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Krishnaism consider Krishna to be svayam bhagavan, or the supreme being. Krishna is often depicted as an infant, as a young boy playing a flute as in the Bhagavata Purana,[1] or as a youthful prince giving direction and guidance as in the Bhagavad Gita.[2] The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions.[3] They portray him in various roles: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.[4] The principal scriptures discussing Krishna’s legends are the Mahābhārata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana. The various groups dedicated to different manifestations of Krishna such as Vasudeva, Bala Krishna and Gopala, existed as early as 4th century BCE. The Krishna-Bhakti Movement spread to southern India by the 9th century CE, while in northern India Krishnaism schools were well established by 11th century CE. From the 10th century CE, with the growing Bhakti movement, Krishna became a favourite subject of performing arts. The regional forms of Krishna such as Jaganatha of Orissa, Vithoba of Maharashtra and Shrinathji in Rajasthan were developed. Since 1966, the Krishna-bhakti movement Krishna with Radha, 18th C Rajasthani painting spread in the West, with the International SoDevanagari ????? ciety for Krishna Consciousness (ISKCON). Avatar of Vishnu, Svayam bhagavan Devotion to Krishna is widely diffused and exAffiliation tends to Jains, Buddhists, Bahá’ís and beyond Vrindavan, Dwarka Abode India.
Krishna Weapon Consort Discus (Sudarshana Chakra) Radha, Rukmini, Satyabhama, Jambavati, Satya, Lakshmana, Kalindi, Bhadra, Mitravinda. The Sanskrit word kṛṣṇa has the literal meanGaruda Bhagavata Purana, Bhagavad Gita

Etymology and names

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Krishna (????? in Devanagari, kṛṣṇa in IAST, pronounced [ˈkr̩ʂɳə] in classical Sanskrit) is a deity worshiped across many traditions in Hinduism in a variety of perspectives. While many Vaishnava groups recognize him as an avatar of Vishnu, other traditions within

ing of "black", "dark" or "dark-blue"[5] and is used as a name to describe someone with dark skin. Krishna is often depicted in murtis (images) as black, and is generally shown in paintings with a blue skin. Some Hindu traditions often ascribe varying interpretations and powers to the names. The Mahabharata’s Udyoga-parva (Mbh 5.71.4) divides kṛṣṇa into elements kṛṣ and ṇa, kṛṣ (a verbal root meaning "to plough, drag") being taken as expressing bhū "being; earth" and ṇa being taken as expressing


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Krishna as Jaganatha in a typical Oriya style, shown at the far right, with sister Subhadra in the center and brother Balarama on the left. nirvṛti "bliss". In the Brahmasambandha mantra of the Vallabha sampradaya, the syllables of the name Krishna are assigned the power to destroy sin relating to material, self and divine causes.[6] Mahabharata verse 5.71.4 is also quoted in Chaitanya Charitamrita and Prabhupada in his commentary, translates the bhū as "attractive existence", thus Krishna is also interpreted as meaning "all-attractive one".[7][8] This quality of Krishna is stated in the atmarama verse of Bhagavatam 1.7.10.[9] The name Krishna is also the 57th name in the Vishnu Sahasranama and means the Existence of Bliss, according to Adi Sankara’s interpretation. [10] Krishna is also known by various other names, epithets and titles, which reflect his many associations and attributes. Among the most common names are Govinda, "finder of cows", or Gopala, "protector of cows", which refer to Krishna’s childhood in Vraja.[11][12] Some of the distinct names may be regionally important; for instance, Jagannatha (literally "Lord of the Universe")[13] in eastern India.

Krishna with Gopis - Painting from Smithsonian Institution a characteristic relaxed pose, playing the flute.[14][15] In this form, he usually stands with one leg bent in front of the other and raises a flute to his lips, accompanied by cows, emphasising his position as the divine herdsman, Govinda, or with the gopis (milkmaids). The scene on the battlefield of Kurukshetra, notably where he addresses Arjuna in the Bhagavad Gita, is another common subject for representation. In these depictions, he is shown as a man, often shown with typical god-like characteristics of Hindu religious art, such as multiple arms or heads, denoting power, and with attributes of Vishnu, such as the chakra or in his two-armed form as a charioteer. Representations in temples often show Krishna as a man standing in an upright, formal pose. He may be alone, or with associated figures:[16] his brother Balarama and sister Subhadra, or his main queens Rukmini and Satyabhama. Often, Krishna is pictured with his gopiconsort Radha. Manipuri Vaishnavas do not worship Krishna alone, but as Radha Krishna,[17] a combined image of Krishna and Radha. This is also a characteristic of the schools Rudra[18] and Nimbarka sampradaya,[19] as well as that of Swaminarayan faith. Gaudiya Vaishnavas celebrate Radharamana image, who is viewed as a form of Radha Krishna by members of the sect.[20] Krishna is also depicted and worshipped as a small child (bāla kṛṣṇa, the child Krishna), crawling on his hands and knees or

Krishna is easily recognized by his representations. Though his skin colour may be depicted as black or dark in some representations, particularly in murtis, in other images such as modern pictorial representations, Krishna is usually shown with blue skin. He is often shown wearing a yellow silk dhoti and peacock feather headgear. Common depictions show him as a little boy, or as a young man in


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dancing, often with butter in his hand.[21][22] Regional variations in the iconography of Krishna are seen in his different forms, such as Jaganatha of Orissa, Vithoba of Maharashtra[23] and Shrinathji in Rajasthan.

attempted to show that "the very same Krishna" made an appearance, e.g. as the drapsa ... krishna "black drop" of RV 8.96.13.[28][26]

Literary sources
See also: Krishna in the Mahābhārata

This summary is based on details from the Mahābhārata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana. The scenes from the narrative are set in north India, mostly in the present states of Uttar Pradesh, Bihar, Haryana, Delhi and Gujarat.


Yashoda bathing the child Krishna. (Western Indian illustrated Bhagavata Purana Manuscript) The earliest text to explicitly provide detailed descriptions of Krishna as a personality is the epic Mahābhārata which depicts Krishna as an incarnation of Vishnu.[24] Krishna is central to many of the main stories of the epic. The eighteen chapters of the sixth book (Bhishma Parva) of the epic that constitute the Bhagavad Gita contain the advice of Krishna to the warrior-hero Arjuna, on the battlefield. Krishna is already an adult in the epic, although there are allusions to his earlier exploits. The Harivamsa, a later appendix to this epic, contains the earliest detailed version of Krishna’s childhood and youth. Many Puranas tells Krishna’s life-story or some highlights from it. Two Puranas, the Bhagavata Purana and the Vishnu Purana, that contain the most elaborate telling of Krishna’s story and teachings are the most theologically venerated by the Gaudiya Vaishnava schools.[25] Roughly one quarter of the Bhagavata Purana is spent extolling his life and philosophy. Yāska’s Nirukta, an etymological dictionary around the 5th century BCE, contains a reference to the Shyamantaka jewel in the possession of Akrura, a motif from well known Puranic story about Krishna.[26]Sathapatha-brahmana and Aitareya-Aranyaka, associate Krishna with his Vrishni origins.[27] In early texts, such as Rig Veda, there are no obvious references to Krishna, however some, like Ramakrishna Gopal Bhandarkar

