                                                                                                Babtiste Barriere) CAVE work                                                                                                                                                                                                                                                                                                                                                                                                                            Fiction and Simulation                                                                    Simulation                        (1989/K191)                                                                        analog computers
                                                                                                                                                                                                                                                     spiritual essence of the trance
                                                                                                                                                                                                                                                     (2002/P100) (United Game Artists)
                                                                                                                                                                                                                                                                                                                                                                                       ... the immediacy of experience results from the
                                                                                                                                                                                                                                                                                                                                                                                       realistic behavior and not from the realistic            (1998/P70)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        ambients, the whole
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        technology evolution show
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (1997/K174)                                                                  29 TV view II                                         Instant TV
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Reaction-Action TV
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         of media space.
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (MF) the transfer of image data is                      (U. Reck) ... For this reason, aesthetic endeavors                      (Friedrich A. Kittler)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (AH) 3D simulation as a new
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  quality of illusion
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (Peter Weibel)                    (Stephen Pevnick)                                                                  are a kinetic
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (AH) What these "systems of media art
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         have in common is that the virtual world
                                                                                                                                                                                                                                                                                                                          models of behavior and actions                                                                                                                                                                                                                                                                                                                                                                                                                thus harmonized with the dynamics of                                                                                            (1988/K87)                                                                                (1990/II-K20)                                                                                                        "acting out"
                                                                                                                                                                                                                                                                                                                                                                                       graphical representation.                                                                                        that we are always handicapped                               (Alison Cornyn, Sue Johnson)                                                                                                    Catastrophe TV                                                                                                             and developed practices are currently progressing                                                                                                                                                                                                 50s-70s / affinity                                                     changes depending on and with the observer
                                                                                                                                                                                                                                                     (Tetsuya Mizuguchie) (based on Kandinsky)                            (1998/P30) (knowbotic research) Tokyo 1997                                                                                                                                                                                                                                       electronic                                                                                                                                                   physical actions                                                                                                                                                                                                                                                      kinetic sculpture
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        without knowing it (1994/K26)                                prison life (2001/P50)                                                                                                          Fernsehfamilie                                                                                                             decidedly from representation to activity, from                                                  (Edmont Couchot) The extent of                                                                                                                   to media art                     Gyroscope (tilt and                   as part of the system in real time. Weibel
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          simultaneity                                                             (J. Sauter, D. Lüsebrink) (1997/K258)
                                                                                                                                                                                                                                                      Technology and             magical mystery tour                                                                                           (AH) Die Vorstellung von einem „idealen Zuschauer“, der sich                                                                                                                                               confessional                    HDTV                   interactive television             (1991/K91) (Stadtwerkstatt)                    (Roy Ascott) (1995/P20) toward an orientation to action                     mimesis to experimental action.                                                                  the space of possibility that a                   Puttting images into a virtual information                                                                                      lateral movement), odometer consequently regards them as "cybernetic
                                                                                                                                                                                                                                                                                                                                             code of behavior                                   entsprechend der Kalkulation des Künstlers verhält und die ihm                                                                                                                                                                                                                                                                                                                                                                                                                                            (AH)                                                                                                                                                                        real-time processes (speed)                                        systems", the events of which are structured
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Scientology vs.                                                                                                                                                                                                                                                                                                                             simulation model opens up, depends                                                                          real time (terms)
                                                                                                             cultural anthropology
                                                                                                                                                                                                                         mythic view                  the irrational
                                                                                                                                                                                                                                                      (Mark Pauline)
                                                                                                                                                                                                                                                                                 "Turn On, Turn In, DropOut ..."
                                                                                                                                                                                                                                                                                 Timothy Leary (LSD-Guru)
                                                                                                                                                                                                                                                                                                                                             (1998/P60) (Wendy Vissar)                          zugewiesene Rolle ernst nimmt oder seine ihm angebotene                                                                        victims of the information age                        Newsgroup (1996/P100)                                                                                                                  (1971/T) "Media-Bus"                  (Martina Leeker) Theater people criticize                                               Installation for computer-controlled
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 on the boundaries of the model.
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   architecture following the pan of the camera
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (1979/K35)                                                            sound mapping project                 recursively as feedback.
                                                                                                                                                                                                                                                                                                                                                                                                Freiheit mißbraucht, sei, (so Popper) eine unausgesprochene                                                                    Nerve Theory: shades of catatonia                                                                                       TV technology                               TV art                   start of TV station operated          technical interactivity and describe it as                Radio International           short-wave receivers (1998/K175)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (PV) ... It turns out that words
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            accidence – remote-controlled          (1998/P94)
                                                                                                             structuralism (discourse)                                                                                                                (1990/II-K232)             (David Sheff)                                                                           The Jewelry Box Voraussetzung für das Gelingen des Kunstwerks und die                                 (PW) The so-called handicapped                                                                                                                                                                                                                                                                                                                                             (R. Adrian, N. Math)                                                                                                                                                                                              car jumps (Leo Schatzl)
                                                                                                                                                                                                                                                                                                               Delphi Digital                                                                                                                                                                                                  (B. Loibner, T. Sherman) (1998/K244)                                                     television as                                                                                       by artists                            interpassivity. They establish an shortened               City (1998/P50)                                                                                                                                                          are not models. In my opinion,                                                                                (Iain Mott, Marc Raszewski,
                                                                                                             myth discourse                                                                                                                                                      (1990/II-K241)                                                                          relationship with erfolgreiche Intergration des Betrachters ...                                       person is only a special case, who                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              dramaturgy of                (1991/K215) s.u.
                                                                                                             deconstructivism
                                                                                                                                                                                                                  mythological view                                                                            (Margot Pilz, Roland Scheidl)
                                                                                                                                                                                                                                                                                                               (1991/K163)
                                                                                                                                                                                                                                                                                                                                                                         minus points                                                                                          makes the general human condition                                                                                                        artistic device
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1989/K154)                                                                     (1984/T) MTV sendet in Europa
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  concept of action.                                        (Thomax Kaulmann)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Free B92
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Horizontal Radio:
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            telematic radio network
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       the event is the nerve of information                         models are images.
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               real time (PV) (1998)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Jim Sosnin)
                                                                                                                                                                                                                                                      (ML) The emphasis on the performative does                                                                         (1997/P136) (Mark Madel)                                                                              of being handicapped visible.            (PW) We move too slowly, that is why
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 digital intro for TV                                                                                                 (ML) The transgression lies in the fact that in the                  (1999/K395) project (1995/K354)                                             (E. Couchot)                                                                                                                           system for
                                                                                                             theories of memory                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (Stadtwerkstatt)                                                                (1986/T) television project PONTON (K149) 2h TV
                                                                                                             alchemy, hermetics
                                                                                                                                                                                                                                                      not establish a new, universal order here, but                         tape recorder voices                                                                                                                              (1994/K17)                               we have the car; we can't fly, so we build                                                                                               broadcasts                             (1987/T) Stadtwerkstatt TV 1st attempt (K165)                                 media performance the interaction is no longer used (1999/P38)                        (G. Stocker) (1999/J397)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          process art                            PureDataConnections                 Realtime-Audio-
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              real-time synthesis                                                     art as physical sensation
 Literature:
                                                                                                             esoteric debates / New Age discourse
                                                                                                                                                                                                        31 view of metamorphosis                      transformation itself instead becomes the new
                                                                                                                                                                                                                                                      principle of cultural order (see below)
                                                                                                                                                                                                                                                                                                                             (Manfred Riepe) mystical dimensions
                                                                                                                                                                                                                                                                                                                             (1991/K286)
                                                                                                                                                                                                                                                                                                                                                                                                         posing stimuli on the screen
                                                                                                                                                                                                                                                                                                                                                                                                         (2003/K188) (Casey Reas)
                                                                                                                                                                                                                                                                                                                                                                                                                                                           (Baudrillard)
                                                                                                                                                                                                                                                                                                                                                                                                                                                           The virtual human, motionless before
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        airplanes; we can't calculate fast enough ...
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               deformities
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (1989/K148)                                                          (1987/T) STWST-TV Kabel-FS im Hotel (1988/K213)                               as a paradigm for action, but as a performative
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              SOS Radio TNC             OZOne, Radio Qualia,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              Radiotopia                                                                         (2003/K203)                         Cinematics
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              (1984/K48)
 Blick, Stimme und (k)ein Körper /                                                                                                                                                                                                                                                                                                                  (Claire Roudenko-Bertin)                                                                                                                                            We are essentially handicapped, we just don't                                                              Radio Free Utopia
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     digital broadcasting               (1989/T) Van Gogh TV – Studio (1989/K115)                                     process. Instead of interaction, there is a confrontation                                                                               (2002/K427)                                                                        (M. Pinter, Renate Oblak,           (1999/K380)
    Mona Sarkis                                                                                              psychology                                                                                                                                                                                            search for elves                 (1992/K159)                                          Behavior rules and reactive                       his computer, makes love via the screen                      notice it. (1994/K17)                                                  (Anita Gratzer)                     (Friederike Pezold)                                                  (1989/T) Gründung University TV (1990/I-K198)                                 with what is happening.                                                 (Beusch, Cassani)         Radio Lada (1998/K79)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (1999/K405)                                             W. Ritsch, M. Pichlmaier)
                                                                                                             performative theories                                                                                                                           media as site of transition (DM)                                                                                                            structures (2003/K192)                            and lectures through teleconferencing. He                                                                                           (1999/K324)                                                                                                                                                                                                                                                    (1996/K366)
 sonic graphics – seeing sound / Matt Woolman
                                                                                                             ethnology                                                                                                 magical view                                                                                (Agnes Meyer-Brandis)                interest in myths (Darrin Butts)                                                                   becomes both motorically and cerebrally                                                                                                                                                   Stille elektronische Post (1986)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1989/T) Stadtwerkstatt - slot machine TV, live on 3sat
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1990/T) Van Gogh TV – Hotel Pompino (1990/I-K159)                                                                                                    TNC Network                 remixing radio programs                    Free Speech
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Camp – FRO
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Online-Generation/Automation of Data/Sounds                                                                                  art as real-time event
 Speech, music, sound / Theo van Leeuwen                                                                                                                                                                                                                                                                           (2003/F42/P112)                      (1993/P68)                                                                                                                                                                                                                                                                                                                                                                                                                    Looking at ORF Kunstradio, VanGoghTV and                                                            "heavy rotation revisor" (2003 OK)                             On-line/On-site/On-air sound installation
                                                                                                                                                                                                                                                      Information is thus the                                                                                                                                                                              handicapped ....                                                                                                       (1996/K412) (Harwood)                                              (R. Kriesche, G. Bechthold)                        (1990/T) STWST-TV – Invasion-Okkupation (Buffalo NY)                                                                                                                                                                         (2000/F46)
 Medien/Stimmen / Hg. Cornelia Epping-Jäger,                                                                 analytical philosophy                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    Xchange, one notes an interesting development:                                                      (MEGO)                                                         (Colin Fallows, Heidi Grundmann)
                                                                                                                                                                                                                                                      exact opposite of myth                                                             illusionist out of body experiences                                                                                                                                                                                                      Rehearsal of Memory (mental patients                               Zusammenschaltung 2er Studios                      (1991/T) STWST-TV Out of Control (1991/K89) first TV ars                                                                                         Radio FRO (2001/K406)                           Ponton – Van Gogh TV:
                                                                                                             linguistic philosophy                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    ... cheaper and simpler technology creates                                                                                                                         (A. Krach, J. Sienknecht, S. Gründler, C. Fallows, Dusan Bauk,
    Erika Linz                                                                                                                                                                                                  transformation view                   (Kittler)                                                                                                                performative transformations                                                                                                                                                                       in a high security hospital)                                       (1986/II-K275)                                     (1992/T) Piazza Virtuale – documenta 9                                        greater freedom, individuality and diversity                       Radioqualia (1998/K105)                         radio project
                                                                                                             rhetoric / topic                                                                                                                                                           ritual performance with butchering                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               A.Vasiljevic, R. Klajn, G. Paunovic, A. Garton, J. Curtis,
 Zwische Rauschen und Offenbarung – Zur                                                                                                                                                                                                               (1995/K79)                                                                                       face made of                                                                                                                                                                                                                                                                                                                                     (1992/T) STWST-TV Im Teilchendschungel der W. ... (92/K198) (1998/K78)                                                                                                                           (1989/K110)          net radio
                                                                                                                                                                                                                                                                                        and preparation of a chicken. (1986)                                                   (P. Eisenman) (cf. 1994/K56)                                                                                                                                                                                              Out of control (4)                                              TV-Sculpture                                                                                                                                                                                                                                                                    M. Smith, Sandra Wintner, G. Gregson, S. Cathey,
    Kultur- und Mediengeschichte der Stimme /                                                                linguistics                                                                                                                                                                                                                               single drawings                                                                                                        Eliza dialogues (1966)                                                                                                                                                                                                    (1995/T) STWST-TV Checkpoint 95 (1995/K323)                                                                                                                          radio technology
                                                                                                                                                                                                                                                                                        (Minus Delta T) (1989/J135)                    avatars                                 transformation of the sign                                                                                                                                                                                                                                                                (Aldo Tambellini)                                                                                                                                                                                                                    Familie Auer (Kunstradio)                  Emilia Telese, T.M. Didymus, H. Harger, A. Hyde,
    Ed. F. Kittler, Th. Macho, Sigrid Weigel                                                                 structuralism
                                                                                                             speech act theory                                                                                             trash view                 Myth of Information
                                                                                                                                                                                                                                                      (1995/K) (1995/K117)
                                                                                                                                                                                                                                                                                                                                                       (S. Zeyen)
                                                                                                                                                                                                                                                                                                                                                       (1997/P140)
                                                                                                                                                                                                                                                                                                                                                                               (Selim Koder) (1994/K51)                                                                       (Weizenbaum)                                                              30 therapeutic view                              exhibition of the Prinzhorn collection
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (1991/K245) (Ferenc Jádi)                                       (1992/II-K110)                 (2000/T) Televisio – Kunst sieht fern / Vienna
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 Beginning 1987 ORF and its partner 3SAT
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        Kunstradio network
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        Manifesto (1998/K101)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              (1997/K411)                                R. Bastien, S. Chappelle, Joelle Ciona,
 Transformationen der Techno-Ästhetik (essay                                                                                                                                                                                                                                           the virtual vampire          New Age cyberculture                                                                      overall data work see below                                     (1992/K194)                                                                                                                                                                                                                                                                                                                                                                                          free radios and from NET:ART to NET.RADIO                             P. Courtemanche, anna Friz, Eileen Kage,
                                                                                                             pragmatics/interactions and                                                                                                              (McKenzie Wark)                                                                                                                                                                                                                                                                                                                                                                                                                            world premiere of the television                                open transmissions for media artists
    in: Digitaler Schein) / Peter Weibel                                                                                                                                                                                                                                               (Doro Franck)                (1996/K231)                                                                               (Roy Ascott) (1989/K100)                                                                                                                                                                   (1994/II-K98) color recognition device, whistle                                                                                                                                                                                (Heidi Grundmann)                                                                                                B. Mullan, W. Sergeant, T. Cole,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   1989
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 spectacle "Willoughby Sharp´s                                   throughout Europe                                                                                                 their problems (1998/K75) (Josephine Bosma)
 emoticons / Karin Niedermeier                                                                               conversation analysis
                                                                                                             sociolinguistics
                                                                                                                                                                                                   see also: filmic view
                                                                                                                                                                                                   see also: topological view
                                                                                                                                                                                                                                                      The New Myth
                                                                                                                                                                                                                                                                                       (1990/II-K221)
                                                                                                                                                                                                                                                                                                              the mythical TV space
                                                                                                                                                                                                                                                                                                                                                   Morphing            Morphing Software                      connectivity,
                                                                                                                                                                                                                                                                                                                                                                                                              transformation and
                                                                                                                                                                                                                                                                                                                                                                                                                                          ideological tendencies
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          view of handicaps                              interface to telephone, keyboard for the blind,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Speaking Thermometer, ...)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 Downtown NY 1986" (1986/K388)                                   from Van Gogh TV and Stadtwerkstatt
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1989/K276)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1996/K352)                                                        see below
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Andrea Sodomka, M. Breindl, N. Math
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         W. Ritsch
                                                                                                                                                                                                                                                      (Frank Ogden)                                                                                                                                                                                                                                                                                                                                                                                                                              (first TV project at the ars!)                                  (1996/J98)
                                                                                                             linguistic performance theory                                                                                                            (1995/K99)
                                                                                                                                                                                                                                                                                                              "My Neighbourhood"
                                                                                                                                                                                                                                                                                                                                                100th image as morphing basis                                 transcendence
                                                                                                                                                                                                                                                                                                                                                                                                                                          of media art
                                                                                                                                                                                                                                                                                                                                                                                                                                          (New Age cultures) (1998/K290)                                         see also: body view, education view etc.                                                             IBVA system (Interactive Brainware                                                                                                                                                                                (1999/J90)                                               Open Air – A Radiotopia                                                                                            art as energy flow
