Fair Warning WGA Registration 933507 Mark A Spencer 2. Ext: Night Music Waterfront downtown San Francisco, shot of San Francisco skyline, shot of boats in the water, no people are in site. A black limousine is parked by the water three men are standing by the limousine talking, smoking. A black van pulls up, the limousine flashes the lights, two men get out of the limousine, and three get out of the van. The three men walk over to the limousine; one man has two cases in his hands. Eric Let’s make it happen. Paul Are you the man? Eric I’m here aren’t I? Two of the men start to whisper and laugh Eric You find something funny. Paul Yea you. Everybody laughs except for Eric and his boys Eric Cut the bullshit and let do the deal. (Looking serious) Paul nods for the man to put the cases on the hood of the limousine. Eric opens up one of the cases shows it to one of the men the case is filled with cocaine. Eric takes one 3. of the packs cuts it open and Taste the dope then he spits it out knowing it’s good. Paul I’ve showed you mine, now show me yours. They laugh Eric motions to one of the men, he walks over with a Case in his hand, and he opens the case and shows the money. Pan to: other side of the front there is a van parked with several Agents in it. The agents see a waterfront security officer approaching. Cut to: Inside the van Agent 1 What the hell is going on? Agent 2 Who is that guy? (The captain gets on the radio) Captain There is a security guard here on the front, What the hell is he doing here, call the port him and get him The fuck Out of there. Voice on the talkie Everyone was informed not to be on the front. Captain Shit! (Pan back to the Van) Guard The front is closed after seven, what are 4. You guys doing here? Paul Just hanging out having a little conversation. Guard You boy’s planning a trip? What’s in the cases? Paul Some very expensive wine. Guard I’m somewhat an expert on wine, Let’s take a look at what you got. Paul We’re just rapping up, maybe next time. Guard No, this time, open the cases, NOW! Paul nods to one of the men, the man goes over and opens the Case. He turns his back to the guard and pulls out a pistol from Under his jacket, and blast the guard three times hitting him twice in the chest and once in the head. Cut to: inside van Captain Oh! Shit, its going down, move in. The DEA rushes out of the van running to the waterfront, the men notice the agents. Captain DEA don’t move! Get you ass up against the car. 5. They exchange gunfire; one of the men is hit in the arm one man Takes off running the others get in the limousine and take off the DEA gives chase. Cut to: EXT: Night downtowns San Francisco There are a lot of people, cars, and traffic. The man comes Running from around the crowed corner, he is being chased by one of the agents (agent Burke a black female). The man turns stops and fires his pistol he hits the window of a Car and smashes the window, Burke ducks and fires back hitting building. The man runs into the street chasing a streetcar, he jumps onto the streetcar and sits next to a mom with two young Kids. Burke is running along the side of the streetcar with her gun out. She is running very hard almost to the back of the streetcar. She catches up with the streetcar and jumps on the back. The man grabs the little boy and puts the gun to his head. People are moving out of the way very fast, Burke raises her gun. Burke Put the gun down, and let the boy go (beat) NOW! (The man pulls the boy closer to him) Man I’ll blow his fucking head off, now back the Fuck up. Burke I’m not going to do that you have only two Choices, put the gun down, or die, that simple. Man You don’t think I’ll shoot. The man cocks the trigger and puts it to the boy’s head. People are screaming, crying holding each other the boy starts to cry harder. 6. Burke I’m not going to tell you again, put the gun Down and Let the boy go. (Burke takes aim) Man You can’t shoot me, you’re a cop. Burke shoots, the bullet hits the man in the head, he drops to the Floor, and the boy run’s to his mother. Burke walks over to the man with gun out; she checks the body. The man is dead, people start to clap, and the little boy grabs the legs of Burke thanking her. Police cars stop the streetcar and the DEA agent’s rush the Streetcar, the captain looks at Burke; they look at each other the boy is still on her legs. Cut to: Int.; Morning DEA Headquarters office of the commissioner the DEA captain and others are in the office. Commissioner What the hell is this, she shoots on a Crowded streetcar with a little boy in the Line of fire, this is unexcitable. Captain It was all by the book sir; Burke is the best that I have. And she felt he was going to Kill the boy. Commissioner I don’t give a shit, this is. Captain What if it was your kid, Sir? Commissioner Well, the only positive is the man she killed is wanted is five states. Man 2 7. She should be paid for killing that scum. Commissioner This drug, gang shit has to stop now! What do we pay you guys for, huh? Captain We need some new faces; I think its time for That new task force you talked about. Commissioner You will get your wish, your new recruits Will be here in about one hour, and you Better make it work. The mayor is up and down my ass, And I can barely sit down. Now get out of my Office. Captain You got it sir. (Captain walks out of the office and looks at Gina sitting at her Desk.) Captain I need to see you right away in my office. (Gina and her partner Frank look at each other) Frank Well it was nice working with you. Gina See you on the unemployment line. (They laugh) (Gina gets up and goes in the Capt. Office) Pan to Office Int.; Captains office Captain Have a seat Gina. Gina Captain listen, I did what I had to do 8. And I know you got your ass chewed But. Captain Slow down Gina, and just listen that’s not the Issue. Gina Oh, it’s not, what’s up Captain That is not to say that the commissioner was not Happy actually he wanted your head as usual, and I gave him mind instead. Gina Thanks Capt. I owe you one. Captain OK this is the deal; the commissioner wants this Shit, stopped ASAP. Gina Well it’s not like were not catching anybody We have the best record that this department Has ever had, so….. Captain Gina, its cool, the big man wants us to start The task force. Gina And when is this supposed to happen They told me that before. Captain This is it, you should have four new faces in Just about. 9. There’s a knock on the door; the Capt. waves his hand motioning them to come into the office, there are three men and one Women. They enter the office and the Capt. introduces them to Gina. Captain Let me make sure I get this right. (Pointing at the new people) Captain You are Lawrence, and you Holt and you are Jacobs this is agent Burke; she will Be in charge of your training, So I’ll leave her with you all to get started. The captain gets up from his seat and starts heading out the Door. Captain And one more thing agent Burke, Gina And what’s that Capt. Captain Don’t mess up my office like you always do. (They laugh; Gina sits behind the Captain. desk.) Gina I’ll make this short a sweet. Gina notices that one of the new agents is staring at her it is Holt. Gina Is there something wrong agent Holt? Holt 10. No ma'am Gina As I was saying, one thing that I require (beat) Pay attention, when we get on the street we have To depend on each other to get the job done, I watch your back you watch mine. This is not TV I’m not for that gun ho macho bull-shit, all that Will do is get you killed, or maybe me. And I love myself too much for that. This task force is very, Important, not only to this department but Also to the citizens of San Francisco, so with That said I’d see all of you at eight sharp in The am. They all walk out of the office, Gina stands up and motions to Frank to come into the office. Frank Well you’re still here, so it wasn’t that bad. Gina The big cheese has put it down, he want this Task force put together ASAP with no fail Option, I’m going to really need your help. Frank Does this mean that if I help I can? Gina No Frank, you can’t get a date. Frank Shit Gina, it’s… 11. Gina Not now Frank, Frank All right, so when do we rock and roll? Gina Eight am, we just might have a good group of Agents to work with. Frank Yea our life may depend on it. (They look at each other) Cut to Ext.: night at Ted’s house There are lots of cars in front of the house people are standing Talking drinking having a good time. We see a drop top Mustang Pull up in front of the house; Jamie and Sean get out of the car And go into the house. Pan into house, people are having a good time hands in the air. People are walking around drunk; a woman in a cage is dancing, Jamie and Sean make there way through the crowd, some hands Give Jamie and Sean a drink. A women comes up and gives Sean a big hug and kiss, he turns to dance with the woman, Jamie Spots the woman in the cage and makes his way over to her, he Starts to dance with her putting his hands around the cage, Sean Looks over at Jamie and they laugh. Pan to Sean and the woman Paige Raman) they are walking outside To the balcony, they stand and look at the sky. Paige How come I have not heard from you Sean? 12. Sean You know I’m trying to get ready for The DEA and I start first thing in the morning. Paige That’s what I wanted to talk to you about. Sean Shit not now Paige, this is the time to…. Paige Sean you need to listen, look at what you are giving up, and for what, to play cops and Robbers. Sean Like I told you before, I am not my father And I can’t live my life for my father. I’m not impressed with material things. Paige I think we need to go somewhere quieter so we can Talk, drink some wine and you can relax. Sean And what did you have in mind? Paige whispers in the ear of Sean he smiles, he walks over to Jamie dancing in front of the cage and says something to Jamie, They slap fives and Jamie continues to dance. Paige and Sean walk Out of the party holding hands. Cut to; ext. Paige house Sean and Paige are walking up to the House kissing, taking each Other’s clothes off Sean stops kissing. 13. Sean What about that wine? Paige Which would you rather have, (beat) Wine or me? Sean No contest. (He takes her on the floor, kissing, touching her everywhere.) Cut to: Int.: Morning Sean and Paige are sleeping, Paige wake up and looks at the clock, she smiles and turns it off and goes back to sleep. Cut to: shot of Mustang going through a nice hood with the top down. We see Jamie singing to the music. Cut to: Int.: Paige house Sean and Paige are sleeping, Sean jumps up. Sean Shit what time is it? (Looking at the clock.) Sean Ah shit it’s seven thirty, I have to report at Eight. (He rushes to put his cloths on.) Sean What the fuck happen to the alarm? Paige I don’t know, I’m sorry. She walks over to Sean, he is getting dressed and on the cell Phone. Cut To: Ext. shot of Jamie answering his cell phone driving in his 14. Car. Jamie This is Jamie, (beat) what’s up? Voice I over slept where are you? Jamie Coming up the street, I’ll be there in five. Fade to: Int.: Paige house (Sean is getting dressed very fast; Paige comes up to him.) Paige Just think if you took your fathers offer We could do this everyday, relax before you Start your day. (She starts to rub on Sean chest) Sean Not now! Shit Paige I’m late. (He reaches over to give Paige a kiss; she moves her head away.) Sean Is it like that now? (Beat) oh I understand. Paige You understand (beat) that’s bullshit what you are doing Is stupid, you have a chance to have it all, and you want To throw it away, for some dead-end job. Sean It’s all about control, ha Paige, or shall I 15. Say it’s all about the money. (We here a horn blow) Sean Listen, I need to go Jamie is blowing. Paige You need to do what is right, and listen to Your dad, I did not spend all this time for nothing. Sean What’s right is listening to myself and if you feel you Have wasted your time then, (He looks at Paige and walks out the door.) Pan to EXT: Sean is running to the car, he jumps into the car. Jamie Dude, this is it, let’s rock and roll Are you ready? Sean Ready as I’m going to be. (Jamie puts his hand out, they slap five.) Jamie Let’s do it. (They drive off) Cut to: INT: house of Mike Snow, there are several men sitting at A table counting money. 16. Snow Your man is late. Guy 1 I told him eight o’clock, he should be pulling Up. (There is a man looking out the window) Guy 2 Is he in a green Mini-van? Guy 1 That’s him. Guy one walk's over to the door to let the man in the house. The Man walks in the door with two cases in his hands. Dusty What’s up boys? (They all speak to Dusty) Dusty Let’s make it happen, I have three other Stops. Snow This shit better be good, or our business is Over, (beat) and for your sake, it better be. Dusty Who the hell is this guy? I only do good Business. (Dusty gives snow a long stair.) 