Consumers Becoming Producers: Social Influencers Are Increasingly Participating in Online Video Distribution

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Consumers Becoming Producers: Social Influencers Are Increasingly Participating in Online Video Distribution
DIGITAL MEDIA

Consumers Becoming Producers:

Social Influencers Are Increasingly Participating in

Online Video Distribution





Lead Analyst

Marissa Gluck



Contributing Analyst

Michael Gartenberg









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Published September 2009. © 2009 Interpret, LLC

Consumers Becoming Producers: Social Influencers Are Increasingly Participating

in Online Video Distribution



The dividing line between media consumption and production is eroding as culture becomes more and

more configurable. The digitization of media allows users to create, re-configure, re-mix and share

music, video, images and even video games. Video consumption is no longer a passive act, as audiences

increasingly play the role of producer as well.



Core Questions:

• How is the distinction between consumer and producer evolving?

• Are “influencers” both active online video consumers and producers?



Interpret Insight: Audiences are becoming more and more active and engaged not only with consuming

video, but also with sharing and producing video. Consumers who claim that their friends and

acquaintances often ask for their opinions on new products and services are also more likely to be

actively engaged with online video. For instance, this group is almost one-and-a-half times more likely to

post a short video clip from a TV or movie than the general population. Given this correlation between

social influencers and online video, marketers should become more engaged with those who both

consume and produce videos.

Distinction between consumption and production is quickly eroding.

By now it is a cliché to say that the advent of digital technologies precipitated a seismic cultural shift in

how audiences interact with media. Before media became digital (music, movies, TV, text, photos) the

dividing line between those who consume and those who produce media was fairly entrenched and

straightforward. Large media conglomerates with huge budgets produced, marketed, and distributed

films and TV shows, while consumers passively sat back and enjoyed the fruits of the studio’s labor. The

main reasons behind this division were that media was expensive to produce, distribution was tightly

controlled, and marketing costs were prohibitive. Today, however, the cost of technology and the

knowledge base necessary to create content is within the reach of most ordinary consumers. The

popularity of user-generated content has further blurred the distinction between those who produce

content and those who consume it. Rather than conceptualizing the consumer-producer dynamic as

dichotomous and oppositional (black and white), today it is more helpful (and accurate) to consider the

dynamic as a spectrum. Audiences can move backward and forward along the spectrum depending upon

their engagement and comfort levels, as well as take advantage of the value offered by social

networking, online video, and informational web sites.



There is also a murky middle ground evolving between the two ends of the spectrum, occupied by

“prosumer” behavior. While consumer behavior is characterized mainly by passive viewership, and

producer behavior requires a degree of expertise to create new content or remix/mash-up available

clips, there is a significant juste milieu comprised of various forms of active engagement and sharing. For

online video, this includes tagging content, posting and sharing other people’s video clips, commenting

on video other people posted online, and engaging with online ads.

Active online video users cast a strong sphere of influence.

To better understand the video sharing behaviors of influencers, it is helpful to look specifically at

consumers who identify themselves as people others often ask for their opinion on new products. In

addition to these “influencers,” it is useful to evaluate consumers who mostly hear about n

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