xls - ant-zen

					band                           title                              format             label
bipol                          fritter away                       cd                 ant-zen
diaphane                       samdhya                            cd                 ant-zen
somatic responses              neon                               cd                 hymen
snog                           last of the great romantics        cd                 hymen
architect                      consume adapt create               cd                 hymen
architect                      square                             girlie-shirt       hymen
architect                      square                             t-shirt            hymen
architect                      square                             t-shirt            hymen
architect                      square                             t-shirt            hymen
architect                      square                             t-shirt            hymen
lustmord                       other dub                          cd-ep              vaultworks
lustmord                       transmuted                         12''               hydra head
v.a.                           emerging organisms 3               2cd                tympanik audio
sensory gate                   ianus                              cd                 mhz
contagious orgasm              invasion                           cd                 sssm
flint glass                    nyarlathotep + from beyond ep      cd+cd-ep           brume records
lewsor                         no error                           cd                 audiotrauma
punish yourself / sonic area   phenomedia                         cd                 audiotrauma
mnemonic                       denkmodell                         cd                 halbsicht
the last gambit                mafiaparty, nice you were there!   cd                 halbsicht
i/dex                          layers                             cd                 lagunamuch
treachery                      treachery                          12''               zhark international
amboss                                                         1
                               kompressorwahn / avenida paulista2''                  sub/version
poxxe                          iono                              12''                darkmatter
dj hidden                                                        12''
                               the words below limited editions vinyl series vol.3   ad noiseam
black                          issue 50                          magazine            black

SPECIAL OFFER !!
salfetky                       go screw yourself                  cd                 acidsamovar
inshizzo                       beyond the mad music               cd                 acidsamovar
mendelayev                     acid mind                          cd                 acidsamovar
doormouse                      i heart kraftwerk                  12''               addict records
big joan                       the flood ep                       cd                 blood red sounds
ordinateur                     magnetronic turbulence             cd                 brainchaos
v.a.                           white cock 1-4 compilation         cd                 cock rock disco
dev/null                       lazer trash                        cd                 cock rock disco
donna summer                   panther tracks                     cd                 cock rock disco
v.a.                           maddest chik'ndom compilation 1 12''                  cock rock disco
doormouse                      xylophone jism                  12'' lp               cock rock disco
slepcy                         we are the newest battle models 12''                  cock rock disco
assdroids                      daddy's gone                       12''               cock rock disco
stunt rock                     this is stunt rock volume three    12''               cock rock disco
v.a.                           white cock 3                       12''               cock rock disco
neutronic                      the mutation engine                cd                 component
gys                            art d'echo                         cd                 component
mochipet                       uzumaki                            cd-ep              component
jvox                           address unknown                    cd                 component
mochipet                       feel my china                      cd                 component
venetian snares                infolepsy ep                       cd-ep              coredump
ripley                         ich bin defekt                     cd                 deathsucker records
dj c                           ransom the senator                 12''               deathsucker records
gusset                         ask dr kim                         cd                 deathsucker records
big joan                       the flood ep                       12''               deathsucker records
monkey steak                   electric birdland                  12''               deathsucker records
acrnym                         bone structure                     12''               deathsucker records
dj c                           sonic weapons                      12''               deathsucker records
krumble                          nasty nasty                        12''           deathsucker records
crunch                           10 inch                            10''           delikatessen records
metamatics                       remixes                            10''           delikatessen records
lilienthal                       anti-matter                        10''           delikatessen records
myrza                            all you can eat                    10''           delikatessen records
eu                               mandarines                         10''           delikatessen records
deru                             pushing soil                       10''           delikatessen records
beefcake                         viande de gâteau                   10''           delikatessen records
belladonnakillz                  perverted & proud                  cd             dross:tik
blipvert                         stop:skronk:explode!               cd             d-trash
daniel menche                    rusty ghosts                       2x 7'' vinyl   duëbel
ultra milkmaids                  peps                               cd             duëbel
telepherique                     nerv.sys                           2cd            duëbel
v.a.                             the flatline compilation           2cd            flatline
the galan pixs                   pink film edition                  cd             flatline
netz                             werk01                             cd             flatline
newt                             37°c                               cd             flatline
v.a.                             the flatline compilation 2         2cd            flatline
implant                          kmputor                            cd             flatline
spies                            notinism                           cd             flatline
implant                          unidentified flying frequencies    2cd            flatline
h_m_b                            great industrial love affairs      cd             flatline
kybernaut                        the stalker                        12'' lp        flyco
ammo                             the age of terminal irony          12'' lp        flyco
ammo                             the age of terminal irony          cd             flyco
monstrare                        novum ott                          cd             force of nature
jarl                             sealed void                        cd             force of nature
c2                               cubed                              cd             force of nature
freeze etch                      vessels                            cd             force of nature
synnack                          v2                                 cd             force of nature
                                   mondegreen
concrete cookie and the maggot farmer                               cd             force of nature
suspicion breeds confidence        nyugodt                          cd             frozen empire media
kreptkrept                       irregular dark beat                cd             frozen empire media
velapene screen                  medical breaths                    cd             frozen empire media
n0nplus                          keep me here                       cd-ep          frozen empire media
mash up soundsystem              a great escape from lunacy         cd             hive records
autoclav1.1                      broken beats for broken hearts     cd             hive records
panic lift                       witness to our collapse            cd             hive records
vromb / szkieve                                                     7''
                                 le pavillon des oiseaux / le monorail             hushush
silk saw                         claudicating                       cd             hypraphon
kirdec                           death to the macho e.p.            12''           independenza
v.a.                             hard bodies                        cd             klangkrieg
ultra milkmaids                  oldies vol.1                       cd             manifold records
bad sector + tommaso lisa        reset / rebis periferiche          cd+book        old europa cafe
v.a.                             on002 compilation                  12''           onrecords
nynack                           pattern errors                     12''           onrecords
autophonic                       slack                              cd             onrecords
cybernetic:fuckheadz             s/t                                cd             pflichtkauf
p.a.l                            live at 2:00 a.m.                  cd             pflichtkauf
config.sys                       ulysses                            cd             pflichtkauf
ars moriendi                     live at maschinenfest 2002         cd             pflichtkauf
pow(d)er pussy                   six ways from sunday               cd             pflichtkauf
dazzling malicious               don't like                         boxset         pflichtkauf
dazzling malicious               don't like                         cd             pflichtkauf
the [law-rah] collective         drones for drella                  cd             pflichtkauf
v.a.                             maschinenfest 05                   2cd            pflichtkauf
pow(d)er pussy                       just 2 annoy you                   cd-ep       pflichtkauf
suicide inside                       theory of the arising of desire    cd          pflichtkauf
v.a.                                 maschinenfest 06                   2cd         pflichtkauf
suicide inside                       learn to swallow                   cd          pflichtkauf
dazzling malicious                   psychoanalyse                      cd          pflichtkauf
v.a.                                 maschinenfest 07                   2cd         pflichtkauf
kyler                                pur cosy tales                     cd          planet mu
dolphin / teknoist                   soul cannibal / closing down       12''        planet mu
virus syndicate                      ready to learn                     12''        planet mu
virus syndicate                      ready to learn remixes             12''        planet mu
breakage                             drowning                           12''        planet mu
the gasman                           this one's for you                 cd          planet mu
guilty connector                     beats, noise and life              cd          planet mu
shitmat & friends                    gary's gruesome remixes            12''        planet mu
tom burbank                          famous first words                 cd          planet mu
tom burbank                          famous first words                 2x12''      planet mu
kareem                               battlefield                        12''        ramadan
kareem                               neoclassical                       12''        ramadan
v.a.                                 we exist                           12''        reject records
voidloss / villain                   approaching numb                   12''        singularity
messer chups                         vamp babes upgrade version 2004cd              solnze records
messer chups                         hyena safari                   cd              solnze records
messer chups                         black black magic                  cd          solnze records
kim and buran                        kosmos for children                cd          solnze records
messer chups                         crazy price                        cd          solnze records
end                                  the sounds of disaster             cd          solnze records
kim and buran                        rock'n'robot                       cd          solnze records
click click                          s/t                                12'' lp     sonic groove
pankow                               s/t                                12'' lp     sonic groove
telepherique                         telepherique's mail-art orchestra cd           sssm
v.a.                                 sub.session                        cd          sub.session records
v.a.                                 beyond ignorance and borders       cd          syrphe
elekore                              volontary human extinction         cd          syrphe
one man nation                       rained and it rained...            cd          syrphe
v.a.                                 crimson                            cd          terminal dusk
v.a.                                 crimson                            12'' lp     terminal dusk
lyunx productions                    syrup, bones and toast             cd          u-cover
pure / ultra milkmaids               s[E]nd                             cd          vacuum
the trifid project                   s/t                                cd-ep       vacuum
the trifid project                   s/t                                10''        vacuum
                                      machine that
frz (aspic) / blue baboon / etereo expandeum club also let you draw !   cd-ep       vacuum
oil 10                                links                             cd          vacuum
aspic                                an ancient song sung too long      cd          vacuum
archipel                             space casino                       cd-ep       vacuum
the joint between ultraphonist       s/t                                cd          vacuum
drahomira song orchestra             la chambre de styrene              cd          vacuum
logatomistes                         ke-re-kö-kö-kokex                  cd          vacuum
ambassador 21                        monsters, victims & witnesses      dvd         vendetta music
textile ranch                        bird heart in wool                 cd          very friendly
dj rupture                           special gunpowder                  cd          very friendly
drop the lime                        this means forever                cd           very friendly
droon                                hold the west in hand / barndance 7''          wood records
emotionaljoystick                    bellicose pacific                  cd          zod records
soplerfo / hrvatski                  ep for dogs                        12'' lp     zod records
v.a.                                 dura matters                       cd          zod records
v.a.                                 dura matters                       2x12'' lp   zod records
solenoid                           splendid ep                    12'' lp        zod records
binray                             hyena ventilator               cd             zod records
emotionaljoystick                  plays!                         cd             zod records
himuro                             mild fantasy violence          cd             zod records
mystery palace                     flags forward                  cd             zod records


squaremeter                        kopyright liberation           12'' lp        ant-zen
converter                          expansion 1.3                  2x3'' cd       ant-zen
asche                              distorted dj                   2x12'' lp      ant-zen
telerotor                          mobilität                      cd             ant-zen
ab ovo                             mouvements                     cd             ant-zen
vromb                              sous hypnose                   cd             ant-zen
monokrom                           one fine day in the pyramid    cd             ant-zen
sonar                              alien overdrive                girlie-shirt   ant-zen
xanopticon                         liminal space                  12''           hymen
venetian snares / hecate           nymphomatriarch                12''           hymen
architect                          lower lip interface            cd             hymen
v.a.                               wasted                         cd             mirex
bong-ra                            soldaat van oranje             girlie-shirt   mirex
lustmord                           the dark places of the earth   cd             vaultworks
ah cama-sotz                       ghost in the shadow            cd             spectre
snog                               planet of shit                 cd             psy-harmonics
enduser                            run war                        cd             ad noiseam
bong-ra                            grindkrusher                   12''           ad noiseam
mothboy                            exonian                        12''           ad noiseam
enduser / submerged                appropriate and deface         12''           ad noiseam
exillon                            the keening dithers            cd             ad noiseam
dj hidden                          after before                   12''           ad noiseam
bong-ra                            sick sick sick                 12''           ad noiseam
aaron spectre                      lost tracks                    cd             ad noiseam
funckarma                          demsongzbywe                   12''           onrecords
otx                                escape                         cd             brume records
atrox                              empire-state                   cd             atacama
end.user                           left                           cd             ohm resistance
v.a.                               invasion from xxx dimension    cd             mutant sniper
ra                                 raoul loves you                cd             coredump
noize creator                      shut up and dance              12''           nasdia
patric c                           very impossible person         12''           junk
drop the lime                      1 for the team                 12''           broklyn beeats
202 project                        urban shaman                   12''           toolbox
donna summer                       this needs to be your style    12''           toolbox
jealous jester / shift / a:pod     s/t                            12''           toolbox
le son du mois                     best of 2001-2004              12''           toolbox
framix / boulez republic          s/t                             12''           toolbox
monster zoku onsomb / nam shub of europe tour 2006 white label
                                  enki                            12''           deathsucker records
venetian snares                    salt ep                        12''           zhark international
donna summer / ove-naxx            split                          cd             very friendly
belladonnakillz                    as if                          cd             sublight records
sleep chamber                      sirkus                         cd             daft records
s.core                             crime                          cd             daft records
jeff and jane hudson               flesh                          cd             daft records
absolute body control              never seen                     cd-ep          daft records
r|a|a|n                            the nacrasti                   cd             malignant - antibody
belio                              issue 11 - urban issue         magazine       belio


telepherique                       licht und schatten             cd             ant-zen
imminent starvation                    human dislocation                 cd          ant-zen
telepherique                           v=s/t                             cd          ant-zen
ambre                                  enclave                           cd          ant-zen
silk saw                               preparing wars                    cd          ant-zen
synapscape                             so what                           2cd         ant-zen
p.a.l                                  release                           cd          ant-zen
hypnoskull                             ffwd > burnout !                  cd          ant-zen
squaremeter                            14id1610s                         cd          ant-zen
axiome                                 rictus                            cd          ant-zen
monokrom                               monokrom                          cd          ant-zen
imminent / synapscape                  screenwalking                     cd-ep       ant-zen
asche                                  distorted disco                   cd          ant-zen
silk saw                               4th dividers                      cd          ant-zen
celluloid mata                         sable                             cd          ant-zen
vromb                                  emission pilote                   cd          ant-zen
vromb                                  episodes                          cd          ant-zen
converter                              blast furnace                     cd          ant-zen
hypnoskull                             electronic music means war to us cd           ant-zen
azure skies                            s/t                               cd          ant-zen
axiome                                 ca ne nous rendra pas le congo    cd          ant-zen
synapscape                             positive pop                      cd          ant-zen
synapscape                             positive pop                      boxset      ant-zen
black lung                             profound and sentimental journey cd-ep        ant-zen
black lung                             profound and sentimental journey 12'' lp      ant-zen
david thrussell                        the voices of reason              cd          ant-zen
vromb                                  le tourne-disque                  10''        ant-zen
vromb                                  le tourne-disque                  3''cd       ant-zen
monokrom                               monokrom                          12'' lp     ant-zen
converter / asche / morgenstern        erode                             cd-ep       ant-zen
noosa hedz                             hoola hopz                        10''        ant-zen
celluloid mata                         spectrum                          2cd         ant-zen
rob(u)rang                             & friends                         cd-ep       ant-zen
l'ombre                                medicine for the meaningless      cd          ant-zen
telerotor                              modern times                      cd          ant-zen
hypnoskull                             operation tough guy!              cd          ant-zen
hypnoskull                             operation tough guy!              2x12'' lp   ant-zen
hypnoskull                             operation tough guy!              boxset      ant-zen
klangstabil                            taking nothing seriously          cd          ant-zen
synapscape                             raw                               cd          ant-zen
ambre                                  le mensonge                       cd          ant-zen
this morn' omina                       7 years of famine                 cd          ant-zen
converter                              expansion pack 1.10               2 x 10''    ant-zen
squaremeter                            war of sound                      cd          ant-zen
l'ombre                                simulations 1.0                   cd          ant-zen
v.a.                                   daruma                            2cd         ant-zen
vromb                                  rayons                            cd          ant-zen
vromb                                  rayons                            12'' lp     ant-zen
this morn' omina                       le serpent blanc - le serpent rouge2cd        ant-zen
individual                             180 bullets per man               cd          ant-zen
roger rotor                            malleus maleficarum               cd          ant-zen
cell auto mata                         the devil is in the detail        cd          ant-zen
ab ovo                                 le temps suspendu....             2cd         ant-zen
brian evenson / xingu hill / tamarin   altmann's tongue                  cd          ant-zen
ultra milkmaids                        pop pressing                      cd          ant-zen
vromb                                  jeux de terre                     2x12'' lp   ant-zen
black lung                             the grand chessboard              12'' lp     ant-zen
genetic selection          orbital ground attack              cd        ant-zen
silk saw                   empty rooms                        cd        ant-zen
synapscape                 act!                               cd        ant-zen
l'ombre                    simulations 2.0                    cd        ant-zen
this morn' omina           les passages jumeaux: 25°~33°      2cd       ant-zen
szkieve                    ékranoplanes                       3'' cd    ant-zen
hypnoskull                 dark skies over planet e           cd        ant-zen
mimetic desire             sacred aim                         dvd       ant-zen
gjöll                      way through zero                   cd        ant-zen
axiome                     il pleut des cordes                12''      ant-zen
moctan                     suspect                            cd        ant-zen
genevieve pasquier         soap bubble factory                cd        ant-zen
monokrom                   tales of rabbits and hares         cd        ant-zen
imminent / synapscape      the revenge of the incredible three7''       ant-zen
imminent / synapscape      the return of the incredible three 7''       ant-zen
black lung                 karmageddon                        12''      ant-zen
genetic selection          darwin's voyage                    cd        ant-zen
silk saw                   8 reports                          cd        ant-zen
hypnoskull                 panik mekanik                      cd        ant-zen
morgenstern                two different faces                cd        ant-zen
iszoloscope                the audient void                   cd        ant-zen
ultra milkmaids            pocket station                     cd        ant-zen
genevieve pasquier         virgin pulses                      cd        ant-zen
synapscape / asche         scenes from a galton's walk        cd        ant-zen
converter                  expansion pack 2.0                 2cd       ant-zen
black lung                 the coming dark age                cd        ant-zen
genetic selection          world of tomorrow                  cd        ant-zen
sonar                      alien overdrive                    cd        ant-zen
david thrussell            the fetid fungi                    book+cd   ant-zen
bipol                      ritual                             cd        ant-zen
p.a.l                      modus                              cd        ant-zen
black lung                 concrete octopus                   12'' lp   ant-zen
hypnoskull                 industrial owes us money           cd        ant-zen
s:cage                     madness turns to glass             cd        ant-zen
gjöll                      not to lead nor to follow          cd        ant-zen
squaremeter                nyx                                cd        ant-zen
punch inc.                 fightclub                          cd        ant-zen
tzolk'in                   haab'                              cd        ant-zen
contagious orgasm          ripple                             cd        ant-zen
100blumen                  in floriculture there is no law!   cd        ant-zen
twinkle                    le jouet                           cd        ant-zen
proyecto mirage            turn it on                         cd        ant-zen
klangstabil                math & emotion                     cd        ant-zen
synapscape                 now                                cd        ant-zen
lingouf                    area keloza                        cd        ant-zen
exocet                     violation                          cd        ant-zen
von magnet                 ni prédateur ni proie              cd        ant-zen
mika goedrijk              pellicules                         cd        ant-zen
the [law-rah] collective   inspiration                        cd        ant-zen
ahnst anders               many ways                          cd        ant-zen
lingouf                    ange et gruikk                     cd        ant-zen
synapscape                 again                              cd        ant-zen
exocet                     grotesque consumer                 cd        ant-zen
l'ombre                    letting go at the steering wheel   cd        ant-zen
moctan                     come closer                        cd        ant-zen
genevieve pasquier         le cabaret moi                     cd        ant-zen
genevieve pasquier         le cabaret moi - special ed.       cd        ant-zen
this morn' omina   momentum of singular clarity     cd-ep                  ant-zen
100blumen          floral annihilation              cd                     ant-zen
black lung         full spectrum dominance          cd                     ant-zen
gjöll              sum of transformations           cd                     ant-zen
imminent           cask strength                    cd                     ant-zen
100blumen                                            cd
                   down with the system, long live the system!             ant-zen
ant-zen            the ant                          metal pin              ant-zen
ant-zen            atomic ant                       girlie-shirt           ant-zen
ant-zen            atomic ant                       t-shirt                ant-zen
ant-zen            atomic ant                       t-shirt                ant-zen
ant-zen            atomic ant                       t-shirt                ant-zen
ant-zen            atomic ant                       t-shirt                ant-zen
ant-zen            atomic ant                       sweatshirt             ant-zen
ant-zen            atomic ant                       sweatshirt             ant-zen
ant-zen            atomic ant                       sweatshirt             ant-zen
hypnoskull         p3945                            girlie-shirt           ant-zen
morgenstern        s/t                              girlie-shirt           ant-zen
ant-zen            the silver ant                   casual shirt           ant-zen
ant-zen            the silver ant                   casual shirt           ant-zen
ant-zen            the silver ant                   casual shirt           ant-zen
ant-zen            the silver ant                   road jacket            ant-zen
ant-zen            the silver ant                   road jacket            ant-zen
ant-zen            the silver ant                   road jacket            ant-zen
ant-zen            the silver ant                   road jacket            ant-zen
ant-zen            beware the ants                  girlie-shirt           ant-zen
klangstabil        the chess opening                t-shirt                ant-zen
vromb              s/t                              girlie-shirt           ant-zen
ant-zen            leaf-cutter ants                 hooded jacket-ladies   ant-zen
ant-zen            leaf-cutter ants                 hooded jacket-ladies   ant-zen
ant-zen            leaf-cutter ants                 hooded jacket-ladies   ant-zen
ant-zen            leaf-cutter ants                 hooded jacket          ant-zen
ant-zen            leaf-cutter ants                 hooded jacket          ant-zen
ant-zen            leaf-cutter ants                 hooded jacket          ant-zen
punch inc.         206 bones to break               t-shirt                ant-zen
ant-zen            explicit insect nudity           t-shirt                ant-zen
ant-zen            explicit insect nudity           t-shirt                ant-zen
ant-zen            explicit insect nudity           t-shirt                ant-zen
ant-zen            explicit insect nudity           t-shirt                ant-zen
proyecto mirage    take it off                      t-shirt                ant-zen
proyecto mirage    take it off                      t-shirt                ant-zen
proyecto mirage    take it off                      t-shirt                ant-zen
klangstabil        faust                            girlie-shirt           ant-zen
klangstabil        faust                            t-shirt                ant-zen
klangstabil        faust                            t-shirt                ant-zen
klangstabil        faust                            t-shirt                ant-zen
klangstabil        faust                            t-shirt                ant-zen
100blumen          floral annihilation              t-shirt                ant-zen
100blumen          floral annihilation              t-shirt                ant-zen
synapscape         synaptic engine                  girlie-shirt           ant-zen
synapscape         synaptic engine                  t-shirt                ant-zen
synapscape         synaptic engine                  t-shirt                ant-zen
synapscape         synaptic engine                  t-shirt                ant-zen
synapscape         synaptic engine                  t-shirt                ant-zen
100blumen          down with the system             girlie-shirt           ant-zen
100blumen          down with the system             t-shirt                ant-zen
100blumen          down with the system             t-shirt                ant-zen
100blumen          down with the system             t-shirt                ant-zen
100blumen                  down with the system               t-shirt         ant-zen
imminent                   non chill-filtered                 girlie-shirt    ant-zen
imminent                   non chill-filtered                 t-shirt         ant-zen
imminent                   non chill-filtered                 t-shirt         ant-zen
imminent                   non chill-filtered                 t-shirt         ant-zen
imminent                   non chill-filtered                 t-shirt         ant-zen
genevieve pasquier         le cabaret moi                     girlie-shirt    ant-zen
genevieve pasquier         le cabaret moi                     t-shirt         ant-zen
genevieve pasquier         le cabaret moi                     t-shirt         ant-zen
genevieve pasquier         le cabaret moi                     t-shirt         ant-zen
genevieve pasquier         le cabaret moi                     t-shirt         ant-zen
torsion                    jackson's private zoo              12'' lp         hymen
oil 10                     metastases                         12'' lp         hymen
starfish pool              illusions of move - chapter blue   12'' lp         hymen
vromb                      emission pilote                    12'' lp         hymen
imminent / synapscape      screenwalking                      12'' lp         hymen
starfish pool              illusions of move - chapter red    12'' lp         hymen
lusine icl                 slipthrough ep                     12'' lp         hymen
neutral                    driving backwards                  12'' lp         hymen
lusine icl                 iron city                          2x12'' lp       hymen
hecate / lustmord          law of the battle of conquest      12'' lp         hymen
gridlock                   formless                           2x12'' lp       hymen
architect                  noise is out of stock              12'' lp         hymen
orphx                      circuitbreaking                    12'' lp         hymen
somatic responses          pounded mass                       12'' lp         hymen
wisp                       nrthndr                            12'' lp         hymen
hecate                     brew hideous                       12'' lp         hymen
somatic responses          giauzar                            12'' lp         hymen
xanopticon                 psicicite                          12'' lp         hymen
end.user                   left                               2x12'' lp       hymen
imminent                   cask strength                      12''            hymen
snog                       beyond the valley of the proles    2x12'' lp       hymen
doormouse                  major changes                      12'' lp         hymen
otto von schirach          oozing bass spasms                 2x12''          hymen
ove-naxx                   massive swingin' mpc2000           10''            hymen
v.a.                       teknoir                            2cd             hymen
passarani                  unspeakable future outbreaks       cd              hymen
snog                       third mall from the sun            cd              hymen
xingu hill                 alterity                           cd              hymen
scorn                      imaginaria award                   cd-ep           hymen
snog                       relax into the abyss               cd              hymen
scorn                      greetings from birmingham          cd              hymen
somatic responses          augmented lines                    cd              hymen
substanz-t                 tripped experiences                cd              hymen
starfish pool                                                 c
                           illusions of move - the golden cycle d             hymen
xingu hill / squaremeter   this anxious space                 cd              hymen
neutral                    motion of                          cd              hymen
v.a.                       masonic                            2cd             hymen
lusine icl                 iron city                          cd              hymen
somatic responses          touching the void                  cd              hymen
end                        science/fiction                    cd              hymen
substanz-t                 electric opium                     cd              hymen
snog                       beyond the valley of the proles    cd              hymen
venetian snares / hecate   nymphomatriarch                    cd              hymen
v.a.                       belio:cd:war                       magazine + cd   hymen
v.a.                       belio:cd:war                       cd              hymen
neutral                caller id                          cd                   hymen
xanopticon             liminal space                      cd                   hymen
architect                                               cd
                       i went out shopping to get some noise                   hymen
orphx                  circuitbreaking                    cd                   hymen
hecate                 seven veils of silence             cd                   hymen
kattoo                 places                             cd                   hymen
somatic responses      pounded mass                       cd                   hymen
hecq                   scatterheart                       cd                   hymen
snog                   real estate man plus               cd                   hymen
end                    the sick generation                cd                   hymen
dead hollywood stars   smoke and mirrors                  cd-ep                hymen
kattoo                 megrim                             cd                   hymen
hecq                   bad karma                          cd                   hymen
ginormous              the endless procession             cd                   hymen
ginormous              the endless procession + our ancestors’ intense love affair
                                                        cd+cd                    hymen
enduser                form without function              cd                   hymen
mad ep                 not afraid of spiders              cd                   hymen
snog                                                     cd
                       vs the faecal juggernaut of mass culture                hymen
nebulo                 kolia                              cd                   hymen
terminal11             fractured sunshine                 cd                   hymen
substanz-t             beyond e                           cd                   hymen
keef baker             redeye                             cd                   hymen
lusine icl             language barrier                   cd                   hymen
tonikom                epoch                              cd                   hymen
marching dynamics      nailsleeper                        cd                   hymen
snog                   the last days of rome              cd                   hymen
somatic responses      digital darkness                   cd                   hymen
ginormous              at night, under artificial light   cd                   hymen
jerome chassagnard     (f)light                           cd                   hymen
nebulo                 avutma                             cd                   hymen
hpc                    halfbreed                          cd                   hymen
zeller                 audio vandalism                    cd                   hymen
keef baker             pen fifteen                        2cd                  hymen
hecq                   steeltongued                       2cd                  hymen
marching dynamics      the workers party of haiti         cd                   hymen
tonikom                the sniper's veil                  cd                   hymen
millipede              all my best intentions             cd                   hymen
v.a.                   miwak twelve                       2cd                  hymen
end                    the dangerous class                cd                   hymen
defrag                 lament element                     cd                   hymen
lusine icl             iron city                          t-shirt              hymen
gridlock               formless                           girlie-shirt         hymen
fanny                  fear & loathing for dummies 1      7''                  mirex
raquel de grimstone    liber cordis cincti serpente       7''                  mirex
sonic dragolgo         sweet pain                         7''                  mirex
xanopticon             azif                               7''                  mirex
projet 2501            s/t                                7''                  mirex
xingu hill             16-bit golem                       7''                  mirex
fanny                  fear & loathing for dummies        cd                   mirex
fanny                                                     of
                       revelry and decadence as the rightcd slaves             mirex
v.a.                   carbon                             cd                   mirex
subskan                repaired                           cd                   mirex
drop the lime          step it up                         12''                 mirex
sickboy                into oblivion                      cd                   mirex
sickboy                into oblivion                      12''                 mirex
bong-ra                soldaat van oranje                 12''                 mirex
enduser                the end                            12''                 mirex
v.a.                                gully gotham grit. volume 1         12''        mirex
drop the lime                       step it up                          t-shirt     mirex
bubble gum                          s/t                                 7''         bazooka joe
jonni mogul                         betcha bootz                        7''         bazooka joe
the rorschach garden                our japanese friends                cd          bazooka joe
the rorschach garden                the toy factory                     cd          bazooka joe
rasputeen                           die segnungen der neuzeit           cd          bazooka joe
the rorschach garden                transfer                            cd          bazooka joe
                                     rasputeen in heavy leather
rasputeen / catholic boys in heavy leather                              cd-ep       bazooka joe
the rorschach garden                 a place for the lost               cd          bazooka joe
die neue sachlichkeit                s/t                                10''        pflichtkauf
config.sys                          gravity probe [b]                   cd          pflichtkauf
contaminant                         sanity report                       cd          pflichtkauf
config.sys                          back and forth                      2cd         pflichtkauf
ahnst anders                        dialog                              cd          pflichtkauf
catholic boys in heavy leather                                      c
                                    nobody urged you to get canonisedd              pflichtkauf
suicide inside                      dead red                            cd          pflichtkauf
config.sys / ahnst anders           boiling the ocean                   cd          pflichtkauf
v.a.                                maschinenfest 2008                  2cd         pflichtkauf
dazzling malicious                  something behind                    cd          pflichtkauf
contaminant                         rotcast                             2cd         pflichtkauf
pow(d)er pussy                      takenoprisoners                     cd          pflichtkauf
v.a.                                maschinenfest 09                    2cd         pflichtkauf
deaf machine                        found noises                        cd          raubbau
strops                              s/t                                 cd          raubbau
deaf machine                        transistor                          cd          raubbau
the [law-rah] collective            solitaire                           cd          raubbau
orphx                               teletai - rarities and remixes      2cd         hands
empusae                             mortusae                            2cd         hands
greyhound                           tactical evolution                  2cd         hands
empusae                             the hatred of trees                 cd          hands
s.k.e.t.                            depleted uranium weapons            cd          hands
xabec                               just a grain of sand                dvd         hands
synth-etik                          waiting for the rapture             cd          hands
v.a.                                forms of hands 09                   cd          hands
incite/                             mindpiercing                        cd          hands
angina p                            sensitive files                     cd          hands
syntech                             rising from the ashes               cd          hands
the pcp principle                   electronic violence phenomena       cd          hands
admx-71                             luminous vapors                     cd          hands
last days of s.e.x.                                                      cd
                                    great irony and the politically s.e.x.plosive   hands
13th monkey                         redefining the paradigm of bang     cd          hands
heimstatt yipotash                  urban night motifs                  cd          hands
scrap.edx                           merciless protraction               cd          hands
ml                                                                  cd
                                    everyone looks like somebody else               n5md
spark                               the robotic girl next door          cd          n5md
quench                              punctuated                          cd          n5md
proem                               live                                cd          n5md
spark                               super robot battle deluxe           cd          n5md
funckarma                           refurbished one                     cd          n5md
quench                              caipruss                            cd          n5md
another electronic musician         patience                            cd          n5md
last days                           sea                                 cd          n5md
tobias lilja                        time is on my side                  cd          n5md
subtractivelad                      no man's land                       cd          n5md
arc lab                             no spectre                          cd          n5md
run_return                    sum of an abstract                 cd           n5md
damiak                        micalavera                         cd           n5md
funckarma                     refurbished two                    cd           n5md
hologram                      hologram+                          cd           n5md
bitcrush                      epilogue in waves                  cd           n5md
near the paranthesis          l'eixample                         cd           n5md
bitcrush                      shimmer and fade                   cd           n5md
subtractivelad                where the land meets the sky       2cd          n5md
last days                     the safety of the north            cd           n5md
plastik joy                   3:03                               cd           n5md
port-royal                    dying in time                      cd           n5md
aerosol                       airborne                           cd           n5md
oloolo                        pavilosta                          cd           lagunamuch
mewark                        little one                         cd           lagunamuch
0id                           systems of mercy                   cd           lagunamuch
v.a.                          deep sea shipping                  cd           lagunamuch
nightech                      deviation                          cd           lagunamuch
cast                          are teek l                         cd           peace technologies
flexkiks                      freeland                           cd           peace technologies
lazyfish / mewark             s/t                                cd           peace technologies
unit 21                       november                           cd           peace technologies
architect / klima             noiseambush                        12''         kellermusik
converter / klima             divider e.p.                       12''         kellermusik
converter / klima             divider e.p. - special edition     12''         kellermusik
rdr                           pissing nightmare ep               12''         kellermusik
v.a.                          no u turn ep                       7''          kellermusik
klima / morbus m.             past and future ep                 12''         kellermusik
klima / morbus m.             past and future ep - special ed.   12''         kellermusik
v.a.                          consider:noise 01                  cd           kellermusik
exocet / morbus m.            don*t trust your eyes ep           12''         spunky monkey
v.a.                          binkcrsh mixed up compilation      cd-r         binkcrsh
cats on earth                 la fin triste                      cd-r         binkcrsh
such broken glass                                               cd-r
                              the tourist industry / someone became a ghost   binkcrsh
aries fiktion                 live at netphorce 5.1              bk040        binkcrsh
v.a.                          15 tracks from binkcrsh            cd           binkcrsh
pleq                          lucid dream                        cd           halbsicht
dnn                           try to feel                        cd           halbsicht
v.a.                          systemic 02                        cd           systemic audio
project arctic                third pole                         cd           spectre
def                           c                                  cd           spectre
the [law-rah] collective      1953                               cd           spectre
mimetic                       ultra                              cd           spectre
vromb                         le pecheur de noye                 cd-boxset    spectre
empusae                       geesten                            7''          spectre
antigen shift                 this moment of cold remembering cd-ep           spectre
okk-ulth                      elisabeth bathory               2x7''           spectre
camanecroszcope               echoes ov who lieth dead but ever cd
                                                                dreameth      spectre
stupor                        bête noire                        cd            spectre
mimetic / origami galaktika   origamimetic                       cd           spectre
kraken                        amore                              2cd          spectre
loss                          i kill everything                  cd           spectre
v.a.                          angst                              2cd          spectre
hypnoskull                    (g.o.d)-once again                 cd           spectre
kraken                        chagrin                            cd           spectre
camanecroszcope               echoes ov a beckoning arcanum cd                spectre
loss                          you are what eats you              7''          spectre
v.a.                                                                 cd
                                    spectre: decade cd anniversary compilation            spectre
hysteresis                          measured chaos                     cd                 spectre
kraken                              drift                              cd                 spectre
skincage                            things fall apart                  cd                 spectre
the [law-rah] collective            ...as it is...                     2x3'' cd           spectre
kraken                              nachtschade                        cd+dvd             spectre
hysteresis                          will + representation              cd                 spectre
ah cama-sotz                        dead cities                        cd                 bats & cats
ab ovo                              le passage du temps                cd-r               meka
his divine grace                    eurydice                           cd                 dark vinyl
melek-tha                           war is coming                      cd                 dark vinyl
gruntsplatter                       the aberrant laboratory            cd                 dark vinyl
melek-tha                           the decimation world               cd                 dark vinyl
melek-tha                           acclaim hell                       cd                 dark vinyl
archon satani                       in shelter                         cd                 dark vinyl
tony wakeford                       into the woods                     cd                 tursa
mimetic                             one more than nine                 book+2x3''cd       les art minis
ars moriendi                        freudentränen                      cd-r               fich-art
the rorschach garden                irony of progress                  cd-r               fich-art
monokrom                            s/t                                cd-r               fich-art
monokrom / morgenstern              live at iwtbf berlin 03            cd-r               fich-art
vuoto                               paranoia vienna                    cd-r               fich-art
morgenstern                         hypnoider zustand                  cd-r               fich-art
morgenstern                         yesterdays                         cd-r               fich-art
asche                                                                    cd-r
                                    the older stuff / cenobites in the ballroom           fich-art
asche                               non apocalypse                     cd-r               fich-art
asche                               down by loop                       cd-r               fich-art
morgenstern                         zyklen                             cd-r               fich-art
ars moriendi                        schlachtgesänge                    cd-r               fich-art
asche / the rorschach garden        times                              cd-r               fich-art
feine trinkers bei pinkels daheim   kornzweig baby                     cd-r               fich-art
eva | 3                             the great divide                   cd                 fich-art
monokrom                            mummies of noise                   cd-r               fich-art
oszillotom                          energetika                         cd-r               fich-art
v.a.                                phoney m - fightnight on venus     cd-r               fich-art
xsoz                                basic topology                     cd-r               fich-art
exurban                             abstieg aufwärts                   cd-r               fich-art
sabes                               machines                           cd-r               fich-art
saturnzlide                         smiling children                   cd-r               fich-art
v.a.                                365 jours de bruits                cd                 audiotrauma
f.y.d.                              defied                             cd                 audiotrauma
mind necrosis factor                entropy                            cd                 audiotrauma
f.y.d.                              attrition (chapter III)            cd-r               audiotrauma
sonic area                          explore                            cd                 audiotrauma
chrysalide                          lost in a lost world               cd                 audiotrauma
ten data keshin                     neo neon generation                cd                 audiotrauma
mind necrosis factor                morphogenesis                      cd                 audiotrauma
baxter lilly                        unsichtbare flecken                cd                 audiotrauma
le diktat                           unabomber                          cd                 audiotrauma
amesha spenta                       s/t                                cd-r               audiotrauma
hinsidan                            god is in the details              boxset             phisteria
v.a.                                meat                               dvd                v-atak
roger rotor                         burn down the blues                7''                electric transfusion
tricot trio                         neu optimism                       cd                 ateliers tentack
v.a.                                                                 cd
                                    low end recon. a dark hop transmission vol.1          hushush
v.a.                                                                    the
                                    four ways of saying h3o (tribute to cd hafler trio)   hushush
mark spybey / mick harris             bad roads, young drivers           cd                 hushush
kk null                               peak of nothingness                cd                 hushush
moonsanto                             fraud hell dope                    cd                 hushush
martiens go home!                     une occasion de chute              cd                 hushush
szkieve                               des rhythmes de passage            cd                 hushush
lilith                                imagined compositions for water cd                    hushush
kapotte muziek / goem                 kgm                                cd                 hushush
szkieve                                                                cd
                                      chants et danses folkoriques des hauts plateaux       rape art productions
grkzgl                                esque                              3'' cd             angle records
the missing ensenble                  hidden doors                       cd                 angle records
lcedp                                 de l'utilite des convoyeurs        cd                 angle records
nos royaumes                          l'antichambre                      7''                angle records
15 degrees below zero                                                   10''
                                      between checks and artillery, between work and images angle records
netherworld / nadja                   magma to ice                       cd                 fario
fear drop                             charbons ardents                   magazine+cd        fear drop
le syndicat                           maximalist                         cd                 daft records
collapse                              section                            cd                 daft records
monolith                              compressed form                    cd                 daft records
sigillum s                            abstraction                        cd                 daft records
monolith                              tribal globe                       cd                 daft records
monolith                              labyrinth                          cd                 daft records
monolith                              sub-system                         cd                 daft records
pressure control                      vamp                               cd                 daft records
dive                                  behind the sun                     cd                 daft records
geistform                             sequentia 2.0                      2cd                daft records
absolute body control                 wind[re]wind                       cd                 daft records
v.a.                                  shadows in the dark                picture-lp         minimal maximal
reutoff                               reutraum v                         7''                divine comedy records
tzolk'in                              s/t                                cd                 divine comedy records
lambwool                              fading landscapes                  cd+book            divine comedy records
das reut                              arte de ben moire                  cd-ep              divine comedy records
land                                  wien                               10''               divine comedy records
horologium                            the fire sermon                    cd                 divine comedy records
land                                  budapest                           10''               divine comedy records
v.a.                                  pere lachaise                      cd+book            divine comedy records
sigma octantis                        invocations                        cd                 divine comedy records
aql / h.i.v.+ / muckrackers           paradise now                       cd+book            divine comedy records
urawa                                 parable of the driver              cd                 divine comedy records
eretsua                               microcosm                          cd                 divine comedy records
                                      s/t
kulfi / michael yonkers & the blind shake                                7''                divine comedy records
lambwool                              ...and the angel is gone           cd                 divine comedy records
v.a.                                  electronic manifesto 2             cd                 divine comedy records
hiv+                                  we are all haunted houses          cd                 divine comedy records
arcaide                               cyclic sound from the form         cd                 divine comedy records
horologium / moljebka pvlse           penfield mood organ                cd                 divine comedy records
cowards bend the knee                                                     cd
                                      objects in mirror are closer, then they appear        divine comedy records
kulfi / kenji siratori                s/t                                12'' lp            divine comedy records
sigma octantis                        dislocations                       cd                 divine comedy records
kulfi                                 5th estate                         12''               divine comedy records
jägerblut                             1896-1906                          cd                 umb kollektif
jägerblut                             tannöd                             cd                 umb kollektif
dogpop                                jahrmarkt der verlorenen kinder    cd                 umb kollektif
kommando                              crimefactory                       cd                 umb kollektif
tonal y nagual                        la sierra mecanica                 cd                 confusibombus
demange machine                       gourmandise                        cd                 brume records
oil 10                                arena                              cd                 brume records
demange machine          conscience                          cd               brume records
lith                     gaia                                cd               brume records
empusae / nick grey      simple black lines in a diagram     3'' cd           brume records
talvekoidik              silent reflections                  cd               brume records
thermidor                1929                                cd               brume records
fractional               come mierda                         cd               brume records
fractional               come mierda ep                      12''             brume records
flint glass                                                cd
                         circumsounds - a flint glass remixcollection         brume records
v.a.                     kod.ex compilation                  2cd              brume records
pylone                   black grains                        cd               sound on probation
zonk't                   purr                                cd               sound on probation
laurent perrier          downfall / disperse                 2cd              sound on probation
zonk't                   trope                               cd               sound on probation
heal                     supernatural                        12'' lp          sound on probation
zonk't                   beat wins you and me                12'' lp          sound on probation
eight frozen modules     rejected resident ep                12''             mutant sniper
duran duran duran        blow job breaks                     12''             mutant sniper
monster x                disco zombie assault                12''             mutant sniper
ebola                    on a gastro-bass tip                12''             mutant sniper
amph                     mambo mind                          12''             mutant sniper
monster x                satan iz love                       12''             mutant sniper
anarchic hardrive        feeding our paranoia                cd               peace off
v.a.                     kamikaze club 07                    12''             peace off
eiterherd / xanopticon   novus ordo seculorum                12''             peace off
doormouse                fractured hearts e.p.               12''             peace off
cardopusher                                                 2x12''
                         hippie killers don't mind jah conversations          peace off
cardopusher                                                 cd
                         hippie killers don't mind jah conversations          peace off
sickboy                  times infinity                      2x12''           peace off
rotator                  curses on your ghettoblaster        12''             peace off
le jad                   painful epic ep                     12''             peace off
dr. bastardo             death to all false rave             12''             peace off
repeater                 ultra violet                        12''             peace off
kid606                   wickid                              12''             bang a rang
cardopusher              red red blood                       12''             damage
krumble                  return of the amen spamer           12''             damage
broken note              fuelling the fire ep                12''             damage
v.a.                     rules of anger                      12''             ruff
b-lam                    mongrel                             12''             ruff
starkey / bong-ra        split ep                            12''             ruff
broken note              dubversion / mortal bass            12''             ruff
broken note / starkey    war in the making / no struggle     12''             ruff
trillbass                trillitary mind ep                  12''             ruff
rotator / cardopusher    junp the fuck up / fighters unite   10''             brothers in blood
rasputin                 das leberwurstbrot                  cd-r             invasion wreckchords
fragment king            grey album                          cd-r             invasion wreckchords
ambassador 21            weight of death                     cd               invasion wreckchords
monoid                   crowd control                       cd-r             invasion wreckchords
boot-sector-viruz        anti-matter                         cd-r             invasion wreckchords
ambassador 21            drunken, crazy, with a gun          cd               invasion wreckchords
v.a.                     caution! invasion & friends 2k7     dvd-r            invasion wreckchords
ambassador 21            cut&go                              cd-r             invasion wreckchords
ambassador 21            fuck all $ystem$                    cd               invasion wreckchords
ctrler                   this is hardcore                    cd-r             invasion wreckchords
v.a.                                                      cd
                         underground. invasion & friends 2k8                  invasion wreckchords
ambassador 21                                                 cd
                         justified thirst for blood (compilation 2002-2007)   invasion wreckchords
v.a.                     reload. invasion and friends 2k9    cd               invasion wreckchords
                                    peacemakers
config.sys / contagious orgasm / boot-sector-viruz inc. (I)            cd          invasion wreckchords
                                    peacemakers inc. (II)
chrysalide / ambassador 21 / punish yourself                           cd          invasion wreckchords
ambassador 21                                                          cd
                                    power rage (face your future killers)          invasion
hecate                              the magick of female ejaculation cd            praxis
crisis theory                       s/t                               12'' lp      praxis
hecate                              ascension chamber                 2x12'' lp    praxis
adc / somatic responses             teatrodellopera                   12'' lp      praxis
la peste                            safety first                      12''         praxis
v.a.                                anonymous series vol.1            12''         praxis
base force one                      expediture of excess energy       12'' lp      still raven
xanopticon                          the silver key ep                 12''         zhark international
bong-ra                             vitus blister                     12''         zhark international
raquel de grimstone                 free mansonic youth               cd           zhark international
richard for cerebellum              thoughts that breathe...words that cd
                                                                       burn        zhark international
citizens of shade                   s/t                                12''        koolpop
hecate                              technical witch / tech bitch      12''         sub/version
vile enginez                        cycadelic / tool                  12''         sub/version
übergang                            fear leader                       12''         low res
v.a.                                beats from beyond 04              12''         dirty needles
davros / unibomber                  the final amiga 500 battle        2x12''       noizetek
minion                              bored in the u.s.a. ep            12''         darkmatter
fobia                               s/t                               12''         seven samurai
fanny                                                              2x12''
                                    icantbelieveyouwereamusicianyougotnosoulbaby   widerstand
cardopusher                         down to the wire               12''            terminal dusk
v.a.                                azure                          12''            terminal dusk
komonazmuk                          for real / love                12''            terminal dusk
kybernaughty                        obiekt                            cd-ep        flyco
                                                                    cd
panacea / needle sharing / tarmvred panacea shares needles with tarmvred           ad noiseam
xenonics k-30                       automated                       cd             ad noiseam
magwheels                           evebuildingbomb                   cd           ad noiseam
wilt                                radio 1940                        2cd          ad noiseam
cdatakill                           paradise                          2cd          ad noiseam
andrey kiritchenko                  kniga skazog                      cd           ad noiseam
uniform                             not a word                        cd           ad noiseam
larvae                              fashion victim                    cd           ad noiseam
magwheels / stone glass steel       pane                              cd           ad noiseam
cordell klier                       winter                            cd           ad noiseam
tarmvred                            viva 6581                         cd-ep        ad noiseam
crno klank                          etat des lieux                    cd           ad noiseam
wilt                                as giants watch over us           cd           ad noiseam
horchata                            basidia                           cd           ad noiseam
curtis chip                         eating paste                      cd           ad noiseam
mothboy                             the fears                         cd           ad noiseam
andrey kiritchenko                  interplays, in between            cd           ad noiseam
enduser                             bollywood breaks                  cd-ep        ad noiseam
cdatakill                           the cursed species                cd           ad noiseam
mad ep                              eating movies                     cd           ad noiseam
larvae                              empire                            12''         ad noiseam
az-rotator                          science of chance                 cd           ad noiseam
detritus                            origin                            cd           ad noiseam
lapsed                              lapsed                            cd           ad noiseam
bong-ra                             i am the god of hellfire          2x12''       ad noiseam
antigen shift                       the way of the north              cd           ad noiseam
keef baker                          pure language                     cd-ep        ad noiseam
enduser / larvae                    unraveled ears                    12''         ad noiseam
larvae                              dead weight                       cd           ad noiseam
larvae                                dead weight                        2x12''             ad noiseam
wilt                                  dark meadows                       cd                 ad noiseam
bong-ra                               stereohype heroin hooker           cd                 ad noiseam
detritus                              thresholds                         cd-ep              ad noiseam
cdatakill                             valentine                          cd                 ad noiseam
enduser                               pushing back                       cd                 ad noiseam
mad ep                                the madlands trilogy               3cd                ad noiseam
mothboy                               deviance                           cd                 ad noiseam
drumcorps                             grist                              cd                 ad noiseam
cakebuilder                           decks'n'demons                     12''               ad noiseam
jvox                                  qed                                cd                 ad noiseam
dj hidden                             the later after                    cd                 ad noiseam
bong-ra / enduser                     the kill                           12''               ad noiseam
mad ep / ra                           ultrafood                          12''               ad noiseam
az-rotator                            freaky vintage disco breaks        12''               ad noiseam
drumcorps                             grist                              12''               ad noiseam
cdatakill                             bleeding hearts vol. 1             12''               ad noiseam
cdatakill                             bleeding hearts vol. 2             12''               ad noiseam
detritus                              fractured                          cd                 ad noiseam
exillon                               it's ok to dance                   cd                 ad noiseam
lapsed / nonnon                       the death of convenience           cd                 ad noiseam
scorn                                 stealth                            cd                 ad noiseam
raoul sinier                          huge samurai radish                cd                 ad noiseam
mad ep                                bass.hed                           cd                 ad noiseam
                                     epistrophy
spyweirdos / john morjopoulos / floros floridis at utopia                cd                 ad noiseam
raoul sinier                         brain kitchen                       cd                 ad noiseam
chevron                               tuff shite                         12''               ad noiseam
cakebuilder                           feeding the worms                  12''               ad noiseam
mothboy                               beg / movement                     12''               ad noiseam
machine girl                          s/t                                12''               ad noiseam
math head                             stab city                          12''               ad noiseam
funckarma                             dubstoned vol.2                    12''               ad noiseam
larvae                                loss leader                        cd                 ad noiseam
broken note                           crux / zealot                      12''               ad noiseam
the teknoist                          ...like a hurricane made of zombies2x12''             ad noiseam
the teknoist                          ...like a hurricane made of zombiescd                 ad noiseam
abelcain / cdatakill                  passage                            cd                 ad noiseam
the kilimanjaro darkjazz ensemble     mutations                          cd-ep              ad noiseam
the kilimanjaro darkjazz ensemble     mutations                          12''               ad noiseam
sickboy                               time to play                       cd                 ad noiseam
sickboy                               time to play vol.1                 12''               ad noiseam
sickboy                               time to play vol.2                 12''               ad noiseam
cardopusher                           unity means power                  2x12''             ad noiseam
somatic responses                     reformation                        cd                 ad noiseam
the mount fuji doomjazz corporation   succubus                           cd                 ad noiseam
broken note                           let 'em hang / meltdown            12''               ad noiseam
dj hidden                                                                12''
                                      the words below limited editions vinyl series vol.1   ad noiseam
raoul sinier                          tremens industry                   cd+dvd             ad noiseam
wilt                                  cemetery road dead electroniks 2cd                    ad noiseam
broken note                           terminal static                    cd                 ad noiseam
dj hidden                             the words below                    cd                 ad noiseam
dj hidden                                                                12''
                                      the words below limited editions vinyl series vol.2   ad noiseam
the kilimanjaro darkjazz ensemble     here be dragons                    cd                 ad noiseam
the kilimanjaro darkjazz ensemble     here be dragons                    2x12''+cd          ad noiseam
detritus                              things gone wrong                  cd                 ad noiseam
v.a.                                  cross roads ep                     12''               dross:tik
v.a.                                  for whom the balls toll            12''               rednex rampage records
belio                                 issue 26 - party                   magazine           belio
belio                           issue 27 - wildlife                 magazine               belio
belio                           die young collection - 36           book                   belio
belio                                                               book
                                die young collection - nicolas di genova                   belio
black                           issue 48                            magazine               black
weltraumorgel                   communication                       cd                     kaleidoskop
hecq                            a dried youth                       cd                     kaleidoskop
die farben                      sensory specific satiety            cd                     kaleidoskop
kibuka                          dystopia                            cd                     kodama
v.a.                            sonic-arts inspiration              cd                     liquid harsh
atrox                           betonmonolith                       cd                     atacama
v.a.                            tonwellen - about 40 years          cd                     atacama
atrox                           voltage controlled                  cd-r                   atacama
v.a.                            tonwelle 2                          cd-r                   atacama
v.a.                            elektroanschlag 2                   cd                     r-reger
v.a.                            elektroanschlag 3                   cd                     r-reger
v.a.                            elektroanschlag 4                   2cd                    r-reger
v.a.                            elektroanschlag 5                   cd                     r-reger
heimstatt yipotash / tahktahk   prototypes                          cd-r                   9t9 records
v.a.                            schlagstrom - krrrbrrrtztzkrrr 02   2cd                    rustblade
v.a.                            schlagstrom 3                         cd                     rustblade
v.a.                                                                  cd                     sleepless records berlin
                                krrrbrrrtztzkrrrbrrrtztz! vol.4 - schlagstrom festival 2009 compilation
fastandhot                      terrorotic                            12''                   fastandhot
v.a.                            krachcom.pilation 2                 cd                     krachcom
v.a.                            emerging organisms                  2cd                    tympanik audio
totakeke                        the other side of the tracks        cd                     tympanik audio
subheim                         approach                            cd                     tympanik audio
disharmony                      cloned - other side of evolution    cd                     tympanik audio
adversary                       bone music                          cd                     tympanik audio
displacer                       the witching hour                   cd                     tympanik audio
lucidstatic                     gravedigger                         cd                     tympanik audio
endif                           carbon                              cd                     tympanik audio
autoclav1.1                     love no longer lives here           cd                     tympanik audio
integral                        rise                                cd                     tympanik audio
tapage                          the institute of random events      cd                     tympanik audio
totakeke                                                            cd
                                forgotten on the other side of the tracks                  tympanik audio
aphorism                        surge                               cd                     tympanik audio
zentriert ins antlitz           no                                  cd                     tympanik audio
esa                             the sea and the silence             cd                     tympanik audio
broken fabiola                  severed                            cd                      tympanik audio
v.a.                            emerging organisms 2               2cd                     tympanik audio
stendeck                        sonnambula                         cd                      tympanik audio
se                              epiphora                           cd                      tympanik audio
totakeke                                                           2cd
                                the things that disappear when i close my eyes             tympanik audio
tapage                          fallen clouds                      cd                      tympanik audio
adversary                       a bright cut across velvet sky     cd                      tympanik audio
pandora's black book            black brothel                      cd                      tympanik audio
autoclav1.1                     where once were exit wounds        cd                      tympanik audio
disharmony                      evolution                          cd                      tympanik audio
[haven]                         plastic                            cd                      tympanik audio
access to arasaka               oppidan                            cd                      tympanik audio / spectraliquid
displacer                       x was never like this...           cd                      tympanik audio
undermathic                     return to childhood                cd                      tympanik audio
esa                             the immaculate manipulation        cd                      tympanik audio
opposite exhale                 nothing lasts                      cd                      tympanik audio
v.a.                            konkrete                           cd                      spectraliquid
ebola                           mutant dubstep vol.1                cd-ep                  spectraliquid
cardopusher                     mutant dubstep vol.2                cd-ep                  spectraliquid
mobthrow                          mutant dubstep vol.3              cd-ep      spectraliquid
a wake a week                     little black cloud                cd         spectraliquid
poordream                         immaterial monarch                cd         spectraliquid
100blumen                         against the snails                7''        le petit machiniste
100blumen                         flowers and barricades            3'' cd-r   le petit machiniste
nin kuji                          medicine man                      cd-r       le petit machiniste
yuki tendo                        saturnine                         3'' cd-r   le petit machiniste
frl. linientreu                   echtzeit                          cd-r       le petit machiniste
warbaby                           release                           cd-r       le petit machiniste
saal5                             la bionda                         cd-r       le petit machiniste
v.a.                              3 years of d.i.y.                 cd-r       le petit machiniste
matter                            technology and planetary power    cd-r       le petit machiniste
the man                           mental.derange.booster            cd-r       le petit machiniste
graph                             discapitalize                     cd-r       le petit machiniste
v.a.                              4 years of d.i.y.                 cd         le petit machiniste
v.a.                              crom de la chrom II               cd         black channel records
v.a.                              -00 db                            2cd        audiophob
spherical disrupted               null                              cd         audiophob
mandelbrot                        auf tauchfahrt                    cd         audiophob
zero degree                       s/t                               cd         audiophob
alarmen                           there's no place like hoan        cd         audiophob
spherical disrupted               barriere                          cd         audiophob
nerthus                           urban                             cd         audiophob
mandelbrot                        thorns                            cd         audiophob
zero degree                       the inner realm                   cd         audiophob
v.a.                              hyperakusis                       cd         audiophob
mandelbrot                        evolution                         cd         audiophob
spherical disrupted               quasar                            cd         audiophob
alarmen                           next                              cd         audiophob
telepherique                      stahl und stein                   cd         waystyx
telepherique                      bionik                            cd+lp      laub records
contagious orgasm / flutwacht     inspection of 1 hour              cd         sssm
impulsantwort / telepherique      bewegung der klangmasse           cd         thesonicabyss
maurizio bianchi / telepherique   the house of mourning             cd         radiotarab
telepherique                      musique montage                   cd-r       blade records
pbk / telepherique                noise-ambient connection          cd         monochrome vision
telepherique                      zivilisatose                      cd         diophantine discs
hentai                            toy factory                       cd         vital
v.a.                              four studies for a human portrait cd         vital
hentai / nordvargr                semen                             cd         vital
v.a.                              audiotion - sonic tribute to takashi2cd
                                                                      miike    vital
kotodama                          captured voices                     cd       vital
kk null                           akumu                             cd         vital
the [law-rah] collective          isolation                         cd         www.darkambient.net
end                               the sounds of disaster            cd         ipecac
cat-nr.         price € quantity   date             info
act241            12.80            11february2k10   three years after his first album andreas brinkert (bipol) has released his second album entitled 'fritter a
act244            12.80            19february2k10   in 2008, régis baillet and jérôme chassagnard decided to pause their project ab ovo and to continue w
¥775              12.80            12february2k10   john and paul healy a.k.a. somatic responses are aurally focussed on complex dislocated & broken be
¥780              12.80            16february2k10   recorded over 2008/2009 in melbourne, berlin and prague, snog‘s 'last of the great romantics' is truly a
¥781              12.80            22february2k10   for years he has made a name for himself in the modern electronic music scene but the most outstand
¥626g             14.80            22february2k10   black shirt w/ oversized frontprint in black & dark grey ink. one-sized girlie-shirt.
¥626s             14.80            22february2k10   black shirt w/ oversized frontprint in black & dark grey ink. size small.
¥626m             14.80            22february2k10   black shirt w/ oversized frontprint in black & dark grey ink. size medium.
¥626l             14.80            22february2k10   black shirt w/ oversized frontprint in black & dark grey ink. size large.
¥626xl            14.80            22february2k10   black shirt w/ oversized frontprint in black & dark grey ink. size extra large.
vaultworks-d2      7.90            09february2k10   dub remix ep of the lustmord album [ o t h e r ] featuring adam jones of tool. total length 40:12. cardboa
hyh-189-1         10.90            09february2k10   dub remixes from lustmord's [ o t h e r ] album, by justin k. broadrick (jesu, godflesh, final) and lustmor
ta036             15.90            09february2k10   tympanik audio‘s highly-anticipated new compilation release celebrating entry into the label's 3rd year
mhz-cd06          12.80            now !!!          with their debut album ianus the italian-german band sensory gate delivers a musical and lyrical retros
sssm-111          13.40            now !!!          new full length release since 3 years after 'ripple' on ant-zen. from the outside space to the inner space
brume22           14.40            now !!!          both the debut 'hierakonpolis' and the completely sold out follow-up 'nyarlathotep' were said to be som
trauma018         13.40            now !!!          take prodigy, stir violently, add to it an aphex twin with a small dose of venetian snares over and many
trauma019         13.40            now !!!          remember about the old 'united we stand, divided we fall' slogan? punish yourself ('cult movie', 'pink pa
hs003             13.40            now !!!          the project mnemonic around michal belletz and sebastian schulz has been around the electronic mus
hs004             13.40            now !!!          the last gambit originated in 2008 by mnemonic member michael belletz and graphic designer danny f
lmc1001           13.40            now !!!          i/dex (vitaly harmash) is a musician and an audio-designer from an industrial city of novopolotsk, belor
zhark-12019       10.90            now !!!          ltd edition 250 copies pressed on silver vinyl. treachery - the us based three piece (hecate, abelcain, s
subversion014      7.70            now !!!          the most relentless sub/version release so far! two mighty tracks combining a wall of sound with rave h
dm12003            7.70            now !!!          darkmatter soundsystem frequents their third visit to vinyl (dm12003) this time around with the souther
adn124             8.20            09february2k10
black50            3.50            now !!!          76 page b/w magazine in german language - feat. interviews / articles about peter christopherson, willi



acsa004            5.90                             russian electronika ambient, full of shy thin drills and drums. freezing jazzy drums & melodics ambienti
acsa005            5.90                             a little fast speedtek break! surprising russian production with a good high sound. kind of a japanese fa
acsa006            5.90                             a fantastic good surprise for a good dry breakcore minimalism... good one!!
addict-ss05        5.90                             the 5th opus on this serie of 6... and a real feeling of being trapped by the big man machine remixes...
red007             4.90                             the flood' is a collaboration between bristol-based diy rhythm fiends big joan and a bunch of lunatics w
bc-1-cd            5.90                             ordinateur is a japanese artist musically based on industrial, noise and techno. on his' label brainchaos
crock012           5.05                             all four white cock vinyls on one single cd! featuring: jason forrest , bong ra, duran duran duran, xanop
crock014           5.05                             it took three years to record this album and an additional year to be released - but to make a long story
crock018           5.55                             he‘s back! it‘s been 2 years since jason forrest released his last full-length album, and 5 years since he
maddestcock1       4.40                             a small 12''-only series of tracks from osaka based maddest chik‘ndom records. crazy gabber/rave tec
vrock003           4.40                             vinyl version of crock003 cd. full-colour cover.
vrock005           4.40                             vinyl version of cock rock disco crock010.
vrock006           4.40                             completely over the top thrash-rock that‘s been fucked up by computers, the assdroids make their deb
vrock007           4.40                             vinyl version of cock rock disco crock007 - in association with addict records (addict017).
whitecock03        4.40                             if you have ever tasted one white cock, you will yell for more - well, here's some more! play loud!! white
com-106            4.90                             the mutation engine' is the 4th album from neutronic and the project's most intense and complex work
com-113            4.90                             todd gys remains one of the progressive sonic minds of the next generation of electronic producers, sp
com-115            3.90                             mochipet drops his first cd on component. full of frantic breaks and 'happy darkness'. complete with re
com-117            4.90                             on jvox's second full length album(and first on component), brooklyn's joel tallent presents varied selec
com-121            4.90                             feel my china is the brand new remix collection from mochipet with fourteen of the most amazing break
core_007.2         9.90                             same tracklisting as the vinyl version.
dsr7.0             5.90                             'rhythmic danger in overdrive... rootical rally-cry uproar.' -simon reynolds on dj ripley. now disturbing ne
dsr15              4.90                             dj c continues to drop his mashed up mix of hip-hop, bashment, grime, bounce, jungle, rock, folk, bhan
dsr18cd            4.90                             death$ucker records releases the secret weapon of the bristol underground music scene on an unsusp
dsr19              4.90                             vinyl excerpt of red7 comprising the maiof, shitmat and parasite mixes alongside the original version o
dsr20              4.90                             monkey steak, the electronica duo comprised of hanuman and atki2 (shadetek, combat) were formed i
dsr21              4.90                             acrnym is 21-year-old calum gunn from glasgow in scotland. he's been making noises with computers
dsr23              4.90                             dj c continues to drop his mashed up mix of hip-hop, bashment, grime, bounce, jungle, rock, folk, bhan
dsr29        4.90   krumble (aka the disco breaker) brings his unique blend of choppy breakcore and cut-up jungle bass te
plate 2      4.04   "i prefer crunchy bits in my ice-cream really! my earliest memory ...i am trying to remember, there is a c
plate 3      4.04   ―too much curry encourages ringburn, which does not come recommended; stay away from vindaloo u
plate 5      4.04   'perhaps it was the claustrophobic restaurant, the foreign environment, the caffeine, but my stomach g
plate 6      4.04   "regular cookies out-of-the-box are nice, of course, but it can get so much better. cookies dipped in ho
plate 7      4.04   'mandarins are a most popular food for christmas time in russia - our grandparents even had this tradit
plate 8      4.04   'basically, carrots are like peanut-butter and jelly, they are so dependable and always in the fridge; with
plate 9      4.04   'yes!! we're both ace carnivores! vitamin f & b plus proteins, which means: it's good for your brain!' – b
dtk03        6.90   direct from toronto‘s own dross:tik records comes this brash, brazen, impudent full-length release from
dtrash104    7.90   the music of blipvert combines noise, fractured dancefloor rhythms, robotic vocal chants, and alien sou
whol 6       5.90   dark, rich, clear sounds from the center of the earth. a dark smoothering atmosphere produced by quie
whol 8       4.90   a hybrid of meditative electronics and ambient soundscapes combined with subliminal noises and arct
whol 9       5.90   nerv.sys's topic is distress as a result of technical evolution in industrial civilizations. the collage-based
null01       2.90   feat. the galan pixs, snog, biopsy, imminent starvation, netz, n.e.w.t., lf project, organized noise, it, syn
null02       2.90   a hybrid of electro, pop, crossover and break beat with an outstanding singer, their music is equally fas
null03       2.90   an individual mixture of melodious ebm, electro-pop, dark wave together with influences from the origin
null04       5.90   a futuristic contact beyond the barriers, realized by two of electro-industrial genre's most regarded mus
null05       2.90   explore the sound of this innovative & unique collection, but be prepared to be manipulated. mostly un
null08       2.90   incorporating hard danceable rhythms, ever evolving bass-lines and probably the most psychedelic vo
null10       2.90   'spies' is a french based multimedia activists with an untamable desire to reach music in a global way.
null12       2.90   'u.f.f.' is the second outing of implant on flatline records, it continues where 'kmputor' finished and blen
null13       2.90   h_m_b is far more than simply another side project of daniel myer, this long awaited album is the outco
flyco001     2.90   kybernaut is a japan / german based project and produce quite an aggressive, dark and moody music
flyco002     2.90   vinyl version of flyco 003, incl. 2 alternative cd-track versions.
flyco003     3.90   eclectic hi-tech drum‘n bass vs. a lurid mix of gritty soundscapes and unrelenting heavy beats. abstrac
fon02        5.90   this is monstrares second full length cd that delves deeper into the darkest reaches of humanities horr
fon05        5.90   jarl has already taken the world of dark electronic music by storm as one half of irm, hailed the world o
fon06        5.90   c2 is a bombastic journey into dancefloor bliss. hard destructive dance tracks boardering on hardcore,
fon11        5.90   over four years in the making and clocking in at just over an hour - vessels, the first proper full-length f
fon12        5.90   defying easy categorization, synnack.s v2 is perhaps best described as experimental electronic music.
fon13        5.90   mondegreen, 13th release on rhode island.s force of nature productions, is distinctly a more reflective
femcd1       5.90   sbc combine both organic and electronic elements of noise, musique concrete, glitchy electronics and
femcd3       5.90   kreptkrept is one of many projects by mn based electronic musician, cordell klier. with kreptkrept, cord
femcd11      5.90   'medical breaths' features 13 brand new tracks of schizoid, cut-up, hip-hop influenced idm rhythms com
femcd12      5.90   following the well received 'still' cdr debut, n0nplus return with a stellar new ep entitled 'keep me here'.
hiv.18       5.90   the debut full length album from these underground beat wreckers is finally here! mash up have made
hiv.27       5.90   among electronic musicians, there are few able to infuse a real human element into their compositions
hiv.31       5.90   absolutely essential, panic lift‘s sophomore effort after the ep dancing through the ashes is a monume
hsh15        3.93   the monorail provided by les enterprises hushush will take you on a journey to our own world fair, an e
hyp01        6.90   not an album, more a document: a live recorded in nantes (25 03 2000). the live conception for the duo
n.002        7.90   the multiple-facets artists kirdec (cedric fermont, also known as c-drik) is back with a great 4-track ep.
kk1          5.90   feat. black lung, scanner, aube, pasca, fever, stephan mathieu, keramik, din s.t.. - jewelcase edition
mancd47      6.90   a compilation of rare tracks originally released between 1995 and 1997 on vinyl, cd-r and on various co
oecd075      5.90   for this release massimo magrini was joined by the italian cyberzone-writer tommaso lisa. so the album
on002        4.80   'brilliant follow-up to on's 4-track comp, this time featuring tracks from adam johnson, mr projectile, aut
on103        4.80   on records presents a 6 track 12'' ep by dutch talent nynack. 'venetian snares fans out there need to ch
on205        6.00   autophonic was one of the first to come with electronic listening music on the rotterdam dub label from
pflicht08    6.00   the long awaited collaboration project of noisex & hypnoskull. cybernetic:fuckheadz> was created as a
pflicht10    6.00   this album features a live concert performed by p.a.l in aachen/germany during maschinenfest 2001. th
pflicht12    6.00   config.sys does not care about any rules. on this cd you will find industrial combined with different mus
pflicht15    6.00   a document of the legendary reunion performance at the maschinenfest, aachen/germany, october 200
pflicht18    6.00   the second episode for pow[d]er pussy is a fact! after their first well-received 3'' epcd ('one day'), on pfl
pflicht19   12.00   contains the 'don't like' cd (pflicht20) plus bonus vinyl lp. the seven untitled lp tracks are less rhythmic
pflicht20    6.00   dark rhythmic industrial stuff from a new german project - enjoy at home, enjoy on the dancefloor. tinbo
pflicht24    6.00   how does a building sound? or a statue? what does one get if paint is replaced by sound? are canvas
pflicht25    7.00   exclusive tracks from almost all performing bands of the maschinenfest 2005. feat. az-rotator, empusa
pflicht26         5.50   pow(d)er pussy's third strike! six tracks showing the two pussies' claws and fangs once more - get up a
pflicht27         6.00   this very complex and intense sounding cd offers a nucleic mixture of industrial and power noise music
pflicht28         7.00   exclusive tracks from all performing bands of the maschinenfest 2006. feat. hysteresis, the law-rah col
pflicht29         6.00   coming out after suicide inside's debut album, 'theory of the arising of desire' (pflichtkauf), the new one
pflicht30         6.00   more darkness, more rhythm - the second strike after 'don't like'! packaging: digipak printed on special
pflicht33         7.00   featuring tracks from all performing bands of the maschinenfest 2007 (mostly exclusive). feat. skincage
ziq126cd          5.00   'kyler is the latest alias of sonic changeling henry collins (aka shitmat). in his new guise, he creates mo
ziq128            4.00   is this uk's next generation? features dolphin and the teknoist in a healthy face-off to see who can mel
ziq132            4.00   supercatchy new grime hit (with the use of helium octave samples) by the everbusy mark one and his
ziq132r           4.00   remix plate with works provide by virus syndicate and jammer. 'ready to learn' and 'major list mc's' rem
ziq135            4.00   'scientific wax's breakage finally releases these two blissful tracks which seem to have been on dub fo
ziq138cd          5.00   'this one's for you, the fourth full-length release from portsmouth, uk's christopher reeves (aka the gasm
ziq142cd          5.00   dr. kohei (aka the filth (aka gxcx (aka guilty connector))) is a japanese human/noise-machine hybrid th
ziq143            4.00   the planet µ imprint brings you shitmat, chevron and labelboss µ-ziq on just one plate. its not exactly w
ziq160cd          5.00   it's not all dubstep and breakcore on planet mu: l.a. based tom burbank delivers a crunched up melodi
ziq160v           5.00   vinyl version of ziq160cd
ramadan01         3.00   ramadan recordings was launched in april 2001. this imprint deals solely with deep, kafkaesque!! hip h
ramadan02         3.00   neoclassical' presents a more depraved laptop based approach to hip hop loopism combining classica
rr-001            6.70   breakcore from a new u.s. label - their first release features selector catalogue, aneurysm, deucalion, d
singularity001    4.40   a new project from underground producers of the london techno scene. shedding the more commercia
scd005            8.00   embracing elements of decadent capitalism that even most westerners would shy away from, zany rus
scd010            8.00   'the hard-liners of russian-style ―easy listening‖ music messer chups have released their eighth 'horror-
scd025            8.00   'messer chups is a side project of one of the members of russia's messer fur frau muller. each of their
scd030            8.00   very nice sci-fi retro-easy listening music from russia - produced by messer-chups mastermind oleg git
scd032            8.00   the story: the sixth album of the member of mffm oleg gitarkin, who is cooking the lounge-surf, like the
scd046            8.00   european version of ipecac ipc49 cd. jewelcase edition. incl. 3 messer chups remixes.
scd048            8.00   second release from russian retro-electro project kim&buran, packed with 60's-style twist, rock'n'roll, sa
sgx 01            2.92   click click remains one of the most original electronic bands of all time, originally formed in 1982 adrian
sgx 02            2.92   sonic grove experiments proudly releases 5 cuts of future ebm from the legendary band pankow. forme
sssm-101          3.90   a telepherique mail-art project: the mail-art orchestra. contributors: telepherique, roger rotor, vromb, co
sub.001           5.90   sub.session is a compilation of work by bands that explore the abstract world of digital sound. featuring
syrphe-s002       6.90   compilation including noise, experimental, electro-acoustic, ambient, electronic artists from algeria, mo
syrphe-s004       6.90   electro post-punk, doom, industrial from singapore and belgium.
syrphe-s005       6.90   post-rock electronica from singapore.
td001cd           4.90   crimson introduces your ears to many different styles of eclectic electronic music ranging from broken
td001v            4.50   crimson introduces your ears to many different styles of eclectic electronic music ranging from broken
40-03             5.90   manchester based iyunx productions aka yunx brings a six tracks album of exactly 40 minutes of beau
v2.0              3.90   meditative electronics and ambient soundscapes. a collaboration of pure (austria) & ultra milkmaids (fr
v3.0              3.90   feat. james plotkin - matthieu maire - yves daubert - marie daubert - sheila mata. james plotkin & matth
v3.1              3.90   limited vinyl version of 400 copies
v4.0              3.90   7 tracks melting slow motion melodies to creepy break beats, an absolute journey into colourful and so
v5.0              3.90   links is the third album from the french project oil 10. technoid forms deal with upbeat and spacey wav
v6.0              3.90   first full length album for the french aspic duo, pop exeriment, mixing drowned beats with melodic strat
v7.0              3.90   space casino is the first lp of the parisian group archipel.it combines traces of music from multiple orig
v8.0              3.90   through this side project, silk saw members are explorating purified and abstract compositions. their w
v9.0              3.90   this album is the first release of the drahomira song orchestra, the musical subsidiary of the multimedia
v10.0             3.90   logatomistes is a sideproject of rob[u]rang (silk saw, jardin d'usure, moonsanto...) john sellekaers (amb
vm0017           12.80   the movie based on true events and included live shows with best songs of ambassador21 in denmark
vf003cd           8.90   'bird heart in wool' is the debut album from textile ranch, the solo project of glen johnson from piano ma
vf013cd          11.50
vf022cd           8.90
wood003           3.90   on this record, droon celebrates his' sincere love for america, (really!) his' love for dance music and pa
zod.12            4.90   there is in the musical mood that runs through this recording, a certain poignant quality all too rarely fo
zod.15            2.90   using organic sounds to create the unspoken melodies of objects found, soplerfo takes from the palett
zod.20cd          4.90   many contributed to make this compilation of ideas into one main idea that cannot, and should not, be
zod.20v           3.90   many contributed to make this compilation of ideas into one main idea that cannot, and should not, be
zod.22            2.90   a trancelike and circular synth line discordantly dissipates into claps and competing keys that are then
zod.23            4.90   with this, his first foray into the professional production and distribution of his art, bristol uk's bin ray ha
zod.30            4.90   'congratulations on finding this excellent album by emotionaljoystick! this record is appropriately name
zod.31            4.90   we are extremly proud to bring the music of japan‘s himuro to you. funky beats and an intense atmosph
zod.33cd          4.90   there's no guide or manual for what mystery palace does, no easy clockwork formula hidden in the min


act109           10.50
act143.3         12.80
act145.4         13.40
act170           12.80
act197           12.80
act202           12.80
act222           14.40
ikon62g          14.80
¥042              7.90
¥043              7.90
¥759             12.80
c8               12.80
t3g              14.80
vaultworks-e7    14.90
s18              13.40
psy-061          12.80
adn46            13.40
adn47             8.20
adn52             8.20
adn54             8.20
adn56            13.40
adn74             8.20
adn75             8.20
adn80            13.40
on104             4.80
brume11          13.40   o.t.x is a much talented 26-year-old anglo-italian composer whose first album 'escape' is presented on
ar26             12.80   the new fulltime-album from the german industrial legend - stylistically between rhythmic old-school ind
7m ohm           13.40   end.user is one of the cornerstones of the modern eclectic electronic music. support from bbc radio's m
msadv0.03cd      12.80
core_005         12.80
nasdia003         8.70
junk04            7.00
bb016             8.50
monkey tool 01    9.80
monkey tool 03   10.20
toolbox ltd02     8.70
toolbox ltd06     8.70
toolbox ltd07     8.70
dsr17             7.70
zhark-12006       7.00
vf002cd          12.80
slr1701           9.90   belladonnakillz is one of the most unique artists to grace the electronic music scene in what seems like
d1024cd          10.30   as the sub title says ‗designer drug musick‘. this album is predominately analogue synth instrumentals
d1026cd          10.30   ambient noise from this japanese cult project.
d1037cd          10.30
d1047mcd          7.90
treatment 02     10.30   the remarkable debut from r|a|a|n (stig berg) and the second release on malignant records' sister-label
belio11           8.00