17. Guy 1 He did not mean anything Come on guys lets handle our business. Dusty opens one of the cases and pulls out a bag of cocaine and Throws it to Snow, he catches the bag and gives it to one of his Men. Snow Check it out, and check it well. Dusty You act as if you don’t trust me. Snow I don’t. Dusty You know what? Snow What! Dusty Kiss my ass. Guy 2 Come on guys, this is business. Cut to: EXT: day outside DEA van Agent 1 All the players are in place, unit three Get ready, unit four are you ready? Voice on radio 18. Unit four ready. Agent 1 All units move in, move in! The DEA rushes out of the van they move quickly to the house, they Positioned in the front and back of the house. One agent has a Battering ram in the front of the door. The agents line up, the Agent rams the door, knocking it down. The men rush into the House. The men in the house scatter. Agent 1 DEA don’t move, get your ass on the floor. Everyone is moving very fast, the agents are taking down the guys. One man comes out of the bathroom with a shotgun and starts to (Blast away.) Agent 8 Gun! There’s a gun! The man with the gun spots agent 8 and fires at him, hitting him In the chest, the man turns and fires at agent 10 and hits him in The legs. Agent one spots the man raises his weapon and fires at The man hitting him in the head. Pan to agent 6 chasing a man through the kitchen, he catches up With up with the man. He grabs him and they both fall out of the Window, they hit the ground and roll to get position. The man is On top of the agent, the man pulls his pistol and points it at the Agents head. Agent 3 spots the two and aims his weapon and fires At the man hitting him in the chest. The man falls, agents look 19. At each other, agent 3 winks at agent 6. Cut to: DAY inside house The agents are finishing up the bust, collecting the dope. Cut TO: Day DEA headquarters Agents are moving about the station, pan to the captain’s office The captain and Gina are in the office. Captain I know you herd about the bust this morning? Gina Yea Capt., I herd, and we had two down. Captain Well we have a no option with this Task force, Things are out of control, Gina Make it happen. Gina You got it captain, let’s just hope the new Agents have what it takes. Captain Well you are about to find out, there’s You’re new agents now. (Pointing at the window) Captain Good luck. Gina Thank captain I’ll need it (beat) and then some. Gina leaves the captains office and meets with the new agents. They are talking to each other. 20. Gina Your attention please, (beat) take a good Look at the person next to you. Get to know That person (beat) you must get into each others Head, your life may depend on it. Look at the Person on your left, this is your partner. Gina walks out of the office, to a training area; there is an old House in the middle of a field. Gina Ok with all that said, this is the life House. Jamie Why is it called the life house? Gina The training that you are going to get here Well, let’s just say that it could save your Life. This training is called CQC, close Quarter combat. In quick moment three men dressed in black enters the house Blazing guns, firing at the targets, ripping them up. The new Agents look stunned shocked, and some scared. The shooting stops And we see a cloud of smoke. Gina Is everyone is OK? (With a smile on her face) Jamie Shit no! Damn! 21. Pam Oh! That was awesome. Gina OK, please pay attention; you will be using live rounds, And guess what, (beat) they kill. The trainees look at each other and realize that this is all very real and that they will not be able to afford any mistakes. Gina Now get with your partners. Holt (Jamie). Jacobs (Cory). You’re on! (They grab their gear and start towards the life house.) Gina Are you ready? Let’s do it! Cut to: Ext.: pan camera through nice hood, pan to a very large house on the top of a hill. We see a Benz pull up in the driveway; a tall white hair man gets out of the car and walks up to the door. Cut to: Int.: We see the inside of a very nice house. Expensive furniture and painting everywhere. We can see the pool from the living room through the glass door. There are three men dressed in nice suits sitting by the pool. Milk When that phone rings, we are all in a world of Shit. (Pan to the phone) He is going to be pissed the fuck off. We have already lost over ten kilos in the past Month. 22. The phone rings and the men all look at the phone and then at each other. Man 6 Well shit! Pick it up. Milk This is Milk (beat) yes sir (beat) yes sir Beat) I understand (beat) it will be done. OK this is the deal. We have three shipments Coming in over the next five days. He has Stated that if we lose even one of the Shipments Well, do I have to say? Man 6 We are going to need some extra help. I’m going to contact Big Roy. Man 5 Good idea, we could use the help. Give Him the scoop and have them meet us at The strip field. Ext.: Day: Scenery: Old airstrip There are several vans and cars parked waiting for the plane. There are men standing smoking and talking. One of the men in walking back and forth. We can see the plane coming into view. The men look exciting. The plane lands and the vans rush to the plane and start to unload. They load the vans and they all cheer. Man 10 Good job boys. Now let’s get the fuck out of Here. The vans drive off. Ext.: DEA training. Show Pam missing two targets in a row. Then Gina yells out over loud speakers. Gina Hold your fire. Pam, step out. 23. Gina grabs her gear and as she’s walking into the life house, Pam is exiting. Gina Watch what I do (beat) and try to follow My rhythm. This shouldn’t be anything new To you, just get your head together. Gina and Sean fire through the simulation with absolute precision, not missing a target. Then she walks over to Pam. Gina Can you take over from here? Can you Handle protecting your life and your Partners at the same time. Pam Yes ma’am. Gina If you can’t, you need to tell me (beat) soon. Before someone dies. Pam Yes, ma’am. I’m ready. Gina Show me (beat). You’re up. Pam and Sean enter the life house and begin the live simulation. Gina is interjecting with feedback over the loud speaker. Gina Go-Go-Go. That’s it. Keep it up. Great job. (After simulation, Agent Burke talks to the new recruits.) Gina The next time we meet, we’re going to go over the Case you will all be assigned to. You guys are 24. Dismissed (beat) you all did a great job today. The next time it may be the real thing. Everyone gathers his or her equipment and you hear a phone ringing. Holt, Jacobs, and Houston walk away and are talking amongst themselves as they exit the picture. Sean is still standing talking on his phone. Sean Yeah (beat) I’m just finishing up. Cut to: Paige driving to the store and talking on her phone. Paige Are you still coming over for dinner tonight? Cut to: Sean, forgetting that he had made plans. Sean Dinner? Yeah, yeah, I’ll be there. Paige You don’t sound too sure about yourself. Sean I said I’d be there, so I’ll be there. I promise. Paige You promise? You’re not just saying that. Sean No, I’ll be there; (beat) we need this. Paige I love you, Sean. Sean notices Gina walking away as Paige is saying I love you. He doesn’t appear to hear her. Sean I got to go, bye. 25. (Sean picks up his stuff and runs to catch up with Gina.) Sean (He yells out) Agent Burke. Gina Yes Lawrence. What can I do for you? Sean Today was exciting, thanks for stepping in And showing me how things are really Supposed to be done. So when do we get To start in on this case? Gina Well, we are going to start the review In the morning, but if you want a head Start, I have some free time to go Over some of the details. The two of them walk to Gina’s office. Cut to: Ext Late day: The vans are pulling into the driveway of a nice home and into the garage. We see the garage door close and as soon as the door closes completely another door opens and the vans drive through and down a ramp into the basement. Basement is well lit and the men jump out of the van and quickly unload the van’s content into a large vault. Pan to: Int: House: The men are testing the dope, counting money, drinking and talking about how they are going to be rich. We see Milk come through the door leading to basement. He walks through the house, up the stairs to a room with closed doors. He knocks a secret knock. Neil is sitting with the back of his chair to the door watching surveillance of the basement. As Milk knocks on door he looks to the TV screen with the view outside his door. He buzzes Milk into the room. Neil 26. Well done Milk. It looks like your boys have finally got their shit together. Milk Where do we go from here? Neil Your next assignment is in the folder behind me. (Milk is looking around, trying to find the folder.) Neil On the desk. (Milk grabs the folder and tucks it under his arm.) Milk Do you need anything else from me? Neil Just make it happen! Tonight (beat). I’ve Already made all the arrangements for this one (Beat) there should be no complications. Cut to: Int: Evening Paige house Dinner is ready and on the table. Paige is waiting for Sean to show up. He is already one hour late. Cut to: Gina’s office Sean and Gina are going over paper work. Gina looks at her watch. Gina Are you hungry? (beat) I’ll order some take out? Sean Oh shit! 27. (Sean gathers his belongings up quickly.) Gina What? Do you have a big date? Tonight? Sean I gotta go. I’ll tell you about it Tomorrow. Maybe, over donuts And coffee? Gina O.K. 7 am. (beat) We’ll make it a date. O.K., but you better not be late. (Gina laughs and Sean winks at her as he walks out the door.) Cut to: Ext: Sean is on his way to his car. He is trying to get his keys into the door, but drops them first because he is so hurried. He fumbles getting his duffel and himself into Mercedes. As he speeds away he mumbles to himself, trying to prepare a forgiveness speech. Paige, I’m sorry. I lost track of time. I was trying to get a jump-start on the case I am going to be assigned to, etc. Cut to: Int: Paige house Paige is sitting on the couch finishing up her plate of food. Sean enters apologetic. Paige does not even look up. Paige An hour and a half Sean. (beat) You better have a damn good excuse. Sean I’m really sorry babe. I was busy Working on my first case and I just Lost track of time. Paige 28. I said a GOOD excuse Sean. Sean What? What’s the big deal? Why are you so mad? Paige You promised you’d be here. So I Came home and I cooked. I don’t get it Sean. You are the one who said we needed This and now it’s no big deal. I Should have known. Sean Oh you should have known, huh? Known Told you I was busy. I have more Important things to worry about right Now. We can have dinner any night. Paige It’s not about the dinner Sean and You know it. This is about us and You not having time for us. I told You not to go into the DEA. You Should have just taken the job with Your dad. Sean Oh, come on. I don’t need this right Now, especially not from you. I get Enough of it from my dad. What is so Appealing about being hand a job and Following daddy’s footsteps? Paige It would just be better for you. If You would just think about it and not turn Neil down just to spite him and show him That you can make it on your own. Your Points been made Sean, now grow up and Think about. Sean 29. No, stop. No one seems to care what I Want. You all just think about yourselves And how you planned your life out. I Thought that you’d be just a little Supportive after all, I am doing this for Us, so that we Paige What do you mean us and we? I am Nowhere in this picture. It’s been only You for a while now and I just Can’t do this anymore. Sean Do what? What are you saying? Paige This Sean (beat) this. As Paige says this the first time, she points to the table. The second time she motions between the two of them. Paige I think you need to have some time to Yourself right now so you can think About what is important to you. Sean That’s an easy one. I already know what’s Important to me. Maybe you need the time to think about why you are with me if you Can’t be supportive of the decisions I am Making and what I’m trying to do. Paige Sean what are you doing? I’ve told you Before none of this would be happening if You would just listen to your dad. He is Offering you a great opportunity. Its Just the money, it a good career. Sean 30. His money. The DEA is my career now, Period my dad has been controlling my whole Life and it has to stop (beat) now. Are You with me? Paige starts to tear up in response to Sean’s question. Her voice is quivering. Paige We need time (beat) I need time. Bye Sean, I’ll call you when I’m ready. Sean Don’t bother. Sean walks out the door without further argument and Paige starts to cry. Cut to: Ext: Night: 11 pm Shot of van parked on a dark street. From inside the van, we see lots of people going in and out of a run down building. Pan to the top of the building. Shot of 3 men with guns. Man 7 We need to make this fast. My guy Tells me the dope is in the kitchen, Behind the stove. Do not go directly To the stove. Make it look good. Man 8 The boss wants no witnesses. The men in the van look at each other. They start to pull down their masks. They cock their weapons. Man 7 When Rich gets inside the door, we make Our move Paul, Matt, You go to the Fire escape and take out the guards on the Roof. Cut to: Int Van: The men are looking at the front door. Rich walks up to the door and whispers to the man standing 31. in front of the door. Rich and man both walk into the building. Back inside the van. Man 2 Let’s move! The four men get out of the van, putting their guns under their coats. They get to the front door. The guard at the door stops the first man to the door. The man pulls a silent pistol from under his coat and pumps 3 bullets into the guard’s chest. They push him inside and start going up the stairs. A man walks out of a door with his underwear on. Man 10 Who the fuck are you? Man 11 Hey bro, I’m looking for Dino. Man in underwear looks at the men and takes off running. One man raises his gun and fires 4 shots into the runner’s back. He falls into a room and the women in the room start to scream. Two men jump up and go for their guns. The men open fire, spraying the