Learning Center
Plans & pricing Sign in
Sign Out
Your Federal Quarterly Tax Payments are due April 15th Get Help Now >>

Riley Farm-Rhymes by James Whitcomb Riley _3 in our series by James Whitcomb Riley


									Riley Farm-Rhymes   by James Whitcomb Riley #3 in our series by James
Whitcomb Riley

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file. Please do not remove it. Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file. Included is
important information about your specific rights and restrictions in
how the file may be used. You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.

**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****

Title: Riley Farm-Rhymes

Author: James Whitcomb Riley

Release Date: December, 2003 [Etext #4783]
[This file was last updated on March 18, 2002]

Edition: 10

Language: English

Character set encoding: ASCII


Produced by Robert Rowe, Charles Franks
and the Online Distributed Proofreading Team.




The deadnin' and the thicket's jes' a b'ilin' full o' June,
From the rattle o' the cricket, to the yaller-hammer's tune;
And the catbird in the bottom and the sap-suck on the
Seems's ef they cain't--od-rot-'em!--jes' do nothin' else
    but brag!

There' music in the twitter o' the   bluebird and the jay,
And that sassy little critter jes'   a-peckin' all the day;
There' music in the "flicker," and   there' music in the
And there' music in the snicker o'   the chipmunk in the

There' music all around me!--And I go back--in a dream
Sweeter yit than ever found me fast asleep:--And, in the
That used to split the medder wher' the dandylions
I stand knee-deep, and redder than the sunset down the





The orchard lands of Long Ago!
O drowsy winds, awake, and blow
The snowy blossoms back to me,
And all the buds that used to be!
Blow back along the grassy ways
Of truant feet, and lift the haze
Of happy summer from the trees
That trail their tresses in the seas
Of grain that float and overflow
The orchard lands of Long Ago!

Blow back the melody that slips
In lazy laughter from the lips
That marvel much if any kiss
Is sweeter than the apple's is.
Blow back the twitter of the birds--
The lisp, the titter, and the words
Of merriment that found the shine
Of summer-time a glorious wine
That drenched the leaves that loved it so,
In orchard lands of Long Ago!

O memory! alight and sing
Where rosy-bellied pippins cling,
And golden russets glint and gleam,
As, in the old Arabian dream,
The fruits of that enchanted tree
The glad Aladdin robbed for me!
And, drowsy winds, awake and fan
My blood as when it overran
A heart ripe as the apples grow
In orchard lands of Long Ago!


When the frost is on the punkin and the fodder's in
     the shock,
And you hear the kyouck and gobble of the struttin'
And the clackin' of the guineys, and the cluckin' of the
And the rooster's hallylooyer as he tiptoes on the fence;
O, it's then's the times a feller is a-feelin' at his best,
With the risin' sun to greet him from a night of peaceful
As he leaves the house, bare-headed, and goes out to feed
     the stock,
When the frost is on the punkin and the fodder's in the

They's something kindo' harty-like about the atmusfere
When the heat of summer's over and the coolin' fall is
Of course we miss the flowers, and the blossums on the
And the mumble of the hummin'-birds and buzzin' of the
But the air's so appetizin'; and the landscape through the
Of a crisp and sunny morning of the airly autumn days
Is a pictur' that no painter has the colorin' to mock--
When the frost is on the punkin and the fodder's in the

The husky, rusty russel of the tossels of the corn,
And the raspin' of the tangled leaves, as golden as the
The stubble in the furries--kindo' lonesome-like, but still
A-preachin' sermuns to us of the barns they growed to fill;
The strawstack in the medder, and the reaper in the shed;
The hosses in theyr stalls below--the clover overhead!--
O, it sets my hart a-clickin' like the tickin' of a clock,
When the frost is on the punkin and the fodder's in the

Then your apples all is getherd, and the ones a feller keeps
Is poured around the cellar-floor in red and yeller heaps;
And your cider-makin's over, and your wimmern-folks
     is through
With their mince and apple-butter, and theyr souse and
     saussage, too! ...
I don't know how to tell it--but ef sich a thing could be
As the Angels wantin' boardin', and they'd call around
     on ME--
I'd want to 'commodate 'em--all the whole-indurin'
When the frost is on the punkin and the fodder's in the


In Spring, when the green gits back in the trees,
     And the sun comes out and STAYS,
And yer boots pulls on with a good tight squeeze,
  And you think of yer bare-foot days;
When you ORT to work and you want to NOT,
  And you and yer wife agrees
It's time to spade up the garden-lot,
  When the green gits back in the trees
    Well! work is the least o' MY idees
    When the green, you know, gits back in the trees!

When the green gits back in the trees, and bees
  Is a-buzzin' aroun' ag'in
In that kind of a lazy go-as-you-please
  Old gait they bum roun' in;
When the groun's all bald whare the hay-rick stood,
  And the crick's riz, and the breeze
Coaxes the bloom in the old dogwood,
  And the green gits back in the trees,--
    I like, as I say, in sich scenes as these,
    The time when the green gits back in the trees!

When the whole tail-feathers o' Wintertime
  Is all pulled out and gone!
And the sap it thaws and begins to climb,
  And the swet it starts out on
A feller's forred, a-gittin' down
  At the old spring on his knees--
I kindo' like jest a-loaferin' roun'
  When the green gits back in the trees--
   Jest a-potterin' roun' as I--durn--please-
   When the green, you know, gits back in the trees!

It hain't no use to grumble and complane;
  It's jest as cheap and easy to rejoice.--
When God sorts out the weather and sends rain,
  W'y, rain's my choice.

Men ginerly, to all intents--
  Although they're apt to grumble some--
Puts most theyr trust in Providence,
  And takes things as they come--
    That is, the commonality
    Of men that's lived as long as me
    Has watched the world enugh to learn
    They're not the boss of this concern.

With SOME, of course, it's different--
  I've saw YOUNG men that knowed it all,
And didn't like the way things went
  On this terrestchul ball;--
    But all the same, the rain, some way,
    Rained jest as hard on picnic day;
    Er, when they railly WANTED it,
    It mayby wouldn't rain a bit!

In this existunce, dry and wet
  Will overtake the best of men--
Some little skift o' clouds'll shet
  The sun off now and then.--
    And mayby, whilse you're wundern who
    You've fool-like lent your umbrell' to,
    And WANT it--out'll pop the sun,
    And you'll be glad you hain't got none!

It aggervates the farmers, too--
   They's too much wet, er too much sun,
Er work, er waitin' round to do
   Before the plowin' 's done:
     And mayby, like as not, the wheat,
     Jest as it's lookin' hard to beat,
    Will ketch the storm--and jest about
    The time the corn's a-jintin' out.