act51            12.80   a concept album on the research and effect of röntgen radiation. solid electronic collagework combine
act59       12.80   imminent starvation forges industrial-strength style techno with barbaric schizophrenia. they construct
act71       12.80   this is the 3rd cd by telepherique. they offer the most complex soundscapes by combining elements of
act72       12.80   a collaboration between olivier moreau, john n. sellekaers and c-drik. ambre finds its strongest power m
act82       12.80   ultra dark dronings and complex harsh rhythms for a utopia of the scientific process, not without a touc
act87       13.90   an incredible vast spectrum of noises and structures from dark sounddrones and powerful electronic rh
act93       12.80   release' is a caustic bubble of beats and sub-bass sounds mixed with electronic weirdness and mecha
act94       12.80   patrick stevens aka hypnoskull combines the power of pure analogue electronics with harsh rhythm str
act98       12.80   a collection of electronic minimalism, pure-tone synthesis and computer-generated sound. this is expe
act99       12.80   expect and embrace the lust to fuck with dissonant noises and bombing crunches - rapid distorted bea
act102      12.80   hostile inorganic atmospheres are interrupted sharply by merciless distorted beats - a subliminal war h
act103      10.50   screenwalking' is the conclusion and essence of state-of-the-art rhythmic power electronic noise featur
act105      12.80   ―distorted disco‖ is on one hand the musical interpretation of asche‘s visual works, a soundtrack for im
act106      12.80   systematic division of the soudscape, namely: cuts of the ground, angledozers in bulk, walking on a he
act107      12.80   state-of-the-art rhythmic post-power electronics intelligent dance music. starting off with doom frequen
act108      12.80   oscillating, minimalistic frequencies, rotating sequences and bubbling technoid sounds describe vromb
act111      12.80   static hisses and expansive drones lay the foundation for retro-sci-fi bleeps and twirls on top of pulsatin
act113      12.80   blast furnace is the second toxic candy by the seattle-based project converter. the constructor, scott st
act114      12.80   anarchic industrial techno, hard hitting electronic rhythms, cold electro… the world of hypnoskull is an
act115      12.80   azure skies, a project who are no less than mental destruction and the two musicians of sanctum. sole
act116      12.80   the firstborn has grown up. and axiome (aka olivier moreau of imminent and performance artist c-drik)
act117      12.80   having gained tremendous experience through various side projects and thus having reached such a h
act117.7    31.10   limited edition. incl. positive pop cd + triple 10'' vinyl with alternative outtakes by synapscape and remix
act119      10.50   exulting in his purely digital being david thrussell is intent on building skyscrapers of ultra-distorted sou
act119.1    10.50   vinyl version of act119 cd-ep.
act120      12.80   david thrussell aka snog, black lung and renowned for various other musical projects offers with this re
act121.10    7.90   after the pulsating soundscapes of the concept album 'episodes' and the electro-acoustic 'first chapter
act121.3     7.90   cd version of act121.10.
act122      10.50   dark atmospheres aggravate to cold, sheer fear; the ultimate threat. massive beats, torn to shreds by m
act123      10.50   erode is a collaboration project of the bands converter, asche & morgenstern. sounds, samples & struc
act124      10.50   what originally started as a collaboration in 1999 between celluloid mata and ultra milkmaids, later evo
act125      13.90   ‗spectrum‘ is a dossier of tracks, which are hard to find. all of the cd tracks of this double set (and mos
act127      10.50   following his first album on noise museum and some collaborations, uncle rob(u)rang is yet again rede
act129      12.80   ant-zen proudly presents the phantastic debut album of this artist. what l'ombre's works are about: atm
act130      12.80   modern times' continues telepherique's conceptual work - creating music on and about basic topics. 'm
act134      12.80   hypnoskull's fourth album in a row on ant-zen, 'operation tough guy [ready to scream, ready to die!]' is
act134.1    13.40   the double 12'' set contains excerpts from the operation tough guy! cd and songs from the previous hy
act134.4    22.60   the boxset includes the operation tough guy! cd, the operation mean machine cd (exclusive material +
act136      12.80   once again, you can hear klangstabil's uniqueness on this long awaited release. the musical variety of
act137      12.80   those who are familiar with ant-zen know that synapscape (aka tim kniep and philipp münch) needs no
act140      12.80   ambre's second full length release explores a new direction in sound - this will be especially evident fo
act142      12.80   imagine someone stealing small bits from other genres - genres as diverse as tribal, ritual, techno and
act143.10   12.80   vinyl version of 'expansion 1.3'' w/ same tracklisting.
act148      12.80   it‘s hard to believe that revolutionary hardcore drum‘n‘bass producer mathis mootz, more commonly kn
act149      12.80   an artist has 10 to 20 years to make his first album and one year for the second one. if a debut is acce
act150      13.90   for centuries zen masters have said that daruma is zen. perhaps it would now be appropriate to say th
act151      12.80   vromb's intention on 'rayons' is to translate several kinds of rays into music – ranging from sunbeams t
act151.1    10.50   vinyl version of act151.
act152      13.90   after the re-release of '7 years of famine' ant-zen presents the first part of this morn' omina‘s 'nyan' trilo
act153      12.80   the open minded listener knows marc medea as one half of the belgian duo, silk saw and now the liste
act154      12.80   roger rotor has worked as an electronic musician since 1993. his first solo record was released in 1999
act155      12.80   after six years and several releases on different labels, matthieu maire decided to cancel all activities t
act158      13.90   in 1991, jérôme chassagnard and régis baillet started their sound explorations as a unit named ab ovo
act159      12.80   upon the circulation of his first short story collection, altmann‘s tongue (knopf, 1994), author and profes
act160      12.80   ultra milkmaids started in 1993 as a trio. the third member, oliver, left the group in 1997 and the remain
act161.1    13.40   vinyl version of ant-zen act161.
act164.4    10.50   unlike the last black lung release, 'the sound of meat', david thrussell's new opus is strictly instrumenta
act165     12.80   the one man project genetic selection, was founded in 2002 and in 2004 he will unleash the ‗orbital gro
act166     12.80   all the tracks on this album are based on material composed especially for a french play called ‗les cha
act167     12.80   t.kniep and p.münch have finally finished their first full length album since 2001 and compared to other
act169     12.80   ant-zen presents stephen sawyer's follow-up to last years 'simulations 1.0'. once again, the listener div
act172     13.90   it took this morn' omina three years to reach the next part of the 'nyan' trilogy, and it was worth the wait
act173      7.90   szkieve is dimitri della faille who founded the project in 1998. besides several szkieve releases, dimitri
act174     12.80   ‗dark skies over planet e.‘ contains no less but 16 groundbreaking new tracks and an additional bonus
act175     15.90   mimetic is the solo project of jerome soudan - a drummer for european industrial and experimental ban
act177     12.80   gjöll are two individuals, jóhann eiríksson (member of the musical projects reptilicus and product 8) an
act179      7.90   on september 9th 1999 the belgian alien axiome saw the light of day and through the years his parents
act180     12.80   andreas glöckner aka moctan (synthesizer, sampling and programming) has been perfoming since 199
act181     12.80   being a member of the legendary, now defunct german industrial project thorofon, geneviéve pasquier
act182     12.80   in december 2003, berlin was invaded by a bunch of rabbits, attacking the audience of a three day fes
act183.2    7.20   excerpt from mission report: '...el paso to valentine to del rio. arrested three mexicans ... bootleggers. i
act183.3    7.20   hunching his shoulders against the cold, pelting rain, phil slipped a hand under his caped coat to assu
act184      7.90   following 'the grand chessboard' is david thrussell's next strike. it seems pretty logical that a release de
act185     12.80   in the year 2504 d.c. a non-human lifeform was found on a colonized planet and was attacking the colo
act186     12.80   8 reports is an album that can be seen as a conceptual work. eight tracks (eight 'reports') about the cu
                   if   hypnoskull's
act187     12.80   recent work
act188     12.80   with this new release, morgenstern are officially andrea börner and andreas schramm (asche). over th
act189     12.80   yann faussurier's work can be defined as a combination of dark fearful ambient soundscapes and heav
act190     12.80   the ultra milkmaids can be found in unusual places: record stores, stages, maybe even on video cover
act191     12.80   geneviéve pasquier's debut cd 'soap bubble factory' introduced this outstanding artist to listeners who
act192     12.80   seven tracks by synapscape and six tracks from asche - this could have been 2 new cd-eps. well, here
act193     13.90   there is a theory that track 2 on a cd is the cd's "hit". on this 2cd package, track 2 is 'domination' - enou
act194     12.80   ‗the coming dark age‘ features an electrotechno and sociopolitical theme through avant-garde instrume
act195     12.80   two years have passed since genetic selection's last strike. the concept album 'darwin's voyage' showc
act196     12.80   during the last ten years sonar has become one of the most well-known and appreciated rhythmic-indu
act199     16.00   the fetid fungi is d.thrussell's second spoken word album. like 'the voices of reason' it can not be seen
act201     12.80   andreas brinkert a.k.a. bipol (synth, sampling, programming & arrangement) has been active since 199
act203     12.80   2006. six years have passed since 'release'. long-awaited - by listeners, by fans, by the artist himself -
act204     10.50   first came 'karmageddon', then 'the coming dark age' - together with 'concrete octopus' david thrussell
act205     12.80   guten abend meine damen und herren, are you ready for hypnoskull? like a brick thrown into your intes
act206     12.80   it has been two years since 'remote' and now s:cage has returned with 'madness turns to glass'. with th
                   on their second
act207     12.80   release, jóhann
act208     12.80   following the fantasy influenced 'war of sound', the exotic 'aswad' and the haunting 'frozen spark', math
act209     12.80   the bielefeld based live / studio project punch inc. was founded in august 2000. both protagonists, a. b
act210     12.80   tzolk'in is a collaboration between empusae and flint glass - artists who are known in the fields of dark
act211     12.80   hiroshi hashimoto started releasing music twenty years ago as contagious orgasm. right from the begin
act213     12.80   100blumen's roots are in guitar (punk, grindcore and metal). from the beginning his political stance wa
act214     12.80   what is twinkle? better ask what are twinkle, because this is a two members project: yves cornu & j.-b.
act215     12.80   proyecto mirage was founded in 1990 by alicia h. willen and francisco planellas. they were initially influ
act216     12.80   the idea of producing a concept album about chess arose in the summer of 2005 when boris may start
act217     12.80   with their sixth full length album synapscape (t.kniep and p.münch) continue and evolve what they star
act218     12.80   this normandy project defines its very own universe including distinctive burton-esque graphic works a
act219     12.80   rené klimaczewski a.k.a. klima is well-known for his collaborations with artists like converter and archit
act220     12.80   von magnet dreams of the existence of other possible paths; thin and minute. those tightrope walking p
act221     12.80   many listeners will have expectations about this release as mika goedrijk is well-known as the masterm
act224     12.80   this time the [law-rah] collective is martijn pieck and bauke van der wal. bauke is the founder and origin
act225     12.80   though he started as a dj that focused on electronic sounds, ahnst anders wanted to present his own c
act226     12.80   lingouf's second album on ant-zen illustrates a further exploration into this artist's very special aural an
act227     12.80   the dynamic duo from bielefeld is back - one and a half years after 'now', tim kniep and philipp münch
act228     12.80   for their second album exocet has transformed from two persons into one. Beyond realizing his own cr
act229     12.80   stephen sawyer took his time with his recent release - more than four years have passed since simula
act230     12.80   with 'come closer' andreas glöckner joins the ant-zen racing team for a second time - perpetuating wha
act231     12.80   three years after soap bubble factory and virgin pulses, ant-zen is proud to present geneviéve pasquie
act231.1   20.50   special limited edition of act231 w/ oversized 22page booklet (21x21cm) and inserts.
act232       10.50   five years have passed since the self-contained 'drake equation'. this ep is also a stand-alone release
act233       12.80   although the electronic sound assaults seems like a long way from this artist's punk rock roots, the ins
act234       12.80   full spectrum dominance sounds more like black lung than any previous record: a unique and powerful
act237       12.80   on their third full length album this icelandic project continues its ideological struggle against men's arr
act239       12.80   imminent starvation has been a leading light in the intersection of powerful industrial music and advan
act243       12.80   100blumen's third album on ant-zen is a very comprehensive and elaborate one that displays a perfec
ikon25        3.70   solid silver metal pin
ikon33g      14.80   black t-shirt w/ glowing frontprint and silver backprint. one-sized girlie-shirt.
ikon33s      14.80   black t-shirt w/ glowing frontprint and silver backprint. size small
ikon33m      14.80   black t-shirt w/ glowing frontprint and silver backprint. size medium
ikon33l      14.80   black t-shirt w/ glowing frontprint and silver backprint. size large.
ikon33xl     14.80   black t-shirt w/ glowing frontprint and silver backprint. size extra large.
ikon33sm     26.30   black hooded sweatshirt w/ glowing frontprint and silver backprint. size medium.
ikon33sl     26.30   black hooded sweatshirt w/ glowing frontprint and silver backprint. size large.
ikon33sxl    26.30   black hooded sweatshirt w/ glowing frontprint and silver backprint. size extra large.
ikon48g      14.80   black shirt w/ yellow and black frontprint (logo). one-sized girlie-shirt
ikon49g      14.80   black high quality shirt w/ silver print. morgenstern logo on front and morgenstern font on sleeve. one-s
ikon50cm     25.70   black casual shirt (short sleeves ) with silver print on front (the ant) & back ('ant-zen' in japanese). shirt
ikon50cl     25.70   black casual shirt (short sleeves ) with silver print on front (the ant) & back ('ant-zen' in japanese). shirt
ikon50cxl    25.70   black casual shirt (short sleeves ) with silver print on front (the ant) & back ('ant-zen' in japanese). shirt
ikon50rjs    49.00   black heavy duty road jacket (man) with silver print on front (the ant) & sleeve ('ant-zen' in japanese). ja
ikon50rjm    49.00   black heavy duty road jacket (man) with silver print on front (the ant) & sleeve ('ant-zen' in japanese). ja
ikon50rjl    49.00   black heavy duty road jacket (man) with silver print on front (the ant) & sleeve ('ant-zen' in japanese). ja
ikon50rjxl   49.00   black heavy duty road jacket (man) with silver print on front (the ant) & sleeve ('ant-zen' in japanese). ja
ikon55g      14.80   black shirt w/ embossed grey printing. frontprint ('beware the ants' in japanese) & back print (ant-zen a
ikon70m      14.80   black t-shirt w/ frontprint in silvergrey & white ink. plus klangstabil button. size medium
ikon72g      14.80   black t-shirt w/ frontprint (vromb + logo) in glow in the dark ink. one-sized girlie-shirt.
ikon75hzgs   34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo +
ikon75hzgm   34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo +
ikon75hzgl   34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo +
ikon75hzm    34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo +
ikon75hzl    34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo +
ikon75hzxl   34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo +
ikon76xl     14.80   black t-shirt w/ frontprint in white & metallic grey-blue and backprint in white. size extra large.
ikon77s      14.80   black shirt w/ white and lime-green frontprint. size small.
ikon77m      14.80   black shirt w/ white and lime-green frontprint. size medium.
ikon77l      14.80   black shirt w/ white and lime-green frontprint. size large.
ikon77xl     14.80   black shirt w/ white and lime-green frontprint. size extra large.
ikon78m      14.80   black t-shirt w/ frontprint in red & dark silver and backprint in dark silver. size medium. plus button.
ikon78l      14.80   black t-shirt w/ frontprint in red & dark silver and backprint in dark silver. size large. plus button.
ikon78xl     14.80   black t-shirt w/ frontprint in red & dark silver and backprint in dark silver. size extra large. plus button.
ikon81g      14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. one-sized girlie-shirt
ikon81s      14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. size small
ikon81m      14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. size medium
ikon81l      14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. size large
ikon81xl     14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. size extra large
ikon83l      14.80   black t-shirt w/ frontprint in grey & orange ink. size large
ikon83xl     14.80   black t-shirt w/ frontprint in grey & orange ink. size extra large
ikon85g      14.80   dark brown t-shirt w/ large frontprint in black & white ink. one-sized girlie-shirt.
ikon85s      14.80   dark brown t-shirt w/ large frontprint in black & white ink. size small.
ikon85m      14.80   dark brown t-shirt w/ large frontprint in black & white ink. size medium.
ikon85l      14.80   dark brown t-shirt w/ large frontprint in black & white ink. size large.
ikon85xl     14.80   dark brown t-shirt w/ large frontprint in black & white ink. size extra large.
ikon87g      14.80   black t-shirt w/ frontprint in white & dark grey. one-sized girlie-shirt.
ikon87s      14.80   black t-shirt w/ frontprint in white & dark grey. size small.
ikon87m      14.80   black t-shirt w/ frontprint in white & dark grey. size medium.
ikon87l      14.80   black t-shirt w/ frontprint in white & dark grey. size large.
ikon87xl   14.80   black t-shirt w/ frontprint in white & dark grey. size extra large.
ikon88g    14.80   black t-shirt w/ frontprint in silver & dark brown. one-sized girlie-shirt.
ikon88s    14.80   black t-shirt w/ frontprint in silver & dark brown. size small.
ikon88m    14.80   black t-shirt w/ frontprint in silver & dark brown. size medium.
ikon88l    14.80   black t-shirt w/ frontprint in silver & dark brown. size large.
ikon88xl   14.80   black t-shirt w/ frontprint in silver & dark brown. size extra large.
ikon89g    14.80   black t-shirt w/ frontprint in winered & white. one-sized girlie-shirt
ikon89s    14.80   black t-shirt w/ frontprint in winered & white. size small.
ikon89m    14.80   black t-shirt w/ frontprint in winered & white. size medium.
ikon89l    14.80   black t-shirt w/ frontprint in winered & white. size large.
ikon89xl   14.80   black t-shirt w/ frontprint in winered & white. size extra large.
¥017        7.90   a nasty and surrealistic of mixture of techno, industrial and ambient music. produced by john n. selleka
¥019        7.90   steady minimalistic beats and electrostatic movements, deep bass sounds stretch out to give a spacey
¥021        7.90   a mixture of dark ambient soundscapes, hypnotic drum patterns, an impressive stylistic range, emotion
¥022        7.90   oscillating, minimalistic frequencies, rotating sequences and bubbling technoid sounds describe vromb
¥023        7.90   'screenwalking' is the conclusion and essence of state-of-the-art rhythmic power electronic noise featu
¥029        7.90   starfish pool is the electronic project of koen lybaert. it's an electronic project where rhythm will appear
¥031        7.90   lusine icl explores different styles of electronica such as dark-ambient, minimal music and idm, but doe
¥032        7.90   neutral, contrary to the name, is thematic and full of emotion.where her debut, font translation errors ex
¥037       10.50   lusine icl (jeff mcilwain) on his fourth album, iron city, explores a unique blend of lush electronics, danc
¥041        7.90   only on rare occasions do such opposites converge to create an enduring state of struggle. of course h
¥045       10.50   formless, gridlock‘s fourth album and first full-length for hymen, is as far away from the acrid, slight wo
¥046        7.90   yesterday, i went out shopping to get some noise. hmmm…noise. today, the galactic supermarket had
¥047        7.90   a ph.d. candidate in environmental politics at toronto‘s york university, rich oddie revels in the interplay
¥048        7.90   for those rubberheads who consider somatic responses to be idm - thanks in part to their melodically b
¥050        7.90   upon its arrival at the hymen records office, 'nrthndr' caused an unambiguous reaction: a marvellous a
¥051        7.90   rachael kozak is the woman veiled behind the hecate moniker. releasing records on her own label zha
¥053        7.90   somatic responses have become a household name in experimental electronic music by reanimating c
¥054        7.90   ryan friedrich is known from his first release 'azif' in 2002. breakcore addicts who were familiar with sou
¥055       12.80   end.user is one of the cornerstones of the modern eclectic electronic music. releases across many pla
¥056        7.90   5 track vinyl excerpt from ant-zen act239.
¥406       13.40   david thrussell‘s snog project has always been a meme complex - a series of critical cultural concepts
¥408       10.50   look out, here comes dan 'doormouse' martin presenting thirteen tracks of love fueled dribble punk bea
¥411       13.40   the sado-booty ring-master, theromantic toe sniffler, the gangster of dsp is back again! that's right, hym
¥412        8.40   little is known about ove-naxx, a mysterious and extremely talented young musician from japan's highly
¥701       13.90   special etched booklet. exclusive and unreleased material: from chilling ambient drum'n bass, minimal
¥706       12.80   a timeless soundtrack made of pure electronica, characterised by complex rhythmstructures and deep
¥707       12.80   collector's note: dear cherished listener, we here at the international mind control corporation always s
¥708       12.80   this album is free from stylistic limitations, it travels through groovy ambient tunes with surrealistic atm
¥710        8.40   scorn with its unique blend of sub bass and minimalist grooves continues to challenge standard conce
¥711       12.80   share the snog experience. the snog album of studio re-contextualizations and retrospective collabora
¥712       12.80   being a member of various bands and projects like quoit, painkiller, lull, napalm death, just to name a f
¥713       12.80   the brothers john and paul healy, collectively known throughout the world as somatic responses, are st
¥714       12.80   after several years of silence, the sound perfectionists substanz t from frankfurt finally present their 3rd
¥715       12.80   from driven ambient to minimal techno or breakbeat. a imaginary soundtrack with sweet female vocals
¥717       12.80   xhm2 is collaboration between xingu hill and squaremeter (panacea). it's a perfect melting of squarem
¥718       12.80   on her second neutral album, nicole elmer tosses her industrial penchants aside for a more piercing lo
¥719       13.90   five years of hymen records - we think this anniversary should be celebrated with a 'bang'! so for the lis
                   lusine icl (jeff
¥721       12.80   mcilwain) on his
¥723       12.80   this is the third strike of the welsh healy brothers on hymen. they continue their electronic assaults on t
¥725       12.80   the term 'science-fiction' often dredges up from memory two things: b-movies, and bizarre, unsettling m
¥729       12.80   frankfurt‘s arne stevens and alex lange of substanz-t return after a 2-year span to release one of hyme
¥730       12.80   david thrussell‘s snog project has always been a meme complex - a series of critical cultural concepts
¥731       12.80   hecate‘s rachael kozak has a thing with collaborations. she paired up earlier this year with lustmord‘s b
¥732       14.40   the belio war sonic assault system (package) comprises two elements: 1) a single compact disc (cd) o
¥732cd     12.80   matka - early-warning ambient siren system coupled to expansive synthesizer foundation; asphalt! - pr
¥733     12.80   neutral‘s nicole elmer is back with a captivating remix album, caller id. less than a year after she redefi
                 liminal space,
¥735     12.80   xanopticon‘s
¥737     12.80   ever prolific, haujobb‘s daniel myer returns for a second album as architect, i went out shopping to get
¥738     12.80   a ph.d. candidate in environmental politics at toronto‘s york university, rich oddie revels in the interplay
¥739     12.80   salome had heard the music for some time now, hecate‘s seven veils of silence. the haunting dulcimer
¥740     12.80   kattoo is volker kahl of beefcake. in a recent interview, volker kahl talked at length about his new album
¥741     12.80   for those rubberheads who consider somatic responses to be idm - thanks in part to their melodically b
¥742     12.80   although only 22 years old, benny boysen‘s musical interests run wide and deep, ranging from bach, b
¥743     10.50   david thrussell's career here takes a new turn and rises to a new high. ten strikingly different versions
¥744     12.80   charles pierce strikes again. this album goes far beyond his previous full length release 'the sounds of
¥745     10.50   three years after their critically acclaimed second album, junctions, dead hollywood stars are back with
¥747     12.80   if the first kattoo album, 'places' can be seen as a soundtrack to an imaginary tv movie then this secon
¥748     12.80   bad karma' is the most unique hecq release to date; a masterpiece of electronica which stands for itse
¥749     12.80   for his second album on hymen, the endless procession, ginormous‘ bryan konietzko digs deep into a
¥749.1   15.40   for those who want more of ginormous‘ epic sound, the endless procession is available as a limited ed
¥750     12.80   within the last few years, lynn standafer has become a well-recognized artist in the breakcore scene. h
¥751     12.80   new york based mad ep (aka iowa native matthew peters) began studying the cello at age 8 and music
¥752     12.80   snog's last full-time-album 'beyond the valley of the proles' was a brilliantly placed shock for many of th
¥753     12.80   french composer thomas p. (age 25) started as a visual artist. he studied at two art schools and as a v
¥755     12.80   once, terminal11's music was described as: it's like hearing a drum machine for the very first time. this
¥756     12.80   there is one trend in substanz-t's musical development and that is its uniqueness. that is, substanz-t d
¥757     12.80   born in widnes and living in leeds, uk keith 'keef' baker has been writing music under various names si
¥760     12.80   language barrier is jeff mcilwain's first album for hymen records since his iron city full length, released
¥761     12.80   tonikom started as tonik in 2002, releasing several now-deleted cd-rs and changed the name to toniko
¥762     12.80   the path you‘re about to take was sculpted, paved and designed by s. talada. he began his musical ex
¥763     12.80   just when you thought contemporary music had nothing new and exciting to offer here come snog to sa
¥764     12.80   a new sign of life from wales - john and paul healy, well-known as somatic responses produced a new
¥765     12.80   if i had more time, i would have written a shorter letter.' in the case of ginormous‘ third album on hymen
¥766     12.80   with (f)light jérôme chassagnard, a member of the french project ab ovo, presents his first solo work. h
¥768     12.80   avutma is the latest release by nebulo after the album kolia, two remixes for architect and hecq, and ev
¥769     12.80   at a very young age, the norwegian one man project hpc started creating electronic music that ranged
¥770     12.80   audio vandalism is the first release by the young artist jb zeller who is based in southern france. this re
¥771     13.90   mighty subbass drones, driving, energetic beats, wonderful piano lines, atmospheric keyboards, doom
¥772     13.90   after finishing the well received 'night falls', ben lukas boysen's ambition for the next album was to be a
¥773     12.80   it was worth waiting more than a year for the second aural manifestation of s.talada's darker self. m.d.'
¥774     12.80   after attracting attention with two cd-r releases, tonikom was signed by hymen records; epoch was the
¥776     12.80   don hill has been creating dark ambient music under the moniker porteur de l'image since 1998. while
¥777     13.90   hymen records celebrates its 12th year of existence with this fine double cd set which includes 33 trac
¥778     12.80   five years in the making, the dangerous class is 17 tracks of audio madness bound together by themes
¥779     12.80   lament element presents a dynamic collision of power electronic styles. crushing distorted beats, lush
¥611xl   14.80   brown shirt w/ black print (front) and orange print (back). size extra large
¥618g    14.80   black shirt . 2c green print on front & sleeve. one-sized v-neck girlie-shirt
x05       7.90   broken beats share a tank of deconstructing standard electronic forms. limited 500 copies
x06       7.90   apocalyptic female vocals underlined by breaks and broken beats. limited 500 copies
x07       7.90   hardcore-melody-punk-rock-electronica w/ dirty metal guitars, euphoric noise attacks and really thick, h
x08       7.90   distorted cut-style + kickin' hard noise.
x10       7.90   straight-up drum and bass beats with spacey vocal samples from known french project.
x11       7.90   for the first time in four years, since the 'alterity' cd on hymen records, this is the first solo release from
c1       12.80   this compact disc is a perverted horrorshow of distintigrating beats, disembodied voices and amphetam
c2       12.80   fraser runciman (a.k.a. fanny) has struck again with his second cd. previously, he has released cdr-s, v
                 you hear the
c3       12.80   knock on the
c5       12.80   besides reports about live and dj activities, there isn‘t much information to be found on subskan maste
c7       10.50   luca venezia, a. k. a. drop the lime, is reigning badass among the likes of kid606, knifehandchop, and
c9       12.80   bernard had been buying mirex releases since the very first, somatic responses‘ tlooz 7-inch, back in 2
c11      10.50   6-track vinyl excerpt from mirex c9.
c13      10.50   the soldier of orange... the dreaded dutchman launches his hardest and deadliest sonic ammunition so
c14      10.50   an explosive monster of a release. steaming violent drum'n'bass anthems and sinister atmosphere gua
c15             8.90   n.y., always a melting pot of cultures and styles. the city that doesn't sleep - and if you make it there yo
t2xl           14.80   black shirt w/ silver front- and backprint. size extra large.
bubble7inch3    7.90   four electronic kraftwerkish italo-electro pop tunes from a new spanish project with female vocals. limit
bubble7inch5    7.90   you have already heard some great 7''es by sensational british 70s/80's retro-electro duo mogul, such
bubble8        12.80   bazooka joe and kaleidoskop are proud to present the rorschach garden's second full length cd which
bubble9        12.80   it has been two years since rorschach garden‘s last album, 'our japanese friends', but the world is still
bubble11       12.80   rasputeen (former rasputin) released his first works on the small bielefeld-based sub.ver.siv-label. alth
bubble12       12.80   they are back! never before has a trg album been as self-contained as 'transfer'. compared to their pre
bubble13       10.50   rotor siffredi and joke stryker first met in 1989 as young recruits in the vatican city's swiss guard. after m
bubble14       12.80   this album offers up the characteristic minimal electro pop trg is well known for. a remarkable featured
pflicht11       9.20   dark atmospheres with powerful basses mixed up with brilliant sounds and hard rhythms. white vinyl, li
pflicht21      13.40   on this long-awaited second album, config.sys follows ulysses' path - although this path leads into dark
pflicht23      13.40   pounding rhythmic industrial from this new german project feat. one config.sys-member. distorted beat
pflicht31      14.40   config.sys have their roots in the industrial- & noise sector - however, breaking with cliches and bridgin
pflicht32      13.40   a dialogue between organic and electronic sounds, merged with a slice of d'n'b and ambient, resulting
pflicht34      13.40   praise this release! here comes the instant salvation for all heathens worldwide, concerning the two m
pflicht37      13.40   suicide inside are back with long awaited new album 'dead red'! mixing together harsh-as-slap in the fa
pflicht38      13.40   a collaboration between config.sys and ahnst anders. config's rhythmic industrial power meets anders'
pflicht39      15.90   featuring tracks from almost all performing bands of the maschinenfest 2008 (mostly exclusive). feat. h
pflicht40      13.40   third full-length album of the german industrial act - noises and rhythms result in powerful dark industrial tune
pflicht41      15.90   another rhythmic industrial shot from the well-known project. cd 2 features remixes by the law-rah colle
pflicht42      13.40   the cd-title leaves little to the imagination. 11 tracks pounding aggressively yet subtly against you skull
pflicht43      15.90   featuring tracks from almost all performing bands of the maschinenfest 2008 (mostly exclusive). feat. n
raub-002       13.40   the groups in the nyköping/oxelösund region of sweden (megaptera, the protagonist, morthound) have
raub-003       13.40   a lonely atmosphere… a forest on a misty autumn day… constructed by heavy drones, pulsating beat-
raub-007       13.40   the german label raubbau have decided that the time is ripe to end the nearly two decades of severe u
raub-008       13.40   like on the 2008 ant-zen album 'inspiration', the duo martijn pieck and bauke van der wal upped the an
hands-b033     21.50   a double cd of remixes and rare orphx tracks, feat. the phantastic long-deleted 'nullity' 10'' vinyl titles a
hands-b035     21.50   the mortusae double cd album is an epic release produced by nicolas van meirhaeghe, aka sal-ocin (t
hands-b036     21.50   on their 4th studio album release, tactical evolution, greyhound expresses how they view the situation
hands-d117     14.50   second album of the tzolk'in member on hands productions. 'the hatred of trees', an astonishing and u
hands-d127     14.50   on their debut album, aktivist, s.k.e.t. made a name for themselves with a sound that was both energet
hands-d128     21.50   just a grain of sand is the first dvd for veteran artist xabec. after 10 years of live performances, not to m
hands-d130     14.50   after a two year break to concentrate on studio work, synth-etik has returned once more with a follow-u
hands-d131     14.50   exclusive tracks by syntech, maschinenkrieger kr52 vs. disraptor, shorai, empusae, ms gentur, synth-e
hands-d132     14.50   incite/ is the hamburg-based experimental audiovisual electronics duo of kera nagel and andré aspelm
hands-d133     14.50   second album of the one-woman-project angina p - idm with kicking breaky beats, spherical electronic
hands-d134     14.50   tribal industrial beats by the greyhound side project.
hands-d135     14.50   the pcp principle is a rhythmicnoise / gabba / classical / darkambient project under the influence of one
hands-d136     14.50   admx-71 is the new side project created by well known techno producer and dj adam x from brooklyn n
hands-d137     14.50   after last days of s.e.x.‘s debut, first s.e.x.ual experience, comes the follow up two cd album from this g
hands-d142     14.50   redefining the paradigm of bang is the best description for this 100% club compatible techno industrial
hands-d143     14.50   heimstatt yipotash‘s third album, urban night motifs, is a genius mixture of both danceable electro indu
hands-d144     14.50   this is the 5th and long awaited album by american east coast industrial drum‘n‘bass producer joshua
md106          12.80   pacific northwest electronic music trio ml have spent the last few years changing their name from thine
md109          13.40   this debut cd from canadian experimental electronica artist spark will have you saying to yourself…'wh
md112          13.40   don and roel funcken claim to have made music since they arrived on earth...and we believe them! the
md116          13.40   by popular demand of almost everyone who has seen richard bailey (a.k.a. proem) play live... n5md an
md128          13.40   spark follows up his critically acclaimed 'the robot girl next door' cd with 'super robot battle deluxe'. all b
md130          13.40   the first in a series of remix discs from don and roel funcken's funckarma project. features rare and pre
md139          13.40   the highly prolific dutch duo of don and roel funcken drop another album of all new material via their qu
md140          13.40   another electronic musician follows up last years 'use' (n5md) with his sophomore outing 'patience.' ne
md141          13.40   last days' debut sea brings to mind all those last moments of events in ones life. which yield those con
md142          13.40   'time is on my side' is swedish experimental composer tobias lilja‘s second full-length album and first o
md143          13.40   when canadian electronic musician stephen hummel‗s debut as subtractive-lad 'giving up the ghost' m
md144          13.40   arc lab‘s sophomore release 'no spectre' finds the n5md imprint returning to its roots. medard fischer (
md146          13.40   before they took the metro north run_return did a little math...sum of an abstract is their little known se
md147          13.40   abe dichi who's musical works are released via the damaik alias is what you would classify as a true co
md149          13.40   don and roel funcken in conjunction with n5md compile more remixes; old, new, unreleased and even
md153          13.40   hologram makes its north american debut via the n5md imprint with their album "hologram +." "hologra
md156          13.40   epilogue in waves' is the third album from n5md main-man mike cadoo's ever evolving bitcrush monike
md159          13.40   near the parenthesis follows up 2007's 'of soft construction' with 'l'eixample,' tim arndt's most focused w
md160          13.40   originally released in 2005, 'shimmer and fade' was a limited time download ep from n5md's sub-label
md165          14.40   producing five albums of high quality in only five years is a monumental task. yet, this is precisely what
md166          13.40   graham richardson's last days project returns with it's latest full-length the safety of the north. richardso
md167          13.40   plastik joy's debut album 3:03 which gets its name from the time of morning when the recording sessio
md169          13.40   2 years have past in all our lives since the release of the port-royal's 'afraid to dance' (resonant) but the
md170          13.40   airborne is the 2nd album from rasmus rasmussen's aerosol project. starting out as a member of the p
lmc333         13.40   oloolo is the project of two sound designers from riga, latvia - kriipis tulo and rodion zolotarew. it's foun
lmc500         13.40   alexander petrunin aka mewark works as a sound designer & jingle writer for mtv-russia. together with
lmc700         13.40   0id is andrey antonets, who is a member of alexandroid, but solo creates his own ambient music. i thin
lmc800         13.40   deep sea shipping is the first compilation on lagunamuch, an electronic label in moscow. this compilat
lmc900         13.40   nickname nightech conceals a talented painter of ambient structures, aka ed sherbakoff, living in a rem
pt002          13.40   denis kaznacheev was born in 1983 in tashtagol, siberia. he adore music from his early childhood. he
pt004          13.40   flexkiks is alex matrosov (alexandroid), liam-arthur berent (abstract avenue) and vladimir muhlberg (plu
pt005          13.40   alexander potekhin aka lazyfish, one of the most talented up-and-coming artists from moscow electron
pt006          13.40   unit 21 is the project of stanislav vdovin. he started in 2003 with techno-house remixes and later releas
km07            7.70   if you like architect's new release you might like this one. kellermusik is a young label from leipzig/germ
km08            7.70   rhythmic noise meets intelligent dance music - three converter tracks from ant-zen act193 first-time on
km08sp          8.90   rhythmic noise meets intelligent dance music - three converter tracks from ant-zen act193 first-time on
km09            7.70   rdr aka raw state aka mr.a.k.a. is one of the rare hardcore acts with more than just thinking about 300b
km09 1/9        7.70   feat. exocet, heimstatt yipotash and klima. packaged in a concrete cutting disc box with instructions fo
km010           7.70   the jubilee vinyl kellermusik 010 shows a meeting between dirty dark clubtechno by klima and a trip thr
km010sp        14.50   the jubilee vinyl kellermusik 010 shows a meeting between dirty dark clubtechno by klima and a trip thr
kmcd01         13.40   compilation to the first consider: noise festival from 10.11.2007 at yard club, leipzig (germany). feat. ex
spmk03          8.70   on side a morbus m. aka paul rusk forms an acoustic journey which is lead by broken, melancholy, som
bk022           7.00   this compilation contains ten amazing remixes and collaborations from and by wisp, drop the lime, end
bk024           6.50   beautiful album by cats on earth aka chris oldaker loosly based on the short story 'la fin triste' by mary
bk026           6.50   few hardcopies of this very pure, intense and lay down album by such broken glass. the cd version of t
bk040           7.00   five straight pushing electro tracks from aries fiktion to serve your dancefloor needs, mastered to drop
bk041          10.80   new full length compilation from binkcrsh records including a diverse mixture of powerful electronic mu
hs001          13.40   pleq is an ingenious experimental project by bartosz dziadosz, a 25-year-old philosophy student. base
hs002          13.40   dnn is a side project by danny prusseit who is a part of berlins artist duo atmogat. this project focus the
sys 02          7.70   contained herein are 15 tracks of the finest the underground has to offer, chock full of industrial, break
spectre-na06   13.40   this morn' omina/empusae members join forces in project arctic, a dark glacial and occult sonic entity t
spectre-na07   13.40   def debuts with 'c', a release that massages your mind into an altered state... effective in its worked ou
spectre-na08   13.40   51 years after the flood disaster that killed more than 1800 people in holland, the dutch [law-rah] collec
spectre-na09   13.40   we all know that mimetic is jérôme soudan, but he is so much more then 'just' mimetic. on this new nau
spectre-na10   18.50   translation of 'le pêcheur de noyés' is almost impossible, but 'the fisher of drowned ones' covers it quit
spectre-noc8    7.90   geesten is an exorcism on vinyl by the belgian artist empusae, who releases his ghosts by banging the
spectre-s12     9.20   on this album antigen shift offers you a coherent continuous unity, varied enough to keep you at the ed
spectre-s13    16.40   out of the hidden room of his batcave, dr blood a.k.a. ah cama-sotz returns with a conceptual work abo
spectre-s14    13.40   vocal elements like chants and invocations drift on a bed of soundscapes ranging from the solemn bro
spectre-s15    13.40   stupor's black beast creates a separate universe which encapsules you into your own world of thought
spectre-s16    13.40   mimetic and origami galaktika join talents on this live collaboration presented under the origamimetic m
spectre-s17    15.40   there is a lovely silence - the swansong - the rustling of the poplars' leaves. nobody would suspect the
spectre-s19    13.40   in a unique combination of power electronics, dark ambient, and rhythmic noise loss' releases assaults
spectre-s20    15.40   angst is an achievement... in this case it is... spectre's 'big boss' summoned his demons to work towar
spectre-s21    13.40   exactly one year after his last strike titled 'dark skies over planet e.', hypnoskull is back with a special c
spectre-s22    13.40   just like on 'amore' all titles on their fourth cd 'chagrin' are in dutch. strange titles which present an insi
spectre-s23    13.40   and just when you thought it was safe again to go outside, the gruesome twosome decided to break th
spectre-s24    10.50   in 2005 the cd 'i kill everything' saw the light of day, and we - the audience - saw the light, period. loss
spectre-s25   13.40   how does one celebrate a decade of musical activities ? right ! by adding yet another release to the lis
spectre-s26   13.40   until shortly, a single track on the 'angst' sampler was all the belgian project hysteresis had to offer, bu
spectre-s27   13.40   trilogies always come in three parts, that is why they're called trilogies. and just like the latest two krake
spectre-s28   13.40   it took jon ray six years to create his second cd. and after those six years he took a bit of distance to hi
spectre-s29   13.40   as happy as some people are to give you the uttermost truth on life's questions, the [law-rah] collective
spectre-s30   18.50   after two aquatic adventures on the spectre sub-label nautilus and the emotional trilogy 'amore', 'chagr
spectre-s31   13.40   it has been two years since hysteresis surprised friend and foe with their debut release 'measures cha
bc05          13.40   tales of 'dead cities' as described by the master of darkness, the bat himself. for his new album 'dead c
meka006        8.00   9 tracks previously released on various compilations + 4 unreleased tracks. limited to 150 copies.
dv48           6.95   this is the third release by his divine grace. eurydice features 5 relaxing pure ambient tracks, which are
dv49           6.95   symphonic industrial doom at its best from the undiscussed master of this genre! i don‘t think there is a
dv52           6.95   the aberrant laboratory' finds gruntsplatter exploring more ambient and disorienting planes in an effort
dv53           6.95   once again the apocalyptic war machine is back ....with more supreme symphonic & occult death mus
dv57           6.95   melek-tha are celebrating their 10 years anniversary with a final release: acclaim hell. we think there is
dvlr6          6.95   repressing of thelong-time deleted album from 1996. as member of the cold meat industry family, arch
te03          10.50   two years after 'the devil`s steed' (one of the best-selling neo-folk albums in the last 2 years) sol invictu
lam002/003    22.00   10 years after the very first release ('overrated' – moloko+ rds — 1998), mimetic and les arts minis are
fich49         8.20   early tapeworks of the famous german 'industrial punk all-star-band'. cd-r release.
fich51         8.20   unreleased material of p.münch's electronic pop project. cd-r release.
fich52         8.20   hard, rhythmic, pulsing, noisy - and unreleased - monokrom at their best! cd-r release.
fich53         8.20   a live recording from the 'information wants to be free' festival that took place in berlin in december 200
fich54         8.20   minimal sound-collages and experimental tracks from deceased german artist bertrand brueningk - pa
fich55         8.20   previously released material 94-95
fich56         8.20   incl. previously released material 96-97 (act40 lp + c60 cling film)
fich57         8.20   re-release of old tape and compilation tracks. cd-r release.
fich58         8.20   cd (91-93) previously released on functional / tesco. cd-r release.
fich59         8.20   incl. previously released material 96-97 (act40 lp + c60 cling film). cd-r release.
fich60         8.20   re-release of the classic first morgenstern cd (ant-zen act88). cd-r release.
fich65         8.20   recorded in 1990 and previously released on tape. dark electronic industrial for the apocalypse, done b
fich66         8.20   recorded between 1990 and 94 by a.schramm and p.münch, previously released on tape. many styles
fich67         8.20   fich-art presents 'kornzweig baby' by feine trinkers bei pinkels daheim. this is the re-release of the sam
fich72        12.80   fich-art presents its first pressed cd: 'the great divide' is the first full-length release of eva | 3. paul lavig
fich73         8.20   the 'big band of noise' strikes again, recorded live at bassbeben, bielefeld 2007! cd-r-release.
fich74         8.20   first release of this new project from bielefeld by ex config.sys member m.'kirk' fuchs & h.althaus. 12 tr
fich75         8.50   years after the first tribute to one of the most influencial german pop giants from the seventies - prese
fich76         8.20   the debut release by xsoz. the person behind this new noise/experimental project is john raptis from at
fich77         8.20   fich-art presents the debut release from exurban; this project was founded by hanne adam & tanja dov
fich78         8.20   rhythmic industrial from a new polish project - check it out! cd-r release.
fich79         8.20   saturnzlide is a one-man industrial-electro project from germany's alexander marco, who works as a m
trauma001     13.40   across europe, industrial music is running riot ! a new sound that defied boundaries. at the forefront of
trauma004     13.40   hyper-active industrial/hardcore duo f.y.d. presents their brandnew album entitled 'defied' - after couple
trauma005     13.40   the first album of 'mind necrosis factor' features melodic soundscapes through electronic and industria
trauma009     12.30   attrition' is built as a single track divided in seven parts. its slow increasing start has to be bound direct
trauma010     13.40   with 'explore', sonic area takes the listener on a disturbing and involving exploratory journey to the dark
trauma012     13.40   after 2 years of hard work, chrysalide comes back with the 'lost in a lost world' album. you know the kin
trauma013     13.40   3 years after 'tex*s instrument', ten data keshin comes back with the 'neo neon generation' new album
trauma014     13.40   'morphogenesis' proposes an initiation trip through the cultures and the ages, where ancestral voices a
trauma015     13.40   from the electro scene of brussels 'baxter lilly' is a detonating trio! they have met together in a small st
trauma016     13.40   le diktat is a bicephalous project held by thomas p. and benoit g. since 2001, le diktat's music has bee
trauma017     12.30   something, in all of us, is still shining... is it hope or a just life? newcomer to the audiotrauma label, am
phi002/3cd    14.40   hinsidan are back after their praised debut ep 'we're sick ov your violence' (realler 2003). they return w
vatak001      15.90   meat is a visual album coming straight out of label v-atak: 3 years of research condensed into ten films
e-trans013     7.20   2 new rhythmic outbursts from the swiss genius, guaranteed to burn down your blues! full colour folder
tk01          12.80   once upon a time, it was yesternow, olivier moreau (imminent) and gabriel séverin (silk saw) met carm
hed01         10.30   since the mid-seventies when dj's gave it a name, dub music has evolved into many distinct forms. fro
hsh01         12.80   the world is paying a tribute to the hafler trio. this is not the kind of tribute you might be expecting it doe
hsh04         12.80   this disc is the second instalment in the hushush threesome three cd's series that will see mark spybe
hsh08         12.80   it takes a special person to conduct successfully two different musical careers at the same time and ja
hsh09         12.80   bastard child of incestuous relations, the belgian quartet moonsanto is proud to present itself to the wo
hsh10         12.80   improvisation was once the privilege of multiple decades of classic instrumentalists. with the introducti
hsh11         12.80   des rythmes de passage (drdp), literally rhythms of passage, is szkieve's second long-playing cd for di
hsh13         12.80   imagined compositions for water uses a single theme to produce its effects without synthesizers or trad
hsh17         12.80   the challenge of asking two bands evolving in two different sonic universe to collaborate is not quite on
rap-cd #031   12.80   with his most recent output 'folkloric songs and dances from the high plains' szkieve takes one step fur
a.r.03.01      7.00   first release of the .angle.records. label in the 3‘‘ mini-cd format! this format lends itself well to the impl
e.q.05.01     12.80   three sonic trajectories which tie and untie. three creative entities to orchestrate the whole. john selleka
a.r.05.03     12.80   ever entered one of those old abandoned factories at night, wandering through its long desolated vinta
a.r.07.01      7.50   before running aground onto the shores of a minimal, somber, muffled and textured electro with strains
a.r.10.03      8.70   a trio from san francisco composed of daniel blomquist, mark wilson and michael addison mersereau,
fariocd010    13.40   talented italian ambient composer alessandro tedeschi runs the glacial movements record label and p
fd014         14.00   from now on, fear drop magazine will appear on paper + cd only for special releases. the first one in th
d1010cd       10.30   experimental noisy nerve trance.
d1019cd       10.30   uk's leigh hunt is the man behind the collapse project. from dark drones and subtle rhythms, to hard be
d1021cd       13.40   monolith aka eric van wonterghem has broken free from the formulas of the ebm style into new combin
d1030cd       10.30   one of the most intense and suggestive sigillum s albums.
d1034cd       13.40   more danceable than monolith's first one with hypnotic tribal beats.
d1038cd       13.40   eric von wonterghem returns to his' dark experimental roots with his third release as monolith.
d1043cd       13.40   great album from this belgian electro wizzard with special vocalguests dirk ivens (dive) and johan van
d1044cd       13.40   this project is based on the glorious past of belgium as home of 80ies electronic body music! presure c
d1045cd       13.40   the long awaited new full-length album by dirk ivens‘ dive! the all new album – the first after a long gap
d1046cd       13.40   geistform presents 11 brand new tracks and the free bonus cd contains the complete live concert at th
d1048cd       13.40   influenced by bands from the german and uk electronic scene, dirk ivens (synths & voice) formed abso
mm002         14.40   a 100% belgian underground electro compilation album. comes with leaflet that holds the biographies
dc023          7.20   reutoff have become famous within a very short time thanks to their unique, very special cold, but also
dc033         12.80   here's a split release by empusae and flint glass under the name tzolk'in ! a sweet and very organic wo
dc035         15.40   here's a book with some beautiful photographies by peter bengtsen and an enigmatic text written by ni
dc037         10.30   das reut is a side project of russian dark industrial's leading combo, the mighty reutoff... here, we prese
dc038         12.80   'wien' is the second chapter of lands's 10'' trilogy on divine comedy, the follow-up to 'praha'. once again
dc041         12.80   'the fire sermon' is based upon pessimistic views on history, fate of humankind and t.s. elliot's poetry ('
dc044         10.80   here's the long awaited third and last volume of the 10'' trilogy! here end up the celestine orlac's avent
dc045         14.40   père-lachaise cemetery is one of the most romantic and mysterious place on this holy world. it's also a
dc046         12.80   both ethnic and ambient, sometimes low & harsh or even psychedelic, sigma octantis's music is alway
dc047         14.40   here comes paradise now, a beautiful and nightmarish 'book & music' exploration picturing some of the
dc048         12.80   olivier moreau (imminent) & john selleakaers (dead hollywood stars, xingu hill) make us travel on dese
dc049         12.80   eretsua oscillates between melodic and ambient soundscapes, with particular rhythms, developing a m
dc050          9.00   this limited single open with two unreleased tracks by michael yonkers & the blindshakes... very raw 'g
dc051         12.80   fading landscape' is already a classic and divine comedy records is proud to enter new paths with this
dc052         12.80   following the success of the first electronic manifesto compilation, d.c. has once again decided to pay
dc053         12.80   we are all haunted houses' is the 6th opus from hiv+, one of the leading figure from the 'made in france
dc055         12.80   arcaïde's influences mainly derive from the surrealistic and industrial movement. here, we can quote p
dc056         12.80   back in 2005, divine comedy records released the first ever horologium's full length. three years later th
dc057         12.80   featuring bruno from nowhere (collectif position) and kkk (kulfi, ufo gestapo) ; recorded and assembled
dc058         13.40   a real nightmare overwhelmed by saturations and overdubs. a sort of weird distorted heavy-psychedeli
dc059         12.80   sigma octantis 1st release on dc records was coming from nowhere but surely one of their best sellers
dc060         14.40   dcr presents kulfi's new album '5th estate'as (again) a limited handnumbered vinyl edition with homem
umb005        14.50   the experience of jägerblut ('hunter's blood') can be described best as listening to a musical narrative,
umb006        13.40   one and a half years after '1896-1906', anton knilpert, genévieve pasquier, giuseppe tonal und tikki na
umb007        13.40   perfection-level now at 85%. dogpop return six years after their well-received debut 'popgod' (pop1, 20
umb008        13.40   on 'crimefactory' dan courtman once more searched through the umb archives and found unreleased t
cf02          12.80   la sierra mecánica marks a turning point in the creative process of tonal y nagual. their journey started
brume06       13.40   mostly influenced by nurse with wound, illusion of safety and hirsche nicht aufs sofa‘ surealist collages
brume08       13.40   for 5 years oil 10 has produced pure electronica tracks in which powerful, elegant analogical sounds m
brume12       13.40   mostly influenced by nurse with wound, illusion of safety and the hafler trio‘s albums. demange machin
brume14       13.40   on the occasion of its tenth year of existence, talented french project lith delivers a new album, powerf
brume15       13.40   both nick grey and empusae should dispense any introductions and are known for their collaborative e
brume16       13.40   with his first release as talvekoidik - an estonian word meaning a foggy, winter like atmosphere - he off
brume17       13.40   presented live for the first time in 2005, thermidor is the audiovisual experience/installation of an artist
brume18       13.40   it's been several years that belgian artist pierre remy has been forging his own path on the european s
brume19        7.90   the vinyl addendum to the fulltime-cd brume18 - incl. remixes by dj hidden and cdatakill.
brume20       13.40   flint glass is a paris-based dark electronica project that has been described by critics as representing s
brume21       13.40   kod.ex, an event organization based in paris/france, will celebrates its 4 years of existence in decembe
sop004        12.80   listening to this minimal electro-acoustic disc one sees a context, a performance, an installation or pro
sop005        12.80   the bass still pulses threateningly, but album by album laurent perrier is moving away from rhythm and
sop006        14.90   downfall-disc 1: made as one single track,this album developes the music ultra slowly,starting with a v
sop008        12.80   after having been creating a minimal ambient sphere with 'falling down fearless of bruises',and having
sop011        12.80   for heal‘s new album, supernatural, laurent perrier has cut, sampled and rearranged the work of 11 tale
sop012        12.80   wrapped around a powerful industrial music core, zonk‘t‘s latest album, 'beat wins you and me', develo
msadv0.04      7.90   mighty new 12'' from ken gibson under his eight frozen modules moniker, here turning his hand to oblit
msadv0.05      7.90   hide your children, ed flis (duran duran duran ) is back!!! against clicks'n'cuts minimalism and angular
msadv0.06      7.90   think that if ed banger, turbo or institubes make a party with otto von schirach and richard devine unde
msadv0.07      7.90   'ebola's new 'on a gastro-bass tip' e.p. is a incredibly wicked ride. intense, broken dubstep/idm/experim
msadv0.08      7.90   the 8th installment in mutant sniper series presents a straight out catalan‘s rising talent: amph. soundin
msadv0.09      7.90
poffcd01      12.80   straights from bristol‘s scene (uk), the anarchic computer team strike back with this time, their first full
poffkc07       8.70   new compilation from the kamikaze club!!! strictly limited to 500 copies!!! this is a full newcomers comp
poffltd04      7.90   three tracks each from two up-in-coming breakcore artists. first, pittsburgh's own xanopticon smashes
poffltd11      7.90   'the doormouse sound is difficult to pinpoint, as most tracks vary in sounds, yet flow smoothly and all p
poffltd12v    12.80   continuing the peace off hurry up limited series , cardopusher, new stormer producer from caracas (ve
poffltd12cd   12.80   the cd-version of the peace off double vinyl comes with 4 bonus tracks incl. a mothboy remix, a cardop
poffltd17     12.80   the long awaited come-back from sickboy to the peace off brand will not be unnoticed. we have assem
poffltd20      7.90   heavyweight return from rotator with a 4 tracker, full of his sonic trademark!!! combining raggacore, me
poffltd21      7.90   watch out kids, another new signing to the stellar hurry up limited roster, le jad hits the electronica big
poffltd22      7.90   dr bastardo propose here , another well produced for tracker of twisted and dancefloor music!!!
poffltd23      7.90
bag01          7.90   bust out the soundsystem and crank the volume to 11, the soundclash monster, kid606, gonna 'mash
dam12.009      7.90   after a course of 'pot belge' (amphetabreaks - analgedrum - herosamples - cocaragga ...) 'el doctor de
dam12.010      7.90   once again, krumble propose an absolute kill-sound records dedicated to the dancefloor!!! return of the
dam12.011      7.90   more info soon!
ruff03         7.90   from the hardest working camps in the scene, the third ruff instalment featuring 4 traxxx from cardopus
ruff04         7.90   sam kidel aka b-lam, 18 years old bristol's producer, drive a dance wild!! with two solid tracks of shock
ruff05         7.90   the fifth ruff installment featuring 2 traxxx from starkey & bong ra. another huge release ready to kick y
ruff06         7.90   debut release from broken note is finally here, and its gonna wreck ya nans hi-fi! 2 twisted bullets from
ruff08         7.90   more info soon!
ruff09         7.90
bib001         7.90   brand new release by brand new peace off sublabel - more infos soon!!
inv025         8.20   rasputin - new name in invasion wreck' family and very mysterious person. philipp muench (synapscap
inv031         8.20   '...so you want a piece of me? only a piece, because you don't need the totality? sure, cut off what you
inv033        12.80   the first pressed cd on invasion wreckchords!! 'weight of death' forces your ears to bleed, but keeps yo
inv035         8.20   'crowd control' comes back to this mixture of quasi-song structures and ambient experiments after the
inv037         8.20   things start somewhat calm with a cut up and glitchy intro, warming up the audience for what is yet to c
inv038        12.80   celebrating their 5th anniversary, ambassador21 and invasion wreck chords proudly present a brand n
inv039        15.90   this is a 77 minutes movie, based on 16 video tracks from ambassador21, suicide inside, rasputeen, fr
inv040         8.20   in celebration of its 5th anniversary, ambassador21 and invasion wreck chords proudly presents this n
inv041        12.80   in celebration its 5th anniversary, ambassador21 and invasion wreck chords proudly presents 5th amb
inv042         8.20   this is hardcore' is the brand new full-length album from madrid-based electronic music producer ctrler
inv043        12.80   after winter hibernation, invasion wreck is gonna make your blood seethe and awake your nature. 'inva
inv044        12.80   following after their harsh and merciless album 'fuck all $y$tem$' here is the new release from ambass
inv045        12.80   15 new tracks from asche, punch inc., suicide inside, synapscape, winterkälte, punish yourself, ambas
inv046            12.80   invasion wreck chords proudly presents new project - 'peacemakers inc.'. now three bands join forces
inv047            12.80   invasion wreck chords presents second part of 'peacemakers inc.'. without any rules, without any autho
inv048            12.80   if a21 would have a press-agent, you could read now something like 'smashed drums', 'ultra fast broke
praxis35cd        10.50   eleven tracks serve as eleven channels on a journey through the female psyche experienced through
praxis37           7.00   the new release on praxis by rachael kozak and christoph fringeli was recorded in the period of 1999-2
praxis40          10.50   vinyl version of praxis 40cd.
praxis41           7.00   four tracks of caustic weirdness and harsh broken beats destined to be yet another classic.
praxis43           7.00   long awaited and finally imminent, la peste‘s momentous 24 min work on praxis!
praxis44           7.50   praxis is back with a 4-track compilation of no compromise breakcore, broken beats and noise, challen
stillraven003      7.00   on this one c.fringeli (praxis) had the great chance to pay hommage to some of the wicked early hardc
zhark12016         7.00   a welcome return for zhark international with a massive 12'' by xanopticon - america's splinter break m
zhark12018         7.00   church bells shatter against a backdrop of lightning speed breaks while sinister creatures take shape i
zharkcd3          10.50   following the infernal trilogy of her 7'' releases, raquel de grimstone (aka hecate) brings out her first ful
zharkcd5          10.50   if there was a film entitled, 'love cycle of machines', richard for cerebellum's 'thoughts that breathe...wo
koolpop12.005      7.00   the only record by rachael kozak that somewhat show her detroit roots. teaming up with john ryan this
subversion007      7.00   haunting strings and monster basslines underline the driving breaks and metallic rhythms found on the
subversion013      7.00   after several months on white label vile enginez' new release on sub/version is out this week - a mind
lowres020          7.50   on this turnover of electronic hardcore music, übergang are transcending the past and giving new direc
dirtyneedles004    7.00   a1- nicaragua by kalbata, an extended darkside ride into the unknown, with pulsing subs and fractured
ntk008            12.80   davros (aka abelcain) returns to noizetek, this time in direct battle with the mighty unibomber! the inspi
dm12001            7.00   out now on darkmatter soundsystem, the same people who brought you the dancefloor killing adc - 'gia
7s01               7.00   as a statement of focus, seven samurai records starts off where the film ends. this first 12‖ compilation
widerstand15      12.50   widerstand is back after a long hiatus finally catching up with releasing some of the pearls that have be
td007              8.20   luis garban of venezuela has released heaps of records these past couple years for many labels. now
td010              8.20   azure brings together many of the various concepts of dubstep from 4 very different artists; komonazm
td012              8.20   for real / love promises to be the hot release of 2007. solid beats, driving bass, and atmospheric textur
flyco2k12         12.80   first there was sight, then there was sound. recycling and resampling visual input into stereo output - o
adn11             13.40   this split cd is the result of a common work by these three musicians, who shared sounds, samples an
adn16             13.40   xenonics k-30 are also known under the name of the multitalented scott sturgis (converter) and leech (
adn17             13.40   with his first full length cd, david sullivan, a.k.a. magwheels, works his magic, building heavy and poeti
adn19             14.40   radio 1940' is wilt‘s fourth album, and his most ambitious work to date. the nineteen tracks of this doub
                          after     having
adn21             14.40   released music
adn23             13.40   fairytales and electronic music. what if you were to give back a soul and a smile to this sound you liste
adn24             13.40   following his critically acclaimed 'irony is' album on mute records, the musician behind 2nd gen presen
adn29             13.40   following their recent 'monster music' ep, , larvae present here their first full length album, 'fashion victi
adn30             13.40   for its second album on ad noiseam, portland, or based prodigy david sullivan (magwheels) teams up w
adn31             13.40   precision, dedication, innovation. such are the mottos by which cordell klier has worked all throughout
adn32              7.70   the coolest teenage robot on this side of the microchip finally comes back with a new single. here is hi
adn33             13.40   being at the core of many projects (ammo, ambre, axiome, dead hollywood stars, moonsanto...) and co
adn35             13.40   two years after the colossal 'radio 1940', in which james keeler transcribed into music his conceptions
adn36             13.40   active since the last 1990's, michael palace's horchata project has become known for the quality of his
adn38             13.40   people wanted it, people asked for it, here it is. curtis chip's long awaited and much talked about first fu
adn39             13.40   long time scorn and larvae collaborator mothboy will present his debut album, a journey full of subwoo
adn40             13.40   andrey kiritchenko presents here is second album, which crowns the progress and incessant activity o
adn41cd            9.20   cd version of adn41 with a bonus video track.
adn43             13.40   cdatakill is back with a second full length album on ad noiseam. incendiary breaks, hard beats and wic
adn44             13.40   following shortly his 12'' 'when i'm 6', nyc's matthew peters offers here his debut full length album, in w
adn48              7.90   following the 'fashion victim' album and its 'monster music' introductory single, 'empire' is a 'different' re
adn50             13.40   the debut album by spanish sensation az-rotator is a detailed-to-the-bone combination of fractal beats,
adn51             13.40   detritus‘s second album, 'origin', takes this act‘s combination of clean and powerful drum‘n‘bass, deep
adn53             13.40   a year and a half after the release of 'twilight', lapsed presents a second album combining his glitch an
adn55             14.40   vinyl version of the cd on very friendly.
adn57             13.40   after years of silence, ottawa-based antigen shift returns with a new album. having left some of his dirt
adn59              9.20   following two cds on n5md, uk's multitalented keef baker offers a solid 6-track mcd in which his music
adn61              8.20   over the recent years, enduser and larvae have played live together, remixed each others, and appear
adn62cd           13.40   with their second album, larvae strip their music out of the genres they had been associated with, and
adn62lp     14.40   vinyl version of adn62cd.
adn63       13.40   wilt's new album is also their first as a band, with the electronic experimentation being combined with a
adn64       13.40   bong-ra comes back armed with enough beats to make everybody rave till late after dawn, including th
adn65        8.20   one hard step forward: 'thresholds', a prolongation of detritus's second full length album (the acclaimed
adn66       13.40   cdatakill's talent blossoms fully with 'valentine', an album of deep beauty. here's what happens (for the
adn67cd     13.40   a new major contribution to enduser's growing discography, 'pushing back' shows lynn standafer integr
adn68       18.50   the madlands' trilogy is the gathering of three thematically and stylistically linked mini-albums compose
adn69       13.40   finally, here comes mothboy's second album. having become one of the most sought-after london prod
adn70       13.40   starting out as a 16-year-old drummer in massachusetts garages and all-ages clubs, aaron spectre lat
adn71        8.20   breakcore ghetto tunes for the discerning zombie. for his debut record, winnipeg's cakebuilder present
adn72       13.40   third full length album for jvox (following 'address unknown' on component records, 'shuffling data' on
adn73       13.40   after 25 releases on vinyl over the course of seven years (not counting the ones of his outside agency
adn76lp      8.20   vinyl version of adn76cd - same tracklisting.
adn77        8.20   'ultrafood' is the new audio creation of the two forward-thinking audio chefs that are mad ep and ra, pre
adn78        8.20   dancefloor droids rejoice! for his first release on vinyl, madrid's forefront producer az-rotator puts his co
adn79        8.20   the 'grist' 12'' is the vinyl pendant to the 'grist' full length cd, presenting on vinyl format a selection of tra
adn82        8.20   first cdatakill 12'' in years, this first volume of 'bleeding hearts' contains one new cdatakill tracks and re
adn83        8.20   part two of 'bleeding hearts': dj hidden kicks off the second record with his trademark high-fidelity, perc
adn85       13.40   the logical sequel of the 'thresholds' single, 'fractured' sees detritus keep the harder guitars and beats,
adn86       13.40   exillon brings acid to idm, speeds things up several notch, and bombs the dance floor with a high ener
adn87       13.40   'a matter of consciousness': lapsed's third album sees his pair up with dj and turntablist nonnon and a
adn88cd     13.40   5 years since his début and 5 since his last studio album: mick harris breaks the silence and delivers w
adn89       13.40   an appetizer to raoul sinier (formerly known as 'ra') 's third studio album 'brain kitchen' (to come on ad
adn90       13.40   begun years ago, mad ep's fourth full length album sees this highly praised musician focus on low freq
adn91       13.40   greece's spyweirdos, who received a lot of attention in the recent years for his sharp and subtle glitchy
adn92       13.40   announced with the 'huge samurai radish' single and remix cd in december, ra(oul sinier)'s third studio
adn93        8.20   chevron's intricate beats and party anthems get down and dirty with 'tuff shite'. partly inspired by chevr
adn95        8.20   from its symphonic opening to its sweeping heavy basses, cakebuilder's second record for ad noiseam
adn96        8.20   mothboy is back and brought his friends starkey and lapsed & nonnon with him for this return to heavy
adn97        8.20   re-mastered, re-cut and given a whole record on their own, the four tracks written by enduser and line
adn98        8.20   with 'stab city', math head finally presents on wax a new testimony of his insolent skills at creating ever
adn99        8.20   the second volume of funckarma's adventures in dubstep kicks off with 'nays of dight', already a dance
adn101      13.40   finally! larvae present here a sequel to the remarkable 'dead weight' in the form of a split up album. wh
adn102       8.20   excellent dancefloor packing, subwoofer wrecking new record by broken note, a british duo among the
adn103lp    14.40   following his split with eustachian, uk's most insane purveyors of shattered hardcore comes back to ad
adn103cd    13.40   following his split with eustachian, uk's most insane purveyors of shattered hardcore comes back to ad
adn104      13.40   for their third meeting, the two breakcore legends that are cdatakill and abelcain not only come up with
adn105cd    10.50   even though 'mutations' is their first release on ad noiseam, the kilimanjaro darkjazz ensemble and ad
adn105lp     9.80   even though 'mutations' is their first release on ad noiseam, the kilimanjaro darkjazz ensemble and ad
adn106      13.40   sickboy's exhilarating, enthusiastic and insane-as-ever fifth full length album features this musician's m
adn107       8.20   first part of the vinyl pendants to sickboy's latest album, 'time to play', released on cd under the adn106
adn108       8.20   second volume of the vinyl version of sickboy's latest album. more mash-up, more gabber, more cultur
adn109      14.40   cardopusher's long awaited second album is to be taken literally. uniting a heavy but fresh blend of dub
adn110      13.40   somatic responses come back with an album in which they re-invent their sound and finally put on reco
adn112      13.40   seductive but perilous, the kilimanjaro darkjazz ensemble's new session under the mount fuji doomjazz
adn113       8.20   new ferocious 12'' by the british duo: a follow-up of sort to 'crux / zealot' and an appetizer to their forthc
adn114       8.20   first of three limited 12'' presenting dancefloor-taylored alternative versions of tracks taken from dj hidd
adn115      18.00   fourth album by paris' raoul sinier, coming together with an impressive dvd showcasing this musician's
adn116      14.50   a double cd celebrating wilt's tenth anniversary, 'cemetery road / dead electroniks' contains a new full l
adn117      13.40   the long wait is finally over. after two very remarked single 12'' on ad noiseam, broken note unleash the
adn118      13.40   breath-taking second full length album by this essential producer of carefully crafted, intelligent and pe
adn119       8.20   second of three limited 12'' presenting dancefloor-taylored alternative versions of tracks taken from dj h
adn120cd    13.40   breathtakingly beautiful and profound second full length album by tkde, who have now reached maturit
adn120p     15.50   2x12'' vinyl + cd version of adn120.
adn121      13.40   fourth album by this ad noiseam regular, mixing the aggressive moods and tones of his previous "fract
dtk07        8.20   excellent new 12'' compilation from dross:tik, who had already provided us with the great 'raviour ep' so
rednex001    8.20   first release by the russian label rednex rampage, featuring new and unreleased material by otto von s
belio26     10.00   a special about party and parties - 146 pages, bilingual edition (spanish/english) - more info soon!
belio27          10.00   a special edition to defend (since an artistic point of view) the animal's rights and fight the abuses that
dy004            19.90   the fourth book from die young collection is dedicated to the french artist 36 (www.36recyclab.com). th
dy005            19.90   the fifth book from die young collection is dedicated to the canadian artist nicholas di genova (www.me
black48           3.50   84 page b/w magazine in german language - feat. interviews / articles about controlled bleeding, bakte
kal002           12.80   well, what's the 'space organ' (weltraumorgel)? take a science fiction soundtrack, combine it with the g
kal003           12.80   well, what the heck is hecq? hecq is not beefcake, and hecq is not lusine icl - but hecq could be a pha
kal004           12.80   die farben (the colours) is a solo project from ex-pzychobitch member frank klatt. sensoric specific sati
miko011          13.40   dystopia is the debut release of kibuka. a new project of dean dennis: known for his work with clock dv
lh02             13.40   the second liquid harsh cd-compilation, varying between industrial, ambient,breakcore - and more! ent
ar17             12.80   the new atrox release, ranging between rhythm industrial, power electronics and noise. white tray editio
ar23             12.80   exclusive tracks from all performing bands of the tonwellen-konferenz festival in erlangen/germany in d
ar27             12.80   15 years atrox (1993-2008) compilation feat. tracks from mostly deleted releases like 'time is now' pictu
ar28             11.00   11 powerful noise tracks, released for the "tonwellen konferenz 2" festival in burscheid (germany) on 2
ea7              12.80   feat. exclusive and yet unreleased tracks by all artists performing at elektroanschlag festival 2006 in al
ea8              12.80   feat. 15 exclusive and 3 yet unreleased tracks by all artists performing at elektroanschlag festival 2007
ea9              14.00   feat. 17 exclusive and 7 yet unreleased tracks by almost all artists performing at elektroanschlag festiv
ea10             12.80   feat. 14 exclusive and 3 yet unreleased tracks by almost all artists performing at elektroanschlag festiv
9t904             9.00   collaboration between heimstatt yipotash and new german project tahktahk. limited to 99 handnumbere
rbl011           14.40   fourth installment of the schlagstrom compilation series - this double disc collection delivers 100% pur
rbl016           12.80   this cd5 years of schlagstrom!, 5 years of pure electro noise industrial infusion and now the 3rd release
srb awake001     12.80   feat. asche, synapscape, in slaughter natives, bad sector, mono no aware, insekt, spherical disrupted,
fast01           15.80   what an explosive relationship!.... the collaboration of dr.nexus and fake mistress: beats which are not
krach002         11.00   krachcom.pilaton 2 is a collection of exclusive tracks from members of the krachcom internet forum. a
ta001            15.90   29 exclusive, rare, remixed, and unreleased tracks by some of the world's most prolific electronic artist
ta003            13.40   the brilliant new album from new york producer, frank mokros (synth-etik / hands productions) featuring
ta004            13.40   subheim is the deeply personal project of electronic music composer and visual artist kostas k., a dow
ta005            13.40   the definitive remix collection by one of the most prolific and under-rated dark electro acts in operation
ta006            13.40   hailing from the canadian electronic music underground after a decade of techno and industrial dj and
ta008            13.40   with three ground-breaking albums in 3 years, michael morton, toronto-based electronic music compos
ta010            13.40   in stark contrast to the cold alaskan landscape from which he hails, lucidstatic offers his fiery debut alb
ta011            13.40   endif draws upon a broad spectrum of experiences and influences and distills them into weapons-grad
ta012            13.40   since 2004, tony young, aka: autoclav1.1 has had numerous successes including two ep‘s, two albums
ta013            13.40   with their very personal approach to dark and beautiful idm compositions, integral have created a touc
ta014            13.40   tapage began as an axe-grinder for a short-lived metal/hip-hop band in the netherlands. he soon depa
ta015            13.40   the companion cd to totakeke‘s critically-acclaimed album 'elekatota - the other side of the tracks' appr
ta016            13.40   coming in early 2009 is the serendipitous new collection of work from chicago‘s very own technoid indu
ta017            13.40   after three cd releases for cop international and several free download-only albums, the talented germ
ta018            13.40   following esa‘s debut album ‗devotion, discipline, and desire‗ as well as this year‘s encompassing 2nd
ta019            13.40   headed by manufactura frontman karloz.m, the new full-length album by broken fabiola titled ‗severed‗
ta020            15.90   the second edition to tympanik audio‘s critically acclaimed ‗emerging organisms‗ compilation series ce
ta021            13.40   combining epic synth patterns with stunning piano movements and a subtle dose of distorted rhythmic
ta022            13.40   in a spirit of experience driven efforts, sebastian ehmke has previously created several fulllength recor
ta023            15.50   after the critically-acclaimed album ‗elekatota - the other side of the tracks‗ in 2008, totakeke returns w
ta024            13.40   brilliant or misunderstood? the netherland‘s native tapage caused quite a stir with his debut album ‗the
ta025            13.40   after the critically-acclaimed debut album ‗bone music‗, ad·ver·sary returns on tympanik audio with a st
ta026            13.40   in between composing the harsh, uncompromising mayhem of his main project, lucidstatic, alaskan na
ta027            13.40   while still absorbing praise from his critically-acclaimed 2008 release ‗love no longer lives here‗, autocl
ta029            13.40   with a plethora of remixing and album credits to their name, disharmony manage to speak volumes on
ta030            13.40   poland‘s hidden talent [haven] joins the tympanik audio family to reveal his debut album titled ‗plastic‗.
ta031 / slq008   13.00   the long-awaited and highly-anticipated debut cd from new york‘s amazing young new talent access to
ta032            13.40   displacer is back with his newest audio concept ‗x was never like this…‗ on tympanik audio. a collectio
ta033            13.40   poland‘s elusive talent undermathic emerges for his debut on tympanik audio titled ‗return to childhood
ta034            13.40   the definitive esa remix collection featuring manufactura, c-drone-defect, marching dynamics, stendec
ta035            13.40   a fully-realized composition of rich, haunting atmospheres that swirl amongst a torrent of cinematic and
slq001           13.20   first compilation by young greece label spectraliquid, in the field of dark ambient/hard technoid/idm/d'n
slq003           10.50   uk based ben hudson aka ebola delivers a powerful, complicated yet wisely minimal and absolutely da
slq004           10.50   luis garban aka cardopusher has been releasing a serious number of records these past couple years
slq005            10.50   influenced by dubstep as well as aggressive and sick styles, mobthrow offers an ideal combination of u
slq006            13.20   a wake a week...do we never tire of these endless reruns of our grief? with this debut release from his
slq007            13.00   john valasis is a professional sound designer and a very talented young musician from greece. althoug
lpm002             7.50   two track single including 'what kind of man are you...' original version with a 30second pure noise intro
lpm004             6.50   this release is a tribute to the anarchist movement. 100blumen puts ass kick rhythms with harsh noise
lpm007             8.70   a spiritual trip into a universe of meditative soundscapes and intelligent dance music. kicking sounds f
                          breakbeat, dark
lpm008             6.50   step and idm
lpm009             8.70   fräulein linientreu, the pearl of the nothern german coast delivers on her debut album 'echtzeit' synthes
lpm010             8.70   nothing about war, only darker side of ireland. warbaby combines rhythmnoise and techno to her own s
lpm011             8.70   with 'la bionda' saal5 wraps farewell, mourning, anger, hope and fun into painful and disturbing sound-
lpm012             8.70   contains 17 exclusive tracks of 100blumen, alarmen, asche, contaminant, frl.linientreu, graph, mono n
lpm013             8.70   the duo matter is a band project from bologna / italy that hits us hard with their straight rhythm industria
lpm014             5.80   finest electro from the beaver´s lodge. dr. shoe beaver and cheesy beaver (aka 100blumen) makes yo
lpm015             8.70   düsseldorfs most wanted electro-duo released their latest longplayer 'discapitalize' on lpm. with a rollin
lpm016            12.80   16 mostly exclusive tracks by ah cama-sotz, coreline, dazzling malicious, frlLinientreu, graph, imminen
bc007             12.80   industrial and powernoise compilation w/ mainly exclusive tracks by synapscape, morgenstern, asche,
auphcd001         13.40   this double cd compilation is the young german label's debut. sounds between dark ambient and idm,
auphcd002         12.80   after releasing quite a few solo tapes, cd-r releases, collaboration works, compilation appearances and
auphcd003         12.80   audiophob presents another dark ambient act: mandelbrot. founded in 1994 by p. muench (synapscap
auphcd004         12.80   the fourth release on audiophob presents the first works of the new project zero degree, which was bo
auphcd005         12.80   the fulltime debut of alarmen might be described as the soundtrack to the information chaos of our soc
auphcd006         12.80   as a follow-up to the last album 'null', the new cd by spherical disrupted called 'barriere' has just been r
auphcd007         12.80   nerthus isn't a new name to audiophob as a track of this project was already on the first release from o
auphcd008         12.80   mandelbrot are back from their 'tauchfahrt' to present their 2nd album on audiophob. recorded between
auphcd009         12.80   three years after the debut work here's the second full length album of zero degree. again 'the inner re
auphcd010         12.80   when audiophob started in 2004 we gathered tracks from artists we liked and where we thought they m
auphcd011         12.80   150 years ago, a book called 'the origin of species' was published by charles darwin. a book that chan
auphcd012         12.80   five years ago, the last regular album of spherical disrupted, entitled 'null' was released on audiophob.
auphcd013         12.80   'next' marks the consequent next step for alarmen after his first full-time album on audiophob which wa
wr32              13.40   devoted to himalaya expedition in 1937. made with usage of big amount of old analog sound and field
laub 007          16.40   bionik is telepherique's topic of this new cd+vinyl concept work. bionik means: transferring discoveries
sssm-110          13.40   12 tracks by german power electronics / industrial noise project flutwacht collaborating with the legend
cps0507           12.80   'theesonicabyss.com is proud to present 'bewegung der klangmasse' split cd release. the deafening le
rt003             12.80   ''the house of mourning is that purifier building in which there's deep sorrow and disheartened grief due
wmda075           12.00   another album from the well-known german project. rhythmic and danceable but also a little more expe
mv22              12.00   noise music exists for many years, but there are still some individuals who are assiduously following th
n=14              12.00   zivilisatose represents the culmination of telepherique's twenty-year career. having explored all throug
vital001          13.40   as an abstract radio transmission from a hellish toy factory, this nightmare of experimental death electr
vital002          14.00   for this compilation, each artist has chosen his' favorite francis bacon painting as an inspiration source
vital003          14.00   hentai and nordvargr ejaculate their audio semen into the cold electronic womb, and watch in fear as a
vital004          18.00   featuring takashi miilke, kk null, shinjuku thief, converter, hentai, shinkiro, sunao inami, jazkamer, henr
vital005          14.00   the rising star of japanese avantgarde electronic music manabu hiramoto (shinkiro) has entered the da
vital006          14.00   japanese experimental music legend kazuyuki kishino ( kk null ) now presents his new cd album entitle
darkambientnet1   12.80   'the ritual as a method of coping with fear' is the basic thought behind 'isolation', which is the first outpu
ipc49             14.40   the sounds of disaster document the past few years of end‘s life. a time of shootings, home invasions,
 kert (bipol) has released his second album entitled 'fritter away'. brinkert has once again demonstrated his skills of creating moods which range from apprehension and aggression to disarray
 rd decided to pause their project ab ovo and to continue with solo projects. while j.chassagnard's first solo album (f)light was released on hymen records, r.baillet formed diaphane and began
  s are aurally focussed on complex dislocated & broken beats, distorted intelligent constructions, fascinating sonic structures, force and sweetness enlaced. their early productions' main focus
 in and prague, snog‘s 'last of the great romantics' is truly a landmark album. like radiohead‘s 'ok computer' and pink floyd‘s 'wish you were here' (to both of which it has already been compare
   the modern electronic music scene but the most outstanding of daniel myer's (countless) projects is architect. three years after lower lip interface hymen records presents the long awaited fif
  dark grey ink. one-sized girlie-shirt.

 dark grey ink. size medium.

 dark grey ink. size extra large.
 r ] featuring adam jones of tool. total length 40:12. cardboard sleeve packaging.
 m, by justin k. broadrick (jesu, godflesh, final) and lustmord. featuring adam jones (tool) and paul haslinger.
mpilation release celebrating entry into the label's 3rd year of existence. meticulously selected, compiled, and refined, ‗emerging organisms 3‗ continues this critically-acclaimed compilation se
man band sensory gate delivers a musical and lyrical retrospective as well as a fresh looking ahead. the ambition to come to terms with the past without losing sight of the present and the futu
 pple' on ant-zen. from the outside space to the inner space. music that enters your deep psychology from the eardrum. processed field recordings & electro-acoustic sound art collages, a mix
 etely sold out follow-up 'nyarlathotep' were said to be some of the best and most innovative sounds-styling towards electronica, rhythmic noise and dark ambient genres. now 'nyarlathotep' co
x twin with a small dose of venetian snares over and many of atari teenage riot energy and you get a mixture that almost looks like this incredible chemistry that is. 'no error'. the music takes u
 vided we fall' slogan? punish yourself ('cult movie', 'pink panther party'…) and sonic area ('insensé', 'explore') probably had this in mind when they decided to join forces on a common record.
 and sebastian schulz has been around the electronic music scene for a while. the first two mnemonic albums, 'identifikationsstörung' and 'konstruktive vergangenheitsbewältigung' were pub
onic member michael belletz and graphic designer danny fischer, who works under the pseudonym qasot. what started out as a short term cooperation, with rising enthusiasm of the two musi
audio-designer from an industrial city of novopolotsk, belorussia. from the mid 90s vitaly was experimenting making his own music, using analogue synthesizers, radio, guitars, field recording
 . treachery - the us based three piece (hecate, abelcain, slutmachine) who draw just as much from the eerie realms of dark ambient and doom as they do from stripped down, cacophonous b
 ar! two mighty tracks combining a wall of sound with rave hyper-energy. side a 'kompressorwahn' kicks off with stepping tension-oriented rave-esque melodies quickly culminating in the most
 d visit to vinyl (dm12003) this time around with the southern california native poxxe. the 12'' kicks off with a screaming dubstep floorkiller titled 'the malfunction' sure to incite soundsystems an

 - feat. interviews / articles about peter christopherson, william benett, inade, black tape for a blue girl and more...



drills and drums. freezing jazzy drums & melodics ambientish idm electro melodies. a soulful realese.
 n production with a good high sound. kind of a japanese fast gamepad sound...
akcore minimalism... good one!!
 eeling of being trapped by the big man machine remixes... + locked grooves.
based diy rhythm fiends big joan and a bunch of lunatics who were invited to abuse their master tapes. the e.p includes the first two new studio tracks from big joan since 2004. title track 'here
ed on industrial, noise and techno. on his' label brainchaos he presents his first album. his' influences range from sonar and converter to hypnoskull, but his' unique style makes it different fom
eaturing: jason forrest , bong ra, duran duran duran, xanopticon, knifehandchop, dev/null, sickboy, warst, deacon boombastardizer, terminal 11, society suckers, the assdroids, and dj rainbow
an additional year to be released - but to make a long story short: it's the worth the wait. dev/null, aka pete cassin, presents his first full-length release "lazer thrash": a million beats, notes and
est released his last full-length album, and 5 years since he‘s released as donna summer. so now he‘s back, this time with the slightly different moniker (dj donna summer) and his first release
 based maddest chik‘ndom records. crazy gabber/rave techno to the maxxx. featuring: 2 terror crew, dj technorch, dj chucky, and warst.



een fucked up by computers, the assdroids make their debut with this golden ep of drum and guitar noise insanity.
 n association with addict records (addict017).
 will yell for more - well, here's some more! play loud!! white label 12'' + a2 poster + sticker.
 eutronic and the project's most intense and complex work to date. the sound of 'the mutation engine' takes the dancefloor aspects of the earlier neutronic discs (on pendragon and ecr) and s
nic minds of the next generation of electronic producers, spearheading a new movement based on the groundwork laid by early detroit techno and the pioneering dub of the 60‘s. art d‘echo is
ull of frantic breaks and 'happy darkness'. complete with remixes by otto von schirach and xyn. this ep will establish mochipet as the new king of the breakbeat!
on component), brooklyn's joel tallent presents varied selection of jazzy hip-hop riffs, spacey idm, odd samples and mechanical beats. the overall tone of the album is one that is quite dreamli
 on from mochipet with fourteen of the most amazing break-metal-polka-idm reworkings of mr. mochi‘s tracks to date. this disc features remix/reconstructions of uzumaki and mochipet‘s earlie

 cry uproar.' -simon reynolds on dj ripley. now disturbing new york and brooklyn, ripley has caused total dance mayhem at events all over the planet. ripley's wreckstep raggaphonics slice thro
 hip-hop, bashment, grime, bounce, jungle, rock, folk, bhangra, dub-step and just about everything else at parties, clubs, and events worldwide. in 2003 he began the mashit record label with
 apon of the bristol underground music scene on an unsuspecting world. gusset have been scaring friends and punters alike since 1996, unleashing aural assaults at breakcore, techno and h
 hitmat and parasite mixes alongside the original version of 'here comes the flood'.
 d of hanuman and atki2 (shadetek, combat) were formed in new cross, south london in october 2000. initially monkey steak pursued the drum and bass / jungle vibe with tunes such as 'shiva
 gow in scotland. he's been making noises with computers since about 1995 or something, but finally took it seriously in 2004. he's had 2 cdr releases on bad boxr and 2 digital download ep's
 hip-hop, bashment, grime, bounce, jungle, rock, folk, bhangra, dub-step and just about everything else at parties, clubs, and events worldwide. in 2003 he began the mashit record label with
 nique blend of choppy breakcore and cut-up jungle bass terror to death$ucker with two dancefloor killers 'time to burn' and 'fucking hostile'. having previous releases on french labels peace
 my earliest memory ...i am trying to remember, there is a cone, maybe some drips, no nothing…it's gone." --crunch. but now it's back! delikatessen records is proud to serve up a tasty 10-in
 does not come recommended; stay away from vindaloo unless you intend on a morning of anal sting.‖ – xela ―it has replaced fish and chips…everyone is eating curry…our slang for curry is
 t, the foreign environment, the caffeine, but my stomach gave way and i threw up the entire contents of my belly, completely severing the place in half with a puddle of regurgitated chinese te
course, but it can get so much better. cookies dipped in hot chocolate, milk or soya vanilla-milk for instance. just a little bit, so they don't get too soft and fall to pieces." –myrza. toss out those
 tmas time in russia - our grandparents even had this tradition. of course there are lot of other dishes but somehow mandarins and their fragrance is a kind of symbol of the new year holidays…
 jelly, they are so dependable and always in the fridge; without them i would probably starve to death.' –deru. have we got a farm fresh offer for you! toss out all your stale veggie trays and he
 b plus proteins, which means: it's good for your brain!' – beefcake. it‘s the start of 2004, so delikatessen is sharpening its cleavers on a fat new slab of meaty beats! that‘s right, we‘ve got fou
 omes this brash, brazen, impudent full-length release from belladonnakillz. combining his technical skills with imagination, original melodies and his own crooning, come-hither vocals, 'perver
 ed dancefloor rhythms, robotic vocal chants, and alien soundscapes into a unique collage of sonic mayhem. blipvert's 2004 debut release, 'triple acid foot,' on brooklyn, new york's ra sounds
 e earth. a dark smoothering atmosphere produced by quiet intensity and subtle noisework.
 nt soundscapes combined with subliminal noises and arctic minimalism to frame a multitude of emotions. the attention to detail is shaped by the confusing mix of tones and silences
hnical evolution in industrial civilizations. the collage-based music symbolizes the moods and parameters appearing under distress and the effects caused on the human mind and body. on th
 starvation, netz, n.e.w.t., lf project, organized noise, it, synapscape, mother destruction, spahn ranch, ichor, the aggression, rx, beefcake, generation x-ed, hanzel and gretyl, torsion, dive, pai
 k beat with an outstanding singer, their music is equally fascinating on the dancefloor as well as at home
ctro-pop, dark wave together with influences from the origins of electronic music. netz provides a break from typical electro and ebm and explores the style a little further, mixing in elements o
 zed by two of electro-industrial genre's most regarded musicians, daniel myer (architect, haujobb) & andreas meyer (forma tadre). newt demands your attention to open a gate to an unknown
 e collection, but be prepared to be manipulated. mostly unreleased material.
 evolving bass-lines and probably the most psychedelic vocals ever heard, in one smashing album. 'kmputor' is the result of hours of cut-troth programming. an ear-gasm for the digital junkie.
s with an untamable desire to reach music in a global way. they disregard trends and ages, in order to acquire science and different forms of evolution. an endeavour to develop the interaction
 ine records, it continues where 'kmputor' finished and blends dark-electronics with dynamic elements of trance, techno, and frenetic synths to be rounded up with a good portion of science-fic
 project of daniel myer, this long awaited album is the outcome of two years of intensive production and the collaboration with such respected artists like victoria lloyd (claire voyant), vanessa
  and produce quite an aggressive, dark and moody music with exhilarating bass lines and militaristic bastard-breakbeats. just as a beat seems too overpowering, a broad melancholy melody


of gritty soundscapes and unrelenting heavy beats. abstract beat complexity hyper-edited with superb apocalyptic harmonics for a cosmic and surrealistic drum n bass attitude. ammo is produ
 delves deeper into the darkest reaches of humanities horrific mind. cold, dark ambient, pasted with ritualistic overtures, a nightmarish sountrack for the soul.
 ronic music by storm as one half of irm, hailed the world over as the new leaders of the swedish noise-industrial underground. with his solo project, he has once again risen to the throne and
 ss. hard destructive dance tracks boardering on hardcore, breakcore and noise.
 n at just over an hour - vessels, the first proper full-length freeze etch album, is a dynamic excursion into a world of thick organic rhythms, striking melodic textures, and surging ambient mom
  perhaps best described as experimental electronic music. and fuses elements of ambient, noise, industrial, and idm musical styles. v2 builds on synnack.s prior releases by leveraging an inc
  force of nature productions, is distinctly a more reflective direction for the duo, as a follow up to mash up soundsystem.s 'a great escape from lunacy', released on hive records in 2006. the a
 ments of noise, musique concrete, glitchy electronics and dark ambience in a very unique and captivating way. 'nyugodt' sonically drifts between collage and poly-rhythmic art, taking the liste
 sed electronic musician, cordell klier. with kreptkrept, cordell takes a more powernoise approach by combining a relentless mix of crushing rhythmic noise, metallic percussion and dark, churn
cks of schizoid, cut-up, hip-hop influenced idm rhythms combined with glitchy electronic stabs atop a bed of lush and often playfully melodic ambient tones. 'medical breaths' is sure to impress
 0nplus return with a stellar new ep entitled 'keep me here'. building off the sound and feel of 'still', n0nplus push the envelope even futher, in both creativity and production, by meshing heavy
 rground beat wreckers is finally here! mash up have made quite a name for themselves after releasing just a few 12'' records on uk's underground music. working with names like duranduran
 ble to infuse a real human element into their compositions with the sincerity and conviction of tony young, aka autoclav1.1. in his compositions, amid the scattered, paranoid breaks and stee
 effort after the ep dancing through the ashes is a monumental collection of songs, nearly any of which could stand on their own as singles. with the concussive force of a runaway supercollide
shush will take you on a journey to our own world fair, an exhibition for advanced technologies and oddities. recorded on this seven inch vinyl is a visit to the birds pavilion, 'le pavillon des oise
 rded in nantes (25 03 2000). the live conception for the duo is their other side, when music is more based on a free construction with a lot of improvisation.
mont, also known as c-drik) is back with a great 4-track ep. only original samples were used for this one. sounds ranging from hip-hop to breakcore - recommended!
 r, stephan mathieu, keramik, din s.t.. - jewelcase edition
 ed between 1995 and 1997 on vinyl, cd-r and on various compilations. all tracks have been remastered.
  by the italian cyberzone-writer tommaso lisa. so the album was recorded using as conceptual reference tom's 'italian neuro-poems' collection rebis. short spoken fragments of the texts are tr
 time featuring tracks from adam johnson, mr projectile, autophonic and quench. having just been made aware of his work via his excellent contribution to musik aus strom's 'mas confusion' co
ch talent nynack. 'venetian snares fans out there need to check this latest ep from the on label double fast! the label has previously brought us shining moments from the likes of eog and l'usi
  electronic listening music on the rotterdam dub label from holland back in 1998. he is an artist with an incredible pair of ears when it comes to making sound. he also understands how to han
 sex & hypnoskull. cybernetic:fuckheadz> was created as an idea in 1998, and grew to this project throughout the years, resulting in this first album. after their shared usa tour in 2000, roucka
  by p.a.l in aachen/germany during maschinenfest 2001. the concert was intended as a special event and shows the more ambient oriented side of p.a.l.which clearly is set aside from the we
  this cd you will find industrial combined with different musical styles like house and ebm.therefore this cd is not comparable with others. this debut is a completely unique piece!
mance at the maschinenfest, aachen/germany, october 2002. special photo-book packaging.
 act! after their first well-received 3'' epcd ('one day'), on pflichtkauf, the time was right to put out their first full length cd 'six ways from sunday' released on the same label.the combination of e
 nus vinyl lp. the seven untitled lp tracks are less rhythmic but have more noise influences. special hardcover-packaging with embossing & metallic paper. limited to 210 copies.
 man project - enjoy at home, enjoy on the dancefloor. tinbox packaging
 at does one get if paint is replaced by sound? are canvas and a hard drive in any way related to each other? what happens if an artist gets his inspiration from an architect, writer, filmer, or ev
bands of the maschinenfest 2005. feat. az-rotator, empusae, contaminant, edgey, mental destruction, iszoloscope, architect, punch inc., synapscape, orphx, loss, lapsed, s.k.e.t., atrox, endus
wing the two pussies' claws and fangs once more - get up and dance! make 'em purr! meow!
offers a nucleic mixture of industrial and power noise music. cold, dark and simultaneously very emotional atmospheres of complex, restrained fury bring massive beats, deep bass, unexpecte
 f the maschinenfest 2006. feat. hysteresis, the law-rah collective, nullvektor, camanecroszcope, geistform, black lung, asche, squaremeter, winterkälte, moctan, antigen shift, genevieve pasq
m, 'theory of the arising of desire' (pflichtkauf), the new one, 'learn to swallow', is a perfect continuation of its mental aesthetic. and again, this is an unusual and aggressive mixture of poundin
trike after 'don't like'! packaging: digipak printed on special silver cardboard
 the maschinenfest 2007 (mostly exclusive). feat. skincage, dazzling malicious, detune x, scrap.edx, greyhound, this morn' omina, twinkle, catholic boys in heavy leather, synapscape, ahnst a
henry collins (aka shitmat). in his new guise, he creates moods and atmospheres using samples and found sounds to evoke feelings of childhood, warmth, wonder and memory. pur cosy tale
n and the teknoist in a healthy face-off to see who can melt your needle first. topping their spasticated beats with piano and strings respectively, dolphin and tecknoist prove they understand t
elium octave samples) by the everbusy mark one and his virus syndicate. "major list mc's" features fallacy, trim, ears and jammer on the mic. categories: grime/dubstep.
icate and jammer. 'ready to learn' and 'major list mc's' remixes plus extra instrumental ... mark one produced grime! categories: grime/dubstep.
ese two blissful tracks which seem to have been on dub for years. both push the boundaries of what was once known as oceanic jungle, 'drowning' with blissful vocal samples and 'the 9th ha
ase from portsmouth, uk's christopher reeves (aka the gasman), is perhaps his most rewarding work to date. on this follow-up to 2005's multiplex (released by canada's sublight label), reeves
connector))) is a japanese human/noise-machine hybrid that creates noise-scapes of unfathomed depths. banging hand-made noise generators (aka shibaki electronics) made of iron plates,
vron and labelboss µ-ziq on just one plate. its not exactly what you'd come to expect of the clown prince of comedy jungle. henry collins with his piss on garage plus excellents reworks. lets st
mu: l.a. based tom burbank delivers a crunched up melodic glitch-hop album which would please very much fans of his label-mate edit. following on from his appearance on the 'sacred symb


001. this imprint deals solely with deep, kafkaesque!! hip hop breaks, and minimal loop science. the inspiration being a mutant dekonstrukkt of themes featured on zhark (berlin) 06, and the f
 op based approach to hip hop loopism combining classical hip hop structures with obscure sound components...k gives life to deep, dark and gloomy hip hop instrumentals merging sample p
elease features selector catalogue, aneurysm, deucalion, davincigreen, evil old man and uchuuhikoushi.
of the london techno scene. shedding the more commercial, hypnotic and loop based trappings of techno for an altogether darker and less predictable sound, the record begins with strained,
 that even most westerners would shy away from, zany russian lounge mutants oleg kostrow and oleg gitarkin (who in one form or another are responsible for all of these aliases) play twangy
ng‖ music messer chups have released their eighth 'horror-album' called hyena safari. it is ―easy listening‖ since one can enjoy it as a background music while the other one will get a kick out
 members of russia's messer fur frau muller. each of their releases is slightly different in tone - they're all loaded with bits of musical and spoken samples, ranging from 1950s b-movies to car
m russia - produced by messer-chups mastermind oleg gitarkin. if you are into ed wood and raumschiff orion, check this out!
mffm oleg gitarkin, who is cooking the lounge-surf, like the hot patties. now he is in the company of three young ladies - one is playing harp, the two others are playing some strange instrumen
ase edition. incl. 3 messer chups remixes.
oject kim&buran, packed with 60's-style twist, rock'n'roll, sampledelic collages and tracks which fit perfectly as sci-fi-adventure movies' soundtracks or at new year's eve children parties. com
electronic bands of all time, originally formed in 1982 adrian smith and brother derek smith began a long and inventive project that continued to break ground with their unrelenting and often u
 cuts of future ebm from the legendary band pankow. formed in italy in 1981 pankow released an impressive onslaught of stripped down hard pounding ebm industrial music. pankow has rele
orchestra. contributors: telepherique, roger rotor, vromb, contagious orgasm, ultra milkmaids, celluloid mata, aube, salt, brume & shingo sogiura.
ds that explore the abstract world of digital sound. featuring l'ombre, gridlock, savak, antechamber, prospero, kaltesglas, s:cage, displacer, <tekniq>, mara's torment, diode fetish, inseminold,
lectro-acoustic, ambient, electronic artists from algeria, morocco, egypt, south africa, lebanon, israel, turkey, united arab emirates, singapore, indonesia, malaysia, thailand, laos, vietnam, chi



ent styles of eclectic electronic music ranging from broken gabber hits and ragga drill breaks to melodic atmospheres and dirty basslines. the journey into crimson begins with doormouse grab
ent styles of eclectic electronic music ranging from broken gabber hits and ragga drill breaks to melodic atmospheres and dirty basslines. the vinyl includes 6 excerpts from the cd version - fe
 nx brings a six tracks album of exactly 40 minutes of beautifully crafted idm for limited u-cover 40. they‘ve released in respected imprints such as isophlux, pitchcadet, and their own yunx reco
apes. a collaboration of pure (austria) & ultra milkmaids (france)
aubert - marie daubert - sheila mata. james plotkin & matthieu maire first met in early 1999, which quickly led to collaborations a few times later. james, matthieu, & 3 others french fellows, ma


eepy break beats, an absolute journey into colourful and soaring soundscapes.
ct oil 10. technoid forms deal with upbeat and spacey wavelengths. lost signals and deep bass sounds are joined by robotic voices which gives to this album an unusual atmosphere, between
o, pop exeriment, mixing drowned beats with melodic strates of bass, treated guitar and bits. to be played while the sun is going down, shiny colors and unindentified vibes floating in the air...
oup archipel.it combines traces of music from multiple origins, from pop-music, through french variety to the rarest annals of jazz history and of largely unknown contemporary composers. sam
are explorating purified and abstract compositions. their work is a constant evolution of infra-basses with sounds of guitar within the framework of a post-rock 'joint venture'. with this act, reco
ra song orchestra, the musical subsidiary of the multimedia art factory 'institut drahomira' (drahomira ink.) . 8 obscure ambient tracks : bizarre string loops and mysterious unidentified speakin
silk saw, jardin d'usure, moonsanto...) john sellekaers (ambre, xingu hill, urawa...) and c drik (ammo, axiome...), started in 2001, after recording a live improvisation at radio worm in rotterdam.
d live shows with best songs of ambassador21 in denmark, france, italy, austria, netherlands, belgium, germany, belarus... maschinenfest, noxious art festival, elektroanschlag and many othe
extile ranch, the solo project of glen johnson from piano magic. the album includes 'boys climbing skull' and 'girl with numbered heart' taken from the double a-side single (on the french label,



 love for america, (really!) his' love for dance music and parties through the ages. both tracks lift off from their jungle bass, dark and chaotic, heading for an air raid on nashville. from the first
gh this recording, a certain poignant quality all too rarely found in current releases. for the emotionaljoystick fan in general, this album will be regarded as a collector's item, since by the stand
n melodies of objects found, soplerfo takes from the palette the sphere provides and cuts up down and around it like a knife gifted with vision. textures push and 'pull' as you shrug and scratc
 f ideas into one main idea that cannot, and should not, be ignored. spawned from the collective mind of zod into a like ideal, the artists that came together to bring dura matters to fruition hav
 f ideas into one main idea that cannot, and should not, be ignored. spawned from the collective mind of zod into a like ideal, the artists that came together to bring dura matters to fruition hav
ntly dissipates into claps and competing keys that are then given emphasis and direction by a bassline that belies its title; the result is splendidly beyond adequate, traveling well beyond that s
production and distribution of his art, bristol uk's bin ray has found a perfect partner in his ambitions to further the sound of electronic music. like twins separated at birth out of some terrible s
um by emotionaljoystick! this record is appropriately named 'plays!' for two reasons. first, because the blend of electronic programming and live 'playing' is effectively produced so that both el
japan‘s himuro to you. funky beats and an intense atmosphere offer something not yet heard in the zod catalogue
 palace does, no easy clockwork formula hidden in the minneapolis-based trio's agenda. sequenced electronics-plus-live instruments offer a tough enough row to hoe on their own; when the




alian composer whose first album 'escape' is presented on brume records. influenced by soundtrack composers such as hanz zimmer, michael kamen, kenji kawai and jocelyn pook, and by e
ustrial legend - stylistically between rhythmic old-school industrial and bizarre walls of sound, intended to nail you to the wall. jewelcase-edition, limited 500 copies.
 odern eclectic electronic music. support from bbc radio's mary anne hobbs and a list of djs too long to fit on a one sheet, from many different genres, and releases across many platforms hav




ists to grace the electronic music scene in what seems like forever producing an almost unheard-of sound in the current u.s. dance market and with surprising results. a mix of gabber, drum
 this album is predominately analogue synth instrumentals.




 and the second release on malignant records' sister-label malignant antibody. r|a|a|n delivers dark-ambient in it's classic pure-form, at times, conjuring the spirit of heresy-era lustmord or vin



of röntgen radiation. solid electronic collagework combined with psychedelic noise - synth waves meet subliminal rhythms - feel the effect after listening a few times. special tracing-paper boo
h style techno with barbaric schizophrenia. they construct impenetrable walls of distorted technoid rhythm atop a foundation of horrific soundscapes. intelligent, technoid industrial & ambient
the most complex soundscapes by combining elements of chilling ambient, industrial, noise and drum & bass. special tracing-paper booklet.
 n. sellekaers and c-drik. ambre finds its strongest power moments in the simplicity and essence of the elements, it even reaches this point by refusing the use of any kind of beats with the sh
ms for a utopia of the scientific process, not without a touch of humour. this enterprise requires the refusal of compromise. furthermore, some references to scientific research, especially in th
 ructures from dark sounddrones and powerful electronic rhythms up to ambient soundscapes by adding a stronger rhythmic element. the 2cd set contains infecting rough & powerloaded trac
b-bass sounds mixed with electronic weirdness and mechanical brilliance. a gently controlled chaos is layered upon a cloud of subliminal melodies and dark hypnotic textures with analogue b
e power of pure analogue electronics with harsh rhythm structures - an anarchic assault of noise, electronic abuse and techno-industrial. fast forward > burnout ! reset your machines and star
one synthesis and computer-generated sound. this is experimental post-techno, an up-and-coming genre of sound, and it is intended for the listener who can appreciate its bold sense of expl
sonant noises and bombing crunches - rapid distorted beats and grand drifting waves. unsettling emerges of grinding ambient backdrops overlaid with machine rhythmics and schizophrenic m
 d sharply by merciless distorted beats - a subliminal war has errupted. floating drones, full of fear, taking your mind, a feeling of subliminal threat. fragments of voices and strange sounds are
ce of state-of-the-art rhythmic power electronic noise featuring eight tracks combining imminent‘s twisted metal, mass confusion, agony, chaos and penetrating coldness with synapscape‘s en
 interpretation of asche‘s visual works, a soundtrack for imaginary movies, and on the other hand a vast mixture of simply any modern electronic musical style. the album‘s title basically says
 y: cuts of the ground, angledozers in bulk, walking on a heavy soil with hobnailed boots, to stone ears, doors and inner doors, holzwege, syncopated landscapes and landslides, ground bass
nics intelligent dance music. starting off with doom frequencies and a nearly dark ambient track the record climaxes in technoid, high-speed beats and rhythms without losing track on the chos
 sequences and bubbling technoid sounds describe vromb‘s special and unique repetitiveness and grant a preview of things to come. note: this is not an album, at the most a few elements e
oundation for retro-sci-fi bleeps and twirls on top of pulsating dynamics and rubbery beats. electro-tribal is that feeling of dreams where you are falling and where you can‘t escape. episodes i
he seattle-based project converter. the constructor, scott sturgis, melds a tribal inferno of paranoid intensity and barbaric sweetness. paranoid and threatened atmospheres of power noise and
ronic rhythms, cold electro… the world of hypnoskull is an urban city with no place for silence. this one-man project of patrick stevens is known in the worldwide industrial scene as one of the
mental destruction and the two musicians of sanctum. solemn post-industrial rhythms, extremely touching melodies and powerful male vocals - a melting of the breath taking harshness of me
 olivier moreau of imminent and performance artist c-drik) developed dramatically. the intense rhythmic straightforward distorted percussion has been put aside and replaced by structured fee
 gh various side projects and thus having reached such a high status within the post-industrial scene, synapscape is giving the listener what the listener deserves and of course expects from
10'' vinyl with alternative outtakes by synapscape and remixes by converter, silk saw, imminent, savak, asche, hell-g, somatic responses & ntt
ssell is intent on building skyscrapers of ultra-distorted sound and darkest ambient. his vast array of stripped beats dismantled clanking and wrenched tones create a panoply of sonic informa


 owned for various other musical projects offers with this release his own personal thoughts on a spoken word album. despite other famous narrators like jello biafra and henry rollins just to na
ept album 'episodes' and the electro-acoustic 'first chapter in an electronic opera for ultratonical machines' named 'mémoires paramoléculaire'; between hugo girard's legendary live appearan


 ear; the ultimate threat. massive beats, torn to shreds by metal splinters, subfrequent sequences, metallic echoing, herald the advance of an inorganic intelligence without hurry, though victo
 converter, asche & morgenstern. sounds, samples & structures have been constantly exchanged to construct a collection of songs for one united project. this recording combines everything
1999 between celluloid mata and ultra milkmaids, later evolved into a project entitled noosa hedz. hoola hopz is the title of their first release under that name. the five tracks on this 10'' genera
hard to find. all of the cd tracks of this double set (and most of the vinyls) are not available anymore. instead of a re-release of all lost items, this is the essence of the past. ‗spectrum‘ covers a
nd some collaborations, uncle rob(u)rang is yet again redefining the pumped stomp of nature with a bunch of old-fashioned rhythm-boxes and faulty synths.he is helped by some of his good f
ut album of this artist. what l'ombre's works are about: atmosphere. hypnotizing ambient soundscapes that makes you want to listen and feel. let yourself go, drift away into a haze of images
ceptual work - creating music on and about basic topics. 'modern times' is about today's working situations, stress, machines overthrowing men and time. 'modern times' was recorded by dire
n, 'operation tough guy [ready to scream, ready to die!]' is again a hard clash between new influences of several contemporary dance styles and the hard side of underground industrial electr
 e operation tough guy! cd and songs from the previous hypnoskull ant-zen releases. limited edition.
! cd, the operation mean machine cd (exclusive material + 3 remixes by converter), a rubber-badge and several stickers. limited 938 copies.
ueness on this long awaited release. the musical variety of this record ranges from pop-oriented synth-tunes ('gloomy day' - a different version appeared on the 'daruma' compilation) done ove
at synapscape (aka tim kniep and philipp münch) needs no introduction. their debut was the very first ant-zen cd (released back in 1995) and we are glad that they have stuck by the label. syn
 a new direction in sound - this will be especially evident for those who are familiar with 'enclave'. however, there are still no rhythms in this aural universe, but it is still mighty cold and extrem
 her genres - genres as diverse as tribal, ritual, techno and powerful rhythmic industrial. now, what if all this was added up and merged into one unique style? - would this sound good? probab


re drum‘n‘bass producer mathis mootz, more commonly known as panacea, is releasing his sixth full-length album as m2 - pronounced ―squaremeter‖ but it‘s true, and in keeping with an unre
album and one year for the second one. if a debut is accepted by listeners and reviewers then it has an effect on the artist's future work. expectations aren't easy to ignore and there are only
uma is zen. perhaps it would now be appropriate to say that daruma is japan. in neither case is the definition fully explicable or applicable. each is essentially a koan whose solution is acessi
several kinds of rays into music – ranging from sunbeams to optical rays. so, 'rayons' can also be seen as an aural sight-seeing tour. the 'speed' factor is that of a person moving (whether by f


 -zen presents the first part of this morn' omina‘s 'nyan' trilogy. so - what can the listener expect? 'le serpent blanc' concentrates t.m.o.'s combination of hard techno, 4-to-the-floor rhythms, trib
a as one half of the belgian duo, silk saw and now the listener will also know marc medea as the man behind individual. individual, medeas solo project, debuted on ant-zen with his appearan
 ician since 1993. his first solo record was released in 1999 and prior to that, he performed in several bands with varying musical styles. some of these projects date back to 1983. rotor‘s earli
rent labels, matthieu maire decided to cancel all activities that were executed under the celluloid mata moniker. but it wasn‘t his intention to end his musical activities - something just had to c
et started their sound explorations as a unit named ab ovo (latin ―from the egg‖; in literature, the practice of beginning a poetic narrative at the earliest possible chronological point). four years
 llection, altmann‘s tongue (knopf, 1994), author and professor brian evenson found himself out of favor with his spiritual home ground, the church of jesus christ of latter day saints - the morm
 third member, oliver, left the group in 1997 and the remaining brothers jan and rodolphe turned the former punk/noise/ambient/rock formation into the soundscape-oriented project we know t


d of meat', david thrussell's new opus is strictly instrumental - no voices will be heard except for philipp glass-like samples on 'neither dominion nor exclusion'. the grand chessboard's messag
 ounded in 2002 and in 2004 he will unleash the ‗orbital ground attack‘ cd. it is the follow up to a self-released demo cd-r that was released in 2003. this young artist has only appeared live on
aterial composed especially for a french play called ‗les chambres d‘œdipe‘, an adaptation of hölderlin‘s translation of ‗œdipus tyrant‘, by sophocles. ‗les chambres d‘œdipe‘ was performed in
eir first full length album since 2001 and compared to other ant-zen releases this is not simply an 'act' - it is an act! on this cd, synapscape's astonishing rhythm skills are perfectly displayed. k
p to last years 'simulations 1.0'. once again, the listener dives into a strange parallel universe that is populated by dark ambiences, paralyzing sub-basses and cold-sounding rhythms. the rhyt
 the next part of the 'nyan' trilogy, and it was worth the wait. lots of change and experiences happened during this period - the most important change might be that of sal-ocin, the new band m
e project in 1998. besides several szkieve releases, dimitri has also collaborated with martiens go home and vromb, and made a split-vinyl with ammo. szkieve's music is made of intense and
but 16 groundbreaking new tracks and an additional bonus 6-tracker ‗urban territory intruders‘ featuring only collaboration tracks with the following projects: defragmentation (usa), needle shar
 - a drummer for european industrial and experimental bands such as von magnet or column one. his classical background is best seen by his playing of orchestral percussion and computing
 ember of the musical projects reptilicus and product 8) and sigurður harðarson (member of grindcore band forgarður helvitis). 'way through zero' is gjöll's initial release. music, lyrics and artw
ome saw the light of day and through the years his parents c-drik fermont and olivier moreau watched it grow and grow - eventually becoming a unique creation far beyond his relatives: immin
sampling and programming) has been perfoming since 1994 in different guises and has supported various industrial projects such as ars moriendi, asche, morgenstern and monokrom. the m
nct german industrial project thorofon, geneviéve pasquier released her first work as a solo artist in 2003. her first record, 'virgin thoughts' caused enthusiastic reactions by both listeners and
bunch of rabbits, attacking the audience of a three day festival with a furious noise inferno. nobody knew where they came from - we guess it was from a place that doen't even exist. in octobe
lentine to del rio. arrested three mexicans ... bootleggers. in absence of sheriff guarded them till his return. to ensign. called by attack of musician during a live concert. venue burned in fight.
 ting rain, phil slipped a hand under his caped coat to assure himself that his spare pistol remained in position. a sudden gust of wind rattled rain upon his campaign hat and spattered his face
ussell's next strike. it seems pretty logical that a release dealing with the upcoming lack of oil ressources is pressed onto vinyl - you know what vinyl is made of, - don't you? 'the end of the wo
was found on a colonized planet and was attacking the colonists. this creature was nearly indestructible and the colonists sent an s.o.s. to earth... the entire story in german can be read on the
 conceptual work. eight tracks (eight 'reports') about the current state of man and the planet he lives on. however, there is more than enough room for interpretations, personal additions and d


 ally andrea börner and andreas schramm (asche). over the years, both tribal, rhythmic and dark, atmospheric facets of morgenstern's work fused together. the separation of beat-oriented trac
combination of dark fearful ambient soundscapes and heavy rhythmic beat assaults. some of iszoloscope's releases, f.e. 'aquifére' and 'les gorges des limbes', are located in the 'ambient' sec
 places: record stores, stages, maybe even on video covers. the ultra milkmaids can also be discovered in many record collections - if you file your records alphabetically then all their records
 factory' introduced this outstanding artist to listeners who do not have access to a record player (having a vinyl collection isn't expected anymore). now, after countless customers' requests, b
 rom asche - this could have been 2 new cd-eps. well, here you get 1 new full-time cd instead! the act! was just finished, but synapscape still had more. seven new tracks where t.kniep and ph
d's "hit". on this 2cd package, track 2 is 'domination' - enough said. two years after the first 'expansion' came out, we present the second strike. this expansion contains unreleased material, l
hno and sociopolitical theme through avant-garde instrumental work, possessed by wildly experimental elements which is often juxtaposed by variations of deep electro, techno, crunchy brea
 on's last strike. the concept album 'darwin's voyage' showcased the german oneman-project as an open-minded artist who is an explorer of new musical territories. futuristic sci-fi concepts co
one of the most well-known and appreciated rhythmic-industrial projects. countless releases and high-energetic live performances assured their top position in this genre. for those unfamiliar
n word album. like 'the voices of reason' it can not be seen as an 'audio book'. thrussell with a dark haunting voice speaks about mushrooms, diseases of civilization, the impact of machines o
g, programming & arrangement) has been active since 1992. he has also supported well known bielefeld based artists such as ars moriendi, templegarden's and rasputeen. in 2000, he and a
 long-awaited - by listeners, by fans, by the artist himself - modus. twelve tracks ranging from rhythmic industrial and technoid four-to-the-floor tracks to ambient, to ritualistic soundscapes, up
dark age' - together with 'concrete octopus' david thrussell serves a fine cd-in-between-vinyl-sandwich. 2 tracks on this lp are already featured on 'the coming dark age'; the two 'concrete octo
you ready for hypnoskull? like a brick thrown into your intestines, p.stevens and collaborators ask for attention - whether you like it or not. this mash-up of ultra-fast breaks, straight hard-drivin
w s:cage has returned with 'madness turns to glass'. with this release stephen seto has achieved the emotional response that he is known for; accomplished via his unique mixture of melody,


 d', the exotic 'aswad' and the haunting 'frozen spark', mathis mootz produced his latest concept work, 'nyx' (night). 'nyx' is not only the album title but it's also the ancestral name of the eight g
h inc. was founded in august 2000. both protagonists, a. brinkert and a. glöckner are equally responsible for synthesizer, sampling and programming (both have played in various projects sin
and flint glass - artists who are known in the fields of dark ambient, contemporary ritualistic tribal music and experimental electronica. this project is a conceptual creation inspired by mayan m
wenty years ago as contagious orgasm. right from the beginning listeners knew that there was something very unique and special about c.o.'s sound - differing from the typical japanese 'indus
core and metal). from the beginning his political stance was anti-fascist and he still characterizes himself as an anarchist. he discovered industrial music in 1997 after debuting as a vocalist in
  because this is a two members project: yves cornu & j.-b. leduc from france. so far only one ep has been released on the label/collective audiotrauma. after many concert appearances which
cia h. willen and francisco planellas. they were initially influenced by the classic electro-pop of the early nineties (a sound which is still present in their side project bubble gum) but the duo wa
 t chess arose in the summer of 2005 when boris may started cultivating an interest in the game to find a way to overcome his growing mental laziness. maurizio blanco also liked the idea of t
  (t.kniep and p.münch) continue and evolve what they started twelve years ago: powerful and versatile explorations in sound, rhythm and ambience. this release is unmistakably synapscape
niverse including distinctive burton-esque graphic works and audio releases in vinyl and cd format. provided with the typical romanic humour and french eccentricity, lingouf alienates those w
n for his collaborations with artists like converter and architect; he also made well-approved remixes (for displacer, for example) along with supporting young upcoming performers like demian
 r possible paths; thin and minute. those tightrope walking paths almost invisible. bouncing in between two perils, two poles, above empires, across frames, which can slip through the breache
this release as mika goedrijk is well-known as the mastermind of projects such as this morn' omina, project arctic and pow(d)er pussy. what you are about to hear illustrates mika's decision to
eck and bauke van der wal. bauke is the founder and original member of the collective, hence the first releases being the result of his personal twisted mind. within the years of law-rah's exist
ectronic sounds, ahnst anders wanted to present his own creative output to the public. so in 2003 he replaced record players with musical instruments. he now works as a stage and studio pe
s a further exploration into this artist's very special aural and visual thinking. to him, music and the corresponding artwork are allegories of a general emotion - moments of happiness brought
  and a half years after 'now', tim kniep and philipp münch present another full dose of massive electronics for the mind and body. tracks like 'who painted my cat black' and 'stuck' keep up sy
 ed from two persons into one. Beyond realizing his own creativity, r. klimaczewski was also responsible for the translation of dave kean's ideas and inspirations into this project's music - the r
  release - more than four years have passed since simulations 2.0 was released and now the journey into l'ombre‘s aural cosmos continues. join him and let go at the steering wheel... the mu
e ant-zen racing team for a second time - perpetuating what began years before and what was perfected with 'suspect'. still the target moctan has set is visible: creating a unique synthesis of
 gin pulses, ant-zen is proud to present geneviéve pasquier's new album. from the very first note the listener will be mesmerized by the elegant electronic pulses that are dominated by the per
d 22page booklet (21x21cm) and inserts.
 ned 'drake equation'. this ep is also a stand-alone release - a stop between the second and the third part of the nyan trilogy. sal-ocin joined t.m.o. as a full member a few years ago and now th
ms like a long way from this artist's punk rock roots, the inspiration from punk prophets like conflict, discharge and crass is still of great importance to 100blumen - that is a citizen of full age, th
 lack lung than any previous record: a unique and powerful mixture of electro textures perforated by sudden breaks and lashing aural outbursts. pounding synthetic and acoustic beats carry a
 project continues its ideological struggle against men's arrogance and pretend predominance. wrathful but never nihilistic, gjölls lyrics appeal to those who still keep an open mind, a large am
  in the intersection of powerful industrial music and advanced electronics. incessant technoid rhythms, twisted electronic noise and cold, sinister atmospheric textures are the key ingredients
 y comprehensive and elaborate one that displays a perfect merging of powerful rhythmic floral industrial and haunting technoid ambience. throbbing dance sledge hammers like 'the unrest', 't


backprint. one-sized girlie-shirt.




nt and silver backprint. size medium.
nt and silver backprint. size large.
nt and silver backprint. size extra large.


nstern logo on front and morgenstern font on sleeve. one-sized girlie-shirt.
  print on front (the ant) & back ('ant-zen' in japanese). shirt-size M (actual size between medium and large!)
  print on front (the ant) & back ('ant-zen' in japanese). shirt-size L (actual size between large and extra large!)
  print on front (the ant) & back ('ant-zen' in japanese). shirt-size XL (actual size between extra large and XXL!)
er print on front (the ant) & sleeve ('ant-zen' in japanese). jacket-size S (actual size between small and medium!)
er print on front (the ant) & sleeve ('ant-zen' in japanese). jacket-size M (actual size between medium and large!)
er print on front (the ant) & sleeve ('ant-zen' in japanese). jacket-size L (actual size between large and extra large!)
er print on front (the ant) & sleeve ('ant-zen' in japanese). jacket-size XL (actual size between extra large and XXL!)
 rint ('beware the ants' in japanese) & back print (ant-zen ant). one-sized girlie-shirt
e ink. plus klangstabil button. size medium
 ow in the dark ink. one-sized girlie-shirt.
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. for ladies - size sm
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. for ladies - size m
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. for ladies - size la
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. size medium.
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. size large.
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. size extra large.
grey-blue and backprint in white. size extra large.




 and backprint in dark silver. size medium. plus button.
 and backprint in dark silver. size large. plus button.
 and backprint in dark silver. size extra large. plus button.
hite ink. plus klangstabil button. one-sized girlie-shirt
hite ink. plus klangstabil button. size small
hite ink. plus klangstabil button. size medium
hite ink. plus klangstabil button. size large
hite ink. plus klangstabil button. size extra large



 & white ink. one-sized girlie-shirt.




