ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html &Prefatory Materials HThis is a modified etext created by GutenMarkŠ software. Any comments below about etext preparation refer to the originalô, and not to this modified version of the etext. No individuals named below bear responsibility for changes to the text. ”The Project Gutenberg eBook, Love s Comedy, by Henrik Ibsen, Translated by C. H. Herford €This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or †re-use it under the terms of the Project Gutenberg License included \with this eBook or online at www.gutenberg.org *Title: Love s Comedy *Author: Henrik Ibsen VRelease Date: June 22, 2006 [eBook #18657] $Language: English \Character set encoding: ISO-646-US (US-ASCII) p***START OF THE PROJECT GUTENBERG EBOOK LOVE S COMEDY*** >E-text prepared by Douglas Levy ZThe Collected Works of Henrik Ibsen, Volume I LOVE S COMEDY 8Translation by C. H. Herford INTRODUCTION* *Koerlighedens Komedie¤ was published at Christiania in 1862. The polite world -so far as such a thing existed at the time in the Northern capital -received it with an outburst of indignation now entirely easy to understand. It has indeed faults enough. The character-drawing is often crude, the action, though full of effective by-play, extremely slight, and the sensational climax has little relation to human nature as exhibited in Norway, or out of it, at that or any other time. But the sting lay in the unflattering veracity of the piece as a whole; in the merciless portrayal of the trivialities of persons, or classes, high in their own esteem; in the unexampled effrontery of bringing a clergyman upon the stage. All these have long since passed in Scandinavia, into the category of the things which people take with their Ibsen as a matter of course, and the play is welcomed with delight by every Scandinavian audience. But in 1862 the matter was serious, and Ibsen meant it to be so. ę For they were years of ferment -those six or seven which intervened between his return to Christiania from Bergen in 1857, and his departure for Italy in 1864. As director of the newly founded Norwegian Theatre, Ibsen was a prominent member of the little knot of brilliant young writers who led the nationalist revolt against Danish literary tradition, then still dominant in well-to-do, and especially in official Christiania. Well-to-do and official Christiania met the revolt with contempt. Under such conditions, the specific literary battle of the Norwegian with the Dane easily developed into the eternal warfare of youthful idealism with respectability and convention. Ibsen had already started work upon the greatest of his Norse Histories - The Pretenders . But history was for him little more than material for the illustration of modern problems; and he turned with zest from the task of breathing his own spirit into the stubborn mould of the thirteenth century, to hold up the satiric mirror to the suburban drawing-rooms of Christiania, and to the varied phenomena current there, -and in suburban drawing-rooms elsewhere, -under the name of Love. Yet Love s ComedyF is much more than a satire, and its exuberant humour has a bitter core; the laughter that rings through it is the harsh, implacable laughter of Carlyle. His criticism of commonplace love-making is at first sight harmless and ordinary enough. The ceremonial formalities of the continental VerlobungĚ, the shrill raptures of aunts and cousins over the engaged pair, the satisfied smile of enterprising
Page 1
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html mater - familias& as she reckons up the tale of daughters or of nieces safely married off under her auspices; or, again, the embarrassments incident to a prolonged Brautstand following a hasty wooing, the deadly effect of familiarity upon a shallow affection, and the anxious efforts to save the appearance of romance when its zest has departed -all these things had yielded such comedy as they possess to many others before Ibsen, and an Ibsen was not needed to evoke it. But if we ask what, then, is the right way from which these cosmic personages in their several fashions diverge; what is the condition which will secure courtship from ridicule, and marriage from disillusion, Ibsen abruptly parts company with all his predecessors. Of course, reply the rest in chorus, a deep and sincere love ; together, add some, with prudent good sense. The prudent good sense Ibsen allows; but he couples with it the startling paradox that the first condition of a happy marriage is the absence of love, and the first condition of an enduring love is the absence of marriage. d The student of the latter-day Ibsen is naturally somewhat taken aback to find the grim poet of Doubt, whose task it seems to be to apply a corrosive criticism to modern institutions in general and to marriage in particular, gravely defending the marriage of convenience. And his amazement is not diminished by the sense that the author of this plea for the loveless marriage, which poets have at all times scorned and derided, was himself beyond question happily, married. The truth is that there are two men in Ibsen -an idealist, exalted to the verge of sentimentality, and a critic, hard, inexorable, remorseless, to the verge of cynicism. What we call his social philosophy is a modus vivendi arrived at between them. Both agree in repudiating marriage for love ; but the idealist repudiates it in the name of love, the critic in the name of marriage. Love, for the idealist Ibsen, is a passion which loses its virtue when it reaches its goal, which inspires only while it aspires, and flags bewildered when it attains. Marriage, for the critic Ibsen, is an institution beset with pitfalls into which those are surest to step who enter it blinded with love. In the latter dramas the tragedy of married life is commonly generated by other forms of blindness -the childish innocence of Nora, the maidenly ignorance of Helena Alving, neither of whom married precisely for love ; here it is blind Love alone who, to the jealous eye of the critic, plays the part of the Serpent in the Edens of wedded bliss. There is, it is clear, an element of unsolved contradiction in Ibsen s thought; -Love is at once so precious and so deadly, a possession so glorious that all other things in life are of less worth, and yet capable of producing only disastrously illusive effects upon those who have entered into the relations to which it prompts. But with Ibsen -and it is a grave intellectual defect -there is an absolute antagonism between spirit and form. An institution is always with him, a shackle for the free life of souls, not an organ through which they attain expression; and since the institution of marriage cannot but be, there remains as the only logical solution that which he enjoins -to keep the soul s life out of it. To those about to marry, Ibsen therefore says in effect, Be sure you are not in love! And to those who are in love he says, Part! ¸ It is easy to understand the irony with which a man who thought thus of love contemplated the business of love-making, and the ceremonial discipline of Continental courtship. The whole unnumbered tribe of wooing and plighted lovers were for him unconscious actors in a world-comedy of Love s contriving -naive fools of fancy, passionately weaving the cords that are to strangle passion. Comedy like this cannot be altogether gay; and as each fresh romance decays into routine, and each aspiring passion goes out under the spell of a vulgar environment, or submits to the bitter salvation of a final parting, the ringing laughter grows harsh and hollow, and notes of ineffable sadness escape from the poet s Stoic self-restraint. 0 Ibsen had grown up in a school which cultivated the romantic, piquant, picturesque in style; which ran riot in wit, in vivacious and brilliant
Page 2
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html imagery, in resonant rhythms and telling double rhymes. It must be owned that this was not the happiest school for a dramatist, nor can Love s Comedyâ be regarded, in the matter of style, as other than a risky experiment which nothing but the sheer dramatic force of an Ibsen could have carried through. As it is, there are palpable fluctuations, discrepancies of manner; the realism of treatment often provokes a realism of style out of keeping with the lyric afflatus of the verse; and we pass with little warning from the barest colloquial prose to the strains of high-wrought poetic fancy. Nevertheless, the style, with all its inequalities, becomes in Ibsen s hands a singularly plastic medium of dramatic expression. The marble is too richly veined for ideal sculpture, but it takes the print of life. The wit, exuberant as it is, does not coruscate indiscriminately upon all lips; and it has many shades and varieties -caustic, ironical, imaginative, playful, passionate -which take their temper from the speaker s mood. 6 The present version of the play retains the metres of the original, and follows it in general line for line. For a long passage, occupying substantially the first twenty pages, the translator is indebted to the editor of the present work; and two other passages - Falk s tirades on ppš.58 and 100 -result from a fusion of versions made independently by us both. T C. H. H. XCopyright, 1907, by Charles Scribner s Sons. LOVE S COMEDY *PERSONS OF Thé COMEDY Mrs . HalmD, widow of a government official. Svanhild and Anna", her daughters. Falk,, a young author, and LindH, a divinity student, her boarders. Guldstad0, a wholesale merchant.