room and hitting everyone in the room. The shooting stops. Man 30 Oh! Shit! What a fucking rush. Cut to: Int: Building outside of Dino’s door. There are men standing with guns out. The door opens. One man puts his gun to the woman’s forehead pushing her back into the room. One man jumps up, one of the other men fires and hits the man in the head. One woman screams. Cut to: Int: Dino’s room There are about seven people in the room. One woman is counting money. Two women are (doping?) up with Dino. The others are just hanging out. 32. Dino Go see what the fuck is going on with All that screaming. Cut to: Int: Building Man 11 Shut the fuck up! (Pointing his gun at her. He walks over to the woman) Man 11 Where is Dino? Lady In the room. (Lady is crying and pointing to the room.) Man pushes the woman out of the way. The men get in front of the door. They look at each other and start to count down from 3-2-1. They bust into the room. There is no one in the room. The men start to search. One man goes to the bathroom door. He pushes the door open slowly. He moves over to the shower and pulls back the curtain. Dino is standing in the tub and is smiling with his gun pointed to the man head. He blasts the man 3 times and runs out of the bathroom. The men outside the bathroom spot Dino and begin to fire at him. Dino fires back as he is running through the house. He dives behind the couch and comes up firing. He runs to the door, still firing, but is hit in the arm and the leg. He falls to the floor. He is still firing his weapon, but the ammo is gone. A man walks over to Dino lying on the floor. Man You should have taken the deal. Dino Fuck You! The man shoots Dino once in the head. 33. Man Get the dope and let’s get the hell out of Here. The men go to the stove, pull it back from the wall and pull out a panel. They find the dope and put it into their bags. Man 7 Jack pot! Cut to: Int: Early morning: Commissioner’s Office Burke and the captain are sitting outside the office. Captain I’m sure you got the word about last night? Gina Yes. 3 dead. 1 wounded. Captain I told them over a year ago that we needed This task force and they told me there was Captain No budget for it. Gina But when the shit gets out of hand (beat) then there’s a budget. (The door opens. An officer is standing at the door.) Officer The commissioner will see you now. They both walk into the office. The commissioner and the Mayor are already seated. Commissioner Have a seat. Mr. Mayor, you know Captain Derrick Bechetti and this is agent Burke. 34. (They shake hands.) Commissioner I’m sure you know why you’re here (beat) The Mayor and I have some concerns. Captain And so do we, sir. Commissioner I told you guys, you had four weeks to get The task force together. Well, last night Just moved up your deadline. Mayor The time is now. This drug shit is tearing My city apart and I will not stand For this. What is your plan of attack? Captain We have only a few days of training in. We need. Commissioner To go now! That’s it. Captain The new agents need more training, sir. I don’t want to send them out They’re Unprepared. Commissioner Well, this is the plan. I don’t care if You have to go undercover yourselves. We Go as is (beat). Starting tonight Gina 35. Sir, I understand that we need to put a Stop to this, however, the agents are Not ready. We need more time. Mayor Burke? That’s your name right? Gina Yes, sir. Mayor These guys out there are not going to Wait for us to get ready. At this rate we Will not have a city to save. As I get The pressure, then you get the pressure and If you can’t get the job done (beat). Gina It will be done. Mayor Good. Commissioner Excellent, let’s make it happen. (The Commissioner removes a file from his desk.) Commissioner This is all the info we have on the drug Activity in order to bring this to a stop. Commissioner We need the top man. Gina Do we know who that is? Commissioner 36. No, that’s the challenge. We need to track Him down ASAP. This person has been very good At avoiding detection. Track his ass down and Bring Him in (beat) by any means necessary. Mayor Period. (The Commissioner passes the file to the Captain.) Cut to: Int: DEA Headquarters Sean arrived early and was eating donuts by himself. Jamie walks in and sees Sean sitting down. Jamie What’s up man? What are you doing here? So early. Who’s ass are you trying to Kiss? Sean I was meeting with agent Burke. Jamie (Laughing) Did she stand you up? No man, I understand (beat) I’d Kiss that ass any day. Sean Shut up Holt! Have some respect. Jacobs and Houston walk in towards Jamie and Sean. Sean glares at Jamie as if trying to shut him up so that he would not say anything stupid in front of Jacobs and Houston. All four of them look over towards Burke’s office as the people come out of her office. Gina notices that all four recruits are together so she calls them all into her office. Cut to: Int: Gina’s office All four recruits are sitting in Gina’s office when the captain re-enters. The recruits are all talking amongst themselves wondering why they have been called into the office. 37. Captain All right people, calm down (beat) O.K., the commissioner and the mayor Want us on the streets today. That means You are all going out with what training You have. (The recruits start to talk to each other again.) Captain I know this is short notice, but I think we Have a great team here. One that can get the job done. Gina goes to her desk and removes some folders from one of the drawers. Captain O.K. with that said, here are your Assignments. (Gina hands out report folders to all four recruits.) Captain All right, let’s hit the streets. The captain walks out of the office. As he opens the door he turns back. Captain And guys. (They all turn to face the captain.) Captain Be careful out there (beat) And kick some ass. 38. (The captain shuts the door and the recruits turn back towards Gina) Gina These assignments are local drug dealers. I’m not sure where this guy is going to hit Want. To have as many of these guys Watched as I can. Tomorrow you will report Back to me with. Full detail of your Stakeout. This is no longer training. It’s the real deal. You are dismissed. The agents stand and exit Gina’s office. They all seem very excited and nervous at the same time. Pam Sean, I’ll catch up with you in a minute. Sean Sure, I’ll wait right here for you. Pam lingers outside Gina’s office and waits for the captain to leave. He walks out and Pam walks back into Gina’s office. Pam Agent Burke, can I talk to you for a Minute? Gina Sure Houston, what is it? Pam I’m having second thoughts (beat) This is all happening too fast, especially Now. I’m just not ready for this mentally. Gina Do you want me to take you? Off the case and put you back to 39. Your old job? Pam If that’s possible. Gina I’ll arrange the transfer. So report There tomorrow morning. Pam Thank you. (Agent Burke walks Pam to the door.) Gina Houston, you’d be a great agent and I’d love to have you on my force. (beat) (Gina grabs the doorknob.) Gina When you’re ready? (Pam smiles at Gina as she walks past Sean.) Gina Lawrence, can I see you in my office? Sean watches Pam walking away. With a confused look, he walks into Gina’s office. Gina shuts the door behind him. Sean walks to the empty chair and sits down. Gina Agent Houston is no longer going to Be your partner. Sean 40. What happened with Houston? Gina She gave me her resignation and requested To be transferred back to her old precinct She just felt that she wasn’t ready. So, This is the new plan. For the rest of this Case, you are going to be working with me. Expect to put in a lot of hours because not Only will I be working with you on your Stakeouts, but you will be working with me On the paperwork. Sean When should we get started? Cut to: Ext: Day Gina and Sean are sitting in their car, staking out a bar. Shot of people walking down the streets, going in and out of the restaurant. Cut to: Int: Car Sean is taking pictures of people going in and out of the bar. Gina is looking at a picture. Gina Damn, 25 people have already Gone into the bar, and not one of Them is our guy. Sean Be patient. It takes time. 25 People is not a whole lot. (A call coming in over the Nextel interrupts Sean.) Voice Burke Burke Gina Go ahead, Stan. 41. Stan Our guy is heading your way with Two men. He is the one in the Black jacket, with the hat on. Gina glances up the street and spots the men; she gets back on the Nextel Gina Got ‘em. Stand down until I give the word. The men are walking to the bar, laughing and talking. They step to the entrance and look around before entering. Gina Stan, get into position. Take the corner. (Two agents take position around the corner.) Stan We’re in position. Cut to: Int: Car Gina O.K. Sean, let’s rock. Gina and Sean get out of the car and head towards the bar. Cut to: Int: Bar The men close the bar door behind them and lock it. They walk into a back room. Cut to: Ext: Front door of bar The agents are lined up. Gina pulls a lock kit out of her jacket and opens the door slowly. Gina and Sean pull their guns out. They can hear voices coming from the back room. The steady themselves. You can see sweat coming down Sean’s face. Gina and Sean look at each other. Gina nods her head. Stan kicks the door open. Int: Back room The agents rush in. 42. Sean DEA. Nobody move! People are running to get out of the way. Sean turns and there is a gun pointed at his face. He does not move. The man is hit in the back of the head by Gina’s pistol. Gina winks at Sean as the man falls to the floor. Sean has a shocked look on his face. Gina sees one of the Thug's pistols on the card table and the man looks at the same time, she puts her foot on the edge of the table and the gun flies in the air. Gina catches it and fires at the man, she crosses arms and then fires at one man with the other gun. The bullets rip into the bodies of both men. Burke spots Tony and goes after him. He is running towards the back end of the bar. Two agents are cuffing people to the bar pole. Burke catches up with Tony at the back door. She grabs him forcefully and pushes him back into the room; two of his men draw their weapons and point them at Gina. They do not fire because Gina has her pistol pointed at Tony’s head. Tony Don’t shoot, be cool. Gina If you want this asshole to live, put your Guns down. (The two men look at Tony for instruction.) Tony She won’t shoot. Take her out (beat) now! Gina Go ahead, shoot me. I dare you. But I bet that you will find his Brains all over this wall. (Gina cocks her gun.) 43. Gina Come on, let’s do it. (Sean rushes into the room with his gun out.) Sean Put down the fucking weapons, now! Gina has her gun at Tony’s head. The two men have their guns pointed at Gina. Sean has his gun pointed at the two men. Gina and Sean have the upper hand. Gina pulls Tony closer to her. Tony O.K., O.K., shit! I think this bitch Is serious. Put your pieces down. The men do as Tony says and puts their weapons on the floor. Sean walks over to them with his weapon still drawn. Sean Stand up very slowly, turn around And get up against that wall. As Sean is cuffing the two men, Gina hits Tony in the head with her gun. Gina I may be a bitch, but you don’t have the Right get him the hell out of here. Sean You ok Gina I’m cool, and you? Sean 44. Shit, this is a serious rush. Gina Keep it under control. The officers are cleaning up the bust, Gina and Sean are walking out the front door, and the captain comes walking up to them. Captain Excellent Job Burke. Gina Thanks Sir, but we have a lot of work left. Captain Well this is a good start, keep up the good Work. Sean I understand you said you would need my Assistance On some paperwork. Gina Yea, and this is going to be a mess, I’m Going to Be up all night. Sean Once again, can I be of some assistance? Gina (continued) Na, that’s cool, you go have a nice Evening, you deserve it I understand how it Is on your first case, you need to relax. Sean How about this, we do the paperwork Together, and call in some Dinner. 45. Gina I don’t think that’s a good idea, you Should go home to your Girlfriend and Relax. Sean If I am your partner, well I think we Should be doing this as partners, and how am I Going to learn? Gina Ok you have a good point, tell you what, we Can Work on this for an hour, then you go Home. Sean You got a deal, let’s do some paperwork. Cut to: Day Warehouse we see a few vans pull in front of the gate, there are three men standing with automatic weapons smoking some pot, passing back and fourth. One man walks over to the van and blows some smoke into the van, the man on the passenger side, waves his hands back and forth, the guy smiles and motions the vans through. The vans drive into the warehouse. Three men with suites get out of each of the vans and go upstairs into a room. There are several men sitting at a table with lots of test equipment, test tubes, scales, burners etc with cocaine all over the table. There is a man with a white lab coat on; he nods to Mr. Brown. Mr. Brown How are we looking professor? Professor I let you know in just a moment. The professor continues to test the dope; he starts to turn some dials Professor 46. An excellent product will start to melt at 140 degrees. The professor continues to test the product; he starts to get a wide-eyed expression on his face as the dope boils. Professor Oh my god! This is the shit; this can be Cut 10 times your going to make A billion Dollars, excellent product, top grade. Mr. Brown Excellent, the Man will be happy. (Mr. Brown pulls out his cell phone and makes a call) Mr. Brown Mr. Brown here sir, (beat) yes sir, the Product is top Grade, the best we have got So far, (beat) yes sir, thank you sir. (He hangs up the phone) Mr. Brown Good job professor, if you can get this Done by tonight there’s a bonus for you. Professor How about a line (beat) shit? Mr. Brown How about I bust your ass. Professor It not that important to me. (They laugh) 47. Mr. Brown Keep up the good work, have it ready for Pick up. (The Men shake hands) Cut to; DEA office, Gina and Sean are doing paper work; they are sitting across from each other. Sean This is a lot of paperwork; shit I’m tired. Gina So am I it has been a long day, and there Going to get longer. Sean How about this? (beat) (Gina looks at Sean with a smile on her face) Sean What, I have not said anything. Gina You don’t have to, you face says it all. Sean Says what? Say’s that I think we should put This paperwork down And go get some dinner. Gina Sean, what did I say before? Sean You have to eat don’t you? Dam Gina, I’m Hungry. 