                                                                                                             literature studies                                                       Materia Prima                                                                       the space-maker                     (1994/K160)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         radio art                      On line – on site – on air
                                                                                                             literature discourse                                                     (Code) (2003/K12) (DM) mathematics and its                                          as magician               Mysticifactions: (1989/J51/J52)
                                                                                                                                                                                                                                                                                                                                                (1998/P137) (T. Waliczky)
                                                                                                                                                                                                                                                                                                                                                                                    the confrontation of art at                  Minus Delta t
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 see also: psychoanalytical view                        robot arms moved solely                       Visual Analyzer) for simple command processes                                             TV Poetry                         webcam art
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                "Piazza Virtuale", the interactive computer
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 (unplugged 2002/F16)                              net radio has to react                                           art as act
                                                                                                                                                                                                                 nimbus of the magical                                                                                                                                                                                                                                                                                                                                  by thought                                                                                                                              (Gebhard Sengmüller)                                                                                                                                                                                                               to its environment
                                                                                                                                                                                                                                                                          (Randal Walser)                                                                                           the archetypal level                         shows technology                                                                                                                                                         voice, breath and gaze                                                handicapped by a                                                                                environment for live TV from the Ponton European                             Radiophone poetry –                                 Radiolabor (1992/K202)
                                                                                                             linguistic turn (discourse)                                         technological magic                                                                                                Bermuda Triangle (Isao Tomita) (1982/K193)
                                                                                                                                                                                                                                                                                                                                                                                    (1995/K223) (I. Burgbacher-Krupka) mystically (1986/K07)                          The myth of                                                                                       (Spiegel 03.2004)                                                                                                                       (1993/K382)                     (1998/P21)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             new radio play                 Radio Subcom                                           (1998/K75)
                                                                                                                                                                                                                                                                          (1990/II-K206)                                                                                                                                                                                                                                                                                                                  recognition systems                                                   wheelchair                                                                                      Media Art Lab, with Picturephone, ISDN, with games
                                                                                                                                                                                 (1989/J52)                                     VR als virtual drug (1990)                                          (1989/J118) (1999/J356)
                                                                                                                                                                                                                                                                                                                                                                                                                                 media mysticism (1986/K148) the artificial (1991)                                                                                                                                                                                                                                                                                                                                                                           (1980/K07)                     (1989/K163)          radio goals (J. Sugár)
                                                                                                                                                                                                 Video Magic                                                                                        The Mind of Universe (Isao Tomita) (1984) (1989/J122) (1998/II-K290)                                                                                                                                                                                                                                  (AH) Technological progress goes from the                             (Jon Berge) (1997/P138)                               Live TV experiments                       and activities that can be controlled with via telephone
                                                                                                                                                                                                 (E. Schoener)                                                     Cyborgsurrealismus                                                                                                                                                                                                                                                               (AH) physical                                                                                                                                                                                                                                                                                                                                                (1996/K352)
                                                                                                                                                                                                                                                                                                    Erdenklang (Erika Gangl, Bognermayr, Zuschrader, ...)                  diabolic invisibility                                                                                                    2nd Nature                                                                                            "guided hand" (keyboard or mouse) to gesture and voice,                                                                     existence in electronic                   keys, and chat programs using modem, fax, telephone                                                                                             (E. Kluitenberg, E. Davis,
                                                                                                                                                                                                 (1979/K50)                                                        (1997/K63) s.u.                                                                                                                                                cosmological model                                                                                                rehabilitation measures                                                                                                                  wheelchair as interface                                                                                                                                                   RealRadio              art as transmission
                                                                                                                                                                                                                       magical-symbolic elements                                                    (1982) (1989/J120)                                                                                                                                                  Myth of the Computer                                                        (MF) (GMD)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          then to the simple gaze and finally from the gaze                                                                           space (1994/K158)                         and live entry points                                                                  (Markus Seidl)         (Dieter Daniels)                  Rasa Smite, Raitis Smits,
                                                                                                                                                                                                                       musical magic                               (Haraway)                        Aurora Electronica (...)                                                          gambling and spirituality                   Mullicans                                                                                                                                                               to thought.                                                                        for navigation                                                                     (1994/K160)                                                                                                                                     Borut Savski, Rachel
                                                                                                                                                                                                                                                                                                                                                                                      (1996/K420) (Nancy Paterson)                                                                                  Myth of AI                                                            manipulation aids                                                                                                  (Mintz, Ditmars, Duggan)                                                                                                                                                  (1997/K388)
                                                                                                                                                                                                                       (1990/K-I-20) (S. Leoni)          art is media-mysticism                     Intergalactic "mating" (Jon Hassell, Thomas Shannon)                                                                                                                                                                                                                                                                                           electronic cane for the blind (1996/P146)                                                       Closed-circuit-TV            Piazza Virtuale – Service Area (1994/K232)                                                                                                      Baker (1998/K90)
                                                                                                                                                                        Cyborg as carnivalesque
                                                                                                                                                                                                                                                                                                    (1988) (19989/J151)                                                                                                                                                                                                                                                                                                                                                                                                                            (1994/K159)
                                                                                                                                                                        transitional figure              every art form has                              (1989/J52)                                                              (1998/II-K275)                                           Thus, telepresence maps onto three long-term projects in the                mythological-electronic                                                                      mobility aids                            autonomous wheelchair                  (GuideCane)                                                                                                                                                                Ugo Ugo Lhuga                                              (Adrian X) (1989/K146) see below
                                                                                                                                                                                                                                                                                                                                                               techno-mysticism           history of ideas, including their mythical, magical, and utopian                                                                                                                                                                                                                      rehabilitation                                                                                 Live TV with telepresence
                                                                                                                                                                        (Bilwet/Adilkno)                 its origins in magic                                                       transformations of                           techno-utopianism                                                                                                                    music theater "collisions"                   Note: the orality view                                               (S. Hawking)                                                                                                       technologies for people                                                                                            children interacting with                                  "art radio" was the attempt to experience
                                                                                                                                                                                                                                                                                                                                                                                          connotations. These are, first, the dream of artificial life and                                                                                                                                                                          perception aids                                                                                                                            (Stadtwerkstatt)
                                                                                                                                                                        (1997/K135)                      (1991/K111)                 electro-acoustical                             techno-aesthetics (PW)                                                     (1996/K35)                                                                                             (Transcenic/Theatre d´en Face)               has been relocated                                                                                                                                           technique                  with handicaps                                                                                                     computer-generated figures in                              radio as it could have been, if it had not
                                                                                                                                                                                                                                                                                                                                 techno-paganism                                                                                                                                                                                                                                        (1994/K19)                                                                                                                                                                             (1995/K323)
                                                                                                                                                                  irony and humor
                                                                                                                                                                                                         (Z. Karkowski)              visitation mass                                overwriting and transgressing                                                                         automation; second, the tradition of virtual realities in art;
                                                                                                                                                                                                                                                                                                                                                                                          and third, the occult prehistory of telecommunication,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1984/K223) (1989/J125)                                                                                                           motivating the visually impaired             night vision devices
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (1994/II-K98)                                                     real-time solution not feasible
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              a television show (Toshio Iwai)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              (1994/K252) (1999/J428)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         become a centralized mass medium                                 art as action
                                                                                                                                                                                                                                     (Diamanda Galas)                               classical arts (PW)                                                                                                                                                                                                                                                                                                                                                                                                      CARETEC exhibition
                                                                                                                                                                  in cyberfeminism                                                   (1986/K83)(1989/J59)
                                                                                                                                                                                                                                                                                                                                     the state of the world after                         which operates permanently within structures of                                                                                                       MARX (O. Augst, M. Daemgen,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        to communicate visually via
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       electronic aids for
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               in the multimedia networks
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              Ugo Ugo Lhuga Live                                      from TV work to         radio art is not                            art as performance
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            ars: on handicaps
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        Internet (1996/P136)                                                                                                                                                   (only TV networks have sufficient
                                                                                                                                                          Electrolobby as international
                                                                                                                                                                                                (Birgit Richard)
                                                                                                                                                                                                (1999/J336)                                                  techno-séance
                                                                                                                                                                                                                                                                                         (VR) design was
                                                                                                                                                                                                                                                                                                                                     its techno-transformation (PW)                       ideaes for leaving the body (OG)                                                                              voice view                              C. Korn, T. Desy) (2003/F22)                                      (Elisabeth Goldring)                                                                                                 the handicapped                         bandwidth)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              (it was possible to speak with the figures)             radio projects
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (Stadtwerkstatt)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              sound art
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          art as broadcast
                                                                                                                                                                                                                                                                                         inspired by alchemist The techno-world of machines represents a                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1998/K101)
                                                                                                                                                          game lab (2001/K195)
                                                                                                                                                                                            scientist-comedians                                              (1994/K162)                 practices (Silver)         radical transformation of being (PW)
                                                                                                                                                                                                                                                                                                                                                                                (P. Weibel) Instead of original - technical reproductions,                                                                                                          voice distortions                                                            SLO – Scanning                 COMPUTER as handicap - what computers can't do
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              1994
                                                                                                                                                                                                                                                                                                                                                                                appropriation and simulation, instead of author - collective,                                                                                                                                                                                                                                                                                                                                                                    Live TV with telepresence                               Ready-Made-Medium
                                                                                                                                                       creating realities that can be       (Joe Davis)                                  (1998/II-K178)
                                                                                                                                                                                                               video gamel – urban Until the late 80s military
                                                                                                                                                                                                                                                                                         (1996/P156)
                                                                                                                                                                                                                                                                                                                    The techno-transformations of art, from                     machine, text, instead of truth - verdiction and virtuality,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   31 orality view                                    Vocoder           (1992/II-K28)                                            Laser Ophtalmoscope            Unplugged – Methods (Symposiums)                                                                                                                 (Stadtwerkstatt) (Lev Manovich)                         as presentation form/TV
                                                                                                                                                       experienced emotionally - even entirely                 parody of violence                                                                                   photography to the digital image, are                       instead of thing - medium, instead of material -                                                                                                                                                     evaluating the emotional                                                                 communication devices                                                                                                              (1995/K324) (1995/K343)                                 (Thomas Dreher)
                                                                                                                                                                                                                                         simulators - the American                                                                                                                                                                                                                                                                                                                                                                                                                                               emergency services                                                                              display of parallel space                               (1995/K55)
                                                                                                                                                       without data helmet and cybergloves                     (L. Hart, Julien Alma) SIMNET and applications                                                       machinic art forms (PW)                                     immateriality, instead of reality - fiction, instead of being                                                                                                                                        content of the voice                                                                     (verbal output devices)                                                 device for memorizing
                                                                                                                                                       (2001/K20)
                                                                                                                                                    A carvival of misplaced devotion
                                                                                                                                                                                                               (2000/F34)                like flight simulators -         In the worst case, what                                           The history of technology
                                                                                                                                                                                                                                                                                                                                                                                and reality only signs, fictions,
                                                                                                                                                                                                                                                                                                                                                                                simulation.
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   theater view II                         Voice Boxes                               (connectionist installation)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              supported communication                                 knowledge (CBT)                                            (Tommy Lehner)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Live transmissions of
                                                                                                                                                                                                                                         were considered the                                                                                                                                                                                                                                                                               (Natalie Jeremijenko)
                                                                                                                                                    (S.R.L.) (Seattle 1990)(1990/II-K233) adapted shooter games                                                           will be left of the VR                                            has always been the history                                                                                                                                                                    (1996/K402)                                                                                 collection of
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              facilitated communication:                                                     prosthetic aids                                      (paper tiger TV)                       operations from the
                                                                                                                                                                                                                                         origin of the commercial         movement will be only an                                                                                                                                                                                                                                                                                  RE:MARK – transforming sounds into                                                                        touched or supported while
                                                                                                                                                                                                    Nybble-engine-toolZ                                                                                                                     of its myths and utopias (OG) (PW) The transformation of techno-art can                                                                                                                                                                                                                    onomatopoeia                                                                                 light signals                                                                                 (1995/K337)                            public hospital
Literature:
                                                                                                                                              Borderland (shooter video game techniques             (M. Jahrmann, M. Moswitzer)
                                                                                                                                                                                                                                         video game                       infantile toy industry          auditive battle game                                                       be described as a transformation of the                                                                         rhetoric view                                                                  dynamic forms (Golan Levin)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (2002/K410)                                        (Agathe Jacquillat,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              writing
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (instead of acoustic output                  means for controlling the
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           TV as domestic
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         are extremely popular
                                                                                                                                              (J. Alma, L. Hart) (2000/P86)                         (2003/F40/P92)                                                        (Peter Weibel)                  KlangKanone (Stichting Rainstick)                                          ontological triple (being, work, truth) into the                                                                                                                                                                                                                                                                                                                                            environment (remote control)                                                            (Melita Zajc)
Blick, Stimme und (k)ein Körper – Der Einsatz                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Tomi Vollauschek)                                                                                                                                                                                   telescopy (PV)
                                                                                                                                                                                                                                                                          (1990/II-K30)                   (1995/K258)                                                                semiotic triple (sign, medium, power).                                                                                                                                                                             voice recognition                                                                                                                                                                                                                                                (1995/K77)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (2003/P58)
   der elektronischen Medien im Theater und in                                                                                               Glasfieber – bowling alley           Happy Doomsday!                    (1998/II-K178)                                                                                          Bio-Mechanical Gameshow                                                                                                                                                                                                                  Voice System                                                                                                                                                                          commands through face              Biocybernetic technology
   interaktiven Installationen / Mona Sarkis                                                                                                 (Stadtwerkstatt) (1996/K324) (Cálin Dan) (1998/K148)                    DOOM II and the
                                                                                                                                                                                                                                                ARSDOOM
                                                                                                                                                                                                                                                art adventure        professional gamers (2001/K192)                         (1997/K362) (Time´s up)                                                                                                                                               linguistic view                                                                                  speech recognition
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      AAC = augmentative and
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            muscles (1994/K198)                (1994/K198) (for paraplegics)                                                                             art as social issue
                                                                                                                                                                                                                     military version                                                                                        (T.H.H. Boykett: Theory of Hypercompetition)
                                                                                                                                                                                                                                                                                                                                                                                                                 VR-landscape "PlaceHolder"                                                                                                                        speech recognition                                                 auditive poetry                                                                 alternative communication
Maschinen, Medien, Performances – Theater an                                                                                                                                      culture of war                                                (1995/K262)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (C. Helbock)
   der Schnittstelle zu digitalen Welten /                                                                                                                                                                           "Marine Doom"              Brucknerhaus             (D. Rokeby) Computer game
                                                                                                                                                                                                                                                                                                              (1971/T) Noan Bushnell invents the world's                    Text Rain (2000/K389)
                                                                                                                                                                                                                                                                                                                                                                                                                 (Brenda Laurel, Rachel Strickland)
                                                                                                                                                                                                                                                                                                                                                                                                                          (1994/P124)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                             see also: radio view                                                                  (hearing the presence            (1989/K167)                       speech sound                   On Jandl – digitalized mouths
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Augmentative forms of communication:                        aids for self-active game                              (1998/K163)                              art as transmission
                                                                                                                                                                     interactive art on the Net                                                                          developers are the                                                                                                                                                                                                                                                                        of the user)                                                                                      (Eku Wand)                                                                                                                          and problem-solving behavior
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1980/K76)
   Martina Leeker (Ed.)                                                                                                        culture of laughter view              (Eduardo Kac) (1995/K170)                                                  (Orhan Kipcak)
                                                                                                                                                                                                                                                                         contemporary masters
                                                                                                                                                                                                                                                                                                              first commercial video game
                                                                                                                                                                                                                                                                                                              (1972/T) Atari: video game machines "Pong"
                                                                                                                                                                                                                                                                                                                                                                            (Camille Utterback, Romy Achituv)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           articulation                                                                               (gerhard rühm)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (1993/P87)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             hand and foot signals, head movements,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             eye movements, facial expression, gesture,
Liveness / Philip Auslander                                                                                                                                                                                                                                              of illusion                                                                                           computer game in                                                                                                                                            (phonation)                               vocal synthesis                                                                                                                                         emotional expression, posture, ...
