This is PR

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This is PR
Chapter 11

Tactics and Techniques:

Details That Make PR Strategy Work

Chapter Objectives



 Appreciate the distinctions among

various tactics and techniques, and

their requirements for preparing

messages.

 Recognize the best tactics and

techniques for mass media

messages.

 Understand how journalists and

media workers and PR practitioners

work together.

Chapter Objectives cont.







 Develop sensitivity to how cultural

differences among audiences can

affect the way PR messages are

interpreted and perceived.

PR’s Primary Tactics







 Advertising

 Publicity

 Hybrids that include a bit of both

Advertising





 Paid-for time or space

 Except for PSAs, which are time and

space donated to a nonprofit

organization or cause

 May look like publicity: special

section that includes what looks like

editorial copy as well as ads

 Controlled

Publicity





 Handled by editorial staffs of news

media

 Editorial copy

 Uncontrolled

Special Editorial Sections



 Combination of advertising and publicity

 Display advertising

 Editorial copy devoted to a particular topic

or event, written by or for those who

have paid for the display ads

 May look very much like “regular” print

content

 Broadcast version is an advertorial or

infomercial

PSAs





 Publicity-generating copy

 Placed through advertising staff

(print) or public service director

(radio and TV)

 Space or time donated by media to

nonprofit organizations or nonprofit

events sponsored by commercial

organizations

Preparing Successful Ads





 Be clear about the purpose.

 Be clear about which public you are

targeting.

 Use an organization’s logo to create

identity with the ad unless it might

be misunderstood in cross-cultural

communication.

Publications as Publicity





 Brochures

 In-house magazines, newspapers,

newsletters

 Annual reports

 All may be used to generate

publicity

Producing Brochures



 Determine purpose and audience.

 Determine distribution.

 Visualize, with mockup, what the

brochure might look like.

 Determine what needs to be said,

and whether it can best be said with

text or visuals.

Producing Brochures cont.



 Decide about design features: color,

paper, type.

 Create text and gather visuals.

 Enlist layout artist or handle design

and layout directly using a

computer.

 Obtain printer estimates.

 Proofread, edit, proofread again.

 Distribute.

Producing House Publications



 They are distributed to employees

or members: internal audiences.

 Determine purpose.

 Determine budget.

 Determine format – newsletter,

tabloid, magazine – after studying

media habits of audience.

 Determine distribution.

Producing House Publications cont.



 Develop content: both what the

audience wants to know and what it

needs to know.

 questionnaire or other research

technique can be used to survey

audience

 may use employee correspondents or

PR staff only

 Prepare a mockup: text, visuals,

cover.

 Obtain printer estimates.

Producing House Publications cont.







 Design, edit, proof.

 Distribute.

Producing Annual Reports



 Shared task of PR and financial

officer

 PR is communications expert, and is

responsible for design and language

 Financial officer is fiscal expert, and

is responsible for the content

 Key consideration is report’s impact

on priority publics: investors,

financial community, SEC

Producing Annual Reports cont.





 Planning begins almost a year in

advance: report is a process almost

as much as it is a publication

 May be distributed in printed form

but also in digital or video formats

 A separate version may be done for

internal audiences

Content of Annual Reports



 Letter from the CEO

 Auditor’s report

 Financial statements

 Narrative section commenting on the

year’s operations and accomplishments

 Photos and charts

 The best also include an “executive

summary” that boils everything down to a

concise, clear summary

Speeches as Publicity



 Executive speech may receive one-

time media coverage

 Speech may be videotaped and

distributed to target audiences

 Text of speech may be reprinted in

brochure format and distributed to

target publics

 Copies of the speech may be

distributed internally

Speech Checklist



 Set up a day ahead of time.

 Find out what events are going on next

door, and get them (or your event)

moved if needed to avoid noise

distractions.

 Check out the sound system.

 Check out the lighting.

 Check access to electrical outlets.

 Check out the projection, computer

system.

Speech Checklist cont.





 Make sure proper chairs, tables,

etc. are on hand and placed

correctly.

 Arrange for water, glasses.

 Locate nearest restrooms,

telephones.

 Prepare name tags.

 Set up registration area, and have

ready a list of guests invited.

Speech Checklist cont.





 Provide place cards or seating

charts.

 Prepare an agenda/program of all

activities to take place during the

event, and distribute to all

participants.