 & white ink. size extra large.
 industrial and ambient music. produced by john n. sellekaers (xingu hill) and olivier moreau (imminent starvation)
movements, deep bass sounds stretch out to give a spacey feel of modern electrical manipulations. an engaging techno-ambient type release w/ ultra minimalistic grooves.
pnotic drum patterns, an impressive stylistic range, emotional minimalism and timbral sophistication. harsh sound-structures unfold a new chapter for smooth atmospheric noise. they are gonn
 sequences and bubbling technoid sounds describe vromb‘s special and unique repetitiveness and grant a preview of things to come. note: this is not an album, at the most a few elements e
ce of state-of-the-art rhythmic power electronic noise featuring eight tracks combining imminent‘s twisted metal, mass confusion, agony, chaos and penetrating coldness with synapscape‘s en
 lybaert. it's an electronic project where rhythm will appear in, in all its aspects. since the very start it is the manipulation of loops - the basic idea of the way tracks were created as starfish po
nica such as dark-ambient, minimal music and idm, but doesn't limit himself to these genres…actually there is no limit. the tracks become a trip that stands far beyond the average electronic o
 d full of emotion.where her debut, font translation errors explored industrial overtones, driving backwards cultivates the organic essence of electronics. this equinoctial music rides between la
 iron city, explores a unique blend of lush electronics, dance floor rhythms and ambient interludes that are sure to please both the discriminating music collector and djs looking for the next bi
onverge to create an enduring state of struggle. of course hymen does not postulate that hecate vs. lustmord‘s confrontational sonic assault, law of the battle of conquest is so pure a pairing o
 l-length for hymen, is as far away from the acrid, slight world of plug-ins and software music as you could possibly get. full of lush melodies and luscious analog warmth, formless summons fr
noise. hmmm…noise. today, the galactic supermarket had lots of great offers - but i went out shopping to get some noise, and there was no noise at all. hmmmmm .... noise? i asked some fri
 t toronto‘s york university, rich oddie revels in the interplay between politics, theory, and music, and plies all three into the fabric of his new album for hymen, circuitbreaking. hymen will releas
c responses to be idm - thanks in part to their melodically brilliant 2002 album for hymen, touching the void - take heart: pounded mass stylistically name checks your idm and experimental ele
'nrthndr' caused an unambiguous reaction: a marvellous album. aaron funk (venetian snares) recommended wisp to sublight records, and they immediately decided to release an album. the r
he hecate moniker. releasing records on her own label zhark since 1996, she has left a bleeding wound in the global underground through dense atmospheres and tearing beats. hecate being
old name in experimental electronic music by reanimating classic electronic music styles with distortion and tempo to create a new futuristic sound. this album, dedicated to the memory of the
 'azif' in 2002. breakcore addicts who were familiar with sound-cut masters like venetian snares were impressed: ryan went far beyond the above-mentioned by building up walls of snippets (s
 odern eclectic electronic music. releases across many platforms have built him into a juggernaut. a usually prolific artist, having recorded for hymen, ad noiseam, sublight, cargo, and many o

 en a meme complex - a series of critical cultural concepts that suggest an alternative worldview is necessary. yet the composition of its payload has shifted into a far more seductive form tha
n presenting thirteen tracks of love fueled dribble punk beat box picture book mayhem. far beyond 'breakcore', 'easy listening' or 'bavarian folk music', doormouse kicks ass, balls, jaws and a
sniffler, the gangster of dsp is back again! that's right, hymen records and cock rock disco are proud to present the vinyl version of his new full length album: 'oozing bass spasms'. with enou
 and extremely talented young musician from japan's highly-evolved electronica scene. when asked for biographical materials, he simply replies: 'dirty monkey from osaka japan'. ove-naxx is
eased material: from chilling ambient drum'n bass, minimal electronics to harsh rhythms and teknoid noises. feat.:vostok, black lung, orphx, imminent starvation, not breathing, synapscape, m
nica, characterised by complex rhythmstructures and deep atmospheres. 'unspeakable future outbreaks' was exclusively composed and performed for expovni 1996, brussels - an ufo exhibiti
here at the international mind control corporation always strive for excellence. indeed, the finely-honed recorded product you currently hold is the very zenith of late twentieth century marketin
 travels through groovy ambient tunes with surrealistic atmospheres to chaotic soundscapes towards slower, more experimental pieces which however form an intimate coexistence. the comp
minimalist grooves continues to challenge standard concepts of structure in order to forge his own musical path. ‗imaginaria award‘ - a monolith among modern beats and drums.
 of studio re-contextualizations and retrospective collaborations. an experience you're sure to never forget. new tracks & remixes by beefcake, black lung, low-key, xingu hill, ubin, spacecat, s
cts like quoit, painkiller, lull, napalm death, just to name a few, we are now concentrating on scorn and here are the bare facts: founded by mick harris in 1991 to create rhythmic, hypnotic dru
y known throughout the world as somatic responses, are still native residents of a small industrial mining community snugly located in the southwest region of wales. somatic responses are in
fectionists substanz t from frankfurt finally present their 3rd album. with this release they move one step forward into an stereophonic universe of smoth break beats and trip hop, covered with
eakbeat. a imaginary soundtrack with sweet female vocals and realistic soundrecordings taken from the streets of mexico city and new york. starfish pool‘s new release proves to be somethin
 squaremeter (panacea). it's a perfect melting of squaremeter's cinematic atmospheres and the abstract sci-fi feeling of xingu hill - it's calm but very intense and full of atmospheric click & cu
osses her industrial penchants aside for a more piercing look into the eyes of her creative muse. the result is a breath-taking dark pop departure. 'motion of' is slow brooding emotion that cont
 nniversary should be celebrated with a 'bang'! so for the listeners and the collectors, hymen records present this compilation featuring m2, neutral, dead hollywood stars, beefcake, lusine icl,


hers on hymen. they continue their electronic assaults on the open-minded idm generation. their sound mixes noisy rhythms, broken drum'n'bass beats and complex-structured layers with me
om memory two things: b-movies, and bizarre, unsettling music. music that‘s supposed to capture the feel of the otherworldly, the alien, the unexplored and therefore un-mastered realm of ou
ubstanz-t return after a 2-year span to release one of hymen records‘ most immediately accessible albums, electric opium. all the traits you know and love about substanz-t are in-tact: down te
 en a meme complex - a series of critical cultural concepts that suggest an alternative worldview is necessary. yet the composition of its payload has shifted into a far more seductive form tha
aborations. she paired up earlier this year with lustmord‘s brian williams on law of the battle of conquest, a visceral, percussive revision of lustmord‘s drone aesthetic. now she‘s shacking up w
 ) comprises two elements: 1) a single compact disc (cd) of audio composites, called 'tracks;' and 2) a bound, print copy of the spanish design magazine belio. war, which arrives in a non-des
 coupled to expansive synthesizer foundation; asphalt! - precision soundstage design and ebm aesthetic generation; end - concussive breakbeat matrices and psycho-cinematic audio effects
 ing remix album, caller id. less than a year after she redefined her sound from laptop industrial to a rich hybrid of acoustic instrumentation and intelligent pop lyricism on her album motion of,


 or a second album as architect, i went out shopping to get some noise. myer‘s previous architect album, 1998‘s galactic supermarket, leant toward the darker threads of technoid drum‘n‘bass
  t toronto‘s york university, rich oddie revels in the interplay between politics, theory, and music, and plies all three into the fabric of his new album for hymen, circuitbreaking. hymen will releas
 now, hecate‘s seven veils of silence. the haunting dulcimer sounds of the santur in '1 st veil - desert capture' began to move through her after her mother, herodias, sliced the flaccid tongue of
  interview, volker kahl talked at length about his new album 'places' on hymen, and about a wide range of topics. the following is an excerpt from that interview. (r): okay, let‘s settle down now
c responses to be idm - thanks in part to their melodically brilliant 2002 album for hymen, touching the void - take heart: pounded mass stylistically name checks your idm and experimental ele
 musical interests run wide and deep, ranging from bach, bartok and haydn, to duran duran, billy idol, gary moore and u2. 'today,' he says, 'i love everything that seems to be intelligent music
 n and rises to a new high. ten strikingly different versions of the one song might seem excessive to some, but once heard you'll agree that each interpretation brings a refreshing new vigour t
 s far beyond his previous full length release 'the sounds of disaster', adding fresh remixer‘s blood and exciting stylistic variations to end's remember-the-sixties-easy-listening-electrock'n'roll-b
 cond album, junctions, dead hollywood stars are back with a brand new record - exploring once again a different facet of their twisted american dream. admirers of the previous two albums w
n as a soundtrack to an imaginary tv movie then this second album could be described as a major blockbuster's soundtrack. although 20 tracks are displayed on your cd player, 'megrim' shou
  to date; a masterpiece of electronica which stands for itself. the melodic lines of the first two releases, which were reminiscent of artists like beefcake and lusine icl, are now mostly replaced
  procession, ginormous‘ bryan konietzko digs deep into a passion for stringed instruments. 'i took electric guitar lessons for years, learning pink floyd solos and jane's addiction and stuff,‖ not
 sound, the endless procession is available as a limited edition 2cd set including the first ginormous album, 'our ancestors‘ intense love affair'.
 become a well-recognized artist in the breakcore scene. his output is tremendous - not too long after 'the end', he now presents his new full length release, ‗form without function‘ (featuring g
atthew peters) began studying the cello at age 8 and music theory, composition, and improvisation at age 14. while finishing his undergraduate degree at northwestern university in cello perfo
 y of the proles' was a brilliantly placed shock for many of those who filed david thrussell's project under 'just-electronic' - thrussell's reference to artists such as lee hazlewood or leonard cohe
  as a visual artist. he studied at two art schools and as a visual artist he sees himself more as a 'graphic illustrator' than as a painter. now he has decided to work seriously as a musician. his
 it's like hearing a drum machine for the very first time. this description does seem like the perfect definition of mike castaneda's sound - especially after listening to his compilation appearanc
 velopment and that is its uniqueness. that is, substanz-t does not have just one sound. the chilling ambience of tripped experiences was followed by the hip-hop influenced electric opium; the
 keef' baker has been writing music under various names since 1989. starting out in death metal bands and moving into indie and jazz, keef became a session bassist and also a computer ga
m for hymen records since his iron city full length, released in 2002. (not including the 3'' cd contribution for the travel sickness box set or the condensed singles compilation). here, mcilwain ex
 everal now-deleted cd-rs and changed the name to tonikom in 2006, documented in the album title 'tonikom killed tonik'. after two self-released albums, 'epoch' sees the light of day on hyme
 paved and designed by s. talada. he began his musical experimentations and creations in 1987. talada's musical experience is in many styles/forms as he has worn many hats, masks and at
had nothing new and exciting to offer here come snog to save the day!!! after almost forty live dates around the usa, europe, russia and australia in 2006 snog return to the recording studio in
 healy, well-known as somatic responses produced a new fulltime masterpiece of electronic sound wizzardry. almost two years have passed since giauzar and it seems the brothers used the
orter letter.' in the case of ginormous‘ third album on hymen records, bryan konietzko did take more time and produced his most direct and potent musical message to date. 'at night' is even m
 of the french project ab ovo, presents his first solo work. he is accompanied by befriended artists like flaque and guillaume eluerd (nimp). what can we expect from an artist whose influences
the album kolia, two remixes for architect and hecq, and even freely available nebulo ringtones. the outstanding french artist thomas p. with this cd has created a closed opus that might be se
n project hpc started creating electronic music that ranged from danceable electronica and psytrance to hard-/speed-/breakcore, ambient and noise. after some experimentation and developm
oung artist jb zeller who is based in southern france. this release includes eleven tracks which were recorded between 2005 and 2008. zeller is effected by 'all kinds of subversive music' (rang
eats, wonderful piano lines, atmospheric keyboards, doomy guitars, occasional vocal work - pen fifteen is another journey into keef baker's world, where unequal musical styles like trip hop, e
ben lukas boysen's ambition for the next album was to be a desideratum's compliance: the improvement of hecq's sound, and moving forward into something boysen defines as an 'emotional
  second aural manifestation of s.talada's darker self. m.d.'s unique mix of intelligent dance music, dark experimental sound layers and technoid beat'n'bass patterns enthused a large audienc
es, tonikom was signed by hymen records; epoch was the first result. two years later, the sniper's veil displays this artist's evolution and improvement. 'temporarius delerium' invites the listen
sic under the moniker porteur de l'image since 1998. while he was exploring new music-software, yet unexpected options of his musical self-conception opened up and resulted in millipede. th
xistence with this fine double cd set which includes 33 tracks by 33 projects. artists who (both well known and new to our followers) spotlight hymen records as things are now. a blend of elect
 s is 17 tracks of audio madness bound together by themes of sex, drugs, and rebellion. a wild mix of live instrumentation, programmed electronics, and collaged sample fragments, the dange
n of power electronic styles. crushing distorted beats, lush melodic soundscapes, and massive sub-basses collide with idm edits and dubstep grooves. a perfect bridge between the distorted a
 print (back). size extra large
  one-sized v-neck girlie-shirt
  standard electronic forms. limited 500 copies
 aks and broken beats. limited 500 copies
 irty metal guitars, euphoric noise attacks and really thick, hyped-up beats


 y vocal samples from known french project.
 rity' cd on hymen records, this is the first solo release from j.sellekaers' project. ultra-fast breakbeats collide with soundtrackish melodies. 10-seconds rhythm parts are compressed into millise
 of distintigrating beats, disembodied voices and amphetamine bass from the great beyond. you know that scene in the exorcist where linda blair's head slowly turned unnaturally all the way a
 ain with his second cd. previously, he has released cdr-s, vinyls (on labels such as zod records and widerstand.org) and a full length debut cd on mirex. this debut full length, 'fear and loathin


 here isn‘t much information to be found on subskan mastermind jean-marc. there were rumors about him working in a factory and using pure industrial samples for his artistic work. listening t
 ng badass among the likes of kid606, knifehandchop, and other digital cut-up artists ripping up the back catalogs of early dance music imprints like xl and suburban base - taking wicked samp
 ce the very first, somatic responses‘ tlooz 7-inch, back in 2001. since that time bernard made sure to save his money so that every few months, when mirex unleashed another one of its limit


an launches his hardest and deadliest sonic ammunition so far. this album blasting shrapnel like a motherfucking soundgrenade. dark and twisted is the theme of this album, a rave gone sour
g violent drum'n'bass anthems and sinister atmosphere guaranteed to be a smasher on the club floor!
yles. the city that doesn't sleep - and if you make it there you'll etc.-etc.. important for the u.s. subculture for decades (if you don't know 'no new york' yet, you should look out...). besides the ac


 tunes from a new spanish project with female vocals. limited 300 copies.
 sensational british 70s/80's retro-electro duo mogul, such as the recent 'rotunda' ep on elefant. 'i`m going pop now i`m solo, and will have big hits,stuff indie music it`s rubbish' (jonni mogul) -
 resent the rorschach garden's second full length cd which features 16 excellent 80s / retro-minimal-electro tracks. last year's debut full length release on kaleidoskop received enthusiastic pre
 n‘s last album, 'our japanese friends', but the world is still enjoying their mixture of danceable beats, charmful melodies and unique vocals. the music hits the listener right in the centre of thei
 t works on the small bielefeld-based sub.ver.siv-label. although the firstling's pressing was rather low, his catchy electronic minimalist beats combined with inimitable german lyrics caused ma
 been as self-contained as 'transfer'. compared to their previous albums one will notice a significant wave influence and a turning towards contemporary songwriting; here, the bielefeld based
 9 as young recruits in the vatican city's swiss guard. after many years of serving and protecting the holy father they got a bit bored and discovered their mutual fascination for loud music and
 al electro pop trg is well known for. a remarkable featured sound is the predominant use of a korg's ds10 - a virtual music production studio for a nintendo ds which combines legendary eight
 ed up with brilliant sounds and hard rhythms. white vinyl, limited 420.
 ys follows ulysses' path - although this path leads into darker regions. industrial for the open-minded ! green paper-packaging with gold printing.
 erman project feat. one config.sys-member. distorted beats, well-placed samples and dark moods - it's fresh, check it out!
& noise sector - however, breaking with cliches and bridging gaps to house, ebm, minimal and other styles is what makes it special. the third cd comes as a double pack, including remixes by
 ounds, merged with a slice of d'n'b and ambient, resulting in an industrial experience. cd includes 5 cards printed on both sides with a picture to each song + special matt varnish.
salvation for all heathens worldwide, concerning the two most important topics in western civilization: sex & religion! a holy mass of sampling and preaching - on your knees, get fisted! packag
 w album 'dead red'! mixing together harsh-as-slap in the face well-structured rhythmic noise with a big spectrum of influences and richness of variety of the sound, suicide inside stands for ha
st anders. config's rhythmic industrial power meets anders' ambient soundscapes, to be concluded on this concept album which has 'water' as main topic. packaging: cardboard sleeve.
 ands of the maschinenfest 2008 (mostly exclusive). feat. hysteresis, kirdec, p.a.l, scorn, enduser, architect, roger rotor, iszoloscope, camanecsoszope, ah cama-sotz, mono no aware, kraken
 act - noises and rhythms result in powerful dark industrial tunes. digipak packaging.
ll-known project. cd 2 features remixes by the law-rah collective, iszoloscope, hypnoskull, spherical disrupted, okk-ulth, hiv+, config.sys, nin kuji, and many more. gatefold sleeve packaging.
1 tracks pounding aggressively yet subtly against you skull. us pussies had a lot of fun while brewing up this cocktail of explosive rhythyms, gentle synth-work and delicate sampling. we set ou
 ands of the maschinenfest 2008 (mostly exclusive). feat. nin kuji, last days of s.e.x., sudden infant, broken note, contaminant, gjöll, heimstatt yipotash, hecq, this morn' omina, alarmen, mono
n of sweden (megaptera, the protagonist, morthound) have been thoroughly documented in the past. however, one crucial missing link of this micro-scene has been overlooked, and not given
utumn day… constructed by heavy drones, pulsating beat-like structures and lyrics in a unfamiliar sounding language… strops are taking us out of the comfort and warmth of our hiding place
  the time is ripe to end the nearly two decades of severe under-exposure for deaf machine, the megaptera offshoot conceived by mikael svensson. previously in 2008 the 'found noises' cd wa
 the duo martijn pieck and bauke van der wal upped the ante with the collective's 7th full release. sound wise they return to the collective's origins: a combination of ambient structures and de
s, feat. the phantastic long-deleted 'nullity' 10'' vinyl titles and remixes by imminent, sonar, winterkälte, xabec, contagious orgasm, mimetic and more!
 ease produced by nicolas van meirhaeghe, aka sal-ocin (this morn' omina, tzolk'in). this amazing album includes new, rare and long deleted tracks and is a journey through time, regions and
 olution, greyhound expresses how they view the situation on planet earth in the year 2009. this album is their musical interpretation of the daily global events happening on planet earth. this 2
nds productions. 'the hatred of trees', an astonishing and unique piece of dark epic industrial electronica with smooth tribal rhythms. the music will take you to a journey through dark and threa
a name for themselves with a sound that was both energetic and rhythmically complex. now with their third album, depleted uranium weapons, s.k.e.t. takes their unique electro-industrial sou
 n artist xabec. after 10 years of live performances, not to mention the stellar cd releases seelenschiff, using unused methods, and transformed, an audio/visual release from this seminal hand
dio work, synth-etik has returned once more with a follow-up to his 2007 cd, phantom. on his fourth release, waiting for the rapture, frank macros proves yet again that he is a force to be recko
ger kr52 vs. disraptor, shorai, empusae, ms gentur, synth-etik, the pcp principle, angina p, incite/, geistform, edgey and winterkälte.
 udiovisual electronics duo of kera nagel and andré aspelmeier. incite/ plays bone-dry minmal electronics, fragmented slomo grooves and broken rhythmic arrangements synced with abstract
gina p - idm with kicking breaky beats, spherical electronica-sounds, vocal samples... highly recommended!


 / classical / darkambient project under the influence of one r challenger starting at the end of 2003 as an idea the project has evolved through many genres: ambient / cinematic / old style ind
well known techno producer and dj adam x from brooklyn nyc, now residing in east berlin, germany. admx-71 presents an hour-long journey through a hybrid of industrialized techno interspers
 l experience, comes the follow up two cd album from this greek rhyhtm‘n‘noise act entitled, great irony and the politically s.e.x.plosive. rhythmic industrial and breakcore are combined into ab
description for this 100% club compatible techno industrial project by the two sound artists and producers andreas >thedi< thedens and harm bremer. while this project is based in lüneburg, t
  motifs, is a genius mixture of both danceable electro industrial and electronica influenced noise based sound research. heimstatt yipotash turn away from the deep sea of storegga effect (20
merican east coast industrial drum‘n‘bass producer joshua colella. merciless protraction, quite possibly scrap.edx‘s most essential work to date and the anticipated follow up album to 2006‘s re
 ve spent the last few years changing their name from thine eyes to ml (pronounced mluh), being part of various compilations and doing a release for toast and jam records. now ml have put to
 ectronica artist spark will have you saying to yourself…'where's has this guy been hiding?'. the cd, entitled 'the robotic girl next door' is a timeless excursion of mad beats and wickedly infectio
 usic since they arrived on earth...and we believe them! they have been making music for the last several years under several monikers such as 'funckarma', 'cenik' and 'quench'. they have re
 has seen richard bailey (a.k.a. proem) play live... n5md and proem have teamed up yet again to bring you his first live disc. recorded at a live show in his homebase of austin tx , this seamles
 robot girl next door' cd with 'super robot battle deluxe'. all but decimated are the saccharine 8 bit melodies of the robotic girl. this time around she has been retrofitted for 12-bit mayhem, and
and roel funcken's funckarma project. features rare and previously un-released re-interpretations and remixes of plaid, funkstorung, speedy j, ra-x, mr. projectile, + many more.
 funcken drop another album of all new material via their quench moniker. their 5th quench album and second for n5md entitled caipruss starts where 2002s dyn (u-cover) left off and hotwires
 ears 'use' (n5md) with his sophomore outing 'patience.' never one to rest on his laurels or repeat himself, jase rex (another electronic musician) has pushed beyond 'use' to a place where the
 last moments of events in ones life. which yield those confused emotions that endings and their subsequent beginnings bring. there is an implied lo-fi cinematic quality which makes 'sea' fee
 composer tobias lilja‘s second full-length album and first on n5md. this follow up to his sonic debut 'ex-leper' (nonresponse) has all the controlled visions of decay as its predecessor but with
 hummel‗s debut as subtractive-lad 'giving up the ghost' materialized in 2005 n5md touted it as an amalgam of the label‘s emotional experiments in music credo. with his second album 'sutur
ds the n5md imprint returning to its roots. medard fischer (a.k.a arc lab) uses almost 99.9% the digital realm to create his sonic tapestries. those familiar with fischer‘s music will hear unparall
 did a little math...sum of an abstract is their little known self released first album. now repressed by n5md after a few years of unavailability this time around remastered and repackaged comp
 via the damaik alias is what you would classify as a true cosmopolitan musical entity. spending most of his life moving between mexico, europe and the united states somehow gives his debu
md compile more remixes; old, new, unreleased and even some recently updated ones for this second in funckarma‘s refurbished series of remix albums. new reinterpretations of run_return a
 a the n5md imprint with their album "hologram +." "hologram +" melds together detailed post-rock instrumentation, subtle electronic textures, and thoughtful, yet meaningful, female vocals. w
5md main-man mike cadoo's ever evolving bitcrush moniker. the album is the soundtrack to a story which begins with a sense of hope, but whose undercurrents pull you to the end you feared
oft construction' with 'l'eixample,' tim arndt's most focused work to date. l'eixample draws on inspiration gained during travels through barcelona, spain. of particular interest was the innovative
 de' was a limited time download ep from n5md's sub-label en:peg digital. within its forty-eight minutes, bass and guitar arose from the background to a place of prominence and carried the ep
 five years is a monumental task. yet, this is precisely what stephen hummel, who records as subtractivelad, has done and with seeming ease. with 'where the land meets the sky', hummel's f
 s with it's latest full-length the safety of the north. richardson has fully embraced his cinematic tendencies, expanding his creative palette to include spoken excerpts, a vocal collaboration with
 name from the time of morning when the recording sessions usually came to an end. the duo of cristiano nicolini (italy) and fannar ásgrimsson (iceland) with a bit of supportive help from a fe
elease of the port-royal's 'afraid to dance' (resonant) but the royals have been keeping very busy with writing, recording, touring the eu and russia, as well as creating remixes for the likes of la
mussen's aerosol project. starting out as a member of the post-rock band limp (morr music) with band mates jonas munk (manual), jakob skøtt (syntaks) and jess kahr, rasmussen helped incu
 from riga, latvia - kriipis tulo and rodion zolotarew. it's founded in 2001. this peculiar quality of oloolo music is achieved through extensive use of soviet-era analogue synthesizers (polyvox, yu
 sound designer & jingle writer for mtv-russia. together with lazyfish he released a split-album lazyfish/mewark.little one is an album which shows alexanders talents to combine live recorded in
 alexandroid, but solo creates his own ambient music. i think it's played on analogue synthesizers, and it's not the tapestry sounds of hypnos but more the stripped down version of ambient ho
  lagunamuch, an electronic label in moscow. this compilation has united many russian-speaking artists living in russia and abroad. deep sea shipping is a term borrowed from the maritime lo
 ter of ambient structures, aka ed sherbakoff, living in a remote industrial city of serov in urals. beginning from 2001 he has recorded about 10 original works on different labels in russia and in
 agol, siberia. he adore music from his early childhood. he began from hip-hop and came to electronic music. his concert program started with idm project cast when he was 18. in 2003 denis
 -arthur berent (abstract avenue) and vladimir muhlberg (plusminus) joint project, recorded in munich, germany. freeland contains broken rhythms of techno-break, dark-hop, idm character. mu
most talented up-and-coming artists from moscow electronic music scene, will release his second album in collaboration with alexander petrunin aka mewark. lazyfish has already released an
 started in 2003 with techno-house remixes and later released several non-dance solo albums on independent net labels. autumn of 2005 marks the beginning of his concert activity. the first p
 like this one. kellermusik is a young label from leipzig/germany - and daniel myer from architect is working there, too! with the release of kellermusik 07 this label establish itself not only in the
 c - three converter tracks from ant-zen act193 first-time on vinyl, 2 yet unreleased klima tracks plus a klima remix of 'cloud eye'. regular disco-sleeve-cover edition.
 c - three converter tracks from ant-zen act193 first-time on vinyl, 2 yet unreleased klima tracks plus a klima remix of 'cloud eye'. limited folder-cover edition.
 rare hardcore acts with more than just thinking about 300bpm. the result of his collaborations with kellermusik records is a vinyl with influence from broken beats to techno, a little bit of hardc
 ackaged in a concrete cutting disc box with instructions for use on back. limited 300 copies.
eeting between dirty dark clubtechno by klima and a trip through rhythmical soundscapes of different worlds by morbus m. past and future describes that limits never exist in a business policy
eeting between dirty dark clubtechno by klima and a trip through rhythmical soundscapes of different worlds by morbus m. past and future describes that limits never exist in a business policy
 al from 10.11.2007 at yard club, leipzig (germany). feat. exclusive tracks by architect, 100blumen, genevieve pasquier, s.k.e.t., displacer, zero degree, mc1r, the empath and m.o.p.m..
  acoustic journey which is lead by broken, melancholy, sombre, but harmonious sceneries. besides, frequency spheres of the most different genres are plumbed. melancholy harmonies are e
 es and collaborations from and by wisp, drop the lime, end, alcrani, ears akimbo, toyz‘r‘me, augias amena, powderform, kilowatts and ghosthunt. comes with one of 15 random covers. cd-r re
 daker loosly based on the short story 'la fin triste' by mary lucas. as wonderful as electronic music can be - influences: autechre, tortoise, kid 606, solvent, kraftwerk, mainstream hip hop, sele
 d lay down album by such broken glass. the cd version of the web-release features the complete tracklisting in the needed high quality to enjoy every moment as its meant to be. sounds like:
 s fiktion to serve your dancefloor needs, mastered to drop in fat. runs 30+ minutes. cd-r release.
cords including a diverse mixture of powerful electronic music. feat. newt, esa ruoho, andrey nikolayev, internal pudding, toyzrme, archos, james w.w., phonemonkey, turdboy, simple vehicle,
  bartosz dziadosz, a 25-year-old philosophy student. based in katowice, poland; pleq has developed his highly-synthetic competencies through a series of disreality attempts, monastery supe
 s a part of berlins artist duo atmogat. this project focus the melancholic part of that slight sentimental touch which was brought out earlier in some of atmogat-productions. 'try to feel' has the
 he underground has to offer, chock full of industrial, breakcore, idm, dark ambient, drones, and noise. featuring excerpts from current and upcoming releases, this compilation is a "who's who
 ces in project arctic, a dark glacial and occult sonic entity that casts its spell over the plains from the rim of the world. they form the inner dark companion on an auditory journey to the third po
 your mind into an altered state... effective in its worked out construction of noises, thumps, weird voices and surging interventions over a stereophonic sea of drones, multidimensional sound
more than 1800 people in holland, the dutch [law-rah] collective commemorate this catastrophe with a long and very intense track: 1953. in this moving interpretation a story told by unspeakab
 but he is so much more then 'just' mimetic. on this new nautilus release 'ultra' he is mimetic under pressure. as one can expect after the previous releases in the nautilus series 'ultra' contains
 t impossible, but 'the fisher of drowned ones' covers it quite good. nautilus, the water based sub-division of spectre records, presents its tenth release and all honours go to vromb. the canadi
 an artist empusae, who releases his ghosts by banging the electronic drums. hypnotic constructions, deconstructions and reconstructions for the intelligent dancer. limited 399 copies
 rent continuous unity, varied enough to keep you at the edge of your seat. sad or even malignant soundscapes, distant voices, intricate rhythms and constant tension form an oppressive dre
 od a.k.a. ah cama-sotz returns with a conceptual work about the blood countess elizabeth bathory. this is something different from his other work, only related to it by its darkness, but never
 drift on a bed of soundscapes ranging from the solemn brooding to the etherial yet haunting. this cd reveals a masterly example of sound research and sound manipulation in a coherent and
 erse which encapsules you into your own world of thought. a ritual that invites you to take a look inside yourself aided by repetitive tribal percussive elements, by invocations, by solemn and
n this live collaboration presented under the origamimetic moniker. experimental ambient carefully threads on a swaying bed of processed field recordings, every now and then lured into lettin
e rustling of the poplars' leaves. nobody would suspect the treachery of love to be slumbering in the middle of the flemish polders. kraken are hunting the invisible enemy for 20 years now and
 s, dark ambient, and rhythmic noise loss' releases assaults the listener with the nearly two decades of depression, failure, frustration, and self-immolation that spawned this work. the first mus
 . spectre's 'big boss' summoned his demons to work towards a common goal : a sonic exploration of and into angst. all spectre projects have gathered here to contribute their audio sculpture
 rk skies over planet e.', hypnoskull is back with a special concept album titled '(g.o.d.)-once again', this time for belgian antwerp-based independent label spectre records. after 2 vinyl-release
d 'chagrin' are in dutch. strange titles which present an insight in the (obviously) very sick mind of the kraken. 'floating dogs', 'fear of meat' and 'your sister and the wrong leg' are just a few exa
 to go outside, the gruesome twosome decided to break the laquer seal on the last one of the once so thankfully forgotten hidden scrolls. within this final scroll were the long lost incantations
 of day, and we - the audience - saw the light, period. loss is like a god; the god of noise, strings and beats. just as on 'i kill everything' the two tracks on this 7inch (entitled 'you are what eats
 l activities ? right ! by adding yet another release to the list! spectre records just became 10 and this brand new sampler is our gift to the world. the original spectre roster covers three contine
mpler was all the belgian project hysteresis had to offer, but that one track had more then enough quality to be invited for a full release on spectre records. 'measured chaos' counts ten tracks
why they're called trilogies. and just like the latest two kraken releases, the new album 'drift' also comes in a minimal designed black and white cardboard cover. which brings us to the conclus
 cd. and after those six years he took a bit of distance to his works and he saw it was good. spectre records is proud to present 'things fall apart', that 'difficult' second release by the project sk
e uttermost truth on life's questions, the [law-rah] collective happily tears it right down again. on their sixth release '...as it is...' the [law-rah] collective gives its dark poetic view on stuff like, yo
sub-label nautilus and the emotional trilogy 'amore', 'chagrin' and 'drift' on spectre records itself, you might have wondered if the guys from kraken would be able to rise above the level of exc
ised friend and foe with their debut release 'measures chaos', which was also presented by spectre records. and the dynamic duo hasn't been doing nothing between then and now ... 'will + re
ster of darkness, the bat himself. for his new album 'dead cities' ah cama-sotz created no less then ten descriptive aural landscapes from all over the world; the tracks range from deep ambie
 pilations + 4 unreleased tracks. limited to 150 copies.
eurydice features 5 relaxing pure ambient tracks, which are ranging from ritual, meditative to dark ambient. special overstock sale - limited quantities!
he undiscussed master of this genre! i don‘t think there is any need for a more in-deep introduction: melek-tha still stands for bombastic and apocalyptic black industrial, enriched by symphon
xploring more ambient and disorienting planes in an effort to contextualize the ramifications of renegade science and deviant medicine. framed against a somewhat literary backdrop, it is one
back ....with more supreme symphonic & occult death music .... more memorable destructive rhythmns and entangled mentally insane orchestrations... but this time with more concentration
 iversary with a final release: acclaim hell. we think there is no need for any special introduction: melek-tha still stands for bombastic black industrial and apocalyptic death music. after their la
 m 1996. as member of the cold meat industry family, archon satani is a familiar name to those following dark electronics. 5 dark ambient structured tracks, with sometimes bleak and evil mon
 best-selling neo-folk albums in the last 2 years) sol invictus aka tony wakeford are back with a new folk noir album. loosely influenced by the prog records of tony wakeford's youth, into the w
ed' – moloko+ rds — 1998), mimetic and les arts minis are publishing the birthday book, 160 pages colour printed with a double cover mat silver and brilliant orange containing 2 mcds (mini-m
strial punk all-star-band'. cd-r release.


sed - monokrom at their best! cd-r release.
to be free' festival that took place in berlin in december 2003. cd-r release.
acks from deceased german artist bertrand brueningk - partly noisy, partly with song structures with a disturbing mood. cd-r release.




40 lp + c60 cling film). cd-r release.
d (ant-zen act88). cd-r release.
n tape. dark electronic industrial for the apocalypse, done by the legendary german project feat. philipp münch (synapscape...), andreas schramm (asche...) and sven pügge. cd-r release.
 m and p.münch, previously released on tape. many styles, but always strange - somewhere between harshness and tranquility.. cd-r release.
inkers bei pinkels daheim. this is the re-release of the same-titled tape (fich o33) released by fich-art in 1996. noisy and ambient soundcollages with whit and e´spirit. oswin czerwinsky and jü
at divide' is the first full-length release of eva | 3. paul lavigne created this album between 2002 and 2006. he was supported by riotmiloo from the punk band 'venom seeds' doing vocals on tw
 d live at bassbeben, bielefeld 2007! cd-r-release.
d by ex config.sys member m.'kirk' fuchs & h.althaus. 12 trax of noisy beats & analog-soundz + a rmx by asche. cd-r release.
st influencial german pop giants from the seventies - presented by fich-art on tape - here comes the second one! unreleased cover versions by asche, synapscape, 100blumen feat. ++99, p.a
d this new noise/experimental project is john raptis from athens, greece, who also is involved in spectraliquid. with xsoz he creates a combination of cold mechanical ambiences and manipula
rban; this project was founded by hanne adam & tanja dovens in 2007. both are studied audiovisual artists. exurban introduce us to a very impressive dark ambient album, combining drones,
 - check it out! cd-r release.
roject from germany's alexander marco, who works as a musician since the beginning of the nineties. after playing in various bands and working as a dj he formed saturnzlide. this production
ot ! a new sound that defied boundaries. at the forefront of that scene is the french audiotrauma label. playing completly live, these artists will blur the boundaries between techno, electronica
esents their brandnew album entitled 'defied' - after couple of great shows in uk and france. it's hard, it's raw, it's real. everyone must have! (includes remixes by hecate and ambassador21.+
 res melodic soundscapes through electronic and industrial ambiences. 'entropy' describes a dark world where minimalist and depressive voices flutter on distorted rhythms. the 9 tracks mix c
even parts. its slow increasing start has to be bound directly to fyd 'defied'. the first album ends with a one minute silence track called 'useless', and 'dogma' announces the consequences of
n a disturbing and involving exploratory journey to the dark corners into an epic complex cinematographic phantasmagoria of the human psyche. a personal organic dusty warm sound remot
 back with the 'lost in a lost world' album. you know the kind of heavy music that scares uptight parents? between electro-experimental and cyber-punk, chrysalide is uncompromising, unforg
hin comes back with the 'neo neon generation' new album.inspired by comics, mangas, science fiction, video games and some chaos riot involved books. he delivers a warm massive groovy
hrough the cultures and the ages, where ancestral voices are confronted with the deafening silence of modernity. within this second album, 'mind necrosis factor' mixes acoustic instruments a
 y' is a detonating trio! they have met together in a small street of dark and furious electro-indus. these three protagonists borrowed from the distorded beats their disturbing ambiance to get u
mas p. and benoit g. since 2001, le diktat's music has been nourishing itself with various references to be found in the spheres of music, politics as well as urban visual arts. deeply influenced
hope or a just life? newcomer to the audiotrauma label, amesha spenta welcomes us into a distorted progessive electro music with ethno-cultural references about ancient persia's zoroastrian
 p 'we're sick ov your violence' (realler 2003). they return with two full albums 'music for ghosts' & 'god is in the details‘ - to be released as a limited double cd box-set with 10 artprints on marc
 f label v-atak: 3 years of research condensed into ten films in one hour. different musical and graphic styles come into contact all along this project. lifesteak, a collaborative work between tzi
nius, guaranteed to burn down your blues! full colour folder cover. limited 300 copies.
moreau (imminent) and gabriel séverin (silk saw) met carmen cardona, a young percussion player born in belo horizonte to a cuban mother. 'neu optimism' is the encounter between incredible
name, dub music has evolved into many distinct forms. from rock to techno music, the vitality and strength of dub has proven that its influence is not a trend but here to last. the mid-nineties s
. this is not the kind of tribute you might be expecting it doesn‘t contain any cover versions. all tracks are exclusive material. the four artists here, aube (japan), lilith (us of a), p.a.l (germany), p
hush threesome three cd's series that will see mark spybey, mick harris, and ambre (imminent, axiome, xingu hill etc) collaborate successively together. mark spybey has recorded this disc, f
sfully two different musical careers at the same time and japanese kk null is truly one of the few. he has gained recognition for his work with terror punk rock project zeni geva as well as his se
 gian quartet moonsanto is proud to present itself to the world in the form of its first long-playing compact disc. active performers from the brussels' scene, members of silk saw and xingu hill t
iple decades of classic instrumentalists. with the introduction of a wider range of electronic devices such as synthesizers, samplers and mini disks a new generation of artists has taken over t
hms of passage, is szkieve's second long-playing cd for disques hushush. almost three years after debuting with des germes de quelque chose, szkieve has gained critical reputation worldw
gle theme to produce its effects without synthesizers or traditional instruments. just as stone (sub rosa, 1992) used stones, rocks, etc; and redwing (sub rosa, 1995) used air; 'icfw' uses sourc
 n two different sonic universe to collaborate is not quite one, but asking two bands consisting of the same members to collaborate with each other is a real one! when asked by hushush to co
 nd dances from the high plains' szkieve takes one step further his characteristic blend of synthetic and organic sounds. this album explores minimal ambient territories, sci-fi inspired spirals o
e 3‘‘ mini-cd format! this format lends itself well to the implementation of a maximum of ideas within a minimum of space. clocking it at under 20 minutes on the cd player, this release propose
 hree creative entities to orchestrate the whole. john sellekaers (xingu hill, dead hollywood stars), daniel de los santos (tamarin) and mathias delplanque (lena, bidlo) open us the door to a uni
ctories at night, wandering through its long desolated vintage hallways, discovering rusty machines put to a permanent idle state against their will, hearing your footsteps resonating around yo
 minimal, somber, muffled and textured electro with strains that are nevertheless poetically devastating, the creator behind the montreal project nos royaumes flirted with the uneven terrains o
l blomquist, mark wilson and michael addison mersereau, 15 degrees below zero, with previous releases in cd or cdr format on the force of nature and crunch pod labels, brings us their first p
ro tedeschi runs the glacial movements record label and plays music as netherworld. his fascination for polar landscapes and soundscapes makes him close to industrial ambient pioneers su
r on paper + cd only for special releases. the first one in this collection (fear drop 14) is about the cure's masterpiece, pornography. on paper: a study of the album (french and english) on cd:


se project. from dark drones and subtle rhythms, to hard beats and distorted vocals section's concept uses several musical moods to convey it's theme of an unsettled sense of body and mem
en free from the formulas of the ebm style into new combinations of analogue electronics, noise and abstract beats. compressed form's instrumentals are a superb example of how he is achie



perimental roots with his third release as monolith.
d with special vocalguests dirk ivens (dive) and johan van roy (suicide commando).
belgium as home of 80ies electronic body music! presure control is nothing else than the brand new dark wave electro/ebm-project by another living legend of belgian ebm/electro: gino de vo
rk ivens‘ dive! the all new album – the first after a long gap – was this time recorded in collaboration with the very talented, spanish musician with name rafael m. espinosa, the mastermind be
 the free bonus cd contains the complete live concert at the daft festival on 22.05.04 at the steeple -waregem - belgium. with already one well received album on daft records and gigs all over
k electronic scene, dirk ivens (synths & voice) formed absolute body control early 1980 , and was joined by mark de jonghe (synths) and veerle de schepper (backing vocals). after releasing a
ation album. comes with leaflet that holds the biographies of the 10 groups featured on this compilation and advertises for the showcase and release party at hof ter lo in antwerp, belgium on
hort time thanks to their unique, very special cold, but also emotional russian ambient style. a sort of frozen electronica meets esoterical lanscapes … one could see reutoff's music as « ambi
 lass under the name tzolk'in ! a sweet and very organic work based around the maya's civilisation... it'll be a superb 8 tracks digipack mastered by the emblematic and enigmatic ah cama-sot
phies by peter bengtsen and an enigmatic text written by nico bally (his second contribution to dc after 'ombres & lumières'). the music propose some esoterical and ritual soundscapes create
ustrial's leading combo, the mighty reutoff... here, we present its very first release : a 4 tracks mcd. the music is a very weird affair... mid tempo rythmics flirting with dark-electronica (and even
ilogy on divine comedy, the follow-up to 'praha'. once again this is a strictly limited release.
 iews on history, fate of humankind and t.s. elliot's poetry ('the waste land'). this release combine the darkest side of what we can call traditional symphonic industrial style... from spk 'leichens
e of the 10'' trilogy! here end up the celestine orlac's aventures somewhere in budapest ... previous volumes (praha and wien) are masterpieces and now very hard to locate as quite deleted.
omantic and mysterious place on this holy world. it's also an unmissable reference in gloomy and cinematic 'tragical' culture. together, steinklang & divine comedy records are producing a trib
harsh or even psychedelic, sigma octantis's music is always melancholic & quite strange. this enigmatic act may appeal to divine comedy's addicts into lambwool or othila, or even foundation
ightmarish 'book & music' exploration picturing some of the most obscure landscapes from the south of france. a so-called paradise that's in fact one of the most polluted part of europe. musi
s (dead hollywood stars, xingu hill) make us travel on deserted roads of an imaginary trip through the usa. ambient and obsessive feedbacks, astral noises... the call of the wild is here. an ego
bient soundscapes, with particular rhythms, developing a multilayered tapestry of unconventional harmonics, unexpected twists and occasional violent outbursts. coherence is maintened by a
 tracks by michael yonkers & the blindshakes... very raw 'garage-punk'! two short tracks by this living legend kulfi's contacted because the whole band is into the incredible 'microminiature lov
 vine comedy records is proud to enter new paths with this 51th release... what a better title for dc than '...and the angel is gone' after the 'inferno' release, closing a decade? the music keeps
manifesto compilation, d.c. has once again decided to pay homage to the pioneers of dark electronic musics from the post-punk years. it is with the same requirement in the selection of unrele
 om hiv+, one of the leading figure from the 'made in france' industrial culture. with this new album (easily described as its darker and disturbing one), pedro peñas robles succeed in making t
surrealistic and industrial movement. here, we can quote pink floyd, aphex twin, sielwolf & einstürzende neubauten, but also luis buñuel, david lynch, and writers such as tristan tzara, andré b
ed the first ever horologium's full length. three years later the discography is impressive : dcr, steinklang, o.e.c, neuropa, cynfeirdd, blade, bop... for the third time, dcr is working with horologiu
 ion) and kkk (kulfi, ufo gestapo) ; recorded and assembled between 2002 and 2007, this album is a mixture of psychotic modern tales heavily influenced by the melvins, earth, syd barrett, joy
s and overdubs. a sort of weird distorted heavy-psychedelia kraut rock fulll of atmospheres. 4 pieces haunted by ghosts of bands such can, neurosis, comus, ca quintet, or tful 282. it may rem
 s coming from nowhere but surely one of their best sellers for 2007. the music was hard to describe, but certainly very obsessive. a crossing path between ritual and harsh ambient music dee
  (again) a limited handnumbered vinyl edition with homemade sleeves. after several years into coma, kulfi decided to record again during summer 2007. in the meantime, as a wonderful echo
 can be described best as listening to a musical narrative, told in several parts forming a larger story of another time and place. this place is a sort of bavaria from a parallel universe infused w
n knilpert, genévieve pasquier, giuseppe tonal und tikki nagual are back, releasing this fascinating soundtrack album of the theatrical production 'tannöd', based on a book by andrea maria sc
six years after their well-received debut 'popgod' (pop1, 2003) and the preview-cdr 'in dog we trust' (pop2, 2008). since then, things have changed. thirteen tracks of abstract weirdness, enter
earched through the umb archives and found unreleased tapes of the pre-thorofon project kommando. after a careful selection process, courtman took the old material, rearranged it and ther
he creative process of tonal y nagual. their journey started in a barren, long forgotten desert but after five years of wandering they reach the premises of something called intelligent pop, stran
ion of safety and hirsche nicht aufs sofa‘ surealist collages, and the unique atmospheres of zoviet france, the hafler trio, whitehouse, coil‘s albums. de mange machine finds its strongest pow
nica tracks in which powerful, elegant analogical sounds mixup. gilles rossire chisels his findings around a genuine musical framework and shows that research doesn't always mean icy herm
 ion of safety and the hafler trio‘s albums. demange machine's universe is built on a great variety of sounds coming from electronic generators as well as various items. de mange machine un
e, talented french project lith delivers a new album, powerful and committed. 'gaia' (the earth) is a call for our planet as the living cradle of everything that is ; in turns dark and desperate, 'gaia
 e any introductions and are known for their collaborative efforts with other artists. the first came to prominence with the post-rock/experimental/ electronics ensemble l'eglise du mouvement p
 nian word meaning a foggy, winter like atmosphere - he offers an album of brilliant and original electronica that finds its influences in gridlock and beefcake as well as in scandinavian, baltic,
midor is the audiovisual experience/installation of an artist known solely as 'j.', an architect by formation, who also has worked in writing, comics, theatrical performance and poetry recitals. it i
 rre remy has been forging his own path on the european scene; thus, under the name of 'fractional' -pierre's electro experimental solo project - several cd and vinyl releases have already be
 18 - incl. remixes by dj hidden and cdatakill.
project that has been described by critics as representing some of the most innovative sounds-styling towards electronica, rhythmic noise and dark ambient genres. flint glass is a one man pr
 /france, will celebrates its 4 years of existence in december 2009 with 11 parties to its credit. 27 international artists of the electronics/industrial scene have played live at kod.ex, representing
c one sees a context, a performance, an installation or projections that match the parasite-like noises. definitely something very singular, dark and violent.there is a whole scale, an entire spe
m by album laurent perrier is moving away from rhythm and moving in on textures. the synthetic pulsations that open this new opus are accompanied by electronic bleeps and clicks. an approa
 is album developes the music ultra slowly,starting with a very low, organic rumbling bass that plunges the listener quickly into a hypnotic state. the composition seems minimalistic but yet com
nt sphere with 'falling down fearless of bruises',and having kept tied links between dub and industrial in the album 'itching',having preserved an omnipresent low bass frequency, oscillating be
perrier has cut, sampled and rearranged the work of 11 talented guest musicians in a collage of instruments, synthetic abstractions and nervous compositions. playing the mad scientist, heal
 core, zonk‘t‘s latest album, 'beat wins you and me', develops itself on a base of heavy rhythmic figures and dark, groovy hip-hop where abound sound textures and electronic frequencies insp
 ight frozen modules moniker, here turning his hand to obliterated digital dancehall grime, jungle in the most furiest processed, ferocious style!!!. 'rejected residents' is a frenzy of hyper-creativ
 n ) is back!!! against clicks'n'cuts minimalism and angular idm, duran duran duran, the philly-raised producer, smashes soundwave like tyson's fists hurt his wife. 4 hyper-structured tracks, org
ake a party with otto von schirach and richard devine under crack & pcp and ... you've got the perfect drawn of his music!!!
ncredibly wicked ride. intense, broken dubstep/idm/experimental madness. i have been playing it constantly in my car now for 2 weeks!!!! the track 'girlfriend trouble' is going to be a dance flo
 resents a straight out catalan‘s rising talent: amph. sounding unreasonably mature for a 19-year old composer, juan raventos coral is delivering four exclusives trax on his first record 'mambo


 hic computer team strike back with this time, their first full album. one of the most await record on peace off, atkiz and razor passive propose all you can expect of the new skool junglist disea
 trictly limited to 500 copies!!! this is a full newcomers compilation - 5 exclusive trax by sinead o'connick jr, ozzy ozwald, stazma , totally normal, autopsy protocol. kamikaze never surrender!!!
 akcore artists. first, pittsburgh's own xanopticon smashes things up with harsh synthetic atmospheres, put down with hyper-edited glitchy breakbeats. pure mania, for fans of vsnares. the flip
  as most tracks vary in sounds, yet flow smoothly and all possess the distinct doormouse touch. while there are plenty of harsh scrapings of breaks and rolls to be found within doormouse's w
 ies , cardopusher, new stormer producer from caracas (venezuela) wins more awards than it‘s possible to the mash up scene. tight breaks, killer prod, floor carnage, ballistic ragga beats, and
 comes with 4 bonus tracks incl. a mothboy remix, a cardopusher/ rotator collaboration track and a krumble remix. digipak packaging.
  the peace off brand will not be unnoticed. we have assembled some of his hardest and strongest material to date, a hybrid sound of bursting breakcore, gabber and sampling. nothing new to
 ker, full of his sonic trademark!!! combining raggacore, metal, hip hop, hardcore & breakcore, the original peace off punxxx delivers once again 4 explosive and energetic riddims. these raw t
 tellar hurry up limited roster, le jad hits the electronica big time with his debut release for peace off! this legendary breakbeat producer who worked already for dmc world championship (like d
duced for tracker of twisted and dancefloor music!!!


 ume to 11, the soundclash monster, kid606, gonna 'mash the place up‘. a noisy trip through jamaican dancehall, with ‗wickid‘ bootleg, this soundbwoy open the story of our new offshoot bang
  - analgedrum - herosamples - cocaragga ...) 'el doctor de caracas' gives us a transfusion of his red red blood! damage 12009. an explosive cocktail for this summer full of rising breaks, frenz
 ll-sound records dedicated to the dancefloor!!! return of the amen spamer, is one of his most accomplished record! the discobreaker digs deep into the same vein that produced the awesome


 e, the third ruff instalment featuring 4 traxxx from cardopusher, krumble, dj floorclearer & black ham (aka rotator)!!! rules of anger is another huge release ready to kick your bass !!! from astra
 roducer, drive a dance wild!! with two solid tracks of shocking dubstep decimation, he's drawing influences from the rich soup of broken beat into dancehall crasher territory! newcomer to the
 m starkey & bong ra. another huge release ready to kick your bass!!!
 e, and its gonna wreck ya nans hi-fi! 2 twisted bullets from the ruff headquarter!!! this up and coming london production duo have cut their teeth in the london free party scene for years makin



sublabel - more infos soon!!
 y and very mysterious person. philipp muench (synapscape) has met rasputin under enigmatic circumstance, and now phillip produced his unbelievable powerful debut album entitled "das le
 because you don't need the totality? sure, cut off what you need, from me lying on that stainless steel table, just as if i was a labrat and you the pathologist...run away from the horror, run and
s!! 'weight of death' forces your ears to bleed, but keeps your brains alive. with this intensive sounding album ambassador21 blows up your sound system totally - there is no time for a funeral
  quasi-song structures and ambient experiments after the purely rhythmic 'virtual violence‖ cd and last years experimental 'pattern hiding‖ 3''cdr. it features some of the harshest as well as th
 d glitchy intro, warming up the audience for what is yet to come. it prepares the listener to be taken on a trip through the mind of erik schleicher, or, to speak in more precise terms, deep down
 or21 and invasion wreck chords proudly present a brand new powerful album - 'drunken, crazy, with a gun'. mostly based on previous full-length 'weight of death'‘ material, this remix album d
eo tracks from ambassador21, suicide inside, rasputeen, fragment king, boot-sector-viruz, mimetic, synapscape, sonar, asche, klangstabil, roger rotor, proyecto mirage, s.k.e.t., ah cama-sotz
 ador21 and invasion wreck chords proudly presents this new excellent release - this time a collection of remixes, made by ambassador21 in 2003-2007. some of the remixes are unreleased
 or21 and invasion wreck chords proudly presents 5th ambassador21 full-length album 'fuck all $y$tem$'.if you are looking for clean intelligent sound - forget it. it's impossible to insert this bel
 album from madrid-based electronic music producer ctrler, also known as collaborator of ambassador21 and placid. two years have been necessary for ctrler to design, create and produce h
onna make your blood seethe and awake your nature. 'invasion & friends 2k8' - this is underground. features new tracks from ambassador21, beinhaus, boot-sector-viruz, catholic boys in hea
um 'fuck all $y$tem$' here is the new release from ambassador21. this cd has tracks which were released between 2002 and 2007 and two versions recorded live in paris and florence during
de inside, synapscape, winterkälte, punish yourself, ambassador21, sonic area, pneumatic detach, roger rotor, iszoloscope, p.a.l, f.y.d., boot sector-viruz, xabec. powerful, true and loud - if it's
w project - 'peacemakers inc.'. now three bands join forces for do not let this world to die easy. and it will be done again and again. every time our invasion will be powerful and wild. every time
  of 'peacemakers inc.'. without any rules, without any authority, without compromises and without return tickets. pure energy. absolute freedom. passions, desires and emotions. wild, violent a
 read now something like 'smashed drums', 'ultra fast broken beats', 'sharp guitar riffs', 'earfucking duel of vocals', 'wall of noise', 'absolutely dancefloor killers', 'and again about guitars - hard,
a journey through the female psyche experienced through the eyes and ears of hecate. rachael kozak, after releasing records for five years under this guise, has finally completed her debut s
 and christoph fringeli was recorded in the period of 1999-2001 and shows the other side of the coin of their sub/version record, presenting more abstract and psychedelic breaks and noise wi


 roken beats destined to be yet another classic.
  momentous 24 min work on praxis!
no compromise breakcore, broken beats and noise, challenging the orientation towards the 'artist genius' with a selection of tracks chosen for their quality and not for their marketability - in the
 hance to pay hommage to some of the wicked early hardcore rave and transform it into phuture breakcore. but the references don't end with mentasm, the plank or l'infamie, but reach out to
  a massive 12'' by xanopticon - america's splinter break master- the silver key ep a three tracker of ultra tightly edited and produced pummeling against layers of haunting ambience. his com
ghtning speed breaks while sinister creatures take shape in deep caverns. bong-ra transports the listener back to the demonic rites of the middle ages by summoning four apocalyptic pieces
es, raquel de grimstone (aka hecate) brings out her first full length as a emotionally charged, sinister ride through the shadows of perception. thirteen tracks comprise this cd release, six of wh
chines', richard for cerebellum's 'thoughts that breathe...words that burn' would be a most appropriate soundtrack. hymns of ghostly ancients coalesce on a playground of twisted metal, evokin
what show her detroit roots. teaming up with john ryan this early work shows them from a electro noir side, nice and sleazy from the shadow world of motor city.
 erline the driving breaks and metallic rhythms found on the new sub/version. hecate presents a track of deep subtleties and masterful programming on ―technical witch‖, and on the flip side g
 nez' new release on sub/version is out this week - a mind trip through devilish labyrinths of a myriad of sound constructions. vile enginez, hailing for basel, ch, has produced his most innovati
c, übergang are transcending the past and giving new directions. übergang are working without conditioned, cheap references to create a new style of digital electronic music - fresh, contemp
side ride into the unknown, with pulsing subs and fractured stepping beats. a2- night boat by crooked one, lurching half step with skeletal rave stabs and a horrible warped b-line, industrial tec
 is time in direct battle with the mighty unibomber! the inspiration for this release came from their 'final amiga battle' live set which was performed at the now legendary schizophrenia show in t
 me people who brought you the dancefloor killing adc - 'giammarco fratocchi e.p.' , bring you 'bored in the u.s.a.' by minion. a 12'' full of electro - gabber - dnb - breakcore - grime - dubstep an
ords starts off where the film ends. this first 12‖ compilation highlights a variety of percussive genres: hip hop, breaks, industrial. the record contains 2 solo tracks by label founder fobia and 2
 catching up with releasing some of the pearls that have been waiting to see the light of day for a while. this double 12'' by fanny is his 'lost' first album, originally recorded in 1999 and 2000, c
s of records these past couple years for many labels. now he reveals his passion for dubstep on his latest effort. 'down to the wire' contains high energy levels, sick low bass and brilliantly sel
oncepts of dubstep from 4 very different artists; komonazmuk, cardopusher, lich and mathhead whose sounds we believe will be rattlin‘ in clubs around the globe. you will find aspects of dub,
  of 2007. solid beats, driving bass, and atmospheric textures define this two track 45rpm 12''. for real begins with a simple beat; swelling into an esoteric dreamworld that eventually drops into
recycling and resampling visual input into stereo output - open your ears, and you shall see. no straight line, no black and white but what‘s in between and beyond. obiekt - a prototype aural p
by these three musicians, who shared sounds, samples and ideas. it is also the first cd output of the long time collaboration of panacea with needle sharing. a cd, with its huge beats, its small
me of the multitalented scott sturgis (converter) and leech (the man behind navicon torture technologies). uniting all the rust, scraping noise and anger they couldfind in their samplers, the two
k.a. magwheels, works his magic, building heavy and poetic tunes that carry the mind away. beauty. here is the keyword of 'evebuildingbomb', an album in which magwheels steps outside of e
ost ambitious work to date. the nineteen tracks of this double cd were created as individual piece, under the influence of literature, architecture, design and history of the 1940‘s. neither a polit


were to give back a soul and a smile to this sound you listen to? what if you closed your eyes and imagined what your favorite children stories were to sound like? the pretty princess and the b
 um on mute records, the musician behind 2nd gen presents here his new project, uniform, with the first album of this mysterious act. 'not a word': a disc that does contain words, but will you f
arvae present here their first full length album, 'fashion victim'. the most ambitious work of these american artists to date, this album is also the culminating point of a painstaking improvement
 d, or based prodigy david sullivan (magwheels) teams up with industrial icon phil easter (stone glass steel) and presents a musical dialogue for guitars, noise pedals and samplers. sullivan's
he mottos by which cordell klier has worked all throughout his career. on once side with his own music, either under his own name or as kreptkrept, of or monstrare, cordell klier is a driving fo
 microchip finally comes back with a new single. here is his 44khz homage to the mos6581, the soundchip at the core of the commodore 64 and the dearly loved sidstation. tarmvred feels like
 mbre, axiome, dead hollywood stars, moonsanto...) and collaborations, holland-based c-drík comes back with 'etats des lieux' to his project crno klank with a first cd album which presents ac
which james keeler transcribed into music his conceptions of the 40's, wilt is back with a new album, looking this time definitely further ahead. progressing from his mostly atmospheric works,
 s horchata project has become known for the quality of his (often self-released output), as well as for his highly appraised collaboration. starting with the essential 'integral' album, in which he
 is. curtis chip's long awaited and much talked about first full length cd, in the form of a re-release of his highly acclaimed 'eating paste' 12'' (on zod records), enriched with new material, seve
hboy will present his debut album, a journey full of subwoofer-torturing bass, distorted beats and groovy rhythms, with the participation of scorn, larvae, horchata and md akira the don.
album, which crowns the progress and incessant activity of this kharkov, ukraine based musician. having collaborated with such acts as scanner, kim cascone, or kotra and played basically e


bum on ad noiseam. incendiary breaks, hard beats and wicked tones: one of the best known names of breakcore delivers his most mature album so far, and steals the whole 'rave is back' thin
matthew peters offers here his debut full length album, in which he shows with insolent talent that mad e.p. is far from being a one trick project. juggling between the syncopated rhythms and c
monster music' introductory single, 'empire' is a 'different' release for larvae. after having presented his music live worldwide during several tours, matthew jeanes realized that he had more ex
 tator is a detailed-to-the-bone combination of fractal beats, beautiful harmonies and abrupt breaks. constantly on the move, these tracks are the result of a careful digital trickery, pushing the
 ct‘s combination of clean and powerful drum‘n‘bass, deep strings and emotion-ridden melodies to a whole new level. brilliantly produced, this album is a perfect combination of beauty and m
 ', lapsed presents a second album combining his glitch and cuts approach with a strong hip-hop feel. all along eleven tracks (enriched by a remix by aaron spectre / air inspector), he succee


 shift returns with a new album. having left some of his dirty and gritty noise behind, antigen shifts now blend his powerful beats with a stronger groove. syncopated rhythms and carefully chos
 d keef baker offers a solid 6-track mcd in which his music takes a resolute accoustic and organic turn. warm voices flow through 'pure language' on top of a very distinctive bass and a new fo
 ave played live together, remixed each others, and appeared on several projects together. now is the time for both acts to write a record together, in the form of his throbbing, hard and ground
usic out of the genres they had been associated with, and focus on a sincere reflection on their musical roots, their position as a band, and their place in the musical landscape. integrating gu
  with the electronic experimentation being combined with acoustic walls of bass and noise. wide, dusty and dark, 'dark meadows‖ displays wilt's new psychedelic and atmospheric approach to
ats to make everybody rave till late after dawn, including the two cover models. he then hands up the mixer to four veterans of the breakcore scene (enduser, duran duran duran, drop the lime
 gation of detritus's second full length album (the acclaimed 'origin'), sees david dando-moore contract his beats and infusing his tracks with newly found, harder and drier sounds. crystal-clea
ne', an album of deep beauty. here's what happens (for the best) when one of the most renowned name of breakcore trades the fast beat for a dub-heavy trip-hop, while still integrating challen
ng discography, 'pushing back' shows lynn standafer integrating new elements to his otherwise typical sound, and taking its listener to a new memorable ride. an artist recognised as one of th
 e thematically and stylistically linked mini-albums composed by new york-based classical musician and electronic composer mad ep, who takes here his listener through a non-linear collectio
m. having become one of the most sought-after london producer, mothboy presents here a very mature work in which his very bassy beat get adjusted to a new, faster tempo, and conjugated w
 ssachusetts garages and all-ages clubs, aaron spectre later discovered a taste for electronic music. his rather calm mixture of down-tempo beats and dulcimer collided with the fury of breakc
 mbie. for his debut record, winnipeg's cakebuilder present a well produced four tracker combining the best of breakcore and rave. hard, infectious and twisted, his tracks are sure to bring som
dress unknown' on component records, 'shuffling data' on unit and a 7'' on n5md), who presents here his own personal combination of flowing electronica, warm sounds and downbeat. precis
 seven years (not counting the ones of his outside agency and semiomime monikers), for such labels as ruff teck, outbreak, killing sheep or sub/version, here comes finally the first full length


wo forward-thinking audio chefs that are mad ep and ra, presenting here a brand new and fresh way to mix the hip hop recipe with cautiously baked breaks, spicy samples and tasty textures. a
e on vinyl, madrid's forefront producer az-rotator puts his complex dynamic beats to good use, and make them pay homage to old-school rave. razor-sharp and crystal clear, the freaky vintage
 t' full length cd, presenting on vinyl format a selection of tracks from the album.
 f 'bleeding hearts' contains one new cdatakill tracks and remixes of tracks from 'valentine' by enduser, übergang (christoph de babalon's new project), detritus, lapsed and mad ep, the whole
 off the second record with his trademark high-fidelity, percussive and dark blend of drum‘n‘bass, followed by cakebuilder, who remixes the same 'no brakes' in a very direct, club-friendly mad
 fractured' sees detritus keep the harder guitars and beats, while staying true to this intricate drum'n'bass patterns and evocative strings. a production tour-de-force, it presents a crystal-clear,
 several notch, and bombs the dance floor with a high energy, unmissable album of catchy twisted club tunes. tapping on his high production skills, 'it's ok to dance' brings back life to twisted
 bum sees his pair up with dj and turntablist nonnon and a crew of renowned mc to deliver a wild ride of glitchy electronic hip-hop with an edge. ranging from heavy head bangers to lyrical nar
 studio album: mick harris breaks the silence and delivers with "stealth" one of his most massive works so far. staying faithful to his trademark sound, this corner-stone of a musician, constant
 as 'ra') 's third studio album 'brain kitchen' (to come on ad noiseam in 2008), 'huge samurai radish' sees this multi talented artist present a new menu of his gritty, catchy and personal electro
 album sees this highly praised musician focus on low frequencies and everything which comes with them. syncopated beats, guest vocals by shadow huntaz, mc equivalant and others and t
 ttention in the recent years for his sharp and subtle glitchy electronica, pairs up this time with the two improv / free jazz musicians john mourjopoulos and floros floridis. the three give birth to
 ngle and remix cd in december, ra(oul sinier)'s third studio album is follows up and builds upon the material of his previous 'wxfdswxc2' (released on sublight). intricate melodies, gritty underto
 get down and dirty with 'tuff shite'. partly inspired by chevron's hometown, and partly the result of his extensive live experience all throughout europe, the six complex, crisp and tongue-in-che
 heavy basses, cakebuilder's second record for ad noiseam shows that things are still deep in winnipeg. bridging angry, dark dubstep and a highly melodic drive, cakebuilder opens a new gate
rkey and lapsed & nonnon with him for this return to heavy bass lines and club-filling beats. with a clean but massive a side and a grime-oriented flip, ad noiseam's favouritee london heavywe
 d on their own, the four tracks written by enduser and line 47 back in 2007 get a second life on ad noiseam. ranging from the most aggressive and noisy breakcore to melodic, syncopated ma
n wax a new testimony of his insolent skills at creating ever changing, massive dubstep. never loosing the dancefloor from its sight, but including a lot of innovative elements to this genre and
 es in dubstep kicks off with 'nays of dight', already a dancefloor hit, and continues with the funcken brothers massive mixture of dub basses, catchy rhythm and idm influences.
emarkable 'dead weight' in the form of a split up album. while its first half gather new guitar-oriented, melancholic post rock tracks of great beauty, the second part, 'monster music 2', brings b
ecking new record by broken note, a british duo among the most vicious, hardest and noisiest dubstep acts. a perfect 12'' for those of you who don't want sweeteners in their basses.
  insane purveyors of shattered hardcore comes back to ad noiseam for his first full length album, full of his hard and mean combination of gabber and breakcore. shooting the head will not be
  insane purveyors of shattered hardcore comes back to ad noiseam for his first full length album, full of his hard and mean combination of gabber and breakcore. shooting the head will not be
 ends that are cdatakill and abelcain not only come up with new remixes and collaboration, but also with the re-release on cd of their two previous split records, originally released on zhark int
 on ad noiseam, the kilimanjaro darkjazz ensemble and ad noiseam are no stranger to each other. this polymorphic band founded by bong-ra had already graced ad noiseam with an album un
 on ad noiseam, the kilimanjaro darkjazz ensemble and ad noiseam are no stranger to each other. this polymorphic band founded by bong-ra had already graced ad noiseam with an album un
 ne-as-ever fifth full length album features this musician's most infectious, catchiest and most efficient material. while the noise might be gone for good, sickboy's new clothes are of the colour
 test album, 'time to play', released on cd under the adn106 catalog number. more beat madness, mash-up goodness and breakcore sickness coming up your way, this time on big black 12'' v
 y's latest album. more mash-up, more gabber, more culturual irreverance and more fun with alf. and a bonus, with a track not featured on the cd.
s to be taken literally. uniting a heavy but fresh blend of dubstep with exhilarating breakcore and mash up, cardopusher delivers a passionate and highly efficient album as only this incompara
m in which they re-invent their sound and finally put on record their taste for fresh and warmer sounds. bridging their talented production with dubstep and rethinking their music, the healy brot
azz ensemble's new session under the mount fuji doomjazz corporation name is a new combination of drones and jazz. creating sensual, murky and dark atmospheres, 'succubus' the evolutio
w-up of sort to 'crux / zealot' and an appetizer to their forthcoming full length cd.
or-taylored alternative versions of tracks taken from dj hidden's 'the words below' album.
ogether with an impressive dvd showcasing this musician's visual talent. 13 new audio tracks and more than 100 minutes of video material.
 ary, 'cemetery road / dead electroniks' contains a new full length album by these veterans and central figures of the american's dark experimental scene and a homage cd, in which eleven rem
 marked single 12'' on ad noiseam, broken note unleash their first full length release, in the form of a cd featuring their past vinyl-only discography, plus a couple of tracks that had never been
 s essential producer of carefully crafted, intelligent and perfectly produced drum'n'bass.
efloor-taylored alternative versions of tracks taken from dj hidden's 'the words below' album.
 d full length album by tkde, who have now reached maturity as a full band and explore new directions.

xing the aggressive moods and tones of his previous "fractured" with a more syncopated and downtempo approach.
 , who had already provided us with the great 'raviour ep' some time ago. staying one of the top purveyors of breakcore wax in north america, this label gathers here new material by no less th
 page, featuring new and unreleased material by otto von schirach, passenger of shit, inshizzo and marrow explosion. comes in full color sleeve.
 s, bilingual edition (spanish/english) - more info soon!
 point of view) the animal's rights and fight the abuses that some 'human' commit. you can find articles about: aj fosik, amy sol, angela singer, nicola costantino, gregory colbert, davide zucco.
dedicated to the french artist 36 (www.36recyclab.com). the 192 full color pages compilate his last works on design, 3d, installations and street art, selected pieces that show the essential wo
 dicated to the canadian artist nicholas di genova (www.mediumphobic.com). the 192 full color pages compilate his last works, but also sketches, sculptures and works from the early years. a
 - feat. interviews / articles about controlled bleeding, bakterielle infektion, savage republic and more...
 l)? take a science fiction soundtrack, combine it with the groove of the digital age, and finally spice it with some 80s sounds - now that's a space organ ! with their first album 'communication'
 fcake, and hecq is not lusine icl - but hecq could be a phantastic listening experience for those who are into these artists. actually, hecq is benny boysen from germany, and 'a dried youth' is
m ex-pzychobitch member frank klatt. sensoric specific satiety is a stylistic rollercoaster ride, from chill-out to industrial. check it out !
 w project of dean dennis: known for his work with clock dva, tagc, sector & most recently nohno. old school craft & class brought straight into the 21st century. dean dennis is at his beat drive
 ing between industrial, ambient,breakcore - and more! entirely yet unreleased material feat. ambassador 21, the rorschach garden, alarmen, spherical disrupted, ahp, nobdrun, fragment king
 hm industrial, power electronics and noise. white tray edition limited 444 copies.
 f the tonwellen-konferenz festival in erlangen/germany in december 2006 - feat. morgenstern, p.a.l, synapscape, deutsch nepal, heimstatt yipotash, atrox, umb kollektif, stahlwerk 9 and more
. tracks from mostly deleted releases like 'time is now' picture lp, 'ekg' picture 7'', split 7'' w/ autumn scenes, 'contact' cd... limited to 100 copies, digipak packaging - cd-r release.
onwellen konferenz 2" festival in burscheid (germany) on 26. & 27.6.2009. feat. mezire, flutwacht, satori, atrox, phelios & stritzel, n.strahl.n, code 243, irikarah, minamata, hijokaidan, antracot.
 all artists performing at elektroanschlag festival 2006 in altenburg/germany. incl. klangstabil, p.a.l, monokrom, empusae, monolith, ambassador 21, tarmvred, mlada fronta, insekt and more.
ks by all artists performing at elektroanschlag festival 2007 in altenburg/germany. incl. imminent / synapscape, ah cama-sotz, esplendor geometrico, catholic boys in heavy leather, sanctum,
ks by almost all artists performing at elektroanschlag festival 2008 in altenburg/germany incl. seven bonus tracks by new upcoming artists plus video 'the boxmaker' by stephen swartz. feat. g
ks by almost all artists performing at elektroanschlag festival 2009 in altenburg/germany. feat. ab ovo, this morn' omina, tonikom, in slaughter natives, geistform, xabec, atrox, larvae, s.k.e.t.,
 d new german project tahktahk. limited to 99 handnumbered copies. cd-r release.
ation series - this double disc collection delivers 100% pure noise, electro and industrial tracks with unreleased material from sonar, detune-x, insekt, bahntier, adam-x, hecate, proyecto mirag
 re electro noise industrial infusion and now the 3rd release in a line of compilations that for 3 consecutive years has brought us the sights and sounds of the berlin festival, which over the yea
 s, bad sector, mono no aware, insekt, spherical disrupted, wertham and more.
oration of dr.nexus and fake mistress: beats which are not only beats, but noise and melody at the same time, a voice - fragile and rough. after many years of live performance the two artists
ve tracks from members of the krachcom internet forum. a vast variety of sonic expression is delivered by the participating projects, which cover a lot of different branches of modern industria
 tracks by some of the world's most prolific electronic artists. eo 1 contains 14 tracks of dark ambient and technoid industrial by some of the best in the genre including architect, eretsua, flaqu
cer, frank mokros (synth-etik / hands productions) featuring 13 stunning tracks of complex rhythmic industrial. with previous remix collaborations flanking the likes of terrorfakt, imminent, radia
ectronic music composer and visual artist kostas k., a downtempo, experimental venture fusing idm elements with rich ambiance and female vocals by katja. complex and uncompromising, s
most prolific and under-rated dark electro acts in operation, the talented slovakian duo disharmony. fresh off the heels of their fantastic 3rd album, last year's 'malignant shields' on aliens prod
 nderground after a decade of techno and industrial dj and promotional work, jairus khan now presents his debut album three years in the making. while providing north american tour support
 s, michael morton, toronto-based electronic music composer and visual artist, has established himself as a driving force in the world of modern dark electronica. performing live with such leg
 pe from which he hails, lucidstatic offers his fiery debut album 'gravedigger'. a fierce hybrid of breakcore, powernoise, and classic industrial elements, lucidstatic is by no means an imitator, b
 iences and influences and distills them into weapons-grade hard-electronic; original sonic compositions incorporating a syncrete of techniques with a mind altering rhythmic bent and a fierce
 s had numerous successes including two ep‘s, two albums ‗you are my all and more‗ [crunchpod] and ‗visitor attractions‘ [crunchpod], and more recently a remix album ‗broken beats for brok
 d beautiful idm compositions, integral have created a touching aural narration that reveals new depths with every listening experience. the talented german duo leads electronic music into ne
 ived metal/hip-hop band in the netherlands. he soon departed from his roots when introduced to tracker programming and began developing electronic beats and fusing guitar with synthetic s
 laimed album 'elekatota - the other side of the tracks' appropriately titled 'forgotten on the other side of the tracks'. 13 new and forgotten totakeke masterpieces from the 'at the train station on
 w collection of work from chicago‘s very own technoid industrial wizard aphorism. lingering in the shadows of the global industrial scene for many years, the seemingly inevitable meeting of a
and several free download-only albums, the talented german trio zentriert ins antlitz joins tympanik audio to release their latest collection of work simply titled '...no'. however, simple, this albu
pline, and desire‗ as well as this year‘s encompassing 2nd album ‗how pure would your utopia be?‗ on hive records, esa (electronic substance abuse) returns with an enormous new album on
the new full-length album by broken fabiola titled ‗severed‗, marks their return from hibernation since the release of their double cd collection in 2005 on the auricle media label. broken fabiola
ally acclaimed ‗emerging organisms‗ compilation series celebrating our 1st year of unique and modern electronic music cd releases. ‗eo2‗ picks up where the first volume of ‗emerging organis
 piano movements and a subtle dose of distorted rhythmic beats, stendeck‘s long awaited new album ‗sonnambula ‗ injects an air of originality and purpose that will both inspire and move you
stian ehmke has previously created several fulllength records, shared exclusively amongst the closest of acquaintances. dominating his lucid perspectives on life and the brutal world that surr
 a - the other side of the tracks‗ in 2008, totakeke returns with a brand new full length album titled ‗the things that disappear when i close my eyes‗. building upon complex beats, enveloping at
 native tapage caused quite a stir with his debut album ‗the institute of random events‗ last year for tympanik audio. some have described his sound as utterly groundbreaking, while others ca
one music‗, ad·ver·sary returns on tympanik audio with a stunning collection of remixes titled ‗a bright cut across velvet sky‗. where ‗bone music‗ planted new seeds in the rhythmic noise field,
 mising mayhem of his main project, lucidstatic, alaskan native james church utilizes his prolific side-project pandora‘s black book to focus on more secular dark industrial rhythms and dense
 -acclaimed 2008 release ‗love no longer lives here‗, autoclav1.1‘s tony young reaches even deeper into his seemingly endless bag of talent to unleash a new collection of work that is sure to
s to their name, disharmony manage to speak volumes once again with their signature brand of down-tempo electronica-tinged industrial works, paying never mind to any looming trends, but
panik audio family to reveal his debut album titled ‗plastic‗. a gradual scorching dirge that reveals itself amidst an unparalleled quilt of tight beatwork, trudging amongst a marsh of memorable
ut cd from new york‘s amazing young new talent access to arasaka has finally arrived. with a steady momentum of buzz from fans and critics over the past year, remix collaborations with zent
cept ‗x was never like this…‗ on tympanik audio. a collection of 14 brand new tracks incorporating everything you‘ve come to know and expect from this prolific canadian electronic music icon.
s for his debut on tympanik audio titled ‗return to childhood‗. within his blanket of obscurity, undermathic makes his mark with an album of massive distinction and undeniable grace. an unapo
manufactura, c-drone-defect, marching dynamics, stendeck, access to arasaka, lights out asia, and more... cd includes a link to a bonus digital download remix album featuring additional rem
  atmospheres that swirl amongst a torrent of cinematic and classical elements. heart-wrenching melodies, epic piano movements, and stunning distorted beatwork combine to create an unfo
 traliquid, in the field of dark ambient/hard technoid/idm/d'n'b and experimental/noise music - feat. ah cama-sotz, detritus, flaque, mobthrow, xsoz, subheim, fabrics, psytech and more. digipak
powerful, complicated yet wisely minimal and absolutely danceable new cd-ep out today on spectraliquid. known for his unique sound engineering skills and his extreme live performances alo
 sing a serious number of records these past couple years for labels such as ad noiseam, peace-off, intellectual violence, mirex, cock rock disco & wrong music, terminal dusk and more. now
 and sick styles, mobthrow offers an ideal combination of upbeat breaks and crawling atmospheric images. intelligently extreme while also deep and complex, his music preserves this indust
ndless reruns of our grief? with this debut release from his new project, dave dando-moore (detritus) offers us an intensely composed symphony of unending sorrow. if detritus is the debris of
 r and a very talented young musician from greece. although he has been working as a producer and a mixing engineer for other artists for quite a few years while also composing his own mu
 are you...' original version with a 30second pure noise intro. nothing left to say,...
ement. 100blumen puts ass kick rhythms with harsh noises into a melting pot and out comes massive old school rhythm noise that shakes you to the bone. that`s tnt, that´s dynamite... ;). cd-
 oundscapes and intelligent dance music. kicking sounds for mind and ear! cd-r release - 2nd edition with bonus tracks!


erman coast delivers on her debut album 'echtzeit' synthesizer sounds which reach from friendly to melancholic. a hint of 1980's atmosphere combined with technolike beats to a unique brew
d. warbaby combines rhythmnoise and techno to her own style of, what we call intelligent dance music, and kicks the shit out of us! cd-r release
 ng, anger, hope and fun into painful and disturbing sound-constructions. 'la bionda', a tribute to life, demands with its energetic sounds from its listeners first of all to stay tuned and hold out,'
 alarmen, asche, contaminant, frl.linientreu, graph, mono no aware, nin kuji, nullvektor, p.a.l, rasputeen, saal5, salt, spherical disrupted, tendo, warbaby, zero degree. cd-r release
na / italy that hits us hard with their straight rhythm industrial. in their own words: 'the music explores territories of ambient isolationism and and electronic music'. cd-r release.
 oe beaver and cheesy beaver (aka 100blumen) makes you feel wooooooooooooooah! get ready for the dancefloorhell motherfuckers, this is the beaverish answer to david hasselhof! cd-r re
 ed their latest longplayer 'discapitalize' on lpm. with a rolling confusion of electronica bleeps, glitched noises and breakbeats they advance the exorcism of the capitalistic exploitation. cd-r rel
  coreline, dazzling malicious, frlLinientreu, graph, imminent, the law-rah collective, loss, the man, marching dynamics, matter, nin kuji, rotorblumen, saal5, spherical disrupted, synapscape, tr
ainly exclusive tracks by synapscape, morgenstern, asche, punch inc, marita schreck, polarlicht 4.1, industriepalast and more. limited to 1000 copies. packaging: dvd-case.
man label's debut. sounds between dark ambient and idm, experimental sounds and noise. mostly exclusive and yet unreleased tracks, feat. p.a.l, telepherique, klangstabil, ah cama-sotz, xab
eleases, collaboration works, compilation appearances and remix works, 'null' marks the beginning of a new epoch for the german project spherical disrupted as it is his' first regular cd-album
ct: mandelbrot. founded in 1994 by p. muench (synapscape, the rorschach garden etc.), mandelbrot released a tape and a cd-r on fich-art so far. the cd "auf tauchfahrt" was created in collabo
e first works of the new project zero degree, which was born to create something new after several years of rhythmic noise. the 8 idm influenced tracks on this debut album give the evidence
 ibed as the soundtrack to the information chaos of our society. either by any kind of broadcasting, the mailbox or at the internet we're flooded by information we are not able to conceive. e-m
w cd by spherical disrupted called 'barriere' has just been released. it features one new track plus 10 remixes of tracks from 'null' remixed by different electronic artists. among the remixers ar
 track of this project was already on the first release from our label '-∞ db' (auphcd001). furthermore nerthus provided a track to spherical disrupteds remix cd 'barriere' (auphcd006). but you m
o present their 2nd album on audiophob. recorded between 2006 and 2007 by p. muench and b. teichner 'thorns' shows the rugged and surreal sides of nature: from cold, stormy nights of sn
 econd full length album of zero degree. again 'the inner realm' offers tight electronic sounds between dark ambient worlds and noisy technoid rhythms. the later might be even more dominant
 d tracks from artists we liked and where we thought they might fit to our label concept. the result was a double cd compilation called 'minus infinity db'. now, more than 4 years later we releas
pecies' was published by charles darwin. a book that changed the way mankind looks at life forever. mandelbrot celebrate this anniversary and the 200th birthday of darwin with a very specia
 erical disrupted, entitled 'null' was released on audiophob. now it's time for the follow up release which is entitled 'quasar'. the term 'quasar' is short for 'quasi-stellar radio source'. it is used fo
armen after his first full-time album on audiophob which was released three years ago. what starts with the minimal rhythmic and almost sterile sounds of the first track soon develops into eith
de with usage of big amount of old analog sound and field recordings, it reflects the atmosphere of those times. special packaging, limited to 425 numbered copies.
 vinyl concept work. bionik means: transferring discoveries from nature into human technology. to audio-visualize this work, telepherique collected natural noises and transformed these in ana
ustrial noise project flutwacht collaborating with the legendary japanese deep atmospheric / sampling collage project contagious orgasm. both projects create the deep environment of the sou
 wegung der klangmasse' split cd release. the deafening lethargic sonic project created by the german artists of telepherique and impulsantwort. it involves producing, haunting dark drones, h
ng in which there's deep sorrow and disheartened grief due to the lack of our beloved ones... when someone is paying a condolence visiting that house of affliction, he is reminded of his own
project. rhythmic and danceable but also a little more experimental. cardboard-packaging, limited 200 copies. cd-r release.
 are still some individuals who are assiduously following their own approach, avoiding any external influence, creating something new and inspiring to get rid of any standards, giving us the i
epherique's twenty-year career. having explored all throughout the realms of industrial, ambient, rhythmic noise, and field recordings, telepherique has created a distinct sound which manifes
 lish toy factory, this nightmare of experimental death electronics is filled with manic rusted toy samples, disturbing unnatural soundtextures and weird mutating cut-up soundscapes. a chaotic
his' favorite francis bacon painting as an inspiration source to create a unique sound collage masterpiece. feat. contagious orgasm, henrik nordvargr björkk, hentai and lasse marhaug. comes
emen into the cold electronic womb, and watch in fear as an unnatural sonic offspring mutate, squirms in agony and slowly comes to life..a unique and extremely disturbing masterpiece of fle
ef, converter, hentai, shinkiro, sunao inami, jazkamer, henrik nordvargr björkk, contagious orgasm, hecate, p.a.l, s:cage, asmorod, iszoloscope, tokitoshi shiota. these artists pay respect to th
 onic music manabu hiramoto (shinkiro) has entered the darkest places of his unique nightmarish imagination to record and capture the voices that has been haunting his creative mind..now m
uki kishino ( kk null ) now presents his new cd album entitled akumu / nightmare. on this album kazuyuki tests his own limits into the darkness and focus all his artistic skills on creating a pers
 the basic thought behind 'isolation', which is the first output by the [law-rah] collective since the release of 'incarnation' in 2001. the emotionally triggered droning soundscapes, which are the
 w years of end‘s life. a time of shootings, home invasions, and near fatal accidents. outrageous, epic, nihilistic, and absurd, the sounds of disaster is the soundtrack to a world of b-movie fant
moods which range from apprehension and aggression to disarray. musically bipol assimilates classic dark industrial by creating a multitude of hypnotic repetitive sequences, dark drones and
 released on hymen records, r.baillet formed diaphane and began to work on samdhya (which has now been released on ant-zen). samdhya (sanscritic for 'twilight') emanates an atmosphere
, force and sweetness enlaced. their early productions' main focus were on hardcore and techno, later on they expanded the musical regions up to electro, dubstep, and even breakcore territ
wish you were here' (to both of which it has already been compared) 'last of the great romantics' sees a beloved band at their conceptual and creative peak. from the blazing space-rock-ballad
 ter lower lip interface hymen records presents the long awaited fifth album: consume adapt create. the difference between the true creative artist and the impersonator is the way they deal wi




 ng organisms 3‗ continues this critically-acclaimed compilation series featuring the very best in futuristic and forward-thinking electronic artists from around the world including access to aras
erms with the past without losing sight of the present and the future inspired the 12 tracks of the album. they present a wide musical spectrum which is somewhere between partly melancholi
essed field recordings & electro-acoustic sound art collages, a mixture of constituted delicately industrial and noisy ambient sounds. infected person increase!!
ca, rhythmic noise and dark ambient genres. now 'nyarlathotep' comes up as a very special re-release edition with a brand new bonus ep named 'from beyond'. on 'nyarlathotep' flint glass wa
 s like this incredible chemistry that is. 'no error'. the music takes us directly into unexpected techno-weird places where we don't necessarily want to stay, but you think about it later and go lik
his in mind when they decided to join forces on a common record. 'phenomedia' is not a classic split-album, or a collection of mutual remixes, but a full fusion of both musical universes - resu
sstörung' and 'konstruktive vergangenheitsbewältigung' were published by the belgian label alfa matrix. they are very different to the third album 'monokulur', published by the french label m-t
s a short term cooperation, with rising enthusiasm of the two musicians the last gambit became a growing project which directs its musical focus on gentle electronic tonal aesthetic. the song
music, using analogue synthesizers, radio, guitars, field recordings, various devices and computers. the life in a city with a huge industrial estate has influenced the art of vitaly. i/dex music hy
ambient and doom as they do from stripped down, cacophonous black metal. this triangulation of hate formed out of unexpected territory, the world of industrial electronics and breakcore, whe
ion-oriented rave-esque melodies quickly culminating in the most extreme pounding beats that throttle your nerves and whip the dancefloor into a frenzy with no end in sight. amboss keeps u
ep floorkiller titled 'the malfunction' sure to incite soundsystems and crowds. next up is the rattling tear out breakcore track titled 'funky lizard' with minion on the collab. on the flip side, the two




rst two new studio tracks from big joan since 2004. title track 'here comes the flood' is a relentless, pounding, dancehall-inspired groove which builds towards a climax of apocalyptic noise an
converter to hypnoskull, but his' unique style makes it different fom these artists. this album is a mixture of minimal, ebm, hard tech, grinding, dance music and he also includes power electro
rdizer, terminal 11, society suckers, the assdroids, and dj rainbow ejaculation.
 is first full-length release "lazer thrash": a million beats, notes and moods are compressed into a few seconds which pounds the defenseless listener to the wall. cassin throws in references t
e slightly different moniker (dj donna summer) and his first release for his own cock rock disco label. just as 'shamelessly exciting' was a record that mixed different genres into a new mash o




 pects of the earlier neutronic discs (on pendragon and ecr) and slams it together with an experimental dsp infected sound. 'the mutation engine' teaters on the edge, with its mutating flavor o
rly detroit techno and the pioneering dub of the 60‘s. art d‘echo is a solid musical statement featuring nine original tracks plus three remixes from phil western (download/nettwerk), substance
 as the new king of the breakbeat!
cal beats. the overall tone of the album is one that is quite dreamlike where mutedvoices shuffle between the down tempo beats. hip hop plays a large roll in this release(most likely taken from
 c features remix/reconstructions of uzumaki and mochipet‘s earlier works by the likes of devnull, donna summer, drop the lime, exillon, duran duran duran and a host of other talented mixers

ents all over the planet. ripley's wreckstep raggaphonics slice through genres of jungle, dancehall, breakcore, hiphop, d'n'b, experimental breaks, and dub, sprouting new life on every dancefl
 events worldwide. in 2003 he began the mashit record label with a 12-inch featuring one of his rough-and-rugged-ragga tracks along-side an aaron spectre remix. it sold out within weeks of i
since 1996, unleashing aural assaults at breakcore, techno and hip-hop nights around the city. not to mention anywhere else that will have them, from brighton to madrid. they don't fit comfor


pursued the drum and bass / jungle vibe with tunes such as 'shiva las vegas', a rinsing dnb blast which is still a firm crowd favourite and jamaican girl style a classic ragga / jungle cut. since t
. he's had 2 cdr releases on bad boxr and 2 digital download ep's on the northamericanhardcore net label: nahc087 and nahc066, and has just signed a deal with sublight records of canada t
 events worldwide. in 2003 he began the mashit record label with a 12-inch featuring one of his rough-and-rugged-ragga tracks along-side an aaron spectre remix. it sold out within weeks of i
 ucking hostile'. having previous releases on french labels peace off, damage, jungle therapy and bristol's jungletek movement, krumble takes raggacore to a new level!!!
w it's back! delikatessen records is proud to serve up a tasty 10-inch bowl of delicious electronics that's cool to the touch and sweet to the ears! it's by crunch, mysterious masterminds of kran
ed fish and chips…everyone is eating curry…our slang for curry is ruby murry!‖ – metamatics. it is with immense pleasure and much local celebration that delikatessen, your source for delicio
 severing the place in half with a puddle of regurgitated chinese tea…we couldn't get to our table, the staff couldn't get past us to clean it up and the poor patrons near me all had to lift their fe
o they don't get too soft and fall to pieces." –myrza. toss out those stale old animal crackers and forget about the smell of your grandma‘s kitchen, because delikatessen‘s got a hot and gooey
 s and their fragrance is a kind of symbol of the new year holidays…such a bright colored fruit full of vitamins.' - eu. is it june already? not here it ain‘t! it‘s new year‘s eve at the deli and eu is in
 arm fresh offer for you! toss out all your stale veggie trays and head on over to the delikatessen for a vitamin packed vinyl plate of tasty new carrots, erm, cuts from deru - pushing soil!. right o
 avers on a fat new slab of meaty beats! that‘s right, we‘ve got four fresh new cuts from none other than germany‘s beefcake, the illustrious duo of gabor schablitzki and volker kahl, who‘ve be
 iginal melodies and his own crooning, come-hither vocals, 'perverted & proud‖ is sure to be a neo-pop, underground smash. running the gamut from the massive hit in the waiting of 'kill bella
 debut release, 'triple acid foot,' on brooklyn, new york's ra sounds was reviewed as 'a clever masterpiece' by smother.net and was one of the nyc downtown music gallery's best of 2004 relea


 tail is shaped by the confusing mix of tones and silences
 stress and the effects caused on the human mind and body. on this cd, telepherique try to transform these effects caused via the nerve system into music - caution: please listen at your own
 rx, beefcake, generation x-ed, hanzel and gretyl, torsion, dive, pail, pain konsept, tower ii, equinox, skorbut, vnv nation, das ich.


