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Berlin Dada

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					Berlin Dada

A Revolution Within a Revolution
The Players

 Richard Huelsenbeck (Welt-Dada)
 Raoul Hausmann (Dadasopher)
 Geogre Grosz (Propagandadada Marschall)
 John Heartfield (Monteurdada)
 Hannah Hoech
 Wieland Herzfelde Malik-Verlag
 Johannes Baader (the Oberdada)
 Otto Dix
 Hans Richter
 Viking Eggeling
Berlin Dada cont’d
 Concentrated on published images as the
  prime communication of wide-ranging social
  critiques in periodicals, almanacs, portfolios
 Reduces & subverts the emphasis on the
  single, original artwork & the unique experience
  of art
 Move away from the traditional primacy of oil
  painting to a variety of drawing & duplicative
  media as well as to the words (or verbal
  images) that accompanied them
 Emphasis on transitory in art & emphasis on
  the present rather than the future (also Zurich)
 2 earlier journals: Freie Strasse; Neue Jugend
Dada Evenings
Club Dada
 January 1918
 April 1918
 First Dada Fair   1920

				
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