Important+Art+Movements

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Important Art Movements Take notes and/or compare them to yours!! This is the IMPORTANT stuff that I would like you to know! You need to know how to SPELL CORRECTLY your artists‟ LAST NAMES. The Renaissance Italy, 14th/15th century  Revival or “rebirth” of cultural awareness  Reverting back to Greek and Roman art  Emphasis on science, humans and their environment, and philosophy  Art was realistic and religious in subject matter, but contained much symbolism  ARTISTS Leonardo da Vinci  Michelangelo  Raphael  Mona Lisa, Leonardo da Vinci David, Michelangelo School of Athens, Raphael Baroque 17th century, Italy and Europe  Similar to the Renaissance in subject matter, but painters put emotion, movement and contrast into works  More common, every-day scenes; not as much religious imagery  Beginnings of tenebrism and chiaroscuro  ARTIST (Ms. Edwards‟ favoritest!)  Caravaggio The Doubting of St. Thomas, Caravaggio The Conversion of St. Paul, Caravaggio Impressionism France, 1860s – 1880s  A light, spontaneous manner of painting with SHORT, QUICK brushstrokes  Painted candid glimpses of subjects showing effect of light at different times of day  The Impressionist style was probably the single most successful and identifiable "movement" ever, and is still widely practiced today  ARTISTS Monet  Renoir  Mary Cassatt (American)  Degas  Water Lilies, Monet Ballet Rehearsal, Degas Little Girl in a Blue Armchair, Cassatt Fauvism (Ms. Rais‟ favoritest) France, 1898 – 1908  Means “Wild Beast”  Use of intense colors – in uncontrolled way; Not usually realistic color  Subject matter mostly realistic; somewhat stylized and simplified, but not completely abstracted  Was a substantial influence on some of the Expressionists  ARTISTS Henri Matisse  Paul Gauguin  Le Bonheur de Vivre, Matisse The Green Stripe, Matisse Vision After the Sermon…, Gauguin Expressionism Germany, 1905 – 1940‟s  The intention is not to reproduce a subject accurately, but instead to portray it in such a way as to express the inner state of the artist.  EMOTIONAL!!!!  Many different „schools‟ or groups of artists for this movement (Der Blaue Reiter, Bauhaus)  ARTISTS Edvard Munch  Kathe Kollwitz  The Scream, Munch Woman with Dead Child, Kathe Kollwitz Abstract Expressionism      New York City, 1946 - 1960 Artist expresses himself purely through the use of form and color. Fast, spontaneous brushstrokes. It non-representational, or non-objective, art, which means that there are no actual objects represented (NO SUBJECT MATTER!) Considered to be the first American artistic movement of international importance A few different groups:  Action Painting  stressed the physical action involved in painting primarily concerned with exploring the effects of pure color on a canvas  Color Field Painting  ARTISTS   ACTION Painters  Jackson Pollock COLOR FIELD Painters Willem de Kooning  Kandinsky (more pure abstraction)  Rothko  Autumn Rhythm, Pollock ACTION Number 2, Mark Rothko – COLOR FIELD Cubism      early 20th century, Europe (1908 – 1920) Inspired by African art and Fauvism Subject matter broken up, analyzed, and reassembled in abstract form (broken into basic shapes) “Essence” of an object can only be captured by showing it from many perspectives/views at once THE most influential art movement of recent years…influenced almost ALL art of 20th century ARTISTS Georges Braque  Picasso  BOTH of these artists invented Cubism, as well as the COLLAGE! Les Demoiselles d'Avignon, Picasso Les Formes Musicales, Braque Dada early 20th century, Europe (1916 – 1924)  a protest by a group of European artists against World War I, bourgeois society, and the conservativism of traditional thought  Ridiculed contemporary culture and traditional art forms  Included random "found" objects in sculptures and installations.  Mostly were trying to make personal statements about issues in society or about what “art” is…  ARTISTS Jean Arp  Marcel Duchamp  (the REAL one!) Fountain, Duchamp Trousse d'un Da, Arp L.H.O.O.Q., Duchamp Surrealism 20th century (1924 – 1950‟s), Europe  Originated in Dada  Fantastical visual imagery from the subconscious mind is used with no intention of making the work logically comprehensible  Mostly realistically drawn/painted, the objects are just combined in weird ways OR are dream-like  Influenced by psychoanalytic work of Freud and Jung  ARTISTS Max Ernst  Man Ray  Magritte  DALI  La Condition humaine, Magritte The Persistence of Memory, Dali Midnight, Man Ray Pop Art       1960s, New York City Attention on familiar images/objects of pop culture Interest in mass media, advertising, comics and consumer products Emphasizes flatness and frontal presentation, bright and bold colors They use mechanical and other deliberately inexpressive techniques that imply the removal of the artist's hand and suggest the depersonalized processes of mass production It is almost a joke about what we, as a society, hold important. So these artists are saying that we‟ve made the objects/people so important that they are depicted as ART. ARTISTS  Forerunner  Jasper Johns Andy Warhol  Lichtenstein  M-Maybe, Lichtenstein Marilyn, Warhol

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