                                                                                                                                                                     games / deconstruction and               (AH) Interactivity creates an intimate relation                             (N. Suzuki)         (1976/T) Fairchild : video game device                                                                                                                                                  Speech Recognition                                                                                                                                                                                                                                                                                                          special input devices
Computers as Theatre / Brenda Laurel                                                                                                                                                                                                                                                                                                                                           concert performance         (ML) Since the publication of
                                                                                                                                                                     modifikation (2003/K227)                 between the artwork and the viewer (J. Shaw)                                                    (1980/T) Pac Man (a player only managed to play (1993/K263) macpanic "Computers as Theater" (Brenda Laurel)                                                                                                                                                            (Leo Küpper) (1984/K29)              possibilities of the                         Acoustic events for one
Spielfiguren in virtuellen Welten / Natascha                                                                                               carnival view                                                                                                                       Feedback
                                                                                                                                                                                                                                                                                          (1996/P150)
                                                                                                                                                                                                                                                                                                              all 256 levels after 20 years)                                                               interactive games ... are designed and
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Voice Recognition               linguistic notations of                                                             human voice                                  voice and apparatuses (1970)                                                                 Alternative forms of communication:                           foot-mouse, headpointer,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  eyetracker
   Adamowsky                                                                                                                                                                   (AH) interactivity is generated in the various                                                                                                                                                      sound mikado                                                                                                       Speech Translation              the voice (1989/K272)                  AR / Audio Reality (instead of VR) (Diamanda Galas) (1986)                                (Ernst Jandl) (1980/K88)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    sign language, images, graphic symbols
Für eine Ästhetik des Spiels / Ruth Sonderegger                                                                                                                                user interaces by touch, gesture, movement,
                                                                                                                                                                                                                                              two-way interaction                                             playful art                  video games see above                   (Waltraud Cooper)
                                                                                                                                                                                                                                                                                                                                                                                                           judged according to aspects of theater.             (1999/P80)                                                             (Amanda Stewart)                       (Steffen Wernery)                            avant-garde                                                                                                                               (Wolfgang Georgsdorf)
                                                                                                                                                                                                                                                                                  feedback art (PV)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  special output devices:                integrating games in
Künstliche Spiele / Ed. Georg Hartwagner,                                                                                                32 playful view                       acoustics or sight
                                                                                                                                                                                                                                              (Myron Krueger)
                                                                                                                                                                                                                                                                                                                                                                                   (1987/K100)
                                                                                                                                                                                                                                                                                                                                                                                                        (AH) game structure as model
                                                                                                                                                                                                                                                                                                                                                                                                                                                               Virtual Labyrinth                                                                                             (1995/K205)                                  electroacoustic singer             Interactive theater for 4 virtual                    Messa di Voce – visualized                                                                                                therapy (1994/K199)
                                                                                                                                                                                                                                                                                                                                ars: the world of games
                                                                                                                                                                                                                                              Responsive Environments                                                                                                                                                                                          (Bill Keays, Ron                                                                                                                                           (1986/K90)                                                                              speech and song (a performance)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Braille display
   Stefan Iglhaut, Florian Rötzer                                                                                                                                                                                                                                                                                                                                                    (2000/K365)        for work structure                                                          street theater                                                           database-based                                                                                  beings and live audience
Intermedialität – Das System Peter Greenaway                                                                                              gaming view                   (AH) mid-80s as the                        interactive
                                                                                                                                                                                                                   circuit systems
                                                                                                                                                                                                                                           interactive kaleidoskop              console kids
                                                                                                                                                                                                                                                                                                                                                                                     Sissy Fight                          (Machiko Kusahara)
                                                                                                                                                                                                                                                                                                                                                                                                                                                               MacNeil)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (1984/K359)                                                              narration (2001/K108)                                                                           (1996/K404) (Luc Courchesne)                         (2003/K311) (Tmema, Jaap Blonk, Joan La Barbara)                                   sound-therapeutic objects
   Yvonne Spielmann                                                                                                                                                     beginning of the ludic society                                     (Sidney Fels) (1998/K201)            console games         The Ludic Society (Neil Postman) /                                                                                                                                                                                                                     (Nora Barry)                                                                                                                                                                                                                            (1979/K37)
                                                                                                                                                                                                                   (1979/K47)                                                   online gamehall homo ludens (Flusser) the topic was covered                              game on literature passages                      games and traditional          (1998/P62)                 Urban Sax (K364)              virtual mask celebration,                                                                              story telling                                                                      dynamic animation through gestures taking the                                                                  (PW) The origin of technology
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  rhetoric of hypermedia
Art_server: stargate to netculture / Margarete
   Jahrmann & OK (Ed.)                                                                                                                 competitive view               for Ascott the concept of "interaction                                     (AH) In 1962 at MIT            (2001/K194)           by the O.K Linz with "Toys´n Noise"                                (1994/K40) (Elfriede Jelinek,                    culture in Japan               escape game
                                                                                                                                                                                                                                                                                                                                                                                                                                                         (M.G. Wagner, Concept: computers as
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  remote-controlled puppet theater
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (Indesen, Krohn)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            voice into consideration / visual performance system
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (Golan Levin) (2000/P82) Audiovisual Environment Suite
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           is rooted in this universal
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           condition of lack. (1994/K17)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             art as therapy
                                                                                                                                                                      was central around 1980                moments of interactivity            E. Sutherland described                              (Art_server: stargate to netculture)                               G. Hüngsberg, H. Franz)                                                                                                                  (Ken Feingold)
Nybble-Engine / M. Jahrmann, M. Moswitzer                                                                                                                                                                    (at Ars before 1989) (PW)           a "sketchpad system" for                                                                                                                              phenomena of perception in                        S. Carroll)          theater (Brenda Laurel)             (1996/P134)              GOLEM – an                                                    digital storytellers
                                                                                                                                                                                                                                                                                                                                                                      consoles (R. Kuwakubo)           computer games (2001/K69)                                                                                                           interactive opera                                                                                                                                     (DM) films are determined to a
Der bewegte Betrachter – Theorien der                                                                                                                                     immersive                          (1989/K87)                          interactive computer                  Shared Environments                                                                                                                                                                    on dramatic interaction                                                                                                                               new methods of storytelling (?)                                                                                                 ("Huge Harry" = voice synthesis
   interaktiven Medienkunst / Annette Hünnekens                                                                                    view of interactivity                  interaction (2002)                                                     graphics                              der Multi-User-Games
                                                                                                                                                                                                                                                                                                                          literature game (2000/K397)                 (2002/F044)
                                                                                                                                                                                                                                                                                                                                                                                                       (T. O. Meissner)                see also: view of fashion              (1990/II-K259)                            ATHE-MOO            (Richard Teitelbaum)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (1990/K-I-84)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            media opera by                                          (mixed reality technology – pop-up book)                     high degree by rhetoric                                            machine) (1997/K110)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1997/K433)                                                                                                 (Kenji Iguchi, Tomoki Saso) (2003/K420)                                                                                                                          Virtual Voices
Ästhetik der Inszenierung / Ed. J. Früchtl et al.                                                                                                                                                                                  paradoxes of                                        (2001/K20)          multi-actor-server                      Pixelspaces (small conference)                                                                                                                                                                                           John Sanborn (1986)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       Voice synthesis
   Die Zeitgenössische Dramatik und die neuen                                                                          see: entertainment view
                                                                                                                       see: sports aspects
                                                                                                                                                          user interaction (2001)                 interactive art                  interaction (1989)
                                                                                                                                                                                                                                                                                                                 mobile games (2002/P24)
                                                                                                                                                                                                                                                                                                                                                   space as game –                                                                      view of staging                        Critique (Patrice Pavis) (1999)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                               every machine, every technology,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    opera cabaret
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (AH) Merging individual art forms into an integral
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (ML) one of art's tasks is to
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         expose and deconstruct the rhetorics of
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     From Text to Speech
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (1997/K120)
   Medien (essay) / Patrice Pavis                                                                                                                                                                                                                                  (AH) interactive media art as                                                   game as space                                                                                                               every computer being is a foreign
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    Arleen Schloss
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           art form ... that conjoins new media with theater,
Unexpected Obstacles – The work of Perry
   Hoberman 1982-1997
                                                                    performativity discourse
                                                                    theater theory
                                                                                                                       see: interface view                   In the Network of Systems -
                                                                                                                                                             for an interactive art                                                   interactive art(PRIX)
                                                                                                                                                                                                                                                                   "the art form" of the 90s
                                                                                                                                                                                                                                                                                                            (Masuyama)
                                                                                                                                                                                                                                                                                                            game
                                                                                                                                                                                                                                                                                                                                                   (2002/F12)
                                                                                                                                                                                                                                                                                                                              (HK) Yet we are also confronted with computer                                                       theater studies view                         body in the heart of theater
                                                                                                                                                                                                                                                                                                                                                                                                                                                                               performance (on "Zulu Time")
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (1986/K55)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           opera, performance, ...
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         interfaces (David Rokeby)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 N-cha(n)t
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 (David Rokeby)                               CAVE was conceived as
Mark von Raden / Energized Gaming Culture                           theater studies                                  a kind of dialogue                      (ars 1989)                               (AH) (Roger Malina) Interactivity was first                (AH) Interactive Media                     producer                                                                                                                                                                                                             cyber-opera (P. Weibel)                                                                  turbulent operette in                                                                                  the computer picks up                        "Virtual Reality Theater"
                                                                                                                                                                                                                1989
                                                                                                                                                                                                      officially proclaimed a new art form with the                                                                           freaks that basically don't want to do anything
                                                                    theater anthropology                                                                                                                                                                         Festival (Los Angeles) (1995)              (2002/F12)                                                                                                                                                                                                           "Wagner's Madness"                               media opera                             electroacoustic fashion                                                                                utterances and freely develops               with scientific content and
   (1997/P102)                                                                                                       with the systems              (D. Rokeby) the                                                                                                                                                            but operate pinball machines.                                                                                                                       Animax multimedia theater
                                                                    dramatic discourse                                                                                                                establishment of the prize (1990)!                         "Sparky Prize"                                                                                                                                                                                                                                                  (1995/K368)                                                                              (1984/K329) (Altmüller/Bogner)                                                                         them (2002/F042/P072))                       projection possibilities corresponding
                                                                    performance studies
                                                                                                                     (1979/K03)                    key word "interactivity
                                                                                                                                                   arose in 1988               interactivity
                                                                                                                                                                                                      LINZ ... !
                                                                                                                                                                                                                                                                              music game (2002/K418) the world of
                                                                                                                                                                                                                                                                                                                                               performance and play                                                     32 theater view / opera view                              for children (2002/P90)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  (Autorenwerkstatt MEET)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 multimedia opera (?)                                                                                                                     Perfect Lives (Robert Ashley)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          An Opera for Television
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              to the criteria of the showcase (SIGGRAPH 92).
