Artistic Labor and Management

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					Artistic Labor and Management
Howard Singerman
Art Journal; Spring 2009; 68, 1; Docstoc
pg. 107




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DOCUMENT INFO
Description: "General social technique," too. might need some unpacking; it crosses the transformations of productive and reproductive technologies - of commodities and images, and their iterations and processes with those of social and cultural life: "Social reproduction and technical reproducibility become indivisible," and each is marked equally by "the fundamental logic-of-repetition of commodity-production" (15). [...] Roberts insists, "the technologies of copying, simulacra and surrogacy" - terms and procedures quite familiar in the art of the past four decades, and that have troubled traditional definitions and assumptions about the object of art and the skill of the artist are "not mere stylistic options," but "the material basis of art's modern semiosis" (14).
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