nd ebm and explores the style a little further, mixing in elements of other subgenres in the culture. call it 'electronic power pop'.
adre). newt demands your attention to open a gate to an unknown universe, a confrontation with delirious hallucinations, emphatic atmospheres and an impressing look into the future, it will s


hours of cut-troth programming. an ear-gasm for the digital junkie. those who have seen implant, can only agree, that implant live is a very trancy, psyched-out dance night. digital junky food -
 fferent forms of evolution. an endeavour to develop the interaction of music with other forms of expression such as image, video, decoration, theater and human sensitiveness... the main insp
 renetic synths to be rounded up with a good portion of science-fiction. this combination of aggressive rhythms and thrilling trance-passages hammer into your brain and will certainly gain con
  such respected artists like victoria lloyd (claire voyant), vanessa brigs (haujobb) and dennis ostermann (in strict confidence) which resulted in one of the brightest and matured debuts in quit
 t as a beat seems too overpowering, a broad melancholy melody will descend like swans landing on a lake. a gorgeous swell of shifting colors and textures, with nary a beat in earshot. carto


 for a cosmic and surrealistic drum n bass attitude. ammo is produced by john sellekaers (xingu hill, ambre, torsion...) and mysterious c-drik (crno klank, axiome, ambre...). exclusive remixes b
ghtmarish sountrack for the soul.
 d. with his solo project, he has once again risen to the throne and stands strong as a force to be reckoned with. 'sealed void' takes the listener drifting past dying suns, through black holes an


anic rhythms, striking melodic textures, and surging ambient momentum. by turns sparkling and pristine and by others ugly and smoldering, vessels explores the brooding tensions between d
 l styles. v2 builds on synnack.s prior releases by leveraging an increasing amount custom software, field sampling techniques and live electronics to create an epic combination of ambient gl
great escape from lunacy', released on hive records in 2006. the artwork on this disc, once again beautifully merges inga dorosz.s photography of surreal landscapes, familiar made unfamilia
nically drifts between collage and poly-rhythmic art, taking the listener on a remarkably cerebral aural experience.
mix of crushing rhythmic noise, metallic percussion and dark, churning atmospheres. while falling primarily into the powernoise genre, this disc also incorperates many other interesting elemen
 ayfully melodic ambient tones. 'medical breaths' is sure to impress with its original blend of technically advanced sounds, creatively abstact rhythms and intelligently crafted song structures. m
e even futher, in both creativity and production, by meshing heavy layers of melodic, moody ambience, unsettling noisescapes and crushing, intelligently programmed rhythms. 'keep me here'
  on uk's underground music. working with names like duranduranduran and doormouse, they are set to take over the hard electronix scene with their fuck-labels amalgamations of noise, hard
n his compositions, amid the scattered, paranoid breaks and steel-cold threads of industrial ambience, threading through the somber melodies and creaking idm-infused spatters of noise, is a
wn as singles. with the concussive force of a runaway supercollider, panic lift exploded onto the industrial music scene in 2006, and they instantly careened to the forefront of the nyc industria
 seven inch vinyl is a visit to the birds pavilion, 'le pavillon des oiseaux' as well as an overview of the site. often remembered for the showing of tomorrow‘s technological advancements, world
 ion with a lot of improvisation.
 hip-hop to breakcore - recommended!



 poems' collection rebis. short spoken fragments of the texts are treated and inserted in a sonic structure built with minimal, strangely syncopated pseudo-rhythms and sharp pulsing noises. th
  his excellent contribution to musik aus strom's 'mas confusion' compilation, adam johnson's opening 'boungy' is a brilliantly crafted slice of warmed-up electronic atmosphere, slight dub echo
 iously brought us shining moments from the likes of eog and l'usine and their latest find, nynack, takes to the stage with 6 tracks of frenzied idm, a more digital version of aaron funk's special
  when it comes to making sound. he also understands how to handle samples without even having to think about it. with his tight beat structures and his catching atmospheres he took his ow
 ting in this first album. after their shared usa tour in 2000, roucka and stevens decided to actually make work of this project since the rumours were so well spread in the scene of the newsch
mbient oriented side of p.a.l.which clearly is set aside from the well-known power-rhythms he usually employs. limited 1000 copies.
 with others. this debut is a completely unique piece!


 ays from sunday' released on the same label.the combination of exploding rhythms and freshly squeezed pussy juice music will atomize the brains & feet of the energetic dancers. think eclec
 embossing & metallic paper. limited to 210 copies.


 f an artist gets his inspiration from an architect, writer, filmer, or even a painter? some two years ago the [law-rah] collective started to work on this concept. being a long-time admirerer of the
 punch inc., synapscape, orphx, loss, lapsed, s.k.e.t., atrox, enduser, pow(d)er pussy, roger rotor, klangstabil, sonar, elekore, rasputin, kom-intern, kraken, ambassador 21, contagious orgasm
 mplex, restrained fury bring massive beats, deep bass, unexpected flash backs and mental industrialism, which mixes perfectly with concentrated agression, hysterical vocals and noisy brok
e, squaremeter, winterkälte, moctan, antigen shift, genevieve pasquier, suicide inside, in slaughter natives, p.a.l, snog, mono no aware, this morn' omina, institution d.o.l., cdatakill, shorai, xab
 . and again, this is an unusual and aggressive mixture of pounding rhythmic noise, broken beats and painful, dark melodics. this time suicide inside brings more ambient synths, explosive hy


 mina, twinkle, catholic boys in heavy leather, synapscape, ahnst anders, detritus, keef baker, 100blumen, ordo rosarius equilibrio, wai pi wai, config.sys, 5f-x, sonar, eva | 3, spherical disrupte
 feelings of childhood, warmth, wonder and memory. pur cosy tales is a concept album about the norfolk, uk village where collins grew up. the album features thirty-two tracks of inventive ele
 trings respectively, dolphin and tecknoist prove they understand the need for a bit of light amongst the dank digital underpass they choose to inhabit. ouch! categories: hardcore.
mmer on the mic. categories: grime/dubstep.


 anic jungle, 'drowning' with blissful vocal samples and 'the 9th hand' with detuned drum pads and an amazing chopped-up apache break.'
p to 2005's multiplex (released by canada's sublight label), reeves embellishes other-worldly electronica with clusters of organ-like chords and slabs of murky reverb. in the cross-fire of waveri
 e noise generators (aka shibaki electronics) made of iron plates, he creates and liberates dazzling spectra of sounds, from ultra-fast, extremely trippy, harsh barrages to spacy meditations. e
 nry collins with his piss on garage plus excellents reworks. lets start rinsin' this one ... very good indeed!
 -mate edit. following on from his appearance on the 'sacred symbols of mu' compilation, 'gnats', tom crunks it up even further with 'juno rhapsody' and 'blabber mouth' but still has time to intr


 nt dekonstrukkt of themes featured on zhark (berlin) 06, and the first release comes kowrekt from thee bid-daddio of da k-man islandz- kareem.. now a re-pressing of this deleted item is avail
 o deep, dark and gloomy hip hop instrumentals merging sample processing techniques and multiple synthesis usage into minimal and deformed loop arrangements. also featured on the sec


arker and less predictable sound, the record begins with strained, metallic scrapings, and an evil spoken vocal, and eventually crashes into a ritualistic, shamanic combination of dark sound s
rm or another are responsible for all of these aliases) play twangy sci-fi music for people who know that the future actually happened over 40 years ago,was scripted by ed wood and illustrate
oy it as a background music while the other one will get a kick out of relishing every detail... messer chups is also known for it‘s steady policy to bring aesthetics into kitsch and trash. the found
musical and spoken samples, ranging from 1950s b-movies to cartoon sounds.this one, however, focuses more on surf-style guitar music and theremin. now there's a combination you don't h


 s playing harp, the two others are playing some strange instrument - theremin. verdict: it's nice, that there is more live sound and less samples. composition 66,6 fm is particularly nice - it is a


re movies' soundtracks or at new year's eve children parties. composed by multi-instrumentalist slava zavjalov and mostly done on old analogue russian synths - brilliant and highly recommen
 t that continued to break ground with their unrelenting and often unclassifiable sound. responsible for such classics as i rage i melt, wet skin & curious eye and rorschach testing as well as ma
 pped down hard pounding ebm industrial music. pankow has released on such seminal labels as contempo, wax trax, and minus habens. without question pankow has influenced the sound


age, displacer, <tekniq>, mara's torment, diode fetish, inseminold, reagent, 45cep.
 rates, singapore, indonesia, malaysia, thailand, laos, vietnam, china, south korea, tibet, mongolia, hong kong and taiwan.



 ty basslines. the journey into crimson begins with doormouse grabbing your attention with his juxtaposition of cartoon samples and rugged live drums and twisting them into a hip-hop reggae
 ty basslines. the vinyl includes 6 excerpts from the cd version - feat. shitmat, line 47, exillon, eight frozen modules, chevron and soundmurderer.
 ted imprints such as isophlux, pitchcadet, and their own yunx recordings; and appeared in skam and neo ouija compilations. although their music is distinguished by a crystal-clear production


 s a few times later. james, matthieu, & 3 others french fellows, marie and yves daubert (my), sheila mata (hita corporated) worked together at james' studio in new jersey and released a surre



 voices which gives to this album an unusual atmosphere, between space exploration and satellite serenades steady minimalistic beats and electrostatic movements, deep bass sounds stretc
 ing down, shiny colors and unindentified vibes floating in the air...
 azz history and of largely unknown contemporary composers. sampling is at the heart of this contrasted and carefully constructed music. it gives each piece its unique identity. the disk is a co
 hin the framework of a post-rock 'joint venture'. with this act, recorded live in nantes, march 2001, marc moéda and gabriel séverin are offering a claustrophobic musical field and a strong phy
nt tracks : bizarre string loops and mysterious unidentified speaking voices create a worrying atmosphere of claustrophobia. so far, their works (about 50 albums) were only produced on cd-r o
01, after recording a live improvisation at radio worm in rotterdam. their music is a construction of collage soundtracks, evolving from ambient shores to noisy frameworks. the originality of this
maschinenfest, noxious art festival, elektroanschlag and many other awesome gigs... featuring guest appearances by fragmet king, synapscape, this morn' omina, dj hidden, asse, rasputeen,
 ed heart' taken from the double a-side single (on the french label, lykill), 'huit oiseaux bruns dans la nuit blanche (modèle reduit)' is taken from the 7'' single of the same name (on the static ca



ark and chaotic, heading for an air raid on nashville. from the first bass lines onwards, sounds are grotesque exaggerations, but with one sweet nuance: the floor loves it. as a part of droon‘s l
 is album will be regarded as a collector's item, since by the standards of tom's releases in recent years it is an unusual set both in the style of execution and constitution of the two newest tra
 gifted with vision. textures push and 'pull' as you shrug and scratch your head in awe, warm and reassuring, he wonders: 'why can't it make sense to you?'. spinning the record, taking it back.
 the artists that came together to bring dura matters to fruition have conceived a song cycle that mirrors a spring and autumn cycle of beauty and worth that will stand out among any collection
 the artists that came together to bring dura matters to fruition have conceived a song cycle that mirrors a spring and autumn cycle of beauty and worth that will stand out among any collection
 result is splendidly beyond adequate, traveling well beyond that standard in the course of a song that beckons the listener into a scape of ambient to electro and back in a relaxed and confid
ectronic music. like twins separated at birth out of some terrible scheme of eugenics, the two come together as though drawn like rats of the same rhythm toward the melodic catharsis both h
gramming and live 'playing' is effectively produced so that both elements not only compliment one another but interact in a way that gives the record a colorful personality. somehow, emotion


truments offer a tough enough row to hoe on their own; when the former come from a pair of heavily circuit-bent yamaha mid-pro keyboards, opportunities for disaster multiply exponentially. lu




z zimmer, michael kamen, kenji kawai and jocelyn pook, and by experimental music pioneers like pierre schaeffer, pierre henry, philip glass or tangerine dream as well, or even orbital, autech
jewelcase-edition, limited 500 copies.
m many different genres, and releases across many platforms have built him into a juggernaut. a usually prolific artist, having recorded for hymen, ad noiseam, sublight, cargo, and many othe




 dance market and with surprising results. a mix of gabber, drum and bass, and hard rock vocals, given the production sense of a pop god, and then over-tweaked with a monstrous equalizat




re-form, at times, conjuring the spirit of heresy-era lustmord or vintage raison d'etre. heavy ritualistic drones, sporadic rhythmic accents, and deep subsonics that will vibrate your very core. an



eel the effect after listening a few times. special tracing-paper booklet
 of horrific soundscapes. intelligent, technoid industrial & ambient noise.


 ches this point by refusing the use of any kind of beats with the shifts in it threatened atmospheres.forbidden frequencies are merged seamlessly with unseen fear and organic consciousness
urthermore, some references to scientific research, especially in the nuclear domain, clearly appear in the silk saw recordings wich stigmatise, non without a touch of humour, the utopia of the
 element. the 2cd set contains infecting rough & powerloaded tracks for your pulping fiction on disk one, while the second disk is keeping the ambience with drowning grooves and unrestraine
of subliminal melodies and dark hypnotic textures with analogue bleeps and warbles. 'release' is refreshingly simple and complex in its construction by combining pounding, bass-heavy rhythm
 o-industrial. fast forward > burnout ! reset your machines and start up again. connect your networks and prepare to crash! disturb your culture by deleting it and replace it by your altered cultu
 ntended for the listener who can appreciate its bold sense of exploration, as well as the surreal beauty of the world it evokes. a scientific bridge between sinetone minimalism and sonic mega
 nt backdrops overlaid with machine rhythmics and schizophrenic metamorphoses. a clawing sequence for your chaotic consciousness. de-constructed by olivier moreau aka imminent starvat
g of subliminal threat. fragments of voices and strange sounds are up to destroying the thin layer of socialisation. file under ―harsh rhythm dark ambient‖. jewelcase & special booklet w/ etchin
 ion, agony, chaos and penetrating coldness with synapscape‘s energetic force, harsh rhythms and multilayered distortion. 'screenwalking' is the perfect balance between heavy processed pe
 y modern electronic musical style. the album‘s title basically says it all. starting off with deep, droning, dark ambient influences over distorted beats, harsh rhythms and voices. ―distorted disco
 s, holzwege, syncopated landscapes and landslides, ground bass, blind alleys, ban on sounding the retreat. a slow collection of percussive minimalism that fall somewhere into the grey area
 id, high-speed beats and rhythms without losing track on the chosen path - modernist soundscapes with a scent of 'intelligent', slow motion drum and bass ingredients - ending in a somehow
  to come. note: this is not an album, at the most a few elements extracted here and there from work intended for 'episodes'. nevertheless the important suspense creating factor is always imm
ams where you are falling and where you can‘t escape. episodes is the final chapter of the lastest vromb releases. please check www.ant-zen.com/episodes for a full information how to handl
 etness. paranoid and threatened atmospheres of power noise and analogue electronics. it is pure, technoid rhythm noise and obscure frightening ambient. re-pressing with new full-colour art
  stevens is known in the worldwide industrial scene as one of the 'dissident' projects that offer new directions into an old scene. hypnoskull shows are accompanied by images that fit the soun
 erful male vocals - a melting of the breath taking harshness of mental destruction and the poetic sanctum.
 rted percussion has been put aside and replaced by structured feedbacks, samples and tremendous loops. 'ca ne nous rendra pas le congo' is different - different by all means. here sublimin
he listener what the listener deserves and of course expects from the state-of-the-art visually as musically artists. 'positive pop' consists of 13 excellent structured tracks ranging from synapsc


ed clanking and wrenched tones create a panoply of sonic information densely packed, always surprising with each contrasting twist. a 30 minutes ep.


e other famous narrators like jello biafra and henry rollins just to name today‘s most active spokespersons, the weirdest think tank from down under (or the world?) surprises with subliminal sta
  paramoléculaire'; between hugo girard's legendary live appearance at the 'mutek' festival in montreal/canada and the 'maschinenfest 02' in aachen/germany, ant-zen presents this nicely des


he advance of an inorganic intelligence without hurry, though victory is near. the sound of machines flows into noise. distorted beats are hailing down like a storm. mercilessly tormenting and m
  songs for one united project. this recording combines everything from dark ambient drones, hard pounding rhythms with processed. samples and harsher noises. a 57 minute ep.
 eir first release under that name. the five tracks on this 10'' generate a chilling psychedelic mood with constantly changing loops that are supplemented with noise clicks and minimal rhythm d
 f all lost items, this is the essence of the past. ‗spectrum‘ covers all parts of mata – diversification and variation with satisfaction guaranteed. you won‘t find a single ‗sable‘ track in this packag
 hythm-boxes and faulty synths.he is helped by some of his good friends: m. medea (silk saw), imminent, dr. john (for the metarc engineering) and the hash hash little robot. experienced nurse
 o listen and feel. let yourself go, drift away into a haze of images and scenes. the mood of this record can be described as 'icy ambience'. cold drones meld perfectly with sounds of electronic
  overthrowing men and time. 'modern times' was recorded by direct interaction between telepherique and roger rotor. despite the convenient 'internet collaborations' that are possible they pre
 ry dance styles and the hard side of underground industrial electronics. the project continues with the aim to create a new form of dance music without a compromise, controversial as hell an



  different version appeared on the 'daruma' compilation) done over distorted electro-beats to soundtrackish infernos. in addition, the album also explores grindcore (if you are familiar with the
ack in 1995) and we are glad that they have stuck by the label. synapscape's unique usage of heavy polyrhythms, ambient soundscapes, slight dub influences, mysterious vocals and astonish
 hythms in this aural universe, but it is still mighty cold and extremely dark in there. even in this cold and dark place, life forms (creatures, not machines) are created. you can hear them celebr
 d merged into one unique style? - would this sound good? probably not, but strangely enough it works brilliantly for this morn' omina. '7 years of famine' takes us into a highly visual aurora of


 ronounced ―squaremeter‖ but it‘s true, and in keeping with an unrelenting drive to push himself, mootz delivers a complete and total evolution in m2‘s ethos with war of sound. ―an artist should
 future work. expectations aren't easy to ignore and there are only a few musicians who won't be influenced by these reactions. there are three directions an artist can pursue with a follow-up:
 or applicable. each is essentially a koan whose solution is acessible only to experience, not to rational analysis. this is to assert finally that daruma is one key to an authentic and rewarding e
 ng tour. the 'speed' factor is that of a person moving (whether by foot or in different vehicles). this movement was transformed into rhythmic patterns. imagine the aural equivalent of taking a w


 tes t.m.o.'s combination of hard techno, 4-to-the-floor rhythms, tribal percussion and breaks overwhelmed by voice samples. this music is powerful and aggressive, but not as nihilistic as man
vidual, medeas solo project, debuted on ant-zen with his appearance on the 'daruma' compilation‘. the compilation featured the short version of '180 bullets per man' - the title track of individu
sical styles. some of these projects date back to 1983. rotor‘s earlier releases are more noise oriented and as such it was quite a surprise when he confronted the unprepared audience of mas
 his intention to end his musical activities - something just had to change. as a member of the ant family he was in contact with philipp münch (synapscape, ars moriendi and a solo artist (rors
 c narrative at the earliest possible chronological point). four years have passed since their last cd 'triode', and now the current state of the project's evolution can be heard on ant-zen's first ab
me ground, the church of jesus christ of latter day saints - the mormon church. since that time, evenson‘s incisive, acerbic writing about the medieval brutality of contemporary humanity has go
ent/rock formation into the soundscape-oriented project we know today - take the 'peps' cd on duebel or the 'disco_2k ep' vinyl on ant-zen for example. u.m. had already announced 'pop press


  'neither dominion nor exclusion'. the grand chessboard's message: the united states‘ "divide and rule" strategy - as represented by z.brzezinski's quotes (which are displayed in more detail o
 was released in 2003. this young artist has only appeared live once and that performance caused enthusiastic reactions from the audience and several label owners. we're proud to present t
s tyrant‘, by sophocles. ‗les chambres d‘œdipe‘ was performed in november 2003 and february 2004 at the théâtre méga-pobec in evreux, france. the first performance took place at the fear d
, synapscape's astonishing rhythm skills are perfectly displayed. keeping the beat straight but always changing the patterns throughout a track. when a track starts you might think you know h
nces, paralyzing sub-basses and cold-sounding rhythms. the rhythmic part of l'ombres‘ work has also increased and on 'simulations 2.0' you can find unusual references - such as slow dark h
e most important change might be that of sal-ocin, the new band member, his skills as a percussionist have been added to mika's ultra-precise machinery usage - on stage and in the studio.
de a split-vinyl with ammo. szkieve's music is made of intense and complex compositions that assemble rich textures and expansive sounds. this is then combined with chords, string melodie
cks with the following projects: defragmentation (usa), needle sharing (g),sickboy(b), the mike vanraspaardenquartet (b), urban punk assassin (b) and actdramatik (b). this album is the pearl o
s best seen by his playing of orchestral percussion and computing pieces for contemporary music performances (with art zoyd & kasper t.toeplitz). he has also composed music for dance com
). 'way through zero' is gjöll's initial release. music, lyrics and artwork of this cd should be seen as a conceptual work. the lyrics in icelandic language tell a story of a man´s anger evolving. in
ntually becoming a unique creation far beyond his relatives: imminent, delta files, c-drik or crno klank. axiome delighted at home listeners and live crowds all over the world. after the last viny
 such as ars moriendi, asche, morgenstern and monokrom. the most well-known project he's working in should be punch inc., a rhythm-industrial project that has released several cd-rs and 2
gin thoughts' caused enthusiastic reactions by both listeners and reviewers. the result was a mix of electronic/post-industrial music and 80s-minimal-electro with a frigid but soulful voice. thes
om - we guess it was from a place that doen't even exist. in october 2004, the same rabbits came to krefeld and unleashed their fury on the maschinenfest audience. the enthusiastic addicts a
by attack of musician during a live concert. venue burned in fight. no arrests. brought musician to del rio. prevented lynching of hip hop musician. arrested sheriff. transferred hip hop musician
 of wind rattled rain upon his campaign hat and spattered his face and hands. desperately tired and carrying the gnawing hunger from three missed meals, he glanced back along the road at
yl - you know what vinyl is made of, - don't you? 'the end of the world as we know it' as it is quoted in the liner notes, seems to be a dance centered around a volcano and the accent is on 'dan
nt an s.o.s. to earth... the entire story in german can be read on the new genetic selection release's cover. the creature itself, beautifully painted by michael hutter, is part of this release's artwo
 re than enough room for interpretations, personal additions and dissenting votes - marc medea and gabriel severin do not agitate. they do allegorise though and when asked they say 'we hop


enstern's work fused together. the separation of beat-oriented tracks and soundscape pieces disappeared and the fusion of different styles took their place. 'two different faces' is the perfect
uifére' and 'les gorges des limbes', are located in the 'ambient' sector, while albums like 'coagulating wreckage' and 'au seuil du nèant' also target the rhythmic region. on 'the audient void', ya
 ctions - if you file your records alphabetically then all their records can be kept in one place. but if you sort by genre... trouble may start. 'peps' for example will be stored where all the 'difficult
n't expected anymore). now, after countless customers' requests, both geneviéve and ant-zen are presenting g.p.'s finest vinyl tracks on compact disc (for the first time). what you will find is th
synapscape still had more. seven new tracks where t.kniep and philipp münch keep the beat straight, the vocals distorted, and the pace fast; however, they let the dancers catch their breath w
 the second strike. this expansion contains unreleased material, live tracks and remixes by industrial icons like sonar and ambient masters like architect and displacer. scott sturgis' musical v
 en juxtaposed by variations of deep electro, techno, crunchy breaks, neo space rock and startling abrupt rhythmic changes through to industrial-ambience. this album can be seen as a conce
s an explorer of new musical territories. futuristic sci-fi concepts combined with complex hard beats are his trademarks and these are further refined with 'world of tomorrow'. on this album, g.s
ances assured their top position in this genre. for those unfamiliar, sonar's sound can be described as synthesized outbursts, strategically placed samples and droning bass pulses, corseted
out mushrooms, diseases of civilization, the impact of machines on man, fear, and harassments. these illuminations are accompanied by soundscapes which are also used to introduce and t
as ars moriendi, templegarden's and rasputeen. in 2000, he and andreas glöckner started the rhythm industrial project punch inc. which has released one cd-r and two fulltime cds. in addition
d four-to-the-floor tracks to ambient, to ritualistic soundscapes, up to the utilization of quite unusual influences. we hope you enjoy listening!
 already featured on 'the coming dark age'; the two 'concrete octopus' remixes and three new unreleased tracks will keep you dancing & thinking - that's what black lung stands for. from sir re
like it or not. this mash-up of ultra-fast breaks, straight hard-driving rhythms, oscillating sub-bass, heavy distortion, explicit lyrics, and sampled media madness perfectly displays hypno's perc
t he is known for; accomplished via his unique mixture of melody, aggression and iciness. that is, he has continued on the path he started with his debut. what's astounding in s:cage's work is


 t only the album title but it's also the ancestral name of the eight greek goddesses and gods that are the inspiration for the track titles. mootz says that this work 'is the most satisfying squarem
mpling and programming (both have played in various projects since 1992). a. glöckner (aka moctan) experimented with electronic dance music and supported local industrial projects like ars
ectronica. this project is a conceptual creation inspired by mayan mythology and the ancient mayan astrological calendar of the same name. from the beginning their approach to sound result
ecial about c.o.'s sound - differing from the typical japanese 'industrial scene'. the initial aural transformation of track and release titles were soon replaced by something quite different. theme
 discovered industrial music in 1997 after debuting as a vocalist in a punk band and a few years later he started experimenting with electronic equipment. in 2005 he founded the 'le petit mach
bel/collective audiotrauma. after many concert appearances which caused reactions that were beyond enthusiasm/ecstasy and two years after 'processing industry' the time has come for thei
 ch is still present in their side project bubble gum) but the duo was also attracted to industrial-music projects like s.p.k., whitehouse and - of course - esplendor geométrico. their first release s
s growing mental laziness. maurizio blanco also liked the idea of turning chess into a musical concept. chessboards and relevant literature were aquired so as to get into to the spirit of the ga
, rhythm and ambience. this release is unmistakably synapscape - distorted polyrhythmic beats meet atonal synth tones, kniep's strange lyrics (coupled with his haunting alienated voice that
romanic humour and french eccentricity, lingouf alienates those who are into 'exact' terminations and information while contemporaneously intriguing broad-minded audio and visual art gourm
 le) along with supporting young upcoming performers like demian, rdr a.k.a. raw state and denizchador on his label kellermusik, which started seven years ago. by chance, on a trip to new yo
above empires, across frames, which can slip through the breaches of any walls. that is the story of this album. when rage is accompanied by tears. this album is our reaction facing the bruta
)er pussy. what you are about to hear illustrates mika's decision to form a 'brand new' project (which is named perfectly). pellicules (films) highlights previously unrecognized facets of mika's m
ult of his personal twisted mind. within the years of law-rah's existence, he worked together with several people and re-evaluated the collectiveness of the project, which on its turn changed fr
 with musical instruments. he now works as a stage and studio performer who merges collages of noises, organic sounds and electronic music into a inimitable blend of dark ambient and exp
 allegories of a general emotion - moments of happiness brought by love, but importantly happiness overlaid with the knowledge of sadness, melancholy and loss. 'ange' (angel) and 'gruikk' (
body. tracks like 'who painted my cat black' and 'stuck' keep up synapscape's aural trademark: heavyweight interlaced polyrhythms, distorted textures and tim's non-reversible voice - an ecsta
 dave kean's ideas and inspirations into this project's music - the result was their first cd in 2008. unfortunately mr. kean passed away last year before any new tracks were implemented. now
smos continues. join him and let go at the steering wheel... the music is personified as driving rhythmic foundations which range from slow melancholic trip hop and faster high-energetic brea
he target moctan has set is visible: creating a unique synthesis of atmosphere, aggression and rhythm. after starting with the comparatively silent 'here and now', moctan increases speed and
zed by the elegant electronic pulses that are dominated by the persuasive/icy quality of her vulnerable and adorable voice. le cabaret moi is geneviéve pasquier's very own cabaret. a cabare
sal-ocin joined t.m.o. as a full member a few years ago and now the project is a trio with the inclusion of the live concert drummer spike. this morn' omina created five tracks which combine rh
ll of great importance to 100blumen - that is a citizen of full age, the scrutinization of authorities, politics and beliefs. but he does not consider his music 'political'; however track titles and som
ng aural outbursts. pounding synthetic and acoustic beats carry a heavy load of variety ranging from clicks'n'cuts, cinematic soundscapes and dub-oriented sub basses up to complex sequen
ölls lyrics appeal to those who still keep an open mind, a large amount of hope, and the ability to separate right from wrong. musically, jóhann eiríksson and sigurður harðarson have expande
se and cold, sinister atmospheric textures are the key ingredients in olivier moreau's musical spectrum. after finishing 'nord / north' in 1999, he destroyed his mixing desk, gave away the piec
oid ambience. throbbing dance sledge hammers like 'the unrest', 'the anger' and the electro anarchic power noise anthem 'unbreakable' prove that this artist is one of the leading present day i




h pockets & double fabric hood with drawstring. for ladies - size small.
h pockets & double fabric hood with drawstring. for ladies - size medium.
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h pockets & double fabric hood with drawstring. size medium.
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 ient type release w/ ultra minimalistic grooves.
unfold a new chapter for smooth atmospheric noise. they are gonna play with your cells in your brain
  to come. note: this is not an album, at the most a few elements extracted here and there from work intended for 'episodes'. nevertheless the important suspense creating factor is always imm
 ion, agony, chaos and penetrating coldness with synapscape‘s energetic force, harsh rhythms and multilayered distortion. 'screenwalking' is the perfect balance between heavy processed pe
 ops - the basic idea of the way tracks were created as starfish pool. this concept that has nothing to do with the sound but more with the way that tracks are practically made. the illusions of m
acks become a trip that stands far beyond the average electronic outputs from the u.s. jeff mcilwain now resides in los angeles, where he has been for two years. he originally started making m
nic essence of electronics. this equinoctial music rides between late winter and early spring, that time when the flesh begins to warm as it emerges from darkness into sunlight. driving backwa
h the discriminating music collector and djs looking for the next big thing. of course, lusine icl is not a stranger to the music scene. he has produced heralded music on labels as diverse as iso
al sonic assault, law of the battle of conquest is so pure a pairing of opposites - but it‘s damned close, where the struggle of chaos vs. controlled atmospheres, of hellish breakbeats vs. dark d
 lush melodies and luscious analog warmth, formless summons from the depths of human emotion a musical epic that touches upon the gravest recesses of memory. the epic begins with ―pa
 d there was no noise at all. hmmmmm .... noise? i asked some friends for help and klima found a loopish 3/4 pattern with nice breaks, it was quite unusual and I had to add it to the cart! disp
bric of his new album for hymen, circuitbreaking. hymen will release two versions: the full-length cd will include 10 tracks, where the arrangement consists of thematic, melody-driven pieces p
 ded mass stylistically name checks your idm and experimental electronic icons like aphex twin, squarepusher, and lee norris. somatic responses‘ john healy and paul healy also have a mess
 records, and they immediately decided to release an album. the results were enthusiastic reviews and a 'top album' recommendation on the warp records' website. before 'nrthndr', reid dunn
 ound through dense atmospheres and tearing beats. hecate being the main conduit of electric escapism also splits her energy into other projects appearing under the name raquel de grimsto
a new futuristic sound. this album, dedicated to the memory of their father john healy, ranges between dark rhythmic downtempo pieces ('b boy 3000), hard-driven broken beats ('shell') and th
ar beyond the above-mentioned by building up walls of snippets (sometimes lasting less than half of a second) into sheer break-noise mayhem. hymen records‘ first xanopticon record 'liminal
 ing recorded for hymen, ad noiseam, sublight, cargo, and many others, he took 2007 off, working on something very special: his debut on ohm resistance and the 2x12'' vinyl version on hym

 sition of its payload has shifted into a far more seductive form than it‘s ever been before. once a harsh, post-industrial harbinger of the western world‘s cultural and economic imperialism, sno
g' or 'bavarian folk music', doormouse kicks ass, balls, jaws and all the rest. perfectly well-placed sounds - a jazz trumpet, children's voices or jerry lee lewis combined with all sorts of rhythmic
sion of his new full length album: 'oozing bass spasms'. with enough porn and horror samples to satiate the most demented programmer, and enough juicy bass to placate the most voracious
s, he simply replies: 'dirty monkey from osaka japan'. ove-naxx is pioneering a delirious take on raggamuffin drum & bass and post-modern nipponese pop. catchy synth melodies buzz inside
ck lung, orphx, imminent starvation, not breathing, synapscape, monolith, icon zero, p.a.l, substanz t, lustmord vs. metal beast, vromb, seekness, architect, oil 10, bochumwelt, beefcake, som
mposed and performed for expovni 1996, brussels - an ufo exhibition. 'a genious blend of the soundtrack '2001' and the early aphex twin' (radio atomic).
 currently hold is the very zenith of late twentieth century marketing and manufacturing technologies. although snog's output has always been of above average quality, the recent direction of
ntal pieces which however form an intimate coexistence. the complex melting of these different styles emphasises 'alterity' with a special, unique character. deeply fractured sonic mutations b
 award‘ - a monolith among modern beats and drums.
 xes by beefcake, black lung, low-key, xingu hill, ubin, spacecat, shinjuku filth, francois tetaz. although snog's output has always been of above average quality, the recent direction of his relea
 s: founded by mick harris in 1991 to create rhythmic, hypnotic drum and bass music. since its inception, with its throbbing low end, ethereal sounds and big beats, scorn has explored previou
ocated in the southwest region of wales. somatic responses are into complex dislocated & broken beats, distorted intelligent constructions, fascinating sonic structures, force and sweetness t
 ophonic universe of smoth break beats and trip hop, covered with urban ambient soundscapes and hypnotising melodies. tripped experience is a soul inflected unreal landscape of slow-moti
 y and new york. starfish pool‘s new release proves to be something of its own kind full of enjoyable and intelligent music. complex and soulful, this changing mood style can take our feelings
 u hill - it's calm but very intense and full of atmospheric click & cut electronics.
 dark pop departure. 'motion of' is slow brooding emotion that contains fierce electronic punches, which glisten with introspective guitar and meandering vocal delivery. fans and magazines of
 featuring m2, neutral, dead hollywood stars, beefcake, lusine icl, funkstörung, imminent, baracuda, scorn, venetian snares, frz & blue baboon & etereo expandeum club, fourplay, solar-x, son


  broken drum'n'bass beats and complex-structured layers with melodic lines while touching the void between 'tech' and 'industrial'. it seems that john and paul healy's creative output is bigge
y, the alien, the unexplored and therefore un-mastered realm of our imaginative experience. sonic themes and melodies so evocative they craft visions in your mind‘s eye. that‘s pretty much w
  the traits you know and love about substanz-t are in-tact: down tempo beats, industrial funk rhythms, and precision soundscape creation. yet electric opium, substanz-t‘s 4 th album, comes fr
 sition of its payload has shifted into a far more seductive form than it‘s ever been before. once a harsh, post-industrial harbinger of the western world‘s cultural and economic imperialism, sno
ve revision of lustmord‘s drone aesthetic. now she‘s shacking up with venetian snares‘ aaron funk. literally. nymphomatriarch, a joint project between venetian snares and hecate, is 100% com
 e spanish design magazine belio. war, which arrives in a non-descript sealed plastic container (bag), is designed to instantaneously immobilize personnel within an established radius by cau
oncussive breakbeat matrices and psycho-cinematic audio effects; black lung - martial industrial rhythm loops and stealth-quality ambience; and projecto mirage - caustic roland analog rhythm
strumentation and intelligent pop lyricism on her album motion of, neutral‘s brought in some of the best and brightest in modern electronic music to have a go at her back catalog. remixers inc


ermarket, leant toward the darker threads of technoid drum‘n‘bass (panacea, tarmvred, etc). for i went out shopping to get some noise, myer reigns in the breaks to toss down thirteen mind-be
bric of his new album for hymen, circuitbreaking. hymen will release two versions: the full-length cd will include 10 tracks, where the arrangement consists of thematic, melody-driven pieces p
hrough her after her mother, herodias, sliced the flaccid tongue of john as it sat on the silver salver, the rhythm turning martial and full of cymbal brashness in 'nest of vipers.' the baleful sound
 g is an excerpt from that interview. (r): okay, let‘s settle down now and move on to another question, alright? let‘s talk a little about this new album of yours, ???. it‘s your first solo album, right
ded mass stylistically name checks your idm and experimental electronic icons like aphex twin, squarepusher, and lee norris. somatic responses‘ john healy and paul healy also have a mess
 ay,' he says, 'i love everything that seems to be intelligent music me: speedy j, l'usine, biosphere, dälek, murcof, deathprod or james plotkin.' so it‘s no wonder that on his second album as he
 u'll agree that each interpretation brings a refreshing new vigour to this cherished classic. in these fireside and dancefloor favourites there is a gentle, convincing persuasiveness about every
ons to end's remember-the-sixties-easy-listening-electrock'n'roll-bastardazation. a marvellous aural rollercoaster ride of twanging guitars, scratches, soul horn blasts, surf sound, hecq, the tra
 r twisted american dream. admirers of the previous two albums will be in familiar territory, a feeling reinforced by the omnipresence of the slide guitars, ghostly melodies and the unique comb
although 20 tracks are displayed on your cd player, 'megrim' should be enjoyed as one long 'track' consisting of 20 'parts' - without any pauses in between; a self-contained work of art. once a
nt of artists like beefcake and lusine icl, are now mostly replaced by changing rhythmic textures, clicks and surprising sound manipulations. the precise filter effects on 'scumdrum's acoustic p
years, learning pink floyd solos and jane's addiction and stuff,‖ notes bryan, whose creative endeavors extend beyond music to being co-creator of the animated tv series avatar: the last airbe


 nts his new full length release, ‗form without function‘ (featuring guest appearances by dj hidden, speaker wrath, somatic responses, submerged and silentkiller). 'form without function' follow
his undergraduate degree at northwestern university in cello performance, he interned at wfmt and became the youngest person to produce the chicago symphony orchestra radio broadcasts
ssell's reference to artists such as lee hazlewood or leonard cohen polarized and proved snogs unpredictable creativity. and listeners' reactions on the seven all-acoustic 'travel sickness' tune
 painter. now he has decided to work seriously as a musician. his attendance of electro acoustic composition courses at the bordeaux conservatoire radically changed his musical point of vie
a's sound - especially after listening to his compilation appearances and the brilliant 'illegal nervous habits' cd. the term 'beats' is re-defined by the sound maniac from arizona. a whirl of samp
riences was followed by the hip-hop influenced electric opium; the moods may change but the vibe never will. four years have passed, and that vibe is still within 'beyond e'. substanz-t has tra
 and jazz, keef became a session bassist and also a computer game musician. over the years, he learned to play various instruments including bass, keyboard, guitar, drums, mandolin, sitar
s box set or the condensed singles compilation). here, mcilwain explores his ambient side to a fuller extent than in any of his previous releases. beautiful chord structures melt with excerpts fr
er two self-released albums, 'epoch' sees the light of day on hymen records - some kind of a logical conclusion; besides the aphex twin, meat beat manifesto, underworld, the orb and leftfield
 is in many styles/forms as he has worn many hats, masks and attires (with various bands and music projects) for the last 20 years. he has worked with cult groups (such as punk/industrial ba
 russia and australia in 2006 snog return to the recording studio in 2007 (unlike the romans of which they sing) victorious. ‗the last days of rome‘ - is it leonard cohen (with its perversely apoca
  rs have passed since giauzar and it seems the brothers used their time not only for the explorations of new tonal and atonal scapes, they also went for a re-analysis of their roots. the digital d
 ost direct and potent musical message to date. 'at night' is even more emotive and personal than ginormous‘ previous work, all while resisting self-indulgence. these eleven tracks were objec
 luerd (nimp). what can we expect from an artist whose influences and preferences range from electronica and ambient to pop, ethnic music and drum'n'bass? whose preferred authors are a.
 thomas p. with this cd has created a closed opus that might be seen as a concept album in which the listener has to decide what the concept is. nebulo's subtle approach forms a complex fic
ore, ambient and noise. after some experimentation and development he felt the time for a first release was right and now 'halfbreed' has been realized. in his own words, hpc's aim is to build
and 2008. zeller is effected by 'all kinds of subversive music' (ranging from breakcore and industrial music to dubstep) in such a way that he is able to assimilates these different musical facet
 o keef baker's world, where unequal musical styles like trip hop, electronica and even metal are used as baseplates and sometimes merge within a single note - just check out what starts as
d moving forward into something boysen defines as an 'emotional destillate'. the tracks 'typhon' and 'steeltongued', written in 2007 and 2008, provide the blueprint for this cd. working as a sou
 ayers and technoid beat'n'bass patterns enthused a large audience worldwide on the previous nailsleeper release. now it's the time for the workers party of haiti to take over... music as divers
 olution and improvement. 'temporarius delerium' invites the listener in with angelic voices, mighty bass pulses and a looped chant, just before a pounding breakbeat takes over and calls the s
his musical self-conception opened up and resulted in millipede. this project has taken on a life of it's own - much more beat-oriented and complex than pdl'i, yet still dark and harsh - a sound
owers) spotlight hymen records as things are now. a blend of electronica, breakbeats, dubstep, electro, ambient and much more featuring the_empath, slam52, somatic responses, millipede,
ogrammed electronics, and collaged sample fragments, the dangerous class is the soundtrack to a world of wayward youth given to deviance, chemical transcendence and violent transgress
dits and dubstep grooves. a perfect bridge between the distorted aggressiveness of drum'n'bass and idm's complexity. imagine scorns minimalist grooves on speed overdosed with dubstep i




sh melodies. 10-seconds rhythm parts are compressed into milliseconds, this is definitely rhythmic, but this is definitely not metric - for sure it's metarc. let your mind enter the particle accelera
cist where linda blair's head slowly turned unnaturally all the way around? imagine if your computer did that to you as you late one night and you ll get an idea of what this record feels like...sp
 l length debut cd on mirex. this debut full length, 'fear and loathing for dummies', was the cd version of the zod 12'' plus new material. however, 'revelry and decadence...' is all new material -


y and using pure industrial samples for his artistic work. listening to 'repairs' might validate the truth of these rumours. we do know that this is his second release. 'repaired' could be seen as th
nce music imprints like xl and suburban base - taking wicked samples from the heyday of rave culture and other sources, cracking them wide open, and pouring everything from industrial nois
 every few months, when mirex unleashed another one of its limited-release experimental break records, he‘d be sure to be the first to get one. bernard had heard of sickboy‘s incredibly twist


ade. dark and twisted is the theme of this album, a rave gone sour by bad speed or xtc. the usual trademark bong-ra stabs punch through the dancefloor orientated tracks. a weird rollercoaste
 on't know 'no new york' yet, you should look out...). besides the academic 'knitting factory' scene, there have always been artists who are and will keep 'underground'. what that means in this



 and will have big hits,stuff indie music it`s rubbish' (jonni mogul) - well, 'betcha bootz' is the first official release for jonni as 'jonni mogul', continuing bazooka's consequent research for what w
 debut full length release on kaleidoskop received enthusiastic press reviews and praise from listeners worldwide. that cd even made it onto the german alternative charts (dac) for eight week
unique vocals. the music hits the listener right in the centre of their heart. it also seems that the italian division of ford thought the same thing - an excerpt from 'robot song' was chosen as a s
minimalist beats combined with inimitable german lyrics caused many people's attention. in 2004 belarussian label invasion wreckchords caught fire, and so the full-time album 'das leberwurst
 ning towards contemporary songwriting; here, the bielefeld based trio present a mixture between state-of-the-art electropop and instrumental tracks which are a perfect invitation to listen dee
bored and discovered their mutual fascination for loud music and heavy leather. cbihl was born! enigmatically, cbihl professed to have cruised the realms of central europe 'to convert all the lo
oduction studio for a nintendo ds which combines legendary eighties analogue synth tones with today's editing options - the result is 21st century electro. exemplary song writing skills and a m




 pecial. the third cd comes as a double pack, including remixes by p.a.l, s:cage, synapscape, 100blumen, ah cama-sotz, monolith, geistform, contaminant and more. cover printed in copper o
des with a picture to each song + special matt varnish.
 ass of sampling and preaching - on your knees, get fisted! packaging: digipak printed silver on black cardboard + embossed logo!
 s and richness of variety of the sound, suicide inside stands for hard, rough and complex sounding rhythmic industrial. following the 'theory of the arising of desire' and 'learn to swallow', new
 ich has 'water' as main topic. packaging: cardboard sleeve.
 oscope, camanecsoszope, ah cama-sotz, mono no aware, kraken, rasputeen in heavy leather, larvae, empusae, xabec, ars moriendi, orphx, imminent, config sys / ahnst anders, hypnoskull,

  config.sys, nin kuji, and many more. gatefold sleeve packaging.
 sive rhythyms, gentle synth-work and delicate sampling. we set out with a clear mission to make you move physically and mentally, stopping once or twice to allow you to breathe. 9 lives you
 t, gjöll, heimstatt yipotash, hecq, this morn' omina, alarmen, mono-amine, greyhound, the teknoist, brighter death now, geneviéve pasquier, pow[d]er pussy, 100blumen, synapscape, feine trin
 ssing link of this micro-scene has been overlooked, and not given the deserved recognition. until now, that is. mikael svensson, founding member of megaptera, also did his own project deaf
ps are taking us out of the comfort and warmth of our hiding place called life, guiding us on a dark and also mysterious journey like they did last year on 'likuma burts'. the echoing voice - with
 d by mikael svensson. previously in 2008 the 'found noises' cd was put out, a release that was met with great enthusiasm. a majority of listeners to industrial music were up until this year not
 e collective's origins: a combination of ambient structures and deep drones with sudden breaks in the sound spectrum. 'solitaire's threatening and oppressive mood will leave you in a state a


 nd long deleted tracks and is a journey through time, regions and atmospheres. mortusae is a retrospective of different periods of empusae‘s almost decade long existence. the album includ
 etation of the daily global events happening on planet earth. this 2cd features 26 intense, powerful rhythm‘n‘noise tracks for industrial clubs worldwide. in reflection of the current violence and
 ythms. the music will take you to a journey through dark and threatening places, deep feelings, mystic glades, fallen empires, buried dreams, haunted woods and forgotten old worlds - the so
uranium weapons, s.k.e.t. takes their unique electro-industrial sound to the next level. combining layers of noisy electronica sounds with groove-laden electro beats and the rhythmic intensity
s, and transformed, an audio/visual release from this seminal hands productions act was long overdue. the dvd includes a full recording of xabec‘s live show at maschinenfest 2009, beautifull
 pture, frank macros proves yet again that he is a force to be reckoned with in the field of intelligent electro-industrial club music. over the course of waiting for the rapture‘s 13 tracks, synth-et


 grooves and broken rhythmic arrangements synced with abstract grayscale videos. from the very start, incite/ has defined a highly authentic sound on its own: fragmented electric junk and fra



s evolved through many genres: ambient / cinematic / old style industrial / ebm but the true sound of the pcp principle mixes many of the most extreme modern genres together - which means
 ur-long journey through a hybrid of industrialized techno interspersed with deep, atmospheric soundscapes, set to the backdrop of downtempo rhythms. the mood of admx-71 weaves it way th
 x.plosive. rhythmic industrial and breakcore are combined into absolute harsh and complex passages while kicking beats deliver an experience between agitation, provocation and irony. grea
 edens and harm bremer. while this project is based in lüneburg, the album demonstrates that there is more than simply calm and beautiful landscapes and curly black haired sheep called >h
mstatt yipotash turn away from the deep sea of storegga effect (2007) and the world wide web within perpetual beta (2007) back into the action and energy of the streets of urban landscapes
ential work to date and the anticipated follow up album to 2006‘s recoil the void, is a journey through the circuitry of advanced industrialized electronic music. this album narrates the story of te
 and doing a release for toast and jam records. now ml have put together a full-length for n5md entitled 'everyone looks like somebody else'. with delicate playful melodies mixed with crunchy
 xt door' is a timeless excursion of mad beats and wickedly infectious melodies. spark manages to walk the fine line of experimentation and standard 'songs' with great effect. 'the robotic girl n
 l monikers such as 'funckarma', 'cenik' and 'quench'. they have released material on labels from across the globe including neo ouija, isophlux, dub, u-cover, delekatessen, and on records, a
 ecorded at a live show in his homebase of austin tx , this seamless reworking of original mixes and remixes shows why proem is one of the current shining stars of the genre. a highly recomm
 this time around she has been retrofitted for 12-bit mayhem, and now the real battle has begun. recorded live in spark's secret lair, 'super robot battle deluxe' assaults you with a perfect mix o
 orung, speedy j, ra-x, mr. projectile, + many more.
 ed caipruss starts where 2002s dyn (u-cover) left off and hotwires the quench blueprint for further digital mutation. those already acclimated to their many projects (funckarma, quench, shado
 lectronic musician) has pushed beyond 'use' to a place where the breadth of his sound has eclipsed expectations for an artists second full-length. previous comparisons to pole and lusine ar
 g. there is an implied lo-fi cinematic quality which makes 'sea' feel like the soundtrack to those old super-8 movies you have in the attic, with the only things missing are the musty smell of the
 has all the controlled visions of decay as its predecessor but with the addition of tobias‘ desperate yet controlled vocals. these vocals bring to the fore-front a humanistic layer of melody to the
motional experiments in music credo. with his second album 'suture' (2006) subtractivelad toughened things up a bit by getting darker and somewhat emotionally weighted. with his new 3rd ful
nic tapestries. those familiar with fischer‘s music will hear unparalleled growth in his production and songwriting since 2005‘s 'the nineteen floors' (mmbp). those unfamiliar will take comfort in
  unavailability this time around remastered and repackaged complete with 3 bonus tracks. a shining album of 'futures passed' still sounding current, relevant, and true to form, galvanizing run
een mexico, europe and the united states somehow gives his debut album 'micalavera' for n5md an undercurrent of international, almost globalized, method. add in the mixing and mastering
 shed series of remix albums. new reinterpretations of run_return and landau sit a long side updated versions of remixes the funcken brothers have done of gridlock, multiplex and labteks. in
 ctronic textures, and thoughtful, yet meaningful, female vocals. while their carefully crafted songs may seem a bit out of place on a label founded on emotional electronics, upon further listens
 e of hope, but whose undercurrents pull you to the end you feared. epilogue in waves marks the end of cadoo's 'wading in the ocean' thematic metaphor for lost time that constituted the back
 through barcelona, spain. of particular interest was the innovative and sometimes peculiar modernist architecture of the l'eixample district. in catalunyan, l'eixample literally means an extensi
 from the background to a place of prominence and carried the ep's melodic content. this change in form represented an important period in the natural evolution of the bitcrush sound, a time
 ith seeming ease. with 'where the land meets the sky', hummel's fifth full-length for n5md, the subtractivelad sound has been perfected to such effect that it allows hummel to concentrate on c
 ative palette to include spoken excerpts, a vocal collaboration with fabiola sanchez of familiar trees, and a 'script-based' compositional approach. drawing on a theme first explored in sea's 'a
 annar ásgrimsson (iceland) with a bit of supportive help from a few friends created an album that emits a definitive nocturnal quality. it feels as sensual as it is lonely, as dreamy as it is consc
 ng the eu and russia, as well as creating remixes for the likes of ladytron and felix da housecat. for 'dying in time' port-royal have expanded their sound to encompass the more electronically s
 nual), jakob skøtt (syntaks) and jess kahr, rasmussen helped incubate a certain sound that the of the four have nurtured in each of their solo endeavors. rasmussen's take on the sun drenche
 gh extensive use of soviet-era analogue synthesizers (polyvox, yunost-21, formanta, rmif ti-5 and others).oloolo took part events: pan sonic's and phill niblock concerts in riga (2002, 2004), w
 album which shows alexanders talents to combine live recorded instruments with the unnatural but interesting world of reaktor sounds. the results range from sweet and melodic songs to dee
 unds of hypnos but more the stripped down version of ambient house music. things move a little bit, there is arpeggio's on the piano, and even a bit of percussion. however the highlight of the
 broad. deep sea shipping is a term borrowed from the maritime logistics and navigation. it perfectly reflects the whole internal component of music on this compilation. the concept of deep se
ecorded about 10 original works on different labels in russia and in europe. his new album deviation, written in space dark-ambient direction is another sound experiment dedicated to research
 gram started with idm project cast when he was 18. in 2003 denis came to moscow, where his first album released. limited to 500 copies in special slip-case packaging.
 ains broken rhythms of techno-break, dark-hop, idm character. musicians took some elements of industrial culture as a basis for their work and constructed their own vision of music.
h alexander petrunin aka mewark. lazyfish has already released an idm/techno album vortex in russia and some more deep-tech tracks on trapez records in europe. alexander petrunin aka m
 umn of 2005 marks the beginning of his concert activity. the first performances were played in moscow, izhevsk and nizhnii novgorod. in may 2006 stanislav has added to his collection anoth
 e release of kellermusik 07 this label establish itself not only in the techno scene. the music is finally where it belongs: industrial dj´s all over the world will play the label's music. with #07 kelle
ye'. regular disco-sleeve-cover edition.
ye'. limited folder-cover edition.
 nyl with influence from broken beats to techno, a little bit of hardcore and the typical kellermusik records sounds. his releases on strike records and other hardcore labels are worlds of speed


 st and future describes that limits never exist in a business policy....
 st and future describes that limits never exist in a business policy.... . special cover edition with embossed printed extra-strong cardboard foldout-cover.
 t., displacer, zero degree, mc1r, the empath and m.o.p.m..
 e most different genres are plumbed. melancholy harmonies are embedded here in destructively deep beats and effective background noises, so that an apparently contrary combination lead
watts and ghosthunt. comes with one of 15 random covers. cd-r release.
 hre, tortoise, kid 606, solvent, kraftwerk, mainstream hip hop, select flims with interesting sound effects (that's not a band), matmos, brian eno, m83, mouse on mars, b. fleischman, styrofoam
 gh quality to enjoy every moment as its meant to be. sounds like: aphex twin, luke vibert, wagon christ, plug, squarepusher, mu-ziq, remarc, matmos, portishead, prince, mum, mogwai, globa


 rme, archos, james w.w., phonemonkey, turdboy, simple vehicle, dissolved, dalezy, karl marx stadt, iqtu, the bagpiper. the first pressed cd from binkcrsh!
mpetencies through a series of disreality attempts, monastery supervision and a truly romantic way of handling peer pressure. his motives in sound resemble an abandoned ironworks garage d
 ht out earlier in some of atmogat-productions. 'try to feel' has the sensible aim to call listeners attention to the mood of several songs. the main intention of the artist is the acoustic perception
m current and upcoming releases, this compilation is a "who's who" of the scene's current and upcoming leading lights. from the grinding industrial beats of zymosiz, to the breakcore smackdo
 rm the inner dark companion on an auditory journey to the third pole, from blinding aural snow to an everlasting darkness crushing through the ice of the 88th parallel. they move in a giant so
 ntions over a stereophonic sea of drones, multidimensional soundscapes and subtle rhythms...coming over you, seeping into the very inside of your head, oscillating and twitching under the s
 ack: 1953. in this moving interpretation a story told by unspeakable sounds unfolds, sparsely reinforced by touching and dramatic spoken word interventions. sophisticated in sound, evolution
ect after the previous releases in the nautilus series 'ultra' contains cinematographic aquatic ambience. this time in the form of a radio play without words. an opressive soundscape, without th
 presents its tenth release and all honours go to vromb. the canadian sculptor of electronic sounds pictures life below water-level and sadly for us humans, the oxygen-level isn't high enough t
 constructions for the intelligent dancer. limited 399 copies
 es, intricate rhythms and constant tension form an oppressive dream, a moment of cold remembering.
 nt from his other work, only related to it by its darkness, but never has it been this present as on this demonic vinyl duo : this is spectre 13. the new number of the beast. 2x7-inch in box - limi
mple of sound research and sound manipulation in a coherent and convincing conceptual whole presented with a superbly elaborated artwork. the seal is cast aside, pass through the gate an
petitive tribal percussive elements, by invocations, by solemn and hymnic passages.
 of processed field recordings, every now and then lured into letting shamanic melodies or careful and subtle rhythms join in. sometimes the rhythms work their way to the surface - to hypnotiz
 ders. kraken are hunting the invisible enemy for 20 years now and for the last time they take the heavy task upon them - to take us on the ultimate mission over the borders of the musically un
 stration, and self-immolation that spawned this work. the first music that flows from your speakers is extremely harsh, throbbing power-noise, but already after a few minutes the style change
 re projects have gathered here to contribute their audio sculptures, and they do not celebrate this fest alone. they're given heart by other labels' dearest and a few promising newcomers. the
 erp-based independent label spectre records. after 2 vinyl-releases for this label, an album had to follow. '(g.o.d.)-once again' is a compact yet strong album that offers a good view on the las
 fear of meat' and 'your sister and the wrong leg' are just a few examples of the mindsetting of this album. soundwise 'chagrin' can best be described as isolasionist music, but with the remark
dden scrolls. within this final scroll were the long lost incantations which would bring the earth and all upon it on their knees. while mumbling the sacred incantations, herr manh klaph oltz and
 verything' the two tracks on this 7inch (entitled 'you are what eats you' and 'the waiting') are abrasive, eroding, mindblowing and emotionally very intense. maybe they're even more mentally d
ur gift to the world. the original spectre roster covers three continents and almost fourty releases, divided over three labels. and while this is way too much to choose from, any sampler would
ll release on spectre records. 'measured chaos' counts ten tracks in just a little under an hour. an ecletic mixture of elements, ranging from distorted beats, basslines and industrial to urban in
d black and white cardboard cover. which brings us to the conclusion that together with 'amore' and 'chagrin', the kraken trilogy on spectre has been completed. amongst the multiple meanin
ent 'things fall apart', that 'difficult' second release by the project skincage. in twelve tracks you are given a tour through the mind of skincage, a tour among things that did, will or could fall apa
 ' the [law-rah] collective gives its dark poetic view on stuff like, you know, the world, leaving the listener with food for thought and space to fill in the blanks. on two 3'' cd's you are guided throu
 the guys from kraken would be able to rise above the level of excellence they had already reached. in all honesty and modesty, because we are the ones releasing it: yes, they are. on 'nachts
c duo hasn't been doing nothing between then and now ... 'will + representation' is even more eclectic and chaotic as the first album, resulting in a mixture ranging from breakbeats and ragga
 scapes from all over the world; the tracks range from deep ambient with a religious touch to ritual layered structures - sometimes even close to straightforward dub - to technoid industrial epic



 bombastic and apocalyptic black industrial, enriched by symphonic chants. the only difference to his earlier albums are the much more aggressive & rhythmic beats and the more doomy guit
 medicine. framed against a somewhat literary backdrop, it is one of the more concrete conceptual works from the project and creates a different kind of listen than past releases. the familiar
 lly insane orchestrations... but this time with more concentration on his industrial roots , means pure impressing industrial power in combination with apocalyptic black doom. special oversto
mbastic black industrial and apocalyptic death music. after their last more noise / post-industrial oriented album from 2005 (decimation world) this time melek-tha will bury you under a massiv
dark ambient structured tracks, with sometimes bleak and evil monotonous sounds. if you are fascinated by ritual sacrifice, ethereal atmospheres and excursions through darker ambience, thi
nfluenced by the prog records of tony wakeford's youth, into the woods describes a weird england of the 60's and 70's where pockets of woodland hold out against the encroaching suburbs.a
ble cover mat silver and brilliant orange containing 2 mcds (mini-max 3'') with 10 unreleased tracks, more than 700 photos and texts in english & french languages by mimetic and internationa




.), andreas schramm (asche...) and sven pügge. cd-r release.


ient soundcollages with whit and e´spirit. oswin czerwinsky and jürgen eberhard from the blackforest, germany founded this project in 1989. cd-r release.
 by riotmiloo from the punk band 'venom seeds' doing vocals on two tracks. also paul got the support of a.schramm (asche), d.vallee (lith), p.münch, who added three remixes as well as s.alt,



cover versions by asche, synapscape, 100blumen feat. ++99, p.a.l, morgenstern, imminent, rasputeen, genevieve pasquier, keef baker, salt, Eva|3, tourette bros, the rorschach garden, punc
reates a combination of cold mechanical ambiences and manipulating dark soundscapes with distorted rhythms. cd-r release.
e us to a very impressive dark ambient album, combining drones, soundscapes, abstract sounds and field recordings, following their conception of associating impressions of forgotten places


 bands and working as a dj he formed saturnzlide. this production ranges between industrial and rhythmic noise. cd-r release.
 these artists will blur the boundaries between techno, electronica, jungle, broken beat, darkwave, electro noise and metal. be prepared for a futuristic post-apocalyptic sounds.
 ne must have! (includes remixes by hecate and ambassador21.+ video clip) everything on this record comes together to form what could possibly be the perfect soundtrack to a riot possible.
d depressive voices flutter on distorted rhythms. the 9 tracks mix crystalline textures and corrosive patterns within atmospheric themes. based on additive and repetitive constructions, these t
ck called 'useless', and 'dogma' announces the consequences of this regain of conscience. the themes developed in 'attrition' are the will to power, death confronting life, dead end society, ir
f the human psyche. a personal organic dusty warm sound remote island universe made of sampling, cutting, audio manipulation and collages of masterfully chosen and assembled samples
perimental and cyber-punk, chrysalide is uncompromising, unforgiving, emotional, in-your-face, pure fucking industrial act that has the same quiet/loud technique as metal masters use. thema
me chaos riot involved books. he delivers a warm massive groovy metallic mix between different styles, from melancolic electronica to industrial hip-hop, break-beat and cyber-punk. it sounds
second album, 'mind necrosis factor' mixes acoustic instruments and shooting rhythms, tribal cries and post-industrial atmospheres. more than genesis of a new shape, this album relates the
rowed from the distorded beats their disturbing ambiance to get us to a dark and synthetic atmosphere. a noisy trip to an indus fun fair, where the sweatinesses are black and the clowns host
es of music, politics as well as urban visual arts. deeply influenced by the industrial, hip hop, ambient and noise scenes, le diktat follows the footsteps of bands such as scorn, dalëk, techno a
c with ethno-cultural references about ancient persia's zoroastrianism. sébastien béné-le touarin, ex-dexy corp_ member (guitar/composing) and mastermind behind quietophobic offers a me
 released as a limited double cd box-set with 10 artprints on march 7 th 2005. music for ghosts emphatizes the essence of the bands aesthetic diverse expressions, that breaks - one after the
ct all along this project. lifesteak, a collaborative work between tzii and rko, explores the relationship existing between our auditive and our visual environment in everyday life. this project as l


 cuban mother. 'neu optimism' is the encounter between incredible, strange rhythms from brazil and new directions from old europe. the technical skills of moreau, combined with the analog to
n that its influence is not a trend but here to last. the mid-nineties saw a very important event in contemporary electronic music with the arrival of scorn. the english band scorn showed, the wo
 he four artists here, aube (japan), lilith (us of a), p.a.l (germany), propeller (uk- canada, aka mark spybey of dead voices on air) are giving us a 15 minutes track each. each artist is giving her
orate successively together. mark spybey has recorded this disc, from tapes provided to him by mick harris, at the klaverland, netherlands nearby the rhine river. the two got help on this disc f
 r his work with terror punk rock project zeni geva as well as his self-titled solo works. 1987 witnessed the birth of zeni geva and in the years following an impressive history grew. they recorde
 ers from the brussels' scene, members of silk saw and xingu hill teamed up in 1999 for a very exclusive limited cd ep entitled 'dogme' (hsh06). this long time sold out item was presenting mo
mplers and mini disks a new generation of artists has taken over the improvisation scene. offering more diversity and sometimes depth than classic improvisation could provide, this new gene
s de quelque chose, szkieve has gained critical reputation worldwide. his truly distinctive sound is constituted of both suiting chords and strings and high-pitched synthetic sounds. drdp is in c
 cks, etc; and redwing (sub rosa, 1995) used air; 'icfw' uses source audio and video recordings made exclusively from oceans-rivers-lakes-waterfalls-etc, modified using analog & digital filters
borate with each other is a real one! when asked by hushush to confront kapotte muziek‘s sound - made from instruments consisting of discarded objects, discovered by the trio on locations a
 album explores minimal ambient territories, sci-fi inspired spirals of sonic textures and heavily modified field recordings. the deep drones, whispery hisses and dusty distortion from this album
 cking it at under 20 minutes on the cd player, this release proposes a journey that is indeed short but full of variations. here is an excellent introduction for this promising artist from montreal.
 in) and mathias delplanque (lena, bidlo) open us the door to a universe whose maze conceals a multitude of other doors. some are half-open, others are closed and many are, at first sight, in
 tate against their will, hearing your footsteps resonating around you towards infinity, up to the high arched ceilings of the engine room, hearing the distant sound of the water dripping slowly o
he montreal project nos royaumes flirted with the uneven terrains of rhythmic noise, pure noise, hard ebm and a zillion other sonic outlets, under various names. it is, however, with the found
 on the force of nature and crunch pod labels, brings us their first production in vinyl format. it is comprised of 2 exclusive tracks, on 10 inch vinyl (45rpm), released on the montreal based labe
d soundscapes makes him close to industrial ambient pioneers such as thomas köner, rapoon, biosphere and lull. icy, windy, droning and deeply ³protomelodic² at once, his music is a poetic
 raphy. on paper: a study of the album (french and english) on cd: covers of the eight tracks by : contagious orgasm, troum, savage republic, nadja, dirge, wild shores, year of no light, kill the t


moods to convey it's theme of an unsettled sense of body and memory. recycling of sounds and experimentation with voice cutups are essential elements in the recent work of collapse, leadin
ssed form's instrumentals are a superb example of how he is achieving his musical goals of a forward-looking industrial-dance music. eric's new abstract style surrounds minimalist beats with




project by another living legend of belgian ebm/electro: gino de vos of vomito negro! gino promises in his own words: ‗our goal is to bring you the future of sound. colours, atmospheres, dance
panish musician with name rafael m. espinosa, the mastermind behind the band geistform who released his debutalbum 'uno' on daft records. ‗behind the sun‘ also features a guest appearan
 already one well received album on daft records and gigs all over europe with highlights like the daft festival (belgium), maschinenfest (germany) and the indieference festival (spain) geistfor
synths) and veerle de schepper (backing vocals). after releasing a track on the 'blitzpop 1' compilation and the release of their first 7'' single 'is there an exit?' (1981), wich became a local und
e showcase and release party at hof ter lo in antwerp, belgium on 6/10/07. feat. synthetic, morph control, darkmen, sol XIX, cruise [ctrl], synthetic dream, devoted symbols, ntrsn, act dramatik
s esoterical lanscapes … one could see reutoff's music as « ambient music for the very end of times »!!! the fifth chapter of their 'reutraum' series of conceptual releases comes in a very nice
 digipack mastered by the emblematic and enigmatic ah cama-sotz. the music can be described as an ambient but powerful and obsessive electronic piece.
 he music propose some esoterical and ritual soundscapes created by the french project lambwool. it occured to the label that both introspective works evolve on quite the same fields...lambw
 affair... mid tempo rythmics flirting with dark-electronica (and even ebm), enhanced by some desperate and aggressive vocals, but without any intention of dance floor's conquest. there's also


 can call traditional symphonic industrial style... from spk 'leichenschrei' to cmi's acts such as memorandum, heid or sophia, with heavy and desperate feelings similar to aghiatrias and omnic
 ) are masterpieces and now very hard to locate as quite deleted. all these works are stricktly limited editions of 500 items and are woth to be collected! musicaly speaking, the third volume w
 together, steinklang & divine comedy records are producing a tribute to this worldwide and legendary atmospheric icon. this musical journey is depicted by four top bands (with two tracks eac
vine comedy's addicts into lambwool or othila, or even foundation hope ; but sigma octantis can be more menacingto our ears. as musical influence, sigma octantis will quote spindrift of mort
 aradise that's in fact one of the most polluted part of europe. musically speaking , we meet up again with h.i.v.+ for a powerful split with the french sensation muckrackers. this is a return to no
ssive feedbacks, astral noises... the call of the wild is here. an egoistic pleasure of solitude turned into madness. this record is evanescent and paranoiac at the same time, fixing a point of no
sts and occasional violent outbursts. coherence is maintened by a subdued and introverted palette of sounds. you may strongly enjoy this new act if you appreciate ab ovo, mago, s:cage or th
  because the whole band is into the incredible 'microminiature love', as everybody in the world should be! kulfi's side is a brand new track energic and dreamy as the same time. can we say a
ne' after the 'inferno' release, closing a decade? the music keeps the direction of the first lambwool effort, a delicate but strong ritual and symphonic music. peter bengtsen illustrates this albu
 nk years. it is with the same requirement in the selection of unreleased tracks that they call upon the cold and minimalist spirit that runs through the most brilliant and original works of the nor
 rker and disturbing one), pedro peñas robles succeed in making tangible the worst childhood nightmares. deeply influenced by coldwave and punk sounds from the early 80's, this release als
 uis buñuel, david lynch, and writers such as tristan tzara, andré breton & lovecraft. this audio/visual work will be presented in a nice digisleeve... a weird packaging for a very weird release! l
feirdd, blade, bop... for the third time, dcr is working with horologium (just remember the abyssal and beautiful v/a 'père-lachaise') on a split release with moljebka pvlse. this new opus entitled
dern tales heavily influenced by the melvins, earth, syd barrett, joy division and whatever you might find out. nine sonic objects out of the mirror are lurking for you. maybe the mirror is yours, s
ands such can, neurosis, comus, ca quintet, or tful 282. it may remind you or millions of things, but this album represents their own sound and it's darker than hell! obsessive and complex tex
 sive. a crossing path between ritual and harsh ambient music deeply rooted in the 80‘s experimental films and music. definitely one of the most abstract release from a label that never really
 again during summer 2007. in the meantime, as a wonderful echos to our happiness, the band was involved into a collaboration 7'' with the american legend michael yonkers and was asked
ce. this place is a sort of bavaria from a parallel universe infused with pagan and christian mysticism. drawing heavily from rural lore, legends of blood-covered martyrs and the inevitabilty of n
heatrical production 'tannöd', based on a book by andrea maria schenkel. as this cd was concepted as a soundtrack right from the beginning it is mostly instrumental, but far from being simpl
 things have changed. thirteen tracks of abstract weirdness, entertaining anti-pop tunes presented in doggy dancefloor style. 'jahrmarkt der verlorenen kinder' is the modern incarnation of dad
on process, courtman took the old material, rearranged it and thereby created a haunting piece of raw powerelectronics. a pounding, seldomly straight album. if you already liked 'necroinvasiv
 they reach the premises of something called intelligent pop, strangely captivating tunes saturated with rare emotional roughness comparable to acts like geneviéve pasquier and the newer w
ehouse, coil‘s albums. de mange machine finds its strongest power moments in the simplicity and essence of the elements, it even reaches the point by refusing the use of any kind of beats
ramework and shows that research doesn't always mean icy hermetism. this oil 10 release moves towards a resolutely dancefloor universe. with its timeless atmosphere, catching melodies a
tronic generators as well as various items. de mange machine uniqueness rests on in the simplicity and essence of the elements. ―conscience" ou le règne de l‘animal malade‖ is an introspe
 ing cradle of everything that is ; in turns dark and desperate, 'gaia' hints at man as the destructor of nature and species ('hiroshima', 'katami') but also evokes, in an optimistic, hopeful manne
rock/experimental/ electronics ensemble l'eglise du mouvement péristaltique inversé and his solo work crossing over avantrock and classical compositions in addition to being a member of 4
ences in gridlock and beefcake as well as in scandinavian, baltic, arabic and african musical traditions. conceived in terms of rhythmic structures supporting catchy melodies, silent reflections
d in writing, comics, theatrical performance and poetry recitals. it is a concept in constant evolution with a marked cenographical and theatrical edge, complemented by collaborative work with
 ental solo project - several cd and vinyl releases have already been delivered. hungry for new sound adventures, 'fractional' is now coming back with a full length cd album (and a 12'' vinyl ep


ythmic noise and dark ambient genres. flint glass is a one man project of gwenn trémorin, formed in 1999. not only a musician and producer, he also manages the outstanding experimental e
ectronics/industrial scene have played live at kod.ex, representing well-known labels like ant-zen, hymen, hands, ad noiseam, brume records, m-tronic, audiotrauma and have made of this pa
ery singular, dark and violent.there is a whole scale, an entire spectrum of sounds responding to or bouncing off each other in one composition that pop up again from track to track with bruta
 opus are accompanied by electronic bleeps and clicks. an approach compareable to certain works of frank bretschneider and taylor deupree; abstraction made of minimalist groove. these hi
o a hypnotic state. the composition seems minimalistic but yet complex;it is not one continuing loop,but the same sonic phrase multiplied by more than thirty, and for each phrase a different e
ving preserved an omnipresent low bass frequency, oscillating between click'n'cut, digital bones,a minimalist rhythmic and pulsed trance in 'purr', zonk't is coming back with a fourth album, w
 ctions and nervous compositions. playing the mad scientist, heal makes supernatural‘s side a a total hybrid, full of references, where amon tobin jazzy tunes meet the pink panther and classi
 hop where abound sound textures and electronic frequencies inspired by techno animal, alec empire and pan sonic ('war', 'pore'). other tracks present mechanical accents ('clutter', close to e
d, ferocious style!!!. 'rejected residents' is a frenzy of hyper-creative sound, edits, and complex beats which reflects gibson‘s attention to detail...
dwave like tyson's fists hurt his wife. 4 hyper-structured tracks, organic, brutal & dynamic, his high-level production is insane. duran duran duran's most ambitious and most accomplished wor


r 2 weeks!!!! the track 'girlfriend trouble' is going to be a dance floor hit!' (richard devine) - 'while others jump belatedly on the dubstep/breakbore bandwagon, ebola continues to sidestep gen
 coral is delivering four exclusives trax on his first record 'mambo mind'!!! the steps are performed by heavy, sharp beats, fine balancing act between all-out aural assaults and nuanced produ


passive propose all you can expect of the new skool junglist disease. massive bassline, driving rhythm roll, through a barrage of synthetic filter modulation, extra harsh reverb and manipulate
ma , totally normal, autopsy protocol. kamikaze never surrender!!!
edited glitchy breakbeats. pure mania, for fans of vsnares. the flip has eiterherd bringing back a little more structure with smashing breakbeat hardcore numbers that shred video-game sensib
sh scrapings of breaks and rolls to be found within doormouse's work, the true beauty and distinction lies in the sounds and washes of noise that create the mood. any good story has a great
e. tight breaks, killer prod, floor carnage, ballistic ragga beats, and beastly basses, luis garban, new talent, delivers for his first official release, 15 solid traxxx (19 on the cd version), complime


sound of bursting breakcore, gabber and sampling. nothing new to the genuine follower yet another step further into the violent, glorifying and energetic chapters to the milkplus story. to say th
delivers once again 4 explosive and energetic riddims. these raw tunes are an intense, largely unrelenting vulcanik assault on the ears...dancefloor will die!!!
 producer who worked already for dmc world championship (like dj netik, rafik,...), and sooner on a split release with the qemists on ninja tunes , disintegrate all over with a real dancefloor ma



 bootleg, this soundbwoy open the story of our new offshoot bang a rang. ragga breakcore, gabber recharge mix, glitchy structured electronica to modern breakbeat sounds version, kid606 d
09. an explosive cocktail for this summer full of rising breaks, frenzied drum rolls, massive ragga style n'crazy samples. exceed the stated dose‘n‘bun da danceflow!
 breaker digs deep into the same vein that produced the awesome 'my funny dead cats' 12'' in 2005, specifically an hard-steppin heavy ragga core artillery and an ear for defined drum and ba


nger is another huge release ready to kick your bass !!! from astract to dubstep & electro, the beats are pure fire. if you're looking for candies, this is too ruff for you!!! limited 700 copies.
p of broken beat into dancehall crasher territory! newcomer to the scene, this record is hard evidence that b-lam won‘t be slipping through the door quietly and will not be forgotten easily. you


have cut their teeth in the london free party scene for years making their ears bleed to hardtek and drum n bass. coming from punk and hip-hop backgrounds respectively these two lads draw




p produced his unbelievable powerful debut album entitled "das leberwurstbrot". as rasputin says about his concept: "we are human beings and beside all destructive behaviour we also have
 labrat and you the pathologist...run away from the horror, run and clench our wirehanger fist, hack your life away until you can't consume anymore, run away from the ruins that your life has b
 blows up your sound system totally - there is no time for a funeral arrangement. musically based on massive industrial sound with obvious punk influences, 'weight of death' brings more heav
attern hiding‖ 3''cdr. it features some of the harshest as well as the most melodic and danceable tracks released by monoid so far, trying to be interesting and accessible at the same time. the
d of erik schleicher, or, to speak in more precise terms, deep down into the viruz realm. this artist has a history of more than 10 years making hard hitting music, and it shows. from industriale
 previous full-length 'weight of death'‘ material, this remix album delivers a large variety of styles, and at the same time it has the very own ambassador21 sound. we pass from rhythmic noise
e, klangstabil, roger rotor, proyecto mirage, s.k.e.t., ah cama-sotz and bong-ra. camera, visuals, edition and design by invasion wreck chords. this is a movie about our friends, about us and a
mbassador21 in 2003-2007. some of the remixes are unreleased (proyecto mirage, foetus), some others are been previously released on-line only (ctrler, the shizit, hansel). 'cut&go' brings 15
r clean intelligent sound - forget it. it's impossible to insert this belorussian duo's expression into generally accepted stereotype of exemplary life. this album deserves its name completely, it i
rs have been necessary for ctrler to design, create and produce his third album. the title is a good description of what we are going to look for inside: fast beats, breakcore chaos and hard dru
 ambassador21, beinhaus, boot-sector-viruz, catholic boys in heavy leather, cdatakill, chrysalide, config.sys, contagious orgasm, ctrler, detritus, fragment king, mimetic fake, moctan, monolith
d 2007 and two versions recorded live in paris and florence during fuck all systems tour 2007. here are everything which describes sound of ambassador21 - grinding wall of sound, massive d
p.a.l, f.y.d., boot sector-viruz, xabec. powerful, true and loud - if it's necessary to tell you more about these names? wake up... knock, knock... invasion has you...
 gain. every time our invasion will be powerful and wild. every time we will cut something off from this world, and we promise you - that will be very important parts. in this noizzze guerilla it's b
  absolute freedom. passions, desires and emotions. wild, violent and sexy. blood, sweat and tears. hysteria, chaos and panic. uncontrolled. unlimited. untouchables. young and beautiful. eve
se', 'absolutely dancefloor killers', 'and again about guitars - hard, speedy, motorbike sounding', 'and again about drums - punchy hammerbeats', 'and again about noise king size', 'and again
s for five years under this guise, has finally completed her debut solo lp. as a manifestation of the power of love, life, sex and death, the magick of female ejaculation reaches deep into chamb
 rd, presenting more abstract and psychedelic breaks and noise with influences ranging from hitchcock sountracks to metal bashing industrial music fused in their own aesthetic of dark breaks




 racks chosen for their quality and not for their marketability - in the format of anonymity. the first of a series of 3 12''s to come out in the next months. ltd. to 300 copies. slamming and dangero
 s don't end with mentasm, the plank or l'infamie, but reach out to the opening of misty beethoven and the electric prunes! and georges bataille !? the accursed share of rave!
 oduced pummeling against layers of haunting ambience. his compostions showing a new maturity in streamlined elegance. labels printed on silver background.
 ic rites of the middle ages by summoning four apocalyptic pieces of his darkest work to date on the latest vinyl installment from zhark international. blending high-definition breakcore with har
 s of perception. thirteen tracks comprise this cd release, six of which have been released on the single format, and the remaining seven to bring the listener ever closer to the haunted world r
ghostly ancients coalesce on a playground of twisted metal, evoking a tin heart pining for oil with every beat. filigreed harmonics, with their underpinnings of power, form an intricate armour ag
om the shadow world of motor city.
 masterful programming on ―technical witch‖, and on the flip side going full out into territory bordering on breakcore, but never forgetting mixability for the progressive dancefloor.
 vile enginez, hailing for basel, ch, has produced his most innovative and complex record yet - and look for his next zhark intl. release sometime in the future. taking up the sub/version project
 s to create a new style of digital electronic music - fresh, contemporary and without compromises. their debut ep 'fear leader' on detroit's electronic hardcore techno label lowres will be out in
 with skeletal rave stabs and a horrible warped b-line, industrial tech step at its dirtiest. b1- base sox express by dj controlled weirdness, the south london baseball obsessed card shark cw dro
 hich was performed at the now legendary schizophrenia show in the u.s.a. creating the entire record using only the commodore amiga home computer, davros and unibomber showcase their
a 12'' full of electro - gabber - dnb - breakcore - grime - dubstep and a little bit of everything else thrown into the blender with emphasis on all things core. the outcome is one of the roughest re
 ial. the record contains 2 solo tracks by label founder fobia and 2 collaborations of her with amboss and hecate respectively. this compilation sets the mood for what is to follow in the future o
 nny is his 'lost' first album, originally recorded in 1999 and 2000, containing 12 excellent tracks, including one remix by venetian snares! twisted hybrids of classic breakcore and hardcore styl
   wire' contains high energy levels, sick low bass and brilliantly selected reggae samples. this album is executed perfectly and includes remixes from two fellow dubstep heads: atki2 & starkey
 l be rattlin‘ in clubs around the globe. you will find aspects of dub, heavy bass, ragga, breaks and riddims, that represent many different styles on azure. komonazmuk kicks off the 12'' with a r
eat; swelling into an esoteric dreamworld that eventually drops into a bass heavy rhythm. after rattling your chest with deep bass tones; the esoteric world is quickly reintroduced and then take
 ite but what‘s in between and beyond. obiekt - a prototype aural painting, the madman‘s brush on a canvas of sound. a sonic sculpture chiseled out of marble noise. who is he that claims to a
 f panacea with needle sharing. a cd, with its huge beats, its small details, its subtilities and, most of all, intelligent and complex track that are the definitive and most accurate proof that drum,
 scraping noise and anger they couldfind in their samplers, the two of them have formed here the perfect bridge between the old and angry power electronic sound with up to date and musical
 vebuildingbomb', an album in which magwheels steps outside of every known paths and breeds the most emotional post-rock guitars with massive and yet flowing drones. rich, subtle and co
ature, architecture, design and history of the 1940‘s. neither a political statement nor a cultural manifesto, this album is a dusty photo album of this period, transferred into sounds by one of tod


e children stories were to sound like? the pretty princess and the big bad wolf have jumped out of their pages and become little themes and sound waves. they step gently and softly to your ea
 ous act. 'not a word': a disc that does contain words, but will you find them? who knows what they are saying, and why? 'the whole process was a seemingly stereotypical artistic one in that it
 album is also the culminating point of a painstaking improvement, research and mixing of influences. powerful, intelligently written and uncommonly diverse, 'fashion victim' is an album which
musical dialogue for guitars, noise pedals and samplers. sullivan's new work, 7 track gathered under the title 'the only window is so high up', shows his skill at mixing post rock guitars and den
 name or as kreptkrept, of or monstrare, cordell klier is a driving force of the american electronic underground, putting his energy in both a music that definitely stands out and supporting many
 commodore 64 and the dearly loved sidstation. tarmvred feels like putting on silicon the tunes he had been throwing at audience for two years. here come the ultra distorted italo disco, the di
 x' to his project crno klank with a first cd album which presents across 11 tracks the vast array of material which has been written under this name. started in 1989, then paused in order to de
 ly further ahead. progressing from his mostly atmospheric works, wilt now integrates new elements into his sound, implementing cut-ups, modern electronics and a multitude of styles into his
 llaboration. starting with the essential 'integral' album, in which he set an example for the whole illbient / dark hop scene, michael palace later collaborated with twine (of bip-hop and ghostly i
 ting paste' 12'' (on zod records), enriched with new material, seven remixes and a track from his first 12''' ('binoculars'). 8 bit melodies one could whistle to, sequences mashed up beyond rec
 ticipation of scorn, larvae, horchata and md akira the don.
 uch acts as scanner, kim cascone, or kotra and played basically each and every music festival in eastern europe (as well as the transmediale, garage and information wants to be free festiva


  most mature album so far, and steals the whole 'rave is back' thing from the candy ravers.
  one trick project. juggling between the syncopated rhythms and cut ups of tracks such as 'hz' or 'den-m', he confronts mc equivalant's vocals on several rich pieces of electronic hip hop, befo
during several tours, matthew jeanes realized that he had more expectations to live up to than ever before. he was not struggling anymore to find an audience for his weird beats, and heavy b
 hese tracks are the result of a careful digital trickery, pushing the envelope of what can be re-invented with complex electronic music, and how tasty it can be. 'science of chance' is an album
 tly produced, this album is a perfect combination of beauty and musical talent, of human feeling and driven beats. one doesn‘t get very often an album which is satisfying both for the head, at
  (enriched by a remix by aaron spectre / air inspector), he succeeds at deconstructing funky, syncopated rhythms to build his own micro-cuts and tunes. a ferociously catchy album under a co


 ats with a stronger groove. syncopated rhythms and carefully chosen sounds add a strong edge to an viciously headbanging-inducing album which both proves antigen shift's talent and open
 ugh 'pure language' on top of a very distinctive bass and a new found drum'n'bass twist. keef baker enriches this vocabulary with a playful use of tempo changes and contained noise, writing
 ite a record together, in the form of his throbbing, hard and ground-shaking 'unraveled ears' 12''. one new track by each act and one remix by each act.
as a band, and their place in the musical landscape. integrating guitars on most tracks and vocals (by jessica bailiff, shadowhuntaz, hope for agoldensummer and scalper), larvae give here bi
ows‖ displays wilt's new psychedelic and atmospheric approach to its deeply textured ambiances. 'dark meadows‖ is one the most rewarding and sombre of works of wilt, for it marries it organ
of the breakcore scene (enduser, duran duran duran, drop the lime and parasite) before inviting four youngsters (cake builder, cardopusher, dr bastardo and ace of breaks) and giving them an
 his tracks with newly found, harder and drier sounds. crystal-clear, melodic and dynamic, detritus's sound widens again with 'thresholds', mixing ardour and melancholy as never before. 'thre
he fast beat for a dub-heavy trip-hop, while still integrating challenging sounds and ideas. a very mature, interesting and beautiful album full of surprises and intensity. zak roberts (aka cdatak
 stener to a new memorable ride. an artist recognised as one of the most important of today breakcore and drum'n'bass scene, enduser had long wished to release an album where his hard b
mad ep, who takes here his listener through a non-linear collection of his most laid-back, personal and instrumental works. a deeply personal work displaying the heart of what mad ep is, 'the
 bassy beat get adjusted to a new, faster tempo, and conjugated with more diversity and voices than ever. a very varied, personal and massive work, adding a solid stone to the mothboy disc
of down-tempo beats and dulcimer collided with the fury of breakcore and the last vestige of punk rock when he moved from new york to berlin in 2003, giving birth to drumcorps, his newest a
 rave. hard, infectious and twisted, his tracks are sure to bring some fresh air to decks and playlist worldwide.
bination of flowing electronica, warm sounds and downbeat. precise but warm, and always groove-ridden, 'qed' injects a impressive dose of humanity and audio craftmanship in his idm sensib
killing sheep or sub/version, here comes finally the first full length album by dj hidden. 'the later after' presents an hour long of new material ranging from the hardest and most twisted drum'n'


 with cautiously baked breaks, spicy samples and tasty textures. a catchy, heart-warming meal awaits you here, served together with the astonishing visual cutlery or ra's painting.
o old-school rave. razor-sharp and crystal clear, the freaky vintage disco breaks are here to recombine complexity and club-appeal.


 e babalon's new project), detritus, lapsed and mad ep, the whole thing coming with a magnificent sleeve artwork by magnus blomster, who had already worked on 'valentine'.
ho remixes the same 'no brakes' in a very direct, club-friendly mad stomper. in contrast, non non (lapsed‘s new partner in crime) offers a much slower, ever changing and gritty remix of 'hungr
tive strings. a production tour-de-force, it presents a crystal-clear, yet powerful and deep sound that confirms this essential acts to the confirmed heights he had reached with his previous albu
high production skills, 'it's ok to dance' brings back life to twisted beats and complex rhythms and does it all with a smile. it's ok to take the acid test, and certainly impossible to resist.
-hop with an edge. ranging from heavy head bangers to lyrical narratives, 'the death of convenience' impresses by its variety, detail and its maturity. a very rich, well thought and thought-provo
 to his trademark sound, this corner-stone of a musician, constantly redefining the boundaries of electronic music, delivers here 8 salvoes of monumental bass, sparse dry beats and deep dro
 rtist present a new menu of his gritty, catchy and personal electronic hip hop, as well as lend the knife to la caution, vast aire (of cannibal ox fame), wisp, datach'i and lynx & ram for five spicy
s, guest vocals by shadow huntaz, mc equivalant and others and the multi-instrumentation which has made mad ep famous are all brought back on this artists's heaviest and most direct album
cians john mourjopoulos and floros floridis. the three give birth to a surprisingly human, warm and catchy game of clicks, horns and strings. deep, abrasive, but funky at parts: no surprise that
wxfdswxc2' (released on sublight). intricate melodies, gritty undertones, imaginative structures are thrown into a canva of idm and electronic hip-hop, forming a tasty (and brainy) whole.
ce all throughout europe, the six complex, crisp and tongue-in-cheek tracks presented here are also a lot more than just 'tuff'. upbeat and clear, the a side displays (again, as if necessary) che
 dubstep and a highly melodic drive, cakebuilder opens a new gate for the genre, where 'dub' is replaced by something a lot colder and orchestral. cinematic dubstep of the blackest shade.
and a grime-oriented flip, ad noiseam's favouritee london heavyweight wrecks subwoofers once again and shows that he's at the top of his games and ready to fill dancefloors.
  most aggressive and noisy breakcore to melodic, syncopated material, the material on this record shows both producers at the top of their form and still is, 5 years after their original release
  sight, but including a lot of innovative elements to this genre and not afraid of mixing the club appeal with wider sensibilities, he comes up here again with a highly impressive record that doe
  of dub basses, catchy rhythm and idm influences.
 acks of great beauty, the second part, 'monster music 2', brings back the giant monsters and heavy beats. and of course, watch out for new videos at larvae's upcoming concerts.
 those of you who don't want sweeteners in their basses.
ombination of gabber and breakcore. shooting the head will not be enough.
ombination of gabber and breakcore. shooting the head will not be enough.
  of their two previous split records, originally released on zhark intl and low res. the final product is an intense, twisted and complex full length cd that documents the micro-edits and bold bea
nded by bong-ra had already graced ad noiseam with an album under the 'mt fuji doomjazz corporation' in 2007. an extended appetizers to tkde's second full length album to come in 2009, 'm
nded by bong-ra had already graced ad noiseam with an album under the 'mt fuji doomjazz corporation' in 2007. an extended appetizers to tkde's second full length album to come in 2009, 'm
 e might be gone for good, sickboy's new clothes are of the colourful party kind. mixing old school rave, new school electro, breaks and madness, sickboy hits the nail on its head and invite ev
eakcore sickness coming up your way, this time on big black 12'' vinyl.

ers a passionate and highly efficient album as only this incomparable musician could deliver. original, hot, anthemic, and masterfully executed. 'unity means power' is a coming of age and a p
 production with dubstep and rethinking their music, the healy brothers have slowed things down, added more weight to their tracks, and are ready to out-bass pretty much everybody else. ref
ing sensual, murky and dark atmospheres, 'succubus' the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. a deep, dark and yet seductive trip aga




n's dark experimental scene and a homage cd, in which eleven remixers (from well known acts to newcomers) pay their tribute to the depth and innovation that paved wilt's way so far. from a
nyl-only discography, plus a couple of tracks that had never been released on either formats and remixes by hecq and enduser.




n north america, this label gathers here new material by no less than venetian snares, cakebuilder, belladonnakillz and unitus to deliver a very strong record ranging from hard, dancefloor-frie
ol, angela singer, nicola costantino, gregory colbert, davide zucco. + a long list of contributions by: ana nieto, alberto alvarez, arthur d'arajuro, axel jiménez, beatriz tormo, caramela de nata, c
 llations and street art, selected pieces that show the essential working process of the last years.
 s, but also sketches, sculptures and works from the early years. a book that shows the talent of one of the best illustrators in our days.


 - now that's a space organ ! with their first album 'communication', olaf wollschläger and ralf gehle opened up the door to a very unique sound universe. it's up to the listener what he gets here
 tually, hecq is benny boysen from germany, and 'a dried youth' is his debut album. in his' own words, 'cold, functional elements are combined with organic, 'natural' ones, the result is a hybrid


 ught straight into the 21st century. dean dennis is at his beat driven best: fusing complex rhythms, superb synths and finely manipulated vocal samples with the trademark bass. kibuka prese
 arden, alarmen, spherical disrupted, ahp, nobdrun, fragment king and others.


 pal, heimstatt yipotash, atrox, umb kollektif, stahlwerk 9 and more. total: 75 min./ lim. 500 copies.
 ited to 100 copies, digipak packaging - cd-r release.
 zel, n.strahl.n, code 243, irikarah, minamata, hijokaidan, antracot. limited hand-numbered edition of 250 copies. packaging: cardboard sleeve.
 nolith, ambassador 21, tarmvred, mlada fronta, insekt and more. limited to 500 copies, jewelcase edition.
 , esplendor geometrico, catholic boys in heavy leather, sanctum, detritus, cervello elettronico, fragment king, heimstatt yipotash, nullvektor vs. mc1r, sonic area, twinkle, zero degree and mor
 coming artists plus video 'the boxmaker' by stephen swartz. feat. genevieve pasquier, tzolk'in, punch inc., mimetic, winterkälte, the [law-rah] collective, loss, aaron spectre, stendeck, contami
kom, in slaughter natives, geistform, xabec, atrox, larvae, s.k.e.t., mandelbrot and more.


  sonar, detune-x, insekt, bahntier, adam-x, hecate, proyecto mirage, mono no aware, sandblasting, mezire, monokrom, p.a.l and many others...
 us the sights and sounds of the berlin festival, which over the years has grown to become one of the premier events for the international noise and industrial scenes. this year‘s compilation b

 e and rough. after many years of live performance the two artists present a conceptual album which deals with the media's craving for terror stories. the music is intense and angry with its fra
 ojects, which cover a lot of different branches of modern industrial music. feat. zero degree, tardive dyskinesia, tonal y nagual and more.
 by some of the best in the genre including architect, eretsua, flaque, urusai, lucidstatic, architrav, totakeke, s:cage, talvekoid, tzolk'in, and newcomers rekt, distraub, freeze etch, and unterm r
 emix collaborations flanking the likes of terrorfakt, imminent, radial, and klangstabil, 2 successful releases for frozen empire media, and a radiant new track on the recent tympanik audio com
 nce and female vocals by katja. complex and uncompromising, subheim‘s debut album on tympanik audio is full of intricate rhythms, deep reverbs, and bitcrushed sounds, combined with pia
 r fantastic 3rd album, last year's 'malignant shields' on aliens production, disharmony compiles their most beloved remixes for such prolific artists as polygon, flint glass, mnemonic, deadjump
 years in the making. while providing north american tour support for such acts as terrorfakt, antigen shift, cyanotic, adam x, iszoloscope and others, his many remixes of such industrial noise
he world of modern dark electronica. performing live with such legendary acts as xingu hill, s:cage, terrorfakt, converter, manufactura, haujobb, and legendary pink dots, a multitude of remix c
 assic industrial elements, lucidstatic is by no means an imitator, but rather an innovator of the hard electronic sound. with an impressive dossier of remixing and collaboration credits, includin
 rete of techniques with a mind altering rhythmic bent and a fierce uncompromising aesthetic. hard electronic rhythms meant for the dancefloor with enough vigor to perpetuate inviting headph
unchpod], and more recently a remix album ‗broken beats for broken hearts‗ [hive records], all of which have cemented autoclav1.1 as one of the more prolific artists on the scene. fusing huge
xperience. the talented german duo leads electronic music into new dimensions, adding not only complexity to their unique sound but an accessible human element as well that shines vibrant
 egan developing electronic beats and fusing guitar with synthetic sounds. it wasn‘t long before tapage started formulating his own style, experimenting with the vast possibilities of electronic s
nd forgotten totakeke masterpieces from the 'at the train station on a saturday evening' and 'elekatota' album sessions, seamlessly mixed and mastered to flow like a new collection of work. fu
 strial scene for many years, the seemingly inevitable meeting of aphorism and tympanik audio was born right in their own back yard of chicago, il in the summer of 2008. displaying a vast arra
 st collection of work simply titled '...no'. however, simple, this album is not. with ever-expanding maturity and grace, zentriert ins antlitz once again redefine their signature sound by injecting in
ctronic substance abuse) returns with an enormous new album on tympanik audio titled ‗the sea & the silence‗. 11 tracks of pure industrial adrenaline, marked carefully by strong, complex atm
ble cd collection in 2005 on the auricle media label. broken fabiola takes the listener into a delicate world of tense atmospheres filled with dense, emotional soundscapes stirred generously by
 leases. ‗eo2‗ picks up where the first volume of ‗emerging organisms‗ left off by providing a fantastic collection of fresh new tracks by some of the very finest in pioneering electronic music co
 n air of originality and purpose that will both inspire and move you to elated heights. with one astounding song composition after the next, ‗sonnambula ‗ conjures up the true ingredients of int
minating his lucid perspectives on life and the brutal world that surrounds us all, se now conjures up a spectacular aural journey through his unique imprint of complex and melodic electronic a
  hen i close my eyes‗. building upon complex beats, enveloping atmospheres, chilling samples, and an utter complexity in industrial rhythm, totakeke once again delivers another extraordinary
ve described his sound as utterly groundbreaking, while others carelessly dismissed his unique vision of futuristic dark idm. no matter how you cut it, tapage has charmed his way into the hea
 where ‗bone music‗ planted new seeds in the rhythmic noise field, this new collection cultivates the ad·ver·sary crop even further with excellent renditions by some of the world‘s most respecte
 book to focus on more secular dark industrial rhythms and dense ambient atmospheres, all carefully wrapped up in alluring beats and meticulously crafted synthwork. with careful attention to
 ss bag of talent to unleash a new collection of work that is sure to be hailed as his most promising work to date. ‗where once were exit wounds‗ is a visceral montage of complex beats, surgin
 ed industrial works, paying never mind to any looming trends, but instead evolving beyond the sticky layers of electro clones to earn their throne amongst the horde of imitators. with stabbing
d quilt of tight beatwork, trudging amongst a marsh of memorable soundscapes and slathering refrains. with heavy basslines, delicate sampling, infectious, stabbing beats, and an uncanny se
  fans and critics over the past year, remix collaborations with zentriert ins antlitz, aphorism, and totakeke, and more-than-well-received compilation appearances for the hymen records and ty
 know and expect from this prolific canadian electronic music icon. fusing melodic guitar, catchy beats, heart-felt melodies, funk-driven basslines, and an air of sweet melancholy, ‗x was never
   an album of massive distinction and undeniable grace. an unapologetic collage of surging rhythms, delicate piano compositions, and true sonic purity, ‗return to childhood‘ will undoubtedly c
   to a bonus digital download remix album featuring additional remixes by lucidstatic, ah cama-sotz, keef baker, psytek, autoclav1.1, and more. so perfectly sonic, your headphones will love yo
ments, and stunning distorted beatwork combine to create an unforgettable jaunt of massive electronic persuasion. think imminent meets loss with a hint of stendeck. broken and beautiful elec
que, mobthrow, xsoz, subheim, fabrics, psytech and more. digipak edition, limited 500 copies.
 e sound engineering skills and his extreme live performances alongside the likes of venetian snares, the bug, scorn and many more, ebola is back with another great album. previously releas
 rex, cock rock disco & wrong music, terminal dusk and more. now, cardopusher returns with a blasting new ep on spectraliquid records, the sequel to 'mutant dubstep vol.1' by uk's ebola. wha
 me while also deep and complex, his music preserves this industrial harshness only as a mastermind's touch to his already future technoid-meets dubstep-meets idm progressions. tags are
omposed symphony of unending sorrow. if detritus is the debris of emotion, a wake a week is the tar-black residue still clinging like a parasite, clawing away at old wounds. like ashes on cellu
ther artists for quite a few years while also composing his own music, this is the first time that john officially releases a part of his recent work under the moniker 'poordream'. his aim is to dec


 e that shakes you to the bone. that`s tnt, that´s dynamite... ;). cd-r release.