Krishna is carried by his father Vasudeva across river Yamuna to Vrindavana, mid 18th century painting. Traditional belief based on scriptural details and astrological calculations gives the date of Krishna’s birth, known as Janmashtami,[29] as either 18 or 21 July 3228 BCE.[30][31][32] Krishna belonged to the royal family of Mathura, and was the eighth son born to the princess Devaki, and her husband Vasudeva. Mathura was the capital of the Yadavas (also called the Surasenas), to which Krishna’s parents Vasudeva and Devaki belonged. The king Kamsa, Devaki’s brother,[33] had ascended the throne by imprisoning his father, King Ugrasena. Afraid of a prophecy that predicted his death at the hands of Devaki’s eighth son, he had locked the couple into a prison cell. After Kamsa killed the first six children, and Devaki’s apparent miscarriage of the seventh, being transferred to Rohini as Balarama, Krishna took birth. Since Vasudeva believed Krishna’s life was in danger, Krishna was secretly taken out of the prison cell to be raised by his foster parents, Yasoda [34] and Nanda in


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Gokula. Two of his other siblings also survived, Balarama (Devaki’s seventh child, transferred to the womb of Rohini, Vasudeva’s first wife) and Subhadra (daughter of Vasudeva and Rohini, born much later than Balarama and Krishna).[35] According to Bhagavata Purana some believe that Krishna was born without a sexual union, by "mental transmission" from the mind of Vasudeva into the womb of Devaki.[29][36][37]

depicted dancing on the multi-hooded Kaliya. Krishna is believed to have lifted the Govardhana hill and defeated Indra—the kings of the devas and rain—to protect native people of Vrindavana from persecution by Indra and prevent the devastation of the pasture land of Govardhan.[38][39] In the view of some, the spiritual movement started by Krishna had something in it which went against the orthodox forms of worship of the Vedic gods such as Indra.[40] The stories of his play with the gopis (milkmaids) of Vrindavana became known as the Rasa lila and were romanticised in the poetry of Jayadeva, author of the Gita Govinda. These became important as part of the development of the Krishna bhakti traditions worshiping Radha Krishna.[41]

Childhood and youth

The prince
On his return to Mathura as a young man, Krishna overthrew and killed his uncle Kamsa after avoiding several assassination attempts from Kamsa’s followers. He reinstated Kamsa’s father, Ugrasena, as the king of the Yadavas and became a leading prince at the court.[42] During this period, he became a friend of Arjuna and the other Pandava princes of the Kuru kingdom, who were his cousins. Later, he took his Yadava subjects to the city of Dwaraka (in modern Gujarat) and established his own kingdom there.[43] Krishna married Rukmini, the princess of Vidarbha, by abducting her from her wedding. According to Srimad Bhagavatam, Krishna married with 16,108 wives,[44][45] of which eight were chief—including Rukmini, Satyabhama, Jambavati;[46] Krishna subsequently married 16,100 maidens who were being held in captivity by demon Narakasura, to save their honor. Krishna killed the demon and released them all. According to strict social custom of the time all of the captive women were degraded, and would be unable to marry, as they had been under the control of Narakasura, however Krishna married them to reinstate their status in the society.[47] In Vaishnava traditions, Krishna’s wives are believed to be forms of the goddess Lakshmi—consort of Vishnu, or special souls who attained this qualification after many lifetimes of austerity, while his primary queen Satyabhama, is an expansion of Radha.[48]

Krishna holding Govardhan hill Nanda was the head of a community of cowherders, and he settled in Vrindavana. The stories of Krishna’s childhood and youth tell of his mischievous pranks as Makhan Chor (butter thief), his foiling of attempts to take his life, and his role as a protector of the people of Vrindavana. Krishna is said to have killed the demons like Putana, sent by Kamsa for Krishna’s life. He tamed the serpent Kaliya, who previously poisoned the waters of Yamuna river, thus leading to the death of the cowherds. In Hindu art, Krishna is often


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According to Puranic sources,[53] Krishna’s disappearance marks the end of Dvapara Yuga and the start of Kali Yuga, which is dated to February 17/18, 3102 BCE.[54] Vaishnava teachers such as Ramanujacharya and Gaudiya Vaishnavas held the view that the body of Krishna is completely spiritual and never decays as this appears to be the perspective of the Bhagavata Purana. Krishna never appears to grow old or age at all in the historical depictions of the Puranas despite passing of several decades, but there are grounds for a debate whether this indicates that he has no material body, since battles and other descriptions of the Mahabhārata epic show clear indications that he seems to be subject to the limitations of nature.[55] While battles apparently seem to indicate limitations, Mahabharatha also shows in many places where Krishna is not subject to any limitations as through episodes Duryodhana trying to arrest Krishna where His body burst into fire showing all creation within Him.[56] Krishna is also explicitly told to be without deterioration elsewhere. [57]

Kurukshetra War and Bhagavad Gita
Once battle seemed inevitable, Krishna offered both sides the opportunity to choose between having either his army or simply himself alone, but on the condition that he personally would not raise any weapon. Arjuna, on behalf of the Pandavas, chose to have Krishna on their side, and Duryodhana, chief of the Kauravas, chose Krishna’s army. At the time of the great battle, Krishna acted as Arjuna’s charioteer, since it was a position that did not require the wielding of weapons.

Krishna displays his Vishvarupa (Universal Form) to Arjuna on the battlefield of Kurukshetra. Upon arriving at the battlefield, and seeing that the enemies are his family, his grandfather, his cousins and loved ones, Arjuna becomes doubtful about fighting. Krishna then advises him about the battle, with the conversation soon extending into a discourse which was later compiled as the Bhagavad Gita.[49]

Early historical references
One of the earliest recorded instances of a Krishna who could potentially be identified with the deity can be found in the Chandogya Upanishad, where he is mentioned as the son of Devaki, and to whom Ghora Angirasa was a teacher.[58][59] The Upanishads, namely Nārāyaṇātharvaśirsa and Ātmabodha, specifically regard Krishna as a god and associate him with Vishnu.[58] References to Vāsudeva also occur in early Sanskrit literature. Taittiriya Aranyaka (X,i,6) identifies him with Narayana and Vishnu. Panini, ca. 4th century BCE, in his Ashtadhyayi explains the word "Vāsudevaka" as a Bhakta (devotee) of Vāsudeva.[26] This, along with the mention of Arjuna in the same context, indicates that the Vāsudeva here is Krishna.[60] At some stage during the Vedic period, Vasudeva and Krishna became one deity, and by the time of composition of the redaction of Mahabharata that survives till today, Krishna (Vasudeva) was generally acknowledged as an avatar of Vishnu and often as the Supreme God.[58]

Later life
At a festival, a fight broke out between the Yadavas who exterminated each other. His elder brother Balarama then gave up his body using Yoga. Krishna retired into the forest and sat under a tree in meditation. While Vyasa’s Mahābhārata says that Shri Krishna ascended to heaven, Sarala’s Mahabhārata narrates the story that a hunter mistook his partly visible left foot for a deer and shot an arrow wounding him mor[50][51][52] tally.