Page 3
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver , a law-clerk. Miss Jay , his fiancee. Strawman., a country clergyman. Mrs . Strawman , his wife. Students ,
Page 4
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html guests , married pairs . Thé Strawmans eight and plighted
Page 5
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html little girls . Four aunts , A
Page 6
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Porter , domestic servants . s Villa on the Drammensvejen at Christiania.
Scenep -Mrs. Halm LOVE S COMEDY
$PLAY IN THREE ACTS Z[SVANHILD comes out on to the verandah with a Pflowering rose-tree which she sets down. ACT FIRST The scenel represents a pretty garden irregularly but tastefully t laid out; in the background are seen the fjord and the † islands. To the left is the house, with a verandah and an open ~ dormer window above; to the right in the foreground an open ‚ summer-house with a table and benches. The landscape lies in † bright afternoon sunshine. It is early summer; the fruit-trees $ are in flower. 0When the Curtain rises, Mrs . Halm , Anna
Page 7
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html , and miss Jay are sitting „ on the verandah, the first two engaged in embroidery, the last ^ with a book. In the summer-house are seen Falk , Lind , Guldstad , and
Page 8
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver^: a punch-bowl and glasses are on the table. \ sits alone in the background by the water. FalkJ [rises, lifts his glass, and sings]. B Sun-glad day in garden shady J Was but made for thy delight: H What though promises of May-day L Be annulled by Autumn s blight? J Apple-blossom white and splendid R Drapes thee in its glowing tent, J Let it, then, when day is ended, N Strew the closes storm-besprent. Svanhild
Page 9
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Chorus of gentlemen . L Let it, then, when day is ended, etc . Falk . R Wherefore seek the harvest s guerdon N While the tree is yet in bloom? P Wherefore drudge beneath the burden D Of an unaccomplished doom? P Wherefore let the scarecrow clatter H Day and night upon the tree? R Brothers mine, the sparrows chatter : Has a cheerier melody.
Page 10
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Chorus . V Brothers mine, the sparrow s chatter, Falk . R Happy songster! Wherefore scare him J From our blossom-laden bower? F Rather for his music spare him P All our future, flower by flower; N Trust me, twill be cheaply buying L Present song with future fruit; T List the proverb, Time is flying; H Soon our garden music s mute.
etc .
Page 11
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Chorus . . List the proverb, etc . Falk . P I will live in song and gladness, L Then, when every bloom is shed, N Sweep together, scarce in sadness, J All that glory, wan and dead: \ Fling the gates wide! Bruise and batter, N Tear and trample, hoof and tusk; V I have plucked the flower, what matter J Who devours the withered husk!
Page 12
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Chorus . @ I have plucked the flower, etc . N [They clink and empty their glasses. Falk$ [to the ladies]. bThere -that s the song you asked me for; but pray NBe lenient to it -I can t think to-day. Guldstad . `Oh, never mind the sense -the sound s the thing. Miss Jay$ [looking round]. RBut Svanhild, who was eagerest to hear ? NWhen Falk began, she suddenly took wing And vanished Anna< [pointing towards the back]. \ No, for there she sits -I see her. Mrs . Halm [sighing]. nThat child! Heaven knows, she s past my comprehending! Miss Jay . VBut, Mr. Falk, I thought the lyric s ending HWas not so rich in -well, in poetry, LAs others of the stanzas seemed to be.
Page 13
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver . X Why yes, and I am sure it could not tax ` Your powers to get a little more inserted Falk< [clinking glasses with him]. NYou cram it in, like putty into cracks, PTill lean is into streaky fat converted.
-
Page 14
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver [unruffled]. LYes, nothing easier -I, too, in my day &Could do the trick. Guldstad . Z Dear me! Wčré you a poet? Miss Jay . My Stiver! Yes!
Page 15
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver . L Oh, in a humble way. Miss Jay$ [to the ladies]. .His nature is romantic. Mrs . Halm . R Yes, we know it.
Page 16
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver . TNot now; it s ages since I turned a rhyme. Falk . TYes varnish and romance go off with time. *But in the old days ?
Page 17
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver . \ Well, you see, twas when I was in love. Falk . N Is that time over, then? THave you slept off the sweet intoxication?
Page 18
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver . TI m now engaged -I hold official station PThat s better than in love, I apprehend! Falk . fQuite so! You re in the right my good old friend. &The worst is past -,vous voila bien avance 8Promoted from mere lover to
Page 19
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html fiance .
Page 20
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html StiverX [with a smile of complacent recollection]. TIt s strange to think of it -upon my word, FI half suspect my memory of lying J [Turns to Falk . PBut seven years ago -it sounds absurd! HI wasted office hours in versifying. Falk . *What! Office hours !
Page 21
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver . X Yes, such were my transgressions. Guldstad2 [ringing on his glass]. PSilence for our solicitor s confessions!
Page 22
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver . PBut chiefly after five, when I was free, LI d rattle off whole reams of poetry NTen -fifteen folios ere I went to bed Falk . LI see -you gave your Pegasus his head, "And off he tore -
Page 23
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver . V On stamped or unstamped paper d Twas all the same to him -he d prance and caper Falk . VThe spring of poetry flowed no less flush? \But how, pray, did you teach it first to gush?