80's atmosphere combined with technolike beats to a unique brew. she takes us on a journey to her home at the north sea coast. on this record one thinks that one can hear the clouds, the tid


tic sounds from its listeners first of all to stay tuned and hold out,' live goes on!' cd-r release - very special packaging: bound book-cover with 1-page inlet and embossed frontprint!
 disrupted, tendo, warbaby, zero degree. cd-r release
lationism and and electronic music'. cd-r release.
erfuckers, this is the beaverish answer to david hasselhof! cd-r release - 25min. playtime.
 they advance the exorcism of the capitalistic exploitation. cd-r release.
r, nin kuji, rotorblumen, saal5, spherical disrupted, synapscape, trait, warbaby+detritus. lpm's first pressed cd! limited 300 copies, paper folder packaging.
e. limited to 1000 copies. packaging: dvd-case.
 ed tracks, feat. p.a.l, telepherique, klangstabil, ah cama-sotz, xabec, 5f_55, the rorschach garden, the [law-rah] collective, spherical disrupted, alarmen and more. jewelcase edition, limited to
 rman project spherical disrupted as it is his' first regular cd-album. headstrong and dark sound structures between ambient and noise, electronic sounds and field recordings are featured on t
d-r on fich-art so far. the cd "auf tauchfahrt" was created in collaboration with b. teichner (the rorschach garden). as you can see by it's name underwater worlds are used as the cd's main the
he 8 idm influenced tracks on this debut album give the evidence that ambient and rhythm fit together perfectly. boxset edition feat. various coloured cards.
net we're flooded by information we are not able to conceive. e-mail spam (which was eponymous to the tracks and the album itself) tries to bypass filter mechanisms and spam-blockers with
null' remixed by different electronic artists. among the remixers are the audiophob projects mandelbrot and zero degree but also 5f-x, heimstatt yipotash, mimetic, telepherique, facies deform
 to spherical disrupteds remix cd 'barriere' (auphcd006). but you might also know the project from its earlier releases, for instance at art konkret and recently on polymorph records. 'urban' is t
 rugged and surreal sides of nature: from cold, stormy nights of snow to the armed resistance of flora. once again you will hear sophisticated dark ambient tracks between cold synth-pads and
nd noisy technoid rhythms. the later might be even more dominant than on the predecessor. the cd comes with 10 new tracks plus a remix by spherical disrupted.
n called 'minus infinity db'. now, more than 4 years later we release our 10th cd. again it's a compilation, but this time we would like to show you what we have done so far. every project that re
 s anniversary and the 200th birthday of darwin with a very special presentation: nine new mandelbrot tracks to accompany an exhibition on darwin's work in the 'museum am schölerberg' in o
e term 'quasar' is short for 'quasi-stellar radio source'. it is used for galaxies sending out large amounts of energy in different wave lengths. this phenomena is addressed in the albums five ne
and almost sterile sounds of the first track soon develops into either claustrophic scraping dark ambient or into quite catchy electronica melodies. track names - which reflected the barely exis
aging, limited to 425 numbered copies.
elepherique collected natural noises and transformed these in analogue compositions. limited vinyl lp plus fulltime cd edition w/ full-color sleeve and 8-page booklet including more infos abou
ous orgasm. both projects create the deep environment of the sounds with electronics, field recordings, crushing machines and more. the sounds create a threatening environment before the
 and impulsantwort. it involves producing, haunting dark drones, hypnotic ambients and pulses from liquids of different tensile strengths. to joint the equalized spawn of impulsantwort, dreadfu
dolence visiting that house of affliction, he is reminded of his own inexorable mortality. to consider our existence in the gloomy house of mourning, ultimately and invariably culminating in dea

hing new and inspiring to get rid of any standards, giving us the idea of unique sounding. phillip b. klingler (pbk) is the one such musician. in his 20 years of activity, he walked against the nu
ordings, telepherique has created a distinct sound which manifests itself in new and unique ways on each release. with zivilisatose we are mesmerized by flowing and mysterious ambience,
soundtextures and weird mutating cut-up soundscapes. a chaotic, naive and childish audio journey through the noisy insane toy factory corridors. digipak packaging - limited 500 copies.
rgasm, henrik nordvargr björkk, hentai and lasse marhaug. comes in deluxe 6-page-digipak.
omes to life..a unique and extremely disturbing masterpiece of fleshy, cold and perverse avantgarde dark-electronic soundscape nightmares.you have never heard anything like this before, a
 orod, iszoloscope, tokitoshi shiota. these artists pay respect to the japanese master of controversial new wave cinema takashi miike. his work inspires so many artists in our music scene, an
 apture the voices that has been haunting his creative mind..now manabu brings you his new dark electronic music project kotodama. once you have unleashed the captured voices from their
nto the darkness and focus all his artistic skills on creating a personal cinematic audio nightmare. akumu is like being caught in a spiderweb that sticks and creeps to your skin, there is no es
001. the emotionally triggered droning soundscapes, which are the collective's trademark, have the power of confronting the listener with his or her deepest inner fears. the 44 minute track, b
he sounds of disaster is the soundtrack to a world of b-movie fantasies where hydrogen bombs, hippie death cults, subway-dwelling zombies, cannibal midgets, and legions of homicidal mad
ting a multitude of hypnotic repetitive sequences, dark drones and mechanical noises that are highlighted with a large variety of complex beats. the twelve tracks include subliminal bits of sou
 -zen). samdhya (sanscritic for 'twilight') emanates an atmosphere of reassurance and slight melancholy. soothing soundscapes and complex rhythms form a mixture of ruminant and impulsiv
  musical regions up to electro, dubstep, and even breakcore territories. as a diligent confluence of these styles, 'neon' is a dark, claiming caleidoscope of state-of-the-art electronic sound mas
  conceptual and creative peak. from the blazing space-rock-ballad of opening track 'we‘re all in this together' to the languid moog-boogie of 'the end of the world' to the disco-metal pyrotechni
he true creative artist and the impersonator is the way they deal with influences. myer's inspirations range from drum and bass wizards enduser and current value up to breakcore warlords ven




g electronic artists from around the world including access to arasaka, klangstabil, s:cage, displacer, loss, ab ovo, liar‘s rosebush, subheim, famine, millipede, fractional, metaform, autoclav1.
musical spectrum which is somewhere between partly melancholic electro - pop rock, ambient and world music, arranged in symbiosis of electronic and acoustic instrumentation. influenced b
 ounds. infected person increase!!
 ew bonus ep named 'from beyond'. on 'nyarlathotep' flint glass wander through melodic, sad and obscure worlds without leaving the typical cold, dark and ambient sound that flint glass becam
 on't necessarily want to stay, but you think about it later and go like 'wow! that was intense, when are we going back?'. lewsor is a humanoid guilty of several musical crimes. the first has bee
 mutual remixes, but a full fusion of both musical universes - resulting in completely exclusive tracks, going far ahead of anything you would expect. influenced by hint, download, clint mansel
nt to the third album 'monokulur', published by the french label m-tronic.the song structure appears less chiseled and thereby creates a transparent ambient with catchy tunes forming a perfec
 ts its musical focus on gentle electronic tonal aesthetic. the song structure of the whole album reaches unrelenting for human emotional points and sends the audience on a musical journey i
uge industrial estate has influenced the art of vitaly. i/dex music hypnoses and fascinates listeners by its warm structures. his music is a subtle intellectual electronics filled with sunny melodie
 ted territory, the world of industrial electronics and breakcore, where each member holds well respected solo projects of their own. coming together on front-woman hecate's own label, zhark
 the dancefloor into a frenzy with no end in sight. amboss keeps up the pressure with the side b track titled 'avenida paulista' in which hard industrial effects, intense frequencies and relentles
 ed 'funky lizard' with minion on the collab. on the flip side, the two tracks 'yellular' & 'plastic hip' explore the more sparse rhythms and tones of poxxe's sound. a strong follow up to the label's p




 red groove which builds towards a climax of apocalyptic noise and rampant dustbin percussion. 'the sucker's bug', meanwhile, is a fast, furious, twisted punk rock belter that's been a crowd-p
rd tech, grinding, dance music and he also includes power electronics, dub and ambient (f.e. at track 10). check it out!


 the defenseless listener to the wall. cassin throws in references to everything from grindcore to classic rave; chip tunes, space-jazz and doom metal; a continuous data overflow and a mercil
citing' was a record that mixed different genres into a new mash of sampled sounds, 'panther tracks' is a record comprised of different styles of dance music made solely with the intention to g




he mutation engine' teaters on the edge, with its mutating flavor of post-industrial idm. the album features12 new tracks and includes drastic re-workings from xyn and somatic reponses.
s three remixes from phil western (download/nettwerk), substance (scion/chain reaction), and twine (bip hop/hefty). styles range from tech-house, electro dub, glitch, ambient, and minimal tec


ats. hip hop plays a large roll in this release(most likely taken from joel's experience as an mc in the late 80's) interjected with a healthy dose of idm sensabilities(that seduced him in the 90's
me, exillon, duran duran duran and a host of other talented mixers. this collection takes mochipet‘s vision of the absurd to the next level!

experimental breaks, and dub, sprouting new life on every dancefloor. ripley's performances spill over and rumble under into dub and downbreak sound experiments. on sunny afternoons, rip
 ks along-side an aaron spectre remix. it sold out within weeks of it‘s release. the next 5 mashit 12 inches also featured dj c material, and they've been killing dance-floors and airwaves across
e that will have them, from brighton to madrid. they don't fit comfortably into any nice little pigeon hole and have a sound all of their own, but strangely no imitators. after a promising but stalled


 vourite and jamaican girl style a classic ragga / jungle cut. since then they have diversified their sound quite considerably and now mix up a variety of styles including dub, ragga, hip-hop, 2st
 c066, and has just signed a deal with sublight records of canada to release a full-length cd album due out in april 2007, and a 12'' on bong-ra's kriss records later this year! this is his first viny
 ks along-side an aaron spectre remix. it sold out within weeks of it‘s release. the next 5 mashit 12-inches also featured dj c material, and they've been killing dance-floors and airwaves acros
nt, krumble takes raggacore to a new level!!!
sweet to the ears! it's by crunch, mysterious masterminds of krank'und'jack beats and harmonious treats sure to tickle your every sense-and slap the soda jerk if it ain't the most satisfying th
d much local celebration that delikatessen, your source for delicious electronics, announces a true globe-spanning dish: spicy metamatics in a lush remix sauce! round up a six of kingfisher
s to clean it up and the poor patrons near me all had to lift their feet in the air to avoid the flood!' --lilienthal ooof! we guarantee there will be no barfing when you check out delikatessen‘s fif
r grandma‘s kitchen, because delikatessen‘s got a hot and gooey batch of new tunes from myrza! all you can eat is a 10-inch cookie with three glorious flavors baked in. the first bite, ―lylt,‖ is
already? not here it ain‘t! it‘s new year‘s eve at the deli and eu is in the house, so put your melons in the air and shake ‗em like you just don‘t care! ooops, wrong fruit group. it don‘t matter thou
ate of tasty new carrots, erm, cuts from deru - pushing soil!. right on the heels of a critically renown lp for neo ouija, pushing air, deru digs up this spanking new collection of four remixes by fe
 the illustrious duo of gabor schablitzki and volker kahl, who‘ve been slicing and dicing choice electronic and idm selections since 1997. the first track is a top sirloin cut, cooked well-done on
 running the gamut from the massive hit in the waiting of 'kill bella donna‖ ( complete with a complementary panacea remix ), to the grinding industrial-lashed assault of 'gotta gotta gotta kill,‖
d was one of the nyc downtown music gallery's best of 2004 releases. will also released a blipvert ep on brooklyn's trixy records in 2007 entitled 'skr(ep).' blipvert recently appeared on a vinyl



a the nerve system into music - caution: please listen at your own risk!




 hatic atmospheres and an impressing look into the future, it will stand the test of time and establish them as one of the great innovators of the genre. 37°c incl. an infectious up-tempo mix by


 live is a very trancy, psyched-out dance night. digital junky food - spiced with remixes by eon project, pierrepoint and takshaka.
deo, decoration, theater and human sensitiveness... the main inspiration source for this project are emotions and experimentations, incorporating experiences which they collected during num
ance-passages hammer into your brain and will certainly gain control over your body! the first 1000 copies include the bonus album 'remixes of kmputor' with remixes by ammo, concentrix, fic
 which resulted in one of the brightest and matured debuts in quite some time. great industrial love affairs is a wicked mix of irresistible electro-beats with highly-skilled rhythm patterns, infect
ll of shifting colors and textures, with nary a beat in earshot. cartoony breakbeat music - they fed kybernaut with weird things, we suppose


ysterious c-drik (crno klank, axiome, ambre...). exclusive remixes by panacea, imminent & silk saw


 takes the listener drifting past dying suns, through black holes and beyond, to a place where the universe takes human form.


nd smoldering, vessels explores the brooding tensions between dynamically opposed auras, employing textures which are at once terrestrial and alien, as well as melodic structures which me
s and live electronics to create an epic combination of ambient glitchy soundscapes and crunchy rhythmic mayhem. a special feature of the v2 release is that each cd package includes a car
osz.s photography of surreal landscapes, familiar made unfamiliar, with marco pinsker.s eye for the serious and the comedic. it.s also the perfect accompaniment to the content of mondegree


e genre, this disc also incorperates many other interesting elements into the overall sound by integrating touches of glitch, drum & bass and dark ambient. 'irregular dark beat' also features re
atively abstact rhythms and intelligently crafted song structures. mastering: john sellekaers @ metarc. artwork: ben didier / chris gherardi.
s and crushing, intelligently programmed rhythms. 'keep me here' digs deep and hits hard, bringing forth a fine example of whats sure to be a promising future for this rising australian talent. f
ectronix scene with their fuck-labels amalgamations of noise, hard techno, hip hop, and breakcore. collecting new tracks as well as some of the best tracks from their 12''s, this cd is going to
 somber melodies and creaking idm-infused spatters of noise, is a striking honesty and fragile intensity that is both unexpected and endlessly rewarding. it is this tense balance of synthetic, s
06, and they instantly careened to the forefront of the nyc industrial music scene. word of mouth and their live shows across the northeast and california saw the debut ep quickly sell out, leav
for the showing of tomorrow‘s technological advancements, world fairs presented many mechanical, electronic and magnetic types of equipment. thought to be the way of the future, some of




trangely syncopated pseudo-rhythms and sharp pulsing noises. the effect of those spoken texts is really disqieting, a very severe & obscure release, different from all previous bad sector albu
crafted slice of warmed-up electronic atmosphere, slight dub echoes overlacing textured melodies and bass shifts to die for, less idm, more cinemascope for the soul. toytronic's mr projectile
acks of frenzied idm, a more digital version of aaron funk's special blend of mental. the first track '6 minus 23' attests to this aesthetic with its frantic beats and ultra clean dsp noises, a la aute
tight beat structures and his catching atmospheres he took his own place in the electronic music scene. besides the dub releases he delivered tracks for compilations on studio!k7, vpro and
since the rumours were so well spread in the scene of the newschool industrial techno, and everybody was asking how <cybernetic:fuckheadz> would sound like. hardcore breakbeats <cyber




will atomize the brains & feet of the energetic dancers. think eclectic, think dynamic, think pow[d]er pussy ! pow[d]er to the pussies! - meow!



started to work on this concept. being a long-time admirerer of the works of andy warhol, the goal was to translate his works into an auditory perspective. the result is presented on the new alb
 rasputin, kom-intern, kraken, ambassador 21, contagious orgasm, morgenstern, imminent, ah cama-sotz. paper folder-cover edition.
 ctly with concentrated agression, hysterical vocals and noisy broken beats. even if 'theory of the arising of desire' contains a lot of melody, it always forces you to feel that control of violence c
 no aware, this morn' omina, institution d.o.l., cdatakill, shorai, xabec, bong-ra, militia, hypnoskull, mimetic and needle sharing. paper folder-cover edition.
 this time suicide inside brings more ambient synths, explosive hythms and sharp vocals than ever before. the words are razors. suicide inside has added new sensations and the perception


 librio, wai pi wai, config.sys, 5f-x, sonar, eva | 3, spherical disrupted, dj hidden, ab ovo, s.k.e.t., ambassador 21, drumcorps, vromb and ah cama-sotz. gatefold-cover printed in gold on bordea
ollins grew up. the album features thirty-two tracks of inventive electronic composition, clever sampling and concise, effective musical ideas. this is a soundtrack so inventive it doesn't require
 s they choose to inhabit. ouch! categories: hardcore.




n-like chords and slabs of murky reverb. in the cross-fire of wavering grooves and humming tape loops one can imagine giant insects being poked and prodded by alien machines designed to
ultra-fast, extremely trippy, harsh barrages to spacy meditations. experience the roar of his live electronics with your own flesh.


er with 'juno rhapsody' and 'blabber mouth' but still has time to introduce blissful soul melodies on 'riding off' and 'stay one'.


an islandz- kareem.. now a re-pressing of this deleted item is available, limited to 300 copies in white 'disco-sleeve'. complete your collection now!
 nimal and deformed loop arrangements. also featured on the second ramadan release is reggae and dub vocalist paul st. hilaire, known for his releases on burial mix, main street records an


 y crashes into a ritualistic, shamanic combination of dark sound scapes and tribalistic electronic percussion that continues as a unifying theme for each track. the journey through the 4 track
 ppened over 40 years ago,was scripted by ed wood and illustrated by eric stanton while criswell and the faltering ghost of bela lugosi looked on. rediscover the power of the omni analogue sy
 ‘s steady policy to bring aesthetics into kitsch and trash. the founding father of pop-art andy warhol promoted kitsch to a objet d‘art at some point. there are enough artists that doubt it nowad
 guitar music and theremin. now there's a combination you don't hear much of on cd these days! messer chups plays with these completely diverse sounds to create a wonderful musical style


 and less samples. composition 66,6 fm is particularly nice - it is an instrumental version of the song gloomy sunday by magyar composer rezo seres, which was forbidden in hungary after 17


one on old analogue russian synths - brilliant and highly recommended!
 i melt, wet skin & curious eye and rorschach testing as well as many others, click click etched themselves forever into the history of legends. after a long hiatus they have returned. click click
minus habens. without question pankow has influenced the sound and feel of ebm industrial music. with often humorous and political vocals meshed with hard drums and minimal yet funky syn




es and rugged live drums and twisting them into a hip-hop reggae mashup. emotionaljoystick follows with a happy techno ditty filled with intricate melodies and classic techno sounds. jonas th


  although their music is distinguished by a crystal-clear production it has a very human pace. the opening track ―casee‖ begins with a chorus of angelical voices, subtle strings and heartwrenc


 orked together at james' studio in new jersey and released a surrealistic electronica music, melding dark soundscapes with fluffy atmospheres and even instrumental surf influences: 'the trifid



 istic beats and electrostatic movements, deep bass sounds stretch out to give a spacey feel of modern electrical manipulations.


 ucted music. it gives each piece its unique identity. the disk is a collection of archipel's collective research, an explosion of tendencies, of sarcastic humor with fits of expressive sensitivity.
 éverin are offering a claustrophobic musical field and a strong physical experience...about 'amplification or variations of the inner music of our body : the singing tones of bones, heart and ch
so far, their works (about 50 albums) were only produced on cd-r or tapes and distributed randomly by mail, to people picked in the phonebook. since the late 80's some live performances we
 ing from ambient shores to noisy frameworks. the originality of this masterpiece lays in the architecture of the album, bringing many different emotions, colors and visual perspectives. stay st
  king, synapscape, this morn' omina, dj hidden, asse, rasputeen, converter... visit their show again or discover it first time. watch 'monsters, victims & witnesses' and get ambassador21 live e
 uit)' is taken from the 7'' single of the same name (on the static caravan label), while everything else on here is new and exclusive. angèle david-guillou, from the french band, klima, sings on



but with one sweet nuance: the floor loves it. as a part of droon‘s liveset, both tracks have been trialed and tested on crowds all over the world with great success. barndance is the most requ
 oth in the style of execution and constitution of the two newest tracks: 'majik johnson' and 'tonight is a lie'. whatever may have happened in the intervening period, it is clear from the first note
 y can't it make sense to you?'. spinning the record, taking it back. it all starts to become clearer. reassured of his place in time, this time, a musician takes his tortured leave of it all. insomnia
 cycle of beauty and worth that will stand out among any collection for its craft and direction. from its amazing artwork, to the sounds within, coupled with the pristine quality of both its vinyl an
 cycle of beauty and worth that will stand out among any collection for its craft and direction. from its amazing artwork, to the sounds within, coupled with the pristine quality of both its vinyl an
nto a scape of ambient to electro and back in a relaxed and confident style unique to solenoid. reminiscent of berlin under the influence of coke and eno, the beat staggers along as though dr
n like rats of the same rhythm toward the melodic catharsis both had been yearning for so long to express. free to explore the boundaries of the full length format, zod has given him formidab
ay that gives the record a colorful personality. somehow, emotionaljoystick has managed to make electronic music more fluid and spontaneous by using live instrumentation that is precise an


-pro keyboards, opportunities for disaster multiply exponentially. luckily, so do opportunities for the sorts of disastrous successes the band enjoys regularly, largely thanks to founder food team




nry, philip glass or tangerine dream as well, or even orbital, autechre, aphex twin and orphx … together with french filmmaker stéphane berlat, german photographer katrin guterhausen and g


 recorded for hymen, ad noiseam, sublight, cargo, and many others, he took 2007 off, working on something very special: his debut album on ohm resistance. having relocated to san francis




e of a pop god, and then over-tweaked with a monstrous equalization that will send your speakers straight to the repair shop.




ic accents, and deep subsonics that will vibrate your very core. an ideal blend of thick warm analog and sharp digital sound that bridges the gap between old and new technology. thematicall
e merged seamlessly with unseen fear and organic consciousness - constructing some of the most remote soundtracks imaginable.
s wich stigmatise, non without a touch of humour, the utopia of the scientific process and the inherent dangers in it.
k is keeping the ambience with drowning grooves and unrestrained weirdness. the track 'new order' has been perfectly converted by video-artist clemens von wedemeyer into a thrilling visual
plex in its construction by combining pounding, bass-heavy rhythms and hammering taps with fragmented noises and vocal samples. this is pure soundscaping, layering to silence and back.
sturb your culture by deleting it and replace it by your altered culture. insert audiofiles into your mind. incl. 2 bonustracks by hypnoskull vs. tunnel.
 a scientific bridge between sinetone minimalism and sonic mega-sampling which could be visualised as digital ambient. 89% of all samples are taken from various ant-zen releases. sample
ciousness. de-constructed by olivier moreau aka imminent starvation and the performance artist c-drìk. an unspoken chaos just started to penetrate your disfunction.
harsh rhythm dark ambient‖. jewelcase & special booklet w/ etching.
creenwalking' is the perfect balance between heavy processed percussion and noise manipulation, the next step in the evolution of both bands. imminent and synapscape both perfectly comb
 s over distorted beats, harsh rhythms and voices. ―distorted disco‖ reaches a first climax with a feedback orgy, heavy beats reminiscent of some older logic records stuff, quickly followed by p
n of percussive minimalism that fall somewhere into the grey area between orderly and infectious sporadic ambient.
nt', slow motion drum and bass ingredients - ending in a somehow warm and relaxing atmosphere. jewelcase packaging / transparent paper + 2 of 6 covercards (polaroid mata's)
nevertheless the important suspense creating factor is always imminent. despite the undeniable magic of monotony there is as well the soundtrack-like, dark science fiction atmosphere contr
eck www.ant-zen.com/episodes for a full information how to handle the sonic motions of vromb.
d obscure frightening ambient. re-pressing with new full-colour artwork. packaging: jewelcase, 4 page booklet.
ne. hypnoskull shows are accompanied by images that fit the sounds like a glove fits your hand. desolate, obscure, somehow alienating


ra pas le congo' is different - different by all means. here subliminal sounds dominate the scenery - the effort has been put here not on the violence of the tracks, but more on the adequation o
p' consists of 13 excellent structured tracks ranging from synapscape‘s ambience over distorted vocalised tracks, always with a rhythmical touch and a scent of dancefloor. the multi-layered d




 tank from down under (or the world?) surprises with subliminal statements on vegans, media, information, tells stories about bizarre journeys, reveals his personal social observations regard
 hinenfest 02' in aachen/germany, ant-zen presents this nicely designed tourne-disque in two different formats. 'le tourne-disque' is more beat oriented which fits perfectly to vromb's live sets,


d beats are hailing down like a storm. mercilessly tormenting and mistreating. the embodiment of numb.
 cessed. samples and harsher noises. a 57 minute ep.
ops that are supplemented with noise clicks and minimal rhythm dots.this is the finest in electronica. limited 509 copies.
 ion guaranteed. you won‘t find a single ‗sable‘ track in this package! the direction of cd1 is focussed on heavily distorted rhythms that are monotonous, minimal, and repetitive. however, you c
 arc engineering) and the hash hash little robot. experienced nursery rhymes for an ethnic group to come.
cy ambience'. cold drones meld perfectly with sounds of electronic and even acoustic instruments. watch the northern lights while listening - if you can't, just close your eyes, then you will see
e the convenient 'internet collaborations' that are possible they preferred to record the disc 'live'. today's merciless rhythm of work and daily life is audible.factory work and disco enjoyment is m
rm of dance music without a compromise, controversial as hell and to-the-point. hypnoskull tracks are like dark, scary movies full of urban tragedy and fast beats; they represent a life on the f



ion, the album also explores grindcore (if you are familiar with the klangstabil/schmerzverstärker split-7'' you won't be surprised about that). however, mentioning musical genres leads the ope
 undscapes, slight dub influences, mysterious vocals and astonishing live appearances has made fans all over the world. 'raw' is the fifth full length synapscape release. it contains a variety o
s (creatures, not machines) are created. you can hear them celebrating their rituals, you can hear them talk and you can hear them sending greetings to zoviet france's parallel universe (perh
 ' omina. '7 years of famine' takes us into a highly visual aurora of darkness, aggression, pain, and contentment - all via lost and forgotten tribal styles of the past that are layered with present


nd total evolution in m2‘s ethos with war of sound. ―an artist should always progress with his sound, the actual style of m2 i‘ve been working on is more ‗danceable,‘ better for live-shows than
 s. there are three directions an artist can pursue with a follow-up: walk the same path as they did on the first record, change the style radically or use the fundamentals of the debut as a basis
sert finally that daruma is one key to an authentic and rewarding experience of japan and the japanese people.' (h. neill mcfarland: daruma-the founder of zen in japanese art and popular cultu
 d into rhythmic patterns. imagine the aural equivalent of taking a walk during a thunderstorm ('éclairs') or feeling the sun peaking through a clouded sky while window shopping ('boulevard'). a


 this music is powerful and aggressive, but not as nihilistic as many industrial soundwars. if you can't dance to it, you must be at least deaf, maybe blind, or at least a one-eyed man... cd2, 'le
he short version of '180 bullets per man' - the title track of individual's first album, also presented by the antz. medea's definition of this album: 'an abstract battlefield combining subbasses &
te a surprise when he confronted the unprepared audience of maschinenfest 02 with a straightforward rhythmic 4/4 beat attack. people asked for records and exactly one year later he has de
h philipp münch (synapscape, ars moriendi and a solo artist (rorschach garden)). mata decided to exchange musical ideas with philipp and a new project was formed. a project that would inc
nt state of the project's evolution can be heard on ant-zen's first ab ovo release: 'le temps suspendu...'. it is presented as a double cd - cd 1 includes the album itself, cd 2 contains remixes of
 ing about the medieval brutality of contemporary humanity has gone on to garner significant praise, and not a few distinctions. the creation of altmann‘s tongue - which features brian evenson
yl on ant-zen for example. u.m. had already announced 'pop pressing' in interviews: "maybe our music became more 'listenable'" -- they said. to answer the question "what do you mean, listen


nted by z.brzezinski's quotes (which are displayed in more detail on the record cover). this message is subliminally transmitted through sound. the early description of black lung's music, "ultra
m the audience and several label owners. we're proud to present this debut full length cd on ant-zen. 'orbital ground attack' is the proof that it isn't always necessary to re-invent the wheel. the
bec in evreux, france. the first performance took place at the fear drop festival (les nuits de l‘observatoire) and silk saw played live for every performance. in order to achieve a proper life inde
 hroughout a track. when a track starts you might think you know how it will proceed, but while listening you will end up being surprised. there is a permanent change - without any real interfere
 ulations 2.0' you can find unusual references - such as slow dark hop oriented beats and loops that are overlaid with smooth synth soundscapes, soundtrackish samples and filter manipulatio
mika's ultra-precise machinery usage - on stage and in the studio. 'les passages jumeaux' is presented as a 2-cd-set: 25° (cd1): you will be blown away by the sheer power and intensity of the
 pansive sounds. this is then combined with chords, string melodies and high-pitched synthetic tones. szkieve's sound explorations could be described as 'scientific', comparable to the works
an punk assassin (b) and actdramatik (b). this album is the pearl on more than a decade of hypnoskull-activities and is set to top even the highly rewarded ‗electronic music means war to us‘a
yd & kasper t.toeplitz). he has also composed music for dance companies like ndt2 in the netherlands. in france, he wrote a pre-thesis about industrial music for the university of lyon (1993). a
 cs in icelandic language tell a story of a man´s anger evolving. in the beginning this person is pessimistic and moody, feeling powerless and hiding his' head in the sand. the second part show
ome listeners and live crowds all over the world. after the last vinyl release on ant-zen there were lots of curious requests about a new sign of life - well, here it is! if you once again expect me
 ., a rhythm-industrial project that has released several cd-rs and 2 full length albums. since 1998 he has been experimenting with electronic dance music or to put it another way, he has been
 music and 80s-minimal-electro with a frigid but soulful voice. these even tempered tracks attracted a german and international fan base. 'soap bubble factory' is geneviéve's first album on cd
heir fury on the maschinenfest audience. the enthusiastic addicts and shocked carrotheads tried to escape from the venue. after their performance they disappeared as fast as they showed u
 of hip hop musician. arrested sheriff. transferred hip hop musician to safe place. traced rumour of mexican raiders operating on this side border. unfounded. arrested white man with boatload
 nger from three missed meals, he glanced back along the road at the scattered friends. they were an army no longer; like himself they were just tired men returning to homes left long ago. on
 o be a dance centered around a volcano and the accent is on 'dance'. three rhythm-oriented tunes will immediately overtake the listener's ears and feet - another well-known thrussell tactic: g
 beautifully painted by michael hutter, is part of this release's artwork and the music is an aural description of the story's continuation... this concept album shows genetic selection's musical im
 gitate. they do allegorise though and when asked they say 'we hope that people will see the humour inside those reports - a humour you will find in samuel beckett's works for example.' once


 different styles took their place. 'two different faces' is the perfect proof that this merging of styles is possible. ritualistic beats meet dark and drony loops. surrealistic samples are added with m
 du nèant' also target the rhythmic region. on 'the audient void', yann takes 'au seuil du néant's concept one step further. there was once a more strict separation of ambient spheres and hard
  may start. 'peps' for example will be stored where all the 'difficult' stuff is - soundscapes, bits'n'clicks, the 'new music' which is actually fifty years old now (if you know how to spell 'pierre scha
yl tracks on compact disc (for the first time). what you will find is the complete 'virgin thoughts' lp, three 7" tracks, 'fairy tale' from the split-10" with bastards of love, g.p.'s 'in stahlgewittern II' co
nd the pace fast; however, they let the dancers catch their breath with 'karambolage' and 'situation eight'. so what are you doing with whitenoise, baby? go enjoy it! after three years, several co
mbient masters like architect and displacer. scott sturgis' musical variety is amazing, ranging from heavily distorted industrial beat attacks to dark ambient soundscapes. 'expansion 2.0' tracks
 hrough to industrial-ambience. this album can be seen as a conceptual / musical continuation and expansion to the 'karmageddon' 12'' which was released on ant-zen earlier this year. packa
hese are further refined with 'world of tomorrow'. on this album, g.s. combines heavy rhythms with his interpretation of various styles. hypnotic synth lines converge with pounding four to the flo
  strategically placed samples and droning bass pulses, corseted in strict driving beats and minimalistic sequences. presently the sonar line-up consists of dirk ivens (dive, the klinik, absolute
 ompanied by soundscapes which are also used to introduce and to mesmerize the listener. 'ringtone', which can also be watched as a short film, is a modern adaptation of e.a.poe's 'the tell-t
h inc. which has released one cd-r and two fulltime cds. in addition, he began to develop his own project bipol in 2005. ritual is the result of two years of hard work, a mixage of electronic triba


 u dancing & thinking - that's what black lung stands for. from sir real's distorted big beats to hecq's sound wizardry, from drilling basses to the final 'fissure of baal' collage - go get the official r
 rics, and sampled media madness perfectly displays hypno's perception as it is today. all this combined with his characteristic 'e-punk' attitude (clearly demonstrated in the cover of the dead k
ath he started with his debut. what's astounding in s:cage's work is the ability of mixing various moods through the assemblage of sounds. there is beauty and aggression at the same time bu


 ack titles. mootz says that this work 'is the most satisfying squaremeter release since i started the project'. the name of the first five mythological statures characterize an attribute for which th
tronic dance music and supported local industrial projects like ars moriendi, asche, morgenstern and monokrom, while a. brinkert (aka bipol) achived recognition as an innovative bass player
he same name. from the beginning their approach to sound resulted in quite a few novel musical perspectives: the merging of empusae's distinct dark, oppressive and brooding soundscapes
 ase titles were soon replaced by something quite different. themes became more abstract and surrealistic; influences came from various collaborations and often seriousness was undercut w
ng with electronic equipment. in 2005 he founded the 'le petit machiniste' label and the project that became 100blumen... although the project's name was taken from the mao zedong quote, (
nd two years after 'processing industry' the time has come for their first full length album. le jouet (the toy) explores the different aspects of 'toys': the pretend innocence of a real toy like barbie
ehouse and - of course - esplendor geométrico. their first release saw the light of day after nine years, and their creative output since then has evolved into more complexity. the hard-floor orie
 vant literature were aquired so as to get into to the spirit of the game. originally, the title of this album was planned to be "mindchess". later on, it was transformed into 'math & emotion' becau
ep's strange lyrics (coupled with his haunting alienated voice that is offset with various effects), and constant rhythmic changes (while the metric speed is kept). however, there is a readiness
 mporaneously intriguing broad-minded audio and visual art gourmets. lingouf's first releases on the french ark-aik label might fit in the hardcore / gabber genre, area keloza can be seen as a
 sik, which started seven years ago. by chance, on a trip to new york city in 2007, he became acquainted with dave kean - an inspirational character and a non-musician with a twisted mind, w
 accompanied by tears. this album is our reaction facing the brutal reality of our world today. a world under pressure where all is put into opposition, where everything would like to divide us an
 icules (films) highlights previously unrecognized facets of mika's musical self-conception. this album accentuates prior subsurface appearances of technoid intelligent dance music structures
 ated the collectiveness of the project, which on its turn changed from a solo-project with a weird name to a true collective of artists in auditive and visual areas. after knowing each other since
 d electronic music into a inimitable blend of dark ambient and experimental music. his debut album 'dialog' was released in 2007 simultaneously with his first concert at maschinenfest. follow
 dge of sadness, melancholy and loss. 'ange' (angel) and 'gruikk' (lingoufs onomatopoeia for distorted mind / thoughts) can be seen as ensigns for this symbiotic emotion. which is also repres
ythms, distorted textures and tim's non-reversible voice - an ecstatic mixture evolved to make you move! on 'countercroque' or 'requirement', crystal clear technoid detroit synth lines meet stri
sed away last year before any new tracks were implemented. now, in loving memory, klima is getting on with exocet as a solo project - a challenge he has masterly succeeded in. exocet's sou
nge from slow melancholic trip hop and faster high-energetic breakbeats to syncopated triplets that emerge from mighty over amplified ambient environments - all created by acoustic and ele
 comparatively silent 'here and now', moctan increases speed and activates the supercharger on the subsequent tracks - making you move, just as intended. titles like 'come closer' and 'a ne
  cabaret moi is geneviéve pasquier's very own cabaret. a cabaret which transforms her desires into fourteen songs of diverse styles (without regard to any arbitrariness). the music's scope ra
mmer spike. this morn' omina created five tracks which combine rhythmic complexity with impulsive power and tuneful depth to aurally express mass and velocity of an object (=momentum). fr
 oes not consider his music 'political'; however track titles and some samples can be used as thought provoking impulses - if the listener decides to. musically, 'floral annihilation' is a consolid
soundscapes and dub-oriented sub basses up to complex sequential patterns qualified for any kind of motion. packaging: 6-panel digipak.
musically, jóhann eiríksson and sigurður harðarson have expanded their previous album‘s harsh eruptions into powerful ambient noise hymns that are combined with a kind of post-krautrock
 north' in 1999, he destroyed his mixing desk, gave away the pieces as part of the limited ‗nord‘ release and shortened his moniker to imminent. after the name change he produced remixes f
 breakable' prove that this artist is one of the leading present day industrial masters. another facet of 100blumen's mastery can be experienced on atmospheric tracks like 'tired green' where h
 nevertheless the important suspense creating factor is always imminent. despite the undeniable magic of monotony there is as well the soundtrack-like, dark science fiction atmosphere contr
 creenwalking' is the perfect balance between heavy processed percussion and noise manipulation, the next step in the evolution of both bands. imminent and synapscape both perfectly com
 ore with the way that tracks are practically made. the illusions of move cycle is an idea that started end at the end of 1999. it all comes to colours. the first one called blue, the colour that refle
 s, where he has been for two years. he originally started making music about 5 years ago in austin, tx. where he received much of his musical influence. the music is much more acoustically
 to warm as it emerges from darkness into sunlight. driving backwards is a rewarding and original listen.
 cene. he has produced heralded music on labels as diverse as isophlux, hymen records, tigerbeat6, u-cover, musik aus strom and delikatessen records. with waves of praise, respect and ne
 haos vs. controlled atmospheres, of hellish breakbeats vs. dark drones takes the form of four riveting tracks. rachael kozak pushes the aggressive, the combative, the raw power of percussiv
 es upon the gravest recesses of memory. the epic begins with ―pallid‖‘s heavy mood, a product of forceful noise structures pounding through an idyllic synth melody - setting the stage for form
 e breaks, it was quite unusual and I had to add it to the cart! displacer recommended a straight forward piece, with crystal-clear synth-sounds - catchy.. okay, add this one too! benny came o
 ere the arrangement consists of thematic, melody-driven pieces punctuated by precision experimental electronics that range in timbre from the textural calamities of akira rabelais and autopo
 . somatic responses‘ john healy and paul healy also have a message for these folks: rethink that tag. pounded mass is one acerbic noise assault after another, the kind that will make most fa
mendation on the warp records' website. before 'nrthndr', reid dunn (a.k.a. wisp) made several albums/eps (both on cd and mp3 format), appeared on compilations and produced remixes. wisp
gy into other projects appearing under the name raquel de grimstone, crisis theory, and is now working with abelcain and slutmachine on other projects. relentless in her output and energy, sh
mpo pieces ('b boy 3000), hard-driven broken beats ('shell') and threatening, soundtrackish electro-ambience which evokes the memory of john carpenter as viewed through bullet-shattered g
 ak-noise mayhem. hymen records‘ first xanopticon record 'liminal space' was a compact, ultra-fast, stunning roll block of sound that left the listener nailed to the wall. three years later, 'psicici
 : his debut on ohm resistance and the 2x12'' vinyl version on hymen records. having relocated to san francisco, a new lease on his creative power is demonstrated adroitly over the entire albu

 ger of the western world‘s cultural and economic imperialism, snog is now simply western. sorta. beyond the valley of the proles leverages the anthemic sagas of johnny cash, roger miller an
 ldren's voices or jerry lee lewis combined with all sorts of rhythmic styles - think breakbeat, drum & bass, jazz, a human beatbox and other styles which haven‘t been invented yet - the result i
 programmer, and enough juicy bass to placate the most voracious bass-head, oozing bass spasms is a masterwork by one of the world's most original artists. by far his most approachable an
 d post-modern nipponese pop. catchy synth melodies buzz inside fast-moving thickets of percussion. reggae and video-game music are an obvious influence, as are japanese harmonic syste
 st, vromb, seekness, architect, oil 10, bochumwelt, beefcake, somatic responses, crno klank, esplendor geometrico, klangstabil, it, mother destruction, snog, hypnoskull, winterkälte and silk s
 aphex twin' (radio atomic).
 has always been of above average quality, the recent direction of his releases under the snog name had suggested a gradual change in style, with the quirky industrial of snog metamorphosi
 th a special, unique character. deeply fractured sonic mutations build up their own morphogenic aesthetics. it's unalterable giving a mindfully listening to enjoy a more experimental side of ele


ays been of above average quality, the recent direction of his releases under the snog name had suggested a gradual change in style, with the quirky industrial of snog metamorphosing into a
w end, ethereal sounds and big beats, scorn has explored previously uncharted musical territory and, in the process, has redefined the world of ambient dub. scorn has emerged as the vangu
 constructions, fascinating sonic structures, force and sweetness that is rarely matched by anyone else. 'augmented lines' is actually the 2nd cd release of the somatix brothers and the followe
 pped experience is a soul inflected unreal landscape of slow-motion cyber vibrations - leaded, disrupted and broken with stirring basslines & breaks. the journey continues on with rhythmic tr
mplex and soulful, this changing mood style can take our feelings and mind into sad, joyfull or dark atmospheres. with a general urban feeling worked out in an intelligent way. the final step so


 tive guitar and meandering vocal delivery. fans and magazines often praise neutral as both electronic and post-industrial. however, there's too much twangy electro and dolorous ambient fun
 frz & blue baboon & etereo expandeum club, fourplay, solar-x, sonic dragolgo, gridlock, xingu hill, lilienthal, bochum welt, substanz-t, starfish pool, noosa hedz, somatic responses, xanopticon


 strial'. it seems that john and paul healy's creative output is bigger than whales - you get 70+ minutes on the cd version and you will enjoy every second of it!
 vocative they craft visions in your mind‘s eye. that‘s pretty much what you get on end‘s debut album for hymen records, science/fiction. throughout end‘s science/fiction is a strong sense of th
 ape creation. yet electric opium, substanz-t‘s 4 th album, comes from a much shinier place than their 2001 release, tripped experiences. electric opium bursts forth with bright soul and a vibra
 ger of the western world‘s cultural and economic imperialism, snog is now simply western. sorta. beyond the valley of the proles leverages the anthemic sagas of johnny cash, roger miller an
 , a joint project between venetian snares and hecate, is 100% composed of sounds the duo made having sex together. but it‘s not porno music. nymphomatriarch is cutting-edge drill beats an
 neously immobilize personnel within an established radius by causing rapid excitation of the cerebrum through both sonic and visual input. the impact radius of war varies from location to loca
 ality ambience; and projecto mirage - caustic roland analog rhythms and machine gun sounds. each artist on war contributes two original tracks to the cd, as well as remix of another artist‘s tr
ern electronic music to have a go at her back catalog. remixers include ant-zen and hymen‘s well-known noise arbiters xingu hill, p•a•l, and telepherique as well as newcomers like the cinema


 me noise, myer reigns in the breaks to toss down thirteen mind-bendingly tight electro-acid-industrial-techno cuts, each bearing myer‘s signature dark flair and impeccable production. compa
 ere the arrangement consists of thematic, melody-driven pieces punctuated by precision experimental electronics that range in timbre from the textural calamities of akira rabelais and autopo
 l and full of cymbal brashness in 'nest of vipers.' the baleful sound of 'houris‘ hours' and '3 rd veil - salome‘s command' remained vague like a metallic ambience, a remembrance of her lascivi
 about this new album of yours, ???. it‘s your first solo album, right? (vk): right, my first solo album. gabor, the other beefcake, he and i both make music separately but this is the first time i‘ve
 . somatic responses‘ john healy and paul healy also have a message for these folks: rethink that tag. pounded mass is one acerbic noise assault after another, the kind that will make most fa
or james plotkin.' so it‘s no wonder that on his second album as hecq, scatterheart, boyson demonstrates a knack for incorporating the musical approaches that impress him into a dynamic an
 vourites there is a gentle, convincing persuasiveness about every rendition. the approach here is so totally, unaffectedly sincere you can't help but feel your whole inner being is touched. real
 ging guitars, scratches, soul horn blasts, surf sound, hecq, the trashmen, clicks, orchestral strings, cuts, breakcore, a progressive rock organ, heavy john-bonham-like drums, rap vocals, mad
esence of the slide guitars, ghostly melodies and the unique combination of acoustic with electronic elements. but smoke and mirrors quietly leaves the 'desert ambient' of gone west (2000) a
 ithout any pauses in between; a self-contained work of art. once again, volker kahl's preference for classical music, well-placed samples, field recordings, clutching melody lines, varying rhyth
 manipulations. the precise filter effects on 'scumdrum's acoustic percussion samples are a good example of hecq's production skills. one could draw a comparison to uwe schmidt's ealier wo
 to being co-creator of the animated tv series avatar: the last airbender. that said, the endless procession is hardly a rock album; it is epic music for the dynamism of a darker, more sinister wo


 ponses, submerged and silentkiller). 'form without function' follows what began with 'comparing paths': a movement from the raw sampling and breakbeat madness of his earlier works to the
 son to produce the chicago symphony orchestra radio broadcasts in their history. after two seasons, matthew decided to study sound recording and digital media at mcgill university in montre
 listeners' reactions on the seven all-acoustic 'travel sickness' tunes was even more surprised at......while we're talking about this one here. yes there are also eight brand new acoustic tracks,
 bordeaux conservatoire radically changed his musical point of view. of course he knew of artists such as the aphex twin but the classes introduced him to the academic world of musical avan
 ts' is re-defined by the sound maniac from arizona. a whirl of samples, time lapse meters and black hole like compression of track structures - 'terminal 11s sounds roams in an accelerated tw
 e passed, and that vibe is still within 'beyond e'. substanz-t has traded electric opium's roughness for hypnotic, almost melancholic sentiments. this album is a perfect merger of downtempo b
 truments including bass, keyboard, guitar, drums, mandolin, sitar and double bass. however he rediscovered music through bands such as skinny puppy, test dept and autechre in the early t
 previous releases. beautiful chord structures melt with excerpts from his huge archive of field recordings. characteristic layers and treatments are mostly kept together by a metric structure ac
aphex twin, meat beat manifesto, underworld, the orb and leftfield she also names hymen records' artist beefcake as one of her influences. 'epoch' is an enthralling mixture: the melodic richne
  years. he has worked with cult groups (such as punk/industrial band stg as a vocalist) and a programmer for death rock projects and as a keyboardist for kommunity fk - talada was undoubte
e last days of rome‘ - is it leonard cohen (with its perversely apocalyptic lyric and delivery) or is it public enemy (with its slinky hip-hop beat and grinding guitar motif)? or is it even a male versi
 scapes, they also went for a re-analysis of their roots. the digital darkness described here is a dry, drawn out universe of distorted chromatic basses, straightened heavy beats and swirling fil
 all while resisting self-indulgence. these eleven tracks were objectively beaten and honed until they each became the most condensed and vivid versions of themselves. bryan konietzko shin
 p, ethnic music and drum'n'bass? whose preferred authors are a. de st. exupery, and andré gide, e.a. poe and ray bradbury? whose favorite movie directors are stanley kubrick, david lynch a
 what the concept is. nebulo's subtle approach forms a complex fictitious scenery by using seemingly minimal resources that are more visible than ever. electronically treated instruments like
alfbreed' has been realized. in his own words, hpc's aim is to build an aural exposure of his personal view of life by creating music beyond predictable schedules and clichés in electronic musi
h a way that he is able to assimilates these different musical facets into his own style. needless to say the results are unique and subversive in their own right. audio vandalism is an aggregat
metimes merge within a single note - just check out what starts as a distorted guitar and ends as click'n'cut in 'dead end'. instead of 'eclecticism' a logical extrapolation of varied influences is d
  2007 and 2008, provide the blueprint for this cd. working as a sound designer for various companies, he presented earlier versions of the tracks and was met with success. these tracks show
he time for the workers party of haiti to take over... music as diverse as moody atmospheric dark ambient tunes, slow hop-beat-driven sub-bass monsters and fast dance tracks built upon hard
 chant, just before a pounding breakbeat takes over and calls the shots for the album. pushing technoid textures carry beautiful electronica themes, sampled field recordings add a cinematic a
 oriented and complex than pdl'i, yet still dark and harsh - a soundtrack for contemplation, as hill explains. with the support of josh pyle (aphorism) and the usage of samples granted by pyle, ja
 ore featuring the_empath, slam52, somatic responses, millipede, defrag, tonikom, nebulo, deru, black lung, lowfish, hpc, access to arasaka, architect, dryft, hecq, combustion, ginormous, sno
  iven to deviance, chemical transcendence and violent transgression. the dangerous class is stitched together from the detritus of a century of recorded music, rampaging its way through cou
 ne scorns minimalist grooves on speed overdosed with dubstep injections. riding eclectic curves between styles, jeff dodson calls into battle an assortment of punishingly heavy tunes, boosti




metric - for sure it's metarc. let your mind enter the particle accelerator!
  one night and you ll get an idea of what this record feels like...special plastic sleeve packaging.
  material. however, 'revelry and decadence...' is all new material - another attack of ultra-fast break beat clashes that are mixed with odd samples and grinding bass power. fanny's ―take it or l


 know that this is his second release. 'repaired' could be seen as the transformation of a regular work day into music. starting with drony, abstract soundscapes, followed by the addition of emb
 cking them wide open, and pouring everything from industrial noise to acid breaks into the mix. venezia has been musically inclined since youth, made mixtapes in elementary school and goi
 he first to get one. bernard had heard of sickboy‘s incredibly twisted breakcore releases on death$ucker and peace off, so he was especially excited to pick up mirex‘ newest release, sickboy


unch through the dancefloor orientated tracks. a weird rollercoaster ride from ambience to straight-up-drum-and-bassy weirdness to 200bpm+ chaos!! soldaat van oranje is influenced by past
 ists who are and will keep 'underground'. what that means in this case: fresh, pry and rowdy! and that's what this compilation series should be - a little overview of what's happening in this po



onni mogul', continuing bazooka's consequent research for what we call 'hits'- ride the rodeo !!!! the red vinyl single will be backed with 'el chupacabra', the mythological name for the mexican
 en made it onto the german alternative charts (dac) for eight weeks! this brand new release by the german trio is the logical continuation of the first album. 14 unreleased tracks plus 2 titles p
 t the same thing - an excerpt from 'robot song' was chosen as a soundtrack for a ford fiesta tv ad. now here is trg's long-awaited follow-up: the cd presents fourteen new tracks (except the en
 reckchords caught fire, and so the full-time album 'das leberwurstbrot' was published, followed by 'gegen die wand' two years later. by the time of the second full-length, rasputin decided to c
and instrumental tracks which are a perfect invitation to listen deeply and to 'lift-off' as well. the opener 'move myself' already points out the direction: catchy melodies, p.münch's unmistakable
 d to have cruised the realms of central europe 'to convert all the lost souls down the valley deep and up the mountain high'. within a few years they had gathered many enthusiastic disciples f
 esult is 21st century electro. exemplary song writing skills and a mastery of electronic equipment culminates into 14 marvellous tracks that are both captivating and deep. once again the rors




nolith, geistform, contaminant and more. cover printed in copper on black cardboard



 ing the 'theory of the arising of desire' and 'learn to swallow', new album inherits its mental aesthetic, but on new level of consciousness. suicide inside developed their very own style to desc


 moriendi, orphx, imminent, config sys / ahnst anders, hypnoskull, ambassador 21 / suicide inside, monokrom, klangstabil, punch inc., mimetic, sonar, the law-rah collective, monolith, ms gent



entally, stopping once or twice to allow you to breathe. 9 lives you say? well be sure that this one will not go unnoticed. claws and fangs ready and our mood set to 'devour' there are no more
viéve pasquier, pow[d]er pussy, 100blumen, synapscape, feine trinkers bei pinkels daheim, angina p, dazzling malicious, dj hidden, tzolk´in and s.k.e.t.. gatefold sleeve packaging.
 on, founding member of megaptera, also did his own project deaf machine but it vanished without leaving many traces behind. besides a couple of wildly obscure self-released tapes, the only
 y like they did last year on 'likuma burts'. the echoing voice - with a tinge of lament - supports the feeling of being desolate, but the hypnotic eastern cold is so addictive. the breath of wrecked
 majority of listeners to industrial music were up until this year not even aware of the name deaf machine. only a minuscule fraction had ever heard the music. merely ten people can claim to
 aire's threatening and oppressive mood will leave you in a state and in a place where you haven't been before. a new reality which is more then the sum of its parts.


 ds of empusae‘s almost decade long existence. the album includes rare tracks from his first albums which were not released on hands, including also the first ever empusae album, more rec
 ndustrial clubs worldwide. in reflection of the current violence and recklessness sweeping the globe on a daily basis. greyhound has created a sound track of aggressive rhythms and threate
 , buried dreams, haunted woods and forgotten old worlds - the soundtrack for your darkest fantasies.
 ounds with groove-laden electro beats and the rhythmic intensity that has become their trademark, s.k.e.t. are primed and ready to reinvent the genre. the cd is packaged in the typical hands
 l recording of xabec‘s live show at maschinenfest 2009, beautifully recorded on seven high-quality cameras, as well as the 25 minute portrait film, der innere kreis, by director daniel fischer w
 sic. over the course of waiting for the rapture‘s 13 tracks, synth-etik demonstrates a compelling fusion of hard electro-industrial-tech beats with a trained ear for haunting and unusual sounds.


 highly authentic sound on its own: fragmented electric junk and fragile bursts of static noise meet with extra-charged sub-bass-kicks in impressive conjunction with the intensity of the meticulo



many of the most extreme modern genres together - which means just gabber - drone - noise - darkambient and classical in perfect disharmony.
 op of downtempo rhythms. the mood of admx-71 weaves it way through darkness, futurism and self-reflectiveness. though in a unique style of its own, it‘s adam‘s true love for boundary-push
 liver an experience between agitation, provocation and irony. great irony and the politically s.e.x.plosive narrates stories of restless motion, obsession and and urges through the use of words
m and beautiful landscapes and curly black haired sheep called >heidschnucken< in the lüneburg heath. if you dive-bomb into the subsurface blow-hole you will find yourself in the middle of a
ack into the action and energy of the streets of urban landscapes with this essential new release. urban night motifs tells the story of modern urbanity characterized by the numerous daily new
  industrialized electronic music. this album narrates the story of technological singularity collapsing on the linear reality of today‘s human world and challenges the listener to ask questions ab
somebody else'. with delicate playful melodies mixed with crunchy beats that almost seem organic in nature 'everyone looks like somebody else' is almost beyond comparison. there are many
 mentation and standard 'songs' with great effect. 'the robotic girl next door' is an excellent debut from an excellent artist!
neo ouija, isophlux, dub, u-cover, delekatessen, and on records, as well as a future release with warp's arcola imprint under their latest incarnation 'cane'. their musical output has been rather
 m is one of the current shining stars of the genre. a highly recommended release if you‘re a fan lush glitched-up electronica.
 et lair, 'super robot battle deluxe' assaults you with a perfect mix of acidic old school hardcore, breakcore trickery and subtle subliminal melodies that leave you wanting the battle to never en


 ady acclimated to their many projects (funckarma, quench, shadowhuntaz, cane…et al) will see a sonic shift from their past quench ethos. all but a ghost of the long stretched out percussion
sts second full-length. previous comparisons to pole and lusine are still present, but only in the very ends of their reverberation. 'patience' is a very dense album, culled from 36 original tracks
 in the attic, with the only things missing are the musty smell of the cardboard box that the movies have been in all these years and the warm clatter of the old projector. the music on 'sea' is ju
 e vocals bring to the fore-front a humanistic layer of melody to the tonal blizzard of tobias‘ music yielding new dimensions which are to most, unclassifiable. said by the artist to be somewhat
 g darker and somewhat emotionally weighted. with his new 3rd full-length for n5md entitled 'no man's land' subtractivelad has out shined his previous albums by creating an introspective and
 'the nineteen floors' (mmbp). those unfamiliar will take comfort in his musical expressions. 'no spectre' features cascading rhythms reminiscent of some of telefon tel aviv‘s beat-work, the me
 d' still sounding current, relevant, and true to form, galvanizing run_return as a band that is as distinctive as it is timeless. you do the math and come up with your own sum...
onal, almost globalized, method. add in the mixing and mastering of mio and valgeir sigurdsson (bjork, mum, bonnie 'prince' billy) at greehouse studios in iceland and this compounds the bord
 funcken brothers have done of gridlock, multiplex and labteks. in addition are 9 other remixes of artists like ontaynso, strand & tres, machine drum, eog and celine among others, some of whi
 e on a label founded on emotional electronics, upon further listens one finds that they are right at home amongst such kindred spirits as label-mates lights out asia and bitcrush. hologram's d
 e ocean' thematic metaphor for lost time that constituted the backbone of his previous album, 'in distance.' as his self described 'rock record,' the album eschews some of cadoo's previous e
 ample district. in catalunyan, l'eixample literally means an extension, a strong symbolic parallel to the music found on arndt's latest work which itself reflects an extension of the near the paren
 ortant period in the natural evolution of the bitcrush sound, a time that found mike cadoo transitioning from his post-industrial and idm beginnings found on enarc to the more ambient/post-sh
  perfected to such effect that it allows hummel to concentrate on conveying his deepest feelings rather than the processes that go into music making. the album serves as an extension of hu
 positional approach. drawing on a theme first explored in sea's 'arrival at jan mayen' (in which its sailor is first excited by the prospect of a distant island home, then disappointed by its barren
  quality. it feels as sensual as it is lonely, as dreamy as it is conscious, and as bright as the dim glow of midnight streetlights, definitely music for after the after party. a perfect soundtrack to w
 ave expanded their sound to encompass the more electronically skewed perspectives of synth-pop and even techno while still holding steadfast to their roots and original core sound that has
ach of their solo endeavors. rasmussen's take on the sun drenched post-shoegaze of the 'post-limp collective' has a more defined sense of psychedelia and openness than his mates. this he
ents: pan sonic's and phill niblock concerts in riga (2002, 2004), watercolors 2002, skanu mezs (sound forrest - klangwald) festival (2003), microstraava (2005) and more.
or sounds. the results range from sweet and melodic songs to deep and dark soundscapes. all 12 tracks on mewark's amazing debut album tell individual chapters of one story. its a fairy tale
 e piano, and even a bit of percussion. however the highlight of the cd is the fourth track, which started out with a voice going through a vocoder, later on forming a duet of voices and brings it
 l component of music on this compilation. the concept of deep sea shipping is rooted way back in the mythical worlds of h.p.lovecraft, as well as in the realm of sci-fi stories. moreover, the wo
mbient direction is another sound experiment dedicated to research of transition between outer sound spaces by means of music and a thought. this is a message from extraterrestrial worlds t
  500 copies in special slip-case packaging.
s for their work and constructed their own vision of music.
 ech tracks on trapez records in europe. alexander petrunin aka mewark works as a sound designer & jingle maker on mtv-russia. both met about 2 years ago programming for native instrume
novgorod. in may 2006 stanislav has added to his collection another mini-album 'september-october', with 4 tracks, released on thinner net label. november is the first solo work of unit 21, rele
 rial dj´s all over the world will play the label's music. with #07 kellermusik pushes the limits within imitable reduced/industrialesque techno, stomping kicks and always freaky effects and noise



 s on strike records and other hardcore labels are worlds of speedy beats and darkness rhythms.on kellermusik he shows his definition of the line between techno and hardcoresounds. featuri



ng cardboard foldout-cover.


 ckground noises, so that an apparently contrary combination leads to an unknown musical destination. the diverse sound and rhythm structures release a special acoustic perception which g


matmos, brian eno, m83, mouse on mars, b. fleischman, styrofoam, safety scissors, the postal service, mogwai, dntel, animal collective.... cd-r release.
 mu-ziq, remarc, matmos, portishead, prince, mum, mogwai, global goon, boards of canada, dj premier, dr. dre, the neptunes, madlib, prefuse 73, mannie fresh, timbaland, missy elliot, outkas


 st pressed cd from binkcrsh!
  his motives in sound resemble an abandoned ironworks garage during the industrial revolution, where melancholy is paired with harmonies of magnetizing structure. pleq's initial exposure be
 al songs. the main intention of the artist is the acoustic perception of transferred feelings. the album was generated in a phase of life filled with unanswered questions and that gave reason to
 the grinding industrial beats of zymosiz, to the breakcore smackdown of xanopticon, to the smooth idm of xyn, to the deep ambient catacombs of jarl, to the swirling noise storm of ntt, every tr
 shing through the ice of the 88th parallel. they move in a giant soundscape where long stretched strings of coldness explore the unknown icy fields, and where frost bites the air in wide cathe
o the very inside of your head, oscillating and twitching under the soil you dwell on, shining its light in all its absorbing intricacy and evolution... comes in an exquisitely designed oversized nau
 matic spoken word interventions. sophisticated in sound, evolution and intensity, every chapter of this story will grab your attention and keep you on the edge of your seat. an honest, sad and
 f a radio play without words. an opressive soundscape, without the ability to pinpoint the source of the opression or the emotion which causes it. is it the effect of the water outside of us, or is
evel and sadly for us humans, the oxygen-level isn't high enough to survive ... 'le pêcheur de noyés' is the story about roger girard who - as a scubadiver - searched for and found several corp



 is spectre 13. the new number of the beast. 2x7-inch in box - limited 414 copies.
aborated artwork. the seal is cast aside, pass through the gate and enter the world because this is a spectre! re-pressed jewelcase edition.


 sometimes the rhythms work their way to the surface - to hypnotizing effect, morphing into clicks that intermittently pull back in favour of atmospheric cuts. wide, intense, rich, multi-faceted an
ake us on the ultimate mission over the borders of the musically unexplored. amore, the third kraken release on spectre, is recorded on a paradise island - in the middle of a complete mess. a
 ing power-noise, but already after a few minutes the style changes completely. melodic, floating synth lines and danceable beats take control and they form the base over which raw, distorted
eart by other labels' dearest and a few promising newcomers. the result : a monolith of diverse industrial atmospheres united in darkness and anxiety. once you have had a look at the tracklis
n' is a compact yet strong album that offers a good view on the last decade of hypnoskull's musical adventures, bearing 10 tracks chaptered 'the past', including a more technoid industrial sid
 ' can best be described as isolasionist music, but with the remark that kraken is a duo. you would expect true isolationism to be written by a single performer and because of this, the cd has s
while mumbling the sacred incantations, herr manh klaph oltz and yanh fou sus rear played slow minimal rhythms on the bones and skulls of those who tried before. the sounds reflected on th
 nd emotionally very intense. maybe they're even more mentally disturbing as his earlier material. behold the future of music ! worship the dead bird ! hail ! hail ! heavy transparent yellow viny
nd while this is way too much to choose from, any sampler would just be that : a sampler (but : a very good one). the artists on 'decade' are from canada, switzerland, united states and offcou
, ranging from distorted beats, basslines and industrial to urban influences and layers of noisey drones as well as symphonic sounds. titles like 'deepthroataches' and 'slutfuckers' reveal their
gy on spectre has been completed. amongst the multiple meanings of the dutch 'drift' there is 'temper' and 'impulse' which are the emotional layers on this cd, but it also reflects to a ship bein
 ind of skincage, a tour among things that did, will or could fall apart. 'bhopal' and 'chernobyl' already reached an impressive level of destruction, while 'hungry ghosts' are still unaware of their
 and space to fill in the blanks. on two 3'' cd's you are guided through soundscapes built from deep ambience, harsh analogs and haunting narration. just like on the highly acclaimed '1953', r
sty, because we are the ones releasing it: yes, they are. on 'nachtschade' the krakens take their creational possibilities a step further on a combined cd & dvd release. the cd part gives you ov
 album, resulting in a mixture ranging from breakbeats and ragga to metal and industrial. tracks where neither the prodigy, nor - at moments - fear factory would feel any shame for having wri
mes even close to straightforward dub - to technoid industrial epic anthems, bound to make the audience scream - no wait - pray for more. the bat is back! mr sotz will change your vision on



much more aggressive & rhythmic beats and the more doomy guitars, which will blow you away this time! armaggedon is near and the fusion/melting between death industrial and doom has r
 d creates a different kind of listen than past releases. the familiar components of the sound that has sustained gruntsplatter for the last 10 plus years are intact, and are perhaps at their most
power in combination with apocalyptic black doom. special overstock sale - limited quantities!
ecimation world) this time melek-tha will bury you under a massive wall of sounds with more orchestral elements, added by symphonic chants and rythmical beats. could be the perfect sound
hereal atmospheres and excursions through darker ambience, this trip should be yours. in shelter works through the power of hypnotism and this release is very minimalistic in function. spec
 pockets of woodland hold out against the encroaching suburbs.a dark england of out-of-work hangmen, dubious priests and woman's institute covens. music direction: traditional folk / folk n
nd texts in english & french languages by mimetic and international guests. 2 mcds: 40 minutes of music have been composed exclusively with auto samplings from all other mimetic releases




project in 1989. cd-r release.
d.vallee (lith), p.münch, who added three remixes as well as s.alt, who designed the artwork. eva|3 's music, is a cold and sharp mixture of ambient texture and distorted rhythms. from exper



 keef baker, salt, Eva|3, tourette bros, the rorschach garden, punch inc., oszillotom, hell-g, tonal y nagual, frl. linientreu and more! mixed mode audio cd-r, 76:00 minutes audio + 3 mp3 tracks


ing their conception of associating impressions of forgotten places with their compositions. cd-r release.



e prepared for a futuristic post-apocalyptic sounds.
m what could possibly be the perfect soundtrack to a riot possible... it is mind-blowing. a massive wall of loud drums, slashing guitar and screams. each time you think you have a second to b
ic themes. based on additive and repetitive constructions, these tracks reveal one long and expressive rise, leading to an explosive climax.
n' are the will to power, death confronting life, dead end society, ironic selfishness and vulnerability. there is no way back when things have gone too far. reason and mind are futile because, d
ation and collages of masterfully chosen and assembled samples, permeated by haunting noises, minimal melodies and impacting ethnic percussion. everything sounds as if it has been com
at has the same quiet/loud technique as metal masters use. thematically anarchistic and decadant, manifesting indignation and raging against the fucked-up condition of the world in the vein
 tronica to industrial hip-hop, break-beat and cyber-punk. it sounds hybrid, exciting and darkly futuristic, pushing it forward with an intoxicating rush of synthesizers, electronics, political sample
pheres. more than genesis of a new shape, this album relates the emergence of a mind, from the obscurity of the first moments to pain cessation. it invites us to look beyond the flesh, to feel
us fun fair, where the sweatinesses are black and the clowns hostile.
 ktat follows the footsteps of bands such as scorn, dalëk, techno animal, 2nd gen, or consolidated. after a much remarked first apperance on a mexican compilation by raid music, in 2005 fren
itar/composing) and mastermind behind quietophobic offers a mesmerizing music, full of oppressive and melancholic tones, varying through an elegant use of samples from downtempo pow
e bands aesthetic diverse expressions, that breaks - one after the other of electronic musics unwritten laws - not for breaking, but because they think different. music for ghosts is on one hand
ditive and our visual environment in everyday life. this project as light as it is incisive, dissects our present reality in brutal and honest ways. cinemassaker was born from the desire of seeing


europe. the technical skills of moreau, combined with the analog touch of dusty synthesizers from séverin's own museum, were just missing spontaneity - that's where cardona came into the g
c with the arrival of scorn. the english band scorn showed, the world that dub music could now offer a very strong image of introspection and inner emotions. dub was not the dancehall music
air) are giving us a 15 minutes track each. each artist is giving here his own interpretation of the legendary experimental act. and there‘s even a a fifth secret one! the hafler trio is a seminal ex
, netherlands nearby the rhine river. the two got help on this disc from niels van hoorn (legendary pink dots) for saxes. in fact, this album is incorporating material from many different sources
nd in the years following an impressive history grew. they recorded a session for bbc‘s famous john peel; worked intensively with steve albini; were produced on jello biafra‘s label (dead kenn
d 'dogme' (hsh06). this long time sold out item was presenting moonsanto's interpretation of the current uses of biotechnologies by global companies. 'fraud - hell - dope' being the follow up to
mes depth than classic improvisation could provide, this new generation of electronic improvisers changed forever the face of non-written, non-composed music. named after fredric brown‘s s
chords and strings and high-pitched synthetic sounds. drdp is in continuity with szkieve's precedent releases, however, this disc incorporates new tones and techniques. silk saw's rob(u)rang
s-rivers-lakes-waterfalls-etc, modified using analog & digital filters and effects, and only minimal computer processing. homemade electronic controllers are used to direct many of the effects.
nsisting of discarded objects, discovered by the trio on locations and played in combination with prerecorded found sounds - with goem‘s pulses and shifting layers of rhythm, the three dutch
deep drones, whispery hisses and dusty distortion from this album adequately depicts the picture of a region full of mountains, rivers and deserts exposed to snow, wind and sand. with his sh
s an excellent introduction for this promising artist from montreal. grkzgl (pronouced ‗grak-siggle‘), once known under various other names, comes from many horizons at the same time. influe
me are half-open, others are closed and many are, at first sight, invisible. as we explore further, we must let those secret doors some time to take shape, to reveal themselves…and it will then
 ine room, hearing the distant sound of the water dripping slowly on the floor, having the feeling of breaking a near silence full of secrets and long lost memories? like a sanctuary, the abando
sonic outlets, under various names. it is, however, with the founding of its current project that he proudly delivers us his first official release, which is the result of months, even years, of expe
cks, on 10 inch vinyl (45rpm), released on the montreal based label .angle.rec., still fond of the vinyl disc. 2 tracks which suggest an even more brilliant and exploded future for this exploratory
  droning and deeply ³protomelodic² at once, his music is a poetic translation of the ice floe. for this record, he used processed fragments of classical music. nadja is the drone / doom / ambie
 avage republic, nadja, dirge, wild shores, year of no light, kill the thrill.


utups are essential elements in the recent work of collapse, leading to soundscapes with a slight psychedelic touch.
e music. eric's new abstract style surrounds minimalist beats with electrical drones. compressed form is a remarkable and unpredictable work. the computer-related track titles situate his idea




al is to bring you the future of sound. colours, atmospheres, dance beats, noises, thoughts. we designed our music with skills from the past, and now we reflect it on you. we are here to satisfy
 ' on daft records. ‗behind the sun‘ also features a guest appearance by ms. poly-ester, a multi-talented dj, writer, journalist from the benelux that collaborated already with acts such as this m
chinenfest (germany) and the indieference festival (spain) geistform is also know now for his collaboration on the dive album 'behind the sun'. the main sound sources of geistform are the sam
ir first 7'' single 'is there an exit?' (1981), wich became a local underground hit, mark left the band. eric van wonterghem, who was in fact a spectator at the first abc concert, filled in the gap an
ruise [ctrl], synthetic dream, devoted symbols, ntrsn, act dramatik and propulsion.
heir 'reutraum' series of conceptual releases comes in a very nice full colored sleeve and is a strictly limited edition of 500 copies!
and obsessive electronic piece.
t both introspective works evolve on quite the same fields...lambwool was born in 2000, with dead can dance, tangerine dream, labradford, and 'heaven deconstruction' by the young gods as
ls, but without any intention of dance floor's conquest. there's also an 80's touch all around but the reutoff's tragical and frozen atmosphere still remains... let's add the artwork is composed of


with heavy and desperate feelings similar to aghiatrias and omnicore ... with the addtion of some folkish and liturgical elements from eastern part of europe, this release presents a very seriou
d are woth to be collected! musicaly speaking, the third volume was announced to be more ambient or lower, but it's surprisingly not the case... we can even say it may be the strongest of the
musical journey is depicted by four top bands (with two tracks each) from the new emerging dark-ambient and neo-symphonic scene: horologium, project winter and artefactum from poland c
s. as musical influence, sigma octantis will quote spindrift of morthond. for the eyes: 'europe after the rain' by from max ernst. about movement : from tarkovski's 'stalker' (the fab's one all-tim
ul split with the french sensation muckrackers. this is a return to noisy explorations in opposition with the recent ambient release on caustic records. the third act of the musical part is a weird i
 s evanescent and paranoiac at the same time, fixing a point of no return somewhere in the distance. limited 500 copies.
gly enjoy this new act if you appreciate ab ovo, mago, s:cage or the 'phantasmagoric' feeling from early empusae releases!
 nd new track energic and dreamy as the same time. can we say a sort of sonic youth / high tide mix? as the band usually says, 'people listening to our music give us different influences each
ng ritual and symphonic music. peter bengtsen illustrates this album with some enigmatic pictures about departure and solitude. with the addition of vocals by sigma from komplex, '...and the
rit that runs through the most brilliant and original works of the normal, cabaret voltaire, clock dva, the neon judgement, nitzer ebb of the very first first human league or of ultravox - john foxx e
by coldwave and punk sounds from the early 80's, this release also benefits from the contribution of external musicians such as lambwool, electric press kit, normotone (neon cage experimen
n a nice digisleeve... a weird packaging for a very weird release! limited 500 copies.
aise') on a split release with moljebka pvlse. this new opus entitled 'penfield mood organ' is about a device from p.k. dick's book 'do androids dream of electric sheep?'... a box destinated to in
 s out of the mirror are lurking for you. maybe the mirror is yours, so, will you bend your knee or will you look into it? this is a real desperate psychedelic experience, so here's some welcoming
 r own sound and it's darker than hell! obsessive and complex textures emerging from large variety of instruments...'sun ra meets sunn o)))' according to noise magazine...
ely one of the most abstract release from a label that never really turned into mainstream. this brand new release comes with a collage by fab which try to decipher the disincarnated but struc
tion 7'' with the american legend michael yonkers and was asked by japanese nut kenji siratori to work with on a full lenght lp. both were recorded during the '5th estate' sessions and are alre
ral lore, legends of blood-covered martyrs and the inevitabilty of nature, the musicians try to find their roots within the context of modernity. the music itself ranges from whimsical folk to ritual
m the beginning it is mostly instrumental, but far from being simple 'background music'.soundscapes of threatening beauty are intersparsed with sophisticated melodic and powerful rhythmic
 'jahrmarkt der verlorenen kinder' is the modern incarnation of dadaistic german new wave (e.g. der plan, pyrolator, der mußikant, daf), but also integrates more modern lo-fi tunes and post-in
 unding, seldomly straight album. if you already liked 'necroinvasiv' (lw050,2005), you will definiteley love 'crimefactory'! cardboard packaging.
ness comparable to acts like geneviéve pasquier and the newer works of portishead. their third album starts with bluesy electronics and the remarkable 'anybody', a wonderful hymn reminding
t even reaches the point by refusing the use of any kind of beats with the shifts in it's threatened atmospheres. forbidden frequencies are merged seamless with unseen fear and organic cons
efloor universe. with its timeless atmosphere, catching melodies and powerful beats, arena is the opus of a definitely unclassable french artist.
 ents. ―conscience" ou le règne de l‘animal malade‖ is an introspective hour inside the brain, an underground exploration in the form of a kaleidoscope of experiences memories, pain, and ple
oshima', 'katami') but also evokes, in an optimistic, hopeful manner, the cultures that have deified the earth and its elements ('sentinelese', 'huli') and that still survive today. thus, somewhere
ock and classical compositions in addition to being a member of 48 cameras. in addition to his highly acclaimed ritual electronics project empusae, sal-ocin is an accomplished percussionist
 rhythmic structures supporting catchy melodies, silent reflections is a work full of oppositions and contrasts enriched by a celtic feeling, a somewhat epic touch. alternately powerful, fragile an
 ical and theatrical edge, complemented by collaborative work with video artists from the portuguese contemporary scene. unpredictable change in the course of a revolution, thermidor is a m
 is now coming back with a full length cd album (and a 12'' vinyl ep), 'come mierda'. fractional' s music -somewhere in between breakbeat experiments, electronica and pure industrial-construc


 n and producer, he also manages the outstanding experimental electronica label brume records in france. flint glass' music tends to crawl under your skin, shapes the most fantastic images
m, brume records, m-tronic, audiotrauma and have made of this parisian organization a highlight for the electro/industrial freaks! it's now time to pay tribute to all those who made what kod.ex
n one composition that pop up again from track to track with brutality, but even the faintest sounds reappear.disturbing cracking sweeps over low-frequency whistling, sharp oscillations oversh
 d taylor deupree; abstraction made of minimalist groove. these high-tech sounds are coupled with plaintive stretches (interior) or a melodic buzz that progressively amplifies (ohm.05 part.1).
se multiplied by more than thirty, and for each phrase a different equalization,a different surround,.a different path. these phrases are layered so that they create an orchestrated buzzing mas
ulsed trance in 'purr', zonk't is coming back with a fourth album, which could be a synthesis of all of them. but one can at once recognize that '-trope' is a rhythmical album,quite close in this w
s, where amon tobin jazzy tunes meet the pink panther and classic american comics, where massive exotica echoes post war film noir… somewhere in between synth pop and ambient dub,
 ore'). other tracks present mechanical accents ('clutter', close to esplendor geometrico), epileptic techno beats ('phlegmon', sort of –extremely efficient- pandora‘s sound box) and even a wag


 duran duran duran's most ambitious and most accomplished work ever. including bunch of endless loops!!!


 dubstep/breakbore bandwagon, ebola continues to sidestep genres with a melding of collision-course rhythms and truly unnerving electronic soundscapes. close your curtains and turn this u
 e balancing act between all-out aural assaults and nuanced production techniques which keep you engaged well beyond an adrenaline sugarrush. resulting in a style that evokes soundmurd


e of synthetic filter modulation, extra harsh reverb and manipulated electronic textures. as ever these producers have created razor sharp edit structures. with vocal mc‘ing by d‘herbalis mc va


 shing breakbeat hardcore numbers that shred video-game sensibilities into pulverizing kicks and snares.
washes of noise that create the mood. any good story has a great setting, and each of doormouse's tales of cynical despair, tragedy and biting sarcasm are overflowing with peculiar twitches,
st official release, 15 solid traxxx (19 on the cd version), complimented to the full. with 'hippie killers don‘t mind jah conversations' , we enjoy skull-splitting demonic rastafaraias-fuck, mash up


nt, glorifying and energetic chapters to the milkplus story. to say the least, peace off is proud to present mr. sickboy's first double pack, a vinyl only release themed with some of sickboy's favo
n the ears...dancefloor will die!!!
 sts on ninja tunes , disintegrate all over with a real dancefloor machine weapon!!! easily one of the hottest new releases of the year, mr dynamic (le jad) with his own signature production sty



 ctured electronica to modern breakbeat sounds version, kid606 delivers with his menacing kicks, breaks and a dark distorted bassline, a perfect dj tools combination and 4 mash-up mayhem
ed the stated dose‘n‘bun da danceflow!
ppin heavy ragga core artillery and an ear for defined drum and bass production aesthetics. killer fresh mashup material !!! rudebwoy, this choon catches a re-load everytime !!!


oking for candies, this is too ruff for you!!! limited 700 copies.
pping through the door quietly and will not be forgotten easily. you know, punx, you're going to love this one. this is the dubsteppin manouevres for 2007 kids!! strictly limited 500 copies worldw


m punk and hip-hop backgrounds respectively these two lads draw influence from across the spectrum, meeting at one common ground: bass. side a features dubversion, with its dark atmosp




 human beings and beside all destructive behaviour we also have the power to create positive energy by refusing rational ways of thinking". full-length album included remixes from iszoloscop
 n't consume anymore, run away from the ruins that your life has become...and whose fault is it? is it because mechanization has taken control? because others force their calm upon you? be
d with obvious punk influences, 'weight of death' brings more heavy breaks, flailing noisy straight beats, ferocious screams of natasha in russian and english language and smashed shop win
so far, trying to be interesting and accessible at the same time. the applied rhythms are a mixture of programmed beats and sampled loops, ranging between high speed assaults to slow moti
10 years making hard hitting music, and it shows. from industrialesque patterns to pure breakcore mania, he manages to cover a broad variety of styles, never forgetting his musical roots to c
 the very own ambassador21 sound. we pass from rhythmic noise (p.a.l, mimetic, asche) and dancefloor oriented pieces (:wumpscut:, suicide inside, ah cama-sotz, s.k.e.t., monolith) to exper
 on wreck chords. this is a movie about our friends, about us and about you. filmed live on stages at maschinenfest, noxious art, elektroanschlag and other events during the years and visuali
 released on-line only (ctrler, the shizit, hansel). 'cut&go' brings 15 very diverse and explosive tracks. ambassador21-remixers present sometimes unexpected edges of other producers, as th
pe of exemplary life. this album deserves its name completely, it is saturated by pure energy from the first till last minute. if you have strong imagination about what that - ambassador21, if yo
 going to look for inside: fast beats, breakcore chaos and hard drum-n-bass. in the same line as his previous album 'noize for america' (d-trash records 2005), the new album is again full of s
asm, ctrler, detritus, fragment king, mimetic fake, moctan, monolith, mono no aware, suicide inside, synapscape, twinkle.
cribes sound of ambassador21 - grinding wall of sound, massive distorted beats, heavy breaks, sharp guitar riffs and, of course, ambassador21 trademark - ferocious duel of vocals plus hard
 . knock, knock... invasion has you...
you - that will be very important parts. in this noizzze guerilla it's better to be on peacemakers' side. now listen, listen with all your attention, cause we will not say it twice. one... config.sys / co
c. uncontrolled. unlimited. untouchables. young and beautiful. every day like last. noise, industrial, punk, true rock'n'roll. fuck you all! all this words about the bands which made second part of
nchy hammerbeats', 'and again about noise king size', 'and again about vocals - mouth full of nails, unique, sexy'. you could read: 'industrial', 'hardcore', 'breakcore', 'gabber', 'noise', 'digital ha
 death, the magick of female ejaculation reaches deep into chambers where others fear to tread. like cassavettes' woman under the influence, rachael has obviously been affected by the wor
ashing industrial music fused in their own aesthetic of dark breaks.




 out in the next months. ltd. to 300 copies. slamming and dangerous, these tracks will act as intensifiers at underground parties worldwide: no stars here....
d georges bataille !? the accursed share of rave!
abels printed on silver background.
om zhark international. blending high-definition breakcore with harrowing strings and crushing screams, the 12'' kicks off with 'nomina nuda tenemus' - a dense ride straight into occulted secre
ining seven to bring the listener ever closer to the haunted world rachael kozak inhabits. after splitting up her all grrrl band in 2001, rdg started recording her own vocals to lay over her monst
ics, with their underpinnings of power, form an intricate armour against a suffering understood only by the human machine. commandeering crescendos weave a dense melancholia, infused


 forgetting mixability for the progressive dancefloor.
 release sometime in the future. taking up the sub/version project of twisting drum n bass and smashing up whatever has become standard for the genre, vile enginez bizarre creation clearly
' on detroit's electronic hardcore techno label lowres will be out in october 2006. four smashing tracks of the freshest breakbeat manipulation and annihilation, delivered with an innovation we
weirdness, the south london baseball obsessed card shark cw drops one of his ruffest electro break beasts. big rolling beats with warped analogue action. b2- voltage by dj m2j, sunday aftern
ore amiga home computer, davros and unibomber showcase their own viscous blend of industrial hardcore and splintered broken beats with that unmistakable 8-bit crunch! davros takes ove
emphasis on all things core. the outcome is one of the roughest records to come out of los angeles in quite some time. sure to give any set of speakers a work out. great for those who like the
 this compilation sets the mood for what is to follow in the future of seven samurai, as they thread the path through the mountain of awakening.
 an snares! twisted hybrids of classic breakcore and hardcore styles, not to be missed!
d includes remixes from two fellow dubstep heads: atki2 & starkey. side a kicks off with ‗maybe next time‘ dropping the warbly and brutal bass and some hot b-boy samples. give in to the hea
ny different styles on azure. komonazmuk kicks off the 12'' with a remix of his blazing dubstep anthem 'love' which was released in 2007 on terminal dusk. the 'love' remix is a bit darker and h
ass tones; the esoteric world is quickly reintroduced and then taken away as you are dropped deeper into the sub-levels of bass. love is a twist into the darker side of dubstep. swishing noise
c sculpture chiseled out of marble noise. who is he that claims to achieve such a feat? obiekt employs disruptive technologies that send ripples down the innovation cycle. each track is an effo
ex track that are the definitive and most accurate proof that drum, bass, noise and clicks are made to meet each other under the hands of talented musicians. warning: highly inflammable.
old and angry power electronic sound with up to date and musically appealing structures and sensibilities.
k guitars with massive and yet flowing drones. rich, subtle and constantly charming, here is a music that can be at the same time powerful and moving, vast and close to the soul.
 y photo album of this period, transferred into sounds by one of today‘s masters of sonic experimentation.


le themes and sound waves. they step gently and softly to your ears, enacting their relentless quests and fights as subtle melodies and rhythms. 'kniga skazok': the book of fairytales turned in
whole process was a seemingly stereotypical artistic one in that it truly felt as though i had nothing to do with the tracks and that some other force was involved,' says uniform about 'not a wor
written and uncommonly diverse, 'fashion victim' is an album which goes back to the essence of a real music album, for its tracks are coherent, linked into a whole, and yet possess quality wh
 is so high up', shows his skill at mixing post rock guitars and dense, dusty noise take yet even a step further. drawing the best elements from his past rock and electronic projects, sullivan br
 rgy in both a music that definitely stands out and supporting many small acts. 'winter' is klier‘s second album under his own name, which echoes and answers his 2002 predecessor,'apparitio
ence for two years. here come the ultra distorted italo disco, the distorted computer game music, the dislocated melodies that makes you wish you were a robot too. happy tunes for noise hea
itten under this name. started in 1989, then paused in order to dedicate on other bands, crno klank was reborned a few years ago, as the electronic part of a performance collective featuring
 ting cut-ups, modern electronics and a multitude of styles into his new sound. a sound designer at heart, james keeler once again used a variety of instruments and devices to create 'as gian
hael palace later collaborated with twine (of bip-hop and ghostly international fame), ocosi, miles tilmann, narc and zenopede on releases which demonstrated horchata's ability at working wi
melodies one could whistle to, sequences mashed up beyond recognition, playful rhythms and crispy beats. curtis chip is back with a revenge. remastered, remixed, extended, the track by thi


the transmediale, garage and information wants to be free festivals in germany), this artist has become the spearheading figure of the ukrainian electronic music scene, and one of the best re



 uivalant's vocals on several rich pieces of electronic hip hop, before resting with the relaxed and warm tones of 'saill on' and 'dana's calming effect on a mad mind' and finally unleashing mas
 ling anymore to find an audience for his weird beats, and heavy basses. people were dancing, praising the shows, and asking for more. and still, he knew that the second album would be of
ic music, and how tasty it can be. 'science of chance' is an album of uncommon beauty, paired with a masterful sense for electronic composition. uge ortiz (az-rotator) probably missed a care
‘t get very often an album which is satisfying both for the head, at home, and the feet, on the dancefloor; detritus and ad noiseam are proud to present the perfect example of them. coming tw
 own micro-cuts and tunes. a ferociously catchy album under a cold, hygienic framework: glitch has seldom sounded so human. while jason stevens (lapsed)‘s debut album was an exercise i


 -inducing album which both proves antigen shift's talent and opens him whole new doors.
 with a playful use of tempo changes and contained noise, writing down a music both human and massive, full of emotion and yet assertive. 'pure language' is neither a whisper nor a shout, b
and one remix by each act.
 untaz, hope for agoldensummer and scalper), larvae give here birth to a very soulful and wonderfully produced album which can not be overlooked, a work of great substance and talent.
 most rewarding and sombre of works of wilt, for it marries it organic darkness with an acute sense of melody and an ever-present cavernous bass. a massive, encompassing and profound w
 , cardopusher, dr bastardo and ace of breaks) and giving them an opportunity to demonstrate their remixing talents. you don't need a dj anymore with 'stereohype heroin hookers'. warn the su
 'thresholds', mixing ardour and melancholy as never before. 'thresholds' is a cd that detritus had to write before being able to move on to new grounds. a prolongation of the acclaimed full-le
utiful album full of surprises and intensity. zak roberts (aka cdatakill) is no newcomer to anybody interested in breakcore. active since the 1990's under various avatars, he settled for the nam
 e, enduser had long wished to release an album where his hard beats and sudden breaks would be presented together with specially recorded vocals and prominent melodies. this project fin
 deeply personal work displaying the heart of what mad ep is, 'the madlands' is an essential compendium of many stories and tales turned into sound.
sonal and massive work, adding a solid stone to the mothboy discography.
 new york to berlin in 2003, giving birth to drumcorps, his newest answer to break/grind-core. more than yet another tongue-in-cheek mashup, drumcorps's releases are the product of a lifelon


essive dose of humanity and audio craftmanship in his idm sensibilities.
 f new material ranging from the hardest and most twisted drum'n'bass to more downtempo, atmospheric tracks. at the same time a long due crowning for this musician and a perfect introduc


 her with the astonishing visual cutlery or ra's painting.



 blomster, who had already worked on 'valentine'.
me) offers a much slower, ever changing and gritty remix of 'hungry', while larvae‘s personal mixture of shoegaze guitar drones and downbeat sticks to the original tempo of 'mingi', yet provide
cts to the confirmed heights he had reached with his previous albums. deep, masterful and highly rewarding.
 ok to take the acid test, and certainly impossible to resist.
 detail and its maturity. a very rich, well thought and thought-provoking album bearing fruits of many influences and sleepless nights of careful composition.
ere 8 salvoes of monumental bass, sparse dry beats and deep drones. let it be heard: scorn is back.
e (of cannibal ox fame), wisp, datach'i and lynx & ram for five spicy remixes. tasty and highly addictive.
are all brought back on this artists's heaviest and most direct album to date.
ns and strings. deep, abrasive, but funky at parts: no surprise that the live rendition of this album have received excellent reviews.
 and electronic hip-hop, forming a tasty (and brainy) whole.
. upbeat and clear, the a side displays (again, as if necessary) chevron's talent for complex rhythms and catchy melodies. flip the record, and the b side delivers the dancefloor-packing tracks
colder and orchestral. cinematic dubstep of the blackest shade.
  the top of his games and ready to fill dancefloors.
 the top of their form and still is, 5 years after their original release on sonicterror, a pearl of the breakcore scene.
 , he comes up here again with a highly impressive record that does justice to his extensive talent. here comes highly efficient, fresh and hard dubstep record you have been waiting for.

 tch out for new videos at larvae's upcoming concerts.




omplex full length cd that documents the micro-edits and bold beats of these two essential acts.
d appetizers to tkde's second full length album to come in 2009, 'mutations' gather new tracks and reworks of older tunes, always in the very deep, beautiful and human way so typical and par
d appetizers to tkde's second full length album to come in 2009, 'mutations' gather new tracks and reworks of older tunes, always in the very deep, beautiful and human way so typical and par
 reaks and madness, sickboy hits the nail on its head and invite everybody to play, rave and party non-stop. refreshing!



sterfully executed. 'unity means power' is a coming of age and a perfect example of cardopusher's current display of insolent talent. dancefloors unite!
 tracks, and are ready to out-bass pretty much everybody else. reformation, renewal and re-establishment indeed!
c, soundtrack-like material. a deep, dark and yet seductive trip again for the corporation.




 e to the depth and innovation that paved wilt's way so far. from a deep and touching combination of drones and acoustic sounds to a noisy and demanding new take at the past, wilt's new op




s to deliver a very strong record ranging from hard, dancefloor-friendly breakcore to heavier, noisier broken hardcore tracks. very solid and very recommended.
 arthur d'arajuro, axel jiménez, beatriz tormo, caramela de nata, carlos asencio, dabiz del reino, daniel martín, daniele orizio, diego rondón , drasik, eloïse oddos, escapista photography, ferna




ery unique sound universe. it's up to the listener what he gets here: whether it is techno, electo, chill-out our a soundtrack. both wollschläger and gehle are working as musicians and djs for ye
nts are combined with organic, 'natural' ones, the result is a hybrid between different styles and moods'.as many artists, hecq uses his' works as a 'link' between artist and 'reality'. his' music is


manipulated vocal samples with the trademark bass. kibuka presents the perfect atmospheric audio for today‘s paranoid dystopia. featuring extraordinary extended dark & dubby remix by lustm




ash, nullvektor vs. mc1r, sonic area, twinkle, zero degree and more. limited to 500 copies, jewelcase edition.
 e, the [law-rah] collective, loss, aaron spectre, stendeck, contaminant, chrysalide and more!




 nternational noise and industrial scenes. this year‘s compilation brings us unreleased tracks from all the artists performing at this years schlagstrom! festival, being held at maria am ostbahnh

raving for terror stories. the music is intense and angry with its frail passages, difficult to list into a specific genre, an exceptional mixture of industrial, noise, punk, experimental beats and cha

, tzolk'in, and newcomers rekt, distraub, freeze etch, and unterm rad, as well as remixes by displacer, dryft, and dreams are maps. eo 2 features 15 additional tracks in the idm and electronic
media, and a radiant new track on the recent tympanik audio compilation ‗emerging organisms‘, totakeke is back with his 2nd full-length album that proves to be his finest work yet. from start
 hythms, deep reverbs, and bitcrushed sounds, combined with pianos, cellos, and beautiful synthwork. haunting melodies and distant voices meet complex beats and luring atmospheres to c
 r such prolific artists as polygon, flint glass, mnemonic, deadjump, sara noxx, stendeck, fractional, including 3 new tracks, into one fantastic collection of music. 15 beautifully crafted dark ele
iszoloscope and others, his many remixes of such industrial noise icons as converter and iszoloscope have enjoyed heavy club and airplay around the world. now, ad.ver.sary is poised to rel
ufactura, haujobb, and legendary pink dots, a multitude of remix credits and compilation appearances, and sharp imaginative digital artwork under the alias anti/matter, morton has more than
 impressive dossier of remixing and collaboration credits, including unter null, otto von schirach, diverje, autoclav1.1, totakeke, and many others, lucidstatic lays claim to his rightful place in th
 for the dancefloor with enough vigor to perpetuate inviting headphone accessibility. endif drives the stake straight for the heart, ripping and tearing away at conventional dj filler while effortles
 lav1.1 as one of the more prolific artists on the scene. fusing huge orchestral compositions and idm with flashes of industrial and modern electronica, autoclav1.1 is quickly gaining a reputatio
ound but an accessible human element as well that shines vibrantly. captivating from beginning to end, integral‘s debut album ‗rise‗ is a timeless collection of electronic music that is sure to le
 own style, experimenting with the vast possibilities of electronic sound manipulation. inspired by idm and breakcore legends like venetian snares, gridlock, and somatic responses, as well as
 lessly mixed and mastered to flow like a new collection of work. futuristic industrial rhythms meets uncompromising complexity with all the innovation and quality you have come to expect fro
ck yard of chicago, il in the summer of 2008. displaying a vast array of music styles, all deeply-rooted in the technoid industrial and dark electronica realms, aphorism offers his very best work
ins antlitz once again redefine their signature sound by injecting infectious beatwork into lush atmospheric soundscapes to create a poignant blend of dark electronica and industrial-tinged am
 ure industrial adrenaline, marked carefully by strong, complex atmospheres and dense, apocalyptic beats, ‗the sea & the silence‗ is a monster of an album, proclaiming two powerful elements
 es filled with dense, emotional soundscapes stirred generously by a vast assortment of broken beats and rhythmic pulses. drawing from a prolific pool of dark ambient, idm, tech-step, and rhy
 racks by some of the very finest in pioneering electronic music composers. featuring all new and exclusive tracks from artists around the globe including access to arasaka (us), totakeke (us)
after the next, ‗sonnambula ‗ conjures up the true ingredients of intelligent electronica, driven by distortion-tinged beats, soaring synth-lines, and modern classical elements that spew emotion
ey through his unique imprint of complex and melodic electronic and classical output. inevitably, se emerges from his creative cocoon to unleash a fantastic debut album for tympanik audio tit
dustrial rhythm, totakeke once again delivers another extraordinary collection of work. in addition to the new album, ‗the things that disappear when i close my eyes‗ also includes a bonus cd o
 o matter how you cut it, tapage has charmed his way into the hearts of tympanik audio listeners and is undoubtably here to stay. tympanik audio is proud to present the highly engaging new a
 her with excellent renditions by some of the world‘s most respected electronic artists including stendeck, iszoloscope, esa, cyanotic, synkro, phylr, autoclav1.1, salt, and many more. ‗a bright
 eats and meticulously crafted synthwork. with careful attention to cohesiveness and alluring dark ambiance, ‗black brothel‗ commands an air of maturity and function, expertly merging shadow
 were exit wounds‗ is a visceral montage of complex beats, surging guitars, pulsating synthwork, and undying melodies, that will well exceed even the most ascertaining tastes, all the while ex
 to earn their throne amongst the horde of imitators. with stabbing progression towards the unusual and harsh, disharmony utilizes their unique mesh of technoid beats and classic industrial rh
, delicate sampling, infectious, stabbing beats, and an uncanny sense of raw emotion woven within, [haven] effortlessly separates himself from the pack with slick rhythms and graceful chaos
 l-received compilation appearances for the hymen records and tympanik audio labels, access to arasaka now offers the true scope of his capabilities with his innovative new album ‗oppidan‗
 nk-driven basslines, and an air of sweet melancholy, ‗x was never like this…‗ captures the true essence of diversity in a genreless package that could only come from the mind of displacer. w
 ions, and true sonic purity, ‗return to childhood‘ will undoubtedly captivate your mind and seize all of your bodily senses. we dare to say, it‘s orgasmic. somewhere between the urgent comple
  lav1.1, and more. so perfectly sonic, your headphones will love you for this...
  nent meets loss with a hint of stendeck. broken and beautiful electronic mayhem.


ny more, ebola is back with another great album. previously releasing on labels like mutant sniper, sublight, noize:tek and wrong music his 'broken' musical style is varied, with definite grime,
 id records, the sequel to 'mutant dubstep vol.1' by uk's ebola. what you should expect from 'mutant dubstep vol.2' is 3 brand new sonic tracks, evolving around dubstep, hard electronics and
 future technoid-meets dubstep-meets idm progressions. tags are useless when obvious beauty apparently comes out off this ultra-heavy explosion. straight from the underground to the collap
 g like a parasite, clawing away at old wounds. like ashes on celluloid, 'little black cloud' opens up a widescreen vista of sound, albeit sullied and decaying. eschewing the polish and sterility th
  his recent work under the moniker 'poordream'. his aim is to decode the secret messages of a dreamy world by composing melancholic melodies and intricate, uncanny sounds, all put toget




oast. on this record one thinks that one can hear the clouds, the tidelands, the peace and quiet but also the raving sea. cd-r release.