These-here CY-CLONES a-foolin' round--
  And back'ard crops!--and wind and rain!--
And yit the corn that's wallerd down
  May elbow up again!--
    They hain't no sense, as I can see,
    Fer mortuls, sich as us, to be
    A-faultin' Natchur's wise intents,
    And lockin' horns with Providence!

It hain't no use to grumble and complane;
  It's jest as cheap and easy to rejoice.--
When God sorts out the weather and sends rain,
  W'y, rain's my choice.


       Little brook! Little brook!
       You have such a happy look--
Such a very merry manner, as you swerve and
          curve and crook--
     And your ripples, one and one,
     Reach each other's hands and run
       Like laughing little children in the sun!

      Little brook, sing to me:
      Sing about a bumblebee
That tumbled from a lily-bell and grumbled
      Because he wet the film
      Of his wings, and had to swim,
        While the water-bugs raced round and
            laughed at him!

      Little brook-sing a song
      Of a leaf that sailed along
Down the golden-braided centre of your current
          swift and strong,
     And a dragon-fly that lit
     On the tilting rim of it,
       And rode away and wasn't scared a bit.

     And sing--how oft in glee
     Came a truant boy like me,
Who loved to lean and listen to your lilting
     Till the gurgle and refrain
     Of your music in his brain
       Wrought a happiness as keen to him
          as pain.

       Little brook-laugh and leap!
       Do not let the dreamer weep:
Sing him all the songs of summer till he sink in
              softest sleep;
       And then sing soft and low
       Through his dreams of long ago--
         Sing back to him the rest he used to

The summer winds is sniffin' round the bloomin'
     locus' trees;
And the clover in the pastur is a big day fer the bees,
And they been a-swiggin' honey, above board and on the
Tel they stutter in theyr buzzin' and stagger as they fly.
The flicker on the fence-rail 'pears to jest spit on his
And roll up his feathers, by the sassy way he sings;
And the hoss-fly is a-whettin'-up his forelegs fer biz,
And the off-mare is a-switchin' all of her tale they is.

You can hear the blackbirds jawin' as they foller up the
Oh, theyr bound to git theyr brekfast, and theyr not
      a-carin' how;
So they quarrel in the furries, and they quarrel on the
But theyr peaceabler in pot-pies than any other thing:
And it's when I git my shotgun drawed up in stiddy rest,
She's as full of tribbelation as a yeller-jacket's nest;
And a few shots before dinner, when the sun's a-shinin'
Seems to kindo'-sorto' sharpen up a feller's appetite!

They's been a heap o' rain, but the sun's out to-day,
And the clouds of the wet spell is all cleared away,
And the woods is all the greener, and the grass is greener
It may rain again to-morry, but I don't think it will.
Some says the crops is ruined, and the corn's drownded
And propha-sy the wheat will be a failure, without doubt;
But the kind Providence that has never failed us yet,
Will be on hands onc't more at the 'leventh hour, I bet!

Does the medder-lark complane, as he swims high and
Through the waves of the wind and the blue of the sky?
Does the quail set up and whissel in a disappinted way,
Er hang his head in silunce, and sorrow all the day?
Is the chipmuck's health a-failin'?--Does he walk, er does
        he run?
Don't the buzzards ooze around up thare just like they've
        allus done?
Is they anything the matter with the rooster's lungs er
Ort a mortul be complainin' when dumb animals rejoice?

Then let us, one and all, be contentud with our lot;
The June is here this morning, and the sun is shining hot.
Oh! let us fill our harts up with the glory of the day,
And banish ev'ry doubt and care and sorrow fur away!
Whatever be our station, with Providence fer guide,
Sich fine circumstances ort to make us satisfied;
Fer the world is full of roses, and the roses full of dew,
And the dew is full of heavenly love that drips fer me
      and you.


"Mylo Jones's wife" was all
I heerd, mighty near, last Fall--
Visitun relations down
T'other side of Morgantown!
Mylo Jones's wife she does
This and that, and "those" and "thus"!--
Can't 'bide babies in her sight--
Ner no childern, day and night,
Whoopin' round the premises--

Mylo Jones's wife she 'lows
She's the boss of her own house!--
Mylo--consequences is--
Stays whare things seem SOME like HIS,--
Uses, mostly, with the stock--
Coaxin' "Old Kate" not to balk,
Ner kick hoss-flies' branes out, ner
Act, I s'pose, so much like HER!
Yit the wimmern-folks tells you
She's PERFECTION.--Yes they do!

Mylo's wife she says she's found
Home hain't home with MEN-FOLKS round
When they's work like HERN to do-
Picklin' pears and BUTCHERN, too,
And a-rendern lard, and then
Cookin' fer a pack of men
To come trackin' up the flore
SHE'S scrubbed TEL she'll scrub no MORE!--
Yit she'd keep things clean ef they
Made her scrub tel Jedgmunt Day!

Mylo Jones's wife she sews
Carpet-rags and patches clothes
Jest year IN and OUT!--and yit
Whare's the livin' use of it?
She asts Mylo that.--And he
Gits back whare he'd ruther be,
With his team;--jest PLOWS--and don't
Never sware--like some folks won't!
Think ef HE'D CUT LOOSE, I gum!
'D he'p his heavenly chances some!

Mylo's wife don't see no use,
Ner no reason ner excuse
Fer his pore relations to
Hang round like they allus do!
Thare 'bout onc't a year--and SHE--
She jest GA'NTS 'em, folks tells me,
On spiced pears!--Pass Mylo one,
He says "No, he don't chuse none!"
Workin'men like Mylo they
'D ort to have MEAT ev'ry day!

Dad-burn Mylo Jones's wife!
Ruther rake a blame caseknife
'Crost my wizzen than to see
Sich a womern rulin' ME!--
Ruther take and turn in and
Raise a fool mule-colt by hand'
MYLO, though--od-rot the man!--
Jest keeps ca'm--like some folks CAN--
And 'lows sich as her, I s'pose,
Is MAN'S HE'PMEET'--Mercy knows!