 Prepare information kits for

attendees.

Special Events as Publicity





 Speeches

 Open houses

 Celebrations

 Celebrity visits

 Conventions or trade shows

Planning Special Events



 Start planning early: for large

events, a year in advance is not too

soon.

 Create a blueprint plan and a

timetable.

 assign every detail

 walk through the event mentally to

make sure you don’t overlook anything

 Form committees or groups to

implement the plan.

Planning Special Events cont.





 Use company artists, designers,

copywriters, exhibit specialists, etc

when they exist and are available.

 Provide special attractions to ensure

attendance: celebrities, concerts,

exhibits, tours, awards, prizes, etc.

 Provide giveaways and souvenirs.

 Arrange to move people to and from

the event.

Planning Special Events cont.





 Publicize the event well in advance,

using advertising to supplement as

necessary.

 Thank everyone when the event is

over.

Publicizing Special Events



 Establish a timetable to ensure that all

details are addressed.

 Prepare mailing lists for media and

guests.

 Plan the promotional plan in detail: which

information will go to which media in

what formats.

 consider all formats of information:

advertising, publicity, letterhead, invitations,

posters, etc.

Publicizing Special Events cont.



 Develop a media kit: mailed in

advance, handed out at event,

mailed after the fact to no-shows.

 Set up a newsroom if live coverage

is anticipated.

 After the event, send clippings,

stories to special, trade publications

and special audiences such as

shareholders to extend coverage.

Visual Presentations



 Using easel pads

 remember to provide markers

 plan ahead for how to display multiple

pages if you want people to see all the

ideas jotted down on pages of the easel

pads

 Using overhead projectors

 transparencies must be readable from

a distance

 few words, lots of charts, graphs,

visuals

Visual Presentations cont.





 Using PowerPoint slides

 type size should be large for legibility

 provide handout that is a copy of

slides used

 may be transferred to CD or digital file

for further distribution

Audio Presentations





 Thoroughly test the equipment.

 Rent high quality equipment if the

equipment provided by the meeting

space is poor.

 Keep it simple and direct for easy

understanding.

Institutional Video, Film



 Be specific about needs: audience,

purpose, etc.

 May be done by in-house staff or by

outside specialists

 May be video version of a previously

produced printed publication (like

annual report)

Judging Video Quality



 Attention span: gripping?

interesting?

 Subject: adequately covered?

 Audience suitability: properly

targeted?

 Visuals: quality? clarity?

 Timeliness: visuals, text up to date?

 Talent: participants, actors

believable?

 Sound: appropriate? balanced?

Judging Video Quality cont.





 Editing: flow? pace?

 Script content: right quantity of words vs

visuals?

 Believability: honest? plausible?

Celebrity Appearances



 Celebrity presence guarantees

publicity

 May make arrangements through

agent or through organization with

which celebrity is involved

 Request bio info, photos for pre-

appearance publicity

 Provide all background info to

celebrity or agent

Celebrity Appearances cont.







 Provide special amenities: from

limousine to special foods to special

host or “handler” assigned for the

visit

 Develop a schedule and stick to it

Criteria for Successful Publicity







 Is it important to the medium’s

audience? Is it local (if a local

medium)?

 Is it timely?

 Is it accurate, truthful and

complete?

Judging Value of Publicity Info



 Does it have news value?

 Does it have human interest?

 Does it have humor?

 Does it meet the needs of the

media?

 Is it being delivered to the media at

an appropriate time in their

schedules?

PR Wire Services



 Carry PR news directly into

newsrooms, often computer to

computer

 Distribute both text and video

releases

 Can result in national, even

international coverage

 Can also result in greater credibility

for PR sources because material is

carefully checked, re-checked

PR Wire Services cont.





 Some also include clipping,

videotaping, monitoring services

 Disadvantage: don’t always know

who received

 May deliver digital photos as well as

text

PR and the Internet





 A “network of networks” that no one

manages

 Distributes text but also sound and

video content

 Many organizations maintain Web

sites that are used for

communication, sales, etc.

Web Sites



 Method of attractively presenting

organization to millions around the

world

 Consulting, Web design firms

available to develop sites if in-house

capacity lacking

 Because of its 24/7 nature, it is

available on demand

 It’s also cheaper than most

advertising and publicity

Web Sites cont.