-
Page 24
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Stiver . TBy aid of love s divining-rod, my friend! ZMiss Jay it was that taught me where to bore, My fiancee8 -she became so in the end $For then she was -
Page 25
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \ Your love and nothing more. *STIVER [continuing]. Z Twas a strange time; I could not read a bit; LI tuned my pen instead of pointing it; VAnd when along the foolscap sheet it raced, TIt twangled music to the words I traced; JAt last by letter I declared my flame To her -to her -
Page 26
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. . Whose fiancee you became. STIVER. VIn course of post her answer came to hand TThe motion granted -judgment in my favour!
Page 27
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \And you felt bigger, as you wrote, and braver, `To find you d brought your venture safe to land! STIVER. Of course.
Page 28
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. L And you bade the Muse farewell? STIVER. TI ve felt no lyric impulse, truth to tell, ^From that day forth. My vein appeared to peter BEntirely out; and now, if I essay TTo turn a verse or two for New Year s Day, VI make the veriest hash of rhyme and metre, VAnd -I ve no notion what the cause can be DIt turns to law and not to poetry. HGULDSTAD [clinks glasses with him]. `And trust me, you re no whit the worse for that! b [To Falk. \You think the stream of life is flowing solely TTo bear you to the goal you re aiming at JBut here I lodge a protest energetic, ^Say what you will, against its wretched moral. 4A masterly economy and new ZTo let the birds play havoc at their pleasure \Among your fruit-trees, fruitless now for you, \And suffer flocks and herds to trample through hYour garden, and lay waste its springtide treasure! PA pretty prospect, truly, for next year!
Page 29
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. hOh, next, next, next! The thought I loathe and fear RThat these four letters timidly express LIt beggars millionaires in happiness! HIf I could be the autocrat of speech ^But for one hour, that hateful word I d banish; PI d send it packing out of mortal reach, RAs B and G from Knudsen s Grammar vanish. STIVER. XWhy should the word of hope enrage you thus?
Page 30
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. XBecause it darkens God s fair earth for us. n Next year, next love, next life, -my soul is vext ZTo see this world in thraldom to the next. d Tis this dull forethought, bent on future prizes, TThat millionaires in gladness pauperises. VFar as the eye can reach, it blurs the age; LAll rapture of the moment it destroys; `No one dares taste in peace life s simplest joys NUntil he s struggled on another stage RAnd there arriving, can he there repose? NNo -to a new next off he flies again; NOn, on, unresting to the grave he goes; TAnd God knows if there s any resting then. MISS JAY. XFie, Mr. Falk, such sentiments are shocking. $ANNA [pensively]. NOh, I can understand the feeling quite; LI am sure at bottom Mr. Falk is right. ,MISS JAY [perturbed]. RMy Stiver mustn t listen to his mocking. JHe s rather too eccentric even now. (My dear, I want you. PSTIVER [occupied in cleaning his pipe]. R Presently, my dear. (GULDSTAD [to FALK]. ROne thing at least to me is very clear; JAnd this is that you cannot but allow RSome forethought indispensable. For see, \Suppose that you to-day should write a sonnet, dAnd, scorning forethought, you should lavish on it NYour last reserve, your all, of poetry, LSo that, to-morrow, when you set about jYour next song, you should find yourself cleaned out, lHeavens! how your friends the critics then would crow!
Page 31
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^D you think they d notice I was bankrupt? No! DOnce beggared of ideas, I and they VWould saunter arm in arm the selfsame way b [Breaking off. bBut Lind! why, what s the matter with you, pray? bYou sit there dumb and dreaming -I suspect you re LDeep in the mysteries of architecture. 6LIND [collecting himself]. DI? What should make you think so?
Page 32
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. Z I observe. XYour eyes are glued to the verandah yonder VYou re studying, mayhap, its arches curve, \Or can it be its pillars strength you ponder, ZThe door perhaps, with hammered iron hinges? ^From something there your glances never wander.
Page 33
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. ^No, you are wrong -I m just absorbed in being pDrunk with the hour -naught craving, naught foreseeing. VI feel as though I stood, my life complete, \With all earth s riches scattered at my feet. \Thanks for your song of happiness and spring ZFrom out my inmost heart it seemed to spring. n [Lifts his glass and exchanges a glance, unobserved, with ANNA. ZHere s to the blossom in its fragrant pride! RWhat reck we of the fruit of autumn-tide? X [Empties his glass. ZFALK [looks at him with surprise and emotion, > but assumes a light tone]. ^Behold, fair ladies! though you scorn me quite, HHere I have made an easy proselyte. \His hymn-book yesterday was all he cared for XTo-day e en dithyrambics he s prepared for! RWe poets must be born, cries every judge; hBut prose-folks, now and then, like Strasburg geese, FGorge themselves so inhumanly obese ROn rhyming balderdash and rhythmic fudge, dThat, when cleaned out, their very souls are thick HWith lyric lard and greasy rhetoric. V [To LIND. RYour praise, however, I shall not forget; TWe ll sweep the lyre henceforward in duet. MISS JAY. TYou, Mr. Falk, are hard at work, no doubt, RHere in these rural solitudes delightful, ZWhere at your own sweet will you roam about *MRS. HALM [smiling]. XOh, no, his laziness is something frightful. MISS JAY. fWhat! here at Mrs. Halm s! that s most surprising TSurely it s just the place for poetising j [Pointing to the right. XThat summer-house, for instance, in the wood RSequestered, name me any place that could DBe more conducive to poetic mood -
Page 34
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^Let blindness veil the sunlight from mine eyes, \I ll chant the splendour of the sunlit skies! LJust for a season let me beg or borrow RA great, a crushing, a stupendous sorrow, `And soon you ll hear my hymns of gladness rise! bBut best, Miss Jay, to nerve my wings for flight, PFind me a maid to be my life, my light `For that incitement long to heaven I ve pleaded; VBut hitherto, worse luck, it hasn t heeded. MISS JAY. What levity! MRS. HALM. B Yes, most irreverent!