Nobody on the old farm here but Mother, me and
Except, of course, the extry he'p when harvest-time
       comes on,--
And THEN, I want to say to you, we NEEDED he'p about,
As you'd admit, ef you'd a-seen the way the crops turned

A better quarter-section ner a richer soil warn't found
Than this-here old-home place o' ourn fer fifty miles
The house was small--but plenty-big we found it from
      the day
That John--our only livin' son--packed up and went
You see, we tuk sich pride   in John--his mother more'n
That's natchurul; but BOTH   of us was proud as proud
      could be;
Fer the boy, from a little   chap, was most oncommon
And seemed in work as well   as play to take the same de-

He allus went a-whistlin' round the place, as glad at heart
As robins up at five o'clock to git an airly start;
And many a time 'fore daylight Mother's waked me up
     to say--
"Jest listen, David!--listen!--Johnny's beat the birds

High-sperited from boyhood, with a most inquirin' turn,--
He wanted to learn ever'thing on earth they was to learn:
He'd ast more plaguy questions in a mortal-minute here
Than his grandpap in Paradise could answer in a year!

And READ! w'y, his own mother learnt him how to read
      and spell;
And "The Childern of the Abbey"--w'y, he knowed that
      book as well
At fifteen as his parents!--and "The Pilgrim's Prog-
      ress," too--
Jest knuckled down, the shaver did, and read 'em through
      and through.

At eighteen, Mother 'lowed the boy must have a better
That we ort to educate him, under any circumstance;
And John he j'ined his mother, and they ding-donged and
      kep' on,
Tel I sent him off to school in town, half glad that he was

But--I missed him--w'y, of course I did!--The Fall and
      Winter through
I never built the kitchen-fire, er split a stick in two,
Er fed the stock, er butchered, er swung up a gambrel-
But what I thought o' John, and wished that he was home

He'd come, sometimes--on Sund'ys most--and stay the
      Sund'y out;
And on Thanksgivin'-Day he 'peared to like to be about:
But a change was workin' on him--he was stiller than
And didn't joke, ner laugh, ner sing and whistle any
And his talk was all so proper; and I noticed, with a sigh,
He was tryin' to raise side-whiskers, and had on a striped
And a standin'-collar, ironed up as stiff and slick as bone;
And a breast-pin, and a watch and chain and plug-hat of
      his own.

But when Spring-weather opened out, and John was to
      come home
And he'p me through the season, I was glad to see him
But my happiness, that evening, with the settin' sun went
When he bragged of "a position" that was offered him in

"But," says I, "you'll not accept it?" "W'y, of course I
       will," says he.--
"This drudgin' on a farm," he says, "is not the life fer
I've set my stakes up higher," he continued, light and
"And town's the place fer ME, and I'm a-goin' right

And go he did!--his mother clingin' to him at the gate,
A-pleadin' and a-cryin'; but it hadn't any weight.
I was tranquiller, and told her 'twarn't no use to worry
And onclasped her arms from round his neck round mine
      --and let him go!

I felt a little bitter feelin' foolin' round about
The aidges of my conscience; but I didn't let it out;--
I simply retch out, trimbly-like, and tuk the boy's hand,
And though I didn't say a word, I knowed he'd under-

And--well!--sence then the old home here was mighty
     lonesome, shore!
With me a-workin' in the field, and Mother at the door,
Her face ferever to'rds the town, and fadin' more and
Her only son nine miles away, a-clerkin' in a store!

The weeks and months dragged by us; and sometimes the
      boy would write
A letter to his mother, sayin' that his work was light,
And not to feel oneasy about his health a bit--
Though his business was confinin', he was gittin' used
      to it.

And sometimes he would write and ast how _I_ was gittin'
And ef I had to pay out much fer he'p sence he was gone;
And how the hogs was doin', and the balance of the stock,
And talk on fer a page er two jest like he used to talk.

And he wrote, along 'fore harvest, that he guessed he
      would git home,
Fer business would, of course, be dull in town.--But
      DIDN'T come:--
We got a postal later, sayin' when they had no trade
They filled the time "invoicin' goods," and that was why
      he stayed.

And then he quit a-writin' altogether: Not a word--
Exceptin' what the neighbers brung who'd been to town
      and heard
What store John was clerkin' in, and went round to in-
If they could buy their goods there less and sell their
      produce higher.

And so the Summer faded out, and Autumn wore away,
And a keener Winter never fetched around Thanksgivin'-
The night before that day of thanks I'll never quite fergit,
The wind a-howlin' round the house-it makes me creepy

And there set me and Mother--me a-twistin' at the
Of a green scrub-ellum forestick with a vicious pair of
And Mother sayin', "DAVID! DAVID!" in a' undertone,
As though she thought that I was thinkin' bad-words

"I've dressed the turkey, David, fer to-morrow," Mother
A-tryin' to wedge some pleasant subject in my stubborn
"And the mince-meat I'm a-mixin' is perfection mighty
And the pound-cake is delicious-rich--" "Who'll eat
      'em?" I--says--I.

"The cramberries is drippin'-sweet," says Mother, runnin'
P'tendin' not to hear me;--"and somehow I thought of
All the time they was a-jellin'--fer you know they allus
His favorITE--he likes 'em so!" Says I "Well, s'pose
      he does?"

"Oh, nothin' much!" says Mother, with a quiet sort o'
"This gentleman behind my cheer may tell you after
And as I turnt and looked around, some one riz up and
And putt his arms round Mother's neck, and laughed in
      low content.

"It's ME," he says--"your fool-boy John, come back to
       shake your hand;
Set down with you, and talk with you, and make you un-
How dearer yit than all the world is this old home that
Will spend Thanksgivin' in fer life--jest Mother, you
      and me!"

Nobody on the old farm here but Mother, me and John,
Except, of course, the extry he'p when harvest-time
      comes on;
And then, I want to say to you, we NEED sich he'p about,
As you'd admit, ef you could see the way the crops turn


Folks has be'n to town, and Sahry
Fetched 'er home a pet canary,--
And of all the blame', contrary,
    Aggervatin' things alive!
I love music--that's I love it
When it's free--and plenty of it;--
But I kindo' git above it,
    At a dollar-eighty-five!

Reason's plain as I'm a--sayin',--
Jes' the idy, now, o' layin'
Out yer money, and a-payin'
    Fer a wilder-cage and bird,
When the medder-larks is wingin'
Round you, and the woods is ringin'
With the beautifullest singin'
    That a mortal ever heard!

Sahry's sot, tho'.--So I tell her
He's a purty little feller,
With his wings o' creamy-yeller,
    And his eyes keen as a cat;
And the twitter o' the critter
Tears to absolutely glitter!
Guess I'll haf to go and git her
    A high-priceter cage 'n that!


The old farm-home is Mother's yet and mine,
   And filled it is with plenty and to spare,--
But we are lonely here in life's decline,
   Though fortune smiles around us everywhere:
        We look across the gold
        Of the harvests, as of old--
   The corn, the fragrant clover, and the hay
        But most we turn our gaze,
        As with eyes of other days,
   To the orchard where the children used to play.