48. Gina OK so am I, if I don’t get something to eat Soon I’m going to die. Sean So lets do it, and if you be nice to me (beat). Gina What? Sean I’ll be the gentleman that I am (beat) and Pay. Gina Wow! I’m just so impressed. Sean Very funny, let’s go before I have to pump You with IV’s. (They laugh get their coats and leave the office) Cut to: Old Warehouse-Day Evening Two black vans pull up very fast to the door of an Old warehouse; two men open the big doors and wave the van into the warehouse. Two men get out of the van, there are five or six guys with guns standing looking, and one man with a gun goes over to the two men and frisks them top to bottom. There is a man with a nice suit standing in the window smoking a cigar of an old office, long shot of man, (we can only see his shadow) after he frisk the men he gives the thumbs up to the man in the window. The men start to unload the vans. One man pulls out a duffel bag and opens it up; he pulls out a white brick of 49. cocaine. He pulls a knife out of his pants and cuts into the brick; he puts a little on his tongue and spits it out. He looks up at the office and gives the thumbs up, the man in the office turns and walks away from the window. The men doing the deal shake hands. Cut to: Jan’s Deli night Int; Gina and Sean are sitting having dinner, laughing having a good time Sean You know (beat) if I was not mistaken (beat)(Takes a drink) Are you having a good Time? Gina No (beat) (takes a bite) eating. Sean Ok if you say so. Gina I say so, listen Sean. Sean No you listen. (Gina gives Sean a strange look) Sean No Gina, this is something I have to say (Takes a drink) Listen, (he leans on the Table) I understand that it is very hard Dating someone you work with, I understand You may feel I am coming on very strong, However Gina ever since I seen you I Have been attracted to you. Gina 50. Sean, this is not right. Sean You know, (beat) never mind. Gina No go ahead Sean, so I can set you straight. Sean All my live, people have been telling me What is not right I wanted to wear a Certain type of cloths, no that’s not right I wanted to become an agent, that’s right, So please tell me what is right? Gina I’m sorry I did not mean to upset you, but Sean You know nothing about me. Sean No I’m sorry; it’s just (beat) that is the Story of my life and now its time for me to take Control of it and do what I want. Bottom line is (beat) I am very much Attracted to you and I have never felt this Way about any woman and (Gina smiles) Gina Did I miss something here; don’t you have a Girlfriend? And for 2 I don’t date agents. Sean I thought I did. Gina Meaning? 51. Sean Meaning I understand now that she was just Like my dad, do what She wants, not what I Want she is all about the money and what I Can buy for her, where I can take her. That It not what I want, I know what I want. Gina And what is that Mr. Lawrence? Sean You, (beat) period. Gina Sean I think we better go, this is getting to Deep. Sean Please Gina just listen, don’t turn away I’m sure about how I feel one thing that I Understand is that my heart does not lie, And what I feel about you is Real, Gina Listen, I am not trying to make you Uncomfortable or push myself on you it’s Just I know what I want and I’m just Asking for a chance to show you how much I Care. Gina I must say that I’m flattered, however I have worked My ass of to get where I’m, and I will not blow It. Sean So what are you saying Gina? (Smiling) are You saying… Gina No I’m not saying it can happen, just not with me, it Would be too hard. 52. Sean Only hard as we make it. Gina Looking at her watch It’s getting late, we Better go. Sean A Gina (Getting his coat and walking behind Gina he pulls Her chair out and helps her with her coat) Sean I’m not going to apologize for what I said. Gina I don’t expect you to, and if you did beat) (she moves over to Kiss Sean on the cheek) You did not mean what you said Sean Oh I meant just want I said; I am Very much attracted to you so with That said, how about dinner this Weekend or better Yet how about I Cook dinner for you. Gina Sean, I love my life, you cooking, Well I need to make sure my Insurance is up to date, I’ll take a Rain check. Sean That is so funny, but (beat) you have To eat in order to be sick. 53. Gina Ok Sean, I’ll think about it. Sean And I have just one thing left to say. Gina And what is that Sean? Sean My car is at the station; can I get a Ride? Gina Why sure Mr. Sean but I have to stop At home to pick up some CD’s to take Over my sisters house. Sean Cool I’m just along for the ride. They get their gear and head out the door Cut to: Sean parents house, shot of a drop top Benz pulling into the driveway of a nice home, a long lovely lady gets out of the car and goes to the front door, she rings the bell and a woman answers the door, it is Sean mother. April Hi Paige how are you doing? (They hug each other with excitement) Paige I’m doing fine Mrs. Lawrence how are you. April 54. I’m doing fine, please come in, you Know Sean is not here, he’s been Staying with Jamie. Paige Yes I know, I wanted to speak with You if you had any time. April Sure I have time, come on into the Den. (They walk through the house to the den) April Can I get you something? Paige White wine would be fine. (April goes to the bar and gets some wine) April So how’s things been going with you, (Beat) you just graduated a few Months ago right? Paige Yea and I have a great offer with a Firm downtown. April Well that’s great Paige, when do you Start. Paige I have not accepted it yet. April And why is that, I know you have 55. Worked very hard to finish and get The position you have always wanted, What’s going on? Paige I ‘m just a little confused right Now, (beat). She put her head down and starts to cry April walks over to her and puts her are around her. April Paige it will be ok what’s wrong? Paige It’s Sean April (Jumps up) What about Sean, is he ok? Paige No it’s not that, it’s… April What, talk to me? Paige I do not understand how Sean can take Such a low life job And just throw Away our future, you know we had planed to be Married and Move into the house that My dad wanted to give us. April WO, WO, Paige slow down, so who said Those Plans have changed Has Sean changed Is mind. 56. Paige I guess so, he took the job for the DEA and not the job with your Husbands firm and I am not going to Be waiting up all night for a phone Call telling me that my husband has Been killed and living paycheck to paycheck On a dead cop’s pension, I’ve worked to hard For that. April Well what does Sean have to say about This? Paige That he wants to do what he wants to Do, and if I can not except him for His so called career. (Neil walks into the room as he hears Paige crying) Neil I tried to talk to that boy Paige, what He’s doing is fucking up his life. Paige And mind in the process. Neil Well I am not going to stand for this Shit; it’s going to change, what I worked For will not be for nothing. April You guys (beat) aren’t we missing the Big picture (beat) Sean and what he Wants. Neil That’s bullshit April, I’m not going 57. To have my son running around here Playing cops and robbers risking his Life for some low life dope dealer, and Street thugs, who would kill him in a instant Shit if they want to kill themselves Let’s them do it, I don’t need my son Caught Up in that street bullshit, who in There right mind would give up a fortune To be a cop, doesn’t make any since. April Let me make sure I’m hearing what I’m Hearing, Both of you feel that Sean Should live his life for you Two and Not his own life (beat) is that what I’m hearing. Neil I have worked all my life to assure That Sean has a good Life, and I’m Not going to let him just throw it Away, I have a tradition to uphold. April So you are going to live his life for Him, I think you both should leave Him alone and Paige if you want to be A real Woman to him (beat). (April gets up and heads out the room) April Then you should support him, (beat) No matter what He wants to do? Neil April you should shut the fuck up, You don’t know what you’re talking About; it’s not your concern. (April gets up to walk out of the room) April What ever Neil. 58. Paige I’m sorry Mr. Lawrence I did not mean To cause any Problems, it’s just I Love Sean very much and he is not Doing the right thing. Neil You damn right he’s not, he and I had This conversation Last week and he is Still fixed on fucking up his life. Paige Well I am going to call him so we Have dinner, and I will put a stop to This. Neil And how are you going to do that, Shit if you need some help just let Me know, I’ll do what ever it takes To protect my son and make sure he’s Thinking straight. Paige Thank you sir, I feel the same I will Do what ever it takes to make him Understand, it’s just I love him so much. Paige gets up and heads to the door, Lawrence walks her over to the door, April is standing in the dinning room with some papers in her hand, she is glaring at Paige. Paige Thanks for everything sir, I’ll be in Touch, bye Mrs. Lawrence. Neil Like I said, anything you need, Anything. 59. Neil and Paige Hug each other. Paige starts over to April to get a hug, April turns and walks away. (She walks out the door) April You’re an Asshole. Cut To: Paige is pulling up in the station parking lot; she is looking in the mirror putting on some lipstick, as she is putting on the makeup she notices Gina and Sean walking to the car laughing. She slumps down in the seat, not to be noticed, she watches Sean open the door for Gina, they get in the car and drive off. Paige starts the car and follows Sean and Gina. Sean and Gina pull in the drive way Paige stops her car on the street and watches Gina and Sean go into the house. Paige He is not going to just fuck over me. Paige starts the car and speeds off. Dissolve to: Gina’s house night int; Gina puts her keys into the lock and opens the door, her and Sean walk in the apartment Gina throws her keys on the table. Gina Can I get you something Sean? Sean How about a glass of wine, if you Have some. Gina Sure, that’s perfect, it can keep you Occupied while I look for my sisters CD’s. She goes to the wine rack and pulls a bottle from the rack, gets the bottle opener and starts to open the bottle. 60. Sean I take it you must be a wine expert, With such a nice collection. Gina No not really, I just enjoy good Wine. (She pours Sean a glass and walks it over to him) Sean I feel so special, you are serving Me. Gina Serving you, serving you, see Sean That’s the problem with you men, it’s All about what us women can do for You no good men and.. Sean Ok Gina, just kidding, well since you Think all guys are the same. Sean gets up and walks into the kitchen and gets close to Gina Gina Back up lover boy. Sean I’ll tell you what; (beat) I will Prove to you that I am different. 