What is the Creative Economy

Document Sample
What is the Creative Economy
June 2007









GUIDE TO COMMUNITY PLANNING



INSIDE: What is the Creative

How Your Community 2

Economy?

Can Attract

Creativity Creative workers by traditional notions

have long included artists, musicians,

2 writers and teachers. In recent years, this

Getting Started : En-

couraging Growth in the group of workers has expanded to include

Creative Sector computer programmers, publishers, web

designers, architects and other idea-driven

How Well Does Your 3 professions. This group and their

Community Support the transaction collectively are now referred to

Creative Economy? as the Creative Economy; a cluster of

businesses industry and individual artisans,

in both private and commercial enterprises,

Points of Interest: which comprise a sector of our economy

that is based upon ideas.

• In New England, the The Creative Economy is important to

Creative Economy Art makes significant contributions communities because new ideas are at the

contributes an annual to our Environment. foundation of economic growth. When

payroll of $4.3 billion Art work by Mary Bradley creative ideas are coupled with technology

Spencer Square, Lebanon, NH

and innovation, there is a great potential

• There are a number of

for growth in trade, industry and social

policies, regulations, and Redefining an Industry development. This growth promotes

incentives a community

may consider to An old industry is receiving new tourism, spurs growth in retail and service

encourage growth in the recognition. An industry that, within industries, attracts businesses, and supports

creative economy. New England, employs a workforce a rich community life. An example of this

of a quarter million and contributes an dynamic from recent history is the

• Planning for the ingenious that drove the development of

Creative Economy starts annual payroll of $4.3 billion dollars

(New England Council, June 2000). the Precision Valley machine tool industry

with a Master Plan.

It has been around a long time, but it in Vermont and New Hampshire.

• Many Creative has become more prominent and These ideas that drive economies are not

Economy strategies diverse as our economy has advanced. always tangible. Creative thinking is not

concern “quality of life”, This has allowed our workforce to owned by shareholders who can choose to

the basis for all relocate these resources to your

pursue the creation of goods and

economic development community. They are intellectual property,

services that are based on an idea

plans. whose creators locate themselves in an

rather than physical products or

capital as is common in an environment that is conducive to their

industrialized economy. work and social lifestyle.





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Page 2







How to Attract Creativity

There are few studies to advise

“the Creative Economy communities on how to encourage

should not be viewed as growth in the Creative Economy.

the sole solution to all There are, however, examples of

economic and social goals communities that have successfully Portsmouth Cultural Plan

of a community” encouraged economic and social

development with creative industries.

There are a number of policies, The City of Portsmouth,

regulations, and incentives a NH has completed a

community may consider. comprehensive cultural

plan led by a Mayor’s

Many of these strategies concern

Blue Ribbon Committee

“quality of life”, the basis for all on Arts and Culture.

economic development plans.

It is important to note that the Creative

Economy should not be viewed as the

sole solution to all economic and social Art-Speak: City of Portsmouth Cultural

goals of a community, but rather is an Commission Portsmouth Cultural Plan

important piece of an overall strategy http://www.art-speak.org/

for economic health.





Supporting Creative Industries Requires:

• Upgrading infrastructure and

Creative Spaces must • Providing affordable living and

have a “Sense of Place” telecommunications for creative and

work space for artists and

and be: entrepreneurial workspaces.

entrepreneurs.

• Ensuring compact, human-scale, • Providing space for arts and

“Smart” – wired to plug

pedestrian-oriented community. culture in the community and its

and play

• Preserving historic and cultural public property.

“Green” – enhance the facilities, and open space.

environment • Supporting creative economy

• Designing for a “sense of place.” principles and stakeholders in the

Vibrant places have inviting street master planning process.

“Fun” – feed the soul

scapes, mixed uses, and

transportation options. • Providing quality educational

opportunities for children and

adults.



Getting Started

Planning for the Creative Economy starts Master Plan. Care should be taken to

with a Master Plan; the underlying basis give due consideration to existing trends,

for many policy decisions a community issues related to the Creative Economy,

makes. Any community that intends on future possibilities, and policy/strategy

developing policies or programs in considerations.

support of creative jobs should give

consideration to these industries and (Continued on page 3)

supporting planning principals in a





UPPER VALLEY LAKE SUNAPEE REGIONAL PLANNING COMMISSION

Page 3





(Continued from page 2)

This process typically begins by

inventorying and mapping cultural assets

Is your community

and possibly even documenting the

economic impact of idea-based enterprises.