 book-cover with 1-page inlet and embossed frontprint!




pies, paper folder packaging.


pherical disrupted, alarmen and more. jewelcase edition, limited to 500 copies.
 nd noise, electronic sounds and field recordings are featured on this over 70 minutes album. recommended.
 see by it's name underwater worlds are used as the cd's main theme - a psychedelic ambient journey beyond the surface. friends of templegarden's will also like this work, not only because p
 n feat. various coloured cards.
 m itself) tries to bypass filter mechanisms and spam-blockers with sophisticated techniques. maybe an analogy to the sounds and rhythms of alarmen: slowly but steady they get into the liste
also 5f-x, heimstatt yipotash, mimetic, telepherique, facies deformis, carsten vollmer and nerthus. this mixture results in a diversified collection that partially places the sounds of spherical disr
 ance at art konkret and recently on polymorph records. 'urban' is the latest work of this project and we are proud to have it on our label. on the first look, the 8 tracks on this cd might be more
ar sophisticated dark ambient tracks between cold synth-pads and gloomy noise. besides ten new mandelbrot tracks the cd features a remix of the czech-living grimbergen.
s plus a remix by spherical disrupted.
 ld like to show you what we have done so far. every project that released on audiophob was asked to provide one or two tracks for this compilation and here is the result! 67 minutes of audio
 n exhibition on darwin's work in the 'museum am schölerberg' in osnabrück/germany were created by b. teichner and p. muench. while these works will be presented live at the museum on m
 wave lengths. this phenomena is addressed in the albums five new tracks of sometimes epic length. elements of dark ambient, idm and even 70s electronica are put into a modern context on
electronica melodies. track names - which reflected the barely existing information of spam mails on 'there is no place like hoan' (auphcd005) - are abandoned on this album. the sounds migh


 w/ full-color sleeve and 8-page booklet including more infos about the concept.
 nd more. the sounds create a threatening environment before the storm that resembles quietness... limited edition of 300 copies in cardboard sleeve.
e strengths. to joint the equalized spawn of impulsantwort, dreadfully pertinacious, and the radio-active glaze of telepherique on this unitary sound-trimmer, we need to perturb the transparent
my house of mourning, ultimately and invariably culminating in death, gives us a healthy, balanced view of our fragile life. some time spent with the sadness or grieving, helps us appreciate the

 uch musician. in his 20 years of activity, he walked against the number of noisescapes, painting them over with some secret traces of beauty and beyond. he released some solo works but a
 satose we are mesmerized by flowing and mysterious ambience, and challenged by unusual rhythms and noises. this, a very personal cd to telepherique, is also their final full-length recordin
 toy factory corridors. digipak packaging - limited 500 copies.


 ape nightmares.you have never heard anything like this before, and never will again.. packaging: deluxe 6 panel digipak-sleeve with stylish design by salt.bombthedot
 hi miike. his work inspires so many artists in our music scene, and gives us amazing dark cinematique visions that leads to ideas and audio concepts for creating our sonic art. each artist ha
otodama. once you have unleashed the captured voices from their hiding place and into your living room, then you will never catch them again..in japan the old ancient word kotodama meanin
 t in a spiderweb that sticks and creeps to your skin, there is no escape. akumu is a truly imaginative and terrifying electronic album that gives us a new and unique edge on the artist and soun
 listener with his or her deepest inner fears. the 44 minute track, built from drones, ambient noise and extreme frequency modulations, was created for and performed at the new forms festiva
dwelling zombies, cannibal midgets, and legions of homicidal madmen all run rampant. while end's first release science/fiction was filled with spooky space themes, this recording is on a total
y of complex beats. the twelve tracks include subliminal bits of sound that drift below the surface so that the listener is deeply captivated. bipol is supported on three tracks by tim kniep (synap
 es and complex rhythms form a mixture of ruminant and impulsive tunes which hypnotize and stimulate at the same time. the well balanced acoustic and electronic instrumentation, in places
ark, claiming caleidoscope of state-of-the-art electronic sound mastery. dubstep beats are combined with dark ambience and manipulated voice samples. fast, heavy breakbeats are mixed wi
moog-boogie of 'the end of the world' to the disco-metal pyrotechnics of 'wargasm' snog forge their own path and their own sound, bold, uncompromising and just a little bent. recorded entirely
 s wizards enduser and current value up to breakcore warlords venetian snares and otto von schirach - but it is unmistakably architect you hear in every note of each track. consume adapt cre




bush, subheim, famine, millipede, fractional, metaform, autoclav1.1, raoul sinier, detritus, michael fakesch, keef baker, otx, poordream, empusae, and many more… available on 2-cds only w
 symbiosis of electronic and acoustic instrumentation. influenced by life in its multifaceted shades the songs captivate especially with musical openness and don't shy away from exceeding th


ving the typical cold, dark and ambient sound that flint glass became famous for. inspired by h. p. lovecraft's novels, the tracks on 'nyarlathotep' give room for epic battles between coldness a
or is a humanoid guilty of several musical crimes. the first has been committed as main member of the band extasick who released their first album in 2004 on the respected weblabel dtrash w
 hing you would expect. influenced by hint, download, clint mansell, foetus, coil or the downward spiral, but mostly by the hypnotic power of mass media, arco (sonic area‘s mastermind) and v
  creates a transparent ambient with catchy tunes forming a perfect symbiosis with intelligent entangled beats and cast a spell over the audience.
n emotional points and sends the audience on a musical journey into soft and melodic electronica tracks enriched with delicate arranged beats and ambient spaces to lend the two musicians
 music is a subtle intellectual electronics filled with sunny melodies and micro-glitches, which dissolve in pure ambient landscapes of nature - in forests, fields and lakes. in 2003 the debut alb
 r own. coming together on front-woman hecate's own label, zhark international, this project utilizes all of their strengths whilst broadening their field of impending annihilating impact. debuting
 in which hard industrial effects, intense frequencies and relentless beats are pushed to the limit.
hms and tones of poxxe's sound. a strong follow up to the label's previous release (dm12001) 'minion - bored in the u.s.a. ep.'




 e, is a fast, furious, twisted punk rock belter that's been a crowd-pleaser at the band's live shows for nearly two years. in both cases, the band sound noisier, more urgent and yet more strang



 ce-jazz and doom metal; a continuous data overflow and a merciless attack on all the senses. if you are into the real heavy stuff you can't miss this one! this uniqueness in dev/null's sound h
  different styles of dance music made solely with the intention to get people moving! from booty to breakcore, happy hardcore to hardstyle, techno to b‘more club music, forrest has it in there




 ncludes drastic re-workings from xyn and somatic reponses.
nge from tech-house, electro dub, glitch, ambient, and minimal techno.for fans of artists on record labels such as basic channel/chain reaction, mille plateaux, plus 8, & force inc.


h a healthy dose of idm sensabilities(that seduced him in the 90's ).address unknown shows a warm and more human side to the usually cold and antiseptic world of electronic music with its s



 dub and downbreak sound experiments. on sunny afternoons, ripley spins rocksteady. in all arenas, ripley's fierce intellect and raw energy spark new uprisings and unseat preconceptions. in
material, and they've been killing dance-floors and airwaves across the globe. legendary bbc radio one host john peel (r.i.p.) chose mashit as a 'label of the month' in october 2004. the records
 f their own, but strangely no imitators. after a promising but stalled start as a low-fi amiga 1200 toting indie band that made portishead sound like the theme from my little pony they regrouped


 d now mix up a variety of styles including dub, ragga, hip-hop, 2step, grime, as well as more eclectic styles like funk, soul, bhangra, and rave. monkey steak‘s exploration of garage and grime
 a 12'' on bong-ra's kriss records later this year! this is his first vinyl release!
material, and they've been killing dance-floors and airwaves across the globe. legendary bbc radio one host john peel (r.i.p.) chose mashit as a "label of the month" in october 2004. the record
 every sense-and slap the soda jerk if it ain't the most satisfying thing you've ever tasted. first up is a luscious scoop of "boy rek," a concoction of clickety hip-hop rhythms swirled with chunks
cy metamatics in a lush remix sauce! round up a six of kingfisher and settle in for a 10-inch vinyl meal sure to set your senses racing faster than a mumbai bowel movement. at the heart of th
ntee there will be no barfing when you check out delikatessen‘s fifth installment of delicious electronics! and that‘s lilienthal‘s special blend of warm melodies brewed up just for you in anti-m
h cookie with three glorious flavors baked in. the first bite, ―lylt,‖ is a rich mixture of bubbling hip-hop vocal samples and sweet uptempo bass bumps that tastes a little bit like prefuse 73 and th
e you just don‘t care! ooops, wrong fruit group. it don‘t matter though, ‗cos everyone at delikatessen is partying like it‘s 1999 after learning the next 10-inch plate is none other than those citru
air, deru digs up this spanking new collection of four remixes by fellow sound farmers guaranteed to be the perfect garnish for any listening environment. first up is a delikatessen regular, lusin
since 1997. the first track is a top sirloin cut, cooked well-done on the outside with crispy fractured beat slivers, but which opens up to a juicy medium-rare atmospheric melody that delights w
 to the grinding industrial-lashed assault of 'gotta gotta gotta kill,‖ to the straight-shootin‘ jungle / breakcore rinse of 'grrly jungle,‖ this is music to party and get down to. with previous releases
rds in 2007 entitled 'skr(ep).' blipvert recently appeared on a vinyl compilation entitled 'new deal' released by the netherlands' eat concrete records. in a live setting, blipvert takes on a twisted




 innovators of the genre. 37°c incl. an infectious up-tempo mix by convenant. penetrate and expand your consciousness!



tations, incorporating experiences which they collected during numerous live/dj sets on all continents. they work with deep musical atmospheres and evoke a field of vision, based on the 'noti
 album 'remixes of kmputor' with remixes by ammo, concentrix, fiction 8, mlada fronta, negative format, razed in black, spies etc. each track is a venture into a different genre – so what do yo
irresistible electro-beats with highly-skilled rhythm patterns, infectious synth lines, majestic atmospheres and passionate vocal performance. a sinful experience created by one of the finest e




 once terrestrial and alien, as well as melodic structures which merge skilled composition with the ambiguous flood of drone.
al feature of the v2 release is that each cd package includes a card containing a unique .regcode. which can be used to register on synnack.com for access to additional songs, unreleased tra
. it.s also the perfect accompaniment to the content of mondegreen where, in the opening seconds the door locks behind the listener as one embarks on a slow descent into madness, enterin


 um & bass and dark ambient. 'irregular dark beat' also features remixes by tarmvred, suspicion breeds confidence & needle sharing.


hats sure to be a promising future for this rising australian talent. features artwork by eyelyft and mastering by john sellekaers.
well as some of the best tracks from their 12''s, this cd is going to trample your preconceptions about who's who in fast, broken electronics. contributions from concrete cookie, the dog, depth
ed and endlessly rewarding. it is this tense balance of synthetic, sterile soundscapes and scathing vulnerability that sets this project aside from most acts in the dark-idm genre, and sets it we
he northeast and california saw the debut ep quickly sell out, leaving fans waiting in anticipation of a full-length album. and now hive records is pleased to release witness to our collapse, a m
 types of equipment. thought to be the way of the future, some of them remain now very odd pieces of history, yesterday‘s tomorrows. this recording is the first collaboration effort for vromb. t




vere & obscure release, different from all previous bad sector albums. in the background, bad sector's trademark chilling micro-melodies completes an upsetting, allucinated but crude vision
less idm, more cinemascope for the soul. toytronic's mr projectile is up next, 'dextroamphetamine' being yet another masterful display of his intricate production technique and his feel for scen
esthetic with its frantic beats and ultra clean dsp noises, a la autechre, superb melodies and a penchant for construction make this cut deep, it really eats into your head after a couple of liste
eases he delivered tracks for compilations on studio!k7, vpro and on records. this 'best of' album combines his masterpieces + 5 new tracks on 1 cd. slack is a full length distinct autophonic s
ernetic:fuckheadz> would sound like. hardcore breakbeats <cybernetic:fuckheadz> is also the result of both recording artists to create a harsh hybrid form of drum‘n bass, breakbeats and har




nto an auditory perspective. the result is presented on the new album ‗drones for drella‘, which was named after the tribute lou reed and john cale wrote for andy warhol after his unfortunate d
lot of melody, it always forces you to feel that control of violence can be lost in one nice moment. yes, it wakes up most of your secret wishes which you should like to hide deeply inside yours
g. paper folder-cover edition.
 ors. suicide inside has added new sensations and the perception of the real opposed to fictious worlds into their sound. massive fat beats, slightly faster than on 'theory of the arising of desir


vromb and ah cama-sotz. gatefold-cover printed in gold on bordeaux cardboard.
 musical ideas. this is a soundtrack so inventive it doesn't require a movie.'




t insects being poked and prodded by alien machines designed to extract their unusual sounds. reeves works meticulously to create this eerie ambience, patching samples together on tinker




 aire, known for his releases on burial mix, main street records and false tuned... ramadan is a division of zhark recordings berlin.


s a unifying theme for each track. the journey through the 4 tracks on offer is like being dragged through some sinister purgatory from a lynch movie. heavy, industrial machine beats, bone s
 la lugosi looked on. rediscover the power of the omni analogue synth,the man from planet x and peppy little pop numbers with titles like 'the second advent of elvis', 'the pornoman','cannibal
et d‘art at some point. there are enough artists that doubt it nowadays. they can argue against his point. but they can not argue with andy warhol anymore. first of all he‘s dead. and second, th
ese completely diverse sounds to create a wonderful musical style all their own. aside from 13 excellent songs, there is also a cd-rom video included on this disc, 'go satan go!,' which comes


 ar composer rezo seres, which was forbidden in hungary after 17 people had killed themselves under the sounds of this song during three years. listen to: in the gloomy sunday morning' (fhm



story of legends. after a long hiatus they have returned. click click delivers 3 cuts of amazingly deep atmospheric rhythmically driven compositions of dubby organic fluid funk. imagine being a
political vocals meshed with hard drums and minimal yet funky synth production pankow not only defined their own sound, but also over and over again redefined that sound. after a forced br




y filled with intricate melodies and classic techno sounds. jonas the plugexpert keeps the flow and changes it up a bit with some mild ragga-jungle. eight frozen modules gives a lesson in elec


ns with a chorus of angelical voices, subtle strings and heartwrenching melody patterns. the following five tracks continue exploring different textures and sceneries: mysterious floating strings


 uffy atmospheres and even instrumental surf influences: 'the trifid project' was on. an incredible complexity of sounds, where melodic, evilish guitar strings meet dark-heavy rhytmics, blips an




 ndencies, of sarcastic humor with fits of expressive sensitivity.
nner music of our body : the singing tones of bones, heart and chest...'
 in the phonebook. since the late 80's some live performances were also organised in secret places and transmitted by phone to the audience.
g many different emotions, colors and visual perspectives. stay stoked !
atch 'monsters, victims & witnesses' and get ambassador21 live energy! running time: 61 min., pal system, region 0.
 usive. angèle david-guillou, from the french band, klima, sings on 'nightmares of the deer.', while steph jaggers speaks on 'the dream of the murderer's ship pulling out.' these tracks were all



all over the world with great success. barndance is the most requested track ever on donna summer's advanced d&d radio show on new jersey's wfmu. hold the west is an all-time favorite on
e happened in the intervening period, it is clear from the first note on the lead number that all the elements so vital to his style--excitement, technical mastery, jazz orientation, and a superb se
 e, this time, a musician takes his tortured leave of it all. insomnia is contagious, it seems, among the ranks. soplerfo sums up the thoughts of all those too young to participate in live aid, and
sounds within, coupled with the pristine quality of both its vinyl and silica; there are few words to describe a record that must be both seen and heard. it is with great confidence and pride that
sounds within, coupled with the pristine quality of both its vinyl and silica; there are few words to describe a record that must be both seen and heard. it is with great confidence and pride that
e influence of coke and eno, the beat staggers along as though drunk with the power of one too many old styles along the litter-strewn streets of the american gotham solenoid inhabits. determ
e boundaries of the full length format, zod has given him formidable room for interpretation within his unique voice; and bin ray does not disappoint. from the strains of his first chorus to its fina
d and spontaneous by using live instrumentation that is precise and direct. the second (and maybe more important) reason is that 'plays!' is even more adventurous in its fun combinations of


sses the band enjoys regularly, largely thanks to founder food team's aptitude for riding his profusely toggle-switxhed brainchildren's outputs like a porn star. granted, the artist sometimes still




 stéphane berlat, german photographer katrin guterhausen and graphic designer mathieu orioli, o.t.x has created a work of pure imagination that could be seen as the bizarre encounter betw


s debut album on ohm resistance. having relocated to san francisco, a new release on his creative power is demonstrated adroitly over the entire album. left shows the most range of end.use




hat bridges the gap between old and new technology. thematically, the nacrasti explores an ancient desert culture that was advanced beyond its time and yet long forgotten by history. your d
erted by video-artist clemens von wedemeyer into a thrilling visual story. which is available as quicktime video file (for pc and mac) on disk two.
samples. this is pure soundscaping, layering to silence and back.


% of all samples are taken from various ant-zen releases. sampled, de- and reconstructed by panacea.
ust started to penetrate your disfunction.


 tion of both bands. imminent and synapscape both perfectly combine their familiar elements to an overall sound resulting in something completely different and unique.
 eminiscent of some older logic records stuff, quickly followed by pure power electronics, loops and obscure voice samples. then chill out-like rhythms encounter deep house beats, again follo


nsparent paper + 2 of 6 covercards (polaroid mata's)
as well the soundtrack-like, dark science fiction atmosphere contributing immensely to take the listener on a industrial, futuristic trance trip.




ere not on the violence of the tracks, but more on the adequation of the ensembles of sounds. on first sight this is still unstructured, unspoken chaos (the reminder of 'rictus') - here it is uncom
h a rhythmical touch and a scent of dancefloor. the multi-layered distortions have been put more in the background whereas melodies and rhythm have been given more attention in the foreg




 bizarre journeys, reveals his personal social observations regarding politics, capitalism et al and juxtaposes philosophical aspects of daily routine. 'the voices of reason' is not a spoken world
que' is more beat oriented which fits perfectly to vromb's live sets, but it will come as no surprise to those who own vromb's earlier works. girard's music contains minimal electro rhythmic expl




 hms that are monotonous, minimal, and repetitive. however, you can always hear mata‘s experience in the building up of an electrified analog beat in concert with the unique elements of a tra


while listening - if you can't, just close your eyes, then you will see... 'medicine for the meaningless' can be described as a fascinating, imagined soundtrack with a great variety. listeners who
work and daily life is audible.factory work and disco enjoyment is melting together. no pause,no silence - just hypnotising four-to-the-floor polyrhythmic heart-beats. if you live a '24/7 life' you w
s full of urban tragedy and fast beats; they represent a life on the fast track. that is probably why urban scenes all over the world incorporate this unique sound in their daily sceneries. live sets



 ed about that). however, mentioning musical genres leads the open-minded listener down the wrong path. a brief description of the music's intensity is hard to give. reading the lyrics and liste
w' is the fifth full length synapscape release. it contains a variety of works that they did between 1994 and 2001 - most tracks have ever been released before. you will agree that it was worth
 them sending greetings to zoviet france's parallel universe (perhaps even a small postcard is sent to pierre schaeffer). but you can never hear them dance - never. these strange life forms d
and forgotten tribal styles of the past that are layered with present day hypnotic rhythms and dark atmospheres. each track is a part of the whole and perfectly aligned with the others. as to unf


e been working on is more ‗danceable,‘ better for live-shows than the complete ambient-like productions i‘ve done in the past,‖ says mootz. ―well, certainly there have been loads of glitch-amb
 the style radically or use the fundamentals of the debut as a basis for exploration into new spheres. stephen sawyer a.k.a. l'ombre has chosen the third direction. the mixture of electronic and
 land: daruma-the founder of zen in japanese art and popular culture ) . the expressions of human feelings that you can find in daruma's faces can be found in ant-zen's tenth anniversary com
 king through a clouded sky while window shopping ('boulevard'). all sounds were generated with analog and digital synthesizers. the listener might believe that they are hearing modulated sa


e at least deaf, maybe blind, or at least a one-eyed man... cd2, 'le serpent rouge' focusses the ritual-influenced side of mika's musical personality. this music is more quiet than 'le serpent blan
 ion of this album: 'an abstract battlefield combining subbasses & furious rhthms, low wavelengths & sharp metals, dry kicks & pricks. declined in multiple layers of sonic masses, from the slow
ck. people asked for records and exactly one year later he has delivered his debut ant-zen full length. the malleus maleficarum (the witch hammer, geman: der hexenhammer), first published
with philipp and a new project was formed. a project that would include the creative output of both musicians. hence, cell auto mata was created. maybe you heard the first result on ant zen‘s '
ouble cd - cd 1 includes the album itself, cd 2 contains remixes of past and present ab ovo tunes. remixes that were done by von magnet, mimetic, haiku, emphasis and others. 'le temps susp
 s. the creation of altmann‘s tongue - which features brian evenson reading selections from several books through a sonic fabric created by xingu hill and tamarin - proved to be similarly catac
ble'" -- they said. to answer the question "what do you mean, listenable?" there was... "pop! rock! dance music! choose your own!" maybe you think that u.m. is 'closing the circle' by returning


 d through sound. the early description of black lung's music, "ultra-distorted sound and darkest ambient", has become quite obsolete. the music is less distorted and much more electronica o
 the proof that it isn't always necessary to re-invent the wheel. the album‘s experience is made up of 10 merciless, powerful four-to-the-floor tracks with dominating rhythms, melodic synth lay
d live for every performance. in order to achieve a proper life independently of ‗les chambres d‘œdipe‘, most of the tracks were strongly reworked at laboratoire central (some months after the
 surprised. there is a permanent change - without any real interference. the album could also be described as an 'attack on expectations' - sequencers and electronic percussion replace the e
 synth soundscapes, soundtrackish samples and filter manipulations. a perusal of the 7 remixes done by ab ovo, enduser, hecq, mimetic, displacer and s:cage reveals reverberated distorted
1): you will be blown away by the sheer power and intensity of the first two tracks but then you will be lead into a state of hypnosis, trance and ecstasy - and before you know it you will get trap
ations could be described as 'scientific', comparable to the works of modern electronic composers. but instead of 'dry, academic experiments‘, szkieve transforms moods into music and the re
 top even the highly rewarded ‗electronic music means war to us‘album. bringing once again a very eclectic mix of various underground-electronic-astyles with a sharp edge, this album will pl
pre-thesis about industrial music for the university of lyon (1993). also while in france he contributed to the industrial music scene by organising festivals and concerts in paris. in addition he d
 powerless and hiding his' head in the sand. the second part shows his' rising anger towards the powers oppressing him - part 3 continues showing the pure hatred which seems to absorb hi
out a new sign of life - well, here it is! if you once again expect merciless breakbeat attacks and heavy noise experiments, you‘re in the right place. yes it indeed rains ropes, starting with a ch
 with electronic dance music or to put it another way, he has been perfecting his personal take on intense and explosive club-music - all under the moctan moniker. the results were two self-r
 al fan base. 'soap bubble factory' is geneviéve's first album on cd - her previous efforts were vinyl only. all 12 cd tracks have never been released and they explore dark, electronic soundscap
 fter their performance they disappeared as fast as they showed up - but photos have been made as a proof that they were indeed rabbits! through mysterious channels, ant-zen received a ph
 on this side border. unfounded. arrested white man with boatload of stolen musical tracks. chased an outlaw into mexico. killed our horses. no arrest. nursed maltreated idm musician. got him
mself they were just tired men returning to homes left long ago. once they had marched with the proud steps of men with a mission to be accomplished; now they plodded wearily, heads down
 the listener's ears and feet - another well-known thrussell tactic: give them a beat, add a melody line, refine the tracks with sometimes pretty, sometimes threatening synthscapes - and invad
nuation... this concept album shows genetic selection's musical improvement one year after 'orbital ground attack'. distorted four-to-the-floor tracks are decisive, dark ambient soundscapes a
humour you will find in samuel beckett's works for example.' once again the two belgians easily create an aural sphere in which the usual musical laws don't seem to exist, or don't seem to be


 meet dark and drony loops. surrealistic samples are added with merciless noises and dark collages. morgenstern's voices on one side, ear-drilling subbasses on the other. two different side
e was once a more strict separation of ambient spheres and hard beats but now there are eight tracks which have to be heard as a whole unit. the straight rhythms and mighty pulsing basses
 is actually fifty years old now (if you know how to spell 'pierre schaeffer') - but we zone out. 'pop pressing', well that's another story. if you enjoyed that record then you will park it not too far fro
om the split-10" with bastards of love, g.p.'s 'in stahlgewittern II' compilation contribution - and the previously unreleased 'blitzkrieg baby' (part 1 and part 2). the style ranges from distorted noi
 ng with whitenoise, baby? go enjoy it! after three years, several compilation appearances and re-releases of older material on cd-r there is a new sign of life from asche. more distortion, more
beat attacks to dark ambient soundscapes. 'expansion 2.0' tracks range from the 'shock front' to 'exit ritual' period - which perfectly documents sturgis' improvement. instead of repeating a su
eddon' 12'' which was released on ant-zen earlier this year. packaging: 4-page digipak cd packaging + 12p booklet.
s styles. hypnotic synth lines converge with pounding four to the floor sequences, symphonic choirs ('epic dreams'), disturbing shattered voice samples ('a man and his droid'), and electronic a
y the sonar line-up consists of dirk ivens (dive, the klinik, absolute body control) and eric van wonterghem (monolith, insekt, absolute body control). alien overdrive displays sonar's profession
ched as a short film, is a modern adaptation of e.a.poe's 'the tell-tale heart'. in this version, technology has replaced the function of the human organ. the 52-page book (21x21cm) features m
 s the result of two years of hard work, a mixage of electronic tribal/triphop beats, combined with dark psychotic soundscapes, drony bass lines and odd voice samples. bipol's music could be


ng basses to the final 'fissure of baal' collage - go get the official record for people who are afraid of, or just plain hate, creepy, evil clowns. yes...this is the no clown zone!
c 'e-punk' attitude (clearly demonstrated in the cover of the dead kennedys classic 'california über alles') and at the same time he offers a blueprint of what rhythmic noise can be today (dying
ge of sounds. there is beauty and aggression at the same time but there is no disruption; which is perfectly exemplified by the13+ minute track, 'madness'. a kaleidoscope of melodic keyboard


 st five mythological statures characterize an attribute for which they stand for: vitiation (moros), death (thanatos), sleep (hypnos), discord (eris), retribution and revenge (nemesis). the last thr
nkert (aka bipol) achived recognition as an innovative bass player and sound constructor with klang, womp and templegarden's. during various sessions both generated the idea to merge the
 f empusae's distinct dark, oppressive and brooding soundscapes and flint glass's characteristic rhythmic and ambient compositions (which are seemingly subject to an almost alien purpose a
from various collaborations and often seriousness was undercut with a wink... as on previous c.o. releases you can hear musical and stylistic sources from many cultural areas; for instance o
 ough the project's name was taken from the mao zedong quote, (which sounds harmless at first but culminated in terribly oppressed freedom of expression) 100blumen's musical aim is not n
ent aspects of 'toys': the pretend innocence of a real toy like barbie, human beings who use toys for specific role playing and deadly weapons used like toys by grown ups who can never nega
ut since then has evolved into more complexity. the hard-floor oriented aggressiveness was enriched with electronic ingredients of all kinds - ranging from electro and electronic body music to
ndchess". later on, it was transformed into 'math & emotion' because this title reflects the way klangstabil learned how to play the game. "the concept 'math & emotion' became wider and over
es (while the metric speed is kept). however, there is a readiness for experiments - thus they avoid turning a trademark into a corset. synapscape's open mindedness to the electronic art com
 t fit in the hardcore / gabber genre, area keloza can be seen as a manifold mixage between powerful pulsatile industrial, advanced deep tenebrous electronics and circus-like melodies with h
  inspirational character and a non-musician with a twisted mind, who left klima stunned with a multiplicity of ideas and extraordinary creative urges. kean became the muse for a new-born nam
 l is put into opposition, where everything would like to divide us and where we are being arbitrarily dictated the absolute necessity of a choice. but with 'ni prédateur ni proie' (neither predator
urface appearances of technoid intelligent dance music structures, catchy impulsive beats, melodic soundscapes and (unpredictable) tribal elements. for this project mika goedrijk left out orie
artists in auditive and visual areas. after knowing each other since 1993 and sharing many hours making music together in the mid 90's both martijn and bauke went into different directions c
2007 simultaneously with his first concert at maschinenfest. following this were various remixes, collateral sound work for art exhibitions/installations and a collaborative album with config.sys
e seen as ensigns for this symbiotic emotion. which is also represented on the front cover: a homage to the 1594 french painting, 'portrait of gabrielle d'estrées and duchesse de villars'. on th
 or 'requirement', crystal clear technoid detroit synth lines meet strictly accentuated beats, disturbing samples and captivating melodies. the more you listen to this album, the more details that
o project - a challenge he has masterly succeeded in. exocet's sound can be described best as the missing link between present day noise industrial and intelligent dance music. repetitive ind
  amplified ambient environments - all created by acoustic and electronic sources. these cadences solidify the abstract collages, heavy low-frequency electro bass lines, sinister minor piano c
 king you move, just as intended. titles like 'come closer' and 'a new day' slow down the pace for a well needed pit stop by using dark synths and ceremonial voices which create a hypnotic tra
 e styles (without regard to any arbitrariness). the music's scope ranges from subtle, slow-moving ambience (changing, nobody's darling), electro noise tunes (bouge!, fusion), beautiful atmos
o aurally express mass and velocity of an object (=momentum). framed by the fast, pulsating floor burners momentum I and II, you will discover the melodic beauty of nuraghi, the tribal, symp
the listener decides to. musically, 'floral annihilation' is a consolidated package of energetic, percussive pieces, interlaced with many facets of electronic sounds - repetitive, impulsive and su

ient noise hymns that are combined with a kind of post-krautrock feel. sum of transformations contrasts analogue guitar strokes with the digital iciness of dark and disturbing soundscapes. an
oniker to imminent. after the name change he produced remixes for sonar, iszoloscope, orphx and others, appeared on compilations, performed live and collaborated with synapscape as 'the
an be experienced on atmospheric tracks like 'tired green' where hypnotic repetitive patterns and puissant sub-bass create a continuous hypnotic flow. the album's conclusion, 'klimaveränderu
as well the soundtrack-like, dark science fiction atmosphere contributing immensely to taking the listener on a industrial, futuristic trance trip. vinyl version of ant-zen act108 incl. 1 exclusive n
ution of both bands. imminent and synapscape both perfectly combine their familiar elements to an overall sound resulting in something completely different and unique.
 all comes to colours. the first one called blue, the colour that reflects on sadness and dark feelings. blue reflects these feelings, so it was the right choice to start with the chapter blue as intro
uch of his musical influence. the music is much more acoustically involved, although highly manipulated electronically. much of the credit for the recent change in direction should be given to


m and delikatessen records. with waves of praise, respect and new fans with each release, lusine icl is showing that he is a major rising force in electronic music. it is not hard to imagine jeff m
pushes the aggressive, the combative, the raw power of percussive sound in her recordings as hecate, stressing the dominance of breakbeat as well as contemporary noise fury. brian william
ounding through an idyllic synth melody - setting the stage for formless‘ central theme of emotional catharsis borne out through conflicting sonic textures. fans of l‘usine, marumari, funckarma
ear synth-sounds - catchy.. okay, add this one too! benny came over and said 'hey daniel check this one! nice rhythm, eh? listen to the breakbeats, soundtrackish voice samples and filters - r
 in timbre from the textural calamities of akira rabelais and autopoieses‘ noise patterns to the tone-pulse configurations of ryoji ikeda and carsten nicolai‘s microtonal minimalism. titled ―circuit
acerbic noise assault after another, the kind that will make most fans of twee synth tunes soil themselves. ―we've taken a harder stance for this lp, as the title suggests,‖ says john. ―i think that
p3 format), appeared on compilations and produced remixes. wisp's sound spectrum can be described as the perfect combination of atmospheric synth lines and well elaborated beats. the br
 machine on other projects. relentless in her output and energy, she comes to devestate your receptors through sheer sonic mayhem. based around the destruction and murder of countless h
he memory of john carpenter as viewed through bullet-shattered glass ('heliuminum'). somatic responses puts you into a swirling bed of synth clouds while producing an album which proves t
nd that left the listener nailed to the wall. three years later, 'psicicite' has the same ingredients that xanopticon is known for - microscopic synth tones, noises, samples - and of course beats. r
on his creative power is demonstrated adroitly over the entire album. left shows the most range of end.users album making career. intensely personal, intensely musical, and just plain intense

oles leverages the anthemic sagas of johnny cash, roger miller and johnny horton - the hard-strummed western epics of the 1950s - in turning out superb moments of social commentary on a
 box and other styles which haven‘t been invented yet - the result is something you cannot miss! doormouse's parents approve this recording - and you can believe them, he's really a nice boy
of the world's most original artists. by far his most approachable and even refined album, it's still pretty crazy in a way that only otto von schirach can provide. this time the overall feeling of the
e music are an obvious influence, as are japanese harmonic systems. the overall sound can be compared to artists such as venetian snares, dj /rupture, or squarepusher, but ove-naxx's sup
abil, it, mother destruction, snog, hypnoskull, winterkälte and silk saw.


al change in style, with the quirky industrial of snog metamorphosing into a vocal-enhanced take on the idm of thrussell's other well-known project, black lung. thrussell's blend of equal parts p
iving a mindfully listening to enjoy a more experimental side of electronic music and assimilate the full potential with access to an exceptional sound experience! it exists in its own space and


e in style, with the quirky industrial of snog metamorphosing into a vocal-enhanced take on the idm of thrussell's other well-known project, black lung. thrussell's blend of equal parts paranoia
efined the world of ambient dub. scorn has emerged as the vanguard of both the post-rock and isolationist aesthetics; appropriating such distinctly communal music as hip hop and dub to ext
actually the 2nd cd release of the somatix brothers and the follower of the cd 'circumflex' on hymen two years ago. they mix rotary beats form rhythmic regularity, dense waves of electronics w
ring basslines & breaks. the journey continues on with rhythmic trance themes adding touches of and drum'n'bass elements that dirge forward with immense dark demand of detail. those det
ral urban feeling worked out in an intelligent way. the final step so far of starfish pool‘s work and something which fits well with the very high quality of the hymen releases.


wever, there's too much twangy electro and dolorous ambient funk on 'motion of' to keep her straddling those genre fences. 'motion of' is the music of mysterious dreams and lonely moments
bstanz-t, starfish pool, noosa hedz, somatic responses, xanopticon, k_chiko, red sparrow, llips., trifid project, end, so fuckin' jazz and fanny. enjoy mostly unreleased tracks by hymen- and hym


you will enjoy every second of it!
nce/fiction. throughout end‘s science/fiction is a strong sense of theme and melody that‘s as resonant as any modern electronic album you‘ll find today. science/fiction revels in expansive perc
xperiences. electric opium bursts forth with bright soul and a vibrant sound stewed in urban lounge dynamics - where you‘re as likely to get an earful of tight hip-hop rhymes as you are a hallu
oles leverages the anthemic sagas of johnny cash, roger miller and johnny horton - the hard-strummed western epics of the 1950s - in turning out superb moments of social commentary on a
‘s not porno music. nymphomatriarch is cutting-edge drill beats and raucous noise that puts your ears in a vice. the tempestuous breaks venetian snares is known for spiral down to the very p
d visual input. the impact radius of war varies from location to location, but the end result is complete and total intellectual and emotional entertainment of the darker confines of the human so
 two original tracks to the cd, as well as remix of another artist‘s track.digipak packaging.
 hill, p•a•l, and telepherique as well as newcomers like the cinematically-driven end. and since caller id, like motion of, is a joint release with mad monkey records, it seemed fitting to bring in m


 ing myer‘s signature dark flair and impeccable production. comparisons range from afx and caustic window on 'track 7' to emotive digital synthpop like early autechre on 'track 5.' not to be ou
 in timbre from the textural calamities of akira rabelais and autopoieses‘ noise patterns to the tone-pulse configurations of ryoji ikeda and carsten nicolai‘s microtonal minimalism. titled 'circuit
ned vague like a metallic ambience, a remembrance of her lascivious cavorting for herod, gyrating and thrusting with wickedness for him as the undulating pulse of 'premordial dance' eased t
 , he and i both make music separately but this is the first time i‘ve released an album by myself like this. i‘m very excited about it, aren‘t you? (r): yes, it‘s a brilliant mixture of dark techno beat
acerbic noise assault after another, the kind that will make most fans of twee synth tunes soil themselves. 'we've taken a harder stance for this lp, as the title suggests,' says john. 'i think that
 rating the musical approaches that impress him into a dynamic and crisp post-electronic album. yet unlike some of his musical predecessors, hecq‘s scatterheart posits itself as a complete w
 ere you can't help but feel your whole inner being is touched. real estate man is no doubt well enough known to you that you have probably been able to hum the melody since you were a ch
 ssive rock organ, heavy john-bonham-like drums, rap vocals, mad ep, a sitar, ambient synth strikes, donna summer, reggae beats, duran duran duran, shredded vocals, a wah-wah trumpet,
d mirrors quietly leaves the 'desert ambient' of gone west (2000) and the more cinematographic realm of junctions (2002), so that it can dig deeper. more song based and acoustic than before
 ed samples, field recordings, clutching melody lines, varying rhythmic textures, drama and melancholy melt into a uniqueness that at times seems almost impossible. on 'megrim', stylistic ec
 on skills. one could draw a comparison to uwe schmidt's ealier works as lassigue bendthaus and atom heart. as an addendum, l'ombre and architect used hecq's sounds/ideas to create track
 um; it is epic music for the dynamism of a darker, more sinister world. like gridlock, lusine icl and hecq, ginormous commingles razor-like industrial noise with atmospheric sounds, conjuring a


  raw sampling and breakbeat madness of his earlier works to the 21st century version of drum and bass - drum and bass with more breaks, ragga vocals and tight fitting sample work. the mo
dy sound recording and digital media at mcgill university in montreal. since returning to the united states, he has worked as a freelance sound designer for corporate and academic webmedia
 this one here. yes there are also eight brand new acoustic tracks, live from the verandah - well-hidden on the cd in mp3 format. the fourteen songs you will find in the 'regular' audio-cd sectio
 he classes introduced him to the academic world of musical avant-gardism. prior to these classed he would have called this music 'just noise'. thomas received his degree in 2005 when he c
 track structures - 'terminal 11s sounds roams in an accelerated twilight zone where music turns into data and data turns into music' (jason forrest). on 'fractured sunshine' all this madness is
 cholic sentiments. this album is a perfect merger of downtempo beats, post-psychedelic electronica, driving electric bass pulses and soulful vocals. synth lines, sequences and striking effect
 bands such as skinny puppy, test dept and autechre in the early to mid-90s which was when his attention turned to more electronic music. through the years this music has mutated into a cro
 s and treatments are mostly kept together by a metric structure accented with subtle rhythms. 'jetstream', for example, gets this structure from a sample-and-hold-like-treatment - restrained, b
 er influences. 'epoch' is an enthralling mixture: the melodic richness of idm meet straight d'n'b/breakbeat rhythms, electronic and acoustic instrumentation is enriched with well-placed samplin
 ects and as a keyboardist for kommunity fk - talada was undoubtedly knee deep in it. he has also released several key albums (the operative through the crunch pod & sistinas labels) and ha
  hip-hop beat and grinding guitar motif)? or is it even a male version of goldfrapp, concerning moody electro-psychedelica? well, what it really is, is something completely new! sliding between
 orted chromatic basses, straightened heavy beats and swirling filter pulses, establishing ties from the times when the tb-303 took over technoid music up to the nineties where speed increas
  ondensed and vivid versions of themselves. bryan konietzko shines his bright, 'artificial light' on the elements that hoards of electronic music composers fear the most: melody, song structure
  whose favorite movie directors are stanley kubrick, david lynch and steven spielberg - just to name a few? what looks like an eclectic puzzle at first glance makes perfect sense after listening
 are more visible than ever. electronically treated instruments like organ and piano, combined with synth layers and modified beats generate tempers that range from surreal to melancholic or
music beyond predictable schedules and clichés in electronic music. with this debut he has perfectly accomplished what he had in mind. hpc presents a fusion of heavy syncopated beats and
  and subversive in their own right. audio vandalism is an aggregation of complex beat layers, deep dark bass, distorted synth textures, ominous samples and algid ambiences that are interwo
ead of 'eclecticism' a logical extrapolation of varied influences is displayed, whether it is post-rock, intelligent dance music, dub... in the end they become one style that can only be called kee
 ersions of the tracks and was met with success. these tracks show a non-confined structure but also including a sort of leitmotif and so these titles are perfectly suited for this ambition. in add
 at-driven sub-bass monsters and fast dance tracks built upon hard hitting breaks. this album displays talada's ability to merge all these styles into one instead of simply stringing them togethe
 ul electronica themes, sampled field recordings add a cinematic ambiance to the diversified, straight rhythmic foundation covering a range of downtempo, trip hop, breakbeat and fast chthoni
 josh pyle (aphorism) and the usage of samples granted by pyle, jan carleklev (sanctum) and angel draganov (polygon ring), millipede's first full-length release sees the light of day: all my bes
 ess to arasaka, architect, dryft, hecq, combustion, ginormous, snog, crunch, mad ep vs. bryce beverlin II, keef baker, blackfilm, karsten pflum, abs6, wisp, jerome chassagnard, mika goedrijk
 us of a century of recorded music, rampaging its way through countless sounds and styles - one moment it is double-time drums accompanying glitched-out rockabilly, the next swinging jazz
  calls into battle an assortment of punishingly heavy tunes, boosting the tension and emotion to unimaginable dimensions. "the title itself literally means 'the reason to sing for the dead'. altho




 ed with odd samples and grinding bass power. fanny's ―take it or leave it‖ attitude is also visualized - if you can stand the cover then you won't have any problem with the sound. this record at


 with drony, abstract soundscapes, followed by the addition of embedded beats, reaching the climax with drum-and-bass/breakcore beats (and don't forget the faded lovely string synths and v
 nclined since youth, made mixtapes in elementary school and going bananas when rave broke in the us in the early 90s. now based in williamsburg, venezia pushes the boundaries of breakc
 e was especially excited to pick up mirex‘ newest release, sickboy‘s into oblivion. but after just one listen to into oblivion, there would be no point in bernard buying any more records. upon the


ness to 200bpm+ chaos!! soldaat van oranje is influenced by past, future and present in the netherlands, using themes, samples and melodies which are in someway related to his homeland,
 series should be - a little overview of what's happening in this post-9/11 moloch of a city that is still a nutrient solution for something new! mad ep's 'acid jig' is g.g.g. volume 1's perfect opene



 cked with 'el chupacabra', the mythological name for the mexican goat-sucker - a four-fanged, red-eyed creature which drank live goats' blood, plus that of the odd mexican resident (see x-fil
continuation of the first album. 14 unreleased tracks plus 2 titles previously available only on compilations. once again you will whistle the merry and melancholic tunes, sing-along with the ly
ited follow-up: the cd presents fourteen new tracks (except the entirely re-recorded'society'). 'life is a combat' starts up with a bang: darrin huss (psyche) is the vocalist and interprets philipp m
s later. by the time of the second full-length, rasputin decided to change his name to rasputeen to avoid political misconceptions. what you're about to hear on 'die segnungen der neuzeit' is a
 points out the direction: catchy melodies, p.münch's unmistakable vocals, driving beats and moods perfectly balanced between joy and melancholy - once again trg present the perfect conne
within a few years they had gathered many enthusiastic disciples from their public appearances. at one of these occasions cbihl met a mysterious person who was semi-nude, had their face e
ous tracks that are both captivating and deep. once again the rorschach garden offer nostalgia and sweetness with a dark overlay - making this album a genuine 'place for the lost'. join them t




sciousness. suicide inside developed their very own style to describe not the fiction, but a real world - with all its phobias, beauty, sicknesses, solitude, uniqueness and love. 'dead red' suppli


 nch inc., mimetic, sonar, the law-rah collective, monolith, ms gentur, proyecto mirage, contagious orgasm, bong-ra, vromb, winterkälte. gatefold-cover printed in silver on black cardboard.



 and fangs ready and our mood set to 'devour' there are no more nice kittens here only ferocious felines! we're coming for you. ::meow::. digipak packaging.
 idden, tzolk´in and s.k.e.t.. gatefold sleeve packaging.
 d. besides a couple of wildly obscure self-released tapes, the only other artifacts were contributions to seminal compilations such as "in the butcher's backyard" (cmi) and "death odors" (slaug
but the hypnotic eastern cold is so addictive. the breath of wrecked machines seeps through the album, transported by amphoric sounds created through heavy manipulation of the sound of s
action had ever heard the music. merely ten people can claim to actually own the original tape release. but certainly the extremely limited nature of an album does not automatically imply tha
which is more then the sum of its parts.


d on hands, including also the first ever empusae album, more recent collaborations with close friends, tracks from the legendary maschinenfest 10 year anniversary performance and comic b
und has created a sound track of aggressive rhythms and threatening atmospheres. hard, pounding distorted beats and heavily distorted sounds are melted to the unique mixture greyhound


ady to reinvent the genre. the cd is packaged in the typical hands paper pack with a 12-page booklet designed by nicola bork. more on the concept behind depleted uranium weapons: differe
5 minute portrait film, der innere kreis, by director daniel fischer which offers an intriguing overview of manuel richter‘s work, plus video clips for two new tracks and one remix done by incite/.
 al-tech beats with a trained ear for haunting and unusual sounds. waiting for the rapture is the ultimate balance between electro and hard industrial tech. packaging: hands paper pack.


 s-kicks in impressive conjunction with the intensity of the meticulously constructed visuals and physical presence of the duo within their projected image.




n a unique style of its own, it‘s adam‘s true love for boundary-pushing music by artists such as monolake, biosphere and mika vainio that have inspired him to create this new side project. the
 stless motion, obsession and and urges through the use of words and sound frequencies. manos x, the man behind this project, aims not only to create harsh sound atmospheres consisting
o the subsurface blow-hole you will find yourself in the middle of a wired rebellion and even cross the way of an anthropoid on the run: the 13th monkey. the 11 tracks on this album were comp
story of modern urbanity characterized by the numerous daily news reports of so called social coexistence without the common glitter and stories of success turning various spotlights on an in
day‘s human world and challenges the listener to ask questions about our intentions as a continuously advancing and evolving civilization. merciless protraction samples, bends and manipula
 ike somebody else' is almost beyond comparison. there are many layers to this cd from the skittering shuffle of 'my xmas tree and me' to the deliberate percussion of 'quick kit' to the melanch


heir latest incarnation 'cane'. their musical output has been rather impressive and equally as heartfelt and original. the funcken brothers now land at n5md for a brief moment to bring you 'pun


 subliminal melodies that leave you wanting the battle to never end. 'super robot battle deluxe' is an infectious mix of modern experimental electronica.


quench ethos. all but a ghost of the long stretched out percussion is present swapped out for more alien double-time broken 'funck' reminiscent of the funckarma mother-ship‘s previous outpu
 n. 'patience' is a very dense album, culled from 36 original tracks, 10 of which where destroyed to create 'patience's seamless journey. while still being playable track by track the album starts
rs and the warm clatter of the old projector. the music on 'sea' is just that emotive, to conjure up such visual detail to how you are feeling. a slightly new direction for n5md, sea is neither strict
hich are to most, unclassifiable. said by the artist to be somewhat loosely inspired by some of david sylvian‘s recent work, this comparison though is almost a moot point due to tobias‘ original
s out shined his previous albums by creating an introspective and focused actualization of his emotions. in past outings subtractivelad has only hinted at such introspection and has let us see
 ythms reminiscent of some of telefon tel aviv‘s beat-work, the melodious cadence of early arovane and some of the warm yet slightly sinister elements of label-mate proem. it highlights a deli
u do the math and come up with your own sum...
billy) at greehouse studios in iceland and this compounds the borderless sense of musical place that micalavera embodies. the album title which roughly translates to 'my skeleton' utilizes gui
& tres, machine drum, eog and celine among others, some of which have never been available on compact disc. a 'must have' for fans of the funcken brother‘s prolific body of work!
 d spirits as label-mates lights out asia and bitcrush. hologram's direction reflects an original take on familiar genre themes, but pushes way beyond specific genre trappings by tossing aside t
bed 'rock record,' the album eschews some of cadoo's previous electronic methodologies for a more stripped-down songwriting style which utilizes only guitars, basses and drums. this experi
 latest work which itself reflects an extension of the near the parenthesis' sound. while this collection begins where 'of soft construction' left off, it quickly migrates to an even calmer and more
 and idm beginnings found on enarc to the more ambient/post-shoegaze direction of 'in distance.' after years of requests to bring shimmer and fade back, n5md has chosen to rerelease it as
hat go into music making. the album serves as an extension of hummel's previous album 'apparatus' (2008) and effortlessly flows between such genres as shoegaze, armchair electronica, po
prospect of a distant island home, then disappointed by its barren terrain), the safety of the north tells the story of alice, her parents and their relocation to a remote northern land. disappointe
 definitely music for after the after party. a perfect soundtrack to watch the sun return to its perch or to loose yourself in on a hazy day.
ill holding steadfast to their roots and original core sound that has always laid somewhere between shoegaze and emotively soaring ambient. as the title may suggest there is an undercurren
 fined sense of psychedelia and openness than his mates. this heightened sense of consciousness-expansion is all without ever being contrived, heavy handed or excessive. there is a self-a
stival (2003), microstraava (2005) and more.
ng debut album tell individual chapters of one story. its a fairy tale about the little one and it's just 12 chapters long. they include the beginning and the end.
 through a vocoder, later on forming a duet of voices and brings it close to space age popmusic. that is absolutely a great piece. even with such a title for the cd things can't go wrong. (frans d
ovecraft, as well as in the realm of sci-fi stories. moreover, the word 'deep' is of key importance here, because initially all the tracks on deep sea shipping were stylistically aligned with each o
usic and a thought. this is a message from extraterrestrial worlds that has occasionally found the receiver in thounds of light years.



ssia. both met about 2 years ago programming for native instruments reaktor and started working on the album. lazyfish/mewark contains 14 songs highlighting in the different aspects of thes
on thinner net label. november is the first solo work of unit 21, released on a hard copy. this is an extension of 'september-october', in a more winter and twilight version. this is the album abo
esque techno, stomping kicks and always freaky effects and noises. it´s like a 'clicks and cuts amoktrip'. this little compilation features 2 exclusive tracks by klima and two architect remixes by



 definition of the line between techno and hardcoresounds. featuring remixes by architect and klima!




 d rhythm structures release a special acoustic perception which gives no fixed orientation - almost like a trip without agreed destination. defining an almost unreal post-industrial atmosphere.



 madlib, prefuse 73, mannie fresh, timbaland, missy elliot, outkast, john cage, james brown, edwin starr, wilson pickett, old jazz and soul music, public enemy, early hip-hop, disco, easy listen



 with harmonies of magnetizing structure. pleq's initial exposure began with a weekly residency at elektro klub, a nationally recognized sanctuary for circuit-fitted audience. pleq's music is the
se of life filled with unanswered questions and that gave reason to constructive examination with the past, the present and the future. in search of oneself and a growing demand for harmony,
mbient catacombs of jarl, to the swirling noise storm of ntt, every track is a new revelation. also includes music from: axiome, duran duran duran, larvae, subtractivelad, mad e.p, exillon, vision
 the unknown icy fields, and where frost bites the air in wide cathedrals of sound. comes in an exquisitely designed oversized nautilus pack.
y and evolution... comes in an exquisitely designed oversized nautilus pack.
ention and keep you on the edge of your seat. an honest, sad and solemn auditory treat... comes in an exquisitely designed oversized nautilus pack.
ion which causes it. is it the effect of the water outside of us, or is it the two-thirds of water which forms the base of the human body ? which one is the pacifier ? and which one is the catalyst
irard who - as a scubadiver - searched for and found several corpses of drowned people. not the most cheerful of stories to tell, but a fact of life. his stories have been well documented over




in favour of atmospheric cuts. wide, intense, rich, multi-faceted and very much alive...
corded on a paradise island - in the middle of a complete mess. a cunning terrorist - a quiet intruder. that's what you could say the final result is. nesting in your blood - staying there forever. u
eats take control and they form the base over which raw, distorted vocals are screamed out. loss is a project created out of need for an outlet. a very personal experience for the man behind
 in darkness and anxiety. once you have had a look at the tracklist, a look at the artwork, and above all a listen to the all-exclusive pearls contained on this two-and-a-half-hour double cd com
acks chaptered 'the past', including a more technoid industrial side of the project and a smashing 2 tracks chapter called 'the future', including a controlled breakcore track and an adventurou
 be written by a single performer and because of this, the cd has so much more to offer. deep droning sound layers, inaudible - or at best incomprehensible - lyrics, noisey ambience, field- rec
es and skulls of those who tried before. the sounds reflected on the moist walls, creating the perfect ambience for the ritual. sounds so dark they could only be referred to as black ambient ...
! worship the dead bird ! hail ! hail ! heavy transparent yellow vinyl in special carton sleeve.
on 'decade' are from canada, switzerland, united states and offcourse belgium and together they are so much more then a cross-section. iszoloscope, l'enfant terrible of industrial, ah cama-so
  sounds. titles like 'deepthroataches' and 'slutfuckers' reveal their chaotic side, while the almost epic 'breinspoeling' emphasizes the fact that this cd will not be the last we'll hear from hystere
re the emotional layers on this cd, but it also reflects to a ship being uncontrolable. as all tracks are related to oceans and oceanlife (amongst them are 'fighting with cachalot', 'whalebones ar
 evel of destruction, while 'hungry ghosts' are still unaware of their new existance. 'things fall apart' is mainly created with broken or somehow manipulated selfmade instruments, as broken or
 and haunting narration. just like on the highly acclaimed '1953', released three years ago on spectre, this album is another true collective effort, combining the sounds from bauke van der wa
p further on a combined cd & dvd release. the cd part gives you over an hour worth of new music as dictated by the little voices in the twisted minds of joris and ricardo. there are thirteen untit
or - at moments - fear factory would feel any shame for having written it. and all that on one album, without ever loosing that specific touch of hysteresis. so what is that specific 'touch of hyste
 pray for more. the bat is back! mr sotz will change your vision on the world ... again!



 r and the fusion/melting between death industrial and doom has reached a new zenith under the melek-tha leadership! special overstock sale - limited quantities!
 for the last 10 plus years are intact, and are perhaps at their most effective in allowing the listeners thoughts to wander with this outing. brooding ambience, and cutting frequencies combine w


symphonic chants and rythmical beats. could be the perfect soundtrack for movies like sin city 2 or saw iii, welcome from hell - here is the infernal apocalypse. by far the best album since the
of hypnotism and this release is very minimalistic in function. special overstock sale - limited quantities!
d woman's institute covens. music direction: traditional folk / folk noir with elements of 70's prog and psychedelia. recorded in london and mixed by israeli /new york studio producer m. guest
ed exclusively with auto samplings from all other mimetic releases... the result is a strange mixture of electronica, ambient, experimental and weird danceable atmospheres with the use of de




harp mixture of ambient texture and distorted rhythms. from experimental (the black lodge) to minimal songs (sweet abuse), from ambient to rhythmical distorted music 'the great divide' offers



more! mixed mode audio cd-r, 76:00 minutes audio + 3 mp3 tracks.




g guitar and screams. each time you think you have a second to breath they come right back at you with full force. be afraid ! the 16 tracks that make up this startling debut album all twist and


en things have gone too far. reason and mind are futile because, due to its frustrations, mankind is reduced to a furious trapped animal. fyd soudnscape is made of madness, intensity and blin
acting ethnic percussion. everything sounds as if it has been compressed, distorted, dipped in acid and scratched with sandpaper but with particular attention to all frequencies of the audio s
nd raging against the fucked-up condition of the world in the vein of the best of punk/digicore with amazing textures and sounds. muttering, stomping, kicking a noisy hip-hop beat, chrysalide
h an intoxicating rush of synthesizers, electronics, political samples and layered drum machines. it blows all stylistic boundaries down. this music never rushes for extreme violence, just like t
nts to pain cessation. it invites us to look beyond the flesh, to feel the breath of the hidden self inside us.

st apperance on a mexican compilation by raid music, in 2005 french label kubernoise publishes le diktat's first album''2+2=5'', including remixes by cdrik -axiome, kirdec, etc- and communica
 varying through an elegant use of samples from downtempo powerful and graceful beats to cold, organic deep ambient layers and insistent enchanting melodies... in this first eponym album,
, but because they think different. music for ghosts is on one hand, cold with an eerie alienation of human emotions, where feelings are ghostly & transparent, where communication (atish's o
 d honest ways. cinemassaker was born from the desire of seeing old films come to life again through remix. this technique is very popular amongst vj's and their sets. rko and ripit add to it the


 re just missing spontaneity - that's where cardona came into the game. her experience as a circus musician brought in layers and layers of craziness, launching a storm of creativity over the
ntrospection and inner emotions. dub was not the dancehall music it used to be. since then, it has been given many names such as dub terror, illbient and dark hop to name a few. each incar
 and there‘s even a a fifth secret one! the hafler trio is a seminal experimental industrial band who started in the early eighties. then they quickly gained notoriety thanks to their diverse and int
, this album is incorporating material from many different sources and is certainly a shift in what mark spybey and mick harris did in the past. usually in a collaborative release, you can expect
with steve albini; were produced on jello biafra‘s label (dead kennedys), alternative tentacles; and supported on tour influential bands such as neurosis and the melvins. all the while, kk worke
ies by global companies. 'fraud - hell - dope' being the follow up to this first opus, you can expect similar viewpoints on biotechnologies. but what 'dogme' wasn't able to achieve because of its
 f non-written, non-composed music. named after fredric brown‘s seminal sci-fi novel, martiens go home! (mgh!) has nothing to envy classic improvisation. not missing a single week since the
disc incorporates new tones and techniques. silk saw's rob(u)rang contribution of ebow guitar sounds and vromb's radiodrome studio facilities' addition of many analog synthesizers are at the
made electronic controllers are used to direct many of the effects. this album contains recordings of two live performances, at the ars electronica festival (austria - 1997) and at the comandini
 with goem‘s pulses and shifting layers of rhythm, the three dutch minimalists were enthusiastic and dived into the studio, only to discover that trying to combine the two trio‘s was near to impo
s, rivers and deserts exposed to snow, wind and sand. with his sharp, original and well defined sound szkieve contributes here to the creation of new bridges between noise and electronic mu
s other names, comes from many horizons at the same time. influenced by the post-industrial universe as well as the minimal or noisy avant-garde, grkzgl strings 6 pieces together, which rep
rs some time to take shape, to reveal themselves…and it will then be possible to fix our attention on various aspects of the sound labyrinth that is presented to us, to come and go while lettin
l of secrets and long lost memories? like a sanctuary, the abandoned building unfolds its secrets one by one, revealing the true beauty that is hidden in its decaying walls, pipes, equipment…
official release, which is the result of months, even years, of experimentation, discovery and refining. the enriched synthesis made by nos royaumes with his first 2-track 7 inch single, « l‘antic
gest an even more brilliant and exploded future for this exploratory vehicle born on the ashes of the famous imperial floral assault unit project. the trio‘s most recent cd, ‗under a morphine sky'
d fragments of classical music. nadja is the drone / doom / ambient duo of canadian musicians aidan baker and leah buckareff. their behemoth of sound is a construction of heat, weight, loop




npredictable work. the computer-related track titles situate his ideas in a place where digital rules but creativity excells.




 from the past, and now we reflect it on you. we are here to satisfy and we will bring your mind in devotion!‘
 om the benelux that collaborated already with acts such as this morn omina, hiv+, hybryds and others. the album was produced by eric van wonterghem (insekt, monolith, sonar).
 'behind the sun'. the main sound sources of geistform are the samples of ms-20 and radio emissions (noises, frequencies ... ) mixed with digital noises and raw dates. influences are the imag
o was in fact a spectator at the first abc concert, filled in the gap and became dirk's new musical partner for years to come. before they decided to go on as a duo, abc already appeared on se




am, labradford, and 'heaven deconstruction' by the young gods as main influences. his first demo, 'half alive' (2001) won the d-side magazine's tremplin. the following year, he released a very
en atmosphere still remains... let's add the artwork is composed of amazingly strange drawings in a cool packaging !


nts from eastern part of europe, this release presents a very serious and impressive opus in a nihilistic way...
ngly not the case... we can even say it may be the strongest of the three. musically, as you guess, you'll find the same melancholy and dramatic power that made land one of the most acclaim
ic scene: horologium, project winter and artefactum from poland completed by foundation hope from the netherlands. the mood is dark, menacing and epic at time with horologium being the m
. about movement : from tarkovski's 'stalker' (the fab's one all-time favourite film ever !). amongst other things sigma octantis likes surrealism, dark and melancholic writers such as bataille, a
ase on caustic records. the third act of the musical part is a weird italian band known as aql ; a sort of industrial break-core with some incursions into ambient and even more symphonic genre



ys, 'people listening to our music give us different influences each times' and that's the best compliment ever. the cover is also a real piece of art ; so don't miss this smart item with a very sym
de. with the addition of vocals by sigma from komplex, '...and the angel is gone' is simply both sensual and ethereal. limited 500 copies.
r ebb of the very first first human league or of ultravox - john foxx era. it is also a search for this so particular sound which haunts the mythical albums from this area. this project is an ode to th
 as lambwool, electric press kit, normotone (neon cage experiment) and riotmiloo with an acoustic approach. the talented remixers tannhauser and bak xiii complete the casting. both artwork


ok 'do androids dream of electric sheep?'... a box destinated to induce emotions and feelings to people. this release is definitely the coldest to date for horologium. divided into three evolutive
eal desperate psychedelic experience, so here's some welcoming instructions: play it loud, play it alone, have mercy for the fools!
eets sunn o)))' according to noise magazine...
h a collage by fab which try to decipher the disincarnated but structured dimension of sigma octantis musical realms. influences remain the same (morthond, mb, militia, mandible chatter, hau
p. both were recorded during the '5th estate' sessions and are already available on divine comedy records. so here's '5th estate', their most powerful record to date mastered by lambwool (wh
 of modernity. the music itself ranges from whimsical folk to ritualistic versions of the local styles, not to forget the non too subtle moments of industrial sounds. daring to see comedy withinin
re intersparsed with sophisticated melodic and powerful rhythmic pieces. although bavarian folk music influences are audible, the album is far beyond from local eclecticism - in fact a cohere
kant, daf), but also integrates more modern lo-fi tunes and post-industrial structures. 'der weisse clown', 'dogporn', 'himmel flieg' and the kraftwerkian '6er-bahn' are destined to conquer the da


tronics and the remarkable 'anybody', a wonderful hymn reminding of interpol. they keep this level quickly pulling you into their world of hypnotic rhythms and singularly lamenting harmonies c
quencies are merged seamless with unseen fear and organic consciousnes - gourmandise is built on a great variety of sounds coming from electronic generators as well as various items. the
he form of a kaleidoscope of experiences memories, pain, and pleasures, discoveries and unanswered questions. emotions are not considered here at all - they are replaced by sensorial stim
 ('sentinelese', 'huli') and that still survive today. thus, somewhere between nightmare and dream, 'gaia' ultimately points at the fact that, as the wisdom of sustaining the world about us was im
 nics project empusae, sal-ocin is an accomplished percussionist and member of this morn' omina, tzolk'in as well as live member of ah cama-sotz. 'simple black lines in a diagram' is the sea
 ltic feeling, a somewhat epic touch. alternately powerful, fragile and rough, talvekoidik's music is a mature, expressive and subtle demonstration of his talent as a 'sound architect'. brume rec
 predictable change in the course of a revolution, thermidor is a metaphor that incarnates the impossibility of an absolute domain over the revolutionary act of creation and a tribute to the alien
 n breakbeat experiments, electronica and pure industrial-constructs itself on complex structures, subtle though catchy melodies and rhythms, thus creating an extremely personal, bizarre and


 tends to crawl under your skin, shapes the most fantastic images, and keeps challenging by means of an intelligent use of samples, rhythms and beats. with flint glass you find influences from
 ks! it's now time to pay tribute to all those who made what kod.ex is today. and what's best than a double cd compilation gathering all the artists who contributed to the success of kod.ex? this
 ng sweeps over low-frequency whistling, sharp oscillations overshadow a continuous dripping sound (equation part.1). bizarre scratching, maybe that of mechanical crickets, follow variations
 r) or a melodic buzz that progressively amplifies (ohm.05 part.1). all those elements underline the strangeness of this cerebral music. inversely a few clearer notes break through like luminou
 ases are layered so that they create an orchestrated buzzing mass. the piece evolves like an absorbing spiral that grows in volume and intensity,creating distortion,tearing apart and disintegr
 e recognize that '-trope' is a rhythmical album,quite close in this way to 'itching', his second album released on brume records, but this without taking 'purr' into consideration. if laurent perrier
ar film noir… somewhere in between synth pop and ambient dub, side b is more electronic, contemplative, and continues the exploration of harmony that, since 'starting back', has become pro
sort of –extremely efficient- pandora‘s sound box) and even a wagnerian flavour with 'glaire', its symphonic loop, both tribal and aggressive, emerging from a noisy, analogical sound mass. if




 erving electronic soundscapes. close your curtains and turn this up to 11. spring, is about to get really, really dark'. (zan lyons) - 'listening to this ep in the hospital made me wanna sniff stool'
 adrenaline sugarrush. resulting in a style that evokes soundmurderer & perez prado, who's smoke a big havana blunt with squarepusher & electric kettle, this sonic assault on our senses is a


d razor sharp edit structures. with vocal mc‘ing by d‘herbalis mc valle or lewis, they found the perfect thrilling combination to maintain your tension. it‘s mash up !!! they gonna kill you !!!



 tragedy and biting sarcasm are overflowing with peculiar twitches, perfect samples and delirious chatter. any single doormouse track contains more emotion (for better or worse) than most ele
 ions' , we enjoy skull-splitting demonic rastafaraias-fuck, mash up ragga hardcore at his maximum!!! 300 samples per seconds, each track seems ready to tear itself apart in pursuit of new id


uble pack, a vinyl only release themed with some of sickboy's favourited subjects such as science fiction, wrestling and aviation. do not miss out, 'times infinity' is a benchmark of classic sickb


he year, mr dynamic (le jad) with his own signature production styles delivers a 'painful epic' ep. this record contains 2 powerfull trax cut in 45rpm for a maximum pressure and 2 bonus , 1 scr



d bassline, a perfect dj tools combination and 4 mash-up mayhem anthem for the dancefloor!!! ( + 11 x-tra endless loops).


 debwoy, this choon catches a re-load everytime !!!



eppin manouevres for 2007 kids!! strictly limited 500 copies worldwide!!!


mon ground: bass. side a features dubversion, with its dark atmospheric intro leading into a shattered 2-step breakbeat revolving round some filthy synth work. guaranteed to destroy any danc




 ys of thinking". full-length album included remixes from iszoloscope, asche, hell-g, ctrler, punch, inc., ambassador21. cd-r release.
 has taken control? because others force their calm upon you? because you feel as if your body flakes away like ash, while everyone else seems like a fucking monolith? because nature itsel
  natasha in russian and english language and smashed shop windows into ambassador21' essence. when you rape us we will seek vengeance. psychodelic guitar riffs by ctrler and painful 'a
sampled loops, ranging between high speed assaults to slow motion pressure. vocal sounds come from own recordings and movie samples, mixing german and english language. 'crowd con
 er a broad variety of styles, never forgetting his musical roots to come back with some high speed hardcore attacks here and there. though there are a lot of samples on various tracks, boot-
umpscut:, suicide inside, ah cama-sotz, s.k.e.t., monolith) to experimental ambience (this morn' omina, contagious orgasm) and hard breakbeats (bak XIII, iszoloscope, hypnoskull, tarmvred).
 art, elektroanschlag and other events during the years and visualized by invasion wreck chords. you will remember everything and will be back to yourself. just push the 'play' button and for th
 rs present sometimes unexpected edges of other producers, as their owns - sounds range from heavy industrial and noisy breakbeats to drum'n'bass interferences or speedcore massacre. o
ou have strong imagination about what that - ambassador21, if you know what you are waiting for - get it. are they more diverse? yes. more deep? yes. more electronic? yes. have they chang
 r america' (d-trash records 2005), the new album is again full of samples from his favourite metal bands, such as marilyn manson, tool or fear factory. these names are not in the credits but it


 se, ambassador21 trademark - ferocious duel of vocals plus hard-as-nails lyrics. uncompromising heavy electronics - this is 'justified thirst for blood'.
your attention, cause we will not say it twice. one... config.sys / contagious orgasm / boot-sector-viruz - hard, rich, killing... very beautiful. from militant bolero (config.sys) through sensual cont
you all! all this words about the bands which made second part of 'peacemakers inc.' - chrysalide, ambassador21, punish yourself. and all this words about their split-album. groupies welcom
ead: 'industrial', 'hardcore', 'breakcore', 'gabber', 'noise', 'digital hardcore'. you could read: 'must have', 'strongly recommended', 'you can love it or hate it, but you can not stay in the middle'. b
der the influence, rachael has obviously been affected by the works of the marquis de sade, jack parsons, dario argento and his involvment with goblin, in addition to a myriad of other historic




ies worldwide: no stars here....



 'nomina nuda tenemus' - a dense ride straight into occulted secrets guarded by gregorian monks. 'la plume de ma tante' follows with sweltering bass terror and overwhelming blasts of precis
 2001, rdg started recording her own vocals to lay over her monsterous breaks and massive basslines - creating a fresh take on every thing from death metal to love songs.her distinct vocal s
 ommandeering crescendos weave a dense melancholia, infused with valleys of lush desolation. unrestricted dark passions scream a liturgy for survival, a call for the underdog to rise above t



come standard for the genre, vile enginez bizarre creation clearly demonstrates his masterful production and technical skills. 'cycadelic' might be best described as creating the feeling of a bl
eat manipulation and annihilation, delivered with an innovation we've come to expect these days from the hotbed that is berlin. featuring members gg + jc (aka christoph de babalon), this is al
 with warped analogue action. b2- voltage by dj m2j, sunday afternoon sub fm soldier m2j weighs in with a steamroller 4/4 squlech fest party rocker. a wicked debut on vinyl for this big new pr
oken beats with that unmistakable 8-bit crunch! davros takes over the first vinyl with his doctor who inspired harsh beat trickery. opting for the full on gabba approach, you know you are going
to give any set of speakers a work out. great for those who like their bass served extra thick and their snares ultra sharp.



y and brutal bass and some hot b-boy samples. give in to the head nod effect. next up is ‗keep on truckin‘ with a wall of low end synth leads & bollywood style atmospheres. rounding off the a
sed in 2007 on terminal dusk. the 'love' remix is a bit darker and heavier than the original with ghostly atmospheres and edgier bass and hammering drums. cardopusher drops the next track
ass. love is a twist into the darker side of dubstep. swishing noise and female vocals introduce you to the heavy bass and creeping rhythm. as the beat drops you are cornered by thick growlin
s that send ripples down the innovation cycle. each track is an effort in simultaneous horizontal and vertical integration: just as you may notice distinct patterns of change that occur over the le
 the hands of talented musicians. warning: highly inflammable.


 time powerful and moving, vast and close to the soul.



 lodies and rhythms. 'kniga skazok': the book of fairytales turned into music. the driving force behind most of today's electronic music from ukraine, andrey kiritchenko has been both a radio a
 hat some other force was involved,' says uniform about 'not a word'. made of echoed beats, of short outbursts of noise, of ghostly voices and extremely detailed background, this album deliv
acks are coherent, linked into a whole, and yet possess quality which could make each stand on its own. 'fashion victim is about my frustration with fashion, image, and superficiality taking pre
st elements from his past rock and electronic projects, sullivan brings together here again a delicate, yet lush work made to summon emotion and beauty. but 'pane' is not over yet. closing th
name, which echoes and answers his 2002 predecessor,'apparitions'. more than a swan song and definitely not an album of compromise, this ten track cd sees this musician mixing his variou
t makes you wish you were a robot too. happy tunes for noise heads? hard breaks for electro fans? whatever. 6, 5, 8 and 1. no need for a lot of words to get what tarmvred is expressing here.
s ago, as the electronic part of a performance collective featuring singers, african percussions and throat chants (and which for example was used for the 'les machines' performance, directed
again used a variety of instruments and devices to create 'as giants watch over us'. a display of high resolution ambiance and up to date composition, this new album offers a fresh view of wi
e on releases which demonstrated horchata's ability at working with varied sound sources and genres.partly working with sound sampled from his field trips to the amazon forest (michael pala
ck with a revenge. remastered, remixed, extended, the track by this core member of zod records find here a new home on this cd. their complex rhythms, their catchy melodies and their fresh


ure of the ukrainian electronic music scene, and one of the best regarded composers from the former eastern block. if his first album ―kniga skazok‖ was andrey kiritchenko‘s interpretation of



 'dana's calming effect on a mad mind' and finally unleashing massive beats and hostile breaks on the closing and shattering 'scab removal technique' and the merciless 'get with rats'. matthe
ng for more. and still, he knew that the second album would be of a much more laid back and quieter answer to 'fashion victim'. the off-the-hook, part novelty 'monster music' had to find a seq
ectronic composition. uge ortiz (az-rotator) probably missed a career as an alchemist by a few hundred years. an experienced composer, this madrid-based musician is a relentless experimen
 eam are proud to present the perfect example of them. coming two years after detritus‘ debut full length album ('endogenous'), 'origin' is david dando-moore‘s strongest and most accomplish
 an. while jason stevens (lapsed)‘s debut album was an exercise in precision and click-driven harmonies, its self-titled follow-up sees the fragile hip hop roots take a lot more space. 'twilight' h



d yet assertive. 'pure language' is neither a whisper nor a shout, but a thoughtful and laid statement, to be listen to with care and enjoyed with ears wide opened.


 can not be overlooked, a work of great substance and talent.
esent cavernous bass. a massive, encompassing and profound work of art.
't need a dj anymore with 'stereohype heroin hookers'. warn the subwoofers and the dancefloors, there is some serious raving coming their way.
o move on to new grounds. a prolongation of the acclaimed full-length 'origin', it dots the i on this artist's skills, and anticipate detritus's changes in the future.
 ve since the 1990's under various avatars, he settled for the name cdatakill in 2002, and has since then released music on ad noiseam, zhark, low res, cross fade entertainment and eupholu
 specially recorded vocals and prominent melodies. this project finally sees the light of the day with 'pushing back', an album on which the listener gets both the heavily pounding beats of such



n-cheek mashup, drumcorps's releases are the product of a lifelong interest and passion with metal and a careful, innovative approach to electronic music. a very detailed combination of pain



 time a long due crowning for this musician and a perfect introduction for people who have been missing out, 'the later after' is the most accomplished and unequaled achievement by this imp




es and downbeat sticks to the original tempo of 'mingi', yet provides it with a dreamy, emotional lightness.



s nights of careful composition.




p the record, and the b side delivers the dancefloor-packing tracks, where jungle, hardcore and breakcore collide in a tasty and incisive way. welcome to blackpool, don't let the comets hit you




t, fresh and hard dubstep record you have been waiting for.




ways in the very deep, beautiful and human way so typical and particular to this rising act.
ways in the very deep, beautiful and human way so typical and particular to this rising act.




 nds to a noisy and demanding new take at the past, wilt's new opus is both a foundation stone and a beautiful festive statue.




very solid and very recommended.
 diego rondón , drasik, eloïse oddos, escapista photography, fernando césar vega, filippo bonino, fredrik mortensen, göla, greygouar, guillermo berdugo garcía, headup, insane kaffeine, íñigo




oth wollschläger and gehle are working as musicians and djs for years; in 2002, after several listening sessions (2 lone swordsman, the aphex twin...) they decided to start a project. you can h
 uses his' works as a 'link' between artist and 'reality'. his' music is the aural reflection of the artists' daily life. abstract beats combined ambience samples and sometimes melancholic melodie


opia. featuring extraordinary extended dark & dubby remix by lustmord. to mark the 20th anniversary of the release of clock dva's 'buried dreams' the release also includes a beautifully dark &




t this years schlagstrom! festival, being held at maria am ostbahnhof on the 15th and 16th of august 2008, and all on one disc. following the path set by the previous releases, this years comp

onal mixture of industrial, noise, punk, experimental beats and chansson. the closest would be the comparison to einstürzende neubauten. the record comes as an limited edition of 300 in an

maps. eo 2 features 15 additional tracks in the idm and electronica genres by flint glass, ab ovo vs. flaque, stendeck, freeze etch, atomatik13, hecq, ginormous, n0nplus, phylum sinter, justin
d full-length album that proves to be his finest work yet. from start to finish, ‗elekatota‘ manages to effortlessly merge several genres of electronic music into one seamless body of work, witho
d distant voices meet complex beats and luring atmospheres to create a unique blend of dynamics and emotion. ‗approach‘ flirts with post-rock and atmospheric downtempo styles, while still
to one fantastic collection of music. 15 beautifully crafted dark electronica tracks driven by sopping-wet beats, haunting synthlines, chilling samples, and razor-sharp vocals. beauty meets com
 lub and airplay around the world. now, ad.ver.sary is poised to release his debut album 'bone music' on tympanik audio. hard industrial rhythms meet enormous organic soundscapes to creat
e digital artwork under the alias anti/matter, morton has more than earned his place among the ranks of the greatest electronic musicians of all time. now, michael brings his next masterpiece
e, and many others, lucidstatic lays claim to his rightful place in the powernoise ranks among such artists as pneumatic detach, edgey, and genetic selection. with his official debut cd 'graved
art, ripping and tearing away at conventional dj filler while effortlessly mopping the dancefloor with dirty, tech-minded beats and a fierce and uncompromising sub-social complexity. you ain't h
 and modern electronica, autoclav1.1 is quickly gaining a reputation for pulling on the deepest of human emotions with a variety of melodies and real-time instrumentation frequently torn apar
m ‗rise‗ is a timeless collection of electronic music that is sure to leave you spellbound. each track is distinct, yet all together carefully orchestrated as a whole, inviting the listener to an efferve
 like venetian snares, gridlock, and somatic responses, as well as post-rock and avant-garde composers, tapage continues with his vision to merge complicated, harsh rhythms with dream-lik
ity with all the innovation and quality you have come to expect from this master of abrasive and melodic electronic music. side-line magazine calls totakeke '…impressive' with the 'potential to
al and dark electronica realms, aphorism offers his very best works in a beautifully-dynamic and thought-provoking debut album for tympanik audio titled ‗surge‗. scheduled for release in early
reate a poignant blend of dark electronica and industrial-tinged ambient aesthetics. expect a major leap forward in the zentriert sound with this highly-engaging and haunting new album. '...no
ence‗ is a monster of an album, proclaiming two powerful elements, as the title suggests, with no apparent apologies to its potential victims. with tracks ranging from dancefloor-mopping hard
rawing from a prolific pool of dark ambient, idm, tech-step, and rhythmic noise influences, broken fabiola‘s ‗severed‗ delves deep into the reaches of the mind, digging purposely into emotiona
s around the globe including access to arasaka (us), totakeke (us), autoclav1.1 vs. esa (uk), subheim (gr), anhedonia (cz), flint glass (fr), aphorism (us), hecq (de), marching dynamics (us), dr
ng synth-lines, and modern classical elements that spew emotion from every surface. this is without a doubt stendeck‘s finest hour…
e cocoon to unleash a fantastic debut album for tympanik audio titled ‗epiphora‗. lush atmospheres meet beautiful classical melodies, carefully crafted around complex beatwork and potent au
s that disappear when i close my eyes‗ also includes a bonus cd of extra tracks + fantastic remixes by flint glass, pneumatic detach, disharmony, zentriert ins antlitz, lucidstatic, autoclav1.1, a
 tay. tympanik audio is proud to present the highly engaging new album by tapage titled ‗fallen clouds‗ in late april 2009. a destination that never reveals, leaving the listener in a serendipitous
 yanotic, synkro, phylr, autoclav1.1, salt, and many more. ‗a bright cut across velvet sky‗ is harnessed within a unique packaging, designed by the artist himself, hand-assembled and limited to
ommands an air of maturity and function, expertly merging shadowy melodies, haunting pads, rich atmospheres, and infectious beatwork to arrive at a solid collage of intelligent down-tempo,
will well exceed even the most ascertaining tastes, all the while exhibiting a flow of truly embracing atmospheres and lovely melodic breeziness that will encompass its listener with warmth an
 ilizes their unique mesh of technoid beats and classic industrial rhythms to propose a dark and complex new canvass titled ‗evolution‗. you may know disharmony‘s last album ‗malignant shie
rates himself from the pack with slick rhythms and graceful chaos. tell me about madness… packaging: 4-panel digipak.
  scope of his capabilities with his innovative new album ‗oppidan‗. a futuristic journey of a cerebral nature, demonstrating a virtual equinox of expert beatwork and densely-layered atmospheri
eless package that could only come from the mind of displacer. with guest appearances and collaborations by such artists as mark thibideau, daniel myer (haujobb / architect), keef baker, bro
dare to say, it‘s orgasmic. somewhere between the urgent complexity of ginormous and the beautiful, thick atmospheres of lusine icl lies undermathic, ready to acquit the listener of any preco




ong music his 'broken' musical style is varied, with definite grime, dubstep, gabba and breakcore influences. what you should expect from 'mutant dubstep vol.1' is two incredible dubstep-influ
 new sonic tracks, evolving around dubstep, hard electronics and breakcore explosions produced by the mastermind himself. 100% adrenaline, killer sound production and 2 ultra-heavy remi
 ultra-heavy explosion. straight from the underground to the collapsing ones. are you brave enough?
d, albeit sullied and decaying. eschewing the polish and sterility that digital production can entail, the album embodies the crackle and spark of embers of a once-consuming fire, giving us an
melancholic melodies and intricate, uncanny sounds, all put together within a masterly combination of elaborate programming and field recordings. immaterial monarch is his own adaptation




ends of templegarden's will also like this work, not only because p. muench and b. teichner present 50% of templegarden's current line up.


ds and rhythms of alarmen: slowly but steady they get into the listeners head and don't find a way out. and don't miss the mandelbrot-mix of 'feeling better is not a dream' and the remix alarme
ersified collection that partially places the sounds of spherical disrupted in an quite different light. in the best idm-tradition everything got more noisy and rhythmic, the epic dimensions of the o
 our label. on the first look, the 8 tracks on this cd might be more rhythmic than nerthus' previous releases but nevertheless it still keeps the ambient mood. on your way through urban land- a
eatures a remix of the czech-living grimbergen.


cks for this compilation and here is the result! 67 minutes of audiophob sound by alarmen, spherical disrupted, zero degree, mandelbrot and nerthus.
nch. while these works will be presented live at the museum on may, 23rd 2009, audiophob is proud to release this one hour composition for your evolution experience at home. digipak pack
 nt, idm and even 70s electronica are put into a modern context on this work. the remixes of xabec and empusae fit seamlessly into this concept by providing a more rhythmic aspect for two o
an' (auphcd005) - are abandoned on this album. the sounds might speak for themselves ...




on this unitary sound-trimmer, we need to perturb the transparent cranioscopy of the alkalized dysphonia. 'bewegung der klangmasse' is flirting with some concentrated sonic epithelium while
 e time spent with the sadness or grieving, helps us appreciate the simple things in our troubled condition. this is not the easiest lesson to learn, but it is a necessary one because when we gi

 traces of beauty and beyond. he released some solo works but also collaborations with dirk serries (vidnaobmana), slavek kwi (artificial memory trace), asmus tietchens, jeph jerman (hands
y personal cd to telepherique, is also their final full-length recording. since 1989 telepherique (and its various side-projects) have released nearly one hundred releases, beginning with many c



eve with stylish design by salt.bombthedot
deas and audio concepts for creating our sonic art. each artist has created a 10 min.unique soundpiece inspired by miike´s films and visions. all bringing their own styles of electronic music e
 catch them again..in japan the old ancient word kotodama meaning 'the spirit of words' says to have a mysterious supernatural and spiritual power and is a word to be used with great caution
album that gives us a new and unique edge on the artist and sound master kazuyuki kishinos universe. this is the dark masterpiece of kk null... deluxe 6 panel digipak comes with beautifull s
dulations, was created for and performed at the new forms festival in the hague, netherlands on june 7th 2002. the performance was (and still is) a collaboration between the [law-rah] collectiv
n was filled with spooky space themes, this recording is on a totally different planet. sure, there are recognizable moments - surf rock guitars, crazed breakbeats, cop show riffs, theremins an
 captivated. bipol is supported on three tracks by tim kniep (synapscape) and andreas schramm (asche) and the album's mental intensity is that much more enforced. a superior work of prese
e well balanced acoustic and electronic instrumentation, in places enriched with voice samples, result in an enthralling, cinematic feel. diaphane's aural cosmos has to be explored like an und
 manipulated voice samples. fast, heavy breakbeats are mixed with distorted synth lines creating an industrial music flair. drum and bass meets electro sequences. pulsating subbasses and a
und, bold, uncompromising and just a little bent. recorded entirely in analogue facilities using a vast collection of vintage studio equipment with special guests including john justin stewart (gr
architect you hear in every note of each track. consume adapt create: a unique blend of atmospheric idm, cinematic samples, powerfully distorted sequences, ramming electro grooves, razor




oordream, empusae, and many more… available on 2-cds only with mastering by john sellekaers of metarc studios and stunning artwork design by kostas k. of subheim / spectraliquid.
ally with musical openness and don't shy away from exceeding the limits of different genres. after delivering successful remixes for well-known artists like kirlian camera, spectra*paris, sleept


 s on 'nyarlathotep' give room for epic battles between coldness and warmth. the lack of vocals on 'from beyond‖ make this cd to a visionary piece of art which perfectly fits any horror movie p
eased their first album in 2004 on the respected weblabel dtrash which enabled him to acquire successful worlwide popularity in the digital hardcore scene. under the codename lewsor in 200
notic power of mass media, arco (sonic area‘s mastermind) and vx 'cheerleader' (py singer and programmer) tried to break all stylistic boundaries and restrictions, in a merciless attempt to de


ate arranged beats and ambient spaces to lend the two musicians debut a unique appeal.
capes of nature - in forests, fields and lakes. in 2003 the debut album of i/dex - seqsextend was released on an experimental label nexsound and received numerous positive reviews from we
 broadening their field of impending annihilating impact. debuting with a self-titled five tracker, treachery presents a full range of their divergent tastes indulging the listener in a tumultuous rid




h cases, the band sound noisier, more urgent and yet more strangely danceable than ever. originally planned as a 7'' single between albums, 'the flood' got completely out of hand when the b



 tuff you can't miss this one! this uniqueness in dev/null's sound has already won him a huge number of underground fans. he's probably one of the best-known breakcore producers even tho
re to hardstyle, techno to b‘more club music, forrest has it in there! initially begun as a sort of remix record, 'panther tracks' builds heavily on a variety of sampled heroes. one can hear dj chip




nel/chain reaction, mille plateaux, plus 8, & force inc.


o the usually cold and antiseptic world of electronic music with its subtle melodies, deep basslines and funky beats.



nd raw energy spark new uprisings and unseat preconceptions. in clubs, warehouses, backrooms, radio stations and performance spaces, ripley has played with artists like asian dub foundat
 hose mashit as a 'label of the month' in october 2004. the records have also been receiving airplay on other bbc shows, in addition to shows on london's resonance fm, and ninja tune's synd
ortishead sound like the theme from my little pony they regrouped and concentrated on a purely electronic offering. their break came in 2002 when death$ucker head honcho parasite booked


hangra, and rave. monkey steak‘s exploration of garage and grime has been an important step in the development of the steak beat sound and has led to the first monkey steak release, grim


chose mashit as a "label of the month" in october 2004. the records have also been receiving airplay on other bbc shows, in addition to shows on london's resonance fm, and ninja tune's synd
rek," a concoction of clickety hip-hop rhythms swirled with chunks of super fatty bass that together produce a rich flavor you won't soon forget. and then it's on to the cool sorbet textures of "ka
 s racing faster than a mumbai bowel movement. at the heart of this fiery release is the track ―byeway‖ from the metamatics album from death to passwords where you’re a paper aeroplane,
 special blend of warm melodies brewed up just for you in anti-matter , a four-track cup of loveliness on a 10-inch vinyl saucer that‘ll snap you out of the afternoon doldrums. the first sip, title
t uptempo bass bumps that tastes a little bit like prefuse 73 and the rest of the schematic label, but sonorous and chewy instead of digital and crumbly. after whetting your appetite on ―lylt‖ yo
 after learning the next 10-inch plate is none other than those citrus-lovin‘ fools eu! ripe with vintage synth juice that‘s sticky-sweet and healthy to boot, eu‘s mandarines unloads four zesty trac
r any listening environment. first up is a delikatessen regular, lusine icl, who takes a 'no frills' route, spreading his special kind of down tempo techno butter all over 'soulik,' delivering the perfe
ens up to a juicy medium-rare atmospheric melody that delights with its supple sonic texture. while only a 3-minute portion, the second track is a veritable filet mignon of a cut, where lightly rh
 le,‖ this is music to party and get down to. with previous releases on tigerbeat6, industrial strength and dross:tik, belladonnakillz is ready to deliver this full length project, crafting a style that d
s' eat concrete records. in a live setting, blipvert takes on a twisted life of its own as he constantly remixes, accompanies, and alters the music through the use of air theremins, vocoders, and




usical atmospheres and evoke a field of vision, based on the 'notinism' with an ambition not to join a specified style or scene. spies go through trends and are always mutable, comparable to
 etc. each track is a venture into a different genre – so what do you wait for? get your implant today!
al performance. a sinful experience created by one of the finest electronic artist of our days! tracks like wanted, siren andeverything' clearly prove that emotions and dancefloor appeal can be




 ter on synnack.com for access to additional songs, unreleased tracks, videos, discounts on additional merchandise, and more.
e listener as one embarks on a slow descent into madness, entering yet another world. time slows down as one is enveloped by textures and swells of sound. 'a year in the life.' of sorts, field r




en electronics. contributions from concrete cookie, the dog, depth error [aka matt green], the maggot farmer, jism, retrigger [brazil], incredibad [featuring andy samberg from saturday night live
 project aside from most acts in the dark-idm genre, and sets it well above most of its contemporaries. in anticipation of the next full-length release, we are pleased to bring you autoclav1.1's f
ow hive records is pleased to release witness to our collapse, a masterpiece of storming beats, memory-searing hooks and flawless production. equally destructive on the dancefloor as it is w
morrows. this recording is the first collaboration effort for vromb. the montreal dark electronica wonder has teamed up with an almost canadian fellow, hushush‘s headhoncho project, szkieve




 ro-melodies completes an upsetting, allucinated but crude vision of our 'collapsing civilization'. try this album & 'reset' your 'weltanschauung'! the cd is packed inside a book cover, the book c
ul display of his intricate production technique and his feel for scene-setting, luscious ambient weaves paired with a nifty crunch and tripped up beats, lovely as you'd expect. autophonic come
ke this cut deep, it really eats into your head after a couple of listens. likewise on '00 returns' with its breaky feel and metallic acid riding the drums, though very frenzied it retains a sense of m
 + 5 new tracks on 1 cd. slack is a full length distinct autophonic sound, tight beats with a jazzy electro-mechanic-funk flavour. 'bled' is the darkest track of the bunch, possibly the soundtrack
 to create a harsh hybrid form of drum‘n bass, breakbeats and hardcore electronica. ever since the first appearance of jungle in 1994, stevens for example tried to incorporate these bouncing




ou reed and john cale wrote for andy warhol after his unfortunate death in 1987. the album contains six tracks and is just under an hour long. the track titles refer to the work on which they wer
ur secret wishes which you should like to hide deeply inside yourself, but you have no choice anymore - kill or to be killed. 'theory of the arising of desire' contains 11 tracks with over 50 minu


sive fat beats, slightly faster than on 'theory of the arising of desire', powerful bass-lines and psychedelic melodic structures - this is 'learn to swallow'. no tragedy - no history. this album has b




o create this eerie ambience, patching samples together on tinkered pcs and feeding reel-to-reel tapes through his laptop. this one's for you is genuinely refreshing audio for the ears.'




atory from a lynch movie. heavy, industrial machine beats, bone shaking bass, epic, atmospheric melodies, and dark ambience charged with an aura of fear and despair. all this is accompan
th titles like 'the second advent of elvis', 'the pornoman','cannibal twist' and 'go,satan,go!'.above all, marvel at what sounds like sampled dialogue taken from, say it ain't so, actual soviet b mo
e with andy warhol anymore. first of all he‘s dead. and second, the history has ranked him as an accredited authority in the world of art. and no one can afford to ignore this. messer chups is
a cd-rom video included on this disc, 'go satan go!,' which comes from messer chups' previous release, vamp babes (which is every bit as good as this cd). run, don't walk, to buy this cd - an


g during three years. listen to: in the gloomy sunday morning' (fhm-russian edition, translated). 'oleg gitarkin, the king of russian lounge, is changing his image swiftly - there are much more ex



y driven compositions of dubby organic fluid funk. imagine being alone in a dark place with waves of noise swelling up around you, gripping your senses. relax as your body begins to feel unc
ut also over and over again redefined that sound. after a forced break in 1993 they returned to the scene with a fresh new sound. here pankow has given 5 cuts of dark thought provoking song




me mild ragga-jungle. eight frozen modules gives a lesson in electro with some downtempo madness. chevron brings some mutated atmospheres that transform into spastic amen breaks an


ploring different textures and sceneries: mysterious floating strings, relaxed beats, laid back rhythms, soft mellow moods, shimmering melodies and all from the highest quality. luscious, atmo


 melodic, evilish guitar strings meet dark-heavy rhytmics, blips and scratches giving an answer to lost hidden female voices. american artist james plotkin started making records in 1987. he




he dream of the murderer's ship pulling out.' these tracks were all recorded at home without the aid of computers. check.



how on new jersey's wfmu. hold the west is an all-time favorite on the widerstand.org mp3 section. full-colour cover packaging.
e--excitement, technical mastery, jazz orientation, and a superb sense of continuity--are present in full force. dynamic, indispensable and built around the propulsive sound that only he can ta
p the thoughts of all those too young to participate in live aid, and too old to stalk the moonlit streets of gold until dawn with arms of paisley--'i want cookies in my sleep' he beautifully mutters,
 be both seen and heard. it is with great confidence and pride that we present the cumulation of so many years collective work. feat. yuppster, terminal11, emotionaljoystick, ground chuck, ex
 be both seen and heard. it is with great confidence and pride that we present the cumulation of so many years collective work. feat. yuppster, terminal11, emotionaljoystick, ground chuck, ex
er-strewn streets of the american gotham solenoid inhabits. determination evident, the track dissipates into a refrain, then bridge that regains its senses at around the halfway point with a stag
y does not disappoint. from the strains of his first chorus to its final measure, a work of true melodic talent emerges with intricacies that could only have come from long hours of confinement,
s that 'plays!' is even more adventurous in its fun combinations of styles than we have come to expect, and anyone who has heard the previous releases on the zod label knows that is saying


ildren's outputs like a porn star. granted, the artist sometimes still known as ryan olcott has had practice galore, having built and mastered the instruments with the sort of diligence usually en




 ure imagination that could be seen as the bizarre encounter between two worlds appreciated to o.t.x: music and cinema; thus, the artist perceives his own opus in terms of 'cinematographic s


droitly over the entire album. left shows the most range of end.user's album making career. intensely personal, intensely musical, and just plain intense at points, the album showcases a spec




advanced beyond its time and yet long forgotten by history. your dark evolving journey into this lost 'nacrastan' landscape is streaked with the warm hue of sun-bleached rock, sand, gold, and
something completely different and unique.
hen chill out-like rhythms encounter deep house beats, again followed by big beats giving reminiscence to legendary drum and bass artists... to put it simply - ―distorted disco‖ is a mature cha




ctured, unspoken chaos (the reminder of 'rictus') - here it is uncomfortable ambience overlaid with reduced machine rhythms and schizophrenic metamorphoses. 'ça ne nous rendra pas le con
melodies and rhythm have been given more attention in the foreground - an overall never heard symbiosis of hard, harsh, rhythmical tracks and droning, deranged ambience. not to speak of




spects of daily routine. 'the voices of reason' is not a spoken world album in the common sense - it offers both smooth and happy tunes as well as abstract, experimental soundscapes and be
arlier works. girard's music contains minimal electro rhythmic explorations beyond cold atmospheric soundscapes. there are also manipulated voices on this record-hugo girard implements th




electrified analog beat in concert with the unique elements of a track or of a song. listen to ‗the council‘ featuring sheila mata‘s voice and you will understand mata‘s craftiness. this cd ends w


scinating, imagined soundtrack with a great variety. listeners who chill out will find themselves drawn happily into the details upon repeated listenings. highly recommended.
 -to-the-floor polyrhythmic heart-beats. if you live a '24/7 life' you will recognize the strictness of these never-ending dance-tracks.
orld incorporate this unique sound in their daily sceneries. live sets are remarkable: unstoppable rhythm-machines like bulldozers over your head. virtual fights and continuously repeating sam



 of the music's intensity is hard to give. reading the lyrics and listening to the haunting vocals is as uncomparable - as is labelling 'gloomy day' 'synthpop'. on this album, the message counts,
 have ever been released before. you will agree that it was worth making these tracks available to the public. this cd also contains three long-deleted compilation tracks that up until now could
 ou can never hear them dance - never. these strange life forms don't need a purpose for what they do. do you need a purpose to exist? either do they. what do you mean... it's all a lie? turn u
 a part of the whole and perfectly aligned with the others. as to unfold a seven part journey into the realms of the unknown, occult mysteries, and worlds of lost egyptians gods/goddesses that