Page 35
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. FPray don t imagine it was my intent bTo live with her on bread and cheese and kisses. VNo! just upon the threshold of our blisses, ^Kind Heaven must snatch away the gift it lent. HI need a little spiritual gymnastic; \The dose in that form surely would be drastic. SVANHILD. h[Has during the talk approached; she stands close to t the table, and says in a determined but whimsical tone: RI ll pray that such may be your destiny. VBut, when it finds you -bear it like a man. DFALK [turning round in surprise]. \Miss Svanhild! -well, I ll do the best I can. HBut think you I may trust implicitly NTo finding your petitions efficacious? `Heaven as you know, to faith alone is gracious ^And though you ve doubtless will enough for two LTo make me bid my peace of mind adieu, ZHave you the faith to carry matters through? *That is the question. 2SVANHILD [half in jest]. X Wait till sorrow comes, bAnd all your being s springtide chills and numbs, `Wait till it gnaws and rends you, soon and late, JThen tell me if my faith is adequate. L [She goes across to the ladies. 4MRS. HALM [aside to her]. TCan you two never be at peace? you ve made LPoor Mr. Falk quite angry, I m afraid. r[Continues reprovingly in a low voice. MISS JAY joins in hthe conversation. SVANHILD remains cold and silent. €FALK [after a pause of reflection goes over to the summer-house, , then to himself]. ^With fullest confidence her glances lightened. RShall I believe, as she does so securely, *That Heaven intends GULDSTAD. n No, hang it; don t be frightened! RThe powers above would be demented surely PTo give effect to orders such as these. TNo, my good sir -the cure for your disease TIs exercise for muscle, nerve, and sinew. dDon t lie there wasting all the grit that s in you VIn idle dreams; cut wood, if that were all; RAnd then I ll say the devil s in t indeed \If one brief fortnight does not find you freed PFrom all your whimsies high-fantastical.
Page 36
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. dFetter d by choice, like Burnell s ass, I ponder ^The flesh on this side, and the spirit yonder. TWhich were it wiser I should go for first? @GULDSTAD [filling the glasses]. hFirst have some punch -that quenches ire and thirst. DMRS. HALM [looking at her watch]. ^Ha! Eight o clock! my watch is either fast, or XIt s just the time we may expect the Pastor. l [Rises, and puts things in order on the verandah.
Page 37
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. :What! have we parsons coming? MISS JAY. Z Don t you know? MRS. HALM. JI told you, just a little while ago -
Page 38
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html ANNA. LNo, mother -Mr. Falk had not yet come. MRS. HALM. dWhy no, that s true; but pray don t look so glum. ZTrust me, you ll be enchanted with his visit.
Page 39
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. JA clerical enchanter; pray who is it? MRS. HALM. TWhy, Pastor Strawman, not unknown to fame.
Page 40
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \Indeed! Oh, yes, I think I ve heard his name, JAnd read that in the legislative game ZHe comes to take a hand, with voice and vote. STIVER. &He speaks superbly. GULDSTAD. ^ When he s cleared his throat. MISS JAY. 6He s coming with his wife MRS. HALM. h And all their blessings
-
Page 41
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. hTo give them three or four days treat, poor dears NSoon he ll be buried over head and ears TIn Swedish muddles and official messings -
-
Page 42
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html I see! *MRS. HALM [to FALK]. T Now there s a man for you, in truth! GULDSTAD. \They say he was a rogue, though, in his youth. *MISS JAY [offended]. VThere, Mr. Guldstad, I must break a lance! LI ve heard as long as I can recollect, VMost worthy people speak with great respect TOf Pastor Strawman and his life s romance. *GULDSTAD [laughing]. Romance? MISS JAY. T Romance! I call a match romantic VAt which mere worldly wisdom looks askance.
Page 43
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. >You make my curiosity gigantic. .MISS JAY [continuing]. TBut certain people always grow splenetic XWhy, goodness knows -at everything pathetic, ZAnd scoff it down. We all know how, of late, FAn unfledged, upstart undergraduate VPresumed, with brazen insolence, to declare VThat William Russell"(1)was a poor affair!
Page 44
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ZBut what has this to do with Strawman, pray? DIs he a poem, or a Christian play? DMISS JAY [with tears of emotion]. \No, Falk, -a man, with heart as large as day. XBut when a -so to speak -mere lifeless thing JCan put such venom into envy s sting, RAnd stir up evil passions fierce and fell "Of such a depth 0FALK [sympathetically]. Z And such a length as well MISS JAY. PWhy then, a man of your commanding brain &Can t fail to see -
Page 45
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ` Oh, yes, that s very plain. JBut hitherto I haven t quite made out ZThe nature, style, and plot of this romance. ^It s something quite delightful I ve no doubt LBut just a little inkling in advance STIVER. 4I will abstract, in rapid
Page 46
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html resume , &The leading points. MISS JAY. D No, I am more au fait , 2I know the ins and outs MRS. HALM. T I know them too! MISS JAY. LOh Mrs. Halm! now let me tell it, do! ZWell, Mr. Falk, you see -he passed at college RFor quite a miracle of wit and knowledge, PHad admirable taste in books and dress MRS. HALM. RAnd acted -privately -with great success. MISS JAY. ^Yes, wait a bit -he painted, played and wrote MRS. HALM. LAnd don t forget his gift of anecdote. MISS JAY. TDo give me time; I know the whole affair: PHe made some verses, set them to an air, LAlsö his own, -and found a publisher. PO heavens! with what romantic melancholy XHe played and sang his Madrigals to Molly ! MRS. HALM. BHe was a genius, the simple fact. .GULDSTAD [to himself]. RHm! Some were of opinion he was cracked.
-
Page 47
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RA gray old stager,(2)whose sagacious head JWas never upon mouldy parchments fed, \Says Love makes Petrarchs, just as many lambs DAnd little occupation, Abrahams. $But who was Molly? MISS JAY. J Molly? His elect, NHis lady-love, whom shortly we expect. ROf a great firm her father was a member GULDSTAD. A timber house. &MISS JAY [curtly]. J I m really not aware. GULDSTAD. XDid a large trade in scantlings, I remember. MISS JAY. NThat is the trivial side of the affair.
Page 48
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. A firm? .MISS JAY [continuing]. R Of vast resources, I m informed. PYou can imagine how the suitors swarm d; LGentlemen of the highest reputation. MRS. HALM. @Even a baronet made application. MISS JAY. TBut Molly was not to be made their catch. RShe had met Strawman upon private stages; 8To see him was to love him -
Page 49
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. R And despatch VThe wooing gentry home without their wages? MRS. HALM. JWas it not just a too romantic match? MISS JAY. RAnd then there was a terrible old father, XWhose sport was thrusting happy souls apart; JShe had a guardian also, as I gather, XTo add fresh torment to her tortured heart. LBut each of them was loyal to his vow; XA straw-hatched cottage and a snow-white ewe ZThey dream d of, just enough to nourish two MRS. HALM. BOr at the very uttermost a cow, MISS JAY. `In short, I ve heard it from the lips of both, TA beck, a byre, two bosoms, and one troth.
-
Page 50
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. &Ah yes! And then MISS JAY. b
? She broke with kin and class.
Page 51
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. She broke ? MRS. HALM. : Broke with them.
Page 52
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. h MISS JAY. >And fled to Strawman
There s garret -
s a plucky lass!