Creative Economy

Understanding your community’s strengths,

weaknesses and opportunities provides a

Friendly?

framework to assess current and future The “Idealized”

conditions, and develop strategies to Planning Process:

implement a shared vision. This assessment

can be created by using available data

sources (see Creative Economy Resources) Exner Block Restoration 1. Vision-where do we

or implementing your own survey. want to be?

Rockingham Community Land Trust and 2. Inventory and data

Some communities address the Creative Housing Vermont Partnership restore collection-existing

Economy in the economic development Exner Block Building conditions & future

element of their Master Plan, although with 10 affordable prospects.

separate arts and culture chapters are live/work spaces, with

3. Data collection &

sometimes developed to add additional preference given to

analysis.

emphasis to the topic. Some communities artist, and 6 retail

have also taken it a step further to create storefronts. 4. Formulation of goals

stand-alone cultural and civic arts plans. & objectives.

Affordable live/work

space funded through 5. Implementation

See how well your community supports the

HUD, VT Housing

Creative Economy by reviewing the 6. Evaluation

Finance, and others.

following questions and policy

considerations in “Does Your Town…” Rockingham Arts and Museum Project

http://www.ramp-vt.org/home.htm





• Create opportunities for collaboration

Does Your Town… between cultural and business

communities. This could include

…have artists, entrepreneurs and seasonal events such as festivals.

other creative workers serving on

local boards? • Establish a permanent, independent

cultural commission that can apply for “Engaging arts and

There are few better ways to incorporate and receive funding. cultural community

the needs of the Creative Economy into

local land use ordinances and is paramount”

regulations. Engaging the arts and …incorporate space for arts and

cultural community is paramount. culture in the community’s public

spaces?

To support creativity:

• Nurture the creation and growth of

coalitions and partnerships between Encouraging public art installations and

the arts community and government. performance spaces, as well as integrating

cultural space into all new municipal

• Establish a communication/network building projects, is just one way this can

between technical/creative sectors be done.

(new media, film, etc.) and

government.



UPPER VALLEY LAKE SUNAPEE REGIONAL PLANNING COMMISSION

Page 4





Does Your Town…

(Continued from page 3) • Provide assistance and support for

To support creativity: incubating start-up organizations and

“A vibrant businesses. This could include the

community • Be sure that zoning allows mixed

development of incubator space for

exhibits uses in central business districts and

start-ups.

treasures downtowns. Be sure to allow …exhibit pride in its cultural and

residential dwellings. historic heritage?

from its past.”

• Maximize use of town building space

for cultural activities. A vibrant community exhibits treasures

• Ensure that zoning regulations from its past.

support the Creative Economy and To support creativity:

define the terms gallery, studio,

performance venue, and public • Identify and promote people and sites

assembly facilities. Be sure that that have historic, cultural, natural,

these uses are permitted. architectural, and artistic signifi-

• Address zoning issues cance.

and building codes • Strengthen your com-

which act as barriers munity’s role in protect-

for artists, including Claremont Mills ing historic resources

limitations on and preservation

combining living and planning efforts.

working space, and

the need for higher • Consider the establish-

density and smaller ment of a Historic or

living spaces. The City of Claremont continues

Heritage Commission.

their effort to revitalize old mill • Promote the inclusion of

• Examine parking buildings along the Sugar River.

requirements and prominent structures on

The project began with an EPA the National or State

consider reducing brownfield assessment grant.

parking standards for New mill uses include Register of historic

existing buildings that condominiums, a parking places.

might be conducive structure and a new location for • Consider establishing a

to artist space. the NH eatery, the Common

historic district.

Man Restaurant.

• Investigate how • Develop a Historic

building and fire Preservation Plan for the

safety codes inhibit creating space entire community that identifies

for artists within old mill buildings. areas of the community that are a

• Work with code and fire officials to high priority for inventory, and

develop innovative ways to safely possibly subsequent regulatory

redevelop buildings. protection. Identify noteworthy

structures under threat of neglect.

• Promote high-speed/wireless internet

infrastructure. Identify infrastructure • Increase public awareness of the

and telecommunication needs for Historic District and appropriate

businesses and craftspeople to stay treatments of historic structures.

connected.

…support good community design

through its existing land use regula-

tions?