O from our life's full measure
And rich hoard of worldly treasure
    We often turn our weary eyes away,
And hand in hand we wander
Down the old path winding yonder
   To the orchard where the children used to play

Our sloping pasture-lands are filled with herds;
   The barn and granary-bins are bulging o'er:
The grove's a paradise of singing birds-
   The woodland brook leaps laughing by the door
        Yet lonely, lonely still,
        Let us prosper as we will,
   Our old hearts seem so empty everyway--
        We can only through a mist
        See the faces we have kissed
   In the orchard where the children used to play.

O from our life's full measure
And rich hoard of worldly treasure
   We often turn our weary eyes away,
And hand in hand we wander
Down the old path winding yonder
   To the orchard where the children used to play.

Pap's got his pattent-right, and rich as all creation;
  But where's the peace and comfort that we all had
Le's go a-visitin' back to Griggsby's Station--
  Back where we ust to be so happy and so pore!

The likes of us a-livin' here! It's jest a mortal pity
  To see us in this great big house, with cyarpets on the
And the pump right in the kitchen! And the city! city!
  And nothin' but the city all around us ever'wheres!

Climb clean above the roof and look from   the steeple,
   And never see a robin, nor a beech or   ellum tree!
And right here in ear-shot of at least a   thousan' people,
   And none that neighbors with us or we   want to go and

Le's go a-visitin' back to Griggsby's Station--
   Back where the latch-string's a-hangin' from the door,
And ever' neighbor round the place is dear as a relation--
   Back where we ust to be so happy and so pore!

I want to see the Wiggenses, the whole kit-and-bilin',
   A-drivin' up from Shallor Ford to stay the Sunday
And I want to see 'em hitchin' at their son-in-law's and
Out there at 'Lizy Ellen's like they ust to do!

I want to see the piece-quilts the Jones girls is makin';
   And I want to pester Laury 'bout their freckled hired
And joke her 'bout the widower she come purt' nigh
Till her Pap got his pension 'lowed in time to save his

Le's go a-visitin' back to Griggsby's Station--
   Back where they's nothin' aggervatin' any more,
Shet away safe in the woods around the old location--
   Back where we ust to be so happy and so pore!

I want to see Marindy and he'p her with her sewin',
   And hear her talk so lovin' of her man that's dead and
And stand up with Emanuel to show me how he's
   And smile as I have saw her 'fore she putt her mournin'

And I want to see the Samples, on the old lower eighty,
   Where John, our oldest boy, he was tuk and burried
His own sake and Katy's,--and I want to cry with Katy
   As she reads all his letters over, writ from The War.

What's in all this grand life and high situation,
   And nary pink nor hollyhawk a-bloomin' at the door?--
Le's go a-visitin' back to Griggsby's Station--
   Back where we ust to be so happy and so pore!



Tell you what I like the best--
   'Long about knee-deep in June,
 'Bout the time strawberries melts
 On the vine,--some afternoon
Like to jes' git out and rest,
   And not work at nothin' else'


Orchard's where I'd ruther be--
Needn't fence it in fer me!--
  Jes' the whole sky overhead,
And the whole airth underneath--
Sorto' so's a man kin breathe
  Like he ort, and kindo' has
Elbow-room to keerlessly
  Sprawl out len'thways on the grass
    Where the shadders thick and soft
  As the kivvers on the bed
    Mother fixes in the loft
Allus, when they's company!


Jes' a-sorto' lazin' there--
  S'lazy, 'at you peek and peer
    Through the wavin' leaves above,
    Like a feller 'at's in love
  And don't know it, ner don't keer!
  Ever'thing you hear and see
    Got some sort o' interest--
    Maybe find a bluebird's nest
  Tucked up there conveenently
  Fer the boy 'at's ap' to be
  Up some other apple-tree!
Watch the swallers skootin' past
'Bout as peert as you could ast,
  Er the Bob-white raise and whiz
  Where some other's whistle is


Ketch a shadder down below,
And look up to find the crow--
Er a hawk,--away up there,
'Pearantly FROZE in the air!--
  Hear the old hen squawk, and squat
  Over ever' chick she's got,
Suddent-like!--and she knows where
  That-air hawk is, well as you!--
  You jes' bet yer life she do!--
    Eyes a-glitterin' like glass,
    Waitin' till he makes a pass!


Pee-wees' singin', to express
  My opinion, 's second class,
Yit you'll hear 'em more er less;
    Sapsucks gittin' down to biz,
Weedin' out the lonesomeness;
  Mr. Bluejay, full o' sass,
    In them base-ball clothes o' his,
Sportin' round the orchard jes'
Like he owned the premises!
    Sun out in the fields kin sizz,
But flat on yer back, I guess,
    In the shade's where glory is!
That's jes' what I'd like to do
Stiddy fer a year er two!


Plague! ef they ain't somepin' in
Work 'at kindo' goes ag'in'
  My convictions!--'long about
    Here in June especially!--
    Under some old apple-tree,
    Jes' a-restin' through and through
  I could git along without
    Nothin' else at all to do
    Only jes' a-wishin' you
Wuz a-gittin' there like me,
And June was eternity!


Lay out there and try to see
Jes' how lazy you kin be!--
     Tumble round and souse yer head
In the clover-bloom, er pull
       Yer straw hat acrost yer eyes
       And peek through it at the skies,
    Thinkin' of old chums 'at's dead,
         Maybe, smilin' back at you
In betwixt the beautiful
        Clouds o' gold and white and blue.
Month a man kin railly love
June, you know, I'm talkin' of!


March ain't never nothin' new!
Aprile's altogether too
  Brash fer me! and May--I jes'
  'Bominate its promises,
Little hints o' sunshine and
Green around the timber-land--
  A few blossoms, and a few
    Chip-birds, and a sprout er two,--
    Drap asleep, and it turns in
    'Fore daylight and SNOWS ag'in!--
But when JUNE comes--Clear my th'oat
  With wild honey!--Rench my hair
In the dew! and hold my coat!
    Whoop out loud! and th'ow my hat!--
  June wants me, and I'm to spare!
  Spread them shadders anywhere,
  I'll git down and waller there,
    And obleeged to you at that!


The air falls chill;
The whippoorwill
Pipes lonesomely behind the hill:
The dusk grows dense,
The silence tense;
And lo, the katydids commence.


Through shadowy rifts
Of woodland, lifts
The low, slow moon, and upward drifts,
While left and right
The fireflies' light
Swirls eddying in the skirts of Night.


O Cloudland, gray
And level, lay
Thy mists across the face of Day!
At foot and head,
Above the dead,
O Dews, weep on uncomforted!


