Race, Nationalism and the State in British and American Modernism

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CHU, PATRICIA E. Race, Nationalism and the State i
				
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Description: [...] there is no real convincing attempt made to say that the aesthetics of T. S. Eliot in "The Hollow Men" (1925) is in any way connected to the schlock of the fi lm White Zombie. [...] the justifi cation for calling White Zombie (1932) or Ellen Glasgow or Rebecca West modernist rather than regionalist or sentimentalist or something else seems to be based not on anything specifi able in their aesthetics.
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