The Best Free Music Software by qpv40869

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									                                 The Best Free Music Software
                             Originally posted on http://www.soundtempest.net/
                                          Written by Andrew Aversa


        In this day and age, if you have a computer that isn’t from the 1990s, you can write and produce
“broadcast quality” music - ie. tunes that are ready to be played on the radio and on TV. The purpose of
this guide is to walk through a number of excellent free music tools that everyone should check out. Just
click the titles to check out each item on the list, and feel free to add your own suggestions in the
comments section at SoundTempest, or email me directly. I might add them to the guide!


ARDOUR
Digital Audio Workstation (Linux)


        If you’re on a Linux operating system, you might already know that while there have always been
some great freeware alternatives to programs like Photoshop and Microsoft Office, music production has
always been somewhat neglected. Not anymore! Enter Ardour, a powerful free DAW for your Linux OS of
choice. It can handle all sorts of audio editing and recording tasks and, while not compatible with VST
plugins out of the box, supports several other plugin formats which cover a wide range of plugin types.


AUDACITY
Audio Editor (Windows/Mac/Linux)


        Audacity is, hands down, the most powerful free audio editor out there. Not only can you record,
edit, process and export audio in a whole host of formats, but it’s cross-platform, multitrack, expandable,
and compatible with VST plugins. It even has a pretty killer noise removal algorithm, so if you’re cleaning
up dialog (eg. for a podcast) or have a hum/buzz problem, you’re covered. What more is there to say? Get
it!


CACOPHONY
Audio Editor (Mac)


        If for some reason you’re having trouble with Audacity on your Mac - maybe your system is too
old, the software is running slow, or it’s just not playing nicely with your soundcard drivers - Cacophony is
your next best option. It’s a no-nonsense, no-frills recorder and editor featuring an impressive variety of
supported audio file formats. Though it doesn’t have the full range of audio processing features as
Audacity, nor does it host VST plugins, Cacophony will still get the job done while being a little more
gentle on your processor. Please bear in mind while using it that it’s not technically free, but rather,
unlimited shareware; the creators ask you for $25 if you are getting some use out of it.


FINALE READER
Notation Viewer (Windows/Mac)


        MakeMusic, creators of the Finale line of notation software, used to offer a free, cut-down version
of their $600 program called Finale Notepad. Sadly, it looks like this is no longer available as a free
download, so it doesn’t qualify for this list… though for $10, you’d be hard-pressed to find anything else
that can create scores in traditional notation format! Finale Reader, which did make the list, is a simple
program that reads, plays and prints Finale-format files. If you’re at all involved with academia you’ll
most likely come across this kind of file, so this tool will come in handy.


GARAGEBAND
Digital Audio Workstation (Mac)


        Apple has really been outdoing themselves since they first started bundling this program with all
new Macs. Each subsequent version has added more and more powerful features, including many that
seem to have been derived from their flagship sequencer, Logic Studio. Garageband can handle multitrack
recording, editing, MIDI composition and processing with ease, but what really makes it great is its huge
collection of both audio and MIDI loops. Much like Sony’s (not free) Acid software, it’s incredibly easy to
put together something that sounds good just by dragging and dropping loops, so this one is a no-brainer
if you’re just starting out and looking to get your feet wet.


        For the aspiring (or consummate) professional, Garageband has some nice features under the
hood too, such as track automation, expansion collections of high quality sounds, and AU plugin support.
Note: Garageband started shipping with new Macs during 2005. If you have an older Mac that doesn’t
have the program installed on it, you can pick up the latest iLife package for less than $100. Not quite
free, but shame on you for having an old computer! ;)


INDEPENDENCE FREE
Sampler Plugin (Windows/Mac)


        Yellow Tools, creators of the fully-featured Independence sampler VST, decided it would be a nice
gesture to release a totally free version of that software for everyone to use with no limitations. The result
was Independence Free, a VST instrument that comes with a healthy two gigabytes of high quality sounds
derived from the full version. If you have a VST-compatible host (which you should, after reading this list)
then there’s really no reason not to get this one as a solid starting palette for your virtual sounds.
GSNAP
Pitch Correction Plugin (Windows)


        Now you too can sing like Cher, Kanye West, and T-Pain! GSnap is a VST effect that pitch corrects
(auto-tunes) any incoming audio. While it can be a bit tricky to use, and isn’t as powerful as Antares
AutoTune for real-time singing or Celemony Melodyne for offline editing, it’s excellent for a free plugin
and is a whole lot of fun to play around with.


KJAERHUS CLASSIC COLLECTION
Signal Processing Suite (Windows)


        I’ve been using this set of brilliant, low-CPU effects plugins for a good four years and they’re still
every bit as useful as they were when I first downloaded them. Kjaerhus makes some great commercial
plugins, but their free “Classic” collection covers all the bases too; compression, reverb, EQ, filter,
phasing, chorusing, and so on. There’s simply no reason not to have these in your plugin collection.