                                                                    performance theory                                                                                                                interactive             playful interaction (2002)                      (Tina Blaine, C. Forlines) computer games
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        "Wild-style Video Operette"
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          (1986/KII-218)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              (Daniel J. Sandin) (1996/J85)                                                 art as articulation
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               1988
                                                                                                                  types of interaction (1999)                                                                                                                                                                                                               E.W. Adams (2002/F12)                                                                                                                                                          Theater                      about ecology, fun, politics, evolution, Europe, energy (the three sacred E's),
                                                                                                                                                                                                                              (1996/K406) (Masaki Fujihata)                                                                                                                                                                                                                                                                                                                                                                                                                                                          multimedia show
                                                                    game theory                                                                                                                       media work                                                                                                                       electrolobby game design
                                                                                                                                                                                                                                                                                                                                                                                                                                     presentation view                          festival house as
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           art of the scene
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        the universe, sex, household, nature, technology and sports (on P. Weibel)                                                                                                                                                                                                          art as transformation
                                                                                                                                                              2001
                                                                    language games approach                                                                                                           (Weibel)                                                                                                         net games                                                                                                                                                high-tech location (ML)                                                                                                                                                                                                              (Patrice Pavis)
                                                                                                                                                        (AH) interactivity as an                                                   mediatization of interactivity (AH)                one of the cores of                                                                                                                                                                                                                                                               "The Artificial Will" electronic media opera                                                            multimedia performance
                                                                    postmodern views                                                                    "empty" concept –                                                                                                             electronic art and                                                    digital puzzle                                                                                                                                                                                              (1984/K239)(1989/J24/J124) (P. Weibel) (Susanne Widl, Reneé Felden, ZYX)                                                                                                     multimedia
                                                                                                                                                                                         interaction of non-linear                                                                                                              Robo-Cup s.r.               (Hiroshi Matoba)                                                                                                                                 theater as show machinery (1988/K38)                                                                                                                                                                                                    theater (H. Lepka)
                                                                    anthropology (of laughter)                                                          "without content" (Huhtamo)                                                                                                   sophisticated technology
                                                                                                                 interaction design (2001)                                               group dynamics (1994)                              playful interaction as a                  is interactivity                          (robo-games)                (1998/K203)                                                                   liveness view                                                                                                                          Theater of hybrid machines                Interactive Computer
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Theater (1981)                   telematics and total data work (AH)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (Lawine Torrèn)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Art Com Electronic Network (2000/K294)
                                                                                                                 (1996/K274) (Don Ritter)             dialogical interaction (2001)                                                         central "pattern" of the Ars: (1989/K87)                                                                                                                                                                                           (ML) the boundary between theater             the mechanical Bauhaus stage                        (Woody Vasulka, David Dunn)                                                                                                       ACEN (1986) (1989/K130)                                   (ML) theatrical-performative-
                                                                                                                                                                                                           creative                                                                                                                                                                                                            see also: music theater view                                                                                                                                                                (1989/K168)
                                                                                                                 (2001/K79)                                                                                                                 games, music tools, ...                                   mobile phone (Bruce Thomas) Wearable AR System modified use of games                                                                                                     and performance and mediatized                (1988/K93) (Theater of Sounds)                      (1990/II-K265)                            (Stephen Wilson)                  (ML) Emphasizing the performative in                  Online-Theater                                            digital Installation
                                                                                                                                                            medium of interaction (2000)                   interaction (AH)                 perusing, traversing,                                                             for the game Quake (2002/F12)                   (Mathias Fuchs, Sylvia Eckermann,                                                                performance occurs today at the
                                                                                                                                                                                                                                                                                                      games                                                                                                                                                                                                                                                                                                                                                  media performance simultaneously forms                                                                          (Penelope Wehrli)

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   ars: theater at the nexus
                                                                                                                                                                                                                                            searching, exploring, ... interactive WWW                                                                                         M. Jahrmann, Max Moswitzer,                   Why has this field not been mined                  level of "liveness", the co-presence                                                                                                                                                                                               (ML) theatrical digital
                                                                                                                                                                                                                                                                                                      (2001/K87)                    tele-interaction (ML)                                                                                                                                                                                                                                                                                                    the nexus to the discourses on media
                                                                                                                        interaction tool (2003)         music-construction-game-machine                (in)voluntary                                                                                                                                                          Orhan Kipcak)                                 at Ars Electronica? (Technical                     of actors and viewers                                                                                                                                                                                                              experimental arrangement (ML) the relevance of theater (MF) the communicative
                                                                                                                                                                                                                                                                           works (DH)                 (Kanae Ushiro,                                                                                                                                                                                                                                                                                                                                         and theater
                                                                                                                                                        (Sybille Hauert, D. Reichmuth)                 interaction (1996/P55)           interactive narration                                                                                     go-programs                 modified use of video games                   framework conditions at Brucknerhaus?                                                                                                                                                                                                                                                                                  within information technology guidelines of theater could
                                                                                                                                                                                                                                                                           works that don't           Takashi Morimoto)                                                                                                                                                                                                                       cf.: Maschinen, Medien, Performances – Theater an der Schnittstelle
                                                                                                                                                        (2003/F41/P104)                                                                                                                                                                           (A. Steininger)             (Stadtwerkstatt)                              Costs of one-off performances?)                    (ML) liveness should also be retained                                                                                                                                                                               media performance                               and telecommunications                 be investigated with the help
                                                                                                                                                                                           Polylog – for an interactive                                                    function offline                    chess programs                                                                                                                                                  when theater uses audiovisual and                              zu digitalen Welten / Martina Leeker (Ed.)                                                                                                                                                           (Barbara Büscher)
                                                                                                                                                                                           art (Weibel, Lischka) (1989/K65) domino game (2002/K415)                                                                                               (1990/K-I-152)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                               electronic-digital media
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (ML) a new art form is developing from
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         scenic concerts
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          of digital technologies
                                                                                                                                                                                                                                       (S. Schießl)                                                                                                                                (Stadtwerkstatt) (1997/K284)                                                                                                                                                                                             directly linking theater/performance
                                                                                                           culture and work            (AH) Motor of transformation: from                                                                                              external interaction /vs/                                                                                                                                              documentation                                                              (ML) the technical concept of               cyberspace theater                                                                                                                                  musical play                     networked stage (MF)
                                                                                                                                                                                                                                                                       internal interaction (of modules)
                                                                                                                                                                                                                                                                                                                    3rd computer chess championship                                Autodrom Crashcourse
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Web scene projects                                                                                                    and digital media
                                                                                                           are a unit                  modernism to postmodernism                                                                                                                                                   (1980/K177)                                                                                                               and reproduction                                                           "liveness" on the media side:                                                                                                                                                                   "Le système du monde"            at the theatrical level the mixed reality performance
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (2001/K354)                                                                                                                                                                                        (Heiner Goebbels)
                                                                                                           (1982/K25)                                                                                                                                                                                                                          All Play (Cinematrix) – audience participation               playing figures in                (1979/K05)                                                                 interaction in real time                                                                                                                                                                        motoric electronics:             constitutes a continuous feeling of tension between
                                                                                                                                                                                (1998/II-K267) E. Said: The new electronics ...                                                                                                                                                                                                                                                       (G. Squad, M. Chalcraft,                                           live demonstrations               transmitting live                                           (AH) new forms of                 scenic concert with
                                                                                                                                Re-establishment of an equal balance                                                                                                                                                                           (Loren & Rachel Carpenter) (1994/II-K102/P105) virtual worlds                                                                                                                                                                                                                                                                                                             (Gérard Pistillo) !!             the actuality and virtuality of the networked stages
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    theater performance                                                  MIDI instruments
                                                                                                                                between the cultural and the commercial could pose a greater threat to independence than colonialism.                                                       experiment of a                                                                       (1999/J395)                                          Summer Academy – Hellerau 1999: Anette Schäfer)                                                                   (1979/K03)                        events                                                      scenic interaction                                                (1990/K-I-88)
                                                                                                                                                                                The new media are strong enough to penetrate deeper into                            culture-critical                                                                                                                                                                                                                             concept of live electronics                                               medium of TV             (1997/K333)                        (1989/K87) (PW)                   (1988/K121)
                                                                                                                                field (2002/K52)                                                                                                                                            Cultural Ecology         InfoWar takes place in the                                                                                        Theater and New Media
                                                                                                         net culture
                                                                                                                                                                                "receiver" cultures than was possible for any previous manifestation perspektive                            (Andruid Kerne)          sphere of new cultural                                                                                                                              (ML) the media do not touch             (1980/K52)                                                                (1989/K154)              (Isabella Bordoni,                                                                                                 simulation of a story
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (MF) exploring theater itself                               art as scene
                                                                                                                            (1998/II-K256)                                      of western technology.                                                              (2000/K19)                                                                                                                                                                                           the liveness of theater                                (AH) more complex forms of staging                         (Stadtwerkstatt)         R. P. Dalò, G. Pensili)                                                                                            from a Japanese
Literature:                                                                                                                 For the cultural programmer the
                                                                                                                                                                                                                                                                                            (1996/P104)              techniques (1998/K23)
                                                                                                                                                                                                                                                                                                                                                 (ML) With the emphasis on the performative,                                                                                                                                    and dramaturgy                 live remix laboratory
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            inter-art project
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            (Ed Emshwiller, Morton Subotnick)          No play
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             as an apparatus                                             art as game
Kursbuch Medienkultur – Die maßgeblichen                                                                 net culture        Internet poses an even greater                                                                                                                                                                                                                                                            Operating system art
                                                                                                                                                                                                                                                        ars: The Art of the TechnoFuture                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 art as interaction
                                                                                                                                                                    (2002/P118)                                                                                                                                                                  not only is a new, generally acknowledged order                                                                                                                                                               (1999/K380)                                                                                                                  use of music computer                      (M. Kosugi, Y. Ando) (1995/P124)
                                                                                                                            threat than the channel zapper                                                                                                                                                                                                                                                            as desired context               Presence shifted to spheres                                                                                                                                                                       performance theater                                                                                                              (MF) Are media
   Theorien von Brecht bis Baudrillard                                                                   (2001/K20)
                                                                                                                                                                    Cultural impact – as criterion                                                                                                                                               established, but transformation itself becomes the new                                                                                                                                                                                                                                                                                     performance software
                                                                                                                                                                                                                                                                                                                                                                                                                                                       outside the art world (2001/K12)                                                                                                                                                                                                                                           twofold Mapping (mixed reality)                         theater media?
Kursbuch Neue Medien – Trends in Wirtschaft                                                                                                                         for the PRIX ARS Jury                                 settling into the inevitable (symposium)
                                                                                                                                                                                                                                                                                                                                                 principle of cultural order                                                                                                                                                                                                                                                                                                                (1988/K129)
                                                                                                                              software cultures links                                                                                                                                                  Art as public cultural production                                                                                                                                                                            Brucknerhaus location                                                                                                                                                                                         creates a complex theatrical
   Politik, Wissenschaft und Kultur / S. Bollmann                                                                                                                                                                         (cf. Ars 2004 – What Will the Future Bring in 25 Years)                                                                                                                                                                                                                                                                      Context Kepler-UNI                                                                                                                   multimedia work (1989/K87)
                                                           cultural sciences                                                  (2003/K229)                                                                                                                                                              (Christiane Paul) (2003/K136)             (ML) The performative as the intersection of                       1996 start of a new era of organization                                                         by the Danube                                                                   (R. Born)                                                                                                                     reality (MF)
Kursbuch Internet – Anschlüsse an Wirtschaft                                                          Computer culture                                                          Internet as cultural space                                                                                                                                                                                                                                                                                                                                             and RISC (over 15 yrs. too                                                                                                                                                                                      Globe Theater – A history play
                                                           cultural philosophy                                                                                                                                                    ideological stereotypes of                                                                                     theater and media advances to the key term for                     with the opening of AEC                                      LIVA/Brucknerhaus                  (Cloud of Sound                                                                 (1996/K72)
   u. Politik, Wissenschaft und Kultur / Bollmann                                                     (1989/J20)                              Culture is a market full of                                                                                                                                                                        a culture of constantly transgressing boundaries and
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       little cooperation with ars)                                                                                                                                                                                    for robots (Adrianne Wortzel)
                                                           cultural anthropology                                                                                                                                                  the digital revolution                units of cultural                                                                                                                           (organization withdrawn from                                 as partner for content             projects)                          Research cooperation at AEC                  (F. Pichler)                                           Not enough events/lectures in the field of                                                                  (1997/K350)
Der DatenDandy – Über Medien, New Age,                                                                (1986/K09) Symposium                    contradictions (2002/K230)                              Digitales Age                                                     information                Art's claim to an                             dealing with what is unpredictable and indefinable                 LIVA) (1999/J74)
                                                           Black cultural theory                      (Gene Youngblood, Larry Cuba,                                                                                               (1996/J51)                                                                                                                                                                                                                                     (until 1995)                                                          opening, but then little                                                                            new media outside Ars Electonica (even
   Technokultur / Agentur BILWET                                                                                                              (R: Wischenbart)                                                                                                          (1996/K26)                 unbounded future (1989/J07)
                                                           cultural studies (discourse)               Kathy Rae Huffman, Franke,                                                                                                                                                                                                                                                                                                                                                 music orientation                                                     cooperation with the ars                                     hardly any support                     during the year at AEC only a few projects
Collective Intelligence – mankind´s emerging                                                                                                                                             "Information Society"                        knowledge society                                                                                                                                                                                                                                                                                                                                                                                                    like Intertwindness (1997/1998):                                       OK (and Gallery of the Province before that)
                                                           cultural history                           Hans Donner)                                                                                                                                                                                                                                                                                                 ORF as media institution (and facilitator                     initially with Bruckner reference                                     (30.6.95 Prof. Pomberger member                              for media art from the
   world in cyberspace / Pierre Lévy                                                                                                                      knowledge cultures             Continues to stand for a                                                       Globalization creates a                   The effects of industrial (machine-based) and postindustrial                                                                                                                                                                         of the AEC Board of Directors)                                                                      Margarete Jahrmann, Christa Schneebauer)                               interest in certain forms of installation art
                                                           context-aware theories                                            Pop culture building on                                                                                   Prerequisites for a                                                                                                                                                         in the fields of video, TV, radio, satellite                                                                                                                                                     federal government
Visuelle Kultur – körper räume medien /                                                                                                                                                  rhetorical project in everyday life,                                           neo-cultural environment                  (information-based) cultural machinization, mediatization, simulation,
                                                           neo-situationsims discourse                Cyberspace and         technology (2001/K18)                                       as exaggeration, misconception                humane information                                                                                                                                                          broadcasting) (Christine Schöpf, Hannes Leopoldseder)
   Ed. Peter Mörtenböck, Helge Mooshammer                                                                                                                                                                                              society (1997/K210)
                                                                                                                                                                                                                                                                        (2002/K81)                                synthetics, semiosis, artificial reality, withdrawal of being, etc. (PW)                                                                                                                     Context Art University                                   Media professorship first in
                                                           postmodernism discourse                    cyberculture                                                                       and underestimation                                                                                                                                                                                                                                                                                                                                                                                                          humanities only as                                                                                                             Lentos will only start including
Das Medium ist Massage / Marshall McLuhan,                                                                                               MediaMOO as multicultural                                                                     (P. Fleissner)                                                             (1992/K10)                                                                                                                                                                                   (cooperation with other universities                     2003/2004 (Sommerer)                                                                                               No risk capital to finance art
                                                                                                                                                                                         (1998/K21)                                                                                                                                                                                                                                                       Since 1996 the Ars is managed                                                                                                                               "minor" services                                                                                                               contemporary media beginning
   Quentin Fiore                                                                                                                         chaos (1995/K139)                                                                                                                           re-engineering of                                                                                                                                                                                                         in conjunction with Ars)                                 light works (W. Cooper)
                                                                                                     see also: identity view                                        (1996/P15)                                                                    (PW) Psycho-Techne,                cultural systems                               AEC as carrier of
                                                                                                                                                                                                                                                                                                                                                                                                             situation view (Linz)                        "single-handedly".
                                                                                                                                                                                                                                                                                                                                                                                                                                                          2004 will be a key year –                                                                                                                                                                                                                   Mechatronikum (Prof. Pichler)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     in 2004
                                                                                                                                                                    The AEC is intended to be a prototype                                         protheses civilization                                                            cultural competence                                                                                                   ORF withdraws from PRIX –                            ArchiMedia-Institute (proximity to AEC)                     obligation to program                   AEC ended up with too                                                                                                                                        missing gallery
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Media Linz (Hattinger), Scene Center (Feuerstein)
                                                                                            01 culture-theoretical view                 (DDDr. Schwendter) of this kind of site of a new digital                      Media Era (DM)              (1994/K24)                             Defining the position of
                                                                                                                                                                                                                                                                                         "Electronic Culture" (2003/F38)            (1996/J46)                                                                                                            The future of AEC & ARS is to be designed (exhibitions in conjunction with ars)                                  Design Centers (1994)                   little space
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               Ars Electronica Futurlab
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      as further ideas of content for AEC location                              context                                            art as location factor
                                                                                                                                        (1984) (1989/J163)          phase of culture (Leopoldseder)                   due to electronic or digital
                                                                                                                                                                                                                      media, among others                                                Magnet (print and web magazine)
                                                                                                                                                                                                                                                                                                                                                                                                              01 contextual view                          in terms of structure and personnel.                 (including Christian Möller)                                                                        (compare Paderborn or ZKM)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               (in-house products)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1996/J33)                                                                                                                   art as culture
                                                                                                                                                                                                          Literature:                                                                                                                                                                   Literature:                                                                                                                                                                               Literature:                                                                 Literatur (2):                                                                                                                                                                                                                                                                                                    Prize-Winners in the Music Section - Computer Music                                                                                    Prize Winners Computer Graphics
  Literature:                                                                Literature (2):                                                                                                                                                                                                                                                                                                                                                                       Literature (2):                                                                                                                                                                                                                                                                                  Literature:
                                                                                                                                                                                                          CODE – und andere Gesetze des Cyberspace /                                                                                                                                    Der reine Krieg / Paul Virilio & Sylvére Lotringer                                                                                                                                        alt.culture – an a-to-z guide to the ´90s-                                  Die Welt als T-Shirt – Zur Ästhetik und                                                                                                                                                                                                                                                                           1987: Peter Gabriel, Jean-Claude Risset, Marc Andre Dalbavie, Richard Teitelbaum                                                       1987: Brian Reffin Smith, Jürgen Lit Fischer, Melissa White
  The production of space / Henri Lefebvre                                   Architektur in Bewegung – Entwerfen am                                                                                                                                                                                                                                                                                                                                                CTRL Space – Rhetorics of Surveillance from                                                                                                                                                                                                                                                      City of Bits - Leben in der Stadt des 21.
                                                                                                                                                                                                             Lawrence Lessig                                                                                                                                                            Die Sehmaschine / Paul Virilio                                                                                                                                                               underground, online, and over-the-counter /                                 Geschichte der Medien / Beat Wyss                                                                                                                                                                                                                                                                              1988: Denis Smalley, Barbara Zawadzka, Trevor Wishart                                                                                  1988: David Sherwin, Peter Kogler, Andy Kopra u. Anerkennungen s.l.