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Does Your Town…

• Consider maximum parking

requirements within zoning to ensure

Creating and allowing human-scale, walk-

large surface parking lots do not

able streetscapes, mixed uses, and viable

fragment their environment. “Encourage the

transportation options creates an

environment where arts and culture can …provide affordable living and promotion of

flourish. working space for artists and en- arts on trains and

To support creativity: trepreneurs? buses”

• Consider a site plan review process to

regulate the develop- Removing limitations on

ment of commercial combining living/

and multifamily sites. working space, allowing

higher density, and

• Establish an encouraging smaller

architectural design Brunswick, Maine living spaces, maintains

review district that www.fiveriversartsalliance.org and expands the existing

would encourage Local arts alliance received a range of housing options

architectural design Community and makes for a more

and building standards Development affordable climate for the

that complement the Block Grant creative sector.

New England-style (CDBG) of

ambiance of the $10,000 to To support creativity:

community. fund public • Ensure that zoning

• Establish landscaping meetings to regulations provide for

standards which develop plans a sufficient amount of

facilitate integration of to strengthen land for housing and

uses rather then the region’s economy. ensure that lot sizes

isolation. It was a collaboration between are not prohibitively

three neighboring communi- large. Revitalizing

• Consider the creation ties to survey the sector about downtowns is a start

of neighborhood their needs and to host four but be careful not to

overlay district within public forums that each ad- create an environment

zoning to protect the dress a particular aspect of that is unaffordable.

character of planning to support the crea- As places draw greater

neighborhoods. tive economy. activity to their

• Provide alternative Maine Department of Economic downtowns, property

means of and Community Development values and rents

transportation, such as http://www.econdevmaine.com increase, making it

infrastructure to more difficult for

support walking, bicy- artists and small local

cling, and transit services. Also ensure businesses to remain.

that parking sites provide for safe pe- • Expand the supply of exhibit,

destrian access and circulation, in- rehearsal and performance spaces.

cluding sidewalk access and pedes- Develop spaces for cultural activities

trian aisles through parking lots. and venues for performances,

• Provide for shared parking facilities to exhibitions, meetings, storage,

allow a more cohesive pedestrian rehearsal, and education.

environment.

(Continued on page 6)





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Page 6





Does Your Town…

• Support an active nightlife in the

(Continued from page 5)

downtown while protecting residents

• Consider designating an outdoor

from undue impacts.

performance space.



• Expand the supply of housing for …market and promote creative

artists that is suitable for home businesses in the community?

“Promote the occupation. This can be done by

adaptive reuse of allowing for accessory dwellings,

e.g. small apartments in upper floors Is there an arts council? Has an economic

buildings.” of downtown buildings. study documenting the contribution of the

• Ensure that zoning regulations arts been done?

support home occupations and To support creativity:

cottage industries.

• Support the arts as a

• Explore the benefits distinctive and significant

of making your component of the local

community a and regional economy.

Certified Local

Government to offer NH Main Street & • Support creative financing

commercial historic Vermont Downtown options.

property owners Program • Implement a

federal tax benefits comprehensive and

and qualify for other coordinated network of

historic preservation signage directing tourists

funding. and residents to creative

• Promote the adaptive Vermont recognized the industries and shopping

reuse of buildings. importance of downtowns networks.

by establishing the 1998 • Make transportation

• Explore the use of Downtown Development enhancements that

flexible zoning Act to strengthen

techniques to incorporate aesthetic

downtowns. improvements and art.

negotiate creative

mixed-use housing in Vermont Division for • Encourage the promotion

association with Historic Preservation. of arts on trains and buses,

commercial Vermont Downtown in welcome centers, and

development and Program http:// electronic kiosks/

redevelopment. www.historicvermont.org websites.

/programs/downtown.html

• Maintain and enhance • Consider participation in

the vitality and NH Main Street Program the National Scenic

attractiveness of the http://www.nhcdfa.org/ Byway Program to

downtown (Central mainstreet.html encourage tourism and

Business District), promote the positive

serving local needs as aspects of your

well as visitors. community.

• Maintain a strong housing • Market yourself as a business and

component in the upper floors of cultural destination.

downtown buildings.









