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ANNOUNCEMENT Powered By Docstoc

     The Roma Pavilion International Award for Young Curators and Art Critics

                     Theme: Paradise Lost - The First Roma Pavilion

Organized by:
The Roma Cultural Participation Project of the Arts and Culture Network Program, Open
Society Institute, Budapest.

The Award:
The Roma Pavilion International Award for Young Curators and Art Critics will
award a prize of € 1,500 for the best - most thorough, analytical and constructively critical
- review written about Paradise Lost–The First Roma Pavilion by a young curator and/or
art critic of contemporary art. The authors should consider the wider theoretical context
behind the idea of this transnational representation of a strong cultural identity. What is
expected is not only a review about the Pavilion, but a critical survey on the connected
topics of 'transnational community', 'historical globalized nation', and the issues around
the representation of the minority 'community' and 'plural identity' in the modern nation-

The submitted review could be an already published critical essay about the Roma
Pavilion or one written specifically for this purpose. Should the prize be won by a group of
authors the prize will be divided among them equally.

Eligibility requirements:
Each candidate may submit only one essay only for the competition. The call is open to
curators of all nationalities born on or after January 1, 1972 - the age limit is 35 years.
Should the submitted review be the work of more than one author, all the authors must
meet the age requirement. Submissions will be accepted upon the timely receipt of the
application documents. For collective entries each candidate must complete the
application package. Entries must arrive by 12 PM (noon) on Friday, November 30, 2007
at the following e-mail address:

The application package should include the following documents:

            o    Biography of the applicant - no more than 500 words;
            o    Completed application form;
            o    Analytical/critical essay - maximum 3,000 words.
Should any of these be missing or not meet the specified requirements, the entry will be
excluded from the competition.

Applications and reviews should be submitted in English. Applicants are encouraged to
also submit the text in the form and in the language it was originally written or published
in, in order for the jury to verify the terms and expressions used by the author in the
original wording.

Participation cost:
Participation is free of charge.

The winners will be selected by a professional Jury of 5 members. The author best author
will be awarded a prize and his/her review will be published on the website of the Roma
Pavilion starting December 15, 2007.

The Jury
The international Jury is composed of five members. Each jury member will cast one vote
in accordance with the criteria of the Award.

Members of the Jury:

Barnabas Bencsik
Barnabás Bencsik, born 1964, curator, lives and works in Budapest. He earned his
degree in literature and history, and later in the history of art from ELTE University,
Budapest. He became involved in the changing period of the Hungarian post-communist
art scene, from 1990 to 1999 he run the Studio Gallery, Budapest the exhibition venue of
the Studio of Young Artists Association. Parallel, he was visual arts program-coordinator
at Soros Center for Contemporary Arts–Budapest between 1993–1995, when the CEE
network of the offices were established, He worked as curator at the Trafo Gallery,
Budapest (1999-2001) and as chief curator at the Műcsarnok|Kunsthalle, where he
contributed to the realization of the show at the Hungarian Pavilion of the49th Venice
Biennale. In 2001 he was the artistic director of MEO–Contemporary Art Collection,
Budapest, and from 2002 he worked as an independent curator. He initiated and from
2006 he is the director of the ACAX /Agency for Contemporary Art Exchange (,
which is an office to support and develop various type of cooperation between the local
and the international art scene. He is author of several publication on contemporary art
and art criticism in Hungarian and international magazines, as well as exhibition

Silvina Der-Meguerditchian
Silvina Der-Meguerditchian is the granddaughter of Armenian immigrants to Argentina
and was born in Buenos Aires in 1967. She grew up in Argentina and since 1988 lives in
Berlin. She is visual artists and runs since 2005 a virtual dialogue platform for Armenian
contemporary artists. This platform presents a forum for frank dialogue on questions
relating to identity, the potential for an Armenian identity beyond defined borders and
notions passed on for generations, such as nationality, tradition and language.
A recurrent theme of her artistic work is the remembrance of the ethnic dislocation of the
Armenian people and the genocide they suffered. Silvina Der-Meguerditchian ties a net.
She connects the disparate, builds bridges between separate worlds and seeks a
dialogue with the unknown. Her main focus is always on the actual process of joining and
dissolving, constructing and deconstructing identity. Silvina Der-Meguerditchian‟s work
represents a type of mnemonics, namely the individual and collective art of
commemoration. She is the curator of "Under Construction" - Talking about identities in
the Armenian Transnation, the first Armenian Diaspora representation at the current
Venice Biennial.