Page 53
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^ How? Without @Ahem, the priestly consecration? MISS JAY. N Shame! MRS. HALM. LFy, fy! my late beloved husband s name :Was on the list of sponsors ! ,STIVER [to MISS JAY]. V The one room PNot housing sheep and cattle, I presume. ,MISS JAY [to STIVER]. RO, but you must consider this, my friend; There is no Want> where Love s the guiding star; ZAll s right without if tender Troth s within. f [To Falk. PHe loved her to the notes of the guitar, HAnd she gave lessons on the violin MRS. HALM. ZThen all, of course, on credit they bespoke GULDSTAD. VTill, in a year, the timber merchant broke. MRS. HALM. DThen Strawman had a call to north. MISS JAY. X And there VVowed, in a letter that I saw (as few did), NHe lived but for his duty, and for her. NFALK [as if completing her statement]. dAnd with those words his Life s Romance concluded. (MRS. HALM [rising]. LHow if we should go out upon the lawn, VAnd see if there s no prospect of them yet? DMISS JAY [drawing on her mantle]. $It s cool already. MRS. HALM. R Svanhild, will you get JMy woollen shawl? -Come ladies, pray! TLIND [to ANNA, unobserved by the others]. X Go on! b[SVANHILD goes into the house; the others, except ^FALK, go towards the back and out to the left. TLIND, who has followed, stops and returns.
Page 54
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. My friend!
Page 55
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. (
Ah, ditto.
Page 56
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. \ Falk, your hand! The tide LOf joy s so vehement, it will perforce Break out -
Page 57
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. b Hullo there; you must first be tried; VSentence and hanging follow in due course. XNow, what on earth s the matter? To conceal hFrom me, your friend, this treasure of your finding; ZFor you ll confess the inference is binding: ZYou ve come into a prize off Fortune s wheel!
Page 58
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. ZI ve snared and taken Fortune
s blessed bird!
Page 59
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. THow?
Living,
-and undamaged by the steel?
Page 60
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. XPatience; I ll tell the matter in one word. 2I am engaged! Conceive ! FALK [quickly]. F Engaged!
Page 61
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. ^ It s true! TTo-day, -with unimagined courage swelling, ZI said, -ahem, it will not bear re-telling; XBut only think, -the sweet young maiden grew RQuite rosy-red, -but not at all enraged! XYou see, Falk, what I ventured for a bride! XShe listened, -and I rather think she cried; 0That, sure, means Yes ?
Page 62
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \
If precedents decide;
Page 63
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Go on.
Page 64
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. L
And so we really are
-engaged?
Page 65
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. LI should conclude so; but the only way PTo be quite certain, is to ask Miss Jay.
Page 66
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. JO no, I feel so confident, so clear! NSo perfectly assured, and void of fear. d [Radiantly, in a mysterious tone. PHark! I had leave her fingers to caress \When from the coffee-board she drew the cover. NFALK [lifting and emptying his glass]. fWell, flowers of spring your wedding garland dress! .LIND [doing the same]. ^And here I swear by heaven that I will love her DUntil I die, with love as infinite RAs now glows in me, -for she is so sweet!
Page 67
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. PEngaged! Aha, so that was why you flung NThe Holy Law and Prophets on the shelf! "LIND [laughing]. VAnd you believed it was the song you sung
!
Page 68
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. LA poet believes all things of himself. $LIND [seriously]. TDon t think, however, Falk, that I dismiss LThe theologian from my hour of bliss. LOnly, I find the Book will not suffice BAs Jacob s ladder unto Paradise. ZI must into God s world, and seek Him there. VA boundless kindness in my heart upsprings, ZI love the straw, I love the creeping things; NThey also in my joy shall have a share.
Page 69
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. @Yes, only tell me this, though
-
Page 70
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. d I have told it, bMy precious secret, and our three hearts hold it!
Page 71
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. LBut have you thought about the future?
Page 72
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. ` Thought? XI? -thought about the future? No, from this VTime forth I live but in the hour that is. RIn home shall all my happiness be sought; fWe hold Fate s reins, we drive her hither, thither, \And neither friend nor mother shall have right RTo say unto my budding blossom: Wither! RFor I am earnest and her eyes are bright, JAnd so it must unfold into the light!
Page 73
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. `Yes, Fortune likes you, you will serve her turn!
Page 74
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. RMy spirits like wild music glow and burn; JI feel myself a Titan: though a foss LOpened before me -I would leap across!
Page 75
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. XYour love, you mean to say, in simple prose, 6Has made a reindeer of you.
Page 76
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. T Well, suppose; RBut in my wildest flight, I know the nest ZIn which my heart s dove longs to be at rest!
Page 77
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. @Well then, to-morrow it may fly con brio , \You re off into the hills with the quartette. RI ll guarantee you against cold and wet -
Page 78
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. PPooh, the quartette may go and climb in trio , NThe lowly dale has mountain air for me; \Here I ve the immeasurable fjord, the flowers, ZHere I have warbling birds and choral bowers, TAnd lady fortune s self, -for here is she!
Page 79
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. dAh, lady Fortune by our Northern water caught her! l [With a glance towards the house. Hist -Svanhild -
Page 80
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. \ Well; I go, -disclose to none RThe secret that we share alone with one. T Twas good of you to listen; now enfold it bDeep in your heart, -warm, glowing, as I told it. f[He goes out in the background to the others. FALK ^looks after him a moment, and paces up and down Zin the garden, visibly striving to master his ^agitation. Presently SVANHILD comes out with a bshawl on her arm, and is going towards the back. TFALK approaches and gazes at her fixedly. SVANHILD stops. @SVANHILD [after a short pause]. $You gaze at me so! 0FALK [half to himself]. Z Yes, tis there -the same; ZThe shadow in her eyes deep mirror sleeping, RThe roguish elf about her lips a-peeping, It is there. SVANHILD. H What? You frighten me.
Page 81
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \ Your name Is Svanhild? SVANHILD. P Yes, you know it very well.
Page 82
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. NBut do you know the name is laughable? LI beg you to discard it from to-night! SVANHILD. ZThat would be far beyond a daughter s right "FALK [laughing]. 6Hm. Svanhild! Svanhild! X [With sudden gravity. R With your earliest breath NHow came you by this prophecy of death? SVANHILD. Is it so grim?
-
Page 83
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. B No, lovely as a song, ^But for our age too great and stern and strong, HHow can a modern demoiselle fill out LThe ideal that heroic name expresses? ZNo, no, discard it with your outworn dresses. SVANHILD. TYou mean the mythical princess, no doubt -
Page 84
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \Who, guiltless, died beneath the horse s feet. SVANHILD. PBut now such acts are clearly obsolete. dNo, no, I ll mount his saddle! There s my place! RHow often have I dreamt, in pensive ease, ZHe bore me, buoyant, through the world apace, RHis mane a flag of freedom in the breeze!
