Brade's Newe ausserlesene Paduanen_ Galliarden_ Cantzonen_ Allmand und Couranten Movement 3 Galliard

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Newe ausserlesene Paduanen, Galliarden, Cantzonen, Allmanden und Couranten (1609) 3b. Galliard Canto William Brade        5                                                                                                           Quinto Alto   Tenore     Basso                                        10                                                                                                                                                                UA Newe ausserlesene Paduanen, Galliarden, Cantzonen, Allmanden und Couranten (1609) 3b. Galliard 2   15                                                                                                                                               20                                                                                                      UA

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