 Webmaster must constantly update,

correct

 Develop a happy medium between

breadth and depth

Media Relations Work



 Requires some basic training in

journalistic techniques for

gathering, reporting information

 Requires being able to identify news

 Requires keeping background,

historical, “factoid” material ready

at all times

 Requires familiarity with intended

media target: style, timing, content

focus

Materials for Media



 News releases

 must identify with target media definition of

news

 must be prepared in appropriate style, form

 must be prepared with media schedules in

mind

 Photos, illustrations

 some media will accept photos, others prefer

to take their own

 be careful of arrangements re who owns the

photos or illustrations

 know media specifications

Materials for Media cont.



 Video news releases

 often outsourced, especially to

enhance international distribution

 Information based on promotions

 often referred to as “marketing PR”

 Publicity spin-offs

 Celebrity spin-offs

Relationships With Media People



 A good PR person knows a journalist’s job

almost as well as the journalist.

 A good PR person knows which specific

journalist covers his/her organization,

industry, etc. and maintains contact even

when there is no news.

 A good PR person develops a media list of

relevant reporters, editors and keeps it

current.

Relationships With Media People cont.





 A good PR person is available to a

journalist whenever the journalist

needs information or assistance.

 A good PR person immediately

responds to media requests or

needs.

Relationships With Production Pros



 Good PR people know and

understand the production process:

for print, for broadcast, for digital

media.

 Good PR people are able to

articulate clearly what they want.

 Good PR people understand that the

higher the quality of work desired,

the higher the cost.

Relationships With Other PR Pros





 An in-house PR practitioner may

have to work with an agency

brought in for a special project or

event.

 Who is responsible for what must be

spelled out immediately to avoid

confusion and misunderstanding

between client and PR services

provider.

Relationships With Freelancers





 PR people may be asked by a

freelancer to provide information

and/or access.

 check out their legitimacy first

 make sure both you and the writer

agree on scope, focus of article

 PR people may hire freelancers to

write for the organization.

Contracts





 PR people arrange contracts with

suppliers of services: freelancers,

printers, AV services, etc.

 Everything should be spelled out,

including deadlines.

Media Interviews



 Role of PR practitioner

 preparer: briefs executive to be

interviewed, provides information to

executive

 facilitators: arranges interview,

provides follow-up information,

materials

 clarifier: interprets facts, technical

language

 PR person should not inject

himself/herself into the interview

Interview Guidelines for PR People



 Select an appropriate place for the

interview: comfortable for interviewee.

 Allow sufficient time for interviewer to

complete the assignment.

 Know the topic of discussion and have

supporting material, info on hand.

 Coach the person being interviewed

beforehand as to what questions to

expect.

Interview Guidelines for PR People cont.





 Know the reporter’s habits and quirks,

and brief the interview subject. And vice

versa: brief the reporter on the subject of

the interview.

 Set ground rules for the interview and

make sure both parties understand them.

 is anything off the record?

 Make sure the reporter gets what he/she

came for: the story he/she wanted.

Interview Guidelines for PR People cont.



 Stay in the background. Don’t

answer questions or intrude unless

the subject begins to divulge

information that is against company

policy to reveal.

 Offer to provide answers to future

questions that might arise.

 Do NOT ask the reporter when the

story will run or ask him/her to

send a copy.

Tips for Executive Interviewees



 Know the topic you’re to discuss.

 Anticipate touchy questions.

 Be honest.

 Answer questions directly, and if

you cannot, say you cannot.

 If you don’t know an answer, say

you don’t but offer to get the

information and then follow up by

providing the info later.

Tips for Executive Interviewees cont.



 Keep the interview as relaxed and

cordial as possible.

 Avoid off-the-record remarks.

 Don’t try to avoid answering

questions that are public record.

 Offer help, additional information

later if the journalist needs it.

News Conferences

 Schedule them only when legitimate

news is involved.

 Choose a site and time convenient

to news media.

 Cover the news conference for your

own organization: videotape, audio

recording, etc.

 Assemble and have available all

background information.

News Conferences cont.





 Offer a story and visuals or sound

bites to those media unable to

attend.

 Rehearse your spokesperson(s).

 Share the results of the news

conference with management

immediately after the conference.

Talking Back to the Media





 What to do when news media make

a mistake?

 suffer in silence

 respond with information campaign of

your own to correct

 if serious enough, a lawsuit may be

necessary


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