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In the 4th century BCE, Megasthenes the Greek ambassador to the court of Chandragupta Maurya says that the Sourasenoi (Surasena), who lived in the region of Mathura worshipped Herakles. This Herakles is usually identified with Krishna due to the regions mentioned by Megasthenes as well as similarities between some of the herioc acts of the two.[61] The Greco-Bactrian ruler Agathocles issued coins bearing the images of Krishna and Balarama in around 180–165 BCE. Three inscriptions from Hāthibādā and one from Ghosundi (near Nāgari, Chittorgarh district) from the 2nd century BCE, record the building of a pujā-silā-prākar (stone enclosure for worship) in Nārāyana-vata (park of Nārāyana) by king Gājāyana Sarvatāta for the worship of the gods Sankarshana (Balarama) and Vasudeva (Krishna).[62][61] From the same century,the Nānāghāt cave (Maharashtra) inscription of the Satavahana queen Nāyanika begins with an invocation to various gods including Sankarshana and Vasudeva.[63]

to King Kasiputra Bhagabhadra the saviour, who was flourishing in the fourteenth year of his reign [...] three immortal steps [...] when practiced, lead to heaven—self-control, charity, and diligence." Another inscription from Besnagar, from the same period, records the setting up of a Garuda pillar in a prasādottama (excellent temple) in the twelfth regnal year of a king called Bhāgavata, usually identified as a Sunga king.[64][65] A 1st century BCE inscription from Mathura records the building of a part of a sanctuary to Vasudeva by the great satrap Sodasa. The renowned grammar scholar Patanjali, who wrote his commentary on Panini’s grammar rules around 150 BCE (known as the Mahabhashya), quotes a verse: "May the might of Krishna accompanied by Samkarshana increase!" Other verses are mentioned. One verse speaks of "Janardana with himself as fourth" (Krishna with three companions, the three possibly being Samkarshana, Pradyumna, and Aniruddha). Another verse mentions musical instruments being played at meetings in the temples of Rama (Balarama) and Kesava (Krishna). Patanjali also describes dramatic and mimetic performances (Krishna-Kamsopacharam) representing the killing of Kamsa by Vasudeva.[66] Also in the 1st century BCE, there seems to be evidence for a worship of five Vrishni heroes (Balarama, Krishna, Pradyumna, Aniruddha and Samba) for an inscription has been found at Mora near Mathura, which apparently mentions a son of the great satrap Rajuvula, probably the satrap Sodasa, and an image of Vrishni, "probably Vasudeva, and of the "Five Warriors".[67] Brahmi inscription on the Mora stone slab, now in the Mathura Museum.[68][69] Many inscriptions and references to worship of Krishna can be found from the early centuries of the Common Era.

The first inscription of the Heliodorus pillar that was made by Heliodorus 110 BCE after his conversion to Bhagavata Monotheism. In the 1st century BCE, Heliodorus from Greece erected the Heliodorus pillar at Besnagar near Bhilsa with the inscription:[61] "This Garuda-column of Vasudeva the god of gods was erected here by Heliodorus, a worshipper of the Lord Bhagavata, the son of Diya Greek Dion and an inhabitant of Taxila, who came as ambassador of the Greeks from the Great King Amtalikita [Greek Antialcidas]

The worship of Krishna is part of Vaishnavism, which regards Vishnu as the Supreme God and venerates his associated avatars, their consorts, and related saints and teachers. Krishna is especially looked upon as a full manifestation of Vishnu, and as one with Vishnu himself.[70] However the exact relationship between Krishna and Vishnu is


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complex and diverse,[71] where Krishna is sometimes considered an independent deity, supreme in his own right.[72] Out of many deities Krishna is particularly important, and traditions of Vaishnava lines are generally centered either on Vishnu or on Krishna, as supreme. The term Krishnaism has been used to describe the sects of Krishna, reserving term "Vaishnavism" for sects focusing on Vishnu in which Krishna is an avatar, rather than a transcended being.[73] All Vaishnava traditions recognise Krishna as an avatar of Vishnu; others identify Krishna with Vishnu; while traditions, such as Gaudiya Vaishnavism,[74][75] Vallabha Sampradaya and the Nimbarka Sampradaya, regard Krishna as the svayam bhagavan, original form of God, or the Lord himself.[76][77][78][79][80] Swaminarayan, the founder of the Swaminarayan Sampraday also worshipped Krishna as god himself. "Greater Krishnaism" corresponds to the second and dominant phase of Vaishnavism, revolving around the cults of the Vasudeva, Krishna, and Gopala of late Vedic period.[81] Today the faith has a significant following outside of India as well.[82]

monotheistic format, where the supreme being was perfect, eternal and full of grace.[84] In many sources outside of the cult, devotee or bhakta is defined as Vāsudevaka.[88] The Harivamsa describes intricate relationships between Krishna Vasudeva, Sankarsana, Pradyumna and Aniruddha that would later form a Vaishnava concept of primary quadrupled expansion, or avatara.[89]

Bhakti tradition
Bhakti, meaning devotion, is not confined to any one deity. However Krishna is an important and popular focus of the devotional and ecstatic aspects of Hindu religion, particularly among the Vaishnava sects.[74][90] Devotees of Krishna subscribe to the concept of lila, meaning ’divine play’, as the central principle of the universe. The lilas of Krishna, with their expressions of personal love that transcend the boundaries of formal reverence, serve as a counterpoint to the actions of another avatar of Vishnu: Rama, "He of the straight and narrow path of maryada, or rules and regulations."[75] The Bhakti movements devoted to Krishna became prominent in southern India in the 7th to 9th centuries CE. The earliest works included those of the Alvar saints of the Tamil country.[91] A major collection of their works is the Divya Prabandham. The Alvar Andal’s popular collection of songs Tiruppavai, in which she conceives of herself as a gopi, is the most famous of the oldest works in this genre.[92][93] [94] Kulasekaraazhvaar’s Mukundamala was another notable work of this early stage.