Some sings of the lily, and daisy, and rose,
   And the pansies and pinks that the Summertime
In the green grassy lap of the medder that lays
Blinkin' up at the skyes through the sunshiney days;
But what is the lily and all of the rest
Of the flowers, to a man with a hart in his brest
That was dipped brimmin' full of the honey and dew
Of the sweet clover-blossoms his babyhood knew?
I never set eyes on a clover-field now,
Er fool round a stable, er climb in the mow,
But my childhood comes back jest as clear and as plane
As the smell of the clover I'm sniffin' again;
And I wunder away in a bare-footed dream,
Whare I tangle my toes in the blossoms that gleam
With the dew of the dawn of the morning of love
Ere it wept ore the graves that I'm weepin' above.

And so I love clover--it seems like a part
Of the sacerdest sorrows and joys of my hart;
And wharever it blossoms, oh, thare let me bow
And thank the good God as I'm thankin' Him now;
And I pray to Him still fer the stren'th when I die,
To go out in the clover and tell it good-bye,
And lovin'ly nestle my face in its bloom
While my soul slips away on a breth of purfume


Old October's purt' nigh gone,
And the frosts is comin' on
Little HEAVIER every day--
Like our hearts is thataway!
Leaves is changin' overhead
Back from green to gray and red,
Brown and yeller, with their stems
Loosenin' on the oaks and e'ms;
And the balance of the trees
Gittin' balder every breeze--
Like the heads we're scratchin' on!
Old October's purt' nigh gone.

I love Old October so,
I can't bear to see her go--
Seems to me like losin' some
Old-home relative er chum--
'Pears like sorto' settin' by
Some old friend 'at sigh by sigh
Was a-passin' out o' sight
Into everlastin' night!
Hickernuts a feller hears
Rattlin' down is more like tears
Drappin' on the leaves below--
I love Old October so!

Can't tell what it is about
Old October knocks me out!--
I sleep well enough at night--
And the blamedest appetite
Ever mortal man possessed,--
Last thing et, it tastes the best!--
Warnuts, butternuts, pawpaws,
'Iles and limbers up my jaws
Fer raal service, sich as new
Pork, spareribs, and sausage, too.--
Yit, fer all, they's somepin' 'bout
Old October knocks me out!


They ain't no style about 'em,
  And they're sorto' pale and faded,
Yit the doorway here, without 'em,
 Would be lonesomer, and shaded
  With a good 'eal blacker shadder
   Than the morning-glories makes,
  And the sunshine would look sadder
   Fer their good old-fashion' sakes,

I like 'em 'cause they kindo'--
 Sorto' MAKE a feller like 'em!
And I tell you, when I find a
 Bunch out whur the sun kin strike 'em,
It allus sets me thinkin'
 O' the ones 'at used to grow
And peek in thro' the chinkin'
 O' the cabin, don't you know!

And then I think o' mother,
 And how she ust to love 'em--
When they wuzn't any other,
 'Less she found 'em up above 'em!
   And her eyes, afore she shut 'em,
    Whispered with a smile and said
   We must pick a bunch and putt 'em
    In her hand when she wuz dead.

But, as I wuz a-sayin',
 They ain't no style about 'em
Very gaudy er displaying
 But I wouldn't be without 'em,--
  'Cause I'm happier in these posies,
    And the hollyhawks and sich,
 Than the hummin'-bird 'at noses
    In the roses of the rich.


I come upon it suddenly, alone--
 A little pathway winding in the weeds
That fringe the roadside; and with dreams my own,
 I wander as it leads.

Full wistfully along the slender way,
 Through summer tan of freckled shade and shine,
I take the path that leads me as it may--
 Its every choice is mine.

A chipmunk, or a sudden-whirring quail,
 Is startled by my step as on I fare--
A garter-snake across the dusty trail
 Glances and--is not there.

Above the arching jimson-weeds flare twos
 And twos of sallow-yellow butterflies,
Like blooms of lorn primroses blowing loose
 When autumn winds arise.

The trail dips--dwindles--broadens then, and lifts
 Itself astride a cross-road dubiously,
And, from the fennel marge beyond it, drifts
 Still onward, beckoning me.

And though it needs must lure me mile on mile
 Out of the public highway, still I go,
My thoughts, far in advance in Indian-file,
 Allure me even so.

Why, I am as a long-lost boy that went
 At dusk to bring the cattle to the bars,
And was not found again, though Heaven lent
 His mother all the stars

With which to seek him through that awful night.
 O years of nights as vain!--Stars never rise
But well might miss their glitter in the light
 Of tears in mother-eyes!

So--on, with quickened breaths, I follow still--
 My avant-courier must be obeyed!
Thus am I led, and thus the path, at will,
 Invites me to invade

A meadow's precincts, where my daring guide
 Clambers the steps of an old-fashioned stile,
And stumbles down again, the other side,
 To gambol there awhile

In pranks of hide-and-seek, as on ahead
 I see it running, while the clover-stalks
Shake rosy fists at me, as though they said--
 "You dog our country--walks
"And mutilate us with your walking-stick!--
  We will not suffer tamely what you do,
And warn you at your peril,--for we'll sic
  Our bumblebees on you!"

But I smile back, in airy nonchalance,--
 The more determined on my wayward quest,
As some bright memory a moment dawns
 A morning in my breast--

Sending a thrill that hurries me along
 In faulty similes of childish skips,
Enthused with lithe contortions of a song
 Performing on my lips.

In wild meanderings o'er pasture wealth--
 Erratic wanderings through dead'ning-lands,
Where sly old brambles, plucking me by stealth,
 Put berries in my hands:

Or the path climbs a bowlder--wades a slough--
 Or, rollicking through buttercups and flags,
Goes gayly dancing o'er a deep bayou
 On old tree-trunks and snags:

Or, at the creek, leads o'er a limpid pool
 Upon a bridge the stream itself has made,
With some Spring-freshet for the mighty tool
 That its foundation laid.

I pause a moment here to bend and muse,
  With dreamy eyes, on my reflection, where
A boat-backed bug drifts on a helpless cruise,
  Or wildly oars the air,

As, dimly seen, the pirate of the brook--
  The pike, whose jaunty hulk denotes his speed--
Swings pivoting about, with wary look
  Of low and cunning greed.

Till, filled with other thought, I turn again
  To where the pathway enters in a realm
Of lordly woodland, under sovereign reign
  Of towering oak and elm.

A puritanic quiet here reviles
  The almost whispered warble from the hedge.
And takes a locust's rasping voice and files
  The silence to an edge.