,‖ says mootz. ―well, certainly there have been loads of glitch-ambient releases in the past but my live shows with m2 really showed me the necessity of beats. i thought it would be easy to wo
ombre has chosen the third direction. the mixture of electronic and acoustic sources that lead into mellow, floating soundscapes is sawyer's trademark. that trademark is present on this new re
n daruma's faces can be found in ant-zen's tenth anniversary compilation. from anger to relaxation, from happiness to sadness - all the variety of ant-zen can be found in here. but the most im
zers. the listener might believe that they are hearing modulated samples but this is not true. it is once again, an example of girard's virtuosity in creating 'naturalistic' soundscapes with pure ele


 musical personality. this music is more quiet than 'le serpent blanc' but never calm or soft - open up your mind and let it flow... and then finally take a few minutes at your pc (or mac) and enjo
& pricks. declined in multiple layers of sonic masses, from the slowest organic mood to the fastest cold grinding, these resonating terrorbeats have to be understood as a refusal of all compro
m (the witch hammer, geman: der hexenhammer), first published in 1486, served as a guidebook for inquisitors during the inquisition and was designed to aid them in the identification, prose
 mata was created. maybe you heard the first result on ant zen‘s 'daruma' compilation and maybe you wanted to get some more - well, here it is. we proudly present cell auto matas first full l
 von magnet, mimetic, haiku, emphasis and others. 'le temps suspendu...' can be described as mostly quiet, but never soothing. melodic soundscapes, distant, oftenly semi-comprehensible v
bric created by xingu hill and tamarin - proved to be similarly cataclysmic, although of markedly different scale. on the surface, altmann‘s tongue appears to be a simple spoken word project b
own!" maybe you think that u.m. is 'closing the circle' by returning to their guitar-oriented roots but what we have here is not quite a circle - maybe it is an ellipsis? an egg? or something entire


obsolete. the music is less distorted and much more electronica oriented. 'the grand chessboard' is a multilayered masterpiece with a huge variety of rhythmic structures, subliminal dance tun
 our-to-the-floor tracks with dominating rhythms, melodic synth layers and economically placed samples - nothing more, nothing less. if you're looking for references: tracks like 'sacrifice' and
re strongly reworked at laboratoire central (some months after the performances). if you never have the opportunity to watch the play don‘t worry - this soundtrack featured on this album spea
xpectations' - sequencers and electronic percussion replace the expected bass drum; in a heavily distorted 4/4 track a techno-like 5th-chord is embedded; crystal clear drum strokes replace d
 cq, mimetic, displacer and s:cage reveals reverberated distorted beats, drum'n'bass / breakbeats or straight ambient polyrhythmic percussion/synth lines - adding a stylistic diversity to l'ombr
 osis, trance and ecstasy - and before you know it you will get trapped in the tribal beats and moody sequencer lines. lines that lead to the world tree and 33°. 33° (cd2): your senses will be ov
mic experiments‘, szkieve transforms moods into music and the result is quite unusual for this genre. 'ékranoplanes' is a concept work: because they require huge amount of resources and m
 derground-electronic-astyles with a sharp edge, this album will please both open-minded industrial as well as other audiences. the album also includes the ‗100 test channels‘track for whichh
 ene by organising festivals and concerts in paris. in addition he developed a network for musicians in europe and he continued this network while living in berlin. after several releases on var
art 3 continues showing the pure hatred which seems to absorb his' soul and drive him into madness. but then in part 4 a process of analysis and rethinking takes place: he realizes that the o
 u‘re in the right place. yes it indeed rains ropes, starting with a chaotic rhythmic assault and irritating vocal manipulations, followed by a fast straight-forward breakbeat rally combined with sym
 -music - all under the moctan moniker. the results were two self-released full length albums on cd-r in 2002 and 2004. 'suspect' is strong technoid rhythmic industrial with carefully placed sam
never been released and they explore dark, electronic soundscapes ('elements', 'mind-whore'), sensuous industrial tunes ('remember', 'tu es le star') and driving retro-electro-songs ('existanc
deed rabbits! through mysterious channels, ant-zen received a phonographic recording and a video clip and decided to release it publicly as a document of the aural and visual manifestation
 ed our horses. no arrest. nursed maltreated idm musician. got him home over river. arrested four mainstream rock musicians for attacking him. shot two ... not fatally. called to ensign. no arre
ssion to be accomplished; now they plodded wearily, heads down against the rain, thinking only of home. during one year of almost continual warfare with comanches, kiowas, and border ba
ometimes pretty, sometimes threatening synthscapes - and invade their brains with the message (the entire text by yves cochet can be found on the cover) - another masterpiece from the bl
 four-to-the-floor tracks are decisive, dark ambient soundscapes and more complex structures have been added to the industrial basics, making this cd a closed, unique step in genetic select
ch the usual musical laws don't seem to exist, or don't seem to be useful. the same can be said about time itself - a track's duration has no meaning to the listener - time is suspended. some


 n one side, ear-drilling subbasses on the other. two different sides - two different faces - one perfect instrument to reach the 'hypernoid state', which means a state of 'hypnosis' and 'hysteria'
 d as a whole unit. the straight rhythms and mighty pulsing basses are fully embedded inside the soundtrackish tunes and haunting voice samples - sounds emerge, pump, disappear and re-a
 story. if you enjoyed that record then you will park it not too far from your many stereolab and sonic youth albums. with this release, u.m. has returned to the guitar-oriented basics they origin
zkrieg baby' (part 1 and part 2). the style ranges from distorted noise-influenced industrial ('don't think i am...') to dark electro beats ('pulse'); also included is her take on a pop tune ('today the
n cd-r there is a new sign of life from asche. more distortion, more beats, more disturbing voices and vocals - and more names: this morn' omina collaborated with andreas schramm on 'petu
rfectly documents sturgis' improvement. instead of repeating a successful concept over and over again, scott experimented with new influences and various styles. he even has enough balls


g shattered voice samples ('a man and his droid'), and electronic ambience ('whispers in the dark'). all of this (and more) is welded together with straight but well elaborated drumwork (and br
absolute body control). alien overdrive displays sonar's professional skill in diversifying a well-known style of industrial music, making it fresh and exiting. the straightness of the tracks works p
tion of the human organ. the 52-page book (21x21cm) features many astounding full page and full colour illustrations (drawings, etchings and prints - none ever seen before) drawn from the d
 , drony bass lines and odd voice samples. bipol's music could be seen as the continuation of industrial music before power noise took over; that is, pounding beat boxes, irritating electro aco


y, evil clowns. yes...this is the no clown zone!
e he offers a blueprint of what rhythmic noise can be today (dying circuit assaults v1), this album makes damn sure patrick and his 21st century rat pack will get the earnings they deserve - w
e13+ minute track, 'madness'. a kaleidoscope of melodic keyboard lines, enriched with disturbing samples and sudden broken beats - it could be the symphony of an awakening megalopolis;


nos), discord (eris), retribution and revenge (nemesis). the last three tracks are named by the moires (goddesses of faith): klotho, spinning the thread of life, lachesis who decides this thread's
n's. during various sessions both generated the idea to merge these musical outputs into a collective venture. since the beginning the name punch inc. has stood for hard, intransigent and pr
ositions (which are seemingly subject to an almost alien purpose and theme). the final product is majestic and epic, often martial and bellicose, with a sense of tragedy that at times is even qu
sical and stylistic sources from many cultural areas; for instance on 'ripple' you can hear indian chants, dub bass, electronic clicks/cuts, gongs, a piano, even straight beats and minimal seque
pressed freedom of expression) 100blumen's musical aim is not necessarily political. in his own words, music is an articulation of emotions: 'not exactly the adequate means to express mysel
 deadly weapons used like toys by grown ups who can never negate the children they once were. le jouet's music is a unique blend of hard hitting ultra distorted rhythms/beats constructed to s
  nts of all kinds - ranging from electro and electronic body music to techno, drum'n'bass, or even sounds similar to those of experimental 'bridging artists' like aphex twin and pan sonic. artists
  the game. "the concept 'math & emotion' became wider and overstepped the limits of a mere game of chess. it was projected on interhuman behavioral patterns in the everyday game of life.
a corset. synapscape's open mindedness to the electronic art combined with their ability to integrate characteristics of breakbeat, electronica and experimental music results (as usual) in a fas
 anced deep tenebrous electronics and circus-like melodies with high recognition value. imagine a comparison with imminent, converter, somatic responses... add a slight intangible obscurity.
 rdinary creative urges. kean became the muse for a new-born named exocet and this album is the first result of this artistic insemination. violation holds a perfect balance between technoid c
 essity of a choice. but with 'ni prédateur ni proie' (neither predator nor prey) we will not choose our side. there between partial / impartial, north / south, subjective / objective, orient / occident,
dictable) tribal elements. for this project mika goedrijk left out oriental mysticism for occidental accuracy - the result is conclusive evidence that a pretend 'misfortune' can turn into a valuable w
he mid 90's both martijn and bauke went into different directions concerning making electronic music, until the time was right to start working together again in the autumn of 2007. with the rel
 exhibitions/installations and a collaborative album with config.sys. now ant-zen presents ahnst anders' second full length album. 'many ways' is based on different field recordings of natural s
ting, 'portrait of gabrielle d'estrées and duchesse de villars'. on this release's six tracks, lingouf allows each composition to blossom and transform. from the megrim of 'le carnaval des anima
melodies. the more you listen to this album, the more details that will be visible. proper heavy engine! the fascinating aspect of this project's work (since the beginning) is their ability to innov
ent day noise industrial and intelligent dance music. repetitive industrial roughness is backed by complex beats, pulsing bass and crystal clear ambient spheres. samples sometimes serve a
es, heavy low-frequency electro bass lines, sinister minor piano chords and harsh industrial sound sequences. apparently contradicting styles collide and melt into something new, f.e. the da
ng dark synths and ceremonial voices which create a hypnotic trance - only to be followed by pulsing floor burners like 'long distance runner' and 'deja vu'. after having endured the abrasive n
dy's darling), electro noise tunes (bouge!, fusion), beautiful atmospheric lounge cabaret (mon cabaret), insistent electroid beats (rubberpop) and finally into a furious rapid interpretation of the
II, you will discover the melodic beauty of nuraghi, the tribal, symphonic darkness of ananda, and the slow, melancholic flow of tellurian. synthetic beats, acoustic percussion, sub-basses, atm
th many facets of electronic sounds - repetitive, impulsive and suggestive. 100blumen focuses on a balance between hard danceable industrial noise (characterized by the artist's own descri

kes with the digital iciness of dark and disturbing soundscapes. an outstanding release, both calming and intensely enraged at the same time. not to be taken lightly.
pilations, performed live and collaborated with synapscape as 'the incredible three'. furthermore he constantly worked on this new full length album - which has now been completed. like any g
continuous hypnotic flow. the album's conclusion, 'klimaveränderung' combines m.nickels' punk roots with hammering e-beats and electroacoustic sound collages - an amazing collaboration
ristic trance trip. vinyl version of ant-zen act108 incl. 1 exclusive non-cd track.
something completely different and unique.
 gs, so it was the right choice to start with the chapter blue as introducing this new cycle. the other four albums will be chapter red, black, white and yellow. red will go around passion, black w
 of the credit for the recent change in direction should be given to the faculty at calarts, including mark trayle and tom erbe who have been in the electronic music scene for a very long time. in


major rising force in electronic music. it is not hard to imagine jeff mcilwain reaching the same level of success as many of his influences. 'iron city' commutes the listener through a wide range
nce of breakbeat as well as contemporary noise fury. brian williams, on the other hand, has a history running into the 80s of voicing subtler emotions like isolation, angst, and dysphoria as am
gh conflicting sonic textures. fans of l‘usine, marumari, funckarma and bola will find the cavernous expanses of ―return‖ and ―song23‖ an aural feast, filled with harmonies shaped as much by
sten to the breakbeats, soundtrackish voice samples and filters - reminds me a bit of the 'transfer' track by the german project...uh, forgot the name... do you like it?' 'what the hecq... ah-pretty
oji ikeda and carsten nicolai‘s microtonal minimalism. titled ―circuit I - V,‖ these almost interstitial pieces buffer stark, techno-infused tracks like ―signal to noise,‖ which with its riveting electro o
der stance for this lp, as the title suggests,‖ says john. ―i think that we were categorized as idm for a bit, which we never really understood…so we've applied a few good measures of distortio
 ation of atmospheric synth lines and well elaborated beats. the breaks have a venetian snares approach in their complexity and precision - these breaks are combined with straight but compl
mayhem. based around the destruction and murder of countless hordes of men and women for their heresy and blasphemy of the decrepit church hecate's brew hideous album is by far her m
ling bed of synth clouds while producing an album which proves that ruptured hard-drives of broken-beated chaos can still elicit emotions beyond those of a confused tedium. diversified and
microscopic synth tones, noises, samples - and of course beats. ryan has forced these bits, pieces and breaks into a metric corset. the four tracks are straight and fast, with a sound structure
areer. intensely personal, intensely musical, and just plain intense at points, the album showcases a spectacular array of skills across the board. from radio play material (black light) with aus

 950s - in turning out superb moments of social commentary on a post-pop chassis. in crafting an entire album of richly detailed western ambient and broken beat grooves, snog has raised th
ve this recording - and you can believe them, he's really a nice boy. and remember what the doormouse said: feed your head! its major changes time! packaging: full-colour sleeve.
 y otto von schirach can provide. this time the overall feeling of the album is more dance sounding; elements of booty, electro, breakcore, and rave music all find a place in his bizarre universe
venetian snares, dj /rupture, or squarepusher, but ove-naxx's superb production has a voice all its own. since 2002 he has produced well-received releases such as an ep on dj /ruptures soot



er well-known project, black lung. thrussell's blend of equal parts paranoia, anti-capitalist politics, humour and making it one of the more distinctive sounds around. ...making the revolution se
 o an exceptional sound experience! it exists in its own space and with its own rules!


nown project, black lung. thrussell's blend of equal parts paranoia, anti-capitalist politics, humour and making it one of the more distinctive sounds around. ...making the revolution sexy.
priating such distinctly communal music as hip hop and dub to extreme individualistic ends. tracks ranging from slow motion grooves over heavy beats to warm and relaxing structures. scorn
otary beats form rhythmic regularity, dense waves of electronics with layers of little blips & breaks and turns of melody. twisted drum&bass layers are filled up with abrasive crashes and explo
 that dirge forward with immense dark demand of detail. those details - dreamed voices, slow glacier melodies - low drones flows in a beautiful manner. a collection of awesome dreamscapes
 h the very high quality of the hymen releases.


 motion of' is the music of mysterious dreams and lonely moments of thought.
azz and fanny. enjoy mostly unreleased tracks by hymen- and hymen-related artists.



nic album you‘ll find today. science/fiction revels in expansive percussion patterns and lavish chord structures that swoon with tension, where sonic ideas posited in unrelenting break sequenc
as likely to get an earful of tight hip-hop rhymes as you are a hallucination inducing melody. it would be easy to say that these changes stem from stevens and lange working with mc‘s sisco a
 950s - in turning out superb moments of social commentary on a post-pop chassis. in crafting an entire album of richly detailed western ambient and broken beat grooves, snog has raised th
uous breaks venetian snares is known for spiral down to the very pits of hell and back thanks to hecate‘s visceral atmospheric treatments, returning as mordant sound meant to corrode the so
 d emotional entertainment of the darker confines of the human soul. when played at high volumes on a public announcement (pa) or stereophonic sound reproduction system (stereo), war re
 nt release with mad monkey records, it seemed fitting to bring in mad monkey labelmates burning rome and chango-feo for this finale. rounding out the remixer list are oregon‘s best-kept elec


 otive digital synthpop like early autechre on 'track 5.' not to be outdone by other sample-aholics, myer ensnares the ultimate - beethoven‘s moonlight sonata - and contorts it into a neo-roman
oji ikeda and carsten nicolai‘s microtonal minimalism. titled 'circuit I-V,' these almost interstitial pieces buffer stark, techno-infused tracks like 'signal to noise,' which with its riveting electro ove
ness for him as the undulating pulse of 'premordial dance' eased through her consciousness. the sounds had followed her throughout her life, even to her death in the frozen river sikoris, her
 ut it, aren‘t you? (r): yes, it‘s a brilliant mixture of dark techno beats and what the kids call drum-and-bass, right? but i hear lots of strings and things like that in it, there‘s lots of orchestral mus
 der stance for this lp, as the title suggests,' says john. 'i think that we were categorized as idm for a bit, which we never really understood…so we've applied a few good measures of distortion
 al predecessors, hecq‘s scatterheart posits itself as a complete whole—an aural concept that spans the better part of an hour, where complex, intense breaks and melodic themes intermingl
  have probably been able to hum the melody since you were a child. yet in this presentation, each version is revealed in an entirely new light...so much more meaningful that it's almost as tho
 beats, duran duran duran, shredded vocals, a wah-wah trumpet, drop the lime, swans, a canned foetus, the real one and only foetus himself and a knife for mrs. miller in nearly sixty minutes!
 that it can dig deeper. more song based and acoustic than before, delicately crafted, and yet disturbing, smoke and mirrors opens a new door to the odd universe of dead hollywood stars. a p
ss that at times seems almost impossible. on 'megrim', stylistic eclecticism is less ostensible. the integration of different cultures (for example: using aramaic and japanese voices) best descri
 m, l'ombre and architect used hecq's sounds/ideas to create tracks that should not just be seen as 'remixes'. these collaborations are the perfect completion to this marvellous album.
 es razor-like industrial noise with atmospheric sounds, conjuring a macabre, 3-dimensional soundscape that unfolds as each moment passes. a mechanical haunting presence starts the albu


 h more breaks, ragga vocals and tight fitting sample work. the most basic foundation of the tracks on this album are a continuation of the sound created by artists like panacea in the 90s - str
  freelance sound designer for corporate and academic webmedia projects, scored experimental theatre productions, and was a classical booking agent. matthew's musical training can be rec
mat. the fourteen songs you will find in the 'regular' audio-cd section show thrussell and his' companions (such as c.peirce / end, sir real, ubin, the namshub of enki) as masters of amplified so
 music 'just noise'. thomas received his degree in 2005 when he completed his composition, 'mecalangue'. however, he has to finish two more compositions to finally get his diploma. music is
 music' (jason forrest). on 'fractured sunshine' all this madness is present, but castaneda has straightened out everything a tiny bit. 'counter clockwise chant pattern' f.e. has a song like structu
 ses and soulful vocals. synth lines, sequences and striking effects are kept together by varied rhythms - which expertly balance acoustic and electronic instrumentation. all the while, a manip
 ctronic music. through the years this music has mutated into a cross breed of influences. in his' own words, the 'keef baker' project started as a cross between gridlock, somatic responses, ve
 his structure from a sample-and-hold-like-treatment - restrained, but still very sonically detailed. language barrier is ambient electronic music at it's best, providing a relaxed, entrancing sentim
  and acoustic instrumentation is enriched with well-placed sampling, sequenced patterns keep embedded ambient soundscapes together, supplemented by power and intensity known from o
ms (the operative through the crunch pod & sistinas labels) and has shared the stage with many performers in industrial and related genres. he also runs and operates the los angeles industr
well, what it really is, is something completely new! sliding between genres like they slip between hot-tubs ‗the last days of rome‘ is dark, powerful and totally catchy, a sleek meaningful beast.
  took over technoid music up to the nineties where speed increased and rhythms became dodgier. stylistic classifications were never somatic responses' aim, nevertheless, digital darkness m
 electronic music composers fear the most: melody, song structure and brevity. the album is an intense and addictive experience, charging forward with the nervous energy of urban, nighttime
n eclectic puzzle at first glance makes perfect sense after listening to this outstanding album... each track is carried by intense, emotional moods that take the listener from warm and soothing
 beats generate tempers that range from surreal to melancholic or even nearly frightening. listening to 'avutma' is like walking in a dimly lit basement never knowing what's behind the next cur
ad in mind. hpc presents a fusion of heavy syncopated beats and pulsing low end bass, balanced by synth textures and soundtrackish samples - inducing atmospheres that dwell between un
  textures, ominous samples and algid ambiences that are interwoven with atrabilious melody lines. straight forward electro-industrial meet the complexness of breakbeats merged with whirls
ub... in the end they become one style that can only be called keef baker. 11 songs of melodic harshness - loud and powerful even in their quietest moments. expect your expectations to be c
otif and so these titles are perfectly suited for this ambition. in addition they work as a basis for collaborations and remixes. the hypnos trilogy (tracks 10 to 12) is hecq's dedication to the state
e all these styles into one instead of simply stringing them together. crisp percussion blasts meet soundtrackish synth lines while aggravating your somatic responses - distortion from detroit m
vering a range of downtempo, trip hop, breakbeat and fast chthonian four-to-the-floor cadences. with the atmospheric 'look but never touch' the album comes full circle - to start all over again.
 millipede's first full-length release sees the light of day: all my best intentions. millipede lays down a caleidoscope of beat-driven melancholy, marked by an acute sense of memorable tunes w
 m, karsten pflum, abs6, wisp, jerome chassagnard, mika goedrijk, marching dynamics, orphx, bit shifter, dead hollywood stars, end, twenty knives... packaging: deluxe 6panel gatefold-sleev
ums accompanying glitched-out rockabilly, the next swinging jazz scat overtop dirty, blown-out synths. almost no musical genre is left unexplored - surf, garage rock, speed metal, big band ho
 he title itself literally means 'the reason to sing for the dead'. although not a literal application to anything, i intended it as a question: 'what's the reason people write passionate music?' that a




 er then you won't have any problem with the sound. this record at the right volume feels like a kenworth truck running through your wide open mouth into your throat – glory!! special plastic s


 akcore beats (and don't forget the faded lovely string synths and voices - just as the muzak played in some factories keeps the workers productive) and finally concluding with a mellow melod
w based in williamsburg, venezia pushes the boundaries of breakcore with the humor and sarcasm that went hand-in-hand to create rave and early techno‘s dark side, playing up the seedy un
 e would be no point in bernard buying any more records. upon the first few sick notes of into oblivion‘s first cut, 'owleybass,' bernard began to feel a burning sensation in his ears; the lumberi


 ples and melodies which are in someway related to his homeland, be it the persecuted satanic ‗goatriders‘ from the middle ages, up and till the recent islamic fundamentalist attacks. not forge
mething new! mad ep's 'acid jig' is g.g.g. volume 1's perfect opener, keeping the roughness of the sixties and transforming it into the 21st century - featuring a little homage to a young vocalis



k live goats' blood, plus that of the odd mexican resident (see x-files episode 'el mundo gira' for more). 'el chupacabra' is an instrumental track, so jonni says, with (quote) 'a mad latino sample
 ill whistle the merry and melancholic tunes, sing-along with the lyrics in english and french - enjoying the cd at home and in public. If you are an eighties or minimal-electro addict then your he
  bang: darrin huss (psyche) is the vocalist and interprets philipp münch's lyrics brilliantly. on 'l'homme deconnecté', french independent legend charles de goal is the guest vocalist (he also w
ons. what you're about to hear on 'die segnungen der neuzeit' is a mixture of minimal electro pop and eighties-style sequences, with a slight splash of industrial. once asked about musical inf
een joy and melancholy - once again trg present the perfect connection between vogue and sophistication - a trademark they are well-known for since 'state protection'. contemporary, inspirin
bihl met a mysterious person who was semi-nude, had their face enshrouded by a paper bag and who was preaching about liverwurst sandwiches, bureaucracy, insect people, and calling him
erlay - making this album a genuine 'place for the lost'. join them there!




auty, sicknesses, solitude, uniqueness and love. 'dead red' supplies the eleven tracks plus three bonus remixes with massive technoid beats, deeply distorted industrial noise, painful synths l


winterkälte. gatefold-cover printed in silver on black cardboard.



u. ::meow::. digipak packaging.

such as "in the butcher's backyard" (cmi) and "death odors" (slaughter prod.). not content to rest on their laurels after the successful inaugural release by ordo rosarius equilibrio, the fresh ge
oric sounds created through heavy manipulation of the sound of steel drums… 'industrial culture in its initial forms should be a mirror of the past and postulation of the future' according to yori
emely limited nature of an album does not automatically imply that its content merits another issue. in the case of 'transistor' any such fear of groundless hyperbole can be scrapped. while op



dary maschinenfest 10 year anniversary performance and comic book soundtracks. all the material has been re-mastered by mike goedrijk (this morn' omina, pow(d)er pussy). the red line thro
vily distorted sounds are melted to the unique mixture greyhound has become well know for. changing pulses, information overload, the surveillance fight and fast moving life resonates in eac


k. more on the concept behind depleted uranium weapons: different sources state about 330 - 375 metric tons of du ammunition was fired in the 1991 gulf war, 7 - 20 metric tons on the balka
plus video clips for two new tracks and one remix done by incite/. hands d128 oversize hands paper pack.
ctro and hard industrial tech. packaging: hands paper pack.


 within their projected image.




a vainio that have inspired him to create this new side project. the result is a deeply introspective soundtrack that seamlessly shifts between the cavernously earthly and the futuristically sci-fi.
 ect, aims not only to create harsh sound atmospheres consisting of distorted rhythms breaks and noises but also to stimulate the senses through the use of references, to pose questions in o
n the run: the 13th monkey. the 11 tracks on this album were completely constructed using an array of tabletop hardware instruments programmed in real-time without the use of overdubbing,
on glitter and stories of success turning various spotlights on an inapproachable, dismissive, dangerous and crude modern metropolis inspired by the aesthetics and flair of movies like renais
ng civilization. merciless protraction samples, bends and manipulates countless genres of electronic music into a cohesive and innovative body of work; a signature of scrap.edx‘s high digital
e and me' to the deliberate percussion of 'quick kit' to the melancholic melodies of 'sneakerwave'. there is literally something for everyone in 'everyone....'.


en brothers now land at n5md for a brief moment to bring you 'punctuated'. quench's first release by a stateside label, 'punctuated' shows quench at their cruelest. intense yet subtle melodies


 experimental electronica.


funck' reminiscent of the funckarma mother-ship‘s previous output. not to re-draw the blueprint altogether, still present are the long emotional pads which hold together the funcken‘s dense cy
ss journey. while still being playable track by track the album starts with the positive urban ambiance of 'waking at noon' and ends with the intense hornet's swarm of 'pay,' 'patience' delivers e
u are feeling. a slightly new direction for n5md, sea is neither strictly electronic nor acoustic. last day's utilizes both elements to conjure up a sound that is somewhat minimal yet musically rich
s comparison though is almost a moot point due to tobias‘ originality in his instrumental composition and his vocal delivery, melody and cadence. 'time is on my side' is truly in a world of its ow
 activelad has only hinted at such introspection and has let us see just a hint of such depth of psyche. this new more open aesthetic has seemingly given hummel a newer confidence in his so
 t slightly sinister elements of label-mate proem. it highlights a delicate balance of tension and emotion, harnessing errant melodies, fractured percussion and granular synthesis experiments
he album title which roughly translates to 'my skeleton' utilizes guitars, melodium, harmodium, violin, piano, field recordings, and live drums as well as electronic elements and edits that may
ve' for fans of the funcken brother‘s prolific body of work!
but pushes way beyond specific genre trappings by tossing aside the clichés and commonality to focus on the raw emotion involved in creating music. hologram is exclusively licensed outside
 ng style which utilizes only guitars, basses and drums. this experiment in the basics has led to a sonically rich release that still contains those warm musical crevices to find solace in. epilogu
 nstruction' left off, it quickly migrates to an even calmer and more atmospheric experience. through l'eixample, arndt has moved closer to an an emotional apex and provides even greater me
bring shimmer and fade back, n5md has chosen to rerelease it as a re-mastered cd which contains four extra tracks not found on the original ep. limited to 1000, this release will serve as a tim
 ows between such genres as shoegaze, armchair electronica, post-rock, and classic ambient. stylistically it seems far away from his debut 'giving up the ghostÄ and in theory it is. yet, humm
parents and their relocation to a remote northern land. disappointed with the trappings of the city, they wish for a simpler, more rewarding way of life. their arrival promises clean air, miles of sn


 soaring ambient. as the title may suggest there is an undercurrent of aching melancholy to the album, as if the band are expressing the feelings they have for the temporality of life's situation
ever being contrived, heavy handed or excessive. there is a self-awareness to airborne that can be heard in spades on the aptly titled swirly slow-burn of 'psychedelic coffee buzz'. a song writ


 de the beginning and the end.
ece. even with such a title for the cd things can't go wrong. (frans de waard)
 tracks on deep sea shipping were stylistically aligned with each other and interconnected by such concepts as deep-tech, deep-ambient and deep electronic. depth and diving is part of each




wark contains 14 songs highlighting in the different aspects of these 2 sound designers: starting with some dsp-ambient-dub, floating into some bitter-sweet autechre influenced melody-monst
ctober', in a more winter and twilight version. this is the album about seclusion and remembrance. the nature of all tracks is thoughtful and contemplative. noise of planes flying over the winter
 features 2 exclusive tracks by klima and two architect remixes by klima and monstre mekunnik.




 destination. defining an almost unreal post-industrial atmosphere. exocet is a crucible of sounds resonating with power and motion - a truly fine conclusion to a landmark at the boundary zone



azz and soul music, public enemy, early hip-hop, disco, easy listening, soundtracks, arthur lymon, lee dorsey, les baxter, jean-jacques perrey, al green, bjork, booty bass, cocteau twins, dj qui



 cognized sanctuary for circuit-fitted audience. pleq's music is the final answer to understanding social obedience through sound. on 'lucid dream' you listen to empathic and transparent arran
e future. in search of oneself and a growing demand for harmony, which is reflected within the songs, is more or less the contraire of that emotional phase of life. digipak packaging.
 duran duran duran, larvae, subtractivelad, mad e.p, exillon, visions, maath, troum, and s.q.e. 100% pure sonic innovation, and no derivatives.




 n body ? which one is the pacifier ? and which one is the catalyst ? an intense one hour journey through the mind of a man who is so much more then mimetic; he's mimetic under pressure !
 ell, but a fact of life. his stories have been well documented over the years and this cd add a new dimension to the archives. the atmosphere and underwater sounds are amazingly well caug




ay the final result is. nesting in your blood - staying there forever. until you get sick, until you catch the disease. some are so desperate they choose this way. kraken is kraken. a belgian ense
need for an outlet. a very personal experience for the man behind it, all material is forged from life experiences built around the concepts of love, hate, sorrow or death. loss has quickly begun
 usive pearls contained on this two-and-a-half-hour double cd compilation, you'll realize you got hooked... grabbed by angst and enjoying it. angst is : mimetic, hypnoskull, okk-ulth, empusae,
 future', including a controlled breakcore track and an adventurous drum'n bass track. enter the battleground and sneak into the skin of a lost futuristic 'einzelgänger' who lives in this strange
e - or at best incomprehensible - lyrics, noisey ambience, field- recordings of an unknown origin and even a few rhythms. the kraken might well be the belgian cthulu in disguise. who knows ?
sounds so dark they could only be referred to as black ambient ... and so the darkest of the dark was given a face. almost unrecognisable, for the final words on the scroll set it alight... the on
oss-section. iszoloscope, l'enfant terrible of industrial, ah cama-sotz, who released the first spectre ever, loss, who proves that there is a lot of harmony to be found in noise and hypnoskull, b
 zes the fact that this cd will not be the last we'll hear from hysteresis. a multitude of samples from all over the musical spectrum ensures that there is something to be found for everyone on th
eanlife (amongst them are 'fighting with cachalot', 'whalebones are not umbrella's' and 'sushi is murder') we can see what upsets kraken. and the music fits their anger perfectly; a layering of
ken or somehow manipulated selfmade instruments, as broken or manipulated as the thoughts that formed the soil in which they grew. the story which is told on the darkest lovesong ever - e
rue collective effort, combining the sounds from bauke van der wal with the words from hiekelien van den herik. '...as it is...' is about poles and opposites: 'heaven' versus 'hell', sound version
es in the twisted minds of joris and ricardo. there are thirteen untitled tracks in which you are guided around the world with influences ranging from belgium to india, spoken word in dutch and
specific touch of hysteresis. so what is that specific 'touch of hysteresis'? well, even though there are kazillion books written on the scientific meaning, it suffices to summorize them as 'a syst




cial overstock sale - limited quantities!
his outing. brooding ambience, and cutting frequencies combine with odd melody and an enveloping, fluid mix that lead you through the dirty laboratories and hovels of taboo science where g


 - here is the infernal apocalypse. by far the best album since their evil is too strong masterpiece! special overstock sale - limited quantities!


n london and mixed by israeli /new york studio producer m. guest appearance's by kris force of amber asylum . reeve malka and guy harries from orchestra noir and caroline jago, andrew kin
xperimental and weird danceable atmospheres with the use of deep sounds and complexes rhythms reflecting the main character of the last 10 years of mimetic work. the book: international




 rom ambient to rhythmical distorted music 'the great divide' offers a vast range of genres and styles with a unique personality.




 the 16 tracks that make up this startling debut album all twist and turn at unexpected points, before usually evolving into a maelstrom of pure, unadulurated head-fucking violence.


ed animal. fyd soudnscape is made of madness, intensity and blind realism. growing in a world that muzzles man implies a definite reaction when expression is possible: i will not become wh
paper but with particular attention to all frequencies of the audio spectrum. in this mysterious whole, between electronica and industrial, things are not quite what they seem. lost in details, the
nds. muttering, stomping, kicking a noisy hip-hop beat, chrysalide music makes the psychodrama hit home. each track is already filled up with layers upon layers of audio collage, abrasive sq
 ies down. this music never rushes for extreme violence, just like the way politicians act in order to muzzle citizens. let you seduced by a new virus that tastes like a acid candy !!!



 '', including remixes by cdrik -axiome, kirdec, etc- and communication zéro. this critically acclaimed debut album finds its artistic and political origin in george orwell's masterpiece 1984 of wh
rs and insistent enchanting melodies... in this first eponym album, amesha spenta takes us into collective memory, on the boundary between spirit and matter, in what appears to be a myster
eelings are ghostly & transparent, where communication (atish's original lyrics) are reduced to fragments, one-line statements, or to the bare essence on 'fel' (the closest one to a vocal song
 very popular amongst vj's and their sets. rko and ripit add to it their chaotic and destructive touch, thus giving life to images frozen by their initial format. films stolen to carpenter, tsui hark or


s and layers of craziness, launching a storm of creativity over the trio. like a freak show monster, tricot trio, with its multiple faces, catches you in its mysterious world.
uch as dub terror, illbient and dark hop to name a few. each incarnation of dub music has its own unique sound. dark hop focuses more on the influence of hip-hop culture on current electron
 . then they quickly gained notoriety thanks to their diverse and intense material. each new release is requestionning the pertinence of the previous. they started by doing cut and paste and lo
 did in the past. usually in a collaborative release, you can expect to recognize the parties' different styles. but here on this very rhythmic release, mark spybey and mick harris managed to su
al bands such as neurosis and the melvins. all the while, kk worked on his solo career. there he experimented with guitars to creating striking and rich noise textures. due to the honesty and
chnologies. but what 'dogme' wasn't able to achieve because of its length restrictions, 'fraud - hell - dope' takes to another stage. beyond the first experimentations of 'dogme', this debut long-
to envy classic improvisation. not missing a single week since they started their radio show many years ago on radio campus (brussels, belgium) the trio has always played with the contingen
e studio facilities' addition of many analog synthesizers are at the very heart of this lively mix where the calm and the disturbing are reacting in unpredictable ways. 'eleven is a number beauti
 t the ars electronica festival (austria - 1997) and at the comandini theatre in cesena (italy - 1998). the recordings from these performances were combined to create the final album-document
y to discover that trying to combine the two trio‘s was near to impossible. so a different course was decided on. a kapotte muziek live recording was edited and subsequently used to create g
re to the creation of new bridges between noise and electronic music. this cd is only available in a limited edition in a full colour cardboard packaging on the influential ecuadorian noise label,
l or noisy avant-garde, grkzgl strings 6 pieces together, which represent so many micro adventures, interrelated and presented in an uninterrupted fashion, the whole forming an entity driven
 ound labyrinth that is presented to us, to come and go while letting ourselves be carried by the waves and the modulations, which then become our exploratory vehicle and form one body wit
ue beauty that is hidden in its decaying walls, pipes, equipment…beauty in decay, as da vinci would have possibly called it. here lies a broken conveyor; there, hidden behind some monstrou
made by nos royaumes with his first 2-track 7 inch single, « l‘antichambre », brings us to a crossing of the different roads the creator followed in his many experimentations and sonic discove
sault unit project. the trio‘s most recent cd, ‗under a morphine sky', offered a well-balanced perspective between improvisation and composition, a sound alchemy that is realized without any p
eff. their behemoth of sound is a construction of heat, weight, loop and vapour. here, they had to break netherworld¹s ice and find a way to the red core of earth. the common track brings hea




ced by eric van wonterghem (insekt, monolith, sonar).
 ) mixed with digital noises and raw dates. influences are the images of antique machines, systems, radio's, valves...... these signals are geistform. for those who like to compare, geistform s
efore they decided to go on as a duo, abc already appeared on several compilation albums and tapes worldwide. soon abc became on of the first belgian electronic acts who proved to be suc




 d-side magazine's tremplin. the following year, he released a very critically acclaimed second opus. lambwool music is now close to some cold meat industry's dark-ambient pieces, with that




choly and dramatic power that made land one of the most acclaimed bands from the dark / bombastic industrial scene! limited 500 copies.
 od is dark, menacing and epic at time with horologium being the most martial act. 'paradise one' symbolises a passage from life to death surrounded by fading memories from different areas
s likes surrealism, dark and melancholic writers such as bataille, artaud, shakespeare, proust, bernhard, dark humour ala ambrose bierce. musicaly speaking... amongst others blue oyster cu
 th some incursions into ambient and even more symphonic genre. listen to their first (and awesome) track! all three bands've appeared on the now legendary compilation 'trees on oscillation



so a real piece of art ; so don't miss this smart item with a very symbolic number : dc 050!


unts the mythical albums from this area. this project is an ode to the blackness of the beginning of the eighties magnified by the amazing futuristic technology. the v/a comes in digisleeve. (co
mixers tannhauser and bak xiii complete the casting. both artwork and layout were created by the painter wladd_mutagéne making this work a 'must have' in the already impressive hiv+ disco


tely the coldest to date for horologium. divided into three evolutive parts and quickly diving into lurking sadness, 'penfield mood organ' initiate the feeling of something tragic soon to be unleas



 es remain the same (morthond, mb, militia, mandible chatter, haus arafna, megaptera or the quietest side of brighter death now...), but this opus presents a more melodic side than its predec
ate', their most powerful record to date mastered by lambwool (who's also featured on 2 tracks). you will find the beautiful desperation of the long out of print '2nd setting' lp and the dark playg
 btle moments of industrial sounds. daring to see comedy withinin tragedy and always wandering between sadness and exultation, the experience of jägerblut is that of the world being full of d
e, the album is far beyond from local eclecticism - in fact a coherent 'language' was created to result in a mixture of various musical influences into a whole. packaging: cd gatefold sleeve.
eg' and the kraftwerkian '6er-bahn' are destined to conquer the dancefloor. the new dogpop-incarnation is earcandy for all lost children in the world, long forgotten by their parents on a run-do


 ir world of hypnotic rhythms and singularly lamenting harmonies climaxing into desperate beauty in 'grave', especially when the guest vocals of geneviéve pasquier set in; after that there is a
ds coming from electronic generators as well as various items. the sounds used (birds singing or door creaking for exemple) are here much more expressive than the sound of any instrument
are not considered here at all - they are replaced by sensorial stimulation. restricted to there very essence, this is a timeless album, arising from a blinding, arrhythmic labyrinth of beauty. dem
e fact that, as the wisdom of sustaining the world about us was immediately obvious to many men as they developed, so it should continue to be obvious to us. for this new opus, lith continue
mber of ah cama-sotz. 'simple black lines in a diagram' is the seamless encounter of the talent and creative worlds of both artists. in it, empusae's captivating tribal rhythms and singular amb
ubtle demonstration of his talent as a 'sound architect'. brume records is therefore very proud to release talvekoidik's debut album, silent reflections: deeply influenced by the baltic culture and
main over the revolutionary act of creation and a tribute to the alien, sometimes horrific and brutal, force of chance: paying homage to the eternally unknown and translating into soundscapes
dies and rhythms, thus creating an extremely personal, bizarre and always most fascinating sound universe. pick out the best of idm, for example, autechre and squarepusher, add subtle indu


amples, rhythms and beats. with flint glass you find influences from the ambient of the '90's as well as various forms of idm, tribal and industrial rhythmic noise. flint glass has played numerou
hering all the artists who contributed to the success of kod.ex? this compilation will feature exclusive and unreleased tracks from imminent, iszoloscope, asche, mono no aware, roger rotor, th
re scratching, maybe that of mechanical crickets, follow variations of tonality…numeric interferences mix with more concrete sounds. some notes stretch over a long process of break-ups wh
al music. inversely a few clearer notes break through like luminous rays (equation part.2). amongst other singularities that pop up in a track, a furtive and disorderly drumming (ohm.05 part.2)
 olume and intensity,creating distortion,tearing apart and disintegration before it disappears. in the second half a new sound takes place,first static,the phrase imposes an austere climate,cold
s, but this without taking 'purr' into consideration. if laurent perrier preserves his trademark, namely big dub bubbles, frictional clinking, mechanical repetition, high-pulse sequences, maintaine
 exploration of harmony that, since 'starting back', has become project heal‘s trademark. supernatural is a record like a cinematographic experience, rich of its own contrasts and colours. 300
nd aggressive, emerging from a noisy, analogical sound mass. if 'beat wins you and me' may be viewed as the most intense and extreme record 'zonk‘t' has ever delivered, it is no less a wor




 s) - 'listening to this ep in the hospital made me wanna sniff stool'. (otto von schirach)...
quarepusher & electric kettle, this sonic assault on our senses is a pure quality 12'' where the music, deliciously warm, step by step will make you dance!!! shake, baby shake!!!


maintain your tension. it‘s mash up !!! they gonna kill you !!!



 se track contains more emotion (for better or worse) than most electronic artists can create in an entire album. it's incredible. doormouse is a unique and enigmatic entity indeed, a brooding f
 ds, each track seems ready to tear itself apart in pursuit of new ideas. this album rocks like a solid gold bastard. this is how mash up should be. dirty and brutal to the nth degree. get stupid. i


ion. do not miss out, 'times infinity' is a benchmark of classic sickboy material, hard, rough and catchy at the same time!!!


full trax cut in 45rpm for a maximum pressure and 2 bonus , 1 scratch drumming tool & 1 drum'n'bass skip less beat. with a metronomic break drummer riddim methodology, ragga, breakcore




 ing round some filthy synth work. guaranteed to destroy any dancefloor. side aa features mortal bass, a feast of dark sampling and some seriously low, low end... forget pidgeon holing this, ju




veryone else seems like a fucking monolith? because nature itself looks like they've stitched prosthetics onto everything, onto everyone, all you hate, all you love? is already the pathology bre
will seek vengeance. psychodelic guitar riffs by ctrler and painful 'a la godflesh'-bass guitars by mark kammerbauer make it possible to say - you are dealing with the best ambassador21' album
movie samples, mixing german and english language. 'crowd control' is a soundtrack for a world slowly going mad as the once bright information age is ripped apart by chaos and social unre
d there. though there are a lot of samples on various tracks, boot-sector-viruz always maintains to keep them fresh and original with a tongue-in-cheek aspect and even sampling the prodigy g
 nd hard breakbeats (bak XIII, iszoloscope, hypnoskull, tarmvred). ambassador21 never care about any limits or 'genre‘ borders'. we can find it even more on this album due to many other con
g and will be back to yourself. just push the 'play' button and for the next 77 minutes all the rest will not exist. amazing, really amazing! and no doubts - this is a best compilation of the year. d
 eakbeats to drum'n'bass interferences or speedcore massacre. original tracks by synapscape, foetus, sonar, :wumpscut:, snog, rasputeen, proyecto mirage, kiew, f.y.d., bak xiii, ctrler, beinha
se? yes. more deep? yes. more electronic? yes. have they changed? no. they are strong and sexy. dense and noisy electro hardcore wall of sound which can be ferocious and merciless. but
 nson, tool or fear factory. these names are not in the credits but it's not difficult to discover the samples if you listen carefully between noises, breaks and overdrives. the first harsh song on th
ry beautiful. from militant bolero (config.sys) through sensual contemplate (contagious orgasm) to free flight (boot-sector-viruz). massive technoid beats, melodic synths, deep ambient sound
urself. and all this words about their split-album. groupies welcome!
ed', 'you can love it or hate it, but you can not stay in the middle'. but they don't. they made this album, just because they are. they believe one hundred percent everything they say. they don't
 his involvment with goblin, in addition to a myriad of other historical personas that creatively broke through to new levels of expression. she mixes these energies together with merciless bea




ows with sweltering bass terror and overwhelming blasts of precision beat sequencing, a must for any breakcore dj or headbanger alike. the flip side offers a slightly more subtle approach wh
 on every thing from death metal to love songs.her distinct vocal style lends a new edge to her already edgy music productions.with lyrics like esoteric riddles, raquel de grimstone brings occ
scream a liturgy for survival, a call for the underdog to rise above the industrial waste of the psyche and shine some rusted soul to life.' richard for cerebellum is the brain child of lorren staffor



 'cycadelic' might be best described as creating the feeling of a black magic trip spurned on by female power gone mad - this is a track that will push everyone on the dance floor to extremes
n. featuring members gg + jc (aka christoph de babalon), this is all-out audio warfare with exquisite production and superior engineering. assume greatness, and ready your listening sensibilit
ulech fest party rocker. a wicked debut on vinyl for this big new producer.
ery. opting for the full on gabba approach, you know you are going to be in for one hell of a treat. no let up from start to finish, this record will destroy sound-systems the world over! unibombe




 nd synth leads & bollywood style atmospheres. rounding off the a side is ‗knock yuh out‘ and it‘s a badman, turning up the energy. flip for the b side and ‗everything is a new surprise‘ kicks in
er bass and hammering drums. cardopusher drops the next track 'melody moon dub' with some ragga vibes and wobbly basses. the infectious synth hook is sure to make those dub heads roc
eeping rhythm. as the beat drops you are cornered by thick growling bass, desperate strings, and an echoed vocal hook. this track is destined to become a 2007 dubstep anthem.
 s you may notice distinct patterns of change that occur over the length of a track, a struggle between individual layers of sound is evident. focused on core competence, each track is built aro




 c music from ukraine, andrey kiritchenko has been both a radio and video in kharkov, and is at the origins of the nexsound label, a hive of ukrainian acts whose talent is slowly being recogniz
hostly voices and extremely detailed background, this album delivers through his 16 tracks a complex assemblage of feeling and atmospheres, a deep vault of carefully arranged effects and p
out my frustration with fashion, image, and superficiality taking precedent over substance' says matthew jeanes of larvae. and indeed, this album is one of rich content. while drawing its influe
summon emotion and beauty. but 'pane' is not over yet. closing the cd are 40 minutes of reconstruction of the whole magwheelsdiscography by stone glass steel. this pieces, 'the last rays of s
compromise, this ten track cd sees this musician mixing his various influences to offer something at the confluence of the european click‘n‘cut sound and the old ambient tradition. 'winter' brin
no need for a lot of words to get what tarmvred is expressing here. pure dancefloor appeal, high frequencies breaks, and those sweet, sweet tunes that seem sung by r2d2. wait, is it 'kill all hu
 or example was used for the 'les machines' performance, directed by joël splingard). indeed, the tribal and raw aspect of this phase of crno klank is what made this project take the steps whic
d up to date composition, this new album offers a fresh view of wilt's creation, as james keeler here incorporates into his drones and sound-layering various elements and influences of today'
und sampled from his field trips to the amazon forest (michael palace is a research scientist at the new hampshire's complex system research center), horchata's music ranges from the most
s cd. their complex rhythms, their catchy melodies and their fresh structures are ready for their new audience, accompanied by the remixes by larvae, tarmvred, enduser, xanopticon, ove nax


st album ―kniga skazok‖ was andrey kiritchenko‘s interpretation of traditional fairy tales, ―interplays, in between‖ presents the bridge between the two sonic fields dear to this artist. on the one h



  'scab removal technique' and the merciless 'get with rats'. matthew peter's taste for well chosen collaboration is also here once again to all to witness. not only does he pair with mc equivala
m'. the off-the-hook, part novelty 'monster music' had to find a sequel. but still, the godzilla reference had to be put to rest, and 'empire' was born. like 'monster music' before it, 'empire' is half-
d composer, this madrid-based musician is a relentless experimentator with a thing for trying out combinations and formulas that one would never think to work on. making up with the times a
s'), 'origin' is david dando-moore‘s strongest and most accomplished work to date. the fruit of a long writing and recording process, it is to date the best embodiment of what detritus is about. a
 up sees the fragile hip hop roots take a lot more space. 'twilight' had already been qualified of 'funktastic', but the blend of both atmospheres and sonorities is taking flight for good on such tra



 and enjoyed with ears wide opened.
 detritus's changes in the future.
ad noiseam, zhark, low res, cross fade entertainment and eupholus. his open-minded take at the boundaries pushing of breakcore had made of him one of the most varied and surprising artis
on which the listener gets both the heavily pounding beats of such tracks as the title track or the opening 'starting... now' as well as the vocal contribution of kazumi (known for her work on pla



 approach to electronic music. a very detailed combination of painstakingly programmed beats, live guitar, samples and sequencing, drumcorps is an intense experience both on record and o



is the most accomplished and unequaled achievement by this impudently skillful producer.




nd incisive way. welcome to blackpool, don't let the comets hit you on the way to the club.
eygouar, guillermo berdugo garcía, headup, insane kaffeine, íñigo vicente, ioannou chris, javier martínez, josé alberto diez, josé miguel méndez, josep solé, josu sein, juli martínez, koes, lilia




 sman, the aphex twin...) they decided to start a project. you can hear these sources on 'communication', but also many different others, such as greater than one, yello, lassigue bendthaus...
 ombined ambience samples and sometimes melancholic melodies merge into a musical portrait of a non-conformist's daily life. 'a dried youth' is ambient-electronic soundscape music for the


dva's 'buried dreams' the release also includes a beautifully dark & menacing ambient remix by paul a browse. the first new browse/ dennis work to be released in 20 years. packaged in a high




 c. following the path set by the previous releases, this years compilation is a homogeneous collection of noise, rhythmic noise, electro, industrial, and power electronics from artists such as 1

de neubauten. the record comes as an limited edition of 300 in an handprinted silkscreened cover. boom!! its only in your head.....

etch, atomatik13, hecq, ginormous, n0nplus, phylum sinter, justin mcgrath, displacer, nebulo, mnemonic, and aural. packaged in a beautiful 2 cd digipak that will stand out in any cd collection
  genres of electronic music into one seamless body of work, without distorting the mood or veracity of the album as a whole. each track feels alive, constantly morphing and shifting into new
 lirts with post-rock and atmospheric downtempo styles, while still maintaining an original sound that is both captivating and inspirational. moved by subjects such as urban isolation and the o
hlines, chilling samples, and razor-sharp vocals. beauty meets complexity in a brilliant marriage of orchestral dark electro and savvy electronica. jewelcase packaging.
  industrial rhythms meet enormous organic soundscapes to create what re:gen magazine calls '...a balance between the brutal and the beautiful.' featuring remixes by antigen shift, tonikom,
 c musicians of all time. now, michael brings his next masterpiece to tympanik audio titled ‗the witching hour‗ in august 2008. working from old horror movie samples, crackling analog records
ch, edgey, and genetic selection. with his official debut cd 'gravedigger', lucidstatic effortlessly fuses addictive rhythms with razor-sharp beatwork and powerful, abrasive noise collages to crea
nd a fierce and uncompromising sub-social complexity. you ain't heard nothin' yet... brilliantly mixed and mastered by justin brink [pneumatic detach], stunning artwork and design by kostas k
 ety of melodies and real-time instrumentation frequently torn apart by paranoid beatwork and broken rhythmical structures. on ‗love no longer lives here‘, his third studio album and first for tym
carefully orchestrated as a whole, inviting the listener to an effervescent cinematic journey of his or her own mind. desperate and hopeful, melancholic and heroic, ‗rise‗ is as nourishing to you
with his vision to merge complicated, harsh rhythms with dream-like atmospheres to create a unique dynamic that is virtually impossible to ignore. now, tapage joins the ranks of innovative el
 e-line magazine calls totakeke '…impressive' with the 'potential to become a reference in the current industrial scene' and igloomag says '…original… a widely varied and ever-changing soni
 um for tympanik audio titled ‗surge‗. scheduled for release in early 2009, ‗surge‗ is a moody and dirty trip into what innovative dark electronica is meant to be. exhibiting a multitude of complex
ert sound with this highly-engaging and haunting new album. '...no' will feature 12 original new songs + fantastic bonus material that can be unlocked from the audio cd via a small software do
 tential victims. with tracks ranging from dancefloor-mopping hard electronics to complex and modern tribal excursions, ‗the sea & the silence‗ takes the esa sound even further into intense an
 eep into the reaches of the mind, digging purposely into emotionally charged epics that explore those territories beyond internal struggle and the duality of mankind. featuring collaborations f
 nt glass (fr), aphorism (us), hecq (de), marching dynamics (us), dryft (us), blackfilm (uk), tapage (nl), stendeck (ch), flaque (de), keef baker (uk), atmogat (de), mnemonic (de), edgey (us), mla

melodies, carefully crafted around complex beatwork and potent auras, to ultimately illuminate lasting emotional stimulation that is sure to stay with you long after the last note passes. featurin
detach, disharmony, zentriert ins antlitz, lucidstatic, autoclav1.1, access to arasaka, and more.
stination that never reveals, leaving the listener in a serendipitous dream state while continuously surrounded by sticky beats, addictive rhythms, and trip-tech electronic collages. a master cr
 ing, designed by the artist himself, hand-assembled and limited to 1000 numbered copies.
 us beatwork to arrive at a solid collage of intelligent down-tempo, yet abrasive industrial works that will not soon be forgotten. digipak packaging.
melodic breeziness that will encompass its listener with warmth and gentle adrenaline time and time again. autoclav1.1 fearlessly interjects a powerful concoction of love, loss, and despair fue
 evolution‗. you may know disharmony‘s last album ‗malignant shields‗. you may know their prolific remix release ‗cloned: the other side of evolution‗. you may even know their recent remix wo

irtual equinox of expert beatwork and densely-layered atmospheric explorations, ‗oppidan‗ transcends complexity and innovation in electronic music and seems to arrive at the very edge of its
s mark thibideau, daniel myer (haujobb / architect), keef baker, broken fabiola, famine, lucidstatic, marching dynamics, and featuring the heavenly vocals of victoria lloyd (claire voyant / hmb),
 sine icl lies undermathic, ready to acquit the listener of any preconceived notions and instead launches into a sonic-laced epicentre of electronic sound. saturated in beauty, organic rhythms,




d expect from 'mutant dubstep vol.1' is two incredible dubstep-influenced tracks with a strong touch of idm and their respective remixes by end.user and shitmat! heavy basslines, highly energ
. 100% adrenaline, killer sound production and 2 ultra-heavy remixes by pacheko and innasekt, this album is coming out to add another significant moment to the ever expanding dubstep-infl
ackle and spark of embers of a once-consuming fire, giving us an album that feels organic and alive. drawing comparisons with max richter, deaf centre, johann johannsson and the protagon
g and field recordings. immaterial monarch is his own adaptation of a truly exceptional experimental music conception, the absolute experience of an internal trip, in which no ‗strict‘ sound for




ndelbrot-mix of 'feeling better is not a dream' and the remix alarmen did for skab (the 'allstar-project' featuring spherical disrupted, kaos interim, alarmen and betriebsdruck).
erything got more noisy and rhythmic, the epic dimensions of the original tracks where distinctly reduced by most of the remixers.
t still keeps the ambient mood. on your way through urban land- and soundscapes: don't forget to have a look at the artwork provided by nerthus himself.




 composition for your evolution experience at home. digipak packaging.
sly into this concept by providing a more rhythmic aspect for two of the songs. furthermore a remix of the track 'cosmological redshift', known from the compilation 'industrial meeting 14', made




ngmasse' is flirting with some concentrated sonic epithelium while the immolated magnetometry is murmuring against our everlasting prediction. it's not premature to relegate this sterilized w
est lesson to learn, but it is a necessary one because when we give sober thought to serious matters it brings good benefits later, when life seems resolutely distressing and ostinately depres

wi (artificial memory trace), asmus tietchens, jeph jerman (hands to) and even artemy artemiev (the son of famous russian ans-synth explorer). pbk proposes premium quality music with man
ave released nearly one hundred releases, beginning with many cassettes on their own drahtfunk-products label. with subsequent releases on such labels as ant-zen, g.r.o.s.s., noise museum




ilms and visions. all bringing their own styles of electronic music experiments together in this sonic dedication to the japanese cinema pioneer. this release opens with an exclusive audio voic
ral and spiritual power and is a word to be used with great caution and respect... comes in deluxe 6 panel digipak with design by salt.
erpiece of kk null... deluxe 6 panel digipak comes with beautifull stylish design / photography by salt.
nce was (and still is) a collaboration between the [law-rah] collective (music) and juxtapose (choreography and dance). to underline the collaborative effort, a 12 minute video is included on th
surf rock guitars, crazed breakbeats, cop show riffs, theremins and moogs, screaming choirs, horn sections, spy music, japanese noise, scat vocals.... but they‘ve all been forced together into
ntal intensity is that much more enforced. a superior work of present day industrial music - a sound that forces you to listen - definitely not music to fritter away the time.
matic feel. diaphane's aural cosmos has to be explored like an undiscovered continent; those who are curious and open minded will certainly be richly rewarded.
um and bass meets electro sequences. pulsating subbasses and acherontic synth lines induce a multitude of moods between aggression, disarray and melancholy... this album show how the
dio equipment with special guests including john justin stewart (grace jones), neil boyack (angler), the city of prague philharmonic choir and produced by the calculators (the faint, schneider tm
s, powerfully distorted sequences, ramming electro grooves, razor-sharp breakbeats, and haunting ambiance. music to move the dancefloor while still creating enough depth and texture for h




ning artwork design by kostas k. of subheim / spectraliquid.
xes for well-known artists like kirlian camera, spectra*paris, sleepthief und frozen plasma and a cooperation with klangstabil as well as the setting of dante's 'the divine comedy' the time was r


d to a visionary piece of art which perfectly fits any horror movie portraying foggy woods, moon landscapes and horrid aberrations. experience disturbing soundscapes, morbid visions and thr
y in the digital hardcore scene. under the codename lewsor in 2006 he came back with an album cynically entitled 'rather die than hear that' which made its way via the 'word of mouth' into th
ll stylistic boundaries and restrictions, in a merciless attempt to decipher the 'real world' or at least give some aural image of his morbid complexity. dense, nervous, sometimes hard to descri



 label nexsound and received numerous positive reviews from web-zines all over the world. since then i/dex has worked with such people as pole (~scape rec.), h.h.t.p., kriipis tulo, guy van b
e of their divergent tastes indulging the listener in a tumultuous ride into ever overcast vistas. her label mates and band members take their vision of bleak and ripping sound to the next level




between albums, 'the flood' got completely out of hand when the band asked a few of their favourite artists to have a go at remixing it. the resulting shitstorm is the work of at least thirteen diffe



e's probably one of the best-known breakcore producers even though he has a limited release history. he holds a new special place as being one of the most downloaded new producers via p
uilds heavily on a variety of sampled heroes. one can hear dj chip and dj technics form the skeleton of more booty oriented tracks like 'peepers' and 'boomshakalaka'. while some live recordi




 ance spaces, ripley has played with artists like asian dub foundation, kid606, kaffe matthews, hrvatski, criterion, max glazer, drop the lime, pamelia kurstin, dub gabriel, rotator, zipperspy, kni
ddition to shows on london's resonance fm, and ninja tune's syndicated solid steel show. he's been hard at work producing beats and remixes for other labels as well. his mix of the m.i.a. tun
ak came in 2002 when death$ucker head honcho parasite booked them to support fanny and venetian snares on board the good ship thekla (the floating venue brought to bristol by vivian sta


ak beat sound and has led to the first monkey steak release, grim dubs 01 released on werk discs. the a side of the 'electric birdland ep' features two tracks of jungle sweetness; 'too late' and


addition to shows on london's resonance fm, and ninja tune's syndicated solid steel show. he's been hard at work producing beats and remixes for other labels as well. his mix of the m.i.a. tu
won't soon forget. and then it's on to the cool sorbet textures of "karot," a delicate number full of slipped beats that melt in your mouth as crisp synth sprinkles and wicky-wacky scratching trick
lbum from death to passwords where you’re a paper aeroplane, and three previously-unreleased metamatics tracks—an extremely rare treat for westerner and easterners alike! but delikate
er that‘ll snap you out of the afternoon doldrums. the first sip, titled 'infinity,' goes down smooth and sneaks up on you like chamomile, where a soft drum kit rides light in the distance and mov
ead of digital and crumbly. after whetting your appetite on ―lylt‖ you‘ll undoubtedly want a second helping, and that‘s where the goodness of ―taksi‖ comes in with a scintillating chime melody t
 weet and healthy to boot, eu‘s mandarines unloads four zesty tracks that‘ll jack your body and your immune system at the same time. just check the mysterioso synth vibe of 'blizzard' on the
d of down tempo techno butter all over 'soulik,' delivering the perfect late night post-party snack. logrey beam shaves off little bits and pieces of 'din' to add flavor to a beefy bass main dish sim
he second track is a veritable filet mignon of a cut, where lightly rhythmatized ambience melts like butter in your ears, note after succulent note. but if the second track is the most tender cut o
killz is ready to deliver this full length project, crafting a style that de.es all labels, and engages broad audiences. when good girls go bad, they do it to belladonnakillz.
d alters the music through the use of air theremins, vocoders, and a host of effects modules. will delivers blistering high energy performances as he dances all over the place as though he's p




e. spies go through trends and are always mutable, comparable to their patrons juno reactor which already brought them an introduction and a successful debut in japan last year. their first ch


 rything' clearly prove that emotions and dancefloor appeal can be combined! digi-pack packaging w/ artwork by chad michael ward.




 by textures and swells of sound. 'a year in the life.' of sorts, field recordings layered with digital and analogue sounds that become progressively unhinged. each successive listen, opens up n




brazil], incredibad [featuring andy samberg from saturday night live], and more. 23 tracks of jump up noisepunk, breaks, and antagonistic antics, including the soon-to-be classic narcotics epic
ext full-length release, we are pleased to bring you autoclav1.1's first cd release on hive records. broken beats for broken hearts is a collection of 14 remixed tracks from autoclav1.1's first tw
lawless production. equally destructive on the dancefloor as it is with more reflective listening, this album is a testament to the ideology that industrial music can be both agressive and epic, a
n almost canadian fellow, hushush‘s headhoncho project, szkieve.




weltanschauung'! the cd is packed inside a book cover, the book contains tom's neo-futuristic & cyber-poetry.
nch and tripped up beats, lovely as you'd expect. autophonic come correct all analogue and retro stylee, a smiling little electropoppish number, complete with some ace oldskoll chop ups and
 acid riding the drums, though very frenzied it retains a sense of melody throughout the frantic and sometimes exceedingly spannered construction. 'leaf pitching' starts with tuned music box m
r. 'bled' is the darkest track of the bunch, possibly the soundtrack of the last minutes of a dieing german stowaway on the kursk. gasp lays down a beautiful jazzy atmosphere over a freaked b
 in 1994, stevens for example tried to incorporate these bouncing rhythms into his industrial techno work. throughout the years jungle became softened and now ‗walks around‘ as drum‘n bas




er an hour long. the track titles refer to the work on which they were based. for example ‗electric chair‘, ‗oxydation paintings‘ and of course ‗campbell‘s i‘. obviously most tracks were based on
 eory of the arising of desire' contains 11 tracks with over 50 minutes total duration, including an amazing remix by mimetic. artwork based on '13 motives of the arising of desire' photo-sessio


- this is 'learn to swallow'. no tragedy - no history. this album has been presented by suicide inside at maschinenfest'06 as limited to 32 copies edition (released by invasion wreck chords). ne




 s one's for you is genuinely refreshing audio for the ears.'




nce charged with an aura of fear and despair. all this is accompanied by a narrative prose spoken by some tortured and weary half-man, half-devil. the feel of this concept release is further e
ke sampled dialogue taken from, say it ain't so, actual soviet b movies. this is the start of the leatherette revolution.
world of art. and no one can afford to ignore this. messer chups is a good example to prove the viability and relevance of his point. check out the videos on the album and you‘ll see where the
is every bit as good as this cd). run, don't walk, to buy this cd - and all their others, while you're at it; you won't regret it!' (cheryl shinfield). this russian masterpiece twists you outta this world.


 an lounge, is changing his image swiftly - there are much more exotic instruments on his albums and less samples. the sixth album of gitarkin's project messer chups - crazy price is recorded



d you, gripping your senses. relax as your body begins to feel uncontrollably numb and your mind is set free from the confines of physical restraints.
und. here pankow has given 5 cuts of dark thought provoking songs that are deeply hypnotic and powerful with messages of life and situations we have all experienced. warm textured rhythm




 mutated atmospheres that transform into spastic amen breaks and floating synths. mixing it up, duran duran duran pushes you into the pit with his punishing gabber stylings. while you‘re in th


mmering melodies and all from the highest quality. luscious, atmospheric and gorgeous, spiced with playfulness and moody soundscapes. electronic music at its finest.


 american artist james plotkin started making records in 1987. he started in metal, hardcore and went through multiple styles/genres such as rock, industrial, electronic, improvisation, and oth




ensable and built around the propulsive sound that only he can take credit for; and much has changed in that sound since the zod congregation was formed. well versed in the building of a m
 rms of paisley--'i want cookies in my sleep' he beautifully mutters, making sense to anyone who bothers to listen. 'ch' brings the wanting ear to a cumulative gesture, a knowing shrug at the e
rk. feat. yuppster, terminal11, emotionaljoystick, ground chuck, exillon, eight frozen modules, otto von schirach, com.a, curtis chip, tangible, vaporizer, soplerfo, gridlock and binray.
rk. feat. yuppster, terminal11, emotionaljoystick, ground chuck, exillon, eight frozen modules, otto von schirach, com.a, curtis chip, tangible, vaporizer, soplerfo, gridlock and binray.
dge that regains its senses at around the halfway point with a staggering clarity that cumulates in a cathartic end well worth the walk. latter side, leading off, begins with a smattering of found
cacies that could only have come from long hours of confinement, absorbing inhuman amounts of monitor radiation from the cathode ray to produce the tangible result of an obsessive perfec
heard the previous releases on the zod label knows that is saying something! various subgenres of electronic music have loyal audiences dedicated to them, so it is hard to believe anybody i


and mastered the instruments with the sort of diligence usually enountered only in fantasy novels and large-scale government operations. only after countless hours of woodshedding and a h




s, the artist perceives his own opus in terms of 'cinematographic sounds', and skilfully mixes electronica rhythms with strangely innocent voices and special effects 'from outer space'. but o.t.


ical, and just plain intense at points, the album showcases a spectacular array of skills across the board. from radio play material (black light) with aussie vocalist sol thomas, to collaboration




treaked with the warm hue of sun-bleached rock, sand, gold, and fire. a serenely brooding work with a myriad of nocturnal sub-textures. at times a subtle, almost alien combination of sounds
nd bass artists... to put it simply - ―distorted disco‖ is a mature challenge for the modern, intelligent listener - both working in the clubs or at home. special fake-leather digipak & embossing




and schizophrenic metamorphoses. 'ça ne nous rendra pas le congo' generates a hypnotising, trance like atmosphere adding resonant vibrations and looping samples at best to reach a certa
ythmical tracks and droning, deranged ambience. not to speak of the incredible production - here, enormous emphasis has been put on and your speakers will be put to a hard test.




appy tunes as well as abstract, experimental soundscapes and beats mingled with the dominating smart voice of thrussell. 'the voices of reason' - an eclectic radio play for the eclectic listener
 also manipulated voices on this record-hugo girard implements the spoken words of his infant relatives frédérique and philippe. an excellent addition to the previous vromb releases and it is




a‘s voice and you will understand mata‘s craftiness. this cd ends with an unreleased remix by two ant-zen artists which lead the listener to the non-rhythmic soundscapes of cd2. these sound


upon repeated listenings. highly recommended.


zers over your head. virtual fights and continuously repeating samples and loops create a scary, wild atmosphere. the atmosphere nobody wants to feel in reality - but what is reality anyway?



elling 'gloomy day' 'synthpop'. on this album, the message counts, which is the total of music, vocals, production and lyrics. this is an album which forces you to listen intensely, and it is one o
ntains three long-deleted compilation tracks that up until now could only be heard by a few people. so, 'raw' is the perfect witness that bielefeld exists - check it out!
se to exist? either do they. what do you mean... it's all a lie? turn up your stereo. put on your headphones. turn off the lights. believe. this cd comes in a folded embossed heavy cardboard cov
ccult mysteries, and worlds of lost egyptians gods/goddesses that have long since been forgotten. the atmosphere slowly evolves in concise compositions that build to overwhelming complex


 howed me the necessity of beats. i thought it would be easy to work with rhythm in m2 songs - they are all from 60 to 90 bpm… slow so you can easily bang your head!‖ getting to the head ba
pes is sawyer's trademark. that trademark is present on this new record, but it is not a re-hash of older ideas. the first surprising change on ―simulations 1.0‖ is the mood of the ten tracks; the t
ss - all the variety of ant-zen can be found in here. but the most important thing is the main expression - if you fall down, you will rise up again - this is what this label did for ten years. so you a
 rard's virtuosity in creating 'naturalistic' soundscapes with pure electronic equipment. for the images on the album cover, girard gave the photographer alain gauvin the basic audio tracks for


 ... and then finally take a few minutes at your pc (or mac) and enjoy the brilliantly done live video of 'shiftwind' - and be sure that this trilogy will be continued!
ating terrorbeats have to be understood as a refusal of all compromises and the expression of a methodic anger.' individual's focus is that of using rhythmic patterns to create a psychic (or ev
 quisition and was designed to aid them in the identification, prosecution, and dispatching of witches. 'i always wanted to use 'malleus maleficarum' as an album title', says rotor, 'and i think th
 ore - well, here it is. we proudly present cell auto matas first full length release. the first impression you might have while listening to this cd is that these are songs - not just 'tracks'. for instan
 ng. melodic soundscapes, distant, oftenly semi-comprehensible voices and rhythms fade in and out. the listener is lead into a nightmarish view of the mind's eye. there is always an irritating d
e, altmann‘s tongue appears to be a simple spoken word project backed by experimental sound design and post-industrial ambience of a distinctly harrowing nature. however, brian evenson‘s
quite a circle - maybe it is an ellipsis? an egg? or something entirely non-geometric ! but let's be brief now: undeniably, 'pop pressing' is still the milkies at their best. the first tracks contain the


 ce with a huge variety of rhythmic structures, subliminal dance tunes and precisely set samples. which in turn makes this record a treasure chest for all sound enthusiasts. lp with fullcolour-co
ing less. if you're looking for references: tracks like 'sacrifice' and 'nemesis' seem to hint that g.s. admires a distorted dj's recent work; on 'the day after' and 'prepare for contact' there are sligh
the play don‘t worry - this soundtrack featured on this album speaks for itself. once again, gabriel severin and marc medea lead the listener into a strange, dark, and threatening parallel soun
o-like 5th-chord is embedded; crystal clear drum strokes replace distorted beats; - those 'attacks' are the sparks of the burning flow. the variety of sound is evident in the ambient tracks like 'k
 thmic percussion/synth lines - adding a stylistic diversity to l'ombres ‗simulations 1.0 and 2.0. packaging: gatefold sleeve w/ metallic paper.
at lead to the world tree and 33°. 33° (cd2): your senses will be overwhelmed by thronging rhythmic variations, atmospheric synth lines and voice samples. t.m.o.'s ability to create a continuou
cept work: because they require huge amount of resources and money, science and technologies have always been at the mercy of politics. this mini cd is a study of a lost technology of the f
es. the album also includes the ‗100 test channels‘track for whichhypnoskull asked 100 people to send in 5 seconds of audio. the result is a collection offieldrecordings, sounds, noises from w
 ed this network while living in berlin. after several releases on various european labels, mimetic has released his first dvd via a collaborative effort between ant-zen and parametric. 'sacred a
cess of analysis and rethinking takes place: he realizes that the only way fighting his' suppressors is to change the perception - power and it's exertion is only existant as long as individuals g
 lowed by a fast straight-forward breakbeat rally combined with symphonic keyboard lines - richard wagner on amphetamines. but you will lose your orientation in the heavy rain when you try t
ect' is strong technoid rhythmic industrial with carefully placed samples, mildly distorted beats and sick synth lines - which force the listener to groove. don't be irritated by the loopish 'just a tri
 emember', 'tu es le star') and driving retro-electro-songs ('existance', soap bubble factory'). the vocals are perfectly balanced between being sung and spoken (in english and french) - and the
ase it publicly as a document of the aural and visual manifestation of an unknown sort of rabbits - a powerful merciless crescendo of distorted rhythms, noisy loops and unleashed fury. on the
s for attacking him. shot two ... not fatally. called to ensign. no arrest. recorded a track. started with ambient synths. had to add broken beats and distorted vocals, but had to keep the rhythm
almost continual warfare with comanches, kiowas, and border bandits. their fighting skills' advancement was rapid, but now it was time to finish. the final part of the mission showed once aga
het can be found on the cover) - another masterpiece from the black lung mastermind. so it seems that within ten years there will be a lack of vinyl ressources - catch this one before it's too l
 rial basics, making this cd a closed, unique step in genetic selection's evolution. 'if they want to live, they'll have to use their heads before the bugs do!' (starship troopers 2).
uration has no meaning to the listener - time is suspended. some tracks seem to be geometric but try listening to these backwards. the instruments, f.e. synthesizers, 6-string bass guitar and


 'hypernoid state', which means a state of 'hypnosis' and 'hysteria'. once you are done with the 10 regular tracks then you can go and enjoy the brilliant heavy 'viewer' remix by sonar. packagin
unting voice samples - sounds emerge, pump, disappear and re-appear - all of which raises the speed from track to track into a raging climax that finally discards. an ultimate listening experi
elease, u.m. has returned to the guitar-oriented basics they originally started with in 1993 but now there is the addition of the experimental sound modifications from the 'peps' days. this new
beats ('pulse'); also included is her take on a pop tune ('today the disco'). this retrospective shows geneviéve's artistic variety right from the beginning. the mastery of many electronic sound f
es: this morn' omina collaborated with andreas schramm on 'petunia', which was re-edited by moctan on 'falling to the ground'. rhythmic rage meets droning darkness - asche, make my day!
with new influences and various styles. he even has enough balls to communicate with satan herself - as it is documented here. this is a highly recommended addition to your converter collec


elded together with straight but well elaborated drumwork (and breakbeats). in short, a varied sound journey can be found within a 'world of tomorrow'. for instance, in 'brotherhood of steel', g
 making it fresh and exiting. the straightness of the tracks works perfectly as a catalyst that makes you move your body. then again, this music's specific feature is displayed subliminally, f.e. u
ngs, etchings and prints - none ever seen before) drawn from the dark resesses of thrussell's nightmare world. the images are chilling yet strangely mirthful. enjoy this release if you can - and
noise took over; that is, pounding beat boxes, irritating electro acoustic sounds and disturbing implementation of effects. the mood is quite the same on this release - brinkert's technical skills



 nd his 21st century rat pack will get the earnings they deserve - whether money or something different. play loud!!!
 n beats - it could be the symphony of an awakening megalopolis; a million individuals living their daily lives at the same time. rhythm is ever present in s:cage's compositions, but rhythm is no


otho, spinning the thread of life, lachesis who decides this thread's length and atropos who cuts the thread relentlessly. nyx and her descendants represent the dark regions of greek mytholog
nning the name punch inc. has stood for hard, intransigent and propulsive industrial that is supported by tribalistic and technoid beats. the mercilessness of an industrial civilization is punch in
rtial and bellicose, with a sense of tragedy that at times is even quite meditative. tzolk'in can easily be viewed as an exotic soundtrack to the phantoms of a dead civilization or more simply pu
clicks/cuts, gongs, a piano, even straight beats and minimal sequencer grooves. styles range from free form to dance music to idm to noise and to ethnic sources. in hashimoto's works these
on of emotions: 'not exactly the adequate means to express myself, but so far there is no better one available'. what you are about to hear is a sheer outburst of distorted noise, chopped sequ
  blend of hard hitting ultra distorted rhythms/beats constructed to stir up your brain and (probably) force you to dance. psychotic, twisted & tribal rhythmic noise is overlayed with unpretentious
 xperimental 'bridging artists' like aphex twin and pan sonic. artists who share p.m.'s taste for alarming atmospheres, broken melodies and distorted rhythms. 'turn it on' is the conclusion of mo
  d on interhuman behavioral patterns in the everyday game of life." (boris may); at the end of 2005, boris may was captivated by the idea to make a cover for 'math & emotion' in the dime nov
 eat, electronica and experimental music results (as usual) in a fascinating, unique sonic exploration. the possibilities are infinite as their producing was, is, and will be. this is where they are
 , converter, somatic responses... add a slight intangible obscurity... then you'll get a picture of what lingouf might be - or of what he might not. take a listen, watch lingouf's visuals on his site,
nsemination. violation holds a perfect balance between technoid complexity and industrial roughness, spliced into a single unit by accomplished usage of well-structured rhythmic work. fortify
 l / impartial, north / south, subjective / objective, orient / occident, coward / hero, poor / rich, indifferent / partisan … we will remain bare handed, like astonished and turbulent children dancing
sive evidence that a pretend 'misfortune' can turn into a valuable work of electronic art.
to start working together again in the autumn of 2007. with the release of this album martijn became a full member of the collective and ideas for many future projects are already locked into
um. 'many ways' is based on different field recordings of natural sources (fire, water, wind), found objects (chains, metal breakers) and different daily environments (street sounds, trains). usi
lossom and transform. from the megrim of 'le carnaval des animaux' (influenced by the programme music cycle of the same name composed by camille saint saëns in 1886), the drifty bass p
 of this project's work (since the beginning) is their ability to innovate in a genre in which many participants seem to restrict themselves - despite the countless amount of technical options. on
s and crystal clear ambient spheres. samples sometimes serve as part of the cadenced foundation, f.e. in 'like hot and bad dreams' samples are perfectly embedded to yield the uniqueness o
 ntradicting styles collide and melt into something new, f.e. the darkhop noise hymn 'combustion chamber'. truly it took a long time to move from l'ombre's ambient oriented first works to what
distance runner' and 'deja vu'. after having endured the abrasive noise attack of 'overkill' the listener will reach the finish line with the heavily grooved remixes by asche and bipol. once again
ats (rubberpop) and finally into a furious rapid interpretation of the normal's warm leatherette. at once beautiful and distant, geneviéve pasquier's delivery speaks to everyone's feelings of lone
of tellurian. synthetic beats, acoustic percussion, sub-basses, atmospheric electronics and energetic vocals result in the uniqueness that this morn' omina stands for.
anceable industrial noise (characterized by the artist's own description of 'polyrhythmic rock and roll') and lo-fi influenced less aggressive tunes. all this is combined with a 100blumen / loss c

at the same time. not to be taken lightly.
new full length album - which has now been completed. like any good whisky that has to mature for at least 10 years in a cask, it took the same time for this release to maturate - and it was w
ts and electroacoustic sound collages - an amazing collaboration with guitarist c.tiegelkamp and marching dynamics' shane talada. this is another step of the one man army 100blumen's plan
r red, black, white and yellow. red will go around passion, black will be heavy but soulful, white very open and minimal, and yellow bright. that's the general idea. these releases are planned w
ho have been in the electronic music scene for a very long time. in fact, his way of producing is just amazing. the tracks begin with a soundscape blending into another and at the end of it you


s influences. 'iron city' commutes the listener through a wide range of terrain. detroit techno, jazz, laid back groove, experimental electronics and ambient soundscapes are all part of the land
voicing subtler emotions like isolation, angst, and dysphoria as ambience, working as a sound designer for graeme revell as well as releasing genre-defining dark ambient albums under the lu
 song23‖ an aural feast, filled with harmonies shaped as much by stereo imaging and time delay as they are by intuitive chord progressions. things become more contentious on ―chrometapho
 t...uh, forgot the name... do you like it?' 'what the hecq... ah-pretty good, okay!' hmmm.. no noise yet, but this guy over there... do i know him? 'hi, i'm lucas. check this straight uptempo break
nfused tracks like ―signal to noise,‖ which with its riveting electro overtones and ceaseless crisp bass pulses brashly acknowledges its debt to the detroit underground. ―simulacra‖ and ―simula
y understood…so we've applied a few good measures of distortion, et cetera to this release. there's much more of a mixed bag in this release…‖. on ―go off,‖ the welsh brothers healy crank u
and precision - these breaks are combined with straight but complex metres with wonderful melodies (think beefcake or boards of canada). this album shows that reid dunn is one of the name
 f the decrepit church hecate's brew hideous album is by far her most ambitious. like a sonic nightmare mutating and transforming live instruments, mainly guitars, synths and rachael kozak's
icit emotions beyond those of a confused tedium. diversified and ingenious is the best way to describe this new album. an album which leaves you breathless.
corset. the four tracks are straight and fast, with a sound structure that changes every second. there is not time to take a breath between the attacking drums - nevertheless there are well pla
lls across the board. from radio play material (black light) with australian vocalist sol thomas, to collaborations with and remixes by influential electronic acts like scorn, to absolutely stunning,

ed western ambient and broken beat grooves, snog has raised the bar far above the confrontational, one-dimensional message music of consolidated or the sample-collage and noise terrori
! its major changes time! packaging: full-colour sleeve.
, breakcore, and rave music all find a place in his bizarre universe. compared with booty-bassers like dj funk or dj assault where mainly females are objects of carnal desires, both male and f
roduced well-received releases such as an ep on dj /ruptures soot label and a split album with fellow breakcore prankster jason forrest. for hymen records, massive swingin' mpc2000 is a quit



of the more distinctive sounds around. ...making the revolution sexy



ore distinctive sounds around. ...making the revolution sexy.
grooves over heavy beats to warm and relaxing structures. scorn with its unique blend of sub bass and minimalist grooves continues to challenge standard concepts of structure in order to fo
 d drum&bass layers are filled up with abrasive crashes and exploding substances. an unidentified atmospheric spike of subtle piercings or just a calculated assault of an sonic weapon.
 ows in a beautiful manner. a collection of awesome dreamscapes perfumed by the shadowplay of dance polyrythms, warm synthesizer pulses, and spoken, sung and atmospherically implied




h tension, where sonic ideas posited in unrelenting break sequences escalate into apocalyptic zeniths - then implode to silence. an arresting epic unfolds inside your ears. end‘s charles peirc
e changes stem from stevens and lange working with mc‘s sisco and ronin (who appears on megashira and panacea releases), as well as the legendary f. m. einheit of german noise guitar ex
ed western ambient and broken beat grooves, snog has raised the bar far above the confrontational, one-dimensional message music of consolidated or the sample-collage and noise terrori
c treatments, returning as mordant sound meant to corrode the soul. nymphomatriarch bristles with the crisp signature of traditional breakcore dynamics, yet unlike many albums in the genre,
nt (pa) or stereophonic sound reproduction system (stereo), war recreates the signature audible elements of modern musical combat. war accomplishes this objective utilizing five principal mu
his finale. rounding out the remixer list are oregon‘s best-kept electro twiddling secret solenoid and famed digital break stylists gridlock. but caller id isn‘t just remixes. fans of her music will fin


 - beethoven‘s moonlight sonata - and contorts it into a neo-romantic opus on 'track 6.' if this is what myer means by noise, the rest of the musical world has a lot of catching up to do to touch
used tracks like 'signal to noise,' which with its riveting electro overtones and ceaseless crisp bass pulses brashly acknowledges its debt to the detroit underground. 'simulacra' and 'simulacru
 oughout her life, even to her death in the frozen river sikoris, her own head rent from its body by shards of ice. as she watched her arms writhe below the frozen river, the alarming chime crie
ts of strings and things like that in it, there‘s lots of orchestral music! it could almost be music for a film. (vk): right, right! you are not only sexy, but perceptive! i was commissioned to make a
 understood…so we've applied a few good measures of distortion, et cetera to this release. there's much more of a mixed bag in this release…' on the tripadelic 'bathrobe brawl v1,' somatic r
ur, where complex, intense breaks and melodic themes intermingle with ambient space and emotional droning. scatterheart begins with a tense ambient dirge that breaks into a post-glitch ga
 ntirely new light...so much more meaningful that it's almost as though you had never really heard the song before: a pure electro assault. packaging: jewelcase cd.
 y foetus himself and a knife for mrs. miller in nearly sixty minutes! just imagine the great russ meyer (if he was still with us) planning a new masterpiece by the name of 'the sick generation': th
opens a new door to the odd universe of dead hollywood stars. a place where dusty slide guitars meet mysterious trumpets, 60's exotica infects old-school electronic pulses, and where the sh
res (for example: using aramaic and japanese voices) best describe the path katto is currently taking. but maybe this is just a theory - the artist volker kahl does not share much information, k
tions are the perfect completion to this marvellous album.
 moment passes. a mechanical haunting presence starts the album off on 'begin with the end in mind,' meandering through raucous noise breaks and a hitchcockian piano theme on 'byprodu


uation of the sound created by artists like panacea in the 90s - straight-forward d'n'b with mighty, pounding basslines. this foundation is combined with the styles mentioned above - which is m
s a classical booking agent. matthew's musical training can be recognised during every note played on 'not afraid of spiders'. the variety of styles - from hip hop, to a treated flamenco guitar o
nd, sir real, ubin, the namshub of enki) as masters of amplified sound - is it electro ('crash crash'), is it the trashmen ('on the rise'), is it one of these rock numbers only snog can do ('destroyer
to finish two more compositions to finally get his diploma. music is also his daytime job as he works for a sound design agency. he creates sounds for different types of media (such as radio,
ny bit. 'counter clockwise chant pattern' f.e. has a song like structure - including a 'bridge' and some sort of 'chorus'. however, terminal11 has re-built the patterns of today's popular music into
nce acoustic and electronic instrumentation. all the while, a manipulated, manipulating voice calls you... listening to substanz-t's music is like being sucked into a black hole - you never know
 roject started as a cross between gridlock, somatic responses, venetian snares and tri repetae period autechre. 'i have expanded (these influences) to include a lot more including dub, jazz,
electronic music at it's best, providing a relaxed, entrancing sentiment - music to be listened to, carefully and often. digipak packaging.
 pes together, supplemented by power and intensity known from other electronic sub-genres. a diversified, innovating, truly epoch-making release.
related genres. he also runs and operates the los angeles industrial/electronic music label mechanismz. as marching dynamics talada steps beyond his unique and varied musical endeavors
me‘ is dark, powerful and totally catchy, a sleek meaningful beast. produced by the calculators (the faint, adalita and many others) and featuring the sweet voice of mr. royce doherty, the colla
 re never somatic responses' aim, nevertheless, digital darkness might be rated as one of their most straight-lined works since years - f.e. you never heard s.r. as speedy as they are on the tit
 nce, charging forward with the nervous energy of urban, nighttime cityscapes, speeding subways and foreboding factories. there is an organic, human element at the center of this unrelenting
 e, emotional moods that take the listener from warm and soothing tranquillity to disturbing and yet unknown places with proficient subtlety. flowing ambient landscapes based upon varied rhy
  in a dimly lit basement never knowing what's behind the next curve, and who or what is actually casting these shadows on the walls... nebulo's trademark, a connection between ambience, id
 dtrackish samples - inducing atmospheres that dwell between unbridled ecstasy and subliminal hypnosis. tracks like 'machine' and 'run' are a fine example of the terrifying and liberating clim
ndustrial meet the complexness of breakbeats merged with whirls of noise, captured media coverage and a hint of melancholy. this album can be seen as a missing link between heavy, metri
   even in their quietest moments. expect your expectations to be confounded! cd2 'light city' - intended to be listened to without interference or pauses - a trip into sudorific clublife that keeps y
he hypnos trilogy (tracks 10 to 12) is hecq's dedication to the state of stasis. in his own words, 'distant fires' describes a gaze which travels into a distance uncertain; 'lost for words' leads the l
 hile aggravating your somatic responses - distortion from detroit meets with los(t) angeles industrial gloom - dark complexity amalgamates with rhythmic intensity... 'the workers party of haiti w
ut never touch' the album comes full circle - to start all over again... a varied and monolithic opus designed for a maximum amount of body activity, letting you groove continuously in a higher
ven melancholy, marked by an acute sense of memorable tunes which will persist long after each track fades. a panoramic of digital glitch, pounding rhythms and bass lines agglutinated by m
rs, end, twenty knives... packaging: deluxe 6panel gatefold-sleeve. enjoy the gush!
nre is left unexplored - surf, garage rock, speed metal, big band horn numbers, speak-easy jazz, techno thumpers, organ dirges, chamber music, bollywood sitar psychedelia, string ensemble
uestion: 'what's the reason people write passionate music?' that and a name should just sounds great." (defrag). indeed it does, try it!




h your wide open mouth into your throat – glory!! special plastic sleeve packaging.


he workers productive) and finally concluding with a mellow melodic tune - closing time. despite the fact that industrial work is mostly monotonous, there is a lot of variety in this album's music
 create rave and early techno‘s dark side, playing up the seedy underside of an originally urban music that was as much a reality-check as it was drug-fueled escapism. previous drop the lime
bernard began to feel a burning sensation in his ears; the lumbering macabre bass line and frenetic break-splicing was scrambling his senses—more than the usual dj scud or phthalocyanine


ges, up and till the recent islamic fundamentalist attacks. not forgetting holland‘s finest musical creation…gabber…yes…gabber...not gabba!
 into the 21st century - featuring a little homage to a young vocalist from texas. this is the only track which has been already released (on mad ep's phantastic 'not afraid of spiders' cd). bit shi



 nstrumental track, so jonni says, with (quote) 'a mad latino sample going 'eh eh chupa-chupacabra he he'. yi-haaa !
public. If you are an eighties or minimal-electro addict then your heart is already beating faster. an essential release for old and new rorschach friends all over the world - not just in japan!
dependent legend charles de goal is the guest vocalist (he also wrote the lyrics). btw this is a nice example of what myspace is good for - the contact between charles and trg was initiated by
es, with a slight splash of industrial. once asked about musical influences, raputin mentioned projects like der plan, cabaret voltaire, max goldt and palais schaumburg - take this direction, add
 are well-known for since 'state protection'. contemporary, inspiring electronic songs, a guaranteed aural pleasure - which also explains the verve of the 'japanese friends' from korg who dedic
 verwurst sandwiches, bureaucracy, insect people, and calling himself rasputin. immediately they knew that this was a memorable coincidence - after all, wasn‘t the russian rasputeen often ca




e technoid beats, deeply distorted industrial noise, painful synths layers and natasha' s voice out of your speakers, which you feels by your skin. with 'dead red' suicide inside invites you to a j




ccessful inaugural release by ordo rosarius equilibrio, the fresh german label raubbau has decided to highlight deaf machine with an ambitious re-release schedule that covers two separate c
 a mirror of the past and postulation of the future' according to yoric; the mind behind strops' thought-provoking music. this provocation is being emphasized through the use texts by german p
 any such fear of groundless hyperbole can be scrapped. while operating within the confines of death industrial, the sound of deaf machine clearly lacks antecedence in its more oppressive, m



 mike goedrijk (this morn' omina, pow(d)er pussy). the red line through mortusae and empusae‘s essence consists of a dark, melodic, danceable and atmospheric body of electronic music ba
 erload, the surveillance fight and fast moving life resonates in each second. be prepared for the tactical evolution!


tion was fired in the 1991 gulf war, 7 - 20 metric tons on the balkan conflict in 1999 and about 1000 metric tons in the 2003 iraq conflict, mostly in cities or urban areas. du ammunition has als




 shifts between the cavernously earthly and the futuristically sci-fi.
 e the senses through the use of references, to pose questions in order to transfuse inspiration, to wake desire up and to utilize irony as criticism‘s purpose.
 ruments programmed in real-time without the use of overdubbing, the mainstay of this project‘s energetic live sets, in a style self hailed as, digital tech fractures. the final >bang< of this projec
metropolis inspired by the aesthetics and flair of movies like renaissance and sin city. the album, quite possibly the soundtrack to some sort of mental cinema, narrates a very accessible and i
nd innovative body of work; a signature of scrap.edx‘s high digital production quality and complex, stylized programming skills. consisting of industrial drum and bass, breakcore, rhythmic nois
 for everyone in 'everyone....'.


uated' shows quench at their cruelest. intense yet subtle melodies, unpredictable bass-work and broken hip hop inspired drum action rounds out this solid release from holland's brother funck




 e long emotional pads which hold together the funcken‘s dense cybernetic beats and elastic bass-work. caipruss may be the perfect intersection of all of the funcken‘s projects mangled toget
 ends with the intense hornet's swarm of 'pay,' 'patience' delivers exceptional forward movement without the use of overtly propelling beats or bass lines. something akin to standing still as urb
to conjure up a sound that is somewhat minimal yet musically rich, much like the more introspective moments of port-royal (resonant) or deaf center (type) 'sea', is somewhat of a concept alb
melody and cadence. 'time is on my side' is truly in a world of its own. a teetering balance of contradictions… frigid yet in some way invitingly warm, desperate with a false sense of hope, other
esthetic has seemingly given hummel a newer confidence in his sound that has led him to push further its boundaries by adding elements such as guitar, field recordings, and even hints of vo
 lodies, fractured percussion and granular synthesis experiments to make that all-important musical connection with the listener. human moments made by machines? a human heart succum
and live drums as well as electronic elements and edits that may recall similar moments to sigurdsson's copatriots mum and blindfold or even to the more delicate moments of dntel. micalave


volved in creating music. hologram is exclusively licensed outside of japan via zankyo records.
 ill contains those warm musical crevices to find solace in. epilogue in waves will please fans of previous works by bitcrush as well as neophytes to cadoo's brand of emotional and sometimes
ved closer to an an emotional apex and provides even greater melodic rewards.
d on the original ep. limited to 1000, this release will serve as a time capsule of what was yet to come.
from his debut 'giving up the ghostÄ and in theory it is. yet, hummel has lead us on a journey that for the patient has yielded great rewards. the first 1000 copies of 'where the land meets the s
e rewarding way of life. their arrival promises clean air, miles of snow covered fields surrounded by forests and mountains but above all, safety and a protected existence. as dark as it is light


ressing the feelings they have for the temporality of life's situations and feelings.
ptly titled swirly slow-burn of 'psychedelic coffee buzz'. a song written about a tour around morocco, were we are very sure that sleep deprivation, sunrises and of course coffee play key roles




eep-ambient and deep electronic. depth and diving is part of each composition, no matter how the genres may vary. musicians: selffish, lazyfish, abstract avenue, unit21, oloolo, sever, riverz




floating into some bitter-sweet autechre influenced melody-monsters, some tricky technical freak-outs, coming down to dsp-ambient again and ending in some dark and modern deep electron
houghtful and contemplative. noise of planes flying over the winter forest, trudging on the snow, rattling of trains passing stations, rustling of pages of the musicians' books.




motion - a truly fine conclusion to a landmark at the boundary zone between electronica and industrial on side b.



