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English National Ballet Manon The original designs were in period, and dancers were strong technically and able to do elegantly stylish; but these are ill conceived justice to the choreography. In the last act his is one of the finest of Kenneth and for the second act, with different shades of when Manon has been transported to the T MacMillan’s ballets and a rare example of everything coming together in perfect harm- pastel tulle for the girls, more appropriate for a pantomime. swamps of Louisiana, the final pas de deux is incredibly demanding. One of the holds went ony. The arrangement of Massenet’s music Elena Glurdjidze was an outstanding Manon. wrong and Glurdjidze somehow flipped over and - in the original version - the designs by In the first act she had a delightful innocence the head of Vargas and on to the floor: they Nicholas Georgiadis quickly made this a with an innate sexuality and an awa
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