Early traditions
The deity Krishna-Vasudeva (kṛṣṇa vāsudeva "Krishna, the son of Vasudeva") is historically one of the earliest forms of worship in Krishnaism and Vaishnavism.[26][83] It is believed to be a significant tradition of the early history of the worship of Krishna in antiquity.[84][85] This tradition is considered as earliest to other traditions that led to amalgamation at a later stage of the historical development. Other traditions are Bhagavatism and the cult of Gopala, that along with the cult of Bala Krishna form the basis of current tradition of monotheistic religion of [86][87] Some early scholars would Krishna. equate it with Bhagavatism,[84] and the founder of this religious tradition is believed to be Krishna, who is the son of Vasudeva, thus his name is Vāsudeva, he is belonged to be historically part of the Satvata tribe, and according to them his followers called themselves Bhagavatas and this religion had formed by the 2nd century BCE (the time of Patanjali), or as early as the 4th century BCE according to evidence in Megasthenes and in the Arthasastra of Kautilya, when Vāsudeva was worshiped as supreme deity in a strongly

Spread of the Krishna-Bhakti Movement
The movement spread rapidly from northern India into the south, with the Sanskrit poem Gita Govinda of Jayadeva (12th century CE) becoming a landmark of devotional, Krishnabased literature. It elaborated a part of the Krishna legend—his love for one particular gopi, called Radha, a minor character in Bhagavata Purana but a major one in other texts like Brahma Vaivarta Purana. By the influence of Gita Govinda, Radha became inseparable from devotion to Krishna.[4] While the learned sections of the society well versed in Sanskrit could enjoy works like Gita Govinda or Bilvamangala’s KrishnaKarnamritam, the masses sang the songs of


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Gita Govinda by Jayadeva. the devotee-poets, who composed in the regional languages of India. These songs expressing intense personal devotion were written by devotees from all walks of life. The songs of Mirabai and Surdas became epitomes of Krishna-devotion in north India. These devotee-poets, like the Alvars before them, were aligned to specific theological schools only loosely, if at all. But by the 11th century CE, Vaishnava Bhakti schools with elaborate theological frameworks around the worship of Krishna were established in north India. Nimbarka (11th century CE), Vallabhacharya (15th century CE) and Chaitanya Mahaprabhu (16th century CE) were the founders of the most influential schools. These schools, namely Nimbarka Sampradaya, Vallabha Sampradaya and Gaudiya Vaishnavism respectively, see Krishna as the supreme god, rather than an avatar, as generally seen. In the Deccan, particularly in Maharashtra, saint poets of the Varkari sect such as Dnyaneshwar, Namdev, Janabai, Eknath and Tukaram promoted the worship of Vithoba,[23] a local form of Krishna, from the beginning of the 13th century until the late 18th century.[4] In southern India, Purandara Dasa and Kanakadasa of Karnataka composed songs devoted to the Krishna image of Udupi. Rupa Goswami of Gaudiya Vaishnavism, has compiled a comprehensive summary of bhakti named Bhakti-rasamrita-sindhu.[90]

Krishna (left) with the flute with gopi-consort Radha, Bhaktivedanta Manor, Watford, England (ISKCON).[96] The movement was founded by Prabhupada, who was instructed by his guru, Bhaktisiddhanta Sarasvati Thakura, to write about Krishna in English and to share the Gaudiya Vaishnava philosophy with people in the Western world.[97]

In the performing arts
While discussing the origin of Indian theatre, Horwitz talks about the mention of the Krishna story in Patanjali’s Mahabhashya (c. 150 BCE), where the episodes of slaying of Kamsa (Kamsa Vadha) and "Binding of the heaven storming titan" (Bali Bandha) are described.[98] Bhasa’s Balacharitam and Dutavakyam (c. 400 BCE) are the only Sanskrit plays centered on Krishna written by a major classical dramatist. The former dwells only on his childhood exploits and the latter is a one-act play based on a single episode from the Mahābhārata when Krishna tries to make peace between the warring cousins.[99] From the 10th century CE, with the growing Bhakti movement, Krishna became a favourite subject of the arts. The songs of the

In the West
Since 1966, the Krishna bhakti movement has also spread outside India.[95] This is largely due to the Hare Krishna movement, the largest part of which is the International Society for Krishna Consciousness


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Gita Govinda became popular across India, and had many imitations. The songs composed by the Bhakti poets added to the repository of both folk and classical singing. The classical Indian dances, especially Odissi and Manipuri, draw heavily on the story. The ’Rasa lila’ dances performed in Vrindavan shares elements with Kathak, and the Krisnattam, with some cycles, such as Krishnattam, traditionally restricted to the Guruvayur temple, the precursor of Kathakali.[100] The Sattriya dance, founded by the Assamese Vaishnava saint Sankardeva, extols the virtues of Krishna. Medieval Maharashtra gave birth to a form of storytelling known as the Hari-Katha, that told Vaishnava tales and teachings through music, dance, and narrative sequences, and the story of Krishna one of them. This tradition spread to Tamil Nadu and other southern states, and is now popular in many places throughout India.

activities which are not pacifist or non-violent. The concept of Baladeva, Vasudeva and Prati-Vasudeva was used to solve it. The Jain list of sixty-three Shalakapurshas or notable figures includes amongst others, the twentyfour Tirthankaras and nine sets of this triad. One of these triads is Krishna as the Vasudeva, Balarama as the Baladeva and Jarasandha as the Prati-Vasudeva. He was a cousin of the twenty-second Tirthankara, Neminatha. The stories of these triads can be found in the Harivamsha of Jinasena (not be confused with its namesake, the addendum to Mahābhārata) and the Trishashtishalakapurusha-charita of Hemachandra.[101] In each age of the Jain cyclic time is born a Vasudeva with an elder brother termed the Baladeva. The villain is the Prati-vasudeva. Baladeva is the upholder of the Jain principle of non-violence. However, Vasudeva has to forsake this principle to kill the Prati-Vasudeva and save the world. The Vasudeva then descends to hell as a punishment for this violent act. Having undergone the punishment he is then reborn as a Tirthankara.[102][103]

The story of Krishna occurs in the Jataka tales in Buddhism,[104] in the Ghatapandita Jataka as a prince and legendary conqueror and king of India.[105] In the Buddhist version, Krishna is called Vasudeva, Kanha and Keshava, and Balarama is his younger brother, Baladeva. These details resemble that of the story given in the Bhagavata Purana. Vasudeva, along with his nine other brothers (each son a powerful wrestler) and one elder sister (Anjana) capture all of Jambudvipa (many consider this to be India) after beheading their evil uncle, King Kamsa, and later all other kings of Jambudvipa with his Sudarshana Chakra. Much of the story involving the defeat of Kamsa follows the story given in the Bhagavata Purana.[106] As depicted in the Mahābhārata, all of the sons are eventually killed due to a curse of sage Kanhadipayana (Veda Vyasa, also known as Krishna Dwaipayana). Krishna himself is eventually speared by a hunter in the foot by mistake, leaving the sole survivor of their family being their sister, Anjanadevi of whom no further mention is made.[107] Since Jataka tales are given from the perspective of Buddha’s previous lives (as well as the previous lives of many of Buddha’s

Rasa lila in Manipuri dance style. Narayana Tirtha’s (17th century CE) Krishna-Lila-Tarangini provided material for the musical plays of the Bhagavata-Mela by telling the tale of Krishna from birth until his marriage to Rukmini. Tyagaraja (18th century CE) wrote a similar piece about Krishna called Nauka-Charitam. The narratives of Krishna from the Puranas are performed in Yakshagana, a performance style native to Karnataka’s coastal districts. Many movies in all Indian languages have been made based on these stories. These are of varying quality and usually add various songs, melodrama, and special effects.