In such a solitude my sombre way
  Strays like a misanthrope within a gloom
Of his own shadows--till the perfect day
  Bursts into sudden bloom,
And crowns a long, declining stretch of space,
  Where King Corn's armies lie with flags unfurled.
And where the valley's dint in Nature's face
  Dimples a smiling world.

And lo! through mists that may not be dispelled,
  I see an old farm homestead, as in dreams,
Where, like a gem in costly setting held,
  The old log cabin gleams.

O darling Pathway! lead me bravely on
  Adown your alley-way, and run before
Among the roses crowding up the lawn
  And thronging at the door,--

And carry up the echo there that shall
  Arouse the drowsy dog, that he may bay
The household out to greet the prodigal
  That wanders home to-day.


Old wortermelon time is a-comin' round again,
   And they ain't no man a-livin' any tickleder'n me,
Fer the way I hanker after wortermelons is a sin--
   Which is the why and wharefore, as you can plainly see.

Oh! it's in the sandy soil wortermelons does the best,
   And it's thare they'll lay and waller in the sunshine and
       the dew
Tel they wear all the green streaks clean off of theyr
  And you bet I ain't a-findin' any fault with them; ain't

They ain't no better thing in the vegetable line;
  And they don't need much 'tendin', as ev'ry farmer
And when theyr ripe and ready fer to pluck from the vine,
  I want to say to you theyr the best fruit that grows.

It's some likes the yeller-core, and some likes the red.
  And it's some says "The Little Californy" is the best;
But the sweetest slice of all I ever wedged in my head,
  Is the old "Edingburg Mounting-sprout," of the west

You don't want no punkins nigh your wortermelon
  'Cause, some-way-another, they'll spile your melons,
I've seed 'em taste like punkins, from the core to the rines,
   Which may be a fact you have heerd of before

But your melons that's raised right and 'tended to with
  You can walk around amongst 'em with a parent's
     pride and joy,
And thump 'em on the heads with as fatherly a air
  As ef each one of them was your little girl er boy.

I joy in my hart jest to hear that rippin' sound
  When you split one down the back and jolt the halves
     in two,
And the friends you love the best is gethered all around--
  And you says unto your sweethart, "Oh, here's the
     core fer you!"

And I like to slice 'em up in big pieces fer 'em all,
  Espeshally the childern, and watch theyr high delight
As one by one the rines with theyr pink notches falls,
  And they holler fer some more, with unquenched

Boys takes to it natchurl, and I like to see 'em eat--
  A slice of wortermelon's like a frenchharp in theyr
And when they "saw" it through theyr mouth sich music
     can't be beat--
  'Cause it's music both the sperit and the stummick

Oh, they's more in wortermelons than the purty-colored
  And the overflowin' sweetness of the worter squshed

The up'ard and the down'ard motions of a feller's teeth,
  And it's the taste of ripe old age and juicy childhood

Fer I never taste a melon but my thoughts flies away
  To the summertime of youth; and again I see the dawn,
And the fadin' afternoon of the long summer day,
  And the dusk and dew a-fallin', and the night a-comin'

And thare's the corn around us, and the lispin' leaves and
And the stars a-peekin' down on us as still as silver
And us boys in the wortermelons on our hands and knees,
  And the new-moon hangin' ore us like a yeller-cored

Oh! it's wortermelon time is a-comin' round again,
  And they ain't no man a-livin' any tickleder'n me,
Fer the way I hanker after wortermelons is a sin--
  Which is the why and wharefore, as you can plainly see.


Up and down old Brandywine,
    In the days 'at's past and gone--
With a dad-burn hook-and line
    And a saplin' pole--swawn!
       I've had more fun, to the square
       Inch, than ever ANYwhere!
       Heaven to come can't discount MINE
       Up and down old Brandywine!

Hain't no sense in WISHIN'--yit
    Wisht to goodness I COULD jes
"Gee" the blame' world round and git
    Back to that old happiness!--
        Kindo' drive back in the shade
        "The old Covered Bridge" there laid
        'Crosst the crick, and sorto' soak
        My soul over, hub and spoke!

Honest,   now!--it hain't no DREAM
    'At   I'm wantin',--but THE FAC'S
As they   wuz; the same old stream,
    And   the same old times, i jacks!--
          Gim me back my bare feet--and
          Stonebruise too!--And scratched and tanned!
          And let hottest dog-days shine
          Up and down old Brandywine!

In and on betwixt the trees
    'Long the banks, pour down yer noon,
Kindo' curdled with the breeze
    And the yallerhammer's tune;
        And the smokin', chokin' dust
        O' the turnpike at its wusst--
        SATURD'YS, say, when it seems
        Road's jes jammed with country teams!--

Whilse the old town, fur away
    'Crosst the hazy pastur'-land,
Dozed-like in the heat o' day
    Peaceful' as a hired hand.
        Jolt the gravel th'ough the floor
        O' the old bridge!--grind and roar
        With yer blame percession-line--
        Up and down old Brandywine!

Souse me and my new straw-hat
    Off the foot-log!--what _I_ care?--
Fist shoved in the crown o' that--
    Like the old Clown ust to wear.
        Wouldn't swop it fer a' old
        Gin-u-wine raal crown o' gold!--
        Keep yer KING ef you'll gim me
        Jes the boy I ust to be!

Spill my fishin'-worms! er steal
     My best "goggle-eye!"--but you
Can't lay hands on joys I feel
     Nibblin' like they ust to do!
         So, in memory, to-day
         Same old ripple lips away
         At my "cork" and saggin' line,
         Up and down old Bradywine!

There the logs is, round the hill,
    Where "Old Irvin" ust to lift
Out sunfish from daylight till
    Dewfall--'fore he'd leave "The Drift"
         And give US a chance--and then
         Kindo' fish back home again,
         Ketchin' 'em jes left and right
         Where WE hadn't got "a bite!"

Er, 'way windin' out and in,--
    Old path th'ough the iurnweeds
And dog-fennel to yer chin--
    Then come suddent, th'ough the reeds
         And cat-tails, smack into where
         Them--air woods--hogs ust to scare
         Us clean 'crosst the County-line,
         Up and down old Brandywine!

But the dim roar o' the dam
    It 'ud coax us furder still
To'rds the old race, slow and ca'm,
    Slidin' on to Huston's mill--
         Where, I'spect, "The Freeport crowd"
         Never WARMED to us er 'lowed
         We wuz quite so overly
         Welcome as we aimed to be.

Still it 'peared like ever'thing--
    Fur away from home as THERE--
Had more RELISH-like, i jing!--
    Fish in stream, er bird in air!
         O them rich old bottom-lands,
         Past where Cowden's Schoolhouse stands!
         Up and down old Brandywine!