61. Gina And how is that? Sean One day, and understand this is just A suggestion I will serve You, I will cook you dinner, put On a white shirt and Black tie put a Towel over my arm and serve you. (Gina laughs) Sean Oh you find that funny? Gina Oh hell yes, that will be the day. You’re cooking. (She laughs again) Sean I’ll tell you what, how many time dos We have, because I can do it now. Gina No that’s quite all right I do want To Live another day. Sean Ah shit Gina that’s cold. (They laugh as Gina is still looking for the CD’s) Gina This is crazy, I can not find those CD’s, my sister is going to kill me. 62. (Gina looks at her watch and the phone rings, she answers) Gina Girl I am getting your CD’s now, so Don’t press me (beat) here I Am stressing to find your CD’s and You came and got them this morning What are you trying to do avoid me, I have not Seen you in a while, (beat) well you could have Told me, (beat) ok (beat) lets get together Later, love you bye. (Gina hangs up the phone) Sean Everything ok? Gina Yea, well since she got her CD’s this Morning, I don’t have to Rush are you in a Hurry? Sean No, I’m not to excited about going home and Doing Nothing. Gina So you wouldn’t mind if I take a Shower, it will be just a few minutes Then I’ll drop you off. Sean If I can get another glass of wine, I Might think about it. (Gina grabs the bottle and walks over to Sean) 63. Gina You can have the whole bottle if that Will keep you quiet. Gina gives Sean the bottle and heads to the shower, Sean gets up and goes into the kitchen and looks in the fridge, he closes the fridge and peaks around to see if Gina Is coming, he spots an apron hanging and puts it on. Cut to: Milks house, there are limo's pulling up to the house, people are coming in and Out of the house, pan to inside of house Int: night; inside house People are partying everywhere, there are waiters, a band playing music, and we can see a few people sitting with their heads over the table putting coke up there nose. Cut to: Int bedroom there are several men sitting counting money, using a money counter there is money everywhere, three men with suits are standing up you can see the guns from under their coats. Matt is stuffing dope bags into a case Matt This is ten kilos, you get the other Ten when we Get the rest of the Money. Ray I asked for fifteen, what is the Fucking problem. Matt I was told ten, so ten is what you Get. Ray A I don’t have time for this punk Ass shit either we do business or Fuck it. 64. Matt Well I guess we’ll say (Matt starts To take the dope out the case) Fuck it! Ray I did not come all this way for this Bullshit He gets out his cell phone and starts Dial. Ray (on the cell phone) This is Ray, what kind of shit are You trying to pull, (beat) I need Fifteen, and he’s only talking ten, What the fuck (beat) well a (beat) But this (beat) sorry sir. (He hangs up the phone) Ray This is bullshit, the next time I Want what I ask for. Matt Next time you get what you pay for. (They look at each other with a long stare) Adam Boys, Boys, hey no need for the stare Down we all are going to make lots of Money lets party. They continue to look at each other; Adam walks over to Matt and puts his arms around Adam A fuck this stupid shit, let’s go get some women and have some fun. Matt 65. You’re right, package his shit up. The men put the dope back in the cases, Adam walks over to Ray and puts his hand out, and they shake hands. Adam Thanks we will see you in two days. They are walking out the door Adam has his arm around one of the boys Adam Not bad for a days pay ha. Matt This is the shit; we are moving five Keys a week at this rate we will control the Entire city. Adam That’s the whole idea. (They shake hands and laugh) Cut to: Gina’s house int Night Sean is working very hard in the kitchen; he is taking some pasta to the sink to wash it. He puts it on a plate; he goes over to the stove and tastes some of the sauce that is cooking on the stove. He taste the sauce and give the thumbs up, he hears Gina coming out of the Bathroom and rushes to set the table, he is in the process of lighting the candles as Gina comes out. Gina And what is this Sean? Sean I thought I would take the pleasure of Fixing Us a little something, and to show You that I Won’t kill you (Sean walks Over to Gina chair and pulls it away From the table) Gina 66. Well since you went to so much Trouble and being that you are Eating with me; I can take that chance. They both sit down and start to eat Cut to: int., night: dope house, men are moving fast putting dope into large duffel bags Carl Hurry the hell up, we have to get This done, get the Shit packed and Put into the vans. (Paul comes into the room and walks up to Carl) Paul I want extra security on this one, we have lost two Shipments and it can Not happen again, we are losing Money at a stupid rate, and the Bottom line is if we loose another Shipment, you will be taken out, Period. Dissolve to back alley, there is a vans parked the men are loading the van quickly Paul comes out to the van; he takes one of the men and puts his arm around him. Paul Listen, this is very important to our Operation, you Deliver this and There’s a bonus for you I don’t care What it takes. Paul pats the man on the back and they walk to the van night. 67. Gina and Sean are just finishing up dinner; there are a couple bottles of wine on the table Sean is wiping his mouth. Gina Well l must admit, the dinner was Very nice, and… Sean And you it didn’t kill you (beat) or Me… They laugh, a song comes on the radio Gina jumps up and starts to dance Gina Oh yea, that’s my song. Gina is dancing having a good time; Sean starts to clean up the table looking laughing at Gina. Gina And he cleans to (beat) woo I just Might keep you. Sean Yea sure use me and abuse me. (They both laugh, a slow song comes on the radio) Sean Now this is my kind of music, would You like to dance? Gina Why sure Sean. 68. Sean grabs her hand and they walk to the middle of the floor and start to dance. As the song goes on they get closer and closer to each other, looking into each other’s eyes Gina I think we need to stop this right Now. (Gina pulls away) Sean I understand, dancing is just not Right. Gina No it’s not that, it’s just that I Feel. Sean Good things are right. They look at each other, Sean moves closer to Gina, there lips are getting closer and closer, but they back away, they continue to dance, they stop and look at each other and begin to kiss slowly they stop and pull away and start again. Pan to: Int: Bedroom The room is very dark. We see shadow of Gina and Sean kissing while walking into the room. Sean lays Gina down on the bed. There is music playing. Gina gets on top of Sean and straddles his chest; her breasts are in his face. He puts his hands on her breast. Gina leans in and begins to kiss Sean. The camera is behind and on the side of them. Gina leans over and puts her tongue in his mouth. He kisses her back. 69. Gina takes Sean’s hands and puts them above his head. Gina positions herself and uses her hand to put him inside of her. She arches her back, her hips begin to grind her head tilts back, and she starts to moan. Music! Cut to: Back Alley the van is ready to move, they drive off and we see a series of shots of the van traveling. Cut to: int. van the driver of the van lights up a cigarette Driver After the drop, I got a surprise for You, Michelle and Sherry are coming over for Some drinks and… Passenger And she will not give me the time of Day, I don’t know what the fuck her Problem is with me, Driver You ever thought about just being Nice to her. Passenger Fuck that, this is me, and if she don’t Like them she can. Driver Ok cool, I just asked. The two continue to drive, they come to a tow truck stopped picking up a car the passenger keep talking Driver Shit, hurry the fuck up. (He starts to blow the horn) 70. Driver We do not need this shit right now, We can’t be late. He blow the horn, suddenly two men appear at both windows with shotguns, the man takes his shotgun a hits the passenger window and breaks it, two more men rush the van They pull out the driver and the passenger, one man goes to the back of the van and opens the door, a man in the back comes out with a semi-automatic and starts to fire at the man who open the door hitting him several times in the chest. He jumps out of the van and goes to the left side peeking around, the man on the drivers side comes around the van and gets behind the man with the Semi, he puts the gun to his head and fires. He walks over to the man laying shot and kicks him out the way Big Roy Rookie The man motions to a car that is parked with the light off, to come forward, the car pulls up and several men get out of the car. Big Roy Get this van unloaded and let’s get The hell out Of here. The men start to unload the van; we can hear sirens in the background Big Roy Hurry the fuck up, come on move. Suddenly a police car comes up the street, Big Roy spots the police car, he goes into the middle of the street, raises his semi and starts to fire cutting the car in half, hitting the windows shattering them, the car stops in its tracks. Pan to inside of police car, we can see the glass breaking police 1 are on the radio 71. Police 1 This is car 561 (beat) we are taking Heavy fire from Semi automatic Weapons get me some back up. Now! Police 2 Shit get out of the car, get out Both officers get out of the car and take cover behind another car, and return fire Big Roy is still firing at the officers. Joe The car is loaded lets ride. The car pulls by man 12 he stops firing and gets into the car, he leans out the window and continues to fire, laughing. The car speeds off Pan to: ext. night the two officers are still taking cover Police 2 Shit, shit, what the fuck. Police 1 Did you get a description? He looks at the officer with a long look on his face Police 2 Ah yea sure I did, I was looking While he was trying to blow my brains Out, no I didn’t Get a description. Did you? CUT TO: Int. morning we can see the light coming through the window, Gina is laying in the bed she leans up and looks out the window covering her eyes from the sun and lays back down. 72. Gina Shit girl, what are you thinking. She lies back down. Sean comes in the room with a tray with breakfast and a long stem rose, he goes over to the bed, Gina pulls the cover over her head. Sean Are we shy this morning, Miss Burke. Gina Very funny Sean. Sean Well since we are so shy this morning I should just take this breakfast Back. Gina pulls the cover from over her head Gina Not that shy, (beat) I’m starving. Sean is sitting on the bed, he takes a strawberry and puts it to Gina mouth, she pulls back and then she takes the strawberry from Sean hand. Gina Sean we need to talk about last night. Sean Gina please, (beat) please do not say This is wrong, we just talked about This. I am not wrong, we just talked About this. I am not going to Apologize for what happen, I have 73. Very deep Feeling for you and last Night was a way for both of Us to express how we feel. (He gets up and starts out of the room) Sean I will never hide what I feel, I’m Sure there’s the Whole black and White issue, the job issues and just Plain I’m trying to protect my Feeling type of thing as well. Gina Sean please slow down, can I get a Word in edge wise? Have a seat. (Sean sits on the bed) Gina I had a wonderful time last night. (She leans over to kiss him on the cheek) Gina I have not been involved with anyone In such a long time, with work and What I do it’s hard for someone to Understand. This is the first time That I have had feelings for someone In a long time and I try to protect Myself. Sean So what are you trying to say Gina? That last night was a mistake and Gina And no that’s not what I’m trying to Say. (She gets up off the bed and walks to the bathroom) 74. Gina I’m saying I enjoy your company and If we are to see each other we need To be careful. Sean Gina I’m not going to hide, I don’t Give a shit what. Gina It’s not about hiding; it’s about What we do and how we do it I have Survived this far by not having ties That can come back to haunt me, so I Think we should just take it slow and Sean Slow is good enough for me. (They kiss each other) Gina I need to get dressed, I think you should Do the same. Gina goes into the bathroom; Sean turns on the radio and starts to sing as he is getting dressed. As he is dancing his cell phone rings (Talking very low) Sean Sean here (beat) well good morning to You Paige (2 beats) what the hell you Mean where was I last night (beat) Paige You need to listen, what did I say Before, (beat) Paige I’m moving on We need to talk. 75. He moves the phone from his ear and there is yelling on the other end Sean Listen Paige; I am not going to do This right now. Gina comes out of the bathroom singing and dancing; she walks into the living room Gina That’s my song, Sean turn that up. She walks in the room and sees Sean on the phone, she covers her mouth and walks out the room, she turns and whispers to Sean Gina Sorry. Gina goes back to get dressed; Sean is walking around the room at a fast pace Voice Who the hell is that Sean, what the Fuck you think you are doing. You are not Going to get away with this bullshit. Sean What did I just say Paige I told you What I was looking for and (beat). (The phone hangs up) Sean Damn, I can not believe this shit. (Gina comes in the room) 76. Gina What’s wrong Sean? Sean The same bullshit. Gina Is everything cool? Sean Actually Gina, life is good, as long As you stay in it. Gina You say that now. He walks over to Gina and gives her a kiss, Gina drops her bag and they continue to kiss. Gina We need to get to work, and you need To get your car and a chance of cloths. Cut To: Morning police headquarters There is a crowd of people standing on the steps of the Police station, the press, and a few high ranking officials. The mayor walks up to the podium and starts to address the media. Gina comes running to her seat she is late, she sits next to Frank, he looks at her with a strange look. Mayor This is a very special moment for our Department we would like to commend Agent Gina Burke for her Bravery in The line of duty and bringing those In responsible for the fives deaths And the seizure of two tons of 77. Cocaine. From myself and the people Of San Francisco we thank you and Present you with this Medal of Valor, Miss Gina Burke. Gina walks on to the steps, the mayor drapes the medal around her neck, and they shake hands, in the crowd Kim (Gina sister) is standing looking very proud; he claps louder than anyone does. The camera pans back to the steps we see the Capt. come out of the building and whispers Something to Gina, in the back ground we can see Captain Gina what the hell are you doing, you Can’t be up here there no telling who Is out there, you are about to blow You’re Cover, if you haven’t already, Let’s go The Capt. and Gina wave to the crowd turn and walk away, pan to a man in the crowd with a camera, he is taking pictures of Gina, Kim glances at the man, they lock eyes the man smiles and leaves, the camera pans through the crowd and spots Paige looking at Gina. Dissolve to: Int police headquarters Gina and Capt. are walking into an office with a fast pace the Capt. Goes behind