  Surroundings – Essays an Space and Science /                                  Computer / ARCH+ 128                                                                                                                                                                                                                                                                                                                                                                  Bentham to Big Brother / Ed. by Th.Y. Levin ...                                                                                                                                                                                                                                                  Jahrhunderts / William J. Mitchell
                                                                                                                                                                                                          Decodierund:Recodierung / Ed. Toni Kleinlechner                                                                                                                               Information.Macht.Krieg / Ed. Stocker, Schöpf                                                                                                                                                Steven Daly, Nathaniel Wice                                              Kultur – über alle? gegen alle? für alle?                                                                                                                                                                                                                                                                         1988 Honorary Mention (all sections) : Paul Codsi, John Fekner, Enrique Fontanilles, Rainer                                            1989: Tamás Waliczky, Charles Csuri, Kenneth Snelson, Atsushi Satoh, William Latham,
     Ed. by Peter Weibel                                                     InFormation – Faltung in der Architektur /                                                                                                                                                                                                                                                                                                                                            Information und Apokalypse – Die Strategie der                                                                                                                                                                                                                                                   Die Telepolis – Urbanität im digitalen Zeitalter
                                                                                                                                                                                                          Exploring the Invisible – art, science and the                                                                                                                                iconoclash – beyond the image wars in science,                                                                                                                                            Music vs motion – FLIPS 5                                                      M. Wagner, H. Fabris, I. Mörth u.a.                                                                                                                                                                                                                                                                            Ganahl, Franz W. Kluge, Jerzy Kular & Isabelle Foucher, Larry Malone, Achim Stößer,                                                    Micha Riss, Cliff Pickover, Pierce & Merrill, Richard Voss, Bayele & Mück, Wennberg &
  Raum / Texte zur Kunst Heft 47 - 2002                                         ARCH+ 131                                                                                                                                                                                                                                                                                                                                                                             Täuschung / Paul Virilio                                                                                                                                                                                                                                                                         Florian Rötzer
                                                                                                                                                                                                             spiritual / Lynn Gamwell                                                                                                                                                      religion and art / Ed. Bruno Latour, P. Weibel                                                                                                                                         Tekknologic, Tekknowledge, Tekgnosis / QRT                                  Rituale der Medienkommunikation – Gänge                                                                                                                                                                                                                                                                           Tamas Walicky, Hiromi Watanabe                                                                                                         Pécheur, A. Pagowski, P. Reinartz, M. North
  CTRL Space – Rhetorics of Surveillance from                                Fassaden / ARCH+ 108                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Metropolen des Weltmarkts – Die neue Rolle der
                                                                                                                                                                                                          Internet-Dateiformate / Tim Kientzle                                                                                                                                          Von der Bürokratie zur Telekratie – Rumänien                                                                                                                                              Pop Sounds – Klangtexturen in der Pop- und                                     durch den Medienalltag / H. Poss, C.-D. Rath                                                                                                                                                                                                                                                                   Jeff Brice, Jeremy Gardiner, Irene Hohenbüchler, Stefan Holtel, Johann Jascha, Laszlo                                                  1990: Manfred Mohr, Charles A. Csuri, Bill Davison, Achim Stösser, Char Davies, Daniel
     Bentham to Big Brother / Ed. by Th.Y. Levin ...                         Architektur des Ereignisses / ARCH+ 119-120                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               global Cities / Sakia Sassen
                                                                                                                                                                                                          Krise der Linearität / Vilém Flusser                                                                                                                                             im Fernsehen / Ed. Peter Weibel                                                                                                                                                           Rockmusik / Ed. Th. Phleps, Ralf von Appen                               Station Rose – cyberspace is our land                                                                                                                                                                                                                                                                             Kiss, George Legrady, Massimo Ontani, Norbert Speicher, Roman Tomaschitz, Mark Wilson,                                                 Pirofsky, Andreas Henrich, Don P. Miller, A. Scott Howe, Yoshiyuki Abe, Mike North,
  Netzstadt / Franz Oswald, Peter Baccini                                    Medienarchitektur / ARCH+ 149/150                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Klare Sicht am Info-Highway – Geschäfte via
                                                                                                                                                                                                          Topic Maps / Richard Widhalm, Thomas Mück                                                                                                                                     Archimedia – Institut for arts and technology –                                                                                                                                           IdN international designers network 2003/10/2                                                                                                                                                                                                                                                                                                                                                 Thomas Wittmer                                                                                                                         Joseph Nechvatal, Sandra Filippucci, Stanislaw Sasak
  Meta City Data Town / MVRDV                                                Diagram Diaries / Peter Eisenman                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Internet & Co. / H. R. Hansen
                                                                                                                                                                                                          Die Unwahrscheinlichkeit des Ästhetischen -                                                                                                                                      Projekte 95/97 / Ed. Möller, Knipp, Lachmayer                                                                                                                                             flights of fancy                                                                                                                                                                                                                                                                                                                                                                           Javier Alvarez, Martin Fischer, Mathias Fischer-Diskau, Udo Hanten, Adelhart Roidinger,                                                1991: Bill Woodard, Yoshiyuki Abe, Arthur Schmidt, Victor Acevedo, John Adamczyk,
  Five Minutes City / Winy Maas                                              Hybrid Space – new forms in digital architecture                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       Das Regime des Image – Zwischen mimetischem
                                                                                                                                                                                                             und die semiotische Konzeption der Kunst /                                                                                                                                 Tacho 3,4 / Ed. Peter Keicher                                                                                                                                                             IdN international designers network 2003/9/4                                                                                                                                                                                                                                                                                                                                                  Alejandro Vinao, Mia Zabelka                                                                                                           Cornelia Halle & Cimdata-Arbeitsgruppe, John Hersey, Rüdiger Hirt, Dick Ibach, Sui
  The Regionmaker / MVRDV                                                       Peter Zellner                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Display und Corporate Branding / Ed.
                                                                                                                                                                                                             Max Bense                                                                                                                                                                  Lab 95,97,02 Jahrbuch für Künste und Apparate                                                                                                                                                designer toys                                                                                                                                                                                                                                                                                                                                                                              1989: Kaija Saariaho, Francois Bayle, Alejandro Vinao, Tisma Vojin, Michael McNabb,                                                    Morita, Patrizia Pio, Robert Martin, Tiziana Stanzani, Brian T. Sullan, Mike Zender
  Gehry Digitale / Bruce Lindsey                                             Vom Verschwinden der Ferne -                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              Gerhard Lischka, Peter Weibel
                                                                                                                                                                                                          Zeichen und Design – Semiotische Ästhetik /                                                                                                                                   Zentrum für Kunst und Medientechnologie                                                                                                                                                   Alles jetzt! – Die Mediatisierung / Gerhard                                                                                                                                                                                                                                                                                                                                                   Haimo Wisser, Viola Kramer, W. Mitterer, Wolfgang Heiniger, Gerald Trimmel, D. Teruggi                                                 1992: Andrew Witkin & Michael Kass, Stewart McSherry, Mark Wilson, Yoshiyuki Abe,
  Eisenman digitale / Luca Galofaro                                             Telekommunikation und Kunst / Edith Decker,                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Pictorial Metaphor in Advertising / Charles
                                                                                                                                                                                                             Max Bense                                                                                                                                                                     Karlsruhe / Ed. Heinrich Klotz 1992                                                                                                                                                       Johann Lischka                                                                                                                                                                                                                                                                                                                                                                             1990: Karlheinz Stockhausen, Jonathan Harvey, Ake Parmerud, Zorah Mari Bauer                                                           Jószef Bullás & Zsolt Krajcsik, Valie Export, William Latham, David Sherwin
  Hyper Architecture / Luigi Prestinenza Prglisi                                Peter Weibel                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Forceville
                                                                                                                                                                                                                                                                                                                                                                                        The Kitchen NY turns twenty                                                                                                                                                               Kulissen des Glücks – Streifzüge durch die                                                                                                                                                                                                                                                                                                                                                    1991: no competition                                                                                                                   1993: Michael Tolson, Char Davies, Thomas Bayrle, Jean-Francois Colonna, Scott Draves,
  Digital Odyssey / Carmelo Baglivo, Luca Galofaro                           außen räume – innen räume – Der Wandel des                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Art – computer faszination – Hersteller und
                                                                                                                                                                                                                                                                                                                                                                                        Mediale Hamburg 1993                                                                                                                                                                         Eventkultur / Gerhard Schulze                                                                                                                                                                                                                                                                                                                                                              1992: Alejandro Vinao, Francis Dhomont, Wolfgang Mitterer, Kristi Allik, Phillip K. Bimstein,                                          David Haxton, Mogens Jacobsen, Laurens Lapré, Jolanta Makowska, Constanze Ruhm,
  Information Architecture / Gerhard Schmitt                                    Raumbegriffs im Zeitalter der elektronischen                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Dienstleister
                                                                                                                                                                                                                                                                                                                                                                                        Mediamatic – Doors of Perception 1                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      László Dubrovay, David E. Jones, Elsa Justel, Catalina Peralta-Caceres, Michael Rosas                                                  Miroslav Stuchlik & Radim Vrska, Roman Verostko
  Induction Design / Makoto Sei Watanabe                                        Medien / Ed. Heidemarie Seblatnig
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Cobian, Stéphan Roy, Wayne Siegel, Denis Smalley, Peter M. Vaughan                                                                     1994: M. Joaquin Grey, Keith Cottingham, John Kahrs, Linda Dement, Pascal Dombis,
  Bits and spaces / Ed. by Maia Engeli
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                1993: Bernard Parmegiani, Javier Alvarez, Jonty Harrison, David Chesworth, Francis                                                     Mogens Jacobsen, Ronaldo Kiel, Don MacKay, Stewart McSherry, Gavin Miller & Ned
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Dhomont, Roberto Doati, Pscal Gaigne, Jens Hedman & Erik Mikael Karlsson, J. Lejeune,                                                  Greene, Anne Gabriele Wagner & Adelhard Roidinger
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Andrew Lewis, Cort Lippe, Adrian Moore, R. Normandeau, M. Rosas-Cobian, Kaja Saariaho
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                1994: Ludger Brümmer, Ake Parmerud, Jonathan Impett, Patrick Ascione, Jean-Francois
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Cavro, Akemi Ishijima, Paul Koonce, Mesias Maiguashca, Juliet Kiri Palmer, Michel Redolfi,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Michael Vaughan, Alejandro Vinao, Frances White
                                                                                         perception theory of
                       25 spatial view                                                     architecture                                                                                                       24 structural/structuring view                                                      structuralism (discourse)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     1995: Trevor Wishart, Flo Menezes, Gilles Gobeil, Javier Alvarez, Patrick Ascione, Ron
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Averill, Christian Calon, Agostino Di Scipio, Stephan Dunkelman, Rolf Enström, Elizabeth
                                                                                         phenomenology of                                                                                                                                                                                         semiotics, semiotics criticism
                                                                                                                                                                                                                                                                                                  symbol theories of knowledge                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Hoffman, Erik Mikael Karlsson, Cort Lippe, Jack Tamul
                                                                                           perception
                        view of places                                                   location research                                                                                                                    topological view                                                    field theories                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                1996: Robert Normandeau, James Dashow, R. Renouard Larvière, F. Boschetto, C. Brown,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Kui Dong, Jonty Harrison, Matt Heckert, Gordon Monahan, Gordon Monro, S. Montague,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Video Art
                                                                                                                                                               view of layering                                                                                                                   topological psychology                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              Videonale 1986: Klaus vom Bruch, Valie Export, Yoichiro Kawaguchi, Bernd Kracke, Ulrike Rosenbach,
                                                                                         theory of urban locations
                                                                                                                                                                                                                                                                                                  formal sciences                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               M. Redolfi, J. ter Veldhuis, Alejandro Vinao                                                                                          Jane Veeder, Henry Jesionka, Inge Graf + ZYX, Z. Rybczinski, Bruce Nauman, Douglas Davis,
                                                                                         architectural theory / arch. discourse                                see also:
                    geographical view                                                                                                                          view of transformation /                                           tectonic view                                                   diagrammatics / mapping                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       1997: Matt Heckert, Maryanne Amacher, Jonty Harrison, Patrick Ascione, Christian Calon,                                               Peter Campus, Shigeko Kubota, Richard Serra, Ant Farm, David Hall, Dara Birnbaum, Vito
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Acconci, Douglas Davis, General Idea, Ingo Günter, Hans Weigand, Terry Fox, Douglas Hall,
                                                                                                                                                                                                                                                                                                  chaos theory                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Luigi Ceccarelli, Ambrose Field, Annie Gosfield, Joseph Hyde, Charles Kriel, Ake Parmerud,
                                                                                                                                                               formal view /                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          William Wegman, Bob Snyder, Friederike Pezhold, Shigeko Kubota, Marina Abramovic & Ulay,
                                                                                                    sound-space installation                                                                                                                                                                      fractal geometry                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              Laetitia Sonami, Mario Verandi, Mark Wingate, John Young,
 see also: cartographic view                     Is there a place in cyberspace?                                                                               system view                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Bob Adrian X, Zelko Wiener, Maly Almy, Dan Reeves, Joan Logue, Marcel Odenbach, Klaus vom
                                                 (John Perry Barlow)
                                                                                                    (Bernhard Leitner)
                                                                                                    (1982/K159)
                                                                                                                                                                                                                                     code view                                                    chromosome studies                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            1998: Peter Bosch & Simone Simons, Aquiles Pantaleao, Hans Tutschku, Natasha Barrett,                                                 Bruch, Joan Jonas, Rupert Putz, Ed Emshwiller
 art as form of space –
                                                 (1995/K130) video images represented spatially                                                              A. Shulgin (1997/P100)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             Bret Battey, David Behrman, Luigi Ceccarelli, Ambrose Field, Joshua Fineberg, Joseph Hyde,                                            (1987) Ilse Gassinger, Gudrun Bielz, Romana Scheffknecht, Karl Kowanz, Manfred Neuwirth,
 from multimedia space                                                                              the seeing ear                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              Gordon Monahan, Adrian J. Moore, Magie Payne, Joran Rudi, Hildegard Westerkamp,                                                       Rainer Ganahl, Chris Althaler, Anna Steiniger, Hans Weigand, Ruth Schnell, Robert Wölfl &
 to multimedia terminal                                         along a GPS track (Masaki Fujihata) Sound space motion system                                        Form Art
 (1989/J26)
                                      Location-
                                                        GPS     (2001/K74)                          (1993/K254) !!! (F. Paschke)                                                                                         view of mathematics                                                    technicization and mathematicization
                                                                                                                                                                                                                                                                                                belong together (DM)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                G.H. Hovagimyan & Peter Sinclair                                                                                                      Lydia Lindner, Ilse Gassinger, Helmut Stadlmann, Inge Graf + ZYX, Rupert Putz, Karl Kowanz,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Egon Bunne, Ingo Günther, J.-F. Guiton, Dieter Kiessling, Axel Klepsch, Norbert Meissner, Bettina
                                      based games                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               1999: Aphex Twin – Richard D. James, Mego: Christian Fennesz & Peter Rehberger, Ikue
                                      (2002/P38)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Gruber & Maria Vedder, Vidox, Alexander Hahn, Yello Dieter Meier, Claudio Prati, Lorenzo Bianda,
 hyperbolic space                                                                 geographical                 space simulator                            (James McCartney)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Mori, Stefan Betke, Paul DeMarinis, Rose Dodd & Stephen Connolly, John Duncan &
                                                                                                                                                                                                                                                                                              see: AI view                                        Who writes the codex                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Francesco Mariotti, Franziska Megert, René Pulfer, Eric Lanz, Marie José Bürki, Hanspeter Ammann,
 (Dana S. Scott) (1992/P60)           (itsalive)
                                                            position recognition  issues                       (1982/K213)                                (2003/F11)
                                                                                                                                                          Composer; author of the
                                                                                                                                                                                                                           view of informatics                                                tool view                                           of cyberspace ?