And sich pop-paws!--Lumps o' raw
    Gold and green,--jes oozy th'ough
With ripe yaller--like you've saw
    Custard-pie with no crust to:
         And jes GORGES o' wild plums,
         Till a feller'd suck his thumbs
         Clean up to his elbows! MY!--

Up and down old Brandywine! ...
    Stripe me with pokeberry-juice!--
Flick me with a pizenvine
    And yell "Yip!" and lem me loose!
         --Old now as I then wuz young,
         'F I could sing as I HAVE sung,
         Song 'ud surely ring DEE-VINE
         Up and down old Brandywine!


When country roads begin to thaw
    In mottled spots of damp and dust,
And fences by the margin draw
    Along the frosty crust
  Their graphic silhouettes, I say,
  The Spring is coming round this way.

When morning-time is bright with sun
  And keen with wind, and both confuse
The dancing, glancing eyes of one
    With tears that ooze and ooze--
  And nose-tips weep as well as they,
  The Spring is coming round this way.

When suddenly some shadow-bird
  Goes wavering beneath the gaze,
And through the hedge the moan is heard
    Of kine that fain would graze
  In grasses new, I smile and say,
  The Spring is coming round this way.

When knotted horse-tails are untied,
  And teamsters whistle here and there.
And clumsy mitts are laid aside
    And choppers' hands are bare,
  And chips are thick where children play,
  The Spring is coming round this way.

When through the twigs the farmer tramps,
  And troughs are chunked beneath the trees,
And fragrant hints of sugar-camps
    Astray in every breeze,--
  When early March seems middle May,
  The Spring is coming round this way.

When coughs are changed to laughs, and when
  Our frowns melt into smiles of glee,
And all our blood thaws out again
    In streams of ecstasy,
  And poets wreak their roundelay,
  The Spring is coming round this way.


Oh! tell me a tale of the airly days--
  Of the times as they ust to be;
"Piller of Fi-er" and "Shakespeare's Plays"
  Is a' most too deep fer me!
I want plane facts, and I want plane words,
  Of the good old-fashioned ways,
When speech run free as the songs of birds
  'Way back in the airly days.

Tell me a tale of the timber-lands--
  Of the old-time pioneers;
Somepin' a pore man understands
  With his feelins's well as ears.
Tell of the old log house,--about
  The loft, and the puncheon flore--
The old fi-er-place, with the crane swung out,
  And the latch-string thrugh the door.

Tell of the things jest as they was--
  They don't need no excuse!--
Don't tech 'em up like the poets does,
  Tel theyr all too fine fer use!--
Say they was 'leven in the fambily--
  Two beds, and the chist, below,
And the trundle-beds that each helt three,
  And the clock and the old bureau.

Then blow the horn at the old back-door
  Tel the echoes all halloo,
And the childern gethers home onc't more,
  Jest as they ust to do:
Blow fer Pap tel he hears and comes,
  With Tomps and Elias, too,
A-marchin' home, with the fife and drums
  And the old Red White and Blue!

Blow and blow tel the sound draps low
  As the moan of the whipperwill,
And wake up Mother, and Ruth and Jo,
  All sleepin' at Bethel Hill:
Blow and call tel the faces all
  Shine out in the back-log's blaze,
And the shadders dance on the old hewed wall
  As they did in the airly days.



In the jolly winters
  Of the long-ago,
It was not so cold as now--
  O! No! No!
Then, as I remember,
  Snowballs to eat
Were as good as apples now.
  And every bit as sweet!


In the jolly winters
  Of the dead-and-gone,
Bub was warm as summer,
  With his red mitts on,--
Just in his little waist-
  And-pants all together,
Who ever hear him growl
  About cold weather?


In the jolly winters
  Of the long-ago--
Was it HALF so cold as now?
  O! No! No!
Who caught his death o' cold,
  Making prints of men
Flat-backed in snow that now's
  Twice as cold again?


In the jolly winters
  Of the dead-and-gone,
Startin' out rabbit-huntin'--
  Early as the dawn,--
Who ever froze his fingers,
  Ears, heels, or toes,--
Or'd 'a' cared if he had?
  Nobody knows!


Nights by the kitchen-stove,
  Shellin' white and red
Corn in the skillet, and
  Sleepin' four abed!
Ah! the jolly winters
  Of the long-ago!
We were not as old as now--
  O! No! No!


O queenly month of indolent repose!
    I drink thy breath in sips of rare perfume,
  As in thy downy lap of clover-bloom
I nestle like a drowsy child and doze
The lazy hours away. The zephyr throws
  The shifting shuttle of the Summer's loom
  And weaves a damask-work of gleam and gloom
Before thy listless feet. The lily blows
  A bugle-call of fragrance o'er the glade;
    And, wheeling into ranks, with plume and spear,
  Thy harvest-armies gather on parade;
    While, faint and far away, yet pure and clear,
  A voice calls out of alien lands of shade:--
    All hail the Peerless Goddess of the Year!

"'S cur'ous-like," said the tree-toad,
  "I've twittered fer rain all day;
  And I got up soon,
  And hollered tel noon--
But the sun, hit blazed away,
  Tell I jest clumb down in a crawfish-hole,
  Weary at hart, and sick at soul!

"Dozed away fer an hour,
  And I tackled the thing agin:
    And I sung, and sung,
    Tel I knowed my lung
  Was jest about give in;
    And THEN, thinks I, ef hit don't rain NOW,
    They's nothin' in singin', anyhow!

"Onc't in a while some farmer
  Would come a-drivin' past;
    And he'd hear my cry,
    And stop and sigh--
  Tel I jest laid back, at last,
    And I hollered rain tel I thought my th'oat
    Would bust wide open at ever' note!

"But I FETCHED her!--O _I_ FETCHED her!--
  'Cause a little while ago,
    As I kindo' set,
    With one eye shet,
  And a-singin' soft and low,
    A voice drapped down on my fevered brain,
    A-sayin',--'EF YOU'LL JEST HUSH I'LL RAIN!'"


A song of Long Ago:
Sing it lightly--sing it low--
Sing it softly--like the lisping of the lips we
  used to know
When our baby-laughter spilled
From the glad hearts ever filled
With music blithe as robin ever trilled!
Let the fragrant summer breeze,
And the leaves of locust-trees,
And the apple-buds and blossoms, and the
    wings of honey-bees,
All palpitate with glee,
Till the happy harmony
Brings back each childish joy to you and me.