UPPER VALLEY LAKE SUNAPEE REGIONAL PLANNING COMMISSION

Page 7







Does Your Town…

(Continued from page 6)





• Develop and enhance programs that

recognize and publicize cultural assets

such as starting a local awards program Scenic Byway

to recognize achievements of individuals

and organizations in the arts and cultural

fields. Plan seasonal events, such as

festivals that feature local history, artists,

writers, and craftspeople.

• Engage community members in life-long

learning using arts and culture. The Connecticut River Byway

• Support and establish a comprehensive promotes arts, culture and

arts-in-education program for the public history within the

schools. Connecticut River Valley.



• Encourage year-round arts and culture The Byway is a scenic

classes for adults and children, novices corridor of highways, byways,

and experts through the town recreation and waterways along the

department. Connecticut River in Vermont

• Collaborate with universities to expand and New Hampshire.

cultural programs.

• Promote local arts and culture as a key

component of economic vitality.

• Promote the quality of life as enriched by

its cultural assets.

• Support the creation of a cultural

identity.

• Encourage collaboration among arts and

cultural organizations as well as the

Chamber of Commerce, Main Street,

local, regional, and state planning

organizations, tourist groups, hospitality

industry and economic development Your regional

councils. planning

• Enhance information services enabling commission can

audiences to locate and use cultural provide sample

programs. plans and

• Integrate cultural facilities into all new assistance!

municipal building projects.

• For larger communities, establish an arts

and cultural agency to act on the

municipality’s behalf on all matters

related to arts and culture.



UPPER VALLEY LAKE SUNAPEE REGIONAL PLANNING COMMISSION

Page 8





Creative Economy Resources

National Park Service

http://www.nps.gov/archive/parks.html

U.S. Department of Housing and Urban Development. Community Development Block Grant

Program

http://www.hud.gov/offices/cpd/communitydevelopment/programs/

National Trust for Historic Preservation. Historic Preservation Tax Credits

http://www.nationaltrust.org/

Historic New England

http://www.historicnewengland.org/



June 2007 The Arts Alliance

http://www.artsalliance.com/home.aspx

This publication was The New England Council

prepared by Upper http://www.newenglandcouncil.com/

Valley Lake Sunapee

Vermont Agency of Commerce and Community Development

Regional Planning

http://www.dca.state.vt.us/

Commission.

http://uvlsrpc.org New Hampshire Department of Resources and Economic Development

http://www.dred.state.nh.us/

Funding for the work

New England Foundation for the Arts

was provided by the http://www.nefa.org/

New Hampshire

Charitable Foundation. NH State Council on the Arts

http://www.nhcf.org/ http://www.nh.gov/nharts/

New Hampshire Business Committee for the Arts

http://www.nhbca.com/news_040610_ce.php

New Hampshire Association of Regional Planning Commissions

http://www.nharpc.org/

Vermont Association of Planning and Development Agencies

http://www.vapda.org/

Maine Regional Councils

http://www.maine.gov/spo/landuse/techassist/regcouncil.php

Commonwealth of Massachusetts

http://www.mass.gov/“Creative Class”

Home of the Richard Florida Creativity Group.

http://www.creativeclass.org/

New England Foundation for the Arts

http://www.nefa.org/projinit/createecon/index.html

Midcoast Magnet

http://www.midcoastmagnet.com/

Rhode Island State Council on the Arts

http://www.arts.ri.gov/projects/housing.php

Massachusetts Cultural Council

http://www.massculturalcouncil.org/issues/economicdevelopment.html







UPPER VALLEY LAKE SUNAPEE REGIONAL PLANNING COMMISSION

Upper Valley Creative Economy Initiative

Steering Committee Members

Sabrina Brown, Pentangle Council on the Arts

Len Cadwallader, Vital Communities

Alison Clarkson, Vermont House of Representatives

Beverly Fiertz, Upper Valley Region Advisory Board

Joan Goshgarian, NH Business Committee for the Arts

Andrea Henry, Dartmouth-Hitchcock Medical Center

Margaret “Peggy” Kannenstine, Artist - CHAIR

Karen Keane, Arts Consultant

Margaret Lawrence, Hopkins Center – Dartmouth College

Ken Niemczyk, City of Lebanon

Gayle Ottmann, Hartford Area Chamber of Commerce

Kevin Peterson, New Hampshire Charitable Foundation – Upper Valley Region staff

Joanne Wise, Upper Valley Region Advisory Board

Naj Wikoff, C. Everett Koop Institute – Dartmouth Medical School









Elevate the Creative Economy!


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