Taking the blues for example, the "deep" structure consists of the basic I, IV, and V chords; the intermediary "shallow" level reflects the jazz conventions of diminished passing chords, and the ii-V-I progression to the tonic chord during the last four measures of the blues form; and the surface structure has a tightly packed chord progression that may be based closely on the opening melodic theme, or that makes use of the tritone substitution harmonic function.
518 Notes, March 2008 rock’s broader history? Cateforis does not band Van Halen) come across as
Pages to are hidden for
"Interaction, Improvisation, and Interplay in Jazz"Please download to view full document