Let the eyes of fancy turn
Where the tumbled pippins burn
Like embers in the orchard's lap of tangled
    grass and fern,--
There let the old path wind
In and out and on behind
The cider-press that chuckles as we grind.

Blend in the song the moan
Of the dove that grieves alone,
And the wild whir of the locust, and the
    bumble's drowsy drone;
And the low of cows that call
Through the pasture-bars when all
The landscape fades away at evenfall.

Then, far away and clear,
Through the dusky atmosphere,
Let the wailing of the killdee be the only
    sound we hear:
O sad and sweet and low
As the memory may know
Is the glad-pathetic song of Long Ago!


I have jest about decided
  It 'ud keep a town-boy hoppin'
  Fer to work all winter, choppin'
Fer a' old fireplace, like I did!
Lawz! them old times wuz contrairy!--
  Blame' backbone o' winter, 'peared-like
  WOULDN'T break!--and I wuz skeered-like
Clean on into FEB'UARY!
  Nothin' ever made me madder
Than fer Pap to stomp in, layin'
In a' extra forestick, say'in',
  "Groun'-hog's out and seed his shadder!"

I' b'en a-kindo' "musin'," as the feller says, and I'm
  About o' the conclusion that they hain't no better
When you come to cipher on it, than the times we ust to
When we swore our first "dog-gone-it" sorto' solum-like
  and low!

You git my idy, do you?--LITTLE tads, you understand--
Jest a-wishin' thue and thue you that you on'y wuz a
Yit here I am, this minit, even sixty, to a day,
And fergittin' all that's in it, wishm' jest the other way!

I hain't no hand to lectur' on the times, er dimonstrate
Whare the trouble is, er hector and domineer with Fate,--
But when I git so flurried, and so pestered-like and blue,
And so rail owdacious worried, let me tell you what I

I jest gee-haw the hosses, and onhook the swingle-tree,
Whare the hazel-bushes tosses down theyr shadders over
And I draw my plug o' navy, and I climb the fence, and
Jest a-thinkin' here, i gravy' tel my eyes is wringin'-wet!

Tho' I still kin see the trouble o' the PRESUNT, I kin see--
Kindo' like my sight wuz double-all the things that
      UST to be;
And the flutter o' the robin and the teeter o' the wren
Sets the willer-branches bobbin' "howdy-do" thum Now
    to Then!

The deadnin' and the thicket's jest a-bilin' full of June,
From the rattle o' the cricket, to the yallar-hammer's
And the catbird in the bottom, and the sapsuck on the
Seems ef they can't-od-rot 'em!-jest do nothin' else
    but brag!

They's music in the twitter of the   bluebird and the jay,
And that sassy little critter jest   a-peckin' all the day;
They's music in the "flicker," and   they's music in the
And they's music in the snicker o'   the chipmunk in the
They's music all around me!--And I go back, in a dream
Sweeter yit than ever found me fast asleep,--and in the
That list to split the medder whare the dandylions
I stand knee-deep, and redder than the sunset down the

Then's when I' b'en a-fishin'!--And they's other fellers,
With theyr hick'ry-poles a-swishin' out behind 'em; and
    a few
Little "shiners" on our stringers, with theyr tails tip--
    toein' bloom,
As we dance 'em in our fingers all the happy jurney

I kin see us, true to Natur', thum the time we started out,
With a biscuit and a 'tater in our little "roundabout"!--
I kin see our lines a-tanglin', and our elbows in a jam,
And our naked legs a-danglin' thum the apern o' the dam.

I kin see the honeysuckle climbin' up around the mill,
And kin hear the worter chuckle, and the wheel a-growl-
    in' still;
And thum the bank below it I kin steal the old canoe,
And jest git in and row it like the miller ust to do.

W'y, I git my fancy focussed on the past so mortul plane
I kin even smell the locus'-blossoms bloomin' in the lane;
And I hear the cow-bells clinkin' sweeter tunes 'n
Fer the lightnin' bugs a-blinkin' and a-dancin' in the dusk.

And when I've kep' on "musin'," as the feller says, tel I'm
Firm-fixed in the conclusion that they haint no better
When you come to cipher on it, than the old times,--I
I kin wake and say "dog-gone-it'" jest as soft as any

End of Riley Farm-Rhymes, by James Whitcomb Riley


This file should be named rlfrr10.txt or
Corrected EDITIONS of our etexts get a new NUMBER, rlfrr11.txt
VERSIONS based on separate sources get new LETTER, rlfrr10a.txt

Produced by Robert Rowe, Charles Franks
and the Online Distributed Proofreading Team.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included. Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at: or

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).

Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date. This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter. or

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.

Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work. The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers. If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month: 1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1   1971   July
   10   1991   January
  100   1994   January
 1000   1997   August
 1500   1998   October
 2000   1999   December
 2500   2000   December
 3000   2001   November
 4000   2001   October/November
 6000   2002   December*
 9000   2003   November*
10000   2004   January*

The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states. If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154. Donations are
tax-deductible to the maximum extent permitted by law. As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:


If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.

**The Legal Small Print**

(Three Pages)
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.


Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause: [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,

[1]   Only give exact copies of it. Among other things, this
      requires that you do not remove, alter or modify the
      eBook or this "small print!" statement. You may however,
      if you wish, distribute this eBook in machine readable
      binary, compressed, mark-up, or proprietary form,
      including any form resulting from conversion by word
      processing or hypertext software, but only so long as

      [*]   The eBook, when displayed, is clearly readable, and
            does *not* contain characters other than those
            intended by the author of the work, although tilde
            (~), asterisk (*) and underline (_) characters may
            be used to convey punctuation intended by the
            author, and additional characters may be used to
            indicate hypertext links; OR
      [*]   The eBook may be readily converted by the reader at
            no expense into plain ASCII, EBCDIC or equivalent
            form by the program that displays the eBook (as is
            the case, for instance, with most word processors);

      [*]   You provide, or agree to also provide on request at
            no additional cost, fee or expense, a copy of the
            eBook in its original plain ASCII form (or in EBCDIC
            or other equivalent proprietary form).

[2]   Honor the eBook refund and replacement provisions of this
      "Small Print!" statement.

[3]   Pay a trademark license fee to the Foundation of 20% of the
      gross profits you derive calculated using the method you
      already use to calculate your applicable taxes. If you
      don't derive profits, no royalty is due. Royalties are
      payable to "Project Gutenberg Literary Archive Foundation"
      the 60 days following each date you prepare (or were
      legally required to prepare) your annual (or equivalent
      periodic) tax return. Please contact us beforehand to
      let us know your plans and to work out the details.

Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees. Copyright (C) 2001, 2002 by
Michael S. Hart. Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]


To top