 -jacques perrey, al green, bjork, booty bass, cocteau twins, dj quik, roger & zapp, parliment, funkadelic, radiohead, video games... cd-r release



und. on 'lucid dream' you listen to empathic and transparent arranged idm. intelligent bound rhythms are embosomed by static grazed and cracking noises. these beats full of atmosphere me
traire of that emotional phase of life. digipak packaging.




who is so much more then mimetic; he's mimetic under pressure !
 the atmosphere and underwater sounds are amazingly well caught by roger girard's son hugo, who happens to be vromb. deep rumbling sounds, oxygen masks producing waterbubbles and




desperate they choose this way. kraken is kraken. a belgian ensemble - perhaps. never ever out of fashion. always itself. bring a towel.
 e concepts of love, hate, sorrow or death. loss has quickly begun to stand out among other artists of the genre by adding a brutally emotional edge to his music.
nd enjoying it. angst is : mimetic, hypnoskull, okk-ulth, empusae, kraken, p.a.l, 5f_55, iszoloscope, this morn' omina, flint glass, def, leiche rustikal, feindbild.gerauschdichte, hysteresis, hybry
the skin of a lost futuristic 'einzelgänger' who lives in this strange world full of hardcore scientific labs and warehouses, and experience the non-stop sonic attack he has to deal with. effective
 kraken might well be the belgian cthulu in disguise. who knows ? after all, there are tentacles involved ... double paper sleeve with random set of 4 cards - collect 'em all 13 !
recognisable, for the final words on the scroll set it alight... the only bodyparts undamaged were two piercing eyes, filled with hatred... and its mouth regurgitated words in a forgotten language
at there is a lot of harmony to be found in noise and hypnoskull, back after a year of absense. but there is more: hybryds, this morn' omina, empusae, antigen shift, mimetic fake and finally kr
um ensures that there is something to be found for everyone on this disc. therefore it is a true 'measured chaos'. special paper sleeve.
sets kraken. and the music fits their anger perfectly; a layering of dark ambience and deep opressive drones, spoken word in various languages and a pinch of noise. three emotions were kra
they grew. the story which is told on the darkest lovesong ever - entitled 'calling home' - is the ultimate proof that 'things fall apart' is an album made in difficult times. it has a reason that the c
s about poles and opposites: 'heaven' versus 'hell', sound version vision, life versus afterlife and 'me' versus 'that other me'. vast themes carefully downsized to fit your skull and keep ringing
 luences ranging from belgium to india, spoken word in dutch and iranian and finally auditory visualisation from above and under sealevel. on the dvd it looks like the men behind those little vo
on the scientific meaning, it suffices to summorize them as 'a system that may be in any number of states, independent of the inputs to the system'. and yes, that is exactly what hysteresis is a




through the dirty laboratories and hovels of taboo science where genius and atrocity meet on level ground. special overstock sale - limited quantities!




 and guy harries from orchestra noir and caroline jago, andrew king and renée rosen of sol invictus. the cd cover artwork is by painter richard moult. special overstock sale - limited quantities!
 acter of the last 10 years of mimetic work. the book: international guest are giving their personal point on view on mimetic in different forms (poetry, prose or journalistic style). christian zanés




 aelstrom of pure, unadulurated head-fucking violence.


definite reaction when expression is possible: i will not become what scare me. i will not allow you to stifle me. i hate you and i will yell it out until you are deaf. i will wallop your dead body until
d industrial, things are not quite what they seem. lost in details, the listener is not sure anymore of what is actually really hearing. therefore it‘s only for the musically mind adventurous... imagin
 ady filled up with layers upon layers of audio collage, abrasive squalls, squawks, and squelches, with less emphasis on the clever explicit film samples and tortured vocals of the brothers syc
 duced by a new virus that tastes like a acid candy !!!



stic and political origin in george orwell's masterpiece 1984 of which it is, somehow, a kind of musical variation. in concert, of course, the diktat can express the full range of its musical possib
undary between spirit and matter, in what appears to be a mysterious spiritual puzzling quest with music as a tool.
ts, or to the bare essence on 'fel' (the closest one to a vocal song). on the other hand music for ghosts is strangely spiritual & embracing, even if the majority of the albums compositions mig
 frozen by their initial format. films stolen to carpenter, tsui hark or william lustig will be dissected for the pleasure of your eyes and ears. the meat dvd's cover has been designed by fredox, a f


 ces, catches you in its mysterious world.
cuses more on the influence of hip-hop culture on current electronic music. dark hop is especially interested in instrumental music with minimal yet strong rhythmic structures. dark hop known
 nence of the previous. they started by doing cut and paste and loop based music. the band is now fronted by andrew mckenzie and concentrate itself on minimal beatless music.
 ery rhythmic release, mark spybey and mick harris managed to successfully blend and transcend the differences in sounds and in music conception into a very achieved result. from its noisy
  creating striking and rich noise textures. due to the honesty and quality of his compositions, he has worked with other musical innovators which reads like a who‘s who of experimentation: m
age. beyond the first experimentations of 'dogme', this debut long-playing cd gives us a full spectre of what very talented people can do when they are given full artistic freedom. inspired by su
 s (brussels, belgium) the trio has always played with the contingency of live experience. with the live sequencing of found sounds and various samples they developed their own approach to e
 ng are reacting in unpredictable ways. 'eleven is a number beautiful by its simplicity. its figures are like rods raised against the skies, tearing up apart the relentless passage of time' says szk
 performances were combined to create the final album-document. a video footage of the performance is available on this cd as a quicktime movie clip. the cd comes in a limited edition light b
uziek live recording was edited and subsequently used to create goem tracks, which were then mixed back into the live recording. complicated you ask? 'well, in a way it is, but the result is de
our cardboard packaging on the influential ecuadorian noise label, rape art productions.
 ed in an uninterrupted fashion, the whole forming an entity driven by multiple jolts. his ingredients? spacious ambiences, cracklings originating from everywhere and nowhere, short-circuits, u
 which then become our exploratory vehicle and form one body with us in the journey…indeed, many doors are hidden, but they are awaiting to be discovered, probed…behind them, fullness o
 here lies a broken conveyor; there, hidden behind some monstrous crucible surrounded by sparse metal objects, one can see the entrance to a deep basement that seems to remain untouch
  creator followed in his many experimentations and sonic discoveries in recent years, to a place where the demarcation line between old-school industrial, dark ambient, narrative paths not s
 n and composition, a sound alchemy that is realized without any pretension under a purple and…of course… morphined sky. power-electronics in symbiosis with dark-ambient in symbiosis w
  find a way to the red core of earth. the common track brings heat onto ice, which warms up, crackles and soon melts. as a conclusion, the long piece by nadja is total heat. this is nadja ³unrh




e signals are geistform. for those who like to compare, geistform sounds like a mixture of pan sonic and esplendor geometrico.
 ecame on of the first belgian electronic acts who proved to be succesfull on stage. in total abc released 4 tapes and in 1984 dirk became a member of 'the klinik', followed by eric who left afte




 close to some cold meat industry's dark-ambient pieces, with that strong meditative sadness you can find in the french's dc crew (othila, land, fin de siècle). more recently, lambwool appeared




  life to death surrounded by fading memories from different areas and destinies. the cd is packed in a beautiful book with full pages sepia pictures by fabrice billard, known for his previous pic
 brose bierce. musicaly speaking... amongst others blue oyster cult, new order, mb, militia, mandible chatter, thiefaine, haus arafna, paul roland, megaptera or brighter death now...
e appeared on the now legendary compilation 'trees on oscillation' & 'armageddon's report', both released on divine comedy records some years ago. this contribution is not an hazardous one




 he amazing futuristic technology. the v/a comes in digisleeve. (cover art was by fab, inspired from an abandonned place now 'destroyed'). feat. bak XIII, trisomie21, norma loy (mimetic-mix), c
 aking this work a 'must have' in the already impressive hiv+ discography. packaging: digisleeve.


 od organ' initiate the feeling of something tragic soon to be unleashed... 'so i left the tv sound off and i sat down at my mood organ and i experimented. and i finally found a setting for despair



 ow...), but this opus presents a more melodic side than its predecessor. it capture the same feeling but in a more bombastic, cruel and complex way. and dare we say... a bit unnerving ?! lim
 peration of the long out of print '2nd setting' lp and the dark playground from their collaboration with kenji siratori. as a classical way of making music, kulfi is more than ever inspirated by can
 ation, the experience of jägerblut is that of the world being full of dark poetry. behave! digipak packaging w/ foil embossing and 20-page booklet.
musical influences into a whole. packaging: cd gatefold sleeve.
 st children in the world, long forgotten by their parents on a run-down fair. jewelcase packaging.


 he guest vocals of geneviéve pasquier set in; after that there is a subtle turning point and everything gets rougher, dirtier, leading to pulsing beats shredding through the outskirts of the cities
 are here much more expressive than the sound of any instruments. constructing some of the remotest soundtracks imaginable - a gorgeous sampled environment emotions are not considere
album, arising from a blinding, arrhythmic labyrinth of beauty. demange machine‘s work is thus a reflection of our lives in turns beautiful or monstrous, but always complex, paradoxical... this
hould continue to be obvious to us. for this new opus, lith continues to explore the way opened by 'tribal end' while succeeding in giving to his sound experiment even more depth and meanin
rtists. in it, empusae's captivating tribal rhythms and singular ambiances provide a perfect complement to nick grey's expertise at crafting and interpreting melancholic songs of exquisite elega
 lbum, silent reflections: deeply influenced by the baltic culture and landscapes, he himself describes his music as an artistic attempt to illustrate the point 'where the stones hit the water while
 mage to the eternally unknown and translating into soundscapes - and assorted media - the project‘s inherent feeling of timeless desolation, nightmarish dream and loss.. dream inspires the
  of idm, for example, autechre and squarepusher, add subtle industrial influences, a pinch of the harshness of drum'n'bass, you'll get a mix of dark electronica with a strong jungle aftertaste:


 ribal and industrial rhythmic noise. flint glass has played numerous live gigs all around europe, festivals and his project already appears in the foreground of finest experimental electronica. lo
 om imminent, iszoloscope, asche, mono no aware, roger rotor, this morn' omina, mlada fronta, oil 10, flint glass, empusae, twinkle, ab ovo, lith, detritus, and many more! conscientiously sele
 sounds. some notes stretch over a long process of break-ups while others simply burst.up to you to match the environment to this abstract swarm…l.d/wtm
 p up in a track, a furtive and disorderly drumming (ohm.05 part.2), an ambient interlude (aquafish) and abstract harmonies (look part.6).undeniably, laurent perrier has his own way of explorin
 akes place,first static,the phrase imposes an austere climate,cold but still organic and hypnotic,creating rupture, endlessly ascending and descending modulation,confronting an everchangin
 l clinking, mechanical repetition, high-pulse sequences, maintained tension, '-trope' manages to exude a clever syncretism of past and present works keeping its coldness by borrowing some
matographic experience, rich of its own contrasts and colours. 300 ltd edition.
 and extreme record 'zonk‘t' has ever delivered, it is no less a work full of nuance, subtlety and like constantly reinventing itself. 300 ltd edition.




by step will make you dance!!! shake, baby shake!!!




  doormouse is a unique and enigmatic entity indeed, a brooding force that cannot be fully understood, as there is surely much more going on than listeners can completely wrap their heads a
mash up should be. dirty and brutal to the nth degree. get stupid. it‘s the only sane alternative.




metronomic break drummer riddim methodology, ragga, breakcore, drum'n'bass & breakbeat explose like a perfect sound‘s cocktail. this new breakcore mentalist hero give a new breath to the




ng and some seriously low, low end... forget pidgeon holing this, just turn it up loud! we can call it now breakstep!!!




 o everyone, all you hate, all you love? is already the pathology brewing in your heart, boiling to the point where the black vomit wrenches thee, when autolysis sets in? to the point when you w
ossible to say - you are dealing with the best ambassador21' album ever. converter collaborated with ambassador21 in 'new doctrine about trinity II', which has been released on-line as single
ce bright information age is ripped apart by chaos and social unrest where power structures fight those who once gave them power, cities consume their inhabitants and helpless individuals a
nal with a tongue-in-cheek aspect and even sampling the prodigy gives things a nice drift. it's almost impossible to categorize this release by any musical terms as there are no weak tracks an
ers'. we can find it even more on this album due to many other contributors who did a great work, not just having re-made, but added some their very own points of view into ambassador21 so
 amazing! and no doubts - this is a best compilation of the year. dvd-r release.
 og, rasputeen, proyecto mirage, kiew, f.y.d., bak xiii, ctrler, beinhaus, the shizit, hansel and altera forma. blast that silence. cd-r release.
hardcore wall of sound which can be ferocious and merciless. but their anger always appears with a smile - from ambivalent ironic lyrics in russian and english to forceful pounding industrial k
 between noises, breaks and overdrives. the first harsh song on the album that includes an ultra-fast sample from ministry, is again a good example of the style of the album, but there are als
z). massive technoid beats, melodic synths, deep ambient soundscapes, distorted dancefloor kicks and destructive beauty' atmosphere - that what first 'peacemakers inc.' stands for. join noi

 they believe one hundred percent everything they say. they don't make music - they are the music. it's sound of underground. it's a21's rock'n'roll. are you ready for blowjob, suckers? bon co
expression. she mixes these energies together with merciless beats and grinding rhythms while adding her own deep rooted emotional intensities - combining all of these to form some of the




anger alike. the flip side offers a slightly more subtle approach which starts with 'naai de duivel in zn reet'. this piece features intensely mangled breaks grinding against bloodcurdling vocal sa
ns.with lyrics like esoteric riddles, raquel de grimstone brings occult symbology into tangibilty in a flurry of screams, whispers and digital mastery - making this cd a rare experience
oul to life.' richard for cerebellum is the brain child of lorren stafford, minneapolis based composer & classically trained pianist, cellist, and violinist. most of the pieces on 'thoughts that breath



s is a track that will push everyone on the dance floor to extremes. 'tool' works perfectly with the dynamic of 'cycadelic' making a forceful totality of this 12'' (played at 33 rpm). hard-hitting beat
 ngineering. assume greatness, and ready your listening sensibility for seduction.


 this record will destroy sound-systems the world over! unibomber does the honours for the second slab in this double whammy with his first official material in ten years!! pure, unadulterated




nergy. flip for the b side and ‗everything is a new surprise‘ kicks in with an ultra disgusting bassline & pitched up bongos, massive! next are the remixes, starkey starts it off with his remix of ‗k
 es. the infectious synth hook is sure to make those dub heads rock. lich delivers atmospheric acid and thick, squelchy bass with 'the bahamut'. this track also features female vocals and orch
 track is destined to become a 2007 dubstep anthem.
nd is evident. focused on core competence, each track is built around a drum / bass pattern, with each loop and chop being selected after careful study of industry benchmarks. the rest is ou




abel, a hive of ukrainian acts whose talent is slowly being recognized worldwide. fresh from his collaboration with andreas berthling and kim cascone, andrey kiritchenko presents here his first
and atmospheres, a deep vault of carefully arranged effects and powerful sounds. listening to 'not a word' is a process that reminds of walking in a glass house. the structure and foundation a
d indeed, this album is one of rich content. while drawing its influence from drum'n'bass, illbient, electronica and noise, this album lets the genre classification to pigeon-holing reviews, and re
elsdiscography by stone glass steel. this pieces, 'the last rays of sunlight paint fire on the window' is the first stone glass steel material to be released on cd since the 1993 cult album 'industr
ropean click‘n‘cut sound and the old ambient tradition. 'winter' brings back the cold atmospheres indeed. here he used more drones and subdued basses. the vanishing precise beats settle w
se sweet, sweet tunes that seem sung by r2d2. wait, is it 'kill all humans' that he is saying? viva robots!
 phase of crno klank is what made this project take the steps which led to 'etats des lieux'. 'i got the idea of recording some ethno-industrial noise music, a mix between korean, black african
nes and sound-layering various elements and influences of today's electronic music. the modern aspect of 'as giants watch over us' however does not end at the sound design and compositio
system research center), horchata's music ranges from the most organic of atmospheric music to the deepest of basses and beats. the result, a bodily experience that shakes the end and to
by the remixes by larvae, tarmvred, enduser, xanopticon, ove naxx, eight frozen modules and ove naxx.


bridge between the two sonic fields dear to this artist. on the one hand, this album features the precise clicks, sharp glitch and touching melodies that can be found on his earlier recordings, a



nce again to all to witness. not only does he pair with mc equivalant under the mad eq moniker on several tracks, but he also worked with jason forrest / donna summer on one ('live till i rot'),
d 'empire' was born. like 'monster music' before it, 'empire' is half-serious, half-playful. it's not simply a geek fantasy or disco 'imperial march' remix; it's more of a reflection on the last 27 odd
 hat one would never think to work on. making up with the times and trading the philosopher‘s stone for a studio crammed with audio hardware, az-rotator has been transmuting beats into gol
cess, it is to date the best embodiment of what detritus is about. a statement of emotion and beauty, it is also a statement for the improvement of composition and quality in the industrial scen
 th atmospheres and sonorities is taking flight for good on such tracks as 'hapless plastic', 'till the break of dawn' or 'mechanical spector'. if alternative hip hop has become a genre in itself, lap
kcore had made of him one of the most varied and surprising artists of the genre. taking a opposite direction from the furious and complex 2004 'the cursed species', 'valentine' is a work whos
well as the vocal contribution of kazumi (known for her work on planet mu and city centre offices), shadow huntaz's nongenetic and chemlab's jared louche. these three vocalists and their ver



encing, drumcorps is an intense experience both on record and on stage, as the audience of drumcorps shows at europe and japan's largest breakcore and drum and bass parties and festiv
osé miguel méndez, josep solé, josu sein, juli martínez, koes, lilian coquilland, marc villalba, mgvis, michel noguera, miki company, nicolás ordozgoiti, okuda, oliver schulze, pablo martínez, p




 ent others, such as greater than one, yello, lassigue bendthaus... but a space organ is no cheap bontempi - this is something else !
ife. 'a dried youth' is ambient-electronic soundscape music for the open-minded listener - enjoy !


rowse/ dennis work to be released in 20 years. packaged in a high quality full colour 4 panel digipak featuring exclusive artwork by dennis‘ current music collaborator: snook. over 76 minutes




 e, electro, industrial, and power electronics from artists such as 100blumen, exocet, ah cama-sotz, architect, catholic boys in heavy leather, cervello elettronico, monolith, geistform and many




 d in a beautiful 2 cd digipak that will stand out in any cd collection. dark electronic music that will captivate and inspire.
 each track feels alive, constantly morphing and shifting into new directions without the slightest loss of cohesiveness. a masterful collage of addictive rhythms, richly-layered beats, intriguing
nspirational. moved by subjects such as urban isolation and the outburst of mankind's deepest emotions, subheim delivers the ideal soundtrack for those moments of chaos or melancholy ref
d savvy electronica. jewelcase packaging.
tal and the beautiful.' featuring remixes by antigen shift, tonikom, and synapscape. get ready to rock.
working from old horror movie samples, crackling analog records, chilling atmospheres, and addictive trip-hop beats, ‗the witching hour‗ introduces a new chapter in the displacer legacy with
azor-sharp beatwork and powerful, abrasive noise collages to create a sonic hurricane of brutal compositions that will seize you firmly by the eardrums and leave you gasping for air.
 rink [pneumatic detach], stunning artwork and design by kostas k. [subheim / spectraliquid].
n ‗love no longer lives here‘, his third studio album and first for tympanik audio, young changes the goal posts once more and treads some new waters without forgetting his roots. more emph
 and hopeful, melancholic and heroic, ‗rise‗ is as nourishing to your heart as it is to your soul. limited to 444 copies and packaged in a beautifully-designed digipak.
 impossible to ignore. now, tapage joins the ranks of innovative electronic music composers in the tympanik audio artist roster to release his debut full-length cd ‗the institute of random events
loomag says '…original… a widely varied and ever-changing sonic soundscape of moods, textures, rhythms and atmospheres.' includes hard-hitting remixes by lucidstatic, pandora‘s black bo
 dark electronica is meant to be. exhibiting a multitude of complexity and an uncanny knack for rhythm, aphorism manages to lay down track after track of beat-driven melancholy, marked by
 ial that can be unlocked from the audio cd via a small software download per instructions from the liner notes. the 'de-mutilated' content features 15 additional bonus tracks + remixes by subh
 ea & the silence‗ takes the esa sound even further into intense and engaging terrains. asserting heavy walls of bass-driven rhythms, vast levels of dynamism, commanding vocal stabbings, a
nal struggle and the duality of mankind. featuring collaborations from some very special guest artists such as shane talada (marching dynamics / the operative), daniel myer (architect / haujo
e), keef baker (uk), atmogat (de), mnemonic (de), edgey (us), mlada fronta (fr), dj hidden (nl), zentriert ins antlitz (de), architect (de), sincere trade (ca), rope (uk), lights out asia (us), and gino

hat is sure to stay with you long after the last note passes. featuring remixes by flaque, dnn & huron, and quench, packaging: digipak.

s, addictive rhythms, and trip-tech electronic collages. a master craftsman of progressive electronica, tapage combines smart beats, perfect and stirring pattern timing with dense and alluring



 ssly interjects a powerful concoction of love, loss, and despair fueled by lathering electronic rhythms akin to a thoughtful drive accelerating almost uncontrollably along a distant country road
 other side of evolution‗. you may even know their recent remix work for flint glass, totakeke, mnemonic, stendeck, fractional, anhedonia, zentriert ins antlitz, and countless others. but be sure

 tion in electronic music and seems to arrive at the very edge of its own inner space. dark and cinematic and fascinating to no end, ‗oppidan‗ is truly full of life and genuine mystic, opening the
eaturing the heavenly vocals of victoria lloyd (claire voyant / hmb), all packaged in a unique design by crime league, ‗x was never like this…‗ promises to be fond experience indeed.
 icentre of electronic sound. saturated in beauty, organic rhythms, and a virtual tide of sophistication, ‗return to childhood‘ easily stands on its own ground offering an immense album full of life




 e remixes by end.user and shitmat! heavy basslines, highly energetic tunes, all gone through an amazing sound production and presented in a beautiful digipak package, this album will blow
 dd another significant moment to the ever expanding dubstep-influenced movement. low bass frequencies give their place to powerful melodic parts, while at the same moment sinking to sic
with max richter, deaf centre, johann johannsson and the protagonist, a wake a week will evoke cathartic exorcisms of woe in even the most glacial of hearts.
bsolute experience of an internal trip, in which no ‗strict‘ sound forms belong. drawing influences mainly from the 'zeitgeist' movie series, 'immaterial monarch' features 3 tracks by poordream




 pted, kaos interim, alarmen and betriebsdruck).


 provided by nerthus himself.




 redshift', known from the compilation 'industrial meeting 14', made by spherical disrupted himself can be found on this new cd.




 erlasting prediction. it's not premature to relegate this sterilized work on the thermostatic reverence which awakes again portentous impressions. a terrific soundscape in the chimney of gravi
 later, when life seems resolutely distressing and ostinately depressing. in the end, "the house of mourning" is the common admonition to our foolish arrogance''. packaging: digisleeve.

ns-synth explorer). pbk proposes premium quality music with manifold edges: some hypnotic ambient pieces, some crazy noise collages, but mostly just unclassifiable abstract sound sculptu
quent releases on such labels as ant-zen, g.r.o.s.s., noise museum, sssm, and afe, their work received a wide exposure. in addition to solo recordings, they have released numerous collabor




 e cinema pioneer. this release opens with an exclusive audio voice introduction by takashi miike, recorded for this tribute cd..also features an exclusive outroduction vocal song preformed by



derline the collaborative effort, a 12 minute video is included on the cd which holds outtakes of the actual performance. the video was shot with four camera's and produced by videopunx in am
nese noise, scat vocals.... but they‘ve all been forced together into a frenzied mass as catchy as it is schizophrenic. there are jump-up-and-down rock numbers, sitar spaghetti westerns and e
 definitely not music to fritter away the time.
 ed will certainly be richly rewarded.
n aggression, disarray and melancholy... this album show how these icons of the challenging electronic scene are still able to open their ears and tap fresh ideas from today's music sensbiliti
 onic choir and produced by the calculators (the faint, schneider tm) 'last of the great romantics' is a lush, sincere masterpiece. packaging: deluxe 4panel gatefold-sleeve in matt cardboard & 1
  the dancefloor while still creating enough depth and texture for heavy listening through your headphones. once again, d.myer demonstrates astounding compositions. well-placed sounds an




as well as the setting of dante's 'the divine comedy' the time was ripe for ianus.


 tions. experience disturbing soundscapes, morbid visions and thrilling song structures. - this means dark sound worlds that reach artists like ah cama-sotz or this morn' omina. the re-release
 than hear that' which made its way via the 'word of mouth' into the french industrial scene which drew the attention of audiotrauma.
his morbid complexity. dense, nervous, sometimes hard to describe, 'phenomedia' mixes cinematic orchestral atmospheres, dirty hip-hop, tribal industrial techno-punk, brutal wall of sounds,



 such people as pole (~scape rec.), h.h.t.p., kriipis tulo, guy van belle and took part in several european festivals of electronic music. hand by hand with his concerts, vitaly continued recordin
bers take their vision of bleak and ripping sound to the next level with live guitars and bass rounding off her extreme vocal style. a seamless integration of synthetic and organic layers seethe




mixing it. the resulting shitstorm is the work of at least thirteen different people. while maiof, shitmat, twocsinak and sax legend terry edwards take turns to pound the two original tracks into ne



al place as being one of the most downloaded new producers via p2p networks the world over. we're proud to finally release this amazing, dare we say ground-breaking, first debut release fro
racks like 'peepers' and 'boomshakalaka'. while some live recordings (on cassette) of old-school uk breakbeat rave festivals by dj slipmat, ratpack, and ellis d are reconstructed to make new




 drop the lime, pamelia kurstin, dub gabriel, rotator, zipperspy, knifehandchop, irie-la, dr. israel, timeblind, da kee, and with soundsystems like blackkat (ny), broklyn beats (ny), havoc (ny/sf),
beats and remixes for other labels as well. his mix of the m.i.a. tune u.r.a.q.t., was released on her galang '05 single by xl recordings, and his mixes of the tune gone a jail, by reggae legend g
ood ship thekla (the floating venue brought to bristol by vivian stanshall as the old verity showboat). since then they have jumped at the opportunity to support any act their name sounds funn


birdland ep' features two tracks of jungle sweetness; 'too late' and 'toxic rip vip', the later a tribute to the late toxic dancehall (probably the uk's best ever breakcore party!). the b side is a more


 beats and remixes for other labels as well. his mix of the m.i.a. tune u.r.a.q.t., was released on her galang '05 single by xl recordings, and his mixes of the tune gone a jail, by reggae legend g
ur mouth as crisp synth sprinkles and wicky-wacky scratching tricks pitter patter all over the back of your tongue. then there's the topper "lektropelar," a light, creamy ribbon of whipped glitche
 tremely rare treat for westerner and easterners alike! but delikatessen doesn‘t serve its metamatics plain; we delicately balance strong hints of xela, lbg, setzer and sense into the sauce to c
amomile, where a soft drum kit rides light in the distance and moves in closer as it‘s enveloped by a double lump of rich bass. 'kitty hawk' follows up next, its strong electro percussion swelli
e goodness of ―taksi‖ comes in with a scintillating chime melody that runs like a reverberating ribbon of pure milk chocolate through your ears. we ain‘t talkin‘ about no hershey‘s or nestle cra
me time. just check the mysterioso synth vibe of 'blizzard' on the a1, a blend of frigid atmospheric treatments and funky bass groove that‘s strikingly warm despite its chilly name. 'ruw' peels o
 bits and pieces of 'din' to add flavor to a beefy bass main dish simmered in rich glitch melodies - talk about a fun way to get your minerals! next up is xela, who you‘ll remember from metama
er succulent note. but if the second track is the most tender cut on viande de gâteau, then the third track is a thundering 72-oz t-bone steak, beginning as it does with a blistering outtake from
girls go bad, they do it to belladonnakillz.
gy performances as he dances all over the place as though he's possessed. will might also add in all kinds of ethnic instruments to the mix - most specifically the shehnai, will's favorite, to ad




ntroduction and a successful debut in japan last year. their first chapter 'notinism' is a conceptual album. a mankind painting himself through his different states of mind, expressed with music




come progressively unhinged. each successive listen, opens up new meaning as new structures emerge. sit back, close your eyes and disassociate yourself from your immediate environme




antagonistic antics, including the soon-to-be classic narcotics epic, cocaine.
arts is a collection of 14 remixed tracks from autoclav1.1's first two cds, you are my all and more and visitor attractions, reworked and reinvented by some of the most acclaimed purveyors of
e ideology that industrial music can be both agressive and epic, as well as carefully crafted. the songwriting transcends the repetitive, predictable cliches of current cookie-cutter releases in t




opoppish number, complete with some ace oldskoll chop ups and key progressions, half paced 80's electroid style, yum. the funcken brothers end us off with quench's 'clan' - denser and dark
pannered construction. 'leaf pitching' starts with tuned music box melodies that descend into click madness while bass swoops and scattered drums creep behind, the pitching coming in on th
sk. gasp lays down a beautiful jazzy atmosphere over a freaked beat with odd timing. autophonic releases are sparse so make sure you don‘t miss this one.
rs jungle became softened and now ‗walks around‘ as drum‘n bass. however there are many great examples of dark and harder drum‘n bass, both producers decided to create a harsh versio




and of course ‗campbell‘s i‘. obviously most tracks were based on warhol‘s graphic works, but also the three hour movie ‗chelsea girls‘ served as inspiration on one of them. ‗drones for drella‘
artwork based on '13 motives of the arising of desire' photo-session by marc brousselly, created in london in may 2005.


mited to 32 copies edition (released by invasion wreck chords). new 'learn to swallow' edition uncludes two brandnew tracks and remixes from flint glass and empusae.




ry half-man, half-devil. the feel of this concept release is further enhanced by the inclusion of limited edition art prints of works by the composers on the record.


point. check out the videos on the album and you‘ll see where the inspiration was drawn from. listening to guitar-surf of messer chups one can imagine eros and thanatos dancing together on
 ryl shinfield). this russian masterpiece twists you outta this world. black black magic is messer chups most musical release… 50‘s b-movie soundtracks, the guitar at times reminiscent of rick


 album of gitarkin's project messer chups - crazy price is recorded by this time with participation of two theremin performers, - barbara buchholz joined her teacher lydia kavina, also there join




life and situations we have all experienced. warm textured rhythms over stark minimal melodies to express life alone in a barren world of stone and cold steel isolation.




ou into the pit with his punishing gabber stylings. while you‘re in the pit soundmurderer crushes you with his frantic amen breaks and deep bass tones. for the second half of the disc wisp take


soundscapes. electronic music at its finest.


/genres such as rock, industrial, electronic, improvisation, and other experimental forms of music. he worked with an important variety of different people and bands, such as old, mick harris,




e zod congregation was formed. well versed in the building of a mood, he can play very simply, as he reveals from time to time during his tracks here; but his idols are masters whose control
the wanting ear to a cumulative gesture, a knowing shrug at the enormity of the task at hand that breeds hallucinations auditory, waves of emotion lull then provoke the mind as the needle ea
 chip, tangible, vaporizer, soplerfo, gridlock and binray.
 chip, tangible, vaporizer, soplerfo, gridlock and binray.
he walk. latter side, leading off, begins with a smattering of found objects in a conversation that accelerates to a distorted finale of what could be guitar tones, then trailing off into introversion
 cathode ray to produce the tangible result of an obsessive perfectionism of craft with a breadth of emotion seldom heard. by toying with, rather than replicating, the notions of those few notab
 al audiences dedicated to them, so it is hard to believe anybody is lured in by 'what's new' anymore. however the meshes that ej comes up with on this record are as likely to appeal to new a


nt operations. only after countless hours of woodshedding and a healthy slew of live dates did he enlist ex-poor line condition bassist james buckley and veteran vertiform drummer joey van p




ely innocent voices and special effects 'from outer space'. but o.t.x is also a highly explosive encounter between different musical trends like industrial, dark ambient, trance and drum‘n‘bass…


 erial (black light) with aussie vocalist sol thomas, to collaborations with and remixes by influential electronic acts scorn and counterstrike, to absolutely stunning, no boundaries drum n bass,




ub-textures. at times a subtle, almost alien combination of sounds. proof-positive that dark-drones can intone an element of beauty and power. a very promising debut from an equally promisin
 he clubs or at home. special fake-leather digipak & embossing




 g resonant vibrations and looping samples at best to reach a certain state of intensity. axiome‘s ability in creating sounds resides in their vicious use of noises to hit your nerves at the most u
been put on and your speakers will be put to a hard test.




he voices of reason' - an eclectic radio play for the eclectic listener or a soundtrack for the insane? deluxe 6page digipack & 24page booklet. audio cd + cd-rom film 'the plastic wars part 1'
 pe. an excellent addition to the previous vromb releases and it is limited - so don't miss it...!




 he listener to the non-rhythmic soundscapes of cd2. these soundscapes illustrate mata‘s melodic direction with the use of disturbing mostly non-distorted rhythm-loops that are overlayed with




 phere nobody wants to feel in reality - but what is reality anyway? a vicious game of putting things in a row, in a scene. confront yourself with the harsh reality of everyday life and get the perfe



 is is an album which forces you to listen intensely, and it is one of the most personal and emotional records ant-zen has ever released.
 ess that bielefeld exists - check it out!
believe. this cd comes in a folded embossed heavy cardboard cover.
olves in concise compositions that build to overwhelming complexities - from the ambivalent and unmethodical tribal percussive work of 'the burning hand' and '(the) fires within' to the seducti


m… slow so you can easily bang your head!‖ getting to the head banging takes a little while, as war of sound builds in slow, deliberate movements, carefully establishing a dark chord progress
 ng change on ―simulations 1.0‖ is the mood of the ten tracks; the temperature seems to have risen a bit – especially when the release is compared to the icy and colder atmosphere of 'medic
 will rise up again - this is what this label did for ten years. so you are invited to celebrate with us. enjoy the essence of ten years of work and hopefully escort ant-zen for the next ten years. a
ard gave the photographer alain gauvin the basic audio tracks for inspiration. the final musical structure on 'rayons' is based on inspirations from gauvin's pictures which were taken in the mon


 hat this trilogy will be continued!
s focus is that of using rhythmic patterns to create a psychic (or even maybe a psychotic) mood - if you are willing and able to discover this listening experience then you will find yourself trapp
 'malleus maleficarum' as an album title', says rotor, 'and i think this title fits perfectly for this record. it shall be an 'inqusitional guide' to identify, prosecute and dispatch awfully bad electronic
 ening to this cd is that these are songs - not just 'tracks'. for instance, 'huevos de oro' or 'ish galil' are based on a 4/4 beat, melodies and even vocals – in other words they are structured like
 a nightmarish view of the mind's eye. there is always an irritating detail. for instance, the looped laughter sample on 'horizon vertical' which disturbs the soft ambience and turns beautiful track
mbience of a distinctly harrowing nature. however, brian evenson‘s readings, recorded in an impromptu fashion in a sparse white apartment, begat an intensity of emotion that compelled xingu
pressing' is still the milkies at their best. the first tracks contain the atmospheric soundscapes that listeners of 'peps' are familiar with. pure electronica as it seems - until 'go go...' where u.m. s


 ord a treasure chest for all sound enthusiasts. lp with fullcolour-cover
 ent work; on 'the day after' and 'prepare for contact' there are slight similarities to ... so what ? the difference between g.s.‘s music and these (possible) reference points is the harshness of th
ead the listener into a strange, dark, and threatening parallel sound universe. if you are familiar with silk saw‘s former works you might be surprised by the unusual straight ahead beats on trac
ng flow. the variety of sound is evident in the ambient tracks like 'kollberg' and 'sellout', the hard 4/4-beat-ers like 'the hoe' and 'katunga' (which lean heavily toward the distorted dance floor) a


synth lines and voice samples. t.m.o.'s ability to create a continuous musical flow while welding a conglomeration of single tracks to one logical aural concept is always astonishing and is prov
mercy of politics. this mini cd is a study of a lost technology of the former soviet union. that is, the futuristic vision of one man confronted by the needs of a country engaged in a battle for the w
 . the result is a collection offieldrecordings, sounds, noises from whole around the world in just one track.
a a collaborative effort between ant-zen and parametric. 'sacred aim' feeds the eyes with a big collection of video clips that combine small scripts, visual effects, flashing colors, black & white
 n - power and it's exertion is only existant as long as individuals give it a right to exist. as soon as the vicious circle is broken, the man has found peace of mind. the story's musical visualizat
 . but you will lose your orientation in the heavy rain when you try to follow the destructed loop variations and changing beat patterns. turn over to side b - hey what do we have here? it‘s the be
 ce the listener to groove. don't be irritated by the loopish 'just a trip' - the rhythmic outbursts start with 'good fellas'. except for the 3/4 metres of 'ill' this cd is a merciless four on the floor beat a
 between being sung and spoken (in english and french) - and there's even enough space left for a little poem! 'soap bubble factory' is a perfect example of an artist converting their roots into
endo of distorted rhythms, noisy loops and unleashed fury. on the video, pictures taken at the above mentioned events have been turned into a stroboscopic montage by one of the rabbits its
dd broken beats and distorted vocals, but had to keep the rhythm straight. to del rio. arrested rioters in gambler's resort. chased them with posse. no arrests. recorded a second track. had to a
 t was time to finish. the final part of the mission showed once again what the incredible three stand for: a fast, heavily distorted bassy beat track with tim on vocals and a slower (but still harsh
 e will be a lack of vinyl ressources - catch this one before it's too late! packaging: 12'' cover (full colour sleeve).
 heads before the bugs do!' (starship troopers 2).
wards. the instruments, f.e. synthesizers, 6-string bass guitar and drum computer, are treated in the unusual silk saw way. none the less, you might notice that straight forward rhythms are on


n go and enjoy the brilliant heavy 'viewer' remix by sonar. packaging: jewelcase & 8p booklet.
 o a raging climax that finally discards. an ultimate listening experience for industrial enthusiasts - highly recommended.
 experimental sound modifications from the 'peps' days. this new release entitled 'pocket station' is the logical sequel to 'pop pressing'. the band itself classifies the u.m. sound as 'hypnotic an
y right from the beginning. the mastery of many electronic sound facets, combined with her exceptional voice - claiming, alluring, repelling, suspicious - was and will be g.p.'s trademark. all of
d'. rhythmic rage meets droning darkness - asche, make my day!
 re. this is a highly recommended addition to your converter collection. packaging: jewelcase w/ 4 page booklet.


 thin a 'world of tomorrow'. for instance, in 'brotherhood of steel', g.s. presents a dance track with vocals that could turn a discotheque into a starlight casino. another great album by a real star
 again, this music's specific feature is displayed subliminally, f.e. unusual syncopations ('vanished'), accentuations on the off-beat ('bad man') or a constant state of the rhythmic flux without a
 e chilling yet strangely mirthful. enjoy this release if you can - and watch out for the boiled flying saucers on your dinner plate!
mood is quite the same on this release - brinkert's technical skills and ritual's production prove that this cd is a topical one. moctan's remix of invocation demonstrates that bipol's basics work




 . rhythm is ever present in s:cage's compositions, but rhythm is not just a carrier of a 'beat' - in 'collapsing breath', the structures change constantly, keeping the mind and ear busy. the manip


 nd her descendants represent the dark regions of greek mythology - self-evidently 'nyx' is the aural implementation of what these figures stand for. the deep drones, bass pulses and disturbin
oid beats. the mercilessness of an industrial civilization is punch inc's main influence, and they always place an emphasis on the rhythmic overkill. fightclub: a visualization of the fate of most
oundtrack to the phantoms of a dead civilization or more simply put, music that is inspired by a doomed mayan divination system. on their first self-titled release, empusae and flint glass chos
 o idm to noise and to ethnic sources. in hashimoto's works these ingredients cease what they were before - they are now transformed into coherent music (without being a eclectic cliché). an
about to hear is a sheer outburst of distorted noise, chopped sequences and hard driving beats. an edgy fusion of energy and aggression, rooted in the roughness of punk without any stylish
otic, twisted & tribal rhythmic noise is overlayed with unpretentious melodies and enriched with pushing vocals (complimented by a tremendous selection of samples). music that is complex, c
melodies and distorted rhythms. 'turn it on' is the conclusion of more then ten years of progression. lashing high-speed dance floor blasts ('cannibal party'), distorted eighties nostalgia (6 6 5, 9
  by the idea to make a cover for 'math & emotion' in the dime novel/ghost story style of the german "gespenster geschichten" comics. these ghost novels were pulp fiction that was published
nite as their producing was, is, and will be. this is where they are now - another landmark in contemporary industrial music.
 hat he might not. take a listen, watch lingouf's visuals on his site, submerge into an unknown perspective of industrial arts - be caught and captivated at the same time at the area keloza! a tru
nit by accomplished usage of well-structured rhythmic work. fortifying bass pulses and diversified synth chords are enriched with scattered sounds and voices, generating powerful undertones
emain bare handed, like astonished and turbulent children dancing on a mine field. we will just stare at you, we will fall into rage and boil into tears. within this emotional turmoil, flore magnet a

 ective and ideas for many future projects are already locked into their collective mind. compared with the collective's conceptual works like '1953', which was an earlier release by bauke and
akers) and different daily environments (street sounds, trains). using the inspirations received from these recordings anders transformed the raw sound into tracks that range from ambient to
name composed by camille saint saëns in 1886), the drifty bass pulses/beat shuffles on 'ange et gruikk' and 'garage', the straight and partly distorted floor burners 'vifoogy' and 'st-geniez' and
hemselves - despite the countless amount of technical options. once 'again' synapscape assert their position as one of the most innovative artists of industrial music today. ahuenna!
 reams' samples are perfectly embedded to yield the uniqueness of this project. on the other hand, tribal rhythms and harsh electronics clash during the true floor burner 'sensitive size'. grotes
  time to move from l'ombre's ambient oriented first works to what he represents now. does fragile abrasiveness exist? join the ride, and be committed!
 with the heavily grooved remixes by asche and bipol. once again, moctan has created a perfect balance between hard technoid dance tracks with an industrial feel and disturbing soundscap
 eneviéve pasquier's delivery speaks to everyone's feelings of loneliness, anger and pleasure that crop up at some point in life. a revue of class and noblesse - enter and enjoy your stay!
queness that this morn' omina stands for.
s aggressive tunes. all this is combined with a 100blumen / loss collaboration ('pussywillow') and two remixes by p.a.l and heimstatt yipotash. this cd is a truly fine follow up to 'in floriculture th



sk, it took the same time for this release to maturate - and it was worth awaiting the ripening. indeed the music is comparable to a cask strength whisky‘s taste: raw, aggressive, powerful, with
talada. this is another step of the one man army 100blumen's plan to destroy all flower haters with the burning beats of anarchy... and after that, he will have a drink. eat the rich or die trying!
ellow bright. that's the general idea. these releases are planned within a time-period of two years. a mixture of dark ambient soundscapes, hypnotic drum patterns, an impressive stylistic rang
n with a soundscape blending into another and at the end of it you won`t know how the record began. this is performed with such a perfection that it won`t disturb in any case.


ental electronics and ambient soundscapes are all part of the landscape. it is as varied as any large city, and as enjoyable as any fantastic voyage.
well as releasing genre-defining dark ambient albums under the lustmord name. it‘s from four lustmord albums in particular that the tracks on law of the battle of conquest arise. in fact, the fer
d progressions. things become more contentious on ―chrometaphor‖ and ―scratch,‖ where gridlock‘s penchant for fractured beat textures and discombobulated rhythms rush formless into a m
.. do i know him? 'hi, i'm lucas. check this straight uptempo breakbeat dance tune... nice, eh?' 'yupp - ehmmm... do you know benny?' 'uhmmmm.... noooo.... but will you take this track?' 'uhm
edges its debt to the detroit underground. ―simulacra‖ and ―simulacrum‖ share strong ties to laptop glitch and rhythmic noise, both spinning around a shared sequence of unchanging tone sou
ag in this release…‖. on ―go off,‖ the welsh brothers healy crank up the somatic responses style of electro-mechano breakcore ferocity that would otherwise plant pounded mass firmly in the r
ds of canada). this album shows that reid dunn is one of the names that should be remembered. wisp is one of the rare artists in this genre who have the talent for both sound experimentation
ming live instruments, mainly guitars, synths and rachael kozak's own growling vocals brew hideous mixes elements of black metal, brutalizing breakcore and esoteric sound design with top
bum which leaves you breathless.
ath between the attacking drums - nevertheless there are well placed pauses which result in a stunning dynamic range. in short, a work of complexity and dramatic art.
xes by influential electronic acts like scorn, to absolutely stunning, no boundaries drum n bass, the album is diverse and full of powerful compositions. compelling from start to finish, left is the

age music of consolidated or the sample-collage and noise terrorism of the beta bodega label. beyond the valley of the proles is electro-western manna for progressive political consciousness

 ere mainly females are objects of carnal desires, both male and female get one's just deserts from otto! from the first track 'subatomic disco divas' to the last 'satanic unicorn orgy', we are sp
on forrest. for hymen records, massive swingin' mpc2000 is a quite unusual release: the format (our first 10''), the artwork (check it out on your own!) and also the sound itself. straight beats a




ontinues to challenge standard concepts of structure in order to forge his own musical path. a monolith among modern beats and drums. scorn is a no joke movement.
le piercings or just a calculated assault of an sonic weapon.
synthesizer pulses, and spoken, sung and atmospherically implied snapshots of life in the global urban jungle. every tune is very carefully created and integrate itself very well in an orchestra




ce. an arresting epic unfolds inside your ears. end‘s charles peirce, who has appeared previously on planet-μ, builds the dark post-industrial themes of science/fiction without the aid of traditi
s), as well as the legendary f. m. einheit of german noise guitar experimentalists einstuerzende neubauten. but that‘s not it at all; electric opium‘s the next generation of electronic sound to em
age music of consolidated or the sample-collage and noise terrorism of the beta bodega label. beyond the valley of the proles is electro-western manna for progressive political consciousness
ditional breakcore dynamics, yet unlike many albums in the genre, nymphomatriarch retains a sense of complex ambient sound and depth throughout its six tracks - this isn‘t just another man
combat. war accomplishes this objective utilizing five principal musical components (artists), all of which leverage high-calibre ambient, industrial, and experimental electronic equipment ope
 s gridlock. but caller id isn‘t just remixes. fans of her music will find four unreleased tracks woven into the release, adding a cohesiveness to caller id that makes it more than a simple collecti


he rest of the musical world has a lot of catching up to do to touch architect.
ges its debt to the detroit underground. 'simulacra' and 'simulacrum' share strong ties to laptop glitch and rhythmic noise, both spinning around a shared sequence of unchanging tone sounds
ed her arms writhe below the frozen river, the alarming chime cries and woeful clashing static clacking of 'all night' gave way to the shrouded percussion and wandering lyrical melody of a ney
are not only sexy, but perceptive! i was commissioned to make a film score, for a low-budget german porno full of, how do you call them, midgets, and also a lot of de-clawed cats, but then th
 g in this release…' on the tripadelic 'bathrobe brawl v1,' somatic responses infuse the psychotic turntablist scratching effervescence of dj spooky with breaks and bass worthy of a depth char
begins with a tense ambient dirge that breaks into a post-glitch gallop on 'fdk,' then meanders through light ('madison I') and dark ('madison II') atmospheric moods in a masterfully arranged su
 ctro assault. packaging: jewelcase cd.
lanning a new masterpiece by the name of 'the sick generation': this might be the soundtrack. 'bang bang boom boom!'. packaging: digipak cd.
60's exotica infects old-school electronic pulses, and where the shadows of badalamenti and morricone are always near. a clash of spectral jazz, ambient americana, spooky boogie and psyc
a theory - the artist volker kahl does not share much information, kattoo's music shall be the message.


 aucous noise breaks and a hitchcockian piano theme on 'byproducts of stress and boredom,' moments of ambient bliss on 'noctilucent‖ and ominous strumming hallucinations on 'gleaming r


undation is combined with the styles mentioned above - which is more than a 'mixture' - it's a style on it's own - 100% enduser. the rough moods conveyed by many breakcore acts cannot be
 the variety of styles - from hip hop, to a treated flamenco guitar on the four-to-the-floorburner 'velvet pudding mold', to jazzy moods (indeed 'nicoffeine' seems like miles davis' agharta-period
 ise'), is it one of these rock numbers only snog can do ('destroyer')....? indeed it is, amongst others. slide guitars are hit by shuffle-beats, long forgotten tekkno-anthems are drowning in a sea
cy. he creates sounds for different types of media (such as radio, software or web pages). eventually he hopes to be able to compose film soundtracks - especially since his interests are still i
 , terminal11 has re-built the patterns of today's popular music into something new. this is far beyond 'academic electronic music' where only sound itself counts; you can always hear the hum
-t's music is like being sucked into a black hole - you never know what is waiting beyond... new colour. new dimension. new value.
 nded (these influences) to include a lot more including dub, jazz, bits of metal, funk, post-rock, straight drum & bass, indie-rock and the like'. the uniqueness of keef's musical talent can be de



ics talada steps beyond his unique and varied musical endeavors. a new force that will surprise/inspire you and will be heard for years to come. marching dynamics astounds the listener with
hers) and featuring the sweet voice of mr. royce doherty, the collapse of civilization has never been this groovy before! the album opens with the epic majesty of 'one grain of sand', an ode to
 e years - f.e. you never heard s.r. as speedy as they are on the title track or 'reset the world'. their typical ingredients like unique strings usage are still present ('stranded'), the enrichment with
here is an organic, human element at the center of this unrelenting journey, in the form of symphonic and acoustic instruments and warm bass lines, balancing the bold compositions. the albu
 cient subtlety. flowing ambient landscapes based upon varied rhythms include beautiful, sometimes slightly sad melodies - only a glimpse of the darkness behind the mirror of technology. all
he walls... nebulo's trademark, a connection between ambience, idm, clicks'n'cuts and post-musique-concrète collages is presented here once again. as a reviewer wrote: 'surreal dreamscap
ne' and 'run' are a fine example of the terrifying and liberating climax of rhythmic power‘s crescendo. feel free to file 'halfbreed' between illbient, dubstep and darkest ambient that has accumul
 y. this album can be seen as a missing link between heavy, metric electronica, straight-line jungle-core and saturnine movie soundtracks. join the audio vandalism!
ut interference or pauses - a trip into sudorific clublife that keeps you moving for more than an hour. an astounding mix with well-placed increasing and decreasing speed, ranging from dubste
 which travels into a distance uncertain; 'lost for words' leads the listener into a state of cogitation - while 'hypnos' allegorizes a slowly constitutive wall of suspense that trickles away in the en
  amalgamates with rhythmic intensity... 'the workers party of haiti was my own exorcism from the demon that surrounded me and that was haunting me.' (s.talada) - join the exorcism!
mount of body activity, letting you groove continuously in a higher state of blissful flow. lift the sniper's veil!
 f digital glitch, pounding rhythms and bass lines agglutinated by melodic ambience. add to this the occasional carefully placed application of acoustic guitars, fender rhodes piano and electric

 es, chamber music, bollywood sitar psychedelia, string ensembles, groovy lounge pieces and more. all of it woven into catchy pop-tunes where sunshine-voiced singers belt out infectious me




s mostly monotonous, there is a lot of variety in this album's music. there is a constant flow from track to track; leading the listener through ambient spaces to hard-driving rhythmic madnesse
ality-check as it was drug-fueled escapism. previous drop the lime releases on tigerbeat6, dreadpower/electroviolence, shockout, broklyn beats and ambush have garnered intense press scru
mbling his senses—more than the usual dj scud or phthalocyanine 12-inch. it starting as a mild itch in his ear canal that progressed to an intense heat that, by the time 'heart' blared through th
eleased (on mad ep's phantastic 'not afraid of spiders' cd). bit shifter is one of the big names in the gameboy scene, having performed regularly in new york, and touring literally around the wh




nd new rorschach friends all over the world - not just in japan!
 is good for - the contact between charles and trg was initiated by a friend add! with 'the toy factory' trg delivers a contemporary masterpiece of electro-pop without any 'revival' clichés. some o
 oltaire, max goldt and palais schaumburg - take this direction, add the pumping sex-beats of deutsch-amerikanische freundschaft and top everything with a mesmerizing, distinctive voice - th
so explains the verve of the 'japanese friends' from korg who dedicated an extra website to trg. mission accomplished - transfer complete!
rable coincidence - after all, wasn‘t the russian rasputeen often called the 'mad monk'? so they kept contact, and in a few years the metamorphosis from rasputin to rasputeen took place. eve




u feels by your skin. with 'dead red' suicide inside invites you to a journey into the post apocalyptic desert of iron and steel, where dead atoms has saved the souls, full of fury and love. from ki




with an ambitious re-release schedule that covers two separate cd albums. this first one, "found noises", contains one of the tapes, two tracks culled from compilations, and one previously un
ovocation is being emphasized through the use texts by german poet georg trakl. reflecting the past by literature from a victim of world war I, embedding it in pulsating sounds, this title-less m
deaf machine clearly lacks antecedence in its more oppressive, minimal approach; a rhythm-less universe inhabited by the creaking noises of analogue devices and metallic artefacts, and fle



 melodic, danceable and atmospheric body of electronic music based on the human gift of fantasy. immerse yourself within its beauty and decay, darkness and melancholy, tribal ceremonies



aq conflict, mostly in cities or urban areas. du ammunition has also been used in the afghan conflict and in somalia. after almost twenty years of using du weapons the long-term consequence




ze irony as criticism‘s purpose.
self hailed as, digital tech fractures. the final >bang< of this project‘s debut album was added by legendary speedcore producer bobby tense at the famous kevorkian mastering studio in new
k to some sort of mental cinema, narrates a very accessible and identifiable story consisting of track titles like mindcartridge, metro dwellers and pavement chicks and composed utilizing voc
s. consisting of industrial drum and bass, breakcore, rhythmic noise, dark ambient and idm production styles, merciless protraction is a futuristic journey through the universe of hardcore elec



m action rounds out this solid release from holland's brother funcken.




 perfect intersection of all of the funcken‘s projects mangled together into one album. a true treat for fans of any, and or all of their projects, plus a perfect jumping off point for newcomers to th
opelling beats or bass lines. something akin to standing still as urban inhabitants pass you by at hyper-speed. 'patience' is equally blurry and defined, if you utilize its virtues you will be reward
esonant) or deaf center (type) 'sea', is somewhat of a concept album about escaping modern life and all responsibilities that come with it. based on mood and song titles 'sea' has a narrative
e way invitingly warm, desperate with a false sense of hope, other-worldly yet somehow familiar, this balance is where tobias lilja excels and is proof of an artist who has found 'his' sound. 'tim
 ng elements such as guitar, field recordings, and even hints of vocal texture to his signature style of self-made synth melodies and compressed beats. songs of defiance, love, exasperation,
ner. human moments made by machines? a human heart succumbing to the synthetic? or maybe just an artist utilizing some old spectres to make something all his own…
 blindfold or even to the more delicate moments of dntel. micalavera is an absorbing mix of many musical styles interwoven into a bright, affectionate, yet cohesive whole that features 12 vign



s well as neophytes to cadoo's brand of emotional and sometimes epic songwriting.



great rewards. the first 1000 copies of 'where the land meets the sky' comes with a bonus disc of over 45 minutes of subtractivelad style classically influenced ambient.
ut above all, safety and a protected existence. as dark as it is light, the safety of the north explores relationships, loss, recovery and how hope is the only certainty in life.. with a strict script in



at sleep deprivation, sunrises and of course coffee play key roles in its expanses. tracks like the bookend pieces of 'midnight ride down the mental freeway' and 'softly slipping' are blissed-out




ns: selffish, lazyfish, abstract avenue, unit21, oloolo, sever, riverz end, holden, unbound persistence, batiskaf, total reboot, kriipis tulo, father?, 0id.




ambient again and ending in some dark and modern deep electronic.
ons, rustling of pages of the musicians' books.




ic grazed and cracking noises. these beats full of atmosphere melt with the particular melodies to real pleasure. digipak packaging.




eep rumbling sounds, oxygen masks producing waterbubbles and a cry for help which wasn't heard in time. the characteristic rhythm based soundsculptures of vromb are on this album accom




brutally emotional edge to his music.
ss, def, leiche rustikal, feindbild.gerauschdichte, hysteresis, hybryds, templegarden's, m2, codetripper, ah cama-sotz, bad sector, salt, frames a second, ms gentur, stupor, project arctic, the [
experience the non-stop sonic attack he has to deal with. effective, monotone, hard rhythms with a filmic approach. this is the hypnoskull that operates inbetween some well defined lines, and
e with random set of 4 cards - collect 'em all 13 !
 hatred... and its mouth regurgitated words in a forgotten language: they were echoes ov a beckoning arcanum... beautiful 6 panel digipack.
s morn' omina, empusae, antigen shift, mimetic fake and finally kraken, who introduce their new cd 'chagrin'. spectre is ambience, rhytmic industrial, ritual and noise : all in the darkest shade


n various languages and a pinch of noise. three emotions were kraken's guideline while writing the trilogy and 'drift' definitly is the most inhospitable and threatning of them. this third journey th
 part' is an album made in difficult times. it has a reason that the creator of this advises solitude and headphones to fully 'enjoy' the tracks. it took god six days to create the world and a seven
vast themes carefully downsized to fit your skull and keep ringing in your head long after the last track ended. the beautifully designed 7'' artwork in which the cd's are packed contains three p
 der sealevel. on the dvd it looks like the men behind those little voices took over the camera, lightning and sound department of a professional filmset. the result is some truely astonishing vi
e inputs to the system'. and yes, that is exactly what hysteresis is all about. you can expect anything musically possible, but the guys behind it don't give a f*ck because they are who they are




 y painter richard moult. special overstock sale - limited quantities!
 different forms (poetry, prose or journalistic style). christian zanési wrote the preface. this well-known electroacoustic music composer and co-director of the grm (groupe de recherches music




 i will yell it out until you are deaf. i will wallop your dead body until i faint. things will never stop before their own limit: fuck you, die. some scars can never be healed.
ng. therefore it‘s only for the musically mind adventurous... imagine yourself sleeping in a lost factory built over sacred indian burial grounds. feat. guest appearances by scalper and ten data
clever explicit film samples and tortured vocals of the brothers syco and arco. angry, sad, mad, depressed, or just plain fucked up, this album is a passionate piece blasting our commercialize




f course, the diktat can express the full range of its musical possibilities: le diktat's hypnotising stage performances are a groovy mix of atmospheric soundscapes and thunderous rhythms tha

& embracing, even if the majority of the albums compositions might seem dark to most listeners, it is a loving one, where cold hands reach out..and if you're offguard it might entwine & drag y
s and ears. the meat dvd's cover has been designed by fredox, a famous artist from 'le dernier cri'. dvd5 pal - region free - 70 minutes - 4/3 - stereo pcm - 2006 - digipak.



music with minimal yet strong rhythmic structures. dark hop known for its down tempo beats really succeeds to give despaired urban landscapes the appropriate soundtrack. hed nod (canada)
 zie and concentrate itself on minimal beatless music.
 nd in music conception into a very achieved result. from its noisy moments to its drum'n'bass experiments, from its ambient atmospheres to its weird sound treatments, this album is leading y
 al innovators which reads like a who‘s who of experimentation: merzbow, james plotkin, zbigniew karkowski (sensorband), seiichi yamamoto (boredoms), keiji haino and david brown to name
ple can do when they are given full artistic freedom. inspired by surrealist poets and painters as well as early experimental noisemakers, moonsanto is actually a very solid yet diverse project.
unds and various samples they developed their own approach to electronic music. far from any rigid and binary compositions, their sound is organic and complex. on 'une occasion de chute'
 e skies, tearing up apart the relentless passage of time' says szkieve's dimitri della faille.
 as a quicktime movie clip. the cd comes in a limited edition light blue tinted jewel case.
ding. complicated you ask? 'well, in a way it is, but the result is definitely worth the trouble!' are saying the three brains from this double trio collaboration. kapotte muziek‘s sound is an electro


cklings originating from everywhere and nowhere, short-circuits, underlying hummings, psychoactive noise …one already feels, upon the first moments, the presence of each of the many sou
ey are awaiting to be discovered, probed…behind them, fullness or emptiness… or an indefinable intermediate state… here, john sellekaers, daniel de los santos and mathias delplanque ha
e the entrance to a deep basement that seems to remain untouchable and totally shrouded in darkness even when one uses the most powerful torchlights …you gotta watch your step, as som
between old-school industrial, dark ambient, narrative paths not spelt out and recursive bruitism takes on blurred and original shades. nos royaumes demonstrates, with the two monumental
  power-electronics in symbiosis with dark-ambient in symbiosis with guitar-noise in symbiosis with various layered and shifting acoustic and electronic elements …the result and the overall fe
conclusion, the long piece by nadja is total heat. this is nadja ³unrhythmed², which means pure lava.




dirk became a member of 'the klinik', followed by eric who left after the 2nd album to form insekt. in 1989 they released their last tape 'tracks' wich contained all abc compilation contributions s




 rew (othila, land, fin de siècle). more recently, lambwool appeared as a guest musician on the holeg and spies album 'reality drift' (wirikuta records), with tim schuldt, von magnet, shaolin woo




 pages sepia pictures by fabrice billard, known for his previous pictures and illustrations for dcr releases. art and history beyond the graves. père-lachaise is a feeric and beautiful place. a pla
arafna, paul roland, megaptera or brighter death now...
records some years ago. this contribution is not an hazardous one. 70 minutes of intelligent-novo-industrial's spleen dedicated to the death of holy nature. the book comes with full coloured p




w 'destroyed'). feat. bak XIII, trisomie21, norma loy (mimetic-mix), cruise ctrl (imminent-mix), the hacker & hiv+ and more! limited 1000 copies.



 organ and i experimented. and i finally found a setting for despair… so i put it on my schedule for twice a month; i think that's a reasonable amount of time to feel hopeless about everything...



, cruel and complex way. and dare we say... a bit unnerving ?! limited 300 copies.
cal way of making music, kulfi is more than ever inspirated by can , faust and 90's noise monsters sonic youth.




ading to pulsing beats shredding through the outskirts of the cities banging on the walls of urban ignorance. this culminates in the brilliant 'cog in the machine', an ultimative industrial noise clu
 le - a gorgeous sampled environment emotions are not considered here at all - they are replaced by sensorial stimulation restricted to the essence, this is a timeless album, arising from a blin
ns beautiful or monstrous, but always complex, paradoxical... this album comes in a luxurious 12 pages booklet packaging, limited and numbered - 333 copies edition.
 g in giving to his sound experiment even more depth and meaning. mixing aesthetical soundscapes, tribal and trance elements, distorted noises, fast break beats and powerful industrial rhyt
 e at crafting and interpreting melancholic songs of exquisite elegance. the result is a delicate work of intricate and subtle composition: sad, introspective, haunting and somewhat disturbing a
 attempt to illustrate the point 'where the stones hit the water while falling into it, where the wind blows on the fields and bends the stems...'. additional remixes by heimstatt yipotash, fragment
 less desolation, nightmarish dream and loss.. dream inspires the exploratory nature and characteristic compositions of thermidor, partially created in a state of vigil, on the verge of sleep, in s
you'll get a mix of dark electronica with a strong jungle aftertaste: that's what 'come mierda' is dealing with. cd includes remixes by detritus and disharmony + video clip by antonin de bemels.


 dy appears in the foreground of finest experimental electronica. look for the limited edition flint glass remix collection titled 'circumsounds' with remix tracks from artists like displacer, hiv+, em
winkle, ab ovo, lith, detritus, and many more! conscientiously selected by dj kyronn, this compilation is a blend of ambient, electronica, breakbeats, dark-hop, digital hardcore, harsh industria
 o this abstract swarm…l.d/wtm
ook part.6).undeniably, laurent perrier has his own way of exploring what is called ―microscopic-music‖, and has given it texture and depth that so often lacks. l.d/wtm
scending and descending modulation,confronting an everchanging environment. like in the first part the transformation happens in a very subtle way,gradually leading towards total chaos,a u
 f past and present works keeping its coldness by borrowing some elements from the elegant idm, filtered and sophisticated (somersault), powerful and jerky rhythmic à la lfo (throb), saturated




 h more going on than listeners can completely wrap their heads around.' (white denim)




 ocktail. this new breakcore mentalist hero give a new breath to the scene!!! wise up, you don't wanna miss out on this one...it's just too good. tasted & approved!!!




mit wrenches thee, when autolysis sets in? to the point when you wish you could be a brutalitarian and cleanse the grid, while you absorb life and bleed your purpose, so you can burn the word
 doctrine about trinity II', which has been released on-line as single in august 2k5 and blasted dancefloors all over the world; in collaboration with mothboy - 'winter trip 2' - ambassador21 crea
 power, cities consume their inhabitants and helpless individuals are paralyzed waiting for aid which will never come. cd-r release.
 this release by any musical terms as there are no weak tracks and no track sounds the same. amazingly the album still sounds very homogeneous. 'anti-matter' takes the listener back to the
 t added some their very own points of view into ambassador21 songs. and in the end we have a new incredible release as a result - intense, hard and nice. it's drunken, it's crazy, it's with a g



 ronic lyrics in russian and english to forceful pounding industrial kicks, brutal synth layers and explosive broken beats seasoned by psychopathic glitches. and duel of earfucking vocals which
 again a good example of the style of the album, but there are also songs as 'classics', which is produced mixing classical music samples and distorted breaks, or 'the a team' cover, which is
atmosphere - that what first 'peacemakers inc.' stands for. join noizzze guerilla!

d. it's a21's rock'n'roll. are you ready for blowjob, suckers? bon courage!
emotional intensities - combining all of these to form some of the most haunting yet completely rocking tracks. the level of production on this album demonstrates how in tune hecate has bec




 intensely mangled breaks grinding against bloodcurdling vocal samples and hyperspeed dnb detonations - closing with sliding ambiance leading into the final chapter of this audio incubus. o
 and digital mastery - making this cd a rare experience
 t, cellist, and violinist. most of the pieces on 'thoughts that breathe...' were written and recorded over a period of 10 years from 1987 to 1997. after the record was completed, it was buried in



g a forceful totality of this 12'' (played at 33 rpm). hard-hitting beats, crazed ambiences, distorted full powered bass and rhythmic complexities abound!



 my with his first official material in ten years!! pure, unadulterated, midwest hardcore - unibomber shows why he is such a hero in his native u.s.a and lays down some of the most brutal track




ssive! next are the remixes, starkey starts it off with his remix of ‗knock yuh out‘ which takes the original to another level, slows it down a bit, and offers some proper dubstep swagger. atki2 fin
 with 'the bahamut'. this track also features female vocals and orchestral strings which give the track an erie mystic feel. for the final track we give you mathhead‘s 'jambox'; a big track with ag


selected after careful study of industry benchmarks. the rest is outsourced to a sonic case generator. fed random pieces of audio material, it distills all the non - percussive elements of a trac




rthling and kim cascone, andrey kiritchenko presents here his first and longest work to date under his own name. letting behind the most obscure experimentations and atmospheric works he
eminds of walking in a glass house. the structure and foundation are strong and massive, but precise sounds come from everywhere, in a game of reverberation in which the listener is forced
 lbum lets the genre classification to pigeon-holing reviews, and relies on its powerful function to overcome the form. adds jeanes: 'the music is at times angry, at times it sounds defeated and
el material to be released on cd since the 1993 cult album 'industrial icon' phil easter (also known for his mastering work) dived into every piece of music recorded by magwheelsin order to co
 drones and subdued basses. the vanishing precise beats settle with encompassing soundscapes. and the whole thing, as usual with klier, is built up on original sounds and a massive sense


ethno-industrial noise music, a mix between korean, black african percussion and old school industrial and noise', says c-drík. what he now describes as 'something cruder than my main proje
 ver us' however does not end at the sound design and composition. the focus of this new album is indeed current matters. james keeler does not walk the easy way of sampling and quoting t
d beats. the result, a bodily experience that shakes the end and tortures the subwoofer, has been demonstrated live on many occasions, which has helped horchata gain the status of a band t



d touching melodies that can be found on his earlier recordings, and, on the other hand, we hear here the very subtle use of field recordings, distorted voices and unusual use of strings instru



 worked with jason forrest / donna summer on one ('live till i rot'), with exillon ('scab removal technique'), mathhead ('dana's calming effect on a mad mind') and his own improvisation band, th
'imperial march' remix; it's more of a reflection on the last 27 odd years of matthew jeanes' life as it relates to those beloved movies. there's the vibrant optimism of the title track that plays off
th audio hardware, az-rotator has been transmuting beats into gold for some years, a hard labour that gave birth to this accurately titled debut album, 'science of chance'. this album is a caref
r the improvement of composition and quality in the industrial scene. ever since its inception, detritus has been about mixing a musically and intellectually valid music with emotion and beauty
cal spector'. if alternative hip hop has become a genre in itself, lapsed‘s process is to take the reverse path to those of long time rap producers and mcs slowly discovering the potentialities o
and complex 2004 'the cursed species', 'valentine' is a work whose wonders lay in the depths of its textures and its lush atmospheres. still featuring the staccato rhythms and dry beats of cda
ic and chemlab's jared louche. these three vocalists and their very different styles are all integrated seamlessly into enduser's sounds, and join the remixes by label mates bong-ra and dj hidd



d japan's largest breakcore and drum and bass parties and festival can testify. a dense, short and relentless outburst of all the elements of grindcore updated to the standards of breakcore, d
mpany, nicolás ordozgoiti, okuda, oliver schulze, pablo martínez, pancho tolchinsky, rebeca lite, rebeca varela, plukart, prismatic, raquel buenafé, rosa sierra, rubén darío rodríguez, sagana b




ork by dennis‘ current music collaborator: snook. over 76 minutes of original music.




n heavy leather, cervello elettronico, monolith, geistform and many others. the compilation is meant not just to be a kind of souvenir for those who have experienced the berlin festival, but is m




 terful collage of addictive rhythms, richly-layered beats, intriguing samples, and cavernous atmospherics, that all seem to somehow replenish themselves with each listen. ‗elekatota: the othe
he ideal soundtrack for those moments of chaos or melancholy reflections. ‗approach‘ is the highly-anticipated debut album from this talented greek artist. featuring remixes by mobthrow (gr) a



 ching hour‗ introduces a new chapter in the displacer legacy with style. includes remixes by l‘ombre, diff_cult, larvae, esa, and autoclav1.1.
you firmly by the eardrums and leave you gasping for air.


d treads some new waters without forgetting his roots. more emphasis has been placed on heart rendering piano sections and soul capturing melodies. the introduction of more organic instru
aged in a beautifully-designed digipak.
er to release his debut full-length cd ‗the institute of random events‘. combining glitch-tech beats with entrancing atmospheres and serendipitous melodies, ‗the institute of random events‗ will
es.' includes hard-hitting remixes by lucidstatic, pandora‘s black book, and terrorfakt. intelligent rhythmic industrial at its finest…
o lay down track after track of beat-driven melancholy, marked by an acute sense of memorable melodies that will linger long after each track fades. ‗surge‗ marks a new chapter in the develo
 ed' content features 15 additional bonus tracks + remixes by subheim, totakeke, integral, access to arasaka, unterm rad, stendeck, lucidstatic, disharmony, autoclav1.1, and more… 27 track
hythms, vast levels of dynamism, commanding vocal stabbings, and intricately woven versatility, this new collection of impressive rhythmic industrial works promises to be esa‘s finest hour…
marching dynamics / the operative), daniel myer (architect / haujobb), scott sturgis (converter) and dre robinson (databomb / download), ‗severed‗ promises to be an intense and memorable j
ct (de), sincere trade (ca), rope (uk), lights out asia (us), and ginormous (us). 26 tracks total, over 140 minutes of music on a double cd collection.




 beats, perfect and stirring pattern timing with dense and alluring atmospheres. music for silent hours…



 e accelerating almost uncontrollably along a distant country road on a warm summer night. get ready for the most engaging autoclav1.1 album to date… ‗where once were exit wounds‗ is ava
 anhedonia, zentriert ins antlitz, and countless others. but be sure of this: you do not know ‗evolution‗… packaging: 4-panel digipak.

o end, ‗oppidan‗ is truly full of life and genuine mystic, opening the imagination of the listener into epic new dimensions at the hands of a true master of modern electronic composition.
ever like this…‗ promises to be fond experience indeed.
sily stands on its own ground offering an immense album full of life and vision that transcends genres and ultimately arrives as a genuine preview of the future of intelligent electronic music. a




and presented in a beautiful digipak package, this album will blow up your minds. an absolute dancefloor killer! not to be missed.
o powerful melodic parts, while at the same moment sinking to sick, rhythmic basslines and solid drum parts. there definitely isn't so much stuff sounding that good out there so don't hesitate
even the most glacial of hearts.
ovie series, 'immaterial monarch' features 3 tracks by poordream, which carefully blend genres such as idm, ambient, electronica and experimental world music, as well as the same-titled tra




entous impressions. a terrific soundscape in the chimney of gravitational brains!' (maurizio bianchi 2006)
dmonition to our foolish arrogance''. packaging: digisleeve.

ise collages, but mostly just unclassifiable abstract sound sculptures. his early works were released on tapes by his own pbk recordings label and sold out for many years, in the early 90s n d
 ddition to solo recordings, they have released numerous collaborations and splits with artists such as contagious orgasm, msbr, ultra milkmaids, brume, aube, m.b., de fabriek, and roger roto




.also features an exclusive outroduction vocal song preformed by japanese movie actor tokitoshi shiota ( izo, gozu ). booklet features speciel foreword by japanese cinema expert / takashi mi



deo was shot with four camera's and produced by videopunx in amsterdam. 'isolation' was mastered by the [law-rah] collective at studio am rhein between december 2002 and march 2003. in
e jump-up-and-down rock numbers, sitar spaghetti westerns and even apocalyptic sing alongs. not for the feint of heart, this is the musical equivalent of a car crash. 11 essential anthems for
o open their ears and tap fresh ideas from today's music sensbilities.
e. packaging: deluxe 4panel gatefold-sleeve in matt cardboard & 16page booklet.
er demonstrates astounding compositions. well-placed sounds and complex arrangements of synthetic noise. as heard on t




 each artists like ah cama-sotz or this morn' omina. the re-release edition is strictly limited to 500 copies


 dirty hip-hop, tribal industrial techno-punk, brutal wall of sounds, hard-glitch breaks and lush am



 c music. hand by hand with his concerts, vitaly continued recording his art experiments and rec
 yle. a seamless integration of synthetic and organic layers seethe and howl leaving you one s




nd terry edwards take turns to pound the two original tracks into new and disorientating sha



 his amazing, dare we say ground-breaking, first debut release from our friend dev/null.
 by dj slipmat, ratpack, and ellis d are reconstructed to make new breakcore styled dance tracks




oundsystems like blackkat (ny), broklyn beats (ny), havoc (ny/sf), 5lowershop(sf), sofat (ny/uk),
ordings, and his mixes of the tune gone a jail, by reggae legend gregory isaacs, were recently rele
mped at the opportunity to support any act their name sounds funny next to. this remix compilation brings toget


probably the uk's best ever breakcore party!). the b side is a more 2 step garage / grime flavo


cordings, and his mixes of the tune gone a jail, by reggae legend gregory isaacs, were recently relea
s the topper "lektropelar," a light, creamy ribbon of whipped glitches and found so
 nce strong hints of xela, lbg, setzer and sense into the sauce to create four new cuts of unparalleled depth and zest! you‘ll need a rickshaw full of naan to get through this meal! sense saute
s. 'kitty hawk' follows up next, its strong electro percussion swelling in your mouth like a crumpet before gliding down your throat. for the real caffeine kick, 'shadows' takes 'kitty hawk'‘s elect
hrough your ears. we ain‘t talkin‘ about no hershey‘s or nestle crap, either - ―taks
s groove that‘s strikingly warm despite its chilly name. 'ruw' peels off that synth
your minerals! next up is xela, who you‘ll remember from metamatics‘ remix
oz t-bone steak, beginning as it does with a blistering outtake from an old symphony


ents to the mix - most specifically the shehnai, will's favorite, to add a unique quality to th




himself through his different states of mind, expressed with musical and visual illustrations of hope,




ur eyes and disassociate yourself from your immediate environment.




rked and reinvented by some of the most acclaimed purveyors of modern dark electronics and ha
epetitive, predictable cliches of current cookie-cutter releases in the hard electronic scene




funcken brothers end us off with quench's 'clan' - denser and darker in tone, slowed down squashed b
ps and scattered drums creep behind, the pitching coming in on the bass as the notes sli
ke sure you don‘t miss this one.
der drum‘n bass, both producers decided to create a harsh version of this sound. <c:f> is a harsh urban laboratory




 sea girls‘ served as inspiration on one of them. ‗drones for drella‘ might well be the collect
 and remixes from flint glass and empusae.




ks by the composers on the record.


 er chups one can imagine eros and thanatos dancing together on a circle of life called ―
… 50‘s b-movie soundtracks, the guitar at times reminiscent of ricky king, sci-fi horror ala ed woo


 - barbara buchholz joined her teacher lydia kavina, also there joined some harp-player. all thes




 ren world of stone and cold steel isolation.




 aks and deep bass tones. for the second half of the disc wisp takes you to the next level with precision drilling sn




 nt variety of different people and bands, such as old, mick harris, mark spybey, kk null, dj speedra




me during his tracks here; but his idols are masters whose control of sound is almost
 ory, waves of emotion lull then provoke the mind as the needle eases ever closer to the gra
ale of what could be guitar tones, then trailing off into introversion on the next. ea
 toying with, rather than replicating, the notions of those few notable exceptions within th
at ej comes up with on this record are as likely to appeal to new audiences as they are to those familiar with r


 bassist james buckley and veteran vertiform drummer joey van phillips in what must have seemed like a




sical trends like industrial, dark ambient, trance and drum‘n‘bass… with 'escape', o.t.x manages to create a multi


counterstrike, to absolutely stunning, no boundaries drum n bass, the album is diverse and full of pow




 eauty and power. a very promising debut from an equally promising new talent. an album that will
 ides in their vicious use of noises to hit your nerves at the most unexpected moments and stimulate your vulne




24page booklet. audio cd + cd-rom film 'the plastic wars part 1'




 sturbing mostly non-distorted rhythm-loops that are overlayed with harmonious passa




 ont yourself with the harsh reality of everyday life and get the perfect soundtrack to it.




 ve work of 'the burning hand' and '(the) fires within' to the seductive alien atmospheres and rhythm


 eliberate movements, carefully establishing a dark chord progression in the introductory ―the cry of morgoth‖ that flows throughout the album. this ominous leitmotif is enriched by mootz‘ libera
 e release is compared to the icy and colder atmosphere of 'medicine...'. just listen to the
 ars of work and hopefully escort ant-zen for the next ten years. a double cd compilation featuring mostly unreleased tracks by orphx, roger rotor, iszoloscope, synapscape, asche, axiome, cel
on inspirations from gauvin's pictures which were taken in the montreal area. so close your



o discover this listening experience then you will find yourself trapped in a complex building of rhyth
 l guide' to identify, prosecute and dispatch awfully bad electronic music - so-called 'living-r
melodies and even vocals – in other words they are structured like a song. but this isn‘t p
 vertical' which disturbs the soft ambience and turns beautiful tracks into imaginary david l
 hite apartment, begat an intensity of emotion that compelled xingu hill and tamarin to work for over th
 iar with. pure electronica as it seems - until 'go go...' where u.m. shows their virtuosity
music and these (possible) reference points is the harshness of the rhythm itself (with
you might be surprised by the unusual straight ahead beats on track 1, but soon the typical silk saw
d 'katunga' (which lean heavily toward the distorted dance floor) and the live-killer-t


acks to one logical aural concept is always astonishing and is proven here once again. this releas
confronted by the needs of a country engaged in a battle for the world. ékranoplanes are the platypus of trans


ombine small scripts, visual effects, flashing colors, black & white pictures, moving puppet animations
n, the man has found peace of mind. the story's musical visualization will haunt you right
atterns. turn over to side b - hey what do we have here? it‘s the beach boys - so maybe the rai
r the 3/4 metres of 'ill' this cd is a merciless four on the floor beat attack. the last beast 'no use'
factory' is a perfect example of an artist converting their roots into something new. if refer
been turned into a stroboscopic montage by one of the rabbits itself. right, inside of a man is a wolf, but after exper
ed them with posse. no arrests. recorded a second track. had to add more distortion to
ed bassy beat track with tim on vocals and a slower (but still harsh) piece with noisy synth and a fine me



one the less, you might notice that straight forward rhythms are on the album - 'conductor' or 'faggoted'




 pressing'. the band itself classifies the u.m. sound as 'hypnotic and mel
ing, repelling, suspicious - was and will be g.p.'s trademark. all of




 otheque into a starlight casino. another great album by a real starship trooper who is back to squa
-beat ('bad man') or a constant state of the rhythmic flux without an actual beat ('transfo fu


 octan's remix of invocation demonstrates that bipol's basics work perfectly in hard four-to-the-floor




 res change constantly, keeping the mind and ear busy. the manipulated voices seto collected are never


hese figures stand for. the deep drones, bass pulses and disturbing soundscapes s
 the rhythmic overkill. fightclub: a visualization of the fate of most everyday humans: struggle for assertive
tem. on their first self-titled release, empusae and flint glass chose eight periods of the tzolk'in calen
nsformed into coherent music (without being a eclectic cliché). an example: often many artists use voice sam
d aggression, rooted in the roughness of punk without any stylish teenage riot nostalgia. essentially the
d by a tremendous selection of samples). music that is complex, challenging and body oriented all at the
e floor blasts ('cannibal party'), distorted eighties nostalgia (6 6 5, 9), straight break
" comics. these ghost novels were pulp fiction that was published in the 1970s and that impressed him deeply

 e caught and captivated at the same time at the area keloza! a true journey of insanity, with a br
with scattered sounds and voices, generating powerful undertones of anxiety and threat. turning kean's guidelines into music, klima developed a one-of-a-kind style of digital sequences and h
ge and boil into tears. within this emotional turmoil, flore magnet and the turkish actress esra bezen bilgin replace women where they are never welcome. women of multiplicity, violence, eng

 tual works like '1953', which was an earlier release by bauke and dutch writer, vocalist and me
ransformed the raw sound into tracks that range from ambient to breaks. during the production process he
aight and partly distorted floor burners 'vifoogy' and 'st-geniez' and lastly the broken beats and rich
 ost innovative artists of industrial music today. ahuenna!
electronics clash during the true floor burner 'sensitive size'. grotesque consumer's spirit is acherontic an
 e ride, and be committed!
noid dance tracks with an industrial feel and disturbing soundscapes - all overlaid with a multitude of
e. a revue of class and noblesse - enter and enjoy your stay!
imstatt yipotash. this cd is a truly fine follow up to 'in floriculture there is no l



e to a cask strength whisky‘s taste: raw, aggressive, powerful, without any concession or any additive to
 hy... and after that, he will have a drink. eat the rich or die trying!
soundscapes, hypnotic drum patterns, an impressive stylistic range, emoti
 uch a perfection that it won`t disturb in any case.



hat the tracks on law of the battle of conquest arise. in fact, the ferocity of hecate‘s rhythmic prowess co
eat textures and discombobulated rhythms rush formless into a more agitated finale. ―displacement‖ forges arc
w benny?' 'uhmmmm.... noooo.... but will you take this track?' 'uhm-yeah-ok.' klima came back, carryin
 both spinning around a shared sequence of unchanging tone sounds and downtempo in
re ferocity that would otherwise plant pounded mass firmly in the realm of xanopticon or orphx. then there‘s
 s in this genre who have the talent for both sound experimentation/tunes and the ability to last. we are not the only ones who
k metal, brutalizing breakcore and esoteric sound design with top notch production values. 5 violent and mysterious tracks from t


 ort, a work of complexity and dramatic art.
of powerful compositions. compelling from start to finish, left is the culmination of more than a yea

s is electro-western manna for progressive political consciousness. why snog is now all western and not the ebm

 ubatomic disco divas' to the last 'satanic unicorn orgy', we are spoon-fed outstanding beats of all t
heck it out on your own!) and also the sound itself. straight beats are combined/compromised by sudden breaks, randoml




 and drums. scorn is a no joke movement.


 ery carefully created and integrate itself very well in an orchestra of percussions and slow analog progressions and




k post-industrial themes of science/fiction without the aid of traditional synths and drum machines, relying
t all; electric opium‘s the next generation of electronic sound to emerge from the new urban experience. put simply, electric opium is proof that substanz-t is the future of urban electronic soun
s is electro-western manna for progressive political consciousness. why snog is now all western and not the ebm
 nd and depth throughout its six tracks - this isn‘t just another manic break record composed entirely on a hard
 e ambient, industrial, and experimental electronic equipment operated under demanding cultural pressures: m
cohesiveness to caller id that makes it more than a simple collection of diverse remixes



 h spinning around a shared sequence of unchanging tone sounds and downtempo indu
 to the shrouded percussion and wandering lyrical melody of a ney flute in 'desecration of the baptist.' even when her severed head reeled down the pitched ice to the bank of the sikoris, the d
ou call them, midgets, and also a lot of de-clawed cats, but then th
escence of dj spooky with breaks and bass worthy of a depth charge or dj shadow cut. one track later, o
dark ('madison II') atmospheric moods in a masterfully arranged succession of tracks. periodically, scatterhear



ash of spectral jazz, ambient americana, spooky boogie and psychotronic pop... smoke and mirrors looks behin



noctilucent‖ and ominous strumming hallucinations on 'gleaming rows.'. 4-page digipak packaging.


r. the rough moods conveyed by many breakcore acts cannot be found here - 'form without function' is a s
moods (indeed 'nicoffeine' seems like miles davis' agharta-period transformed into 2006 breakbeat madness - and '
huffle-beats, long forgotten tekkno-anthems are drowning in a sea of breakbea
compose film soundtracks - especially since his interests are still in visual arts. thomas's early musical in
usic' where only sound itself counts; you can always hear the human being behind the knob


 ck and the like'. the uniqueness of keef's musical talent can be described in mixing the above mentioned influe



 for years to come. marching dynamics astounds the listener with its intricate arrangements of rhythms and melodic soun
 bum opens with the epic majesty of 'one grain of sand', an ode to the pyramid builders o
que strings usage are still present ('stranded'), the enrichment with some blasts from the past ma
 ts and warm bass lines, balancing the bold compositions. the album starts with 'punches to carefully coax,' a p
  nly a glimpse of the darkness behind the mirror of technology. all of this accented with sampled acoustic in
esented here once again. as a reviewer wrote: 'surreal dreamscapes painted with tears and sometimes even bloo
d' between illbient, dubstep and darkest ambient that has accumulated hardtech aggressiveness. with this album h
  soundtracks. join the audio vandalism!
well-placed increasing and decreasing speed, ranging from dubstep to techno to drum and bass to
  a slowly constitutive wall of suspense that trickles away in the end... a masterpie
 and that was haunting me.' (s.talada) - join the exorcism!

 d application of acoustic guitars, fender rhodes piano and electric bass, a unique and captivating albu

hy pop-tunes where sunshine-voiced singers belt out infectious melodies while craggy old voices weave a narrative of dec




tener through ambient spaces to hard-driving rhythmic madnesses. don't miss this one - and enj
kout, broklyn beats and ambush have garnered intense press scrutiny in the last year, but no one‘s prepared for the br
 essed to an intense heat that, by the time 'heart' blared through the speakers with its carefully m
performed regularly in new york, and touring literally around the whole world




ary masterpiece of electro-pop without any 'revival' clichés. some of the tracks have already garnered cheerful comments when they were played live and the album will definitely elate the rors
 chaft and top everything with a mesmerizing, distinctive voice - that's the music. rasputeen's inspira


 ars the metamorphosis from rasputin to rasputeen took place. eventually they decided to enter a studio to a




here dead atoms has saved the souls, full of fury and love. from killing wall of sound in




 tapes, two tracks culled from compilations, and one previously unreleased track. the similarity with megaptera
m of world war I, embedding it in pulsating sounds, this title-less masterpiece demands your full att
 reaking noises of analogue devices and metallic artefacts, and fleeting voices leaking through from media br



 s beauty and decay, darkness and melancholy, tribal ceremonies and unearthly misery… enter into oblivion!



most twenty years of using du weapons the long-term consequences are still unknown. after the first gulf wa




 cer bobby tense at the famous kevorkian mastering studio in new york city. expect 68 minutes of bass-driven an
  metro dwellers and pavement chicks and composed utilizing vocal samples and fluid song transitions cre
 action is a futuristic journey through the universe of hardcore electronic dance music. featuring t




  their projects, plus a perfect jumping off point for newcomers to this highly original duo‘s body o
 ually blurry and defined, if you utilize its virtues you will be rewarded by the vast spaces
 come with it. based on mood and song titles 'sea' has a narrative running through it descri
  lilja excels and is proof of an artist who has found 'his' sound. 'time is on my side' i
es and compressed beats. songs of defiance, love, exasperation, hope, loss and even pleasure are all compiled in
 old spectres to make something all his own…
nto a bright, affectionate, yet cohesive whole that features 12 vignettes of multi-cultural instrumentation, techn




ivelad style classically influenced ambient.
ry and how hope is the only certainty in life.. with a strict script in mi



ride down the mental freeway' and 'softly slipping' are blissed-out electronic shoegaze featuring percolating sure-s




rhythm based soundsculptures of vromb are on this album accompanied by more ambient works; a bit comparea




ctor, salt, frames a second, ms gentur, stupor, project arctic, the [law-rah] collective.
hypnoskull that operates inbetween some well defined lines, and who still tries to
ence, rhytmic industrial, ritual and noise : all in the darkest shade of black, hidden from the


 the most inhospitable and threatning of them. this third journey through the deepest cav
oy' the tracks. it took god six days to create the world and a seventh one on
designed 7'' artwork in which the cd's are packed contains three photo's
 t of a professional filmset. the result is some truely astonishing video material with which kr
he guys behind it don't give a f*ck because they are who they are and they do what they do best




composer and co-director of the grm (groupe de recherches musicales) ina/radio france is also artistic dire




u, die. some scars can never be healed.
n burial grounds. feat. guest appearances by scalper and ten data keshin.
ed up, this album is a passionate piece blasting our commercialized human condition that transcends the pain,




ovy mix of atmospheric soundscapes and thunderous rhythms that have led the duo to pro

d hands reach out..and if you're offguard it might entwine & drag you in... the music is electronically based on a foundation which is a musical jigsaw puzzle of the influences that has made an
 minutes - 4/3 - stereo pcm - 2006 - digipak.



d urban landscapes the appropriate soundtrack. hed nod (canada) and empty light (usa) gathered fifteen exclus
atmospheres to its weird sound treatments, this album is leading you through a journey into a warm
eiichi yamamoto (boredoms), keiji haino and david brown to name a few. the partnership between jim
oisemakers, moonsanto is actually a very solid yet diverse project. deconstructed rhyth
 , their sound is organic and complex. on 'une occasion de chute' mgh! collected many improvisations they did with



his double trio collaboration. kapotte muziek‘s sound is an electroacoustic experience with many subtle


ls, upon the first moments, the presence of each of the many sound components which will compose this
 john sellekaers, daniel de los santos and mathias delplanque have concocted a sound fabric which explores th
 the most powerful torchlights …you gotta watch your step, as some stairs are missing and, down in the basement
l shades. nos royaumes demonstrates, with the two monumental tracks of his first release, t
ng acoustic and electronic elements …the result and the overall feel were stunning. this 10incher is t




 ast tape 'tracks' wich contained all abc compilation contributions so far, but the band was put on no




 drift' (wirikuta records), with tim schuldt, von magnet, shaolin wooden men and mimetic.




 nd the graves. père-lachaise is a feeric and beautiful place. a place you'll need a whole existence to know 't


ed to the death of holy nature. the book comes with full coloured pictures; so enjoy it ! if we aught




s a reasonable amount of time to feel hopeless about everything...' philip k. dick




n the brilliant 'cog in the machine', an ultimative industrial noise clubhit to come. two rem
stricted to the essence, this is a timeless album, arising from a blinding, beatless labyrinth of beauty.
mited and numbered - 333 copies edition.
 nts, distorted noises, fast break beats and powerful industrial rhythms in the vein of somat
mposition: sad, introspective, haunting and somewhat disturbing at times. nick grey and empusae expertl
 s the stems...'. additional remixes by heimstatt yipotash, fragment king and 16p
midor, partially created in a state of vigil, on the verge of sleep, in straight contact with this
 es by detritus and disharmony + video clip by antonin de bemels. packaging: digipak.


 rcumsounds' with remix tracks from artists like displacer, hiv+, empusae, polygon, otx and m
 ectronica, breakbeats, dark-hop, digital hardcore, harsh industrial and much more. a must h


ure and depth that so often lacks. l.d/wtm
ens in a very subtle way,gradually leading towards total chaos,a universe that is archtic,powerfu
(somersault), powerful and jerky rhythmic à la lfo (throb), saturated hip-hop/big beat drums on h




 t's just too good. tasted & approved!!!




 you absorb life and bleed your purpose, so you can burn the words in the mouths of those you de
 n collaboration with mothboy - 'winter trip 2' - ambassador21 create a big surprise for their fans, with a nice sl


nds very homogeneous. 'anti-matter' takes the listener back to the good old times of broken beats and har
 result - intense, hard and nice. it's drunken, it's crazy, it's with a gun! this is ambassador21.



 ned by psychopathic glitches. and duel of earfucking vocals which make their music absolutely uniqu
 usic samples and distorted breaks, or 'the a team' cover, which is one of the biggest success on
 oduction on this album demonstrates how in tune hecate has become with these men's machines. subverting the




ng ambiance leading into the final chapter of this audio incubus. on 'zumo de mis cojones oscuros', bo


om 1987 to 1997. after the record was completed, it was buried in a deep, dark crypt for 7



 mic complexities abound!



ero in his native u.s.a and lays down some of the most brutal tracks he has produced thus far. limite




ws it down a bit, and offers some proper dubstep swagger. atki2 finishes the record with his r
he final track we give you mathhead‘s 'jambox'; a big track with aggressive bass, deep grooves and heavy rhythms.


 udio material, it distills all the non - percussive elements of a track. cd gatefold sleeve.




 nd the most obscure experimentations and atmospheric works he releases as nihil est excellence and s
 rywhere, in a game of reverberation in which the listener is forced to take an active role. how can yo
anes: 'the music is at times angry, at times it sounds defeated and sad, and it's always a
ed into every piece of music recorded by magwheelsin order to conjugate sullivan's work with hi
 sual with klier, is built up on original sounds and a massive sense for personal, introspective art. in the words


k. what he now describes as 'something cruder than my main projects, more simple maybe, a tribal modern
 mes keeler does not walk the easy way of sampling and quoting to deal with the subjects he chose, but rath
 occasions, which has helped horchata gain the status of a band to watch. a great care is given here to the



 field recordings, distorted voices and unusual use of strings instruments which have been witnessed b



calming effect on a mad mind') and his own improvisation band, the manhattan gimp project (
movies. there's the vibrant optimism of the title track that plays off of having a
rately titled debut album, 'science of chance'. this album is a careful selection of tracks written by az-rotat
 a musically and intellectually valid music with emotion and beauty. refusing to fall into clichés
 ime rap producers and mcs slowly discovering the potentialities of a strictly electronic a
ospheres. still featuring the staccato rhythms and dry beats of cdatakill's past, 'valentine' is strongl
s sounds, and join the remixes by label mates bong-ra and dj hidden on the surprisingly coherent patchwork



he elements of grindcore updated to the standards of breakcore, drumcorps takes the best of both worlds and presents
atic, raquel buenafé, rosa sierra, rubén darío rodríguez, sagana bouffard, saner, sat




uvenir for those who have experienced the berlin festival, but is more so an audio manifesto o




mehow replenish themselves with each listen. ‗elekatota: the other side of the tracks‘ is timel
om this talented greek artist. featuring remixes by mobthrow (gr) and flaque (de). packaging: digipak.




d soul capturing melodies. the introduction of more organic instruments are thrown into the mix with a splash of


s and serendipitous melodies, ‗the institute of random events‗ will captivate your awareness and lure you in for


 after each track fades. ‗surge‗ marks a new chapter in the development of the modern electronic sound a
ndeck, lucidstatic, disharmony, autoclav1.1, and more… 27 tracks total, over 150 minutes of
ssive rhythmic industrial works promises to be esa‘s finest hour…
download), ‗severed‗ promises to be an intense and memorable journey indeed.




autoclav1.1 album to date… ‗where once were exit wounds‗ is available on compact disc with stunning ar



 hands of a true master of modern electronic composition.

s a genuine preview of the future of intelligent electronic music. available on 6-panel digipak wit




sn't so much stuff sounding that good out there so don't hesitate to get this excellent release. add a beautiful digipack
onica and experimental world music, as well as the same-titled track remixed by no less than 7 different arti




 recordings label and sold out for many years, in the early 90s n d records published his first couple of cds: e
sbr, ultra milkmaids, brume, aube, m.b., de fabriek, and roger rotor. zivilisatose also features artwork by t




features speciel foreword by japanese cinema expert / takashi miike biography book author tom mes



ve at studio am rhein between december 2002 and march 2003. in order to reassure the performance'
s the musical equivalent of a car crash. 11 essential anthems for your own personal apocalypse. this c
eed a rickshaw full of naan to get through this meal! sense sautes ―byeway‖‘s milky tones together with b12-inspired punchy rhythm programming until it bubbles over as ―byeway rewired.‖ lg
roat. for the real caffeine kick, 'shadows' takes 'kitty hawk'‘s electro beats and builds a complex ten-minute interplay between a zesty warbling leitmotif and roasted low synth notes bearing th
ghout the album. this ominous leitmotif is enriched by mootz‘ liberal use of vocal elements - both as a focal point via heart-wrenching voice


y orphx, roger rotor, iszoloscope, synapscape, asche, axiome, cell auto mata, contagious orgasm, this morn' omina, p.a.l, morgenstern, individual, mental destruction, converter, monokrom, h
, klima developed a one-of-a-kind style of digital sequences and human sentiment, defining an almost unreal post-industrial atmosphere. exocet is a crucible of sounds resonating with power
here they are never welcome. women of multiplicity, violence, engagement and resistance. phil von gives way to the voices of the rom kids of mostar and the jewish and palestinian actors from
                                                                         th
                                                                              winter‖ and ―atomontage‖ withers into a sepulchral dirge, ―done processing.‖ like one of mahler‘s early symphon




pium is proof that substanz-t is the future of urban electronic sound.
d head reeled down the pitched ice to the bank of the sikoris, the desolate winter landscape tumbling through her eyes, salome sensed only the strange echoing ney, the staccato pounding of
en they were played live and the album will definitely elate the rorschach-fanbase. welcome to the toy factory!
hich is a musical jigsaw puzzle of the influences that has made an impact on the two band members: the rhythmically challenging electronica of autechre, the beauty of irresistible force, 70s d
rhythm programming until it bubbles over as ―byeway rewired.‖ lgb and setzer take on ―the pod‖ like iron chefs, with the former crafting the silken ambient ―el major de la nova‖ as his dish aga
n a zesty warbling leitmotif and roasted low synth notes bearing the aroma of early autechre. rounding out delikatessen‘s teatime is the palette-cleansing 'compactor,' a crunchy drum affair w
orgenstern, individual, mental destruction, converter, monokrom, hypnoskull, ars moriendi, noosa hedz, squaremeter, veruschka, l'ombre, ah cama-sotz, ambre, ultra milkmaids, rob(u)nent, b
atmosphere. exocet is a crucible of sounds resonating with power and motion, completed with a pounding, merciless remix by u.s. electro-industrial legend manufactura - a truly fine conclusio
f the rom kids of mostar and the jewish and palestinian actors from amos gitai and hany abu-assad movies. at their side, def sharpens his analogue bass lines and darkens atmospherical am
chral dirge, ―done processing.‖ like one of mahler‘s early symphonies, formless conveys the spectacle of a death and spiritual passing as sonic revelation, a declaration of emotion torn asund
                                                                                                                    th
me sensed only the strange echoing ney, the staccato pounding of a rumbling daf drum of 'black as silence' and '7        veil - overwhelming lacerations.' hecate‘s seven veils of silence is salome
nging electronica of autechre, the beauty of irresistible force, 70s dub of jamaican origin
er crafting the silken ambient ―el major de la nova‖ as his dish against the latter‘s heavily hip-hop textured ―parallactic‖ main course. it‘s a three-way draw, though, as xela‘s ―shit hot dirt—hotw
atime is the palette-cleansing 'compactor,' a crunchy drum affair with flaky fresh breakbeats and sprinkles of sugary ambience. anti-matter is sure to make your tea pot whistle when you put
hka, l'ombre, ah cama-sotz, ambre, ultra milkmaids, rob(u)nent, black lung, telerotor, vromb, imminent, silk saw, templegarden's, klangstabil. packaging: digifile [silver metallic cardboard].
y u.s. electro-industrial legend manufactura - a truly fine conclusion to a landmark in the neutral zone between electronica and industrial.
sharpens his analogue bass lines and darkens atmospherical ambiances which often feel like 'war'. scattered explosions, shots, crackles, complaints or laments. only our guest, kurdish sufi
erwhelming lacerations.' hecate‘s seven veils of silence is salome‘s only comfort in the underworld, rendering useless those eyes which had once glowered at the beheading of john the baptis
course. it‘s a three-way draw, though, as xela‘s ―shit hot dirt—hotwired in walsall‖ rounds out the meal with a tangy broken beat idm flavor sure to satisfy even the most exquisite palette.
e. anti-matter is sure to make your tea pot whistle when you put it on for a spin! about the chef: lilienthal‘s arrow kleeman has been producing his special downtempo idm blends since his
en's, klangstabil. packaging: digifile [silver metallic cardboard].
hots, crackles, complaints or laments. only our guest, kurdish sufi musician mübin dunen softens the crawling tension. his ney bringing our clamour down to a silent light thread. now von magn
eyes which had once glowered at the beheading of john the baptist.
at idm flavor sure to satisfy even the most exquisite palette.
has been producing his special downtempo idm blends since his 1999 debut, castor & pollux,' on emanate, but he‘s been messing around with musical brews since he was 15 and collaborat
y bringing our clamour down to a silent light thread. now von magnet signs a harsh, raw, urgent and po
essing around with musical brews since he was 15 and collaborated with sybarite‘s xian hawkins as mobius strip for a couple years. additionally, kleeman‘s keen on painting like both his pare
years. additionally, kleeman‘s keen on painting like both his parents before him, and places importance on his artistic impulses. i tend to be impatient, i don't labor…if something doesn't co
ses. i tend to be impatient, i don't labor…if something doesn't come out in a night or two it usually won't become anything. approximately 99% of my tracks are recorded live in one take imm
approximately 99% of my tracks are recorded live in one take immediately after it is sequenced. that way they may be imperfect but the emotional connection comes through. in fact the imper
ect but the emotional connection comes through. in fact the imperfections are for me what reminds me that there is a person behind it.' right, fine, we‘ll have another cup!
behind it.' right, fine, we‘ll have another cup!

				
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