In other religions
The most exalted figures in Jainism are the twenty-four Tirthankaras. Krishna, when he was incorporated into the Jain list of heroic figures presented a problem with his


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Ahmadiyya Islam
Members of the Ahmadiyya Muslim Community believe Krishna to be a great prophet of God as described by their founder, Mirza Ghulam Ahmad. Ghulam Ahmad also claimed to be the likeness of Krishna as a latter day reviver of religion and morality whose mission was to reconcile man with God.:[111] Ahmadis maintain that the term Avtar is synonymous with the term ’prophet’ of the middle eastern religious tradition as God’s intervention with man; as God appoints a man as his vicegerent upon earth. Let it be clear that Lord Krishna, according to what has been revealed to me, was such a truly great man that it is hard to find his like among the rishis and avatars of the Hindus. He was an avatar (i.e. a prophet) of his time upon whom the Holy Spirit would descend from God. He was from God, victorious and prosperous. He cleansed the land of the Arya from sin and was in fact the prophet of his age. He was full of love for God, a friend of virtue and an enemy of evil.

Depiction of Krishna playing flute in the temple constructed in 752 CE on the order of Emperor Shomu; Todai-ji Temple, Great Buddha Hall in Nara, Japan followers), Krishna appears as one of the lives of Sariputra, one of Buddha’s foremost disciples and the "Dhammasenapati" or "Chief General of the Dharma" and is usually shown being Buddha’s "right hand man" in Buddhist art and iconography.[108] The Bodhisattva, is born in this tale as one of his youngest brothers named Ghatapandita, and saves Krishna from the grief of losing his son.[105] The ’divine boy’ Krishna as an embodiment of wisdom and endearing prankster is forming a part of worshipable pantheon in Japanese Buddhism.[109]

Krishna worship or reverence has been adopted by several new religious movements since the 19th century, and he is sometimes a member of an eclectic pantheon in occult texts, along with Greek, Buddhist, Biblical and even historical figures.[112] For instance, Édouard Schuré, an influential figure in perennial philosophy and occult movements, considered Krishna a Great Initiate; while Theosophists regard him as one of the Masters, a spiritual teacher for humanity.[113][114] Krishna was canonized by Aleister Crowley and is recognized as a saint in the Gnostic Mass of Ordo Templi Orientis.[115][116]

Bahá’í Faith
Bahá’ís believe that Krishna was a "Manifestation of God," or one in a line of prophets who have revealed the Word of God progressively for a gradually maturing humanity. In this way, Krishna shares an exalted station with Buddha, Zoroaster, the Báb, and the founder of the Bahá’í Faith, Bahá’u’lláh.[110]

Vaishnava theology has been a subject of study for many devotees, philosophers and scholars within India for centuries.[3] In recent decades this study called Krishnology, has also been taken on by a number of academic institutions in Europe, such as the Oxford Centre for Hindu Studies and


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Bhaktivedanta College. The Vaishnava scholars instrumental in this western discourse include Tamala Krishna Goswami, Hridayananda dasa Goswami, Graham Schweig, Kenneth R. Valpey, Ravindra Svarupa dasa, Sivarama Swami, Satyaraja Dasa, and Guy Beck, among others.[78]


See also Footnotes
[1] Knott 2000, p. 56 [2] Knott 2000, p. 36, p. 15 [3] ^ Richard Thompson, Ph. D. (December 1994). Reflections on the Relation Between Religion and Modern Rationalism. 1_2/12thompson.html. Retrieved on 2008-04-12. [4] ^ Mahony, W.K. (1987). "Perspectives on Krsna’s Various Personalities". History of Religions 26 (3): 333–335. doi:10.2307/ 599733. 1062381. [5] "Monier Williams Sanskrit-English Dictionary p.306". website. Cologne Digital Sanskrit Lexicon project. 2008. cgi-bin/ MWScanjpg/mw0306-kRzanAvat.jpg. Retrieved on 2008-10-13. [6] Beck 1993, p. 195 [7] Bhaktivedanta Swami, Prabhupada. "Chaitanya Charitamrta Madhya-lila Chapter 9 Verse 30". Retrieved on 2008-06-15. [8] Lynne Gibson (2002). Modern World Religions: Hinduism - Pupils Book Foundation (Modern World Religions). Oxford [England]: Heinemann Educational Publishers. pp. 7. ISBN 0-435-33618-5. books?id=jnwffnGT0tEC&pg=PA7. [9] Goswami 1998, p. 141 [10] Vishnu sahasranama, Swami Tapasyananda’s translation, pg. 51. [11] Bryant 2007, p. 17 [12] Hiltebeitel, Alf (2001). Rethinking the Mahābhārata: a reader’s guide to the education of the dharma king. Chicago: University of Chicago Press. pp. 251–53, 256, 259. ISBN 0-226-34054-6.

[13] Bryant, Edwin H. (2007). Krishna: A Sourcebook. Oxford University Press, USA. pp. 139. ISBN 0-19-514891-6. [14] The Encyclopedia Americana. [s.l.]: Grolier. 1988. pp. 589. ISBN 0-7172-0119-8. [15] Benton, William (1974). The New Encyclopaedia Britannica. Encyclopaedia Britannica. pp. 885. ISBN 0852292902, 9780852292907. books?id=G8YqAAAAMAAJ&q=Krsna+blue+skin+de a. [16] Harle, J. C. (1994). The art and architecture of the Indian Subcontinent. New Haven, Conn: Yale University Press. pp. 410. ISBN 0-300-06217-6. "figure 327. Manaku, Radha‭’‭s messenger describing Krishna standing with the cow-girls, from Basohli." [17] Datta, Amaresh; Mohan Lal (1994). Encyclopaedia of Indian Literature. Sahitya Akademi. pp. 4290. a. [18] The penny cyclopædia [ed. by G. Long]. 1843, p.390 [1] [19] Ramesh M. Dave, K. K. A. Venkatachari, The Bhakta-bhagawan Relationship: Paramabhakta Parmeshwara Sambandha. Sya. Go Mudgala, Bochasanvasi Shri Aksharpurushottama Sanstha, 1988. p.74 [20] Valpey 2006, p. 52 [21] Hoiberg, Dale; Ramchandani, Indu (2000). Students’ Britannica India. Popular Prakashan. pp. 251. ISBN 0852297602, 9780852297605. books?id=kEj-2a7pmVMC&pg=PA251&dq=Bala+Kr [22] Satsvarupa dasa Goswami (1998), The Qualities of Sri Krsna, GNPress, pp. 152 pages, ISBN 0911233644 [23] ^ Vithoba is not only viewed as a form of Krishna. He is also by some considered that of Vishnu, Shiva and Gautama Buddha according to various traditions. See: Kelkar, Ashok R. (2001) [1992]. "Sri-Vitthal: Ek Mahasamanvay (Marathi) by R.C. Dhere". Encyclopaedia of Indian literature. 5. Sahitya Akademi. pp. p. 4179. books?id=KnPoYxrRfc0C&pg=PA4179&dq=vithoba& Retrieved on 2008-09-20. and Mokashi, Digambar Balkrishna; Engblom, Philip C. (1987). Palkhi: a pilgrimage to