his desk Captain Shut the door and sit down Gina Dam Capt. what’s the deal Captain What the hell are you doing? Gina 78. Capt. Listen Captain No Gina you listen (getting up from Chair) you are the best agent that I Have and not only that your are a Good friend, but Gina you are a Undercover DEA Agent let me repeat UNDERCOVER going on those steps Could be dangerous and Gina Ok Capt. I get your point however, I Did not know until Late last night And I instructed the mayor that was Not a Good idea he told me I had no Choice, so I went. Captain I’ll speak with the Mayor, so Gina Next time just let me know. Gina No problem Captain. Captain So I see you guys had two more bust And the last one netted two tons, dam Gina excellent job keep up the Good Work. The Capt. Walks over to the files and pulls out a folder, he walks back to his desk and gives the file to Gina, she opens it and sees a picture of Milk Gina Who the hell is this? (Gina recognize him from the crowd) 79. Captain That is Mr. Brown. Gina And. Captain Mr. Brown is our man, we believe he Is behind the dope raids that is Leaving all these people dead. Gina Well you want me to pick him up or What? Captain No that’s the problem, we have no Evidence So I want the rest of your Team to focus on stopping this shit And I want you and agent Lawrence to Stakeout Captain (continued) Mr. Brown and find a reason to bring Him in (beat) even if it is just to Rattle His cage, you can find him at Wired for Sound it’s a nightclub By the waterfront, he owns it or he Manages it. Gina Well if he manages the club who owns It? Captain If we find out who owns it, that Might be our so let’s see what we can Dig up. Gina 80. You got it Capt. (Gina grabs the file and walks out the door.) Cut to: int; Sean house, Sean is putting his keys into the door, he steps in the apartment and Paige is sitting on the floor. Sean What the hell are you doing here? She walks up to Sean and slaps him on his face, he turns, and she tries to hit him again He grabs her hand. Sean You need to chill, and keep your Hands to your self. (Sean lets her arm go and goes to the closet to get his gear) Paige I don’t know what kind of shit you Paige (continued) Are trying to pull, and who is this? Bitch you’re seeing. Sean First of all, I don’t answer to you; Second she is not a bitch Third, if You would have listen to what I Said we would not be having this Conversation, I told you I wanted Someone who would support me no Matter what I do, and I would do the same 81. Paige So you are going to throw away all we Have built for some One-night stand, Or for some bitch you don’t even Know. Sean You know what? (Sean starts to get Paige purse and coat) Sean This is over, you need to get your Shit and get out, and I have to be at Work in an hour. Paige I can’t believe how you have changed, Ever since you went to that Stupid Ass DEA, you have changed And you need to look at what is good For you and get your shit together. Sean And I take it that means you. Paige You dawn right, I have put the time In and I deserve what is mine. Sean Paige it is not going to happen, I am Very happy with Gina and if it was Up to me I would marry her. Paige You are so full of shit, I can’t Believe you. She grabs her stuff and starts to go out of the door; she stops and turns to Sean 82. Paige This is not over by far; I will get What I want. Sean You need to leave it alone, and find Someone who wants the type of life You are looking for, with all the Trimmings someone who will cater to Your high priced needs. Paige And you were like that before you Changed, before you got into that Dope shit, I’m not going to stand by And let this happen. Sean Yea stupid like that, you don’t have a choice Paige its over, you should get on With your life, (beat) because I am (Sean walks over to the door and opens it) Sean I have to get ready for work. (Paige walks out the door and stops, she turns to Sean) Paige You need to think about what you are Doing, and get your head out of your ass. Sean That‘s why we are done, I have been Thinking correctly. Paige 83. You’re a fucking asshole, and you are sadly Mistaken if you think I am going to just sit By and let this happen. Sean You don’t have a choice Paige We’ll see about that. (She walks off) Cut to: Day int. Wire for Sound Club We see Milk and two other men go into the club, pan camera to Ext. Day; Int. DEA car two agents are sitting staking out the club, they get on the radio Agent 50 This is agent 50 we have the suspect In sight, he has just Entered the Club with two men, the suspect is Wearing a Black suit with a black Tie, we are waiting for instructions Over. Voice on Radio Keep him under surveillance we will Get the agent in charge on the way. Agent 50 Ten four. Cut to: DEA headquarters Int.: Gina is coming into work; she goes through the office and speaks with everyone, and the desk Sargent comes up to Gina Sargent 84. You have a guest in your office. Gina Who Sargent They wanted it to remain a secret Gina goes to the office, she she’s her sister Kim they rush and hug each other Gina What the hell are you doing here? Kim Oh it couldn’t be that I miss my Little sister, I have not seen you In over two weeks. (They hug again) Kim Well being that you asked, what ever Happen to you yesterday? You told me Few hours, and you Know I do not like Waiting. Gina I am so sorry; you know I am a lady Of my word, I just got Caught up in a Couple of things. Kim Yea I bet, you got caught up. Gina And what is that supposed to mean? 85. Kim Well I was on my way in to work and I Said well since I am in the hood, I’ll just stop by since you stood me Up the night before. (Kim gets up and goes to the window) Gina What the hell are you talking about Kim? Kim As I was coming up the street I see You and some white guy coming out of Your apartment. Holding hands, I Thought I was your big Sis, what’s Up? Gina Not now Kim, its no big deal. Kim It must be, holding hands, keeping Secrets, I mean you haven’t told me, So. Gina It’s not what you think, we are. (The captain comes into the office in a rush) Captain Excuse me, Burke, we have Brown under Surveillance at the Wired for Sound Club I need you and agent Lawrence to Get your Asses over there now. (Gina rushes to get her gear) Gina Have agents Hall and Stewart meet us They’re for backup. 86. Captain You got it. Gina Sis, we are going to have to continue This conversation later. Kim You best believe we will. Kim looks at Gina with a mad look, and then Sean comes into the office, everyone eyes focus on Sean. Sean What’s up, why are you guys looking At me like that? (Kim looks at Sean as she is going out the office) Gina I’ll talk to you later Kim, OK? Kim Whatever Gina. (Kim walks out of the office) Gina Get your gear in order; we have Brown under surveillance at Wired for Sound, agent Steward and Hall will Be your back up. We roll in five. Sean starts out the door and stops, he turns to Gina Sean Who was that girl? 87. Gina My sister Kim. Sean She looks as if she is upset. Gina She is always upset, when I don’t do What she wants me to, you ever herd that before but that is not the issue now, We need to get our Asses over To wired for sound and Shake up Mr. Brown, let’s make it Happen. Gina and Sean get their gear and head out of the office. Cut to: ext. day stakeout in front of Wired for Sound, Gina and Sean pull up behind the two agents. They both exit the car and go to the undercover car parked up the street; they both get in the back seat. Gina Ok guys what’s going on? Agent 50 The suspect entered the club with two Others and have been in for about an Hour Gina Any others going in or out. Agent 50 Not for the past hour. Gina So how many do we have? Agent 50 88. There should be four including Mr. Brown. Gina Ok we will wait for him to exit, Before we approach. Agent 50 A Burke, we just wanted to say that We are glad to have this Assignment With you, I hear your one of the Best, the first person to have their Own squad in such a short time. Gina Thanks Pete, I’ve bust my ass to get Where I’m at And it‘s finally paying Off. Agent 50 Well the word is (beat) some people Would like to see you dead. (Sean looks at Gina with a concerned face.) Gina That doesn’t bother me, when you Start busting at the top they want to Put a stop to it; they have tried 3 Times before. Agent Well remember, we’ve got your back And we would love to work with you. Gina Thanks We can see from inside the car two guys coming out of the club heading to a parked car; the agents spot the two men. The agents get out and head towards the two men, Gina goes up to the driver’s side, the man notices her and tries to 89. start the car. Gina pulls out her gun and goes to the window Gina Stop; get you hands off the wheel. Big Roy Who the hell are you? Gina DEA agent Burke, get out of the car. Big Roy You can’t do this to me, do you know Who I am? Gina Yes I do, that’s why I’m taking you Down, now get your fat ass out the car. The man tries to break loose, he takes a swing at Gina and catches her on the side of her mouth, and Gina grabs him knees him in the stomach and then elbows him to the head a few of his teeth are smashed and blood splatters from his mouth, she throws him on the car. Big Roy Dawn bitch, you broke my teeth, didn’t you get your five Thousand this month. (Bleeding from the nose) Gina Five thousand, oh that’s the going Rate now? Sean Shit Gina, can we retire on that. 90. Gina Na I don’t think so, and with that Said (beat) you’re under A rest fat boy. They read the man his rights and start to search the car; Gina gets on the walkie-talkie Gina This is Burke; I have two men I ‘m Bringing. Cut to: INT. INTERROGATION ROOM shots of detective grilling the man shot of Gina, Sean and the Capt. watching through the glass, one of the detectives comes out of the room. Detective We need to make this guy a deal; Milk is not the man Gina That’s bullshit capt. Detective We do not have a detailed description However the man we are looking for Will be at the next shipment, it is My Understanding he always wears dark Glasses, if we can stakeout The Pier We will have our man. Gina You better be right. (Glaring at the detective) Captain When is it going down? Detective 91. Within the next 72 hours. Captain Ok get the DA in here and make him a Deal, Gina get a Stakeout team Together and get to the pier right Away, I want the entire pier under Surveillance, no slip ups this may be Our Only shot at this guy lets move On this. Gina I will have Davis and Steward on it Right away. (They leave the room) Cut To: Series of DEA surveillance shot on the Pier, a few days has passed. Shot of Gina and Sean sitting in the surveillance car, Sean is taking pictures of the activity going in and out of one of the warehouses. The captain comes up to the drivers Side window Captain How are you guys doing? Gina Where good Capt., lots of activity But not our guy yet. Captain I got some bad news, if he does not Show up within the next Forty-eight Hours, we have to pull the plug. Sean What the hell you mean, pull it, I Thought this was a priority, The mayor wants it stopped, he is Willing to go the extra mile. 92. Captain I get the picture, my hands are tied, That comes straight from the Top. Sean That’s bullshit Capt., and you know It. Captain Just do what you have to (beat) Within the law of course to get this Guy, (beat) by the way how long have You two been here? Gina Just two days. Captain That’s what I thought, you two go Home, Henderson and Morris Are here To relive you. Gina We’re ok Capt., Captain No you’re not, you two need some Rest, get a few hours and Come back. Cut to: Int. night Wire for Sound inside of the club there are women dancing getting ready for the night, people cleaning up, checking the sound etc. Pan to the closed door in the back of the club. Int. inside room: there are several men sitting talking, a couple of men are counting money with a money machine; milk is one of the men along with Mr. Brown. We hear the sound of a phone ringing; Milk reaches in his pocket and pulls out his cell phone and answers. 