If Commonweal readers experience dj vu while reading "Labyrinth," it's because I wrote about the underlying events in a memoir-essay, published in these pages eight years ago, relating an ambiguous and disturbing interaction between myself and the priest-principal of my Catholic middle school ("One Boy's Story," June 1, 2002). What would be the narrative point of view - boy? priest? both? neither?
on fact & fiction F iction writers often prove coy about
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