Page 85
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^Yes, the old tale. In pensive ease no mortal ^Is stopped by thwarting bar or cullis d portal; VFearless we cleave the ether without bound; \In practice, tho , we shrewdly hug the ground; jFor all love life and, having choice, will choose it; \And no man dares to leap where he may lose it. SVANHILD. ^Yes! show me but the end, I ll spurn the shore; TBut let the end be worth the leaping for! HA Ballarat beyond the desert sands XElse each will stay exactly where he stands. ,FALK [sarcastically]. VI grasp the case; -the due conditions fail. (SVANHILD [eagerly]. TExactly: what s the use of spreading sail RWhen there is not a breath of wind astir? &FALK [ironically]. VYes, what s the use of plying whip and spur FWhen there is not a penny of reward XFor him who tears him from the festal board, \And mounts, and dashes headlong to perdition? ZSuch doing for the deed s sake asks a knight, VAnd knighthood s now an idle superstition. @That was your meaning, possibly? SVANHILD. \ Quite right. ^Look at that fruit tree in the orchard close, RNo blossom on its barren branches blows. fYou should have seen last year with what brave airs VIt staggered underneath its world of pears. $FALK [uncertain]. TNo doubt, but what s the moral you impute? 2SVANHILD [with finesse]. PO, among other things, the bold unreason POf modern Zacharies who seek for fruit. XIf the tree blossom d to excess last season, ZYou must not crave the blossoms back in this.
Page 86
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. TI knew you d find your footing in the ways Of old romance. SVANHILD. J Yes, modern virtue is NOf quite another stamp. Who now arrays \Himself to battle for the truth? Who ll stake ^His life and person fearless for truth s sake? $Where is the hero?
GULDSTAD [lifting his finger]. dAh, -that s the point, and must not be betrayed! f [Changing his tone. NPray tell me your opinion of Miss Halm.
-
Page 115
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RO you re best able to pronounce upon her; XMy voice can neither credit nor dishonour, ^ [Smiling. RBut just take care no mischief-maker blot VThis fine poetic scheme of which you talk. LSuppose I were so shameless as to balk BThe meditated climax of the plot? 6GULDSTAD [good-naturedly]. ZWell, I would cry Amen, and change my plan.
Page 116
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. What! GULDSTAD. V Why, you see, you are a letter d man; XHow monstrous were it if your skill d design TWčré ruined by a bungler s hand like mine! \ [Retires to the background. 8FALK [in passing, to LIND]. fYes, you were right; the merchant s really scheming FThe ruin of your new-won happiness. ,LIND [aside to ANNA]. ^Now then you see, my doubting was not dreaming; LWe ll go this very moment and confess. n[They approach MRS. HALM, who is standing with Miss Jay by the house. FGULDSTAD [conversing with STIVER]. ( Tis a fine evening. STIVER. N Véry likely, -when $A man s disposed 0GULDSTAD [facetiously]. ^ What, all not running smooth ,In true love s course? STIVER. P Not that exactly $FALK [coming up]. \ Then *With your engagement? STIVER. Z That s about the truth.
Page 117
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. XHurrah! Your spendthrift pocket has a groat NOr two still left, it seems, of poetry. $STIVER [stiffly]. @I cannot see what poetry has got JTo do with my engagement, or with me.
Page 118
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. VYou are not meant to see; when lovers prove TWhat love is, all is over with their love. ,GULDSTAD [to STIVER]. TBut if there s matter for adjustment, pray Let s hear it. STIVER. T I ve been pondering all day PWhether the thing is proper to disclose, XBut still the Ayes are balanced by the Noes.
Page 119
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. VI ll right you in one sentence. Ever since VAs plighted lover you were first installed, ^You ve felt yourself, if I may say so, galled STIVER. 6And sometimes to the quick.
-
Page 120
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \ You ve had to wince LBeneath a crushing load of obligations bThat you d send packing, if good form permitted. 2That s what s the matter. STIVER. b Monstrous accusations! NMy legal debts I ve honestly acquitted; VBut other bonds next month are falling due; d [To GULDSTAD. TWhen a man weds, you see, he gets a wife &FALK [triumphant]. VNow your youth s heaven once again is blue; XThere rang an echo from your old song-life! \That s how it is: I read you thro and thro ; ^Wings, wings were all you wanted, -and a knife! STIVER. A knife?
Page 121
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. T Yes, Resolution s knife, to sever ZEach captive bond, and set you free for ever, To soar $STIVER [angrily]. T Nay, now you re insolent beyond NEndurance! Me to charge with violation TOf law, -me, me with plotting to abscond! JIt s libellous, malicious defamation, (Insult and calumny -
Page 122
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. L Are you insane? VWhat is all this about? Explain! Explain! BGULDSTAD [laughingly to STIVER]. ZYes, clear your mind of all this balderdash! "What do you want? FSTIVER [pulling himself together]. T A trifling loan in cash.
Page 123
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. A loan! @STIVER [hurriedly to GULDSTAD]. R That is, I mean to say, you know, LA voucher for a ten pound note, or so. :MISS JAY [to LIND and ANNA]. VI wish you joy! How lovely, how delicious! FGULDSTAD [going up to the ladies]. .Pray what has happened? Z [To himself.] This was unpropitious. XFALK [throws his arms about STIVER s neck]. VHurrah! the trumpet s dulcet notes proclaim JA brother born to you in Amor s name! Z [Drags him to the others. :MISS JAY [to the gentlemen]. hThink! Lind and Anna -think! -have plighted hearts, "Affianced lovers! FMRS. HALM [with tears of emotion]. T Tis the eighth in order TWho well-provided from this house departs; ` [To FALK. VSeven nieces wedded-always with a boarder n [Is overcome; presses her handkerchief to her eyes. (MISS JAY [to ANNA]. ZWell, there will come a flood of gratulation! b [Caresses her with emotion. 8LIND [seizing FALK s hand]. NMy friend, I walk in rapt intoxication!
Page 124
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RHold! As a plighted man you are a member JOf Rapture s Temperance-association. \Observe it s rules; -no orgies here, remember! ` [Turning to GULDSTAD sympathetically. $Well, my good sir! DGULDSTAD [beaming with pleasure]. P I think this promises .All happiness for both. .FALK [staring at him]. R You seem to stand NThe shock with exemplary self-command. That s well. GULDSTAD. F What do you mean, sir?
Page 125
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \ Only this; JThat inasmuch as you appeared to feed >Fond expectations of your own GULDSTAD. N Indeed?