93. Who the hell is the DEA agent that’s a pain in my ass? Milk I understand it is an agent named Burke? (2 beats) Voice I want her under control now, you got Me? Milk Yes sir, but (beat) Voice Is there a problem Milk? Milk No sir, it’s just (beat) this is a DEA agent. Voice If you have a problem with it, I can Get someone else to get it done, or If you are getting soft, maybe we Should Milk No sir, it will be done. (Milk hangs up the phone) Milk Scott I need you to call Detroit, now. Scott Who’s the mark? 94. Milk DEA agent Burke. Scott An agent, shit Milk this could bring The house down on us and fuck up Everything we have, this is not a Good Idea, I think Milk Listen I don’t pay you to think just Call Detroit. Cut to: Ext. Night stakeout car, Sean and Gina are preparing to leave walking to their car. Sean I need to go by my parent’s house; I’ll see you later? Gina I have some things I have to do also; I need to go by my beach house to see My friend (Sean looks at Gina with jealous look) Gina Not that kind of friend, it’s my Girlfriend Dana she is flying in from New York, she is a steward and she Stays at my place whenever she is in Town. Meet me there at eleven. Sean Ok baby. (He leans to give her a kiss on the cheek, she kissed him back) 95. Cut to: Ext. night Sean is pulling in the driveway of his parent’s house, he gets out of the car and goes to the door, he tries to use his key and it does not work, he rings the bell furious. His mom answers the door Mom (April) Slow down Sean, what’s the problem, come in Sean What’s up with the locks mom? (They are walking into the kitchen; she does not say anything) Sean Hey Mom, what’s going on? (Mom is washing some dishes) Sean Did you hear me mom? April It’s you father, (beat) Sean What do you mean, what’s up? April He had the locks changed. Sean I can’t believe this shit, sorry mom, So what now I’m not his son anymore; He does not want me over Here April It’s not that son; it’s just (beat) 96. Sean Just what mom, come on. April Since you have taken that job with The DEA, (beat) It has made your Father upset, he is out of control. Sean That’s bull mom, he has always looked Down on Anything I wanted to do that Did not involve him. April It’s not like that; it’s just your Father wants the best for you and Paige, he has worked hard to give you A Good life and he feels you are Throwing it away. Sean What about you Mom (beat) how do you Feel? April You know I support you in anything That you do, it’s (beat) you know Your father is very old school and. Sean Mom ok this is the deal, first Paige And I do not see each other anymore, Second if he feels he does not want To be a part of my life because of What I do. (He starts to put his jacket back on) Sean 97. Then I’ll give him what he wants. April No Sean you’re getting this all wrong. Sean Mom (beat) stop standing up for him, I’m his son He should support me in Whatever I want to do, I’m not The One selling the drugs, just trying to Stop them; well anyway I came by here To let you know that I found a very Nice young lady and April Well I’m surprised I thought you and Paige would be married you guys are So good together. Sean She is good at controlling, and Getting what she wants and she feels That I am wasting my life also, so I Felt I needed a change. April So who is this young lady who has my Son’s heart. Sean You got it right mom, she does have My heart, she is smart, funny And the best looking woman I have Ever seen in my life, she is Supportive of what I do and want’s to Be a part of it that’s who I want to Marry. April Wow, well I must say that I am very Happy for you, what is her Name and 98. What does she do, how old, give me Some details. Sean Her name is Gina Burke She is an agent Also, (beat) and she is black. April Excuse me (Suddenly the dad is standing in the doorway of the kitchen) Dad What the fuck did you just say? Sean I think it’s time for me to go mom. (He grabs his jacket and starts out of the kitchen) Dad I know you did not say, a black woman Sean Yea I did, is there a problem? And if It is too bad. He starts to walk away, his dad grabs him by the arm, and Sean looks at him Dad What the hell is on your mind? I Don’t understand you First you go off And be some stupid ass agent, then You’re dating a nigger, what the fuck Is your problem? (Sean pulls his arm away from his dad) 99. Sean You need to look in the mirror and Check yourself, I am not you, and Don’t want to be you, as far as me Seeing a Black woman (beat) well I Knew that would be your response. Dad You don’t understand, I have a Reputation to up hold in this city, I Can’t do business when my son is Dating some. Sean I don’t have to listen to this Bullshit need to go. Dad That’s your fucking problem, you need To listen if you would have listen to Me you would not be in the shit you Are in now. Sean I’m not in any shit; this is what I Want for my life I am going to marry Her and we that said. (He leans over and gives his mom a kiss and opens up the door) Dad I am not done with you; I am not Going to allow this to happen I have too much at stake; I am giving You fair warning, not to do this. Sean Standing in the doorway Sean 100. As usual it’s always about you, well This time there’s nothing you can do, Just stay out of my life. Dad It will never be over. (Sean slams the door) Cut to: ext. night shot of lovely beachfront homes, people are walking having fun on the beach. Pan to a nice beachfront home Cut to Int.: beach home of Gina, we can hear the music playing, shot of cloths on the floor and a voice singing in the shower. Shot of black gloves opening up a window, shot of shadow walking through the apartment, the person gets to the shower door, we can hear the person singing in the shower. Shot of person pulling out a pistol and puts on a silencer on it, the person opens the door and starts to fire in the shower, three shots to the head we can see the blood hitting the shower curtain, the person pumps five shots. The person turns and closes the door, as the person is walking through the apartment they stop and grab an apple on the table and starts to eat it. Cut to: ext. night Beach house, shot of a car pulling into the driveway, it is Sean he gets out of the car and goes to the front door. He knocks on the door, no answer, he knocks again, no answer, and he looks at the car in the driveway and knocks again, no answer. He goes around the house checking the grounds, he spots window open with the curtain blowing out, and he takes out his gun and enters the widow. He checks around and spots no one. He hears the shower running and goes to the door, he calls for Gina, no answer, he gets his gun set and enters The bathroom, he sport blood everywhere, on the walls, the shower curtain. He turns and throws-up. Dissolve to: there are police everywhere doing investigation, Sean is sitting with his head in his hands, the captain comes in and spots Sean on the couch. Captain 101. What the hell happen here? Sean Shit Capt., I came by to pick up Gina And. Captain Take your time Sean. Sean I knocked on the door; got no answer I kept knocking No one answered; I Saw a car in the driveway, so I Thought It was a little strange, so I Checked around the area and found A window open with the curtain Blowing out, I proceeded to enter The window and starting searching the Area, I herd the shower Running so I Thought she was in the shower, I Called (beat) No answer, I entered And (beat) fuck Captain. Sean Who ever did this Shit is going to Pay and I do mean pay. Captain You need some time off; I’ll get a Radio car to take you home. Sean I don’t need to go home I need to Find out who did this shit? Sean gets up and starts to walk around; suddenly Gina comes rushing in the door Sean spots Gina and runs to her, they hug Sean is holding her very tight, Gina pulls away. Sean 102. Shit your alive, God Dam, you’re Alive Gina What the hell is going on here, I Herd the call on the radio Where is Dana? The captain walks over to Gina and puts his arm around her Captain Come over here, I need to speak with You. Gina Where is Dana Captain? They are bringing out Shannon on a stretcher Gina spots the stretcher and breaks down Captain Who is this Gina? Gina It’s my best friend Dana Grant; she Is a flight attendant. Captain What is she doing here? Gina She stays here whenever she is in Town for a few days, I can’t Believe this shit. Gina starts to break down, Sean comes over to her, and he looks at the captain as to say let me hold her, Gina grabs Sean and holds him tight. Kim comes rushing in the door Kim Are you O.K? Gina No! 103. Kim What the hell is going on? They get up and go into the bedroom Gina I came over to have breakfast with (crying) Shannon and next thing you know, they are Bringing her out on a stretcher. Kim I was outside talking to one of the detectives They have no reason for someone to want to Kill Shannon. Kim What about you Gina? Anybody want to see you Hurt? Gina How can you ask me that, Shannon is dead, why Don’t you stop being a lawyer and be my sister For once. Kim What the hell you mean how can I ask you That, shit Gina you bust drug dealers for a Living and you think people don’t want to see You dead. Or maybe some people don’t want to See you with some people. Gina What the hell are you talking about Kim? (Gina starts to walk out Kim grabs her arm) Kim I keep trying to tell you about this black and White thing and some people are not going to Stand for that. (Gina pulling her arm away) 104. Gina You go to hell Kim, because you’re being stupid. Kim I know I’m not wrong, when are you going to Learn, have you forget about what happen With Chris, and how his family felt about him Dating a nigger. Gina First of all I am not a nigger, second Kim this is not the time for this bullshit, This is about Shannon. Kim Well dam Gina, you were telling me about How his dad does not like blacks, so all I’m saying is you better listen to me on this One. Gina Let me tell you something Miss high and mighty I like Sean for who he is, not for who he is Not (beat) as for his dad (beat) he can go to Hell (beat) as for you (beat) don’t talk about What you don’t know. Gina start for the door Kim Don’t walk away from me, (beat) knowing, Knowing, (beat) let me tell you something Little sister, when I was in law school I dated A white guy (beat) for two years, and let me Tell you this; I was so in love with him and I Was just as blind as you are. Then reality Hit, his dad told him if he continued to see That black trash, that he would not get a dime For him, (beat) oh he told me he didn’t care About the money, and the love we had no amount Of money can take that away, well two weeks Later he was gone. So don’t tell me I don’t Know. Kim starts to cry 105. Gina I am so sorry Kim that your relationship did Not work out for you (beat) and this is not The Stone Age, if people back down for what They believe in, then the people who fought For our rights (beat) fought for nothing. Kim It’s not about that Gina, it’s about you and Someone trying to kill you, I think someone Does not want this to happen. Gina Get out of my face Kim, (beat) your just Jealous because yours did not work. Kim You need to grow up Gina and listen. Gina tries to walk away, Kim grabs her arm Kim I’m not done with you. Gina Oh, yes you are. They begin to push and grab each other, Sean comes rushing in the room and breaks them up. Sean You two need to chill! Neither one of you know What the hell is going on. Kim I’m not going to let know one hurt you. Looking at Sean Gina I can take care of myself. 106. The captain comes in the room Captain So what the hell you think happen Here Gina? Gina They were looking for me, and now That Shannon is dead (beat) She goes to the closet and pulls out a gun case, she opens it, a forty-four mag, she takes off her shoulder holster and starts to put on another holster. Gina I’ll make sure they can find me. Cut to: INT: WIRED FOR SOUND CLUB Gina pulls up to the club and jumps out of the car and rushes to the club. She enters the club and moves purposefully through the crowded club she spots the man who she arrested earlier, she grabs him and forcefully pushes him down the hall and out into the back room. She punches the man in the face with her gun. Two other men race into the room, guns drawn, but hold back from firing because Gina has her gun is pointed at the man’s head. Gina Go ahead shoot, and I’ll put his Brains all over this room. Man 100 What the fuck are you doing? What’s 107. The deal? Gina Tell them to put down the weapons. Man 100 A (beat) blow her heads off, get this bitch Off me. (She hits him on the head) Gina Go ahead, shoot, and you best believe I will take him first. Man100 Ok, ok what the fuck do you want? Gina Tell all of these so-called men to Get the hell out. The man does not comply, Gina cocks the gun and puts it closer to the mans head. Gina I’m not going to ask twice. (She pulls tighter) Man 100 All right boys, leave us, put them Down. (The men hesitate but put the guns down and walk out of the room.) Man 100 Now what fuck do you want? 108. (Gina pushes the man across the room) Gina You listen and you listen good, as You can see, your guys failed I’m still here, and I will be here, You killed a very good friend Of mine and someone is going to pay. So this is the deal I want the Time And the place of the next shipment. Man 100 No fucking way, He’s not going to Kill me; you are just going to Have to kill me, no way, no. (Gina walks up to the man and put the gun in his mouth) Gina OK I’ll do what I have to do. (Gina cocks the gun) Man 100 This is not right, I could get killed. Gina Well you have a choice, die now or Later and this is the last time I will I will ask you. (She shoves the gun harder) Man 100 Ok, Ok (beat) it’s coming in tomorrow Night, what the fuck is wrong with You? Gina Where and what time? Man 100 109. At the pier Ten o’clock, dock 52 (Gina pulls the gun back) Gina Very good, now spread the word, and when I find out who killed my friend, I will kill him (beat) understand. Man 100 What ever, you got what you want, I’m Not your delivery Boy. Gina I’ll tell you what; you do what I say I’ll let your boss Know who gave Me the information. Man 100 You know (beat) you are a real bitch. Gina I know. She smiles and walks out of the room, she walks pass the men outside the room, she make a sudden move and the man jumps, she winks at the man and walks out of the bar. Cut to Day Int DEA office Gina and Sean are in the office talking: Sean So what do you think? Gina Well it’s all we have so let’s go with it 110. Sean I’ll make sure we have enough backup. Gina We’ll need it, this could get ugly. Sean Why do you say that? Gina We have hit them hard over the past few months So I am expecting some heavy resistance. Sean Yea I agree we Might not get an Opportunity like this again. Gina Go home and get some rest, we have Big day tomorrow. I’m going to make Some calls and I’ll meet you at home In about an hour. (Sean gets up and gives Gina a kiss on her forehead) Sean I’ll see you later. (Sean walks out and Gina gets on the phone.) Cut to: Gina House early evening. Gina walks in to a dark house, but she can see a dim light coming from the dining room. She put her gear down and walks into the dinning room to find candles all over with dinner on the table. Music start to play and Sean walks up behind her. He puts his arms around her and starts kissing her neck, she turns around and they begin to kiss. Gina I thought I told you to get some Rest, not decorate my house. 