PROTEUS VX
Synthesizer / Sampler (Windows)


        Your typical low-end keyboard these days runs at least a few hundred dollars and usually has
some pretty low-quality onboard sounds. To get a decent unit, even an older one, expect to pay at least
$500 or more; my Korg X-50 costs $700 and isn’t anywhere close to top-of-the-line. So why do people
consistently shell out for a nice hardware synthesizer or workstation? The sounds, of course! Most
keyboards, especially those by Korg, Yamaha and Roland, tend to have expertly-programmed presets
meticulous packed into a tiny amount of memory.


        The Proteus VX by E-MU (a division of Creative) basically takes that “hardware mentality” and
applies it to software. The Proteus line has been around for awhile, but previously has been tied to
Creative hardware. Now, not only is it unrestricted as both a standalone program and a VST plugin, but
this version is completely free. The sounds aren’t the most realistic around, but they’re highly playable
and cover a whole lot of ground. If you’ve played and enjoyed keyboards while browsing your local Guitar
Center or Sam Ash you’ll feel right at home with the VX.


RAZORLAME
Graphical MP3 Encoder (Windows)


        If you plan on releasing music for download anywhere on the internet, it helps to have a tool that
will convert your CD-quality WAVs to compact MP3s. RazorLAME is just the right tool for that. Sporting a
simple yet fully-featured interface, it’s my preferred encoding tool for Windows. Why use it over
something like iTunes or your DAW’s MP3 encoder? Well, with RazorLAME you can tweak the encoding
settings to a very deep level, such as using VBR (variable bit rate) and ABR (average bit rate) rather than
just CBR (constant bit rate), which is the least space efficient option of the three.


         You do need the LAME encoder itself in order for RazorLAME to work; lots of sites carry it, just
look around for the file lame_enc.dll. The Audacity website recommends the following download area
(click on “For Audacity on Windows”).


REAPER
Digital Audio Workstation (Windows with Mac beta version)


         This DAW program (available at http://reaper.fm/), programmed by the same guy that
created Winamp, has features that match those of some of the most powerful (and expensive) programs
out there. In fact, I know a number of people who swear by it even when they have access to significantly
pricier and widely-used DAWs! It can be a little intimidating at first, but it’s also highly customizable and
efficient.


         The one caveat is that it’s not technically “free” - it simply has an unlimited, unrestricted free trial.
Users are encouraged to pick up a $50 “non-commercial” license if they really want to keep using the
software after evaluating it. So, do a couple tracks on it and see what you think. If you fall in love, it’s a
drop in the bucket compared to most other programs in this price range while simultaneously being far
more powerful.


REFINED AUDIOMETRICS PLUGINS
Signal Processing Plugins (Windows)


         To quote the Refined Audiometrics website, “We are professional physicists, mathematicians, and
scientific programmers. We have very strong backgrounds in signal processing. But we are also musicians,
composers, recording engineers, and lovers of sound.” Simply put, these guys know their psychoacoustics.
They’ve created a number of free and commercial signal processing tools, but for the purposes of this
guide, I’d like to mention two of the free VSTs.


         There’s HDPHX, which, when loaded on to the master track of your DAW, will adjust the output
sound to remove the “artificial” stereo separation inherent when listening on headphones. This is useful
because when you produce music on headphones, you experience an exaggerated stereo field due to the
fact that the sound is completely polarized to left and right. The result is ear fatigue over a period of time
and mixes that may not translate well to normal stereo systems. As you might imagine, these are not good
results, so if you’re on headphones, pick up HDPHX ASAP.


        The other freebie is CLAS, which stands for Compressive Loudness Audio Shaping. If you’ve ever
engineered your own music, you know that a major challenge is balancing the volume level to be
competitive with other songs in the same genre. The predominant view of many record labels, artists and
even listeners is that “louder = better”, which presents challenges for people who don’t want to heavily
distort their music at the expense of dynamics and musicality. Enter CLAS. Unlike typical loudness
maximizers, compressors and limiters, CLAS boosts the perceived volume of your music using a subtle
algorithm that won’t wear your ears down. Nice!


ROSEGARDEN
Digital Audio Workstation (Linux)


        Another DAW for Linux? What is the world coming to? This one is more oriented towards
scoring, notation and composition than audio editing and recording like Ardour, but still contains some of
those features as well. If you’re using Linux, definitely give both DAWs a try and see which you prefer.


SFZ
Soundfont Player Plugin (Windows)


        For the budget-conscious musician, the most abundant source of organized and programmed free
sounds out there comes in a format called “soundfont” (.sf2). This format was initially created for
Creative-brand soundcards to enhance the quality of the onboard MIDI playback engine, but has since
become a popular format for free sample collections. In order to use soundfonts, you’ll need a VST
instrument plugin that can load and play them, and sfz is your best bet for that. It hardly takes any
resources, sounds great, and is a breeze to use.


        Once you have sfz, all you need are some soundfonts, which can be obtained at sites like sf2midi.