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Francisco López, Bernhard Günter, Richard Hawtin, Zbigniew Karkowski & Masami Akita,                                                  Alan McCluskey, Gert de Graaf, Albert Wulffers, Antonio Segade, Jose Ramon Da Cruz, Paul Rodriguez,
                                                                                              (2002/K16)
                                                                                                                simulated spaces (VR)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Andi Toma & Jan S. Werner, Terre Thaemlitz,Thomas McIntosh & Emmanuel Madan,                                                          Javier Vadillo, Xavier Vilaverde, Javier Colis, Antonio Cano & Pedro Garhel, Maurizio Bonora, Giorgio
          free sounds – open spaces                        (for interior spaces)                                                                          object oriented synthesis                                                                                                                                                         (2003/K12)
          (1987) (1989/J28)                                                                                                                                                                        view of signs (1)                                                  (DM) With the technicization of the aesthetic and                                         American military machine
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Gaetan Collet & Noelle Collet & Claude Pailliot, Ralf L. Wehowsky                                                                     Cattani, Ciancarlo Cauteruccio, Theo Eshetu, Crudelity Stoffe, Sanja Ivekovic & Dalibor Martinis,
                                                                                              VR journey in a caravan with situative                      language "SuperColider"
                                  data space                                                  feeds (P. d´Agostino) (1995/P114)
                                                                                                                                                                                                                                                                      the increasing spread of technical reproduction                student crushed            (P. Virilio) (2002/K240)                                23 power-theoretical view                                                          power theories                                                                                                                                                                                                                                                                                                                                                                                                                                                       2000: Carsten Nicolai, Russell Haswell & Sean Booth & Rob Brown, Chris Watson,                                                        Simon Robertshaw, Tina Keane, Catherine Elwes, Marion Urch, Mike Stubbs, Graham Young,
                                                                information spaces                                                                                                                                                    the view of informatics is media, the history of media flows into a history                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Jeremy Welsh, Stephen Littman, Clive Gillman, John Goff
   triangular navigation          (R. Ascott) (1993/P08)
                                                                (1990/II-K36)                                                                                       the world of protocols              Bernard Cache                                                                                                                by tank in
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           power discourse (with Foucault)                                                                                                                                                                                                                                                                                                                                                                                                                                      Maryanne Amacher, Dat Politics, Kevin Drumm, Mark Fell & Mat Steel, Ryoji Ikeda,
                                                                                                                                                                                                                                      distributed throughout          of mathematicization (cf. Kittler)                             Tian-An-Men Platz          the first "totally electronic                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (1988) Nam June Paik, William Wegman, Peter Campus, Lynda Benglis, Juan Downey, Fitzgerald &
   (Cécile Le Prado)                                                                                                                                                and formats                         Objectile (2003/P93)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    Andrew Daniel & M.C. Schmidt, Kaffe Matthews, Martin Brandlmayr & Stefan Nemth &
                                         data space                                             placemaking               cyberspace                                                                                                  several sectors                                                                                (1996/P190)                war" (P. Virilio) (1996/P35)                                                                                                               organizational theory                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Sanborn, Bill Viola, Davidson Gigliotti, Barbara Buckner, Dan Reeves, Woody Vasulka, Robert Ahsley,
   (1997/K347)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  John Norman, Marcus Schmickler, Yasunao Tone, Uli Troyer, Erik Wiegand
                      Pixelspaces Mixed Reality: overlapping
                                         the data space with the           illusionary spaces                 (1984/K188) acoustic                obsession with structure
                                                                                                                                                                                         (Virilio) ... I reject the notion of the               programming languages                         (Franke) discovery of
                                                                                                                                                                                                                                                                                                                                     (A. Lamorlette)                                                                                       battle view                                                     discourse of institutional criticism
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           cultural manager debate                                                                                                                                                                                                                                                                                                                                                                                                                                              2001: bLectum from bLechdom, Ryoji Ikeda, Markus Popp, Ted Apel, Aeron Bergman &
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Joan Jonas, Doug Hall, Steve Fagain, Skip Sweeney, Sherry Millner, Gary Hill, Bruce Nauman
                                                                                                              space simulation systems            (Eric Loyer) (1999/P40)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (1989) Joan Brasil, Jason Gee & Brad Miller, Jill Scott, Tracey Moffatt, John Gillies, Peter Callas, D. Perry
                                         live stage (MF)                   (Ruth Schnell) (1989)                                                                                         word as a model. This is the reason                                                                  mathematical precision                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Alejandra Salinas, Richard Chartier, Louis Duford, Orm Finnendahl, John Hudak, kid606,
   Online-Location                                                                                                                                                                                                                              as art question (2003)                                                         obscuring previously practiced                                                                      see also: view of destruction                                           (game rules of art)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1994) Bill Viola, Tom Kalin, Shelly Silver, Mica-TV, Leslie Thornton & Ron Vawter, Eder Santos, Jasna
   (Olia Lialina)                                                   performative concepts of
                                                                                                          Liquid Space (1999/K433)               conversion problems                     for my departure from semantics,                                                                     in art                           uses and impacts of new                           A colossal change of power has                    see also: energetic view                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     J Lesser, Mille Plateaux, Pan sonic, Janek Schaefer, Tigerbeat6                                                                       Hribernik, Michel Auder, Gary Hill, Therese Svoboda, John Goff, Eric M. Freedman, Diane Nerwen &
                                           expanded                                                       (W. Jauk, H. Ranzenbacher)                                                     semiotics and semiology.                               (Joshua Davis)                                                                 technologies
   (1999/K403)                                                      space (Dietmar Offenhuber)                                                                                                                                                                                                                                                                                   been taking place recently                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     2002: Yasunao Tone, Aeron Bergman & Alejandra Salinas, Curtis Roads, Anticon, Iancu                                                   Les Leveque, Paper Tiger TV, Max Almy & Teri Yarbrow, Steina & Woody Wasulka, Anna Steiniger,
                                           image spaces (DM)                                                                                     semioticization (AH)                                                                           (2001/P42) CODE diary                       digital poetry                                                                                                                         see also: historical view                 (1998/II-K219) the                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       Bob Snyder, Van McElwee, Shelly Silver, Herman Verkerk, Sreco Dragan, Betty Spackman & Anja
                                                                                                                                                                                                                                                                                            (Waltraut Cooper)                America as                                          (1994/K206) (Howard Rheingold)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 Dumitrescu, Ana-Maria Avram, PXP, Goodiepal, Russell Haswell, Francisco Lopez, Raz
   (Virilio) we now notice the                                                                                                                                                                      the code is in the translation
                                                                                                                                                                                                                                                          2003
                                                                                                 electronic space                                (DM) The approach to the pictorial                                                                                                                                                                                                                                                                                          media coup d'etat                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Mesinai, Romulo Del Castillo & Joshua Kay, Marina Rosenfeld, Mika Taanila, Carl Michael                                               Westerfrölke, Tony Oursler, Branda Miller, Francesc Torres, Nany Buchanan, Edin Velez, Bruce Yonemoto,
   space artists of the interface            Ubiquity(omnipresence) (AH)                                                                                                                            (1996/K355) (Jocelyn Robert)                                                            (1986/K330)                      empire of technology                                                                                 public images and
                                                                                                 (1989/K142) (Robert Adrian X)                   does not lead through the cardinal paths                                                                              CODE                                                                                       another source of power is the convergence                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Stefaan Decostere
                                             ubiquitous computer (1999/P60)                                                                                                                                                                                                                                                  (Arthur Kroker)                                                                                      images of power (P. Weibel)                             eGovernment                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Von Hausswolff, Stephan Wittwer
                                                                                                 report on project from 1981                     of semiotics or hermeneutics ...                                                                                                                                                                                 of all other media into a single digital
                                                                                                                                                                                                    (T. Munzner, S. Levy)                                                                   CODE = ART                       (1990/II-K264)                                                                                       electronic colonialism                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        2003: Ami Yoshida & Sachiko M & Utah Kawasaki, Florian Hecker, Maja Solveig Kjelstrup
   basic modalities of space                                                                                                                (DM) Computer: its formalism works with                                                  The meaning of CODE (symposium)                                                                                              medium (1994/K209)                                                                                                      eDemocracy (2004)
                                                                        from locality to             simulating the respective                                                                      differential topology                                                                                                                                                                                                         (1988/K247)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Ratkje, Oren Ambarchi, Whitehouse, Kevin Drumm, Rudolf Eb.er, Phill Niblock, Yuko
   aspects of digital space               dislocalization (AH)                                                                              number strings, not with signs, which is why                                                                                                                               members of the electronic
                                                                        non-locality (AH)            exhibition situation(spaces)                                                                   (1995/P164)                      (2003/F10)                            code breaker (on Kittler)                   master race                                                     the battle over the form of                                        concentrations of power through new                                       (W. Negbenebor)                                                                                                                                                                                                                                                                                                                                                                                                                             Nexus 6, Gert-Jan Prins, Rechenzentrum, Tujiko Noriko, Toshiya Tsunoda, Aaron Funk &
   (Woody Vasulka, David Dunn)                                                                                                              it would be wrong to call the computer a                                                                                                                                                      military as motor/source
   (1990/II-K265,K271)                  negated                                                      (Jeffrey Shaw)                         "semiotic machine" ...                                               ascii art                                                                                             (1996/K36)                                                      the networks has begun                                             technologies (2002/K25)                    corporate connections For the average African,                                                                                                                                                                                                                                                                                                                                                                                                                             Rachael Kozak, Mark Wastell & Toshimaru Nakamura & Taku Sugimoto & Tetuzi Akiyama
                                                                    transcending                     (1990/II-K320)                                                                                              (2003/K227)                   bar code as interface                                                                      of electronic developments                   (1994/K213)                                                        (Saskia Sassen)                            (2002/K373/P48)                globalization is just a
                                        space (A. D´Urbano)                                                                                 (DG) Transferred to human brainware ... (?)                                                                                                                                                                                                                              diagrammatic analysis
                                                                    space                                                                                                                                                                      (Perry Hoberman)                    Bar code hotel                                                                                                                                                                                                    (Josh On)                      synonym for neo-
                                        (1994/II-K46)                                                              sphericalCAVE:                                                                                                                                                                                                                          Carnivore as                communication,                of power structures                    (AH) from hegemony
  interspatial proximity                                                                                                                                                                                                                       Bar Code                            (Perry Hoberman)            the new military information                                                                                                                                                                                         colonialism.
                                                                                    domed projection space SPIN                            fractals               fractal geometry                         the sound of mathematics                                                                                                                        public domain               technology, power             (A.R. Galloway)                        to plurality
                                                                                                                                                                                                                                               (K. Becker, W. Zinggl)              (1994/II-K54)               complex with its cyberarsenal                                                                                                                                             (AH) from totality to                      (2002/K1204)
                                      conveying an          view from an            (1979/K26)                                                                    (Mesias Maiguashca)                      the sound of chaos                                                                                                                              variation of the            (Lucien Sfez)                 networks can only be                                                                                                                              Improvisation, Sport &
                                                                                                                   (time´s up)                                                                                                                 (1993/K205) (1996/K219)                                         (1995/K25) (Virilo)
Tamas Walicky developed               incredible            airship                                                                    Chaos & Order              (1990/K-I-79)                            (B. Steritberg, K. Balzer)                                                                                                                      infamous                    (1995/K398)                   fought with networks                      Transponder (PV) particularity                          injunction against web site                     Evolution (Jon Rose)
alternative perspective                                                                                            (2000/K302)                                                                                                                                                                                                                             FBI-SW DCS1000                                                                                      electronic handcuffs                                                                                    (1996/K94)
                                      sense of space (Hiroo Iwata)                 CAVE outside                                        the theme of the fractals was "exploited"                           (1990/K-I-35)                       Object-oriented hypertext systems                          Ground Truth (1999/J431)                                                                      the structure of the Internet                                                                                  (2003/P75) (etoy)                                                           RoboCup
systems (program to convey                                  (2001/F32/P107) USA for the first                                          by P. Weibel in Graz in 1989, among others                                                                                                                                                                          (2002/K358) (A.R. Galloway)                                                                                                                                 (E.M. Haas, L.A. Bernhard)
other spatial experiences) (ML)                                                    time (1996/J15)
                                                                                                               CAVE                                                                                protocol and counter-protocol
                                                                                                                                                                                                                                               (Indesen, Krohn)
                                                                                                                                                                                                                                                                         Universal Product
                                                                                                                                                                                                                                                                                                          (Robin Bargar, Insook Choi)
                                                                                                                                                                                                                                                                                                                                                           (2002/P030)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                  The battle for the control of code                                                            Teleklettergarten (F.O.K)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (2000/F37)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          22 view of pop culture                                                                  media theory
                                                                                                                                                                                                                                                                                                                                                 1998
                                                                                                                                       (in collaboration with the ars electronica Linz)                                                                                                                                                                                                                                             Cracker                       is a battle for freedom
                                                                                                                                                                                                   (A. Galloway, Eugene Thacker)                                         Code (Barcode)                                                                                                                                                                                                                           slacker luddites                              (Mario Purkathofer) (2003/K384)
                                    space communicated through media               virtual        Visualization of                                                                                                                          digitale coding                                            world rogues -                                                                                                                                             (2003/K42) (Howard Rheingold)                   (critical art ensemble)                                                                                                                                                                         pop theory / pop-theoret. discourse
                                    (Mixed-Reality-Architektur)                    flying                                           The World of Numbers                                           (2003/K60)                                                                                          superpower (1999/K217)                                                        Every medium is (always)                           Hacktivism
                                                                                                  architecture projects                                                                                                                                                                                                                    Infowar (1998)                                                                                                                                                         (1995/K142) (1999/J300)               (AH) due to the inclusion of the body                                                                                                                     High & Low discourse
   grammar of space                             use of virtual spaces for                         in the CAVE
                                                                                                                                    (Golan Levin)
                                                                                                                                    (2003/P42)
                                                                                                                                                                an event chaos of art,                                 overestimation of the digital – digital art
                                                                                                                                                                                                                       (with Flusser, Weibel, ...) ... "turning everything into pixels"          information
                                                                                                                                                                                                                                                                                                                                                                                     already rooted in
                                                                                                                                                                                                                                                                                                                                                                                     power (DM)
                                                                                                                                                                                                                                                                                                                                                                                                                           cyberclasm               Cyber-Terrorist (PV)              publication of                                                    practiced by interactive systems, the                                     athletic aspects                                                                technoculture discourse
                                                                                                                                                                science, magic                                                                                                                                                  high-tech wars                                                                             (1996/K259)                                                secret keys                                                       strict separation between sports, games                                                                                                                   cultural studies discourse
   (1986/KII-135) (PW)                          text presentation                                                                                                                                                                                                                                superiority                                                                                                                                     GPS as supplement to
                                                                                    three-dimensionally localized                                                                                                                                                                                                                                                                   Power and marginality                                                                                                                                               and art is becoming blurred
                                                                                                                                  24! Matrix Installation                                     Digital "image"? Art will prove itself a               All print media have been                                                                                                                                                                   Global Information                                                                                                                                                                                                                                               fashion discourse / retro discourses
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      Information War (Virilio 1998!)