111. Sean I was going to, but I couldn’t stop Thinking about you and I wanted to Have a good night before we kick some Ass. Sean escorts Gina to the table and pulls out the chair he sits across from her and pours some wine. Sean is all smiles as Gina grabs her napkin to unfold it. The napkin is tied around the middle, as she turns it over to untie it she sees an engagement ring. She looks up at Sean with a tear in her eye. Sean gets up and walks over to her and as he gets on one knee Gina takes a deep breath. Sean Gina, I know we have only known each Other for a short time, but ever Since my first day on the job, I knew There was something about, you that I Couldn’t get enough of. I want to Feel this Way for the rest of my life And I want you to let me Love you for The rest of yours, so please Gina, Will you be my wife? (Gina looks in shock, but she answers) Gina This is not something that I can answer Right away, but I’m not saying no. Sean takes the ring from Gina and puts it on her finger he stands up and pulls out of her chair. She kisses him and hugs him hard. She looks at the ring and then looks up at Sean with tears rolling down her face and a smile on her face. They kiss, the phone starts to ring Sean picks it up and hands it to Gina, she takes it but puts it down, she grabs Sean hand and they go to the bedroom. Cut To: Ext. early evening: outside a large warehouse in a run down part of town. There’s no traffic on the streets, Gina and Sean are sitting in an unmarked car, and they are 112. a distance from the warehouse. They are looking at the entrance; a voice comes over the talkie. Captain Any activity yet, Burke? Gina Nothing, but we’ve only been here for About A half-hour, (beat) it’s early. Captain I know, but if something doesn’t Happen soon. Gina Nothing, but we’ve only been here for About A half-hour, (beat) it’s early. Captain I know, but if something doesn’t Happen soon, it’s off We don’t have The manpower for this. Gina Just give it some more time, it will Come through. Captain Let’s hope it goes down. (Gina put the talkie on the dashboard as she is pulling her hand back she catches a glimpse of the ring. She leans over and kisses Sean on the cheek.) Sean 113. Any regrets yet? Gina Only that it didn’t happen sooner. Two headlights are coming up behind them, they move down in the seat so they can not be seen. A truck pulls into the area and goes into the back; Sean grabs the talkie and calls the captain. Sean We have some movement. Captain Keep cool let’ not jump the gun, What’s up? Sean A big truck just pulled around the Back Captain All the agents are in place along With the uniforms, we Will go on your Call. Sean puts the talkie back on the dash; two more cars drive up from the opposite direction And pull into the warehouse, Gina gets on the radio. Gina This is Burke we have two more cars On the scene, we are going to give Them about fifteen minutes to get Settled and then we make our move When the back up gets here, have them Stand By for my word, Are you ready for this? Sean Hell yes, this son of a bitch has to Go down. 114. Gina Sean listen, when we get in there (beat) keep cool don’t get too Excited, it clouds the judgement. Sean Shit I’m ready, I had a good Teacher. Gina We are about to find out, let’s rock And roll. Sean and Gina get out of their car and put a few extra clips in their belt. They walk toward the warehouse as they get closer we can hear forklifts moving around. They find a way into the warehouse and start to look around, they stumble on the site and they can not believe how many drugs are being stashed. They see about a dozen men standing guard they also see milk talking to another man whose face we can not see it is blocked. Gina gets on her radio. Gina (Talking low) OK we have them in sight, there are About a Armed guys plus Milk and Another new guy, so Move in. Voice Ten four. When the agent outside comes over the radio Gina radio gets some verb because it is too loud. Sean sees Milk and other man look around to se where the sound came from. Gina locks eyes with Milk and she knows they’ve been spotted; Milk turns to Neil and points to where Gina is taking cover. Neil and Milk both scatter. Gina Shit let’s go. 115. Gina and Sean take off running after the men, Sean heads in milks direction and Gina takes off after the other man. Cut to: Sean is chasing Milk on the talkie Sean I need some units on the south side Of the warehouse, we have two men on The run, I am in pursuit of Milk And Burke is In pursuit of the second Suspect, I do not know her Location Get me some back up here Now! Voice We are cuffing the suspects, and on Our way. Sean gets closer to Milk as the other uniforms cut off milks path, he open fire on them, one officer is hit and two others take cover. The fourth officer fires at Milk and hits him in the arm, Milk laughs and stumbles long enough for Sean to catch him and push him against the wall. Milk kicks Sean in the chest, Sean backs up, Milk attacks Sean with a series of kicks and punches. He catches Sean with one of the kicks and a punch to the face, Sean falls to the floor, Milk stands over Sean and laughs. Sean jumps to his feet, Milk and Sean square off, Milk takes a swing and catches Sean in the face, he throws another punch, Sean blocks it and throws a right hand catching Milk in the face. Milk does not move, Milk laughs and grabs Sean and puts him in a bear hug. Sean heads butts him in the face, Milk lets Sean go. Sean kicks Milk in the head, then in the chest, he then start to catch Milk with a series of punches and kicks. Milk is barely standing, Sean walks up to Milk and smiles, he then hits Milk with a open palm, Milk is knocked out cold. Sean (On the radio) We have two officers down; I need Emergency services now! Captain 116. Is Burke with you? Sean No sir, she is following the other Suspects. (Sean is talking to the other officers) Sean Get this guy out of here; I’m going To assist Burke Come in (On the talkie) (There is no response) Sean Burke, Gina comes in. Cut to: Gina is chasing Neil, she hears her radio clicking Gina This is burke, I’m chasing a suspect. Sean What is your location? Gina I not sure, I think I’m on the north Side of the warehouse by the large fans. Sean OK I’ll try to cut him off. The man stop and begins to fire at Gina, she takes cover behind some creates Cut to: Gina turns a corner carefully; as she turns she is pushed to the ground. She flips onto her back and finds herself looking down the barrel of a fourth five. Looking 117. past the gun she sees Neil standing above her, he stands her up but keeps the gun pointed at her head, Gina is breathing heavily, she glances over to see her gun laying across from her. Neil So you’re the bitch that’s been Causing trouble for me, I bet you Thought you were pretty smart. Trying to figure out my operation but I’ll bet you didn’t expect this A. Gina I got just what I expected, to bust Your ass. Neil You don’t know who you’re fucking with. This is my City, and some little Bitch is not going to take down What I have built. He cocks the gun and he hears some noise, he backs off Gina jumps up and they begin to fight for the gun. Gina kicks the gun out of Neil hand the gun goes across the floor. Gina and Neil square off, Neil takes a swing at Gina, she blocks it, does a move and throws him to the ground, he gets up and throws another punch, Gina ducks and kicks the man in the face. Neil falls back; he takes his hand across his mouth and spots some blood. Neil Enough of this bull shit. Neil rushes Gina and they throw and kick at each other, with Gina getting the best of Neil, they both fall to the floor, he gets on top of her and punches her in the face with both hands. He tries to punch her again, she blocks and rolls him over and punches him. He gets up and stumbles to the gun and picks it up, he walks back over to Gina. Neil 118. You were the best yet, but not good Enough. Neil fires the gun hitting Gina, as he is firing the gun Sean comes running around the corner and see the man firing the gun at Gina Sean No, shit no. The man spots Sean and takes off running. Sean runs up to Gina lying on the ground. He grabs her with both arms and is rocking with her. He gets on the talkie. Sean I need emergency services now! We Have an agent down Hurry. (Sean is talking to Gina) Sean Come on Gina, hang in there, come on. Gina Go get his ass. Sean No I’m staying here with you, I love you. Gina I need you to get him. (She grabs Sean’s shirt) Gina Sean (beat) takes him down. 119. Sean starts to run after the man, he chases him in to a room with no exit, the man stops but is facing the wall. Sean Drop your gun and Turn around slowly, DEA if you move to fast, well Just give me a Reason. (The man puts his hands in the air, but still has the gun) Sean I’m not going to tell you again, drop The gun now! He turns to see it is his son, Sean realizes it is his dad. Sean lowers his gun in shock Sean Dad what the fuck! What the hell is Going on Neil I tried to give you fair warning not To go into the DEA. Sean Why because you are selling dope, What the hell are you doing dad. (Beat) why? Dad Why? Neil I had to do what I had to I had to Make a living for you and your. Sean This is not a way to make a living. Neil Don’t tell me about making a living, You have no Idea what its like. 120. Sean No tell me, please tell me. Neil Let me tell you something, Mr. I know It all I lost my job when you were Thirteen years old, had no prospects And no money I had to do what I had To (beat) to keep food on the table And a roof over your head. Sean You could have found a job, anything But Drugs. Neil How do you think you got into Yale? How do you think you had the best of Everything, ha. Sean Well if I knew you were selling Drugs, then I could have done Without. Neil You know nothing about life; I did my Best to keep you in a nice lifestyle. Sean Or were you trying to keep yourself In it? (They both look at each other) Sean You know I can’t let you go. Neil 121. What the hell you mean, you can’t let Me go, shit you have to let me go (Beat) I’m your dad. Neil starts to Fix his cloths now how you want to Handle this, let’s just say (beat)? You could not find me. Sean I can’t do that; I have to arrest you. Neil Think I’m going to let you take me to Jail. Sean Dads this is not right, just turn Yourself in. Neil None of this bullshit would be Happening if Detroit would have Did his job and that bitch you work With would be dead? Sean What the fuck are you talking about? What does that have to do with this. Sean realizes that his dad was the one who had Shannon killed looking for Gina Sean Please tell me I am not hearing what I think I’m. Neil You got dam right, that bitch was Threading my entire operation And I could not let that happen, so Since Detroit failed. 122. (Fixing his tie) Neil I didn’t. (Sean is looking at Neil with tears in his eyes) Sean That woman you tried to kill (beat) I Asked her to marry me (beat) she is going to Be my wife Neil What the fuck are you thinking about? How are you going to marry some nigger and disgrace my name? Sean You have already disgraced your name (Beat) I’m just trying to protect mind Sean Mind Neil I don’t have time for this bull; you Need to get over it. (Neil starts to go to the door, Sean raises his gun) Sean Dad stop, you’re under Arrest. (Neil does not stop) Sean Dad please stop (He does not respond Sean cocks his weapon) 123. Sean Dad I’m not going to ask you again, drop the weapon. (Neil turns around with his gun to his side) Neil Well I guess you are going to have to Shoot me. They both look at each other, Neil starts to turn and walk away (Sean raises his gun) Sean Dad stop (beat) I’m not going to tell You again. (Neil keeps walking, Sean cocks his gun) (Neil stops and turns to Sean) Neil I can’t go to jail son. (Sean has tears in his eyes) Sean You don’t have a choice. Neil raises his gun, we here two shots, the screen goes black. Dissolve to: we see Neil walking away from the scene. He drops to the ground and the camera focuses back on Sean coming from the back, his weapon is still pointed out and he is shaking. Other officer’s rush to assist Sean, they are checking to make sure Sean is ok. Sean 124. Don’t worry about me, where is agent Burke? Cut to: Outside the warehouse there are cop cars everywhere; Sean emerges from the building, the captain rushes to him Captain I’m sorry Sean, I just heard it was Your dad. Sean He quit being my dad a long time ago Where is Burke? The captain looks down and puts his arms around Sean they start to walk Sean Captain (beat) where the hell is Gina? Captain They took her to General; it does not Look good but before they took her, She wanted me to give you something (Beat) I’m sorry Sean The captain takes out a ring from his pocket, it was the ring he gave to Gina, and gives it to Sean. He takes the ring and kisses it, looks back at the building and starts to cry as it starts to rain; he stands in the rain kissing the ring. Fade to black, The End. 125. 126. 127. 128. 129. 130. . 131. 132. 133. .
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