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CABARET CABARET

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					                              College of the Mainland Community Theatre
★ The Biggest Li’l Theatre in Texas ★
                                                    OPEN AUDITIONS
                                                                         for



                                      CABAR ET
                               Music by John Kander, Lyrics by Fred Ebb and Book by Joe Masteroff
                                                           Directed by Mark Adams
             Musical Director: Claudia Dyle              Choreographer: Meghan Hakes                 Production Stage Manager: Chris Pool



                                   SUNDAY, MAY 9 at 1:30 P.M.
                                    MONDAY, MAY 10 at 7 P.M.
ABOUT THE AUDITION: Please prepare a short selection from a song (ONE MINUTE MAXIMUM!) and be sure to bring your own sheet music.
A piano accompanist will be provided. There will also be cold readings from the script.

DANCERS: Please dress to move. You will learn a short dance combination.

ALL ROLES ARE OPEN:
SALLY BOWLES (20s)—Sally is a quirky, free-spirited, self-destructive        HERR SCHULTZ (40s-60s)—A sweet, kindly, Jewish fruit vendor who
young British woman. A little girl trapped in a woman’s body. She’s a        woos Fraulein Schneider in a very “Old World” way. His misguided faith
second-rate performer at the end of the line and performing in a seedy,      in Germany to do “the right thing” will prove to be his downfall.
decadent cabaret, and searching for an emotional attachment. Vulnerable
but hard-edged, too. Singing and dancing skills are not as important as      FRAULEIN KOST (20s)—The ultimate survivor. A gregarious, sharp-
strong acting skills to play Sally.                                          tongued, part-time prostitute who is out of options in Berlin, and, there-
                                                                             fore, does whatever might be necessary to get by. Very strong singer.
THE EMCEE (20s-30s)—The Master of Ceremonies at the Kit Kat Club.
Charming but dangerous…Grotesque but funny. No boundaries, no con-           ERNST LUDWIG (30s-40s)—A seemingly jovial, friendly and utterly
science and no rules. Must be played by a singularly unique and electrify-   charming German man who befriends Cliff on the train. He is revealed
ing performer. It helps to be comfortable with ad libbing and interaction    later to be a Nazi smuggler who is chillingly devoted to the “cause.” (A
with the audience.                                                           non-singing role—except in group numbers)

CLIFFORD BRADSHAW (20s-30s)—A young, naive American writer                   THE KIT KAT GIRLS (Frenchie, Lulu, Texas, Rosie, Helga, Fritzie)
who is oblivious to the gathering storm clouds of Nazism in Berlin. Sexu-    (18-early 30s)—Sexy and even a bit dirty. These are not the girls you
ally confused. He’s trying to be merely an observer, rather than a par-      bring home to meet mother. Each one has a distinct personality and
ticipant, but his relationship with Sally makes that impossible. (Minimal    look—all sizes, shapes and races are encouraged! The ideal Kit Kat Girl
solo singing necessary)                                                      is a very strong dancer, at least a good singer and not at all modest about
                                                                             wearing provocative costumes.
FRAULEIN SCHNEIDER (40s-60s)—Sally’s landlady. A practical wom-
an, formerly rich but now fallen on hard times. Full of vitality, interested THE KIT KAT BOYS (Victor and Bobby) (20s)—All the same traits of
in everything, probably indestructible. Her pragmatism ultimately proves a Kit Kat Girl apply to the boys, as well. Additionally, and ideally, they
an obstacle to her sweet romance with Herr Schultz.                          would also be a bit sexually ambiguous.

                                                                             MAX (30s-50s)—The owner of the Kit Kay Club. Hard-edged and rough.
                                                                             Even a little abusive. (A non-singing role—except in group numbers)


ABOUT THE SHOW: Kander and Ebb’s dazzling, decadent musical set in 1930 Berlin at the infamous Kit Kat club where Sally Bowles sings,
dances and falls in love, all under the impending, ominous rise of Hitler’s Nazi Party. This remarkable musical has won more than a dozen Tony
awards in its three Broadway productions, and Bob Fosse’s film version won eight Academy Awards. Great acting opportunities for every cast mem-
ber, not to mention unforgettable songs like “Mein Herr,” “Wilkommen,” “Money Makes the World Go ‘Round,” “Maybe This Time,” “Don’t
Tell Mama,” and, of course, “Cabaret.”

REHEARSALS BEGIN: Tuesday, June 1 and continue Mondays-Fridays, 7-10 p.m.
PERFORMANCES: July 15-August 8, 2010, Thursdays-Saturdays at 8 p.m. and Sundays at 2:30 p.m.

        For more information, please contact Mark Adams at 888-258-8859, ext. 544 or 409-938-1211, ext. 544 or madams@com.edu.
                        Don’t miss the next issue of “Front Row” for the announcement of
                        College of the Mainland Community Theatre’s 2010-2011 season!


       The upcoming season features a Pulitzer prize-winner, a Southwest Premiere, a hilarious
              comedy from one of America’s favorite playwrights and a few surprises.




                                                                                                       Non-Profit
                                                                                                       U.S. Postage
                                                                                                          PAID
                                                                                                    La Marque, Texas
                                                                                                        Permit 54


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  1200 Amburn Road
 Texas City, TX 77591
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                                                           or current resident




              There’s only a few opportunities left to see our current production.
                        The outrageously funny comedy of manners...

        “The ImporTance                                   of      BeIng earnesT”
                        continuing through Sunday, May 2, 2010
                                                  by Oscar Wilde
                                   Directed by Rob de los Reyes
          Featuring: Mark Adams, Amber Bennett, Steve Bullitt, Jim Hackett, Liann Herder,
                          Bill Krause, Alice Rhoades and Roger Stallings

                                Thursdays - Saturdays at 8 p.m. and Sundays at 2:30 p.m.
            For reservations, please call the Box Office at 888-258-8859, ext 345 or 409-938-1211, ext 345.

				
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