 ars : architecture software                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        view of public appearances
                                                                                    sound in virtual reality                                                                                                                                                                                           Information.Macht.Krieg (1998)                                               in cyberspace
                                                                                                                                  (M. Aschauer,                                               force far beyond the paradigmatic                      digitally produced for years                                                                          Live Cam                                                   (1998/II-K47)              Dominance (PV)                                                                             E-Sport                                                                                                                                                               hedonism debate
                                                                                    (Blanchard u.a.) (1990/II-K190)                                            genetic                                                                                                                                                                                                              (Saskia Sassen)                                                                                                                                                                                       "pop fears" of the
                                                                                                                                  N. Pfaffenbichler,                                          threshold of the digital. (UR)                         without any essential changes           the power of                                                                                                             Information blockage establishing paths of information in                                                             Digital Sport         Case study 309                                                                                                                                  New Subjectivism debate
   The topic now seems to be covered by the Art University due to                                                                                                                                                                                                                                                                   (1991) Gulf War                                 (1995/K186)                                                                                                         Suck my code,                                                                     ars organizers (and
                                                                                                                                  Lotte Schreiber)             programs                                                                              in the (re-) production of              media agencies                                                                                                           in relation to               war zones in former Yugoslavia                                                           Cyber-Athletics (Tammy Knipp)                                                                                                                                         fun debate
   the DOM Institute. suggested cooperation: DOM, ArchitekturForum,                        (DM) the location of sound                                                                                                                                                                                                               the first "totally electronic war"                                                                                                                                  General!                                                                          Prix jury members)
   AEC, ars => arsARCH +                                                                   of the musical, is the
                                                                                                                                  (2003/K398)
                                                                                                                                                              Genetische
                                                                                                                                                                                              Tangible CODE (symposium)                              images
                                                                                                                                                                                                                                                                                         REUTERS (1995/K297)                        (Paul Virilio) (1991/P06)                       The cyberspaces of                command and                  (Mailbox: Bionic in Zerberus)
                                                                                                                                                                                                                                                                                                                                                                                                                      control has long been (Rena Tangens)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1996/K189)                         (2001/K215)           (1998/K216)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                pop culture building on
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             view of public space                                                                 ontology of the event
                                                     Telezone: An architecture             performative                                                       Algorithmen                     (2003/F12)                                                                                 SDS3 Small Dish Satellite                  perfect example of simulation                   finance, for instance,                                                                                                                                        competition-oriented                                                                                                                                            sociology (Bourdieu) (Mauss)
                                                                                                                                                                                                                                                                                                                                                                                    are the spaces where              a weak point of              (1995/K61)             Control Society                                                                                       technology (2001/K18)(right)
                                                     for net architecture                                                    overestimation of chance (1999/K29)                              generative approaches                                                                      (for receiving data)                       (J. Baudrillard)                                                                                                                                                                                              computer games                                                          see also: view of playing                   DJ-Culture (90er)                           New Subjectivism
                                                                                                                                                                                                                                (1990/K-I-59) (Iannis Xenakis)                                                                                           (1997/K343)                profit is produced and            centralized,                                        Towards a Society of Control?                    music box for
                                                     (futurelab) (1999/K362)              mathematicization of               and entropy                      (1993/P22) (M. Tolson)          (2003/K227)                                                                                                                                                                                                                                   MS hate page                                                                                          (2001/K215)                                                                                                                                                     privatism debate
   (1997/F43) architecture project realized                                                                                                                                                                                     Musicians who use computers are                          offers for currency traders                                     (c. Jerez, J. Iges)        power is founded.                 hierarchical                                        (O.L. Tremetzberger) (2003/K54)                  cover versions                                        electrolobby (2)                                                            prize-winners came from the
                                                     (Ken Goldberg)                       architectonic space                                                                                                                                                                                                                                                                                                                               (C. J. Mutter)                                                                                                 E-Sport:                                                                world of games
   in game software (A. Jalsovec,                                                                                                                                                                                               generally theoretical cripples, especially (Steve Mann) (1997/K218)                                                                                                                   structures.                                                                                                                                                (2001/K192)                                                                 non-university area for the first time
                                                     (E. Berger, V. Christian,            (1994/K11)                          film about a formula            correspondences between                                                                                                                                                   Firewall                                    (1995/K186)
                                                                                                                                                                                                                                                                                                                                                                                                                                            (1995/P90) revealing the tools of the
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (linking structure)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Gaming goes                                     Cyberpunk
   P. Reichart, G. Rossbacher)                                                                                                                                                                                                  in terms of ideas of mathematics,                                                                                                                                                                                                                                                          (MESO)                                                Digital Culture                                                                          (1999/K371)
                                                     P. Purgathofer) (2000/P36)                                               (Thorsten Fleisch)              the development of music                                                                                             high-speed surveillance                                                                                                            (Steve Mann)                                                                                                                                                                         (newest direction of
                                                                                                                                                                                                  generative art                physics and acoustics.                                                                              (1998/II-K84) Firewall and                                                                                                                                                                                             Pro (2001/F14)                                                                      Colophony Circuit                                 freestyle
   virtual tour of planned                                                                                                    (2003/P154)                     and mathematics                                                                                                      superhighways                                                                           micro-videokamera (PV)                     (1999/J420) (1997/P94)                    secret services (A.R. Galloway)                                                                                  & Lifestyle               science fiction literature)
                                 (AH) virtual worlds and hypertext               virtual architecture (PW)                                                                                                                                                                                                                          Information Frontier                                                                                                                                                      rock mass by               structures of                                                                                         (Electric Indigo,
                                                                                                                                                              (Iannis Xenakis)                                                                                                                                                                                                                                        (1997/K144/K217)                                                                                                                                           (Tina Cassani,
                                                                                                                                                                                                                                                                                  ars: Surveillance Techniques
   architecture                                                                                                           program                                                       Generative Tools                    generativity                                                                                                                                                                                                                                                                                                                                                                   (Elisa Rose, Gary Danner) Mia Zabelka)                               (DG) Separations into categories of serious
                                 highlight the labyrinthine character            (1994/K08)                                                                   (1990/K-I-74)                                                                                                                                                                                                                                                                   (1998/II-K71) an essential tool in the                          Eela Craig (1978)          sound systems                           Bruno Beusch)
   (1990/II-K251)                                                                                                         Darwinism                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1989/K124)                         (2003/K336)                      and entertainment or high and low culture lead
                                 of the world and the texts                 architectonic storytelling                                                        (2003/K345)                                                                 Can software                                                                                                                                    public spaces under surveillance information war consists of corrupting                                             (1979/K02)                 (Involving Systems,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (1996/K180,K210)
                                                                                                                          (Peter Weibel)                                               parametrimizable art/design                                                                                                                                                                                                                                                                                                                       MESO)                Screen savers (2003/K227)                                                                                         to an unproductive dead end //
                                                                            (1994/K147) (Herman Verkerk)                                                                                                                                  itself be art?                     Symposium                        invisible surveillance technique                                            (London)           Chipkarte im AEC                 information
   Housetool (1997)                                                                                                       (1990/II-K13)                                                                                                                                                                                                                                                                                                                                                                electronic                                                                                                                  386x – cyberpunk rock band                   complexity and quality can be found
                                                                                                                                                                                   Code: there are no ambiguities,                        (2003/K13)                    (1999/F24) (Lynn Hershman) (light dome) (Marie Sester)                                                                               (1996/J15)                                                                                                         Emergency Broadcast                  (2001/K375)            (Monotonik)                                                                                                                              Youth Marketing
   demolition variations                                                                                                                                                                                                                                                                                                                                                                                                                                 Don´t panic! Hack it!                         pop culture                                                                                                                 (Alexej Shulgin) (2003/K337)                 in every area
                                architects losing ground in the         dynamic architecture                           It seems that we always include a relation                  no hidden meanings (2003/K36)                                                        multi-user sculpture:                 (2003/F41/P120)                             surveillance techniques                                                smart card                                                                                     Network (Robert Deacon)              Beta Lounge            (2000/K348)                                                                                                                              (2001/K193)
   (MEGO)                                                                                                                                                                                                                                                                                                                           (1998/II-K157)                                                                                                       (1998/K49)
                                shadow of image-engineers               installation (2001/K308)                                                                                                                                                                        surveillance, voyeurism                                                                                                                                                                                                                                 (1996/K316)                          (electronic
                                                                                                                       or relationship in talking about media or                                               First traces of important developments in                                                          Intrusion                                                                   (Julia Scher)                                                                                   Disco Man                                                                                                              Intelligent / Ambient Techno                       Techno and – to an even greater
                                (2001/K281) (M. Shamiyeh)               (ESCAPE*spHERE)                                means (DM)                                           (2002/P165)                                                                                                                                             crypto-controversies surveillance                                              (Simon Penny) It should not go unmentioned                                                                                                        live music)          stage technology (underground resistance, Station Rose, extent – Rave parties enable                                          Contracts with HW and SW
                                                                                                                                                                                                               informatics in conjunction with the ars             Information.Macht.Krieg (essays)               Detection                                                                                                                                                                   (1979/K31)               Kraftwerk – Unplugged?
                                                                                      walls papered with
                                                                                                                                                                            getting around the error
                                                                                                                                                                            correction system of a CD
                                                                                                                                                                                                               1-2 years before the software became                (1998/II-Knn)                                                    encryption methods           installations (2)                                 that the top-down paradigm with its centralization
                                                                                                                                                                                                                                                                                                                                                                                                                   of power is the logical continuation of the
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              Disco takes over (1993/K265)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 cyber pop (Station Rose)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          from the
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          pop field
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     United Frequencies of Trance)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     (1994/II-K126)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        direct experience. One feels
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        the rhythm, hears the noise,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        sponsors have consequences for                  21 economic view /
                                                                                                                                                                                                               available (in Austria).                             (J. Arqilla & D. Ronfeldt, G.J. Stein, S. Weiguang,                                                                                                                                                                        (1979/K32)                                                                                                                                                                                                                the independent scene ("the                                                                                                             globalization discourse
                     view of clothing II                                                                             the structure of the means (as relation) (DM)          (Yasunao Tone)                                                                                                                                                    systems of unlimited surveillance                                    panoptical model.
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          production view
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  ars: techno culture
                                                                                      high-resolution                                                                                                                                                              W. Jincheng, I.N. Panarin, G. Schöfbänker, M. Wilson,                                                                                                                                                                                                                                                                                                                                                sees the lights ...                             large institution is already being
                                                                                                                                                                                                  open source                                                                                                                                 (Rötzer)                                                             In addition, traditional dualisms like                          instruments and software
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         "Disk", "Dub","Digital" all the way In Concert                                                                                                                                                                                                                                                                                         liberalism discourse
                                                                                      screens                                                                                                                              (2003/K225)                             C.H. Gray, Ute Bernhardt, M. Geyer, B. Richard,                                         (1999/II-K13) using "Augmented                                                                                                                                                                                                                                                                               (Melita Zajc)                                   sponsored ...")
                                                                                                                                                                                                                                                                                                                                                                                                                   master/slave, general/soldier, boss/                                                                  to "Diffusion" jockeys (1999/K380) (DJ Spooky)                                                                                                                                                                                                                                                                                         economy as discourse (Foucault)
                                                                                      tapeziert sind                                                                                                                                                                                                                                                       Reality" (to enhance sensory                                                                                            from the pop field                                                                                                                                                                   (1995/K68)
                                                                                                                                                                                                                           code art – code poetry                  M DeLanda, J. doyne Farmer, M. Müller & W. Wagner,                                                                                                                                                                                                    extreme scratching                             (2003/F23)           music, video and games culture                       (PV) mass                                                                                      office design                                                                                                  (game rules of art)
                25 architectonic view                                                 (1995/K26) (Gates)
                                                                                                                                              24 view of the field                                                         code art – minimal code                 P. Virilio, E. Schmiederer, Kunda Dixit, D. Rushkoff,                                   perception) the soldier becomes
                                                                                                                                                                                                                                                                                                                                                           a roaming command center
                                                                                                                                                                                                                                                                                                                                                                                                                   worker ... are repeated and reinforced.
                                                                                                                                                                                                                                                                                                                                                                                                                   (1996/K194)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                              disco culture as Art Deco                 de- and reconstruction of                                                                                                 techno-culture
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Interface design (cf. below)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       cyber-capitalism              financing view /
                                                                                                                                                                                                                                                                   G. Lovink, P. Riemens, RTMARK, R. Adrian, P. Garrin,                                                                                                                                                       (1979/32)                                                                               Laurie Anderson                                                                                                          Typodesign (cf. below)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        music cuts (Involving Systems)                                                                              Aural Screenshots         deep antipathy                                                           (1996/K212)
                                                                                                                                                                                                                post-symbolic                                      T. Druckrey, F. Kittler)                                                                                                                                                                                                                                                                           (1995/K384)
                                                                                                                                                                                                                                                                                                             (1998/II-K25) VR systems for                  (2003/P66)                Exercising power in an installation (D. Rokeby)                                                                                                                                                                                                (Fadi Dorninger)          towards                           Cybersquatting
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                costs view / sponsors view
                        container view                                                  electrotecture                                                                                                          communication                                                                                simulation and training purposes                                        I found out that the user's feeling of being able to
                                                                                                                                                                                                                                                                                                                                                                                                                                                                     electronics – popularization                                                                                        discovery of the show as                                                                                                              online catalogue (Rossbacher)
                                                                                                                                                                                                                                                                                                                                                           artificial                                                                                                                                         Micro-DJ lectures            pop culture building on                                                                                            popular                           (Domain Spekulation)
                                                                                        (1994/K80)                             view of the in-between (space)                                                   (Jaron Lanier)
                                                                                                                                                                                                                (1990/II-K186)
                                                                                                                                                                                                                                                       CyberWar, NetWar, knowledge war, info-tech,
                                                                                                                                                                                                                                                       PsyOps, popular information war, robot soldiers,                                                    villains simulated exercise power grew, as soon as I reduced the number
                                                                                                                                                                                                                                                                                                                                                                                                                                                                     of art (1979/K20)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              (Kodwo Eshun)                electronic technologyr
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         an absolute art form –                     (1995/K365)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              culture           Tele-buyers (PV)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               (1999/K403)
                                                                                                                                                                                                                                                                                                                   The paranoid rationality of the                                   of the dimensions of interaction.                                         (boombox) (2000/K354)                          (2000/F19)                                                                 communication and entertainment
                                                                                                                                                                                                                                                       remote electronic control battle systems (REC),                                                     as mail traffic                                                                                                                                                                                                                                                                                    (2000/                                        Telekiosking see also: view of
         view of interior architecture
                                                                                        architecture
                                                                                        as medium                                                                                                                                                      robotic war, net war techniques
                                                                                                                                                                                                                                                                                                                   Gulf Massacre (Les Levidow)
                                                                                                                                                                                                                                                                                                                   (1995/K80) cf. (2003)
                                                                                                                                                                                                                                                                                                                                                           (LAN)                                                         (PV) The control               music video for Fuckhead (1995/P160)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                including Ambient, DJ-Culture, (1989/K125)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (Station Rose)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 Tronic Artcore Event         P194)        Telebanking und                  (1994/K139)           designing gestures                              design view
                                                                                        (1994/K61)                                             view of magnitude                                                                                       (1998/II-K) cybernetic war, information war
                                                                                                                                                                                                                                                                                                                   Electronic Orientalism                                  (1998/II-K15) electronically                  society predicted              (Violet Suk, Martin Koch)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          Performance software for (1999/K371)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                Drum & Bass, Techno, ....
