Reginald closed his eyes with the elaborate weariness of one whohas rather nice eyelashes and thinks it useless to conceal thefact. "One of these days," he said, "I shall write a really greatdrama. No one will understand the drift of it, but everyone will goback to their homes with a vague feeling of dissatisfaction withtheir lives and surroundings. Then they will put up new wall-papersand forget." "But how about those that have oak panelling all over thehouse?" said the Other. "They can always put down new stair-carpets," pursued Reginald,"and, anyhow, I'm not responsible for the audience having a happyending. The play would be quite sufficient strain on one'senergies. I should get a bishop to say it was immoral andbeautiful--no dramatist has thought of that before, and everyonewould come to condemn the bishop, and they would stay on out ofsheer nervousness. After all, it requires a great deal of moralcourage to leave in a marked manner in the middle of the secondact, when your carriage isn't ordered till twelve. And it wouldcommence with wolves worrying something on a lonely waste--youwouldn't see them, of course; but you would hear them snarling andscrunching, and I should arrange to have a wolfy fragrancesuggested across the footlights. It would look so well on theprogrammes, 'Wolves in the first act, by Jamrach.' And old LadyWhortleberry, who never misses a first night, would scream. She'salways been nervous since she lost her first husband. He died quiteabruptly while watching a county cricket match; two and a halfinches of rain had fallen for seven runs, and it was supposed thatthe excitement killed him. Anyhow, it gave her quite a shock; itwas the first husband she'd lost, you know, and now she alwaysscreams if anything thrilling happens too soon after dinner. Andafter the audience had heard the Whortleberry scream the thingwould be fairly launched." "And the plot?" "The plot," said Reginald, "would be one of those littleeveryday tragedies that one sees going on all round one. In mymind's eye there is the case of the Mudge-Jervises, which in anunpretentious way has quite an Enoch Arden intensity underlying it.They'd only been married some eighteen months or so, andcircumstances had prevented their seeing much of each other. Withhim there was always a foursome or something that had to be playedand replayed in different parts of the country, and she went in forslumming quite as seriously as if it was a sport. With her, Isuppose, it was. She belonged to the Guild of the Poor Dear Souls,and they hold the record for having nearly reformed a washerwoman.No one has ever really reformed a washerwoman, and that is why thecompetition is so keen. You can rescue charwomen by fifties with alittle tea and personal magnetism, but with washerwomen it'sdifferent; wages are too high. This particular laundress, who camefrom Bermondsey or some such place, was really rather a hopefulventure, and they thought at last that she might be safely put inthe window as a specimen of successful work. So they had herparaded at a drawing-room "At Home" at Agatha Camelford's; it wassheer bad luck that some liqueur chocolates had been turned looseby mistake among the refreshments--really liqueur chocolates, withvery little chocolate. And of course the old soul found them out,and cornered the entire stock. It was like finding a whelk-stall ina desert, as she afterwards partially expressed herself. When theliqueurs began to take effect, she started to give them imitationsof farmyard animals as they know them in Bermondsey. She began witha dancing bear, and you
know Agatha doesn't approve of dancing,except at Buckingham Palace under proper supervision. And then shegot up on the piano and gave them an organ monkey; I gather shewent in for realism rather than a Maeterlinckian treatment of thesubject Finally, she fell into the piano and said she was a parrotin a cage, and for an impromptu performance I believe she was veryword-perfect; no one had heard anything like it, except BaronessBoobelstein who has attended sittings of the Austrian Reichsrath.Agatha is trying the Rest-cure at Buxton." "But the tragedy?" "Oh, the Mudge-Jervises. Well, they were getting along quitehappily, and their married life was one continuous exchange ofpicture-postcards; and then one day they were thrown together onsome neutral ground where foursomes and washerwomen overlapped, anddiscovered that they were hopelessly divided on the FiscalQuestion. They have thought it best to separate, and she is to havethe custody of the Persian kittens for nine months in theyear--they go back to him for the winter, when she is abroad. Thereyou have the material for a tragedy drawn straight from life-andthe piece could be called 'The Price They Paid for Empire.' And ofcourse one would have to work in studies of the struggle ofhereditary tendency against environment and all that sort of thing.The woman's father could have been an Envoy to some of the smallerGerman Courts; that's where she'd get her passion for visiting thepoor, in spite of the most careful upbringing. C'est le premier paqui compte, as the cuckoo said when it swallowed its foster-parent.That, I think, is quite clever." "And the wolves?" "Oh, the wolves would be a sort of elusive undercurrent in thebackground that would never be satisfactorily explained. After all,life teems with things that have no earthly reason. And wheneverthe characters could think of nothing brilliant to say aboutmarriage or the War Office, they could open a window and listen tothe howling of the wolves. But that would be very seldom."