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Some Popular Philippine Folk Dances

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Some Popular Philippine Folk Dances Powered By Docstoc
					              Philippine Folk Dances and Ethnic Dances
Most Philippine dances were originally patterned after European dances during the Spanish regime.
Pandango sa Ilaw, Cariñosa, Rigodon and Balitao are examples of these dances Filipinos are known for.
Aside from these western-influenced dances, ethnic-created dances such as Tinikling made its way to
nationwide recognition. Despite its apparent adaptation to western dances, still Filipinos pay tribute to
their cultural roots. Every district in the islands has its own folk dance, interpreted attractively in
festivals and local shows, which have added to the country’s reputed contribution to world’s illustration
of traditional arts.


                  Some Popular Philippine Fo lk Da nces with Ethnic Origin

Binasuan
        Binasuan literally means "with the use of drinking glasses". This dance originated in Pangasinan
        Province. It is a vibrant dance requiring balancing skills. Glasses filled with rice wine are placed
        on the head and on each hand and carefully maneuvered with graceful movements. This dance
        is commonly performed in weddings, fiestas and special occasions.

Sublian
        The term "sublian" comes from the term "subli", which is in turn coined from two Tagalog
        words: "subsub" (falling on head) and "bali" (broken). Sublian dancers therefore appear to be
        lame and crooked throughout the dance. Sublian is a ritual dance of the natives of Bauan,
        Batangas. It is usually performed during fiestas as a ceremonial worship dance to the town's
        religious icon, the holy cross.

Kuratsa
        Kuratsa is usually performed during festivals in Bohol, Leyte, Samar, Iloilo and other Visayan
        towns. Kuratsa is a courtship dance that portrays a young couple's playful attempt to get each
        other's attention.

Itik-itik
        This dance started when a young woman named Kanang (short for Cayetana), who happened to
        be the best performer in the province of Surigao del Norte, began to imitate the movements of
        an "itik" or a duck.

Tinikling
        Tinikling is considered the Philippine national folkdance. It is performed by a pair of dancers
        hopping between two bamboo poles held just above the ground while the bamboo poles are
        being struck together in time to music. Originating from Leyte Province, this dance is in fact a
        mimic movement of "tikling birds" hopping over trees, grass stems or over bamboo traps set by
        farmers. Dancers perform this dance with remarkable grace and speed jumping between
        bamboo poles.

Maglalatik
        This dance was originally performed in Binan, Laguna as a mock-war dance to demonstrate a
        fight between the Moros and the Christians over the prized latik or coconut meat during the
      Spanish rule. The dance has four parts - the palipasan and the baligtaran showing the intense
      battle, the paseo and the escaramusa or reconciliation. Moro dancers wear read trousers while
      Christian dancers wear blue trousers. All dancers are males harnessed with coconut shells on
      their             chests,           back,              thighs            and             hips.



                    Philippine Folk Dances with Spanish Influence


Rigodon
      This dance came from Spain and is commonly performed in formal affairs like inaugural balls.

Pandanggo sa Ilaw
      The word pandanggo comes from the Spanish dance "fandango" characterized with lively steps
      and clapping while following a varying ¾ beat. Pandanggo requires excellent balancing skill to
      maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each
      hand. This famous dance of grace and balance originated from Lubang Island, Mindoro.

Maria Clara
      Maria Clara is the main female character in Jose Rizal's Noli Me Tangere -a literary piece that
      features the colonial situation of the Filipinos during the Spanish regime. She was characterized
      as a Filipina woman of virtue and nobility. This dance is a mix of Spanish gracefulness and
      customized native props, such as bamboo castanets and Asian fan. Female dancers wear Maria
      Clara dress that typifies the European style, while men are in barong tagalog, a traditional
      Filipino embroidered long-sleeve shirt made of pineapple fiber.

Cariñosa
      Cariñosa is a word that describes an affectionate, friendly and lovable woman. This dance is
      performed in flirtatious manner with fans and handkerchiefs to assist the dancers' hide-and-
      seek movements.

La Jota Manileña
      It is a dance named after the capital city of the Philippines, Manila, where an adaptation of
      Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves.
      The costume and the graceful movements of the performers noticeably inspired by Spanish
      Culture.

Sakuting
      Originated in Abra, this dance interprets a mock fight between Ilokano Christians and non-
      Christians with training sticks as props. It is traditionally performed during Christmas at the town
      plaza or from house-to-house as a caroling show. As a return, the dancers receive presents or
      money locally known as "aguinaldo".

Pantomina
      Meaning "Dance of the Doves", this dance is the highlight of Sorsogon's Kasanggayahan Festival
      every third week of October. It is a courtship dance where men attempt to please the women.
                                  Other Philippine Ethnic Dances



Banog
          Cordillera In this dance, performers portray hunters shielding their chickens from the famishing
          hawk. The hawk ends up entrapped and dies in the hands of hunters.

