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The former box office champ, Gone With the Wind, wasn't the best that Hollywood could produce, even in the same year- which also saw the release of Ninotchka, Stagecoach, and Drums Along the Mohawk, not to mention La Rgle du Jeu and Le Jour Se Lve from the land of Eric Rohmer- but it wasn't a bad movie and certainly not abysmally bad in the way that Avatar is for anyone who, like me, stiU has any residual expectation that movies will, or at least ought to, look a bit like real life. [...] there was an overflow showing a few days later for those who couldn't get in to the simultaneous broadcast.
Reality Without Rohmer James Bowman The American Spectator; Mar 2010; 43, 2; Docstoc pg. 58 Reproduced with permission of the copyright owner. F
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