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Pandharpur - translated from the Bhagavata-Purana,her paternal uncle. Marathi book Pālakhī by Philip C. See the Vishnu-Purana Book V Chapter Engblom. Albany: State University of 1, translated by H. H. Wilson, (1840), the New York Press. pp. 35. ISBN Srimad Bhagavatam, translated by A.C. 0887064612. Bhaktivedanta Swami Prabhupada, books?id=vgLZGFH1ZTIC&pg=PA14&dq=Palkhi:+a+pilgrimage+to+Pandharpur&client=firefox(1988) copyright Bhaktivedanta Book a&sig=ACfU3U1KBqvMzk0wEuh16tLjpETKQHeJDg#PPP1,M1. Trust [24] Wendy Doniger (2008). "Britannica: [34] Yashoda and Krishna Mahabharata". encyclopedia. [35] Bryant 2007, pp. 124-130,224 Encyclopædia Britannica Online. [36] Bryant 2004, p. 425 (Note. 4) [37] Bryant 2004, p. 16 (Bh.P. X Ch 2.18)[2] topic-357806/Mahabharata. Retrieved on [38] Lynne Gibson (1844). Calcutta Review. 2008-10-13. India: University of Calcutta Dept. of [25] Elkman, S.M.; Gosvami, J. (1986). Jiva English. pp. 119. Gosvamin’s Tattvasandarbha: A Study on [39] Lynne Gibson (1999). Merriam-Webster’s the Philosophical and Sectarian Encyclopedia of World Religions. Development of the Gaudiya Vaisnava Merriam-Webster. pp. 503. Movement. Motilal Banarsidass Pub. [40] The English Writings of Rabindranath [26] ^ Bryant 2007, p. 4 Tagore (ed. Sisir Kumar Das) (1996). A [27] Sunil Kumar Bhattacharya Krishna-cult Vision of Indias History. Sahitya in Indian Art. 1996 M.D. Publications Akademi: Sahitya Akademi. pp. 444. Pvt. Ltd. ISBN 8175330015 p.128: SathaISBN 8126000945. patha-brahmana and Aitareya-Aranyaka [41] Schweig, G.M. (2005). Dance of divine with reference to first chapter. love: The Rasa Lila of Krishna from the [28] Sunil Kumar Bhattacharya Krishna-cult Bhagavata Purana, India’s classic sacred in Indian Art. 1996 M.D. Publications love story.. Princeton University Press, Pvt. Ltd. ISBN 8175330015 p.126: Princeton, NJ; Oxford. ISBN "According to (D.R.Bhadarkar), the word 0691114463. Krishna referred to in the expression [42] Bryant 2007, p. 290 ’Krishna-drapsah’ in the Rig- Veda, [43] Bryant 2007, pp. 28-29 denotes the very same Krishna". [44] Charudeva Shastri, Suniti Kumar [29] ^ Knott 2000, p. 61 Chatterji(1974) Charudeva Shastri [30] See horoscope number 1 in Dr. B.V. Felicitation Volume, p. 449 Raman (1991). Notable Horoscopes. [45] David L. Haberman, (2003) Motilal Delhi, India: Motilal Banarsidass. ISBN Banarsidass, The Bhaktirasamrtasindhu 8120809017. of Rupa Gosvamin, p. 155, ISBN [31] Arun K. Bansal’s research published in 812081861X Outlook India, September 13, 2004. [46] Bryant 2007, p. 152 "Krishna (b. July 21, 3228 BC)". [47] Bryant 2007, pp. 130-133 [48] Rosen 2006, p. 136 29.html. [49] Krishna in the Bhagavad Gita, by Robert [32] N.S. Rajaram takes these dates at face N. Minor in Bryant 2007, pp. 77-79 value when he opines that "We have [50] Bryant 2007, pp. 148 therefore overwhelming evidence [51] Dr. Satyabrata Das (November 2007). showing that Krishna was a historical "Orissa Sarala’s Mahabhārata". figure who must have lived within a magazine. on either side of that date, i.e., magazine/Orissareview/nov-2007/engpdf/ in the 3200-3000 BCE period".(Prof. N. Pages51-54.pdf. Retrieved on S. Rajaram (September 4th, 1999). 2008-10-13. "Search for the Historical Krishna". [52] Kisari Mohan Ganguli (2006 - digitized). "The Mahabharata (originally published between 1883 and 1896)". book. Sacred historical-krsna.htm. Retrieved on Texts. 2008-06-15. m16/m16004.htm. Retrieved on [33] According to the Bhagavata and Vishnu 2008-10-13. Puranas, but in some Puranas like Devi-


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[53] The Bhagavata Purana (1.18.6), Vishnu Purana (5.38.8), and Brahma Purana (212.8) state that the day Krishna left the earth was the day that the Dvapara Yuga ended and the Kali Yuga began. [54] See: Matchett, Freda, "The Puranas", p 139 and Yano, Michio, "Calendar, astrology and astronomy" in Flood, Gavin (Ed) (2003), Blackwell companion to Hinduism, Blackwell Publishing, ISBN 0-631-21535-2 [55] Sutton (2000) pp.174-175 [56] Kisari Mohan Ganguli (2006 - digitized). "The Mahabharata, Book 5: Udyoga Parva: Bhagwat Yana Parva: section CXXXI (originally published between 1883 and 1896)". book. Sacred Texts. m05131.htm. Retrieved on 2008-10-13. [57] Kisari Mohan Ganguli (2006 - digitized). "The Mahabharata, Book 5: Udyoga Parva: Bhagwat Yana Parva: section CXXX(originally published between 1883 and 1896)". book. Sacred Texts. m05131.htm. Retrieved on 2008-10-13. "Knowest thou not sinless Govinda, of terrible prowess and incapable of deterioration?" [58] ^ Hastings, James; Selbie, John Alexander (2003). Encyclopedia of Religion and Ethics. Kessinger Publishing. pp. 195–196. ISBN 0766136884. [59] See Chandogya Upanishad(III, xvii, 6) in Müller, Max (1879), Sacred Books of the East, 1, sbe01/sbe01075.htm [60] Singh, R.R. (2007). Bhakti And Philosophy. Lexington Books. ISBN 0739114247. Page 10: Panini, the fifthcentury BC Sanskrit grammarian also refers to the term Vaasudevaka, explained by the second century B.C commentator Patanjali, as referring to "the follower of Vasudeva, God of gods." [61] ^ Rosen 2006, p. 126 [62] D.C.Sircar (1942), Select inscriptions bearing on Indian history and civilisation Vol 1, From sixth century BC to sixth century CE, Calcutta. These are four renderings of the same text. [63] D.C.Sircar (1942), Select inscriptions bearing on Indian history and civilisation Vol 1, From sixth century BC to sixth century CE, Calcutta.