Salisid
          Kalinga, Cordillera This is a courtship dance that symbolizes a rooster trying to attract the
          attention of a hen. This is performed and portrayed by both male and female dancers as the
          rooster and hen respectively. The dance starts when each of them are given a piece of cloth
          known as "ayob" or "allap".

Palok
           Kalinga, Cordillera - A tribal dance. The natives of Kalinga perform this dance in most of their
          social events. Male dancers hold gangsa or gong- a percussion instrument made of copper, and
          beat it with wooden stick.

Lumagen
          Kalinga, Cordillera A tribal dance. This is a traditional thanksgiving dance by the Kalinga tribe
          performed to celebrate good harvest and events such as birth of first-born child, victory in
          battles and weddings.

Idudu
          Abra, Cordillera A tribal dance. This dance stages a common family life in the Itneg or Ti nguian
          society. It illustrates the family as the main foundation of the tribe's community. Several traits of
          an ordinary family are shown. It depicts a father plowing the field while the mother caring for
          the children. But as soon as the father finishes work, the mother takes over on planting, sowing
          and all the remaining chores to do in the field. At this time the father is left to take care of the
          kids. During the dance a Local singer breaks into an Idudu or lullaby to put the baby to sleep.
          Idudu, a dance taken from Idudu lullaby, obviously portrays the different roles in a Tinguian
          family.

Dinuyya
          Cordillera Ifugao dance Famous in the Ifugao region, this dance is regularly staged during
          festivals in Lagawe. Three kinds of gong instruments such as, ordi nary gongs, tobtob- a brass
          gong played by beating with open palms and, hibat, a kind of gong played by beating the inner
          surface with softwood are used in this dance.

Bendayan
          Benguet. This dance, which is more known as Bendian, is performed to commemorate the
          arrival of headhunters in their district. Performers dance in a circle and show off their lively
          traditional steps.

Binaylan
          Agusan This is a ritual dance, which originated from the Bagobo tribe living in the central
          uplands of Mindanao, imitating the movements of a hen, her banog or baby chicks, and a hawk.
        The hawk is sacred and is believed that it has the power over the well being of the tribe. The
        hawk tries to capture one of the baby chicks and is killed by the hunters.

Malakas at maganda
         Leyte A Tribal dance. This dance depicts the birth of the first man and woman who came out of
        a bamboo tree. It has been said that the woman named "maganda" (beautiful) and the first man
        "malakas" (strong) are the parents of the whole community in the isl and. The dance
        demonstrates how a bird discovered the noise coming from the inside of the bamboo and
        perched until it opened. A man and a woman came out of the big bamboo tree and, the birth of
        this legendary couple is amusingly interpreted in this dance.

Kadal-Blelah
        South Cotabato , a tribal dance where in the dancers perform simulation of movements of birds.

Kadal Tahaw
        Tiboli dance (south cotabato). A tribal dance performed by Tiboli tribe, this dance that mimics
        the hopping and flying behavior of Tahaw bird is performed to celebrate good harvest.

Sayaw sa Cuyo
        Palawan Cuyo is a small island and capital of Palawan. There, the feast day of St. Augustin is
        traditionally celebrated with parades, processions and small performances by groups coming
        from all over Cuyo Island and the nearby islets. Island dances, blended with strong Old Cuyo
        ethnicity and Spanish-influenced steps, are all brought out when Cuyo celebrates its festivals.
        Today, pretty young girls daintily swirl hats to the waltz and other European steps designed to
        bring out the freshness and glow of the performers.

Karatong
        Palawan A Muslim dance. During the festival of San Agustine in the island of Cuyo, the
        celebration also includes the blossoming of mango trees. The parade starts from the church
        patio and ends at the town plaza with ladies waving their colorful props "Bunga mangga" that
        symbolize the flowers of mango tree, while men lively strike their karatong instruments;
        creating a scene of joy among reveling towns folk.

Dugso
        Bukidnon A thanksgiving dance from the talaindig tribe.

Gayong-gayong
        Capiz , a Muslim dance. In rural gatherings, this dance offers much fun. Gayong is a pet name for
        Leodegario. According to the legend and to the words of the song, Gayong and Masiong (pet
        name for Dalmacio) once attended a feast commemorating the death of a townsman. While
        eating, Masiong choked on a piece of Adobo so he called, "Gayong! Gayong!" to ask for help to
        dislodge a bone from the Adobo meal from his throat. In this dance, Masiong's liking for feasts
        and the consequence of his gluttony are held up to playful ridicule.

Kapa Malong-Malong
       Cotabato, a Muslim dance. This Maranao dance is performed with women wearing malong and
       shawl, mantle or head piece, whereas men wear sash or waist band, shorts or bahag and head
       gear or turban traditionally worn in the fields.

