Chord Tone Soloing

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					How To Create Soulful Guitar Solos: Chord
Tone Soloing
Are you tired of the same old guitar licks, tricks and scale sequences that sound great when
played fast, but sometimes don’t really fit well into all slower song? Do you envy all those
great guitarists who achieve more by playing a single note than another guitarist achieved by
playing 100? Very often these guys are
referred to as soulful players.

Is it fair that they take all the glory whilst you
have invested so much time to be able to play at a technical level that they wouldn’t be able
to? Of course it’s not fair! But you can simply apply a few different aspects to your playing
and not only be a competent technical player but also someone who plays with feeling!

I am going to give you some simple but very powerful strategies on how to achieve more by
playing less. It doesn’t mean however that you are going to have to work less to get there. It
will involve investing some of your time into a more intellectual process but I promise that
it’s worth it! The good news is that you can do it away from your guitar during your lunch
break or while commuting to work, so you don’t actually have to have a guitar with you to
make the most of this lesson.

First of all we are going to analyse the commonly overlooked soloing strategy of chord tone
soloing. This strategy is just as applicable to both beginner guitarists and advanced players.
Regardless if you are a blues, country, jazz or metal guitarist this lesson is for you.

Chord tone soloing is based around the chords from the progression of the song or piece we
are soloing over. It is imperative to know what these chords are or at least to be able to
identify them whilst playing over them. This can take some time to develop with ear training
sessions, but again the plus side to this is that this can happen again away from your guitar.

Chord tone soloing is just one strategy to help you create and play great solos, so it is great to
integrate it with other strategies to achieve even greater results. For this reason we will be
adding some extra notes from the scale we use to create more tension in our melodies. Let’s
get started!

Step one: Let’s pick a key – I chose the guitarist friendly key of C Major/A minor (No
sharps and flats) for this example.

The chords are: C Dm Em F G Am BØ C
Roman numerals: I ii iii IV V vi viiØ I

Step two: Creating a chord progression. Generally I prefer using chords that have a lot of
common notes. For example Am C Dm G are all quite similar with their chord tones.

Now it’s time to extract the notes (chord tones) from each chord
Am ( A C E)
C (C EG)
Dm (D F A)
G ( G B D)

In example one you will be playing only one note over each chord of the progression. This
will be the root note of each chord. At this point it’s not what phrasing strategy you are going
to use but what notes you are going to play.




In example two we are going to play only the third note of the chord this will assure a very
emotional feeling to the melody.




In example three we will play only the perfect fifth of each chord:
Example four is my attempt to play two chord tones over each chord to make the solo more
interesting. Please note that in all of these examples I let the chord ring out first before
playing any notes so these very basic solo ideas are a direct response to the chord of the
rhythm guitar. This example will sound great if you use your whammy bar. You can even let
both notes ringing together.
Example five is another possibility of the application of different notes that change the
melody drastically.
Example six will be another option. It will also serve as the melody structure for the next
example
In this final example (example seven), I have used the same chord tones as above but this
time I have included some extra notes, which we refer to as passing tones. These notes are
part of the key and they help to create or maintain some tension to the music and add some
nice colours to the main structure and sound of the melody.




I decided to keep this lesson very simple as the main objective should be to figure out the
notes of any chord that you play. Practicing these concepts will help you to build some
unique phrases and in many cases inspire you to create something quite amazing. Practicing
the guitar is occasionally more intellectual than physical so don’t overlook this area of your
playing as it often yields the best results.

If you happen to be a more advanced player why not use different phrasing concepts such as
hammer-ons, pull-offs, vibrato bends etc? Try to play these ideas in different positions on
guitar neck and get creative! You can also fit in more notes in between these chord tones to
create some even more interesting phrases.

Make sure you watch this chord tone soloing video lesson to see how I phrase these
examples. I have also included a special backing track for you that can be downloaded from
my Wimbledon School of Guitar Website so that you can really get the most out of this
lesson. Thanks for reading and happy playing!

Greg X is a professional guitarist, composer, recording artist and guitar instructor based in
London, UK. He specialises in neoclassical metal and 80’s rock. He is influenced by the
great guitar heroes such as Ritchie Blackmore, Yngwie Malmsteen, Vinnie Moore, Jason
Becker and recently Tom Hess.

Greg X has taught over one thousand guitar students. He is also a founder of the Wimbledon
School of Guitar in London, UK where he teaches all rock based styles to students of all
levels. Greg writes guitar instructional articles and does guitar gear presentations that can
be found across the internet.

Greg X studied music at Goldsmiths College in London, UK and he is being mentored by
World’s top guitarist and music business coach Tom Hess who helps him through his Music
Careers Mentoring Program.

Greg X is featured on a limited edition compilation CD called ‘Under the Same Sky’ released
in Spring 2008 in 10,000 copies, His track ‘Twilight Etude’ of the opening for the album.

Against all the current trends he is working on music he has always loved; 80’s rock. Unlike
other artists he is not denying all his influences, such as Rainbow, Whitesnake, MSG,
Europe, Van Halen, Bon Jovi. His melodic rock album is due to release in early 2011. It
features many accomplished 80’s rock artists from USA and Europe.

Greg is also involved in many side projects that are to be announced later this year.

Greg would like to thank all his fans, students and friends for the support in making his
music dreams keep happening. He would like to invite you to become his friend too. To stay
tuned for his free guitar tips, video tutorials, gear presentations and other free stuff make
sure to sign up for his newsletter.

				
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