Page 126
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. LAt any rate, you were upon the scent. ZYou named Miss Halm; you stood upon this spot And asked me (GULDSTAD [smiling]. h There are two, though, are there not?
Page 127
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. PIt was -the other sister that you meant? GULDSTAD. VThat sister, yes, the other one, -just so. \Judge for yourself, when you have come to know RThat sister better, if she has not in her bMerits which, if they were divined, would win her HA little more regard than we bestow. FALK [coldly]. LHer virtues are of every known variety I m sure. GULDSTAD. T Not quite; the accent of society PShe cannot hit exactly; there she loses.
Page 128
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. "A grievous fault. GULDSTAD. V But if her mother chooses ^To spend a winter on her, she ll come out of it and draws down the blind.
Page 161
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. dNo, first I ll act. I ve slept too long and late. h [Looks up at SVANHILD s window, and exclaims, as T if seized with a sudden resolution: rGood-night! Good-night! Sweet dreams to-night be thine; XTo-morrow, Svanhild, thou art plighted mine! l [Goes out quickly to the right; from the water the 8 CHORUS is heard again. CHORUS. LMaybe I shall shatter my roaming bark, JBut it s passing sweet to be roaming! l [The boat slowly glides away as the curtain falls. ACT SECOND ‚Sunday afternoon. Well-dressed ladies and gentlemen are drinking ‚ coffee on the verandah. Several of the guests appear through ‚ the open glass door in the garden-room; the following song is , heard from within. CHORUS. FWelcome, welcome, new plighted pair HTo the merry ranks of the plighted! BNow you may revel as free as air, ZCaress without stint and kiss without care, BNo longer of footfall affrighted. LNow you are licensed, wherever you go, BTo rapture of cooing and billing; PNow you have leisure love s seed to sow, NWater, and tend it, and make it grow; NLet us see you ve a talent for tilling! &MISS JAY [within]. NAh Lind, if I only had chanced to hear, 0I would have teased you! "A LADY [within]. \ How vexatious though! >ANOTHER LADY [in the doorway]. BDear Anna, did he ask in writing? AN AUNT. L No! Mine did. 4A LADY [on the verandah]. X How long has it been secret, dear? Z [Runs into the room. MISS JAY. VTo-morrow there will be the ring to choose. $LADIES [eagerly]. .We ll take his measure! MISS JAY. \ Nay; that she must do. jMRS. STRAWMAN [on the verandah, to a lady who is busy > with embroidery]. RWhat kind of knitting-needles do you use? VA SERVANT [in the door with a coffee-pot]. &More coffee, madam? A LADY. T Thanks, a drop or two. (MISS JAY [to ANNA]. RHow fortunate you ve got your new manteau PNext week to go your round of visits in! BAN ELDERLY LADY [at the window].
Page 162
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html RWhen shall we go and order the trousseau? MRS. STRAWMAN. LHow are they selling cotton-bombasine? \A GENTLEMAN [to some ladies on the verandah]. ZJust look at Lind and Anna; what s his sport? a biscuit in the other]. RThe witnesses must not mislead the court; PI here make affidavit, they re in error. &MISS JAY [within]. ZCome forward, Anna; stand before this mirror! .SOME LADIES [calling]. You, too, Lind! MISS JAY. ^ Back to back! A little nearer! LADIES. TCome, let us see by how much she is short. l [All run into the garden-room; laughter and shrill Z talk are heard for a while from within. d [FALK, who during the preceding scene has been h walking about in the garden, advances into the h foreground, stops and looks in until the noise 4 has somewhat abated.
Page 163
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \There love s romance is being done to death. \The butcher once who boggled at the slaughter, PProlonging needlessly the ox s breath, THe got his twenty days of bread and water; ^But these -these butchers yonder -they go free. ^ [Clenches his fist. `I could be tempted -; hold, words have no worth, VI ve sworn it, action only from henceforth! TLIND [coming hastily but cautiously out]. hThank God, they re talking fashions; now s my chance To slip away -
Page 164
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^ Ha, Lind, you ve drawn the prize POf luck, -congratulations buzz and dance RAll day about you, like a swarm of flies.
Page 165
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. VThey re all at heart so kindly and so nice; PBut rather fewer clients would suffice. \Their helping hands begin to gall and fret me; ^I ll get a moment s respite, if they ll let me. ^ [Going out to the right.
Page 166
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. Wither away?
Page 167
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. J Our den; -it has a lock; VIn case you find the oak is sported, knock.
Page 168
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. DBut shall I not fetch Anna to you?
Page 169
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. V No VIf she wants anything, she ll let me know. RLast night we were discussing until late; TWe ve settled almost everything of weight; VBesides I think it scarcely goes with piety XTo have too much of one s beloved s society.
Page 170
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. TYes, you are right; for daily food we need A simple diet.
Page 171
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. P Pray, excuse me, friend. LI want a whiff of reason and the weed; \I haven t smoked for three whole days on end. NMy blood was pulsing in such agitation, NI trembled for rejection all the time -
Page 172
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. NYes, you may well desire recuperation
-
Page 173
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. NAnd won t tobacco s flavour be sublime! h [Goes out to the right. MISS JAY and some other R LADIES come out of the garden-room. (MISS JAY [to FALK]. &That was he surely?
Page 174
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. T Yes, your hunted deer. LADIES. (To run away from us! OTHERS. V For shame! For shame!
Page 175
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. P Tis a bit shy at present, but, no fear, NA week of servitude will make him tame. 4MISS JAY [looking round]. Where is he hid?
Page 176
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. R His present hiding-place NIs in the garden loft, our common lair; \ [Blandly. RBut let me beg you not to seek him there; 4Give him a breathing time! MISS JAY. b Well, good: the grace .Will not be long, tho .
Page 177
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. T Nay, be generous! RTen minutes, -then begin the game again. LHe has an English sermon on the brain. MISS JAY. An English ? LADIES. \ O you laugh! You re fooling us!
Page 178
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \I m in grim earnest. Tis his fixed intention JTo take a charge among the emigrants, And therefore 0MISS JAY [with horror]. f Heavens, he had the face to mention >That mad idea? [To the ladies. h O quick -fetch all the aunts! HAnna, her mother, Mrs. Strawman too. &LADIES [agitated]. *This must be stopped! ALL. Z We ll make a great ado! MISS JAY. 4Thank God, they re coming. n[To ANNA, who comes from the garden-room with STRAWMAN, lhis wife and children, STIVER, GULDSTAD, MRS. HALM and "the other guests. MISS JAY. ` Do you know what Lind JHas secretly determined in his mind? *To go as missionary -
Page 179
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html ANNA. D Yes, I know. MRS. HALM. &And you ve agreed ! (ANNA [embarrassed]. R That I will also go. ,MISS JAY [indignant]. Was just as inconsolable as you 6When we received our Call STRAWMAN. ` And for like cause HThe fascination of the town -it was; HBut when a little money had come in, ZAnd the first pairs of infants, twin by twin, ,She quite got over it. >FALK [sotto voce to STRAWMAN]. L Bravo, you able Persuader. jSTRAWMAN [nodding to him and turning again to ANNA]. \ Now you ve promised me, be stable. `Shall man renounce his work? Falk says the Call DIs not so very slender after all. $Did you not, Falk?