Pagapir
       Lanao Del Sur This dance is usually performed to commence an important affair. Dancers of this
       dance are usually from the royal court or high society group of Lanao Province. They use apir or
       fan to coordinate with their small steps called kini-kini, which symbolizes their good manners
       and prominent

Burong Talo
       (Jolo, Sulu) The Burong Talo dance of the Tausog people is a form of martial arts interpreted in
       dance form. Mimicking a fight bet ween a hawk and a cat, this acrobatic dance is accompanied by
       drum and gong.


Buti
       (Jolo, Sulu) The B adjao, known as sea gypsies, are born, raised, and die on boats called lipa or
       buti. The B adjao have a remarkable affinity with th eir "home boat" that a dance was created in its
       honor. Deviating from the traditional pangalay, the buti-buti is an occupational dance that mimics
       the daily activities of men rowing, diving, casting and pulling nets, harvesting and bringing home
       the catch while women use rattan baskets to gather shellfish. The accompanying song or Leleng,
       describes the buti-buti's gentle sway, similar to the graceful walk of the badjao lady.

Janggay
       (Arena Blanco, Zamboanga) The Janggay dance of the B adjao people takes its name from the
       metal fingernails worn by the women on special occasions. Passed down from generation to
       generation, the Janggay is danced for celebrations such as birthdays and weddings and for
       rituals such as male and female circumcisions and Ramadan. This smooth and flowing dance is
       performed with highly articulated form, restrained strict facial gestures and meticulous attention to
       the placement of each finger in relation to the palms and wrist twists.


Katubao Katendong
       (Maguindanao) The tendong is a head covering worn by females and the tubao is a head
       covering worn by males among the Maguindanaoan people. This dance goes through the many
       ways of wearing the tendong and tubao.


Kinakulangan
       (Marawi, Lanao del Norte) The royal walk or "kini -kini" of the Maranao women is illustrated in the
       Kinakulangan dance. Male attendants follow the ladies as they gracefully manipulate mosala, or
       scarves, displaying their elit e social upbringing.


Maglangka
       (Jolo, Sulu) Literally meaning "to dance," the maglangka is use d to mold the adolescent girls into
       ladies of good breeding and accomplished dancing skills. The girls are strictly taught to grac efully
       execute movements imitating birds in flight, fish swimming in the sea, or branches swaying in the
       air while remaining in the confines of a square clot h. these movements require intense
       concentration and innate style as the ladies express emotions and entertain guests.


Pamansak
          (Jolo, Sulu) This dance is another version of the Pangalay found among the Tausog people. It is a
          courtship dance that features the skill and agility of the female dancer as she balances atop two
          bamboo poles held on the shoulders of two males.


Pangalay
          (Jolo, Sulu) Pangalay is a popular festival dance in S ulu. It is performed in wedding celebration s
          and at big social affairs. Wedding celebrations among the rich families in S ulu are lavishly
          observed. They may last for several days or even weeks depending on the financial status and
          agreement of both families. Well known dancers perform the danc e while others feast. Expert
          dancers use janggay, extended metal finger nails made of gold or silver.


Sagayan
          (Maguindanao) Sagayan is an all male dance performed as a way t o ward off evil spirits or
          calamities. Performed in a trance-like state, the dancers represent the legendary Prince Bantugan
          and his dramatic victories in war.

Singkil
          (Maranao, Mindanao) Singkil means to entangle the feet with disturbing objects such as vines or
          anything in your path. Coming from the Lake Lanao region, the Singkil is a popular dance
          performed during celebrations and other festive ent ertainment. P erformed as a female only
          dance, the Singkil serves as either a conscious or unconscious advertisement to would-be suitors
          for her fut ure marriage. The ladies graciously step in and out of clashing bamboo poles arranged
          in either a parallel, rectangular, or criss cross fashion while manipulating either apir (fans ),
          mosala (scarves ), or even just their bare hands.

Bumayah
          A dance traditionally held during thanksgiving or after a bountiful harvest.

Kayabang
          Depicts a maiden's trip to the lowlands. She beats the bamboo sticks called the bungkaka to
          drive away the unseen evil spirits along the mountain trail.

La Jota Moncadena
          The clicking of castanets accompanies this dance with influences of polka, waltz and mazurka.

Sayaw sa Bangko
          A dance showing off dancing skills and good balance on top of narrow benches.

La Simpatica
          A courtship dance where the picky lady charms her four suitors, who will she choose?

Tahing Baila
          A dance imitating the playfulness of fish as they swim through the water
              Some Folk Dances Photographs




Lajota Manolińo                       Maglalatik




  Tinikling                        Pandanggo sa Ilaw




    Singkil                           Kayabang
 Bumayah       La Jota Moncadena




 Binasuan      Sayaw sa Bangko




Tahing Baila    La Simpatica

				
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