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (Elisa Rose, Gary Danner)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 (K. Becker, J. Hennrich,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 M. Retschitzegger,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Teleshopping
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (1994/K07)            B2B-trade (2002/K49)
                                               Architecture as the art of the                                                                                                                                                                          (1998/K42)                                                                                                          induced blindness and paralysis               by Deleuze                                                                                                                                                                                                                                                                                                Point of Sale
 see also: view of clothing                                                                                                                                                                                                                                                                                        High-Tech Barbarism                                                                                                            Festival A/V-Collision (2003/Graz)                      visualizing any musical                                                        Digital-Arabesque-Lightshow
                                               next millennium?                                                           Deleuze: smooth & striated (fold & discrete units) /                          see also:                                                                                                                                                          (1998/II-K157)                   (wars, weapons, media                 devoted to the relationship of                          parameters                                            AfroElectro-Genres
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 Leo Schatzl)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 (1995/K388)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             virtual department
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             stores (2)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    digital money                  Point of Information                    view of the future                                                                                                                                                                                                                                                                                                                                                                            Literature:
   TRON-House: completely                      (1994/K35)                                                                 wave and particle / field and particle / analog and digital                   view of unboundedness                                                                                                                                              information technology (Lynn Hershman)                                 visuals and music                                       (MESO)                                                (2002/K116)                          Sub´tronic ´96                                                                                 (Bernhard Vief)                Teleshopping                                                                                                                                                                                                                                                                                                                                                                                                                          Euphorie digital? Aspekte der Wissensvermittlung
   computerized house                      (1998/II-K230)
                                                                   Body scanned architecture
                                                                   (Venedig 1995)
                                                                                                                          track & phase                                                                 view of atmospheres
                                                                                                                                                                                                        light view
                                                                                                                                                                                                                                              Leader function among                             view of exhibition organizers                                              as weapon                        (1995/P120)                           (Fritz Fitzke, Pan Sonic, Sofa 23,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        Bugrace99 (Stadtwerkstatt)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        (1999/K339) sport event                 HipHop Worldwide
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Sub´bass, Sub´harmonics,                                webmall
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       Art Com Electronic Network
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    CyberCash                      (1996/J18)                        Why is virtual reality always
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     imagined in terms of space,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               possibilities of achieving                                                                                                                                                                                                                                                                                                                                   in Kunst, Kultur und Technologie / Gemmerke
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Expanded Museum – Kulturelle Erinnerung und
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    ownership in cyberspace when time is the only remaining continuous income as a
   (1994/K131)                                                                                                                                                                                                                                festival events                                                                                                             1 Jul. 95: appointment of media                                         Tina Frank (with Mego))                                                                                                                            Sub´culture, Sub´stance,                                                                       electronic wallet
                                           Interactive Home        (Ruth Schnell, Gideon May,                                                                        Inter-disciplinarity               view of change                                                                                                                                                                                                                                                                                                                                          (2002/F022)                                                                            ACEN (1986) (1989/K129/K131)
   (Project 1988-1993)                                                                                                                                                                                                                        (2003/P12)                                                                                                                  artist Gerfried Stocker as managing                                     Instead of the disco ball: computer                    virtual pop star – Raymond                                                                  Sub´sonic, Sub´versive                                                                         (1997/K176)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    (Randal Walser)                                                            media design group                                                                                                                                                                                                                                                                                                                                           virtuelle Realitäten / Annette Hünnekens
                                           Systems                 Constanze Ruhm)                           from digital thinking                                                                      transformation view                                                                                                                                                                                                                                                                                                                                                                                                                            virtual shopping street                                                                                       real commodity? (1994/K190)
   TRON hyperintelligent building
   (1994/K134)                                        system architecture                                    to field theory (Itsuo Sakane)
                                                                                                                                                                     Inter-media
                                                                                                                                                                     Inter-activity                                                                           view of                                             curators' view                                          director of the AEC Betriebsgesellschaft                                graphics, high-tech
                                                                                                                                                                                                                                                                                                                                                                                                                                                  animations
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Kurzweil                                                                                    (1996/K318) (F. Dorninger)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       electronic shopping                   economic takeover                      (1990/II-K208) B2B
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       The future of Austria –
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             21,000 works                                                                                                                                                                                                                                                                                                                Museumsinformatik und Digitale Sammlung /
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Harald Krämer
                                                                                                                                                                                                        view of                     ars electronica
                                                                                                                                                                                                                                                                                                                                                                          (1996/J15)                                                                                     Design office for digital staging                                                     soap performance                      (1997/K370)                                       hypermedia mall                                                                                    C2B                                                                                submitted
                    information architecture                                                                 (1999/J83)                                              Inter-net                                                                                administration                                                                                                                                                                                                                                                                                                                                                                                                                                                                              B2C                                          living in the year 2019                                                                                                                                                                                                                                                                                                                                           Kunstgeschichte digital / Ed. Hubertus Kohle
                                                                 (portable) container studay                                                                                                            liquification               organization                                                                                                                                                                                                                         and interaction (MESO)                            (Van Gogh TV)                                                             Sub´tronic                   Dotcom mania                                            E-commerce The future of cyberspace –                                                                                                              1.75 mill. Euro
                                                                                                                                                                                                                                                                                                                                                                          in the cross-hairs of the                         the digital city is a form                                                                                                                                                                                                     (1999/K398)                                                                                                                                 (1984/K281)
    electronic
                             increasing the intelligence of
                                                                 (1998/P102) (R. Strickland)
                                                                                                        (MF) Neither reductive abstraction nor
                                                                                                                                                                                                                                    (Jutta Schmiederer)
                                                                                                                                                                                                                                                              view of                              23 view of the organizing                                              sniper's camera                                   of public space
                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (filling the gap between
                                                                                                                                                                                                                                                                                                                                                                                                                                                                         design, technology and games)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Hotel Pompino – television to play along
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           Direct television democracy
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     overhead VJ-                 New economy
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           (RTMark)                Online shopping
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              wild frontier versus
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              hyperreal property ownership                    museum of the future AEC
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (Jungk, Franke, Schwendter,
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             prize money
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             (2003/Q14)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Metamorphosen – Gedächtnismedien im
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Computerzeitalter / Ed. Götz-Lothar Darsow
    architecture                                                                                                                                                                                                                    et al.                                                                                                                                                                                  (1995/K182)                                                                                                                            computer kitsch
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     projections            Cybermoney                 tele shopping (2) system (C. McGrail) (Bruce Sterling)                                                                                          Zemanek)
                             the artificial environment (PW)                                            decypherable symbolism "apply to" or                                                                                                                  state                                                                                                       (Paul Garrin)                                                                                                                                    (1990/I-K159)
                             (1994/K06)
                                                                    domicile generator
                                                                                                        translate the phenomenon of "interactivity",                                                                                                          administration                      institution / manager's view                                            (D. Rokeby)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     AEC
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (2001/F36)                 (1990/II-K228)(1999/J114)                  future research
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Echtzeit – Text – Archiv – Simulation /

                                                                                                                                                                                                                                                                                                                                                                                                                                                                   ars: wireless in public space
Container projects:                                                 (Walczak, Wattenberg,                                                                             "discrete" art works                                        festival culture                                                                                                                                                                  penetration of the media into                                                                                                                                                                                                                                                                                                                                                          DMCA Digital Millenium                                                                                                                                                                                                                                                                                                                                           Timo Skrandies
(1986) Container-City implanting artificial intelligence Feinberg) (2001/K288)                          i.e. a mutual inter-relation of man and                                                                                                                                                                                                                           (1997/K97/K258)                                                                                                                                                                                                                              (Virilio) I wonder whether there is not an                                                                                                                                          Copyright Act (2001/K212)
                                                                                                        machine in the field of the stage that can
                                                                                                                                                                      through microtechnology                                                                                       exhibition institutions                                                                                                         urban space (1994/K157)                                                                                                                                                                                                                                                     access conditions to technically                        micro-electronics for human beings                                                                                                                                                                                                                                                                                                                                                                               Archivprozesse – Die kommunikation der
"Ponton"                     in the environment                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        imperialism of time. What happened recently
                                                                                                        be seen and/or tactilly experienced.                                                                                      producer from Hamburg                                                                         C3 Center Budapest                                                                                                                   GPS, GSM and field book/PDA                                                                                                                                                                                                complex media machines                                  (1984/K371)                                Copy protection and digital                          see also: process view                                                                                                                                                                                                                                                                                              Aufbewahrung / Ed. H. Pompe, L. Scholz
                                                                                                                                                                                                                                                                                                                                                                                                                 control for                                                                                                                                                                                           with the trading program during the Wall
  the house as site of                                Symposium „Intelligent Building“                                                                                      endophysics emerged from                              Ulli A. Rützel (first Ars)                                                                    (2001/K299)                                                                                                                                                                                                         Theories of the public sphere                                                                                                                                                                                                                  rights management                                    political view
                                                                                                                                                                                                                                                                                       New-style conference for the                                V2 Lab Rotterdam                                              bridge lighting                                                                                                                                                                      DigiCash         Street stockmarket crash, reveals an                               game industry                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Unternehmen Capricorn – Eine Expedition durch
  intermedia activity (PW)                            (1989/Karlsruhe) (with V. Flusser)                                                                                    chaos theory                                          (1989/J12)                                                                                                                                                                                                                                                                                                                                                                                                                                                                         (FF) For artists it has not been easy to                                                                                           view of action
                                                                                                                                                                                                                                                                                       digital generation (2001/K192)                              (2001/K299)                                                   (MESO)                                                                                                            Worlds Within (K. Dudesek, Van Gogh TV)                            (D. Chaum) acceleration of the transactions that no longer                          as multi-billion                                                                         license piracy (2001/K25)                       art history                                                                                                                                                                                                                                                                                                                              Museen / Ed. Christoph Steinbrenner
  (1994/K16)                                          buildings were previously inanimate            field concepts                                                         (Otto Rössler) (1992/K09,K56)                                       AEC: ... once again,                                                                                                  Media Lab Helsinki                                                                                                                                                                                                                                                                                                                             gain access to modern networks, which
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   Multi-User-Domain – a public                                       (1995/P86) take place in the time of the stockmarket                                                                                                                         Napster                                         of the Net (DH) view of art theory
                                                      machines (1994/K17)                            (Andrew M. McKenzie)                 electronic fields                 (1999/J244)                                                         something has been created                                                                                             (1997/K153)                                                                                                                                                                                                                                                                                                        dollar market
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     are reserved primarily for the military, the                                                                                                                                                                                                                                                                                                                                                                                                        Optische Medien – Berliner Vorlesung 1999 /
                         cyberarchitecture                                                                                                                                                                                AEC as digital that is unparalleled throughout                                         Concept for the ZKM Karlsruhe                                                                                                                                                                                     electronic place (1996/K376)                                                        traders, but rather in that of the machines.                       (2001/K19)
                                                                                                     (1990/K-I-105)                                                                                                                                                                                                                                      Event City, Pandora's                                                                                                                                                                                                                                          .... Disaster of every general interactivity.                                                banks and industrial corporations.                            (John Warnock)                      Thesaurus on media art (Oliver Grau)                                                                                                                                                                                                                                                                                                                 Friedrich Kittler
     1994
                                                                                                                                                                                                                                                                                                                                                                                              event view II                                         celebration view
                                                      symposium "Architecture &
                       Intelligent Ambients electron. Media" (1994/II-08)                                                                                                       Nanotechnology (1986)
                                                                                                                                                                                                                          media center
                                                                                                                                                                                                                          (1996/J41)
                                                                                                                                                                                                                                                the world
                                                                                                                                                                                                                                                (1996/J58) (Franke)
                                                                                                                                                                                                                                                                                       SIGGRAPH USA
                                                                                                                                                                                                                                                                                       (1989/J203)
                                                                                                                                                                                                                                                                                                                 decided in 1988
                                                                                                                                                                                                                                                                                                                 (Klotz as founding director)
                                                                                                                                                                                                                                                                                                                                                         Box
                                                                                                                                                                                                                                                                                                                                                                                              (experience view)                                                                                                            a discarded 386 as begging                                  the "digital city" as a                             (PV) The function of the street and the            chainletter            (DG) that first changed with the WWW                          standard software
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   (2003/F11)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       (post-doctorate with Th. Macho)                                 art historical view                                                                 art history studies                                                                                                                                                                           Beiträge zu Kunst und Medientheorie /
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       response to the impending                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            Ed. Hans Belting, Ulrich Schulze
                                                                                                                                                                 1992
                                                                                                                                                                                                                                                                                                                                                         (Hou Hanru)                                                                                                                                                       street musician                                                                                                 marketplace has now been assumed by education                                                                                                                                                                                                                                                                                   cultural history studies
                                                      (Hadid, Irie, Toyo Ito, Klonarides,           "field models" of movement,                                                                                                                                                                                  (1989/J194)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              1968 world expo in London:
                                                                                                                                                                              Nano-Technology                      Ars Electronica became established world wide as                    suggesting ideas                                                  Gwangju curator            Cyberspace is not                                                                                                                      (transmediale) (Alexei Shulgin)                             commercialization of the Net                        screens and electronic displays                    (R. Schmidt)                                                                                                                                                                                                                                                                                                                                                                                                                                                               Medien-Welten Wirklichkeiten / Ed. Gianni
                     intelligent design (Zec) Koder, Prix, Sakamura, Lainer)                        occupying space, communication                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               Peer to peer connections                                                                                 Cybernetic Serendipity for Computer                                                                                                              media history
  electronically                                                                                    and energy (Ursula Damm, Michael                          The World from Inside (1992)                         a third independent forum among the major events                    feasibility assessment for Ars themes                             (2002/K325)                Disneyland (Amy Bruckman)                                       experience view                                                                                                                    (1995/K181)                                                                                            (1997/P80)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 (Napster & Gnutella)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      the invention of VisiCalc
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          and the Arts (Initiative from Max Bense)                    20 historical view                                                                   psychology of the collection                                                                                                                                                                     Vattimo, Wolfgang Welsch
  reacting
  pavilion
                         binary notations
                                                      in 1976 Cedric Price
                                                      already designed the project
                                                                                                    Hoch) (1999/K359)
                                                                                                                                                                           Nano-Computer
                                                                                                                                                                                                                   SIGGRAPH and Imagina (1994/P10)
                                                                                                                                                                                                                                                                                      Imagina (France)                                         ART+COM Berlin
                                                                                                                                                                                                                                                                                                                                               (founded 1988)
                                                                                                                                                                                                                                                                                                                                                                                    (1995/K138)                                                                                                                              crime as
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             entertainment –                 ars: who is behind the network                                                                                           REUTERS
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 (2000/P08)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 bypass solutions
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (for MAC) created the first
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      real market for PCs
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1994/K210)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1999/K414) (Stocker)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          (1989/J16)                                                                                                                                       philosophy/theory of collecting
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           memory discourse
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         Re-play – Anfänge internationaler Medienkunst
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            in Österreich / Ed. Sabine Breitwieser
  (1989/K218)
                         on a digital
                         architecture
                                                      "Generator", in which the
                                                      building constantly changes             analog: atmospheric, field-oriented
                                                                                                                                                                           (1992/K08)                        AEC was set
                                                                                                                                                                                                             up with
                                                                                                                                                                                                                                 Computer/Software trade fairs
                                                                                                                                                                                                                                 for providing ideas
                                                                                                                                                                                                                                                                                      ISEA Int. Symp on Electronic Art                         (1989/J195)
                                                                                                                                                                                                                                                                                                                                               AEC conception
                                                                                                                                                                                                                                                                                                                                                                            Digital effects (in film), themselves
                                                                                                                                                                                                                                                                                                                                                                            presented artistically (2002/P119)
                                                                                                                                                                                                                                                                                                                                                                                                                                           22 entertainment view                                                             living map –
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             up-to-date facts
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Symposium                                      Information technologies currently
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      (1995/K298) s.l.
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      SDS3 Small Dish Satellite
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      20 years of ars electronica (AH) Interactive media art is difficult to
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      would naturally be a reason assign to the conventional categories                      history of technology view                                                                    memory theories                                                                                                                                                                               Perspektiven der Medienkunst / Neue Medien -
  (Regina Cornwell)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 still prevail by rather unimaginatively                                                                    Map of the market                                                                                                                                                                                                                                                                                                                                                                                                                            Neue Kriterien? / Das digitale Museum /
                         (1994/K150)                  according to the wishes of              (see left)                                                                                                     funding                                                                                                                                                                                                                                                                                                         (S. Wilson)                 ... the extremely questionable hope                                                                                          (for receiving data)                     (M. Wattenberg, Joon Yu)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      for an archeology of the            of art studies –                                                                                                                                 "end of history" discourse
                         (M. Plottegg)                                                                                                     Authors for Endo/Nano: R. Abraham,                                                                                                     (1989/T) founding of the Zentrum für Kunst und                                                                                                                                                                                             (1998/P106)                                                                            following the guidelines of classic                               offers for currency traders                                                                     artistic development                a separate classification should be                    Why are there hardly any scholarly                                                                                                                                                                                                                                                         Ed. H.P. Schwarz, J. Shaw
                                                      the users (1994/K30)                                                                                                                                   amounting to                                                                                                                                                                                                                                                                                                                                that art earning money in technology                                                                                                                                                                                                                                                                                                                                                                              history of philosophy
   ETH-Zürich
   ASL Architectural
                                                                                              Ma – sense of space                          H. Atmanspacher, John L. Casti, M. Conrad,
                                                                                                                                           D. Finkelstein, D.D. Hoffman, L. Löfgren,
                                                                                                                                                                                                             180 Mill ATS ATR Advanced Telecomunication
                                                                                                                                                                                                                                                                                              Medientechnologie Karlsruhe
                                                                                                                                                                                                                                                                                  (1990/T) founding of the Kunsthoschule für Medien Cologne
                                                                                                                                                                                                                                                                                                                                                                   (AH) In all considerations, the question
                                                                                                                                                                                                                                                                                                                                                                   arises about assigning interactive media
                                                                                                                                                                                                                                                                                                                                                                                                                                     view of fashion / adornment                                                                                         matters can soon pay its own way
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    capitalism to the detriment of
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    social-state ideas
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               (1999/P54)
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      ( .... Why not                      developed (Heinrich Klotz)                             works on computer art in Austria?
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           museum studies                                                                                                                                                                                Suchbilder – Visuelle Kultur zw. Algoritmen und
                                                  CAAD computer aided                         the world of the interstice                                                                                    (1996/P16)       Research Institute (Kyote)                                                                                                                                                                                                                                                                                                 (Stocker) (1996/J52)                                                                                      About the influence of new media                                                                                   implemented ?)                                                                                                                                                                                                                                                                                                                                                                        Archiven / Ed. Wolfgang Ernst, Ute Holl, et al.
   Space Laboratory printing buildings            architectural design                        (Derrick de Kerckhove)                       J. Parisi, Gordon Pask, R. Rosen,
                                                                                                                                                                                                                              supported by the Japanese gov't.,                   (1992/T) Multimediale 1 at ZKM                                                   art to the category of "art" or of "game"
                                                                                                                                                                                                                                                                                                                                                                                                                                         see also: view of clothing