Author Lambert-Beatty, a Harvard University professor, argues that the basis of Rainer's work was "less the body of the performer than the eye of the viewer," claiming that she is significant not just as a choreographer, but as a sculptor of spectatorship, as well.
Being Watched: Yvonne Rainer and the 1960s Courtney Rae Allen Dance Teacher; Jul 2009; 31, 7; Docstoc pg. 34 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
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