Youngberg describes this dualism as a "double valence," enabling Alexie's film to mobilize the twin processes of "queering the Native sphere" and "'Indianing' the (white) literary sphere" (60). [...] the film becomes a convergence zone where signs from each paradigm simultaneously seep into and affect the other, what Youngberg calls a "double-edged effect" (64).
Alexie's Nutshell: Mousetraps and Interpe
Pages to are hidden for
"Alexie's Nutshell: Mousetraps and Interpenetrations of The Business of Fancydancing and Hamlet"Please download to view full document