[64] S Jaiswal (1967), The origins and development of Vaisnavism, New Delhi Manhorlal Munshiram. [65] Gavin Flood (2003), The Blackwell Companion to Hinduism [66] Bryant 2007, p. 5 [67] Barnett, Lionel David (1922). Hindu Gods and Heroes: Studies in the History of the Religion of India. J. Murray. pp. 93. books?id=R-5KAAAAMAAJ. [68] Puri, B.N. (1968). India in the Time of Patanjali. Bhartiya Vidya Bhavan. Page 51: The coins of Raj uvula have been recovered from the Sultanpur District.. the Brahmi inscription on the Mora stone slab, now in the Mathura Museum, [69] Barnett, Lionel David (1922). Hindu Gods and Heroes: Studies in the History of the Religion of India. J. Murray. pp. 92. books?id=R-5KAAAAMAAJ. [70] John Dowson (2003). Classical Dictionary of Hindu Mythology and Religion, Geography, History and Literature. Kessinger Publishing. pp. 361. ISBN 0-7661-7589-8. books?id=6JBKOXy5k8C&pg=PA361&dq=Vishnu+Sahasranama+ [71] See Beck, Guy, "Introduction" in Beck 2005, pp. 1-18 [72] Knott 2000, p. 55 [73] Flood (1996) p. 117 [74] ^ See McDaniel, June, "Folk Vaishnavism and Ṭhākur Pañcāyat: Life and status among village Krishna statues" in Beck 2005, p. 39 [75] ^ Kennedy, M.T. (1925). The Chaitanya Movement: A Study of the Vaishnavism of Bengal. H. Milford, Oxford university press. [76] K. Klostermaier (1997). The Charles Strong Trust Lectures, 1972-1984. Brill Academic Pub. pp. 109. ISBN 90-04-07863-0. books?id=F_0UAAAAIAAJ&pg=PA109&dq=Svayam+ "For his worshippers he is not an avatara in the usual sense, but svayam bhagavan, the Lord himself." [77] Indian Philosophy & Culture. Vrindāvan (India): Institute of Oriental Philosophy. 1975. pp. 148. books?id=yEMB3RBwjTsC. "On the touch-stone of this definition of the final and positive characteristic of Sri Krsna


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as the Highest Divinity as Svayam-rupa [86] Klostermaier, Klaus K. (2005), A Survey Bhagavan." of Hinduism, State University of New [78] ^ Delmonico, N., The History Of Indic York Press; 3 edition, pp. 206, ISBN Monotheism And Modern Chaitanya 0791470814, "Present day Krishna Vaishnavism in Ekstrand 2004 worship is an amalgam of various [79] De, S.K. (1960). Bengal’s contribution to elements. According to historical Sanskrit literature & studies in Bengal testimonies Krishna-Vasudeva worship Vaisnavism. KL Mukhopadhyaya. p. 113: already flourished in and around "The Bengal School identifies the Mathura several centuries before Christ. Bhagavat with Krishna depicted in the A second important element is the cult of Shrimad-Bhagavata and presents him as Krishna Govinda. Still later is the its highest personal god." worship of Bala-Krishna, the Child [80] Bryant 2007, p. 381 Krishna - a quite prominent feature of [81] "Vaishnava". encyclopedia. Division of modern Krishnaism. The last element Religion and Philosophy University of seems to have been Krishna Cumbria. Gopijanavallabha, Krishna the lover of encyclopedia/hindu/devot/vaish.html. the Gopis, among whom Radha occupies Retrieved on 2008-10-13. [ Vaishnava] a special position. In some books Krishna University of Cumbria website Retrieved is presented as the founder and first on 5-21-2008 teacher of the Bhagavata religion." [82] Graham M. Schweig (2005). Dance of [87] Basham, A. L.. "Review:Krishna: Myths, Divine Love: The R?asa L?il?a of Krishna Rites, and Attitudes. by Milton Singer; from the Bh?agavata Pur?a. na, India’s Daniel H. H. Ingalls, The Journal of Asian classic sacred love story. Princeton, N.J: Studies, Vol. 27, No. 3 (May, 1968 ), pp. Princeton University Press. Front 667-670". Matter. ISBN 0-691-11446-3. [83] Hein, Norvin. "A Revolution in Kṛṣṇaism: Retrieved on 2008-05-24. The Cult of Gopāla: History of Religions, [88] Singh, R.R. (2007). Bhakti And Vol. 25, No. 4 (May, 1986 ), pp. Philosophy. Lexington Books. ISBN 296-317". 0739114247. p. 10: "[Panini’s] term Vāsudevaka, Retrieved on 2008-05-24. explained by the second century B.C [84] ^ Hastings, James Rodney (2nd edition commentator Patanjali, as referring 1925-1940, reprint 1955, 2003) to "the follower of Vasudeva, God of [1908-26]. Encyclopedia of Religion and gods." Ethics. John A Selbie (Volume 4 of 24 ( [89] Couture, André (2006). "The emergence Behistun (continued) to Bunyan.) ed.). of a group of four characters (Vasudeva, Edinburgh: Kessinger Publishing, LLC. Samkarsana, Pradyumna, and pp. 476. ISBN 0-7661-3673-6. Aniruddha) in the Harivamsa: points for consideration". Journal of Indian books?id=Kaz58z-Philosophy 34 (6): 571–585. doi:10.1007/ NtUC&pg=PA540&vq=Krishna&source=gbs_search_r&cad=1_1&sig=lo3NqA31k8hJZw7qNc9QDEA s10781-006-9009-x. Retrieved on 2008-05-03. "The [90] ^ Klostermaier, K. (1974). "The encyclopedia will contain articles on all Bhaktirasamrtasindhubindu of the religions of the world and on all the Visvanatha Cakravartin". Journal of the great systems of ethics. It will aim at American Oriental Society 94 (1): containing articles on every religious 96–107. doi:10.2307/599733. belief or custom, and on every ethical movement, every philosophical idea, sici?sici=0003-0279(197401%2F03)94%3A1%3C96% every moral practice." pp.540-42 Retrieved on 2008-04-12. [85] Bhattacharya, Gouriswar: Vanamala of [91] Vaudeville, C. (1962). "Evolution of LoveVasudeva-Krsna-Visnu and SankarsanaSymbolism in Bhagavatism". Journal of Balarama. In: Vanamala. Festschrift A.J. the American Oriental Society 82 (1): Gail. Serta Adalberto Joanni Gail LXV. 31–40. doi:10.2307/595976. diem natalem celebranti ab amicis collegis discipulis dedicata.