Annie Fletcher
Annie Fletcher is an independent critic and curator who lives and works in Amsterdam.
She is interested in investigating the potential of curatorial practice (what it means to
show and mediate art) and believes in the potential of dialogues and knowledge
production and examining how any space marked for art (a museum, art school, a
kunsthalle or residency program) sets up such a dynamic. Her current and recent
projects include co-curating with Charles Esche the project "Be(com)ing Dutch in the Age
of Global Democracy" at Van Abbemusuem (2006-2008), co-curating with Frederique
Bergholtz "If I Can't Dance - I Don't Want To Be Part Of Your Revolution" at various
locations from 2005 to 2008 (www.ificantdance,org), “Cork Caucus” with Charles Esche,
Tara Byrne & Sean Kelly (NSF) and Art/Not Art in Cork, Ireland 2005
( Be[com]ing Dutch is a two-year project, developed both inside
and outside the Van Abbemuseum, which consists of debates, reading groups, artists'
projects, exhibitions, residencies, and forms of collective participation and production.
Be[com]ing Dutch asks whether art might offer alternative examples of thinking about
how we might live together today. It seeks to put our ideas of cultural identity under
pressure and examine the processes of inclusion and exclusion in the world today.
Be[com]ing Dutch is developed by Charles Esche and Annie Fletcher and others in- and
outside the Van Abbemuseum. Institutional partnerships: BAK [Utrecht], New Museum of
Contemporary Art [New York], Goldsmiths College [London], Kosmose [Eindhoven] and
Stichting Interart [Arnhem]. The project Be[com]ing Dutch by the Van Abbemuseum has
been awarded the Development Award for Cultural Diversity 2006 by the Mondriaan
Beral Madra

Beral Madra, a critic and curator directing BM Contemporary Art Center (since 1984)
Coordinated the 1st (1987) and the 2nd (1989) Istanbul Biennale, curated exhibitions of
Turkish artists at the 43rd, 45th, 49th, 50th and 51st Venice Biennale. Since 1984 she
has organized solo and group exhibitions of local and international artists in her art center
and in other official art spaces in Istanbul.
Beral Madra is representing Istanbul scholarship of Berlin Senate since 1995. She is
founding member and art advisor of Diyarbakır Art Centre (established September 2002, founding member and president of AICA, Turkey
(established 2003).
Recent Exhibitions: March 2007 „”Neighbours in Dialogue” A group show for the
collection of Ars Aevi Contemporary art Museum, Sarajevo with artists from South
Caucasus, Middle East and the Balkans, Feshane, Istanbul / September November 2007
“Unfinished” Opening exhibition of BM Suma, the new space of BM Contemporary Art
Recent Books: Neighbours in Dialogue Editors: Beral Madra/Ayşe Orhun Gültekin,
Norgunk Publishers, Istanbul, 2005 / Maidan, Eassays on Contemporary Art in South
Caucasus and Middle East, BM Contemporary Art Publications, 2007.

Marina Grzinic
Marina Grzinic, philosopher, artist and theoretician. Lives in Ljubljana. Works in Ljubljana
and Vienna. Dr. Marina Grzinic is Professor at the Academy of Fine Arts in Vienna
(Institute of Fine Arts, Post Conceptual Art Practices). Grzinic is a researcher at the
Institute of Philosophy at the ZRC SAZU (Scientific and Research Center of the
Slovenian Academy of Science and Art), Ljubljana, Slovenia.
She also works as a freelance media theorist, art critic and curator. Marina Grzinic has
been involved with video art since 1982. In collaboration with Aina Smid they produced
numerous videos, a short film and video installations.
    Arts and Culture Network Program, Open Society Institute
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    The Roma Pavilion International Award for Young Curators and Art Critics
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