SHORTCIRCUIT
Sampler Plugin (Windows)


        Creating your own multisampled instruments is one of the most fun and rewarding activities for
any music producer. However, up until recently, there really weren’t many low-cost (or free) options for
samplers so that you could actually turn a bunch of raw recordings into a playable virtual instrument.
Luckily for all us cheapskates, graciously decided to make their Shortcircuit sampler plugin completely
free (albeit, without official support, as it has been discontinued.)
        It’s a little intimidating to use if you’ve never touched a sampler like Kontakt or GigaStudio
before, but for zero dollars and zero cents, it has a strong feature set that is without match unless you’re
willing to spend hundreds of dollars.


SIMULANALOG GUITAR SUITE & FRETTED SYNTH FREEAMP3
Guitar Amp Emulation Plugins (Windows)


        If you’re a guitarist, you already know how important your amp and cab choice is to the final tone
of your sound. What you might not know is that the variety of software emulators is better and more
accurate than ever. In this category we have two great free downloads. There’s the SimulAnalog Guitar
Suite, a no-nonsense collection of amp/pedal emulations like the Marshal JCM900 amp, Ibanez TS808
tube screamer pedal, and Dunlop Univibe Chorus/Vibrato pedal. To compliment it, Fretted Synth’s
FreeAmp3 contains even more tone-shaping tools, including some great effects (something that
SimulAnalog doesn’t really have.)


        All you need to use these tools is a VST-compatible host. You don’t even need to be a guitarist to
get use out of them; try running drums, synths, or even vocals through ‘em and see what comes out.


SIR
Convolution Reverb Plugin (Windows native, Mac beta)


        Most digital reverb plugins and hardware units are based on a series of delay-units which, when
audio is fed into them, create the impression of a space that reflects sound in various ways. The most
advanced of these “algorithmic reverbs” are very expensive and highly-sought after, but it is debatable as
to how realistic they sound. The principal of convolution reverb seeks to address the issue by sampling the
reverberance of an actual space. This recording is called an ‘impulse response’ and is loaded into a
convolution reverb plugin. The plugin processes incoming audio and blends it with the impulse response,
giving the impression that the audio was actually generated within the original recorded space.


        Convolution reverbs are usually pricey and CPU-intensive, and while SIR
(http://www.knufinke.de/sir/) isn’t as light as a simple algorithmic reverb, it IS completely free. You’ll
have to download your own impulse responses to use with SIR, but there are plenty of free ones out there
(just Google “free impulse responses”). Convolution can also be used for sound design and experimental
music. The impulse doesn’t necessarily have to be a reverberant space - it can be a sampled instrument as
well.


SMARTELECTRONIX PLUGINS
Synth and Signal Processing Plugins (Windows/Mac)
        Smartelectronix is a group of programmers that, for some reason, love developing awesome free
VST and AU plugins. I’m not sure why they haven’t started charging for their work, since most of it is at
least as good as many commercial offerings, but I’m not complaining. Once you visit the main site, check
out the menu on the left to visit the sites of individual developers within the Smartelectronix network.
A few of my favorite plugins include: Ambience (reverb), the mda bundle (tons of low-CPU effects),
mdsp Compressor and Livecut (intelligent beat slicing), andASynth (analog-style subtractive synthesis.)


SYNTH1
Synthesizer Plugin (Windows)


        Among freeware music production aficionados, Synth1 holds a legendary status. Though Ichiro
Toda, the plugin’s sole programmer, rarely updates it and never seems to post publicly, Synth1 has a
fanatical following - and for good reason. It’s awesome. Just load this VST instrument up and even on a
six year old computer it will run like a charm. It uses virtually no CPU or RAM and thus can be
instantiated a dozen times with no significant resource hit. All the controls are laid out simply on one
page, making it an excellent starter synth for those just getting their feet wet with electronic music
production, but it’s also robust enough to produce a massive range of sounds.


Of course, all of this wouldn’t matter if it didn’t sound good, and it unquestionably does. Apparently,
Synth1 was designed as an emulation of theNord Lead 2 hardware synthesizer which itself is very popular,
but since its initial release it has added a number of features that put it in its own class among both
freeware and commercial products. For what it’s worth, Synth1 is one of the only free synth plugins I still
use after five years of collecting high-end VSTis like Omnisphere, Zebra 2, FM8 and Absynth.
Once you have it downloaded, check out KVR Audio’s free patch bank list and add thousands of sounds to
Synth1’s already healthy bank of 128.


TASCAM CONTINUOUS VELOCITY PIANO
Piano Instrument Plugin (Windows)


        If you have a DAW that supports VSTi or RTAS plugins and need an expressive, realistic piano
sound, look no further. Though TASCAM is no longer developing its GigaStudio software, which provides
the basis for the CV Piano, they’ve graciously kept this download up. The key to the realistic sound of this
sample library is the “GVI” software and some nifty programming which cuts down on memory used
without compromising sound quality.


WAVEKNIFE
Offline Audio Editor (Windows)
        A bit of a specialty application, WaveKnife has just one function; separating a single audio file
into multiple audio files. The primary application is for users that have long sequences of single sounds,
particularly those found on sample library CDs, and want to save some time editing. However, it can be
used for any purpose where you’re trying to separate blocks of audio with silence in between. There’s no
other free tool like it, so if you think you might need to separate some audio files anytime soon, pick it up.

								
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