WHO CAN SPEAK FOR ME?

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Description: In 1988, Kaynar reports, playwright Joshua Sobol was accused "of 'self-hatred' and 'destruction of national and religious morals,' following the violent interruption by right-wing fanatics of the premiere of his 1988 The Jerusalem Syndrome, which compares the devastation of the second Temple and the Israeli occupation of the West Bank." Israeli government officials are mercilessly lampooned in the piece, which possesses the rough-hewn qualities one finds in hastily executed sketches on "Saturday Night Live," as power brokers install a fishmonger to be their puppet prime minister while Israeli generals sing and dance a chorus line.
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