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sici?sici=0003-0279(196201%2F03)82%3A1%3C31%3AEOLIB%3E2.0.CO%3B2-S. [105] Law, B.C. (1941). India as Described in ^ Retrieved on 2008-06-20. Early Texts of Buddhism and Jainism. [92] Bowen, Paul (1998). Themes and issues Luzac. in Hinduism. London: Cassell. pp. 64–65. [106]aiswal, S. (1974). "Historical Evolution J ISBN 0-304-33851-6. of the Ram Legend’". Social Scientist 94: [93] Radhakrisnasarma, C. (1975). 96. doi:10.2307/599733. Landmarks in Telugu Literature: A Short Survey of Telugu Literature. sici?sici=0970-0293(199303%2F04)21%3A3%2F4%3 Lakshminarayana Granthamala. [107] iltebeitel, A. (1990). The Ritual of H [94] Sisir Kumar Das (2005). A History of Battle: Krishna in the Mahabharata. Indian Literature, 500-1399: From State University of New York Press. Courtly to the Popular. Sahitya Akademi. [108] he Turner of the Wheel. The Life of T pp. 49. ISBN 8126021713. Sariputta, compiled and translated from [95] "Iskcon address listing" (in engl) (html). the Pali texts by Nyanaponika Thera [109] uth, C.M.E. "Monumenta Nipponica, G worldwide/centres/index.html. Retrieved Vol. 42, No. 1 (Spring, 1987 ), pp. 1-23". on 2008-04-19. [96] Selengut, Charles (1996), "Charisma and 2385037. Retrieved on 2008-07-02. Religious Innovation:Prabhupada and the [110] sslemont, J.E. (1980). Bahá’u’lláh and E Founding of ISKCON", ISKCON the New Era (5th ed.). Wilmette, Illinois, Communications Journal 4 (2), USA: Bahá’í Publishing Trust. pp. 2. ISBN 0-87743-160-4. 4_2charisma.html [97] Srila Prabhupada - He Built a House in bne-6.html#gr5. which the whole world can live, [111] hmad, Mirza Ghulam (2007). Lecture A Satsvarupa dasa Goswami, Sialkot. Tilford: Islam International Bhaktivedanta Book Trust, 1983, ISBN Publications Ltd.. ISBN 1-85372-917-5. 0-89213-133-0 page xv [98] Varadpande p.231 LectureSialkot.pdf. [99] Varadpande p.232-3 [112] arvey, D. A. (2003). "Beyond H [100] arrilli, P.B. (2000). Kathakali DanceZ Enlightenment: Occultism, Politics, and Drama: Where Gods and Demons Come Culture in France from the Old Regime to Play. Routledge. pp. 246. to the Fin-de-Siècle". The Historian [101] ee Jerome H. Bauer ""Hero of Wonders, S (Blackwell Publishing) 65 (3): 665–694. Hero in Deeds: Vasudeva Krishna in doi:10.1111/1540-6563.00035. Jaina Cosmohistory in Beck 2005, [113] chure, Edouard (1992). Great Initiates: S pp. 167-169 A Study of the Secret History of [102]aini, P.S. (1993). "Jaina Puranas: A J Religions. Garber Communications. ISBN Puranic Counter Tradition". Journal of 0893452289. [114] ee for example: Hanegraaff, Wouter J. S the American Oriental Society 94: 96. (1996). New Age Religion and Western doi:10.2307/599733. Culture: Esotericism in the Mirror of Secular Thought. Brill Publishers. books?hl=en&lr=&ie=UTF-8&id=pp. 390. ISBN 9004106960. , Hammer, kZFzHCuiFAC&oi=fnd&pg=PA207&dq=Prati+Vasudeva&ots=SrTawB327V&sig=Dhq7DR07iyRfYr9g Olav (2004). Claiming Knowledge: [103] ort, J.E. (1993). "An Overview of the C Strategies of Epistemology from Jaina Puranas". Journal of the American Theosophy to the New Age. Brill Oriental Society 94: 96. doi:10.2307/ Publishers. pp. 62, 174. ISBN 599733. 900413638X. , and Ellwood, Robert S. books?hl=en&lr=&ie=UTF-8&id=(1986). Theosophy: A Modern Expression kZFzHCuiFAC&oi=fnd&pg=PA185&dq=Prati+Vasudeva&ots=SrTawB33eW&sig=egXiuHioIMmhMH of the Wisdom of the Ages. Quest Books. [104]Andhakavenhu Puttaa". " pp. 139. ISBN 0835606074. [115] rowley associated Krishna with Roman C god Dionysus and Magickal formulae andhakavenhu_puttaa.htm. Retrieved on IAO, AUM and INRI. See Crowley, 2008-06-15. Aleister (1991). Liber Aleph. Weiser


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Books. pp. 71. ISBN 0877287295. and Crowley, Aleister (1980). The Book of Lies. Red Wheels. pp. 24–25. ISBN 0877285160. [116] piryon, Tau; Apiryon (1995). Mystery of A Mystery: A Primer of Thelemic Ecclesiastical Gnosticism. Berkeley, CA: Red Flame. ISBN 0971237611.

• Flood, G.D. (1996). An Introduction to Hinduism. Cambridge University Press. ISBN 0521438780. • Beck, Guy L. (Ed.) (2005), Alternative Krishnas: Regional and Vernacular Variations on a Hindu Deity, SUNY Press, ISBN 0791464156, books?hl=en&id=0SJ73GHSCF8C • Rosen, Steven (2006), Essential Hinduism, New York: Praeger, ISBN 0-275-99006-0 • Valpey, Kenneth R. (2006), Attending Kṛṣṇa’s image: Caitanya Vaiṣṇava mūrtisevā as devotional truth, New York: Routledge, ISBN 0-415-38394-3, books?id=X_guAAAACAAJ • Sutton, Nicholas (2000), Religious doctrines in the Mahābhārata, Motilal Banarsidass Publ.,, pp. 477, ISBN 8120817001 • Bryant, Edwin H. (2007), Krishna: A Sourcebook, Oxford University Press, USA, ISBN 0-19-514891-6 • A. L. Dallapiccola (1982), London Krishna the Divine Lover: Myth and Legend Through Indian Art • History of Indian Theatre By M. L. Varadpande. Chapter Theatre of Krishna, pp.231-94. Published 1991, Abhinav Publications, ISBN 8170172780.

• Beck, Guy L. (1993), Sonic theology: Hinduism and sacred sound, Columbia, S.C: University of South Carolina Press, ISBN 0-87249-855-7 • Bryant, Edwin H. (2004), Krishna: the beautiful legend of God;, Penguin, ISBN 0-14-044799-7 • Bryant, Edwin H. (2007), Krishna: A Sourcebook, Oxford University Press, USA, ISBN 0-19-514891-6 • The Mahabharata of Krishna-Dwaipayana Vyasa, translated by Kisari Mohan Ganguli, published between 1883 and 1896 • The Vishnu-Purana, translated by H. H. Wilson, (1840) • The Srimad Bhagavatam, translated by A.C. Bhaktivedanta Swami Prabhupada, (1988) copyright Bhaktivedanta Book Trust • Knott, Kim (2000), Hinduism: A Very Short Introduction, Oxford University Press, USA, pp. 160, ISBN 0192853872 • The Jataka or Stories of the Buddha’s Former Births, edited by E. B. Cowell, (1895) • Ekstrand, Maria (2004), Bryant, Edwin H., ed., The Hare Krishna movement: the postcharismatic fate of a religious transplant, New York: Columbia University Press, ISBN 0-231-12256-X • Goswami, S.D (1998), The Qualities of Sri Krsna, GNPress, ISBN 0911233644 • Garuda Pillar of Besnagar, Archaeological Survey of India, Annual Report (1908-1909). Calcutta: Superintendent of Government Printing, 1912, 129.

External links
• The Search for the Historical Krishna, by Prof. N.S. Rajaram ( • Sri Krishna - Differences in Realisation & Perception of the Supreme ( • Hindu Wisdom - Dwarka ( Dwaraka.htm) • Vedic Archeology (A Vaishnava Perspective) ( • The Devious God: Mythological Roots of Krishna’s Trickery in the Mahabharata by Elaine Fisher • Exploits of Lord Krishna • Article on the chronology of Krishna (

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