Page 217
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. @ Nay, pastor STRAWMAN. Z To be sure ! ^ [To ANNA. VOf something then at least you are secure. VWhat s gained by giving up, if that is so? BLook back into the ages long ago, VSee, Adam, Eve -the Ark, see, pair by pair, TBirds in the field -the lilies in the air, `The little birds -the little birds -the fishes `[Continues in a lower tone, as he withdraws with ANNA. R[MISS JAY and the AUNTS return with LIND.
-
Page 218
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RHurrah! Here come the veterans in array; VThe old guard charging to retrieve the day! MISS JAY. PAh, in exact accordance with out wishes! ^ [Aside. TWe have him, Falk! -Now let us tackle her! \ [Approaches ANNA. LSTRAWMAN [with a deprecating motion]. DShe needs no secular solicitation; ^The Spirit has spoken, what can Earth bestead ? b [Modestly. VIf in some small degree my words have sped, 2Power was vouchsafed me ! MRS. HALM. b Come, no more evasion, (Bring them together! ,AUNTS [with emotion]. N Ah, how exquisite. STRAWMAN. TYes, can there be a heart so dull and dead PAs not to be entranced at such a sight! LIt is so thrilling and so penetrating, >So lacerating, so exhilarating, HTo see an innocent babe devoutly lay :Its offering on Duty s altar. MRS. HALM. D Nay, JHer family have also done their part. MISS JAY. LI and the Aunts -I should imagine so. XYou, Lind, may have the key to Anna s heart, Z [Presses his hand. RBut we possess a picklock, you must know, NAble to open where the key avails not. bAnd if in years to come, cares throng and thwart, VOnly apply to us, our friendship fails not. MRS. HALM. \Yes, we shall hover round you all your life, MISS JAY. ^And shield you from the fiend of wedded strife. STRAWMAN. lEnchanting group! Love, friendship, hour of gladness, RYet so pathetically touched with sadness. ` [Turning to LIND. ZBut now, young man, pray make an end of this. \ [Leading ANNA to him. ZTake thy betrothed -receive her -with a kiss! @LIND [giving his hand to ANNA]. I stay at home! 6ANNA [at the same moment]. I go with you! ANNA [amazed]. 0 You stay? &LIND [equally so]. P You go with me? \ANNA [with a helpless glance at the company]. HWhy, then, we are divided as before!
Page 219
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. What s this? Thé LADIES. * What now? ,MISS JAY [excitedly]. V Our wills are at war STRAWMAN. RShe gave her solemn word to cross the sea With him! MISS JAY. N And he gave his to stay ashore With her! "FALK [laughing]. PThey both complied; what would you more! STRAWMAN. PThese complications are too much for me. P [Goes toward the background. 0AUNTS [to one another]. NHow in the world came they to disagree? MRS. HALM \[To GULDSTAD and STIVER, who have been walking R in the garden and now approach. ZThe spirit of discord s in possession of her. Z [Talks aside to them. MRS. STRAWMAN P[To MISS JAY, noticing that the table is 2 being laid. (There comes the tea. &MISS JAY [curtly]. D Thank heaven.
Page 220
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. d Hurrah! a cheer \For love and friendship, maiden aunts and tea! STIVER. bBut if the case stands thus, the whole proceeding BMay easily be ended with a laugh; DAll turns upon a single paragraph, fWhich bids the wife attend the spouse. No pleading TCan wrest an ordinance so clearly stated MISS JAY. TDoubtless, but does that help us to agree? STRAWMAN. RShe must obey a law that heaven dictated. STIVER. TBut Lind can circumvent that law, you see. \ [To LIND. ZPut off your journey, and then -budge no jot. &AUNTS [delighted]. (Yes, that s the way! MRS HALM. 8 Agreed! MISS JAY. ` That cuts the knot. \[SVANHILD and the maids have meantime laid the htea-table beside the verandah steps. At MRS. HALM s `invitation the ladies sit down. The rest of the bcompany take their places, partly on the verandah ^and in the summer-house, partly in the garden. `FALK sits on the verandah. During the following *scene they drink tea. *MRS. HALM [smiling]. LAnd so our little storm is overblown. ^Such summer showers do good when they are gone; TThe sunshine greets us with a double boon, FAnd promises a cloudless afternoon. MISS JAY. TAh yes, Love s blossom without rainy skies VWould never thrive according to our wishes.
Page 221
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. TIn dry land set it, and it forthwith dies; ^For in so far the flowers are like the fishes SVANHILD. ZNay, for Love lives, you know, upon the air MISS JAY. In desolate December as in May. GULDSTAD. ZNo, Iceland moss, dry gathered, -far the best XCure for young ladies with a wounded breast. A GENTLEMAN. PNo, the wild chestnut tree, -high repute XFor household fuel, but with a bitter fruit. SVANHILD. PNo, a camellia; at our balls, tis said, JThe chief adornment of a lady s head. MRS. STRAWMAN. ^No, it is like a flower, O such a bright one; \Stay now -a blue one, no, it was a white one \What is it s name ? Dear me -the one I met -; BWell it is singular how I forget! STIVER. *None of these flower similitudes will run. NThe flowerpot is a likelier candidate. TThere s only room in it, at once, for one; RBut by progressive stages it holds eight. XSTRAWMAN [with his little girls round him]. ^No, love s a pear tree; in the spring like snow TWith myriad blossoms, which in summer grow ^To pearlets; in the parent s sap each shares; dAnd with God s help they ll all alike prove pears.
Page 225
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. DSo many heads, so many sentences! XNo, you all grope and blunder off the line. ZEach simile s at fault; I ll tell you mine; ^You re free to turn and wrest it as you please. h [Rises as if to make a speech. XIn the remotest east there grows a plant;(4) XAnd the sun s cousin s garden is its haunt Thé LADIES. .Ah, it s the tea-plant!
Page 226
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. 8 Yes. MRS. STRAWMAN. X His voice is so 2Like Strawman s when he STRAWMAN. b Don t disturb his flow.
Page 227
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. NIt has its home in fabled lands serene; VThousands of miles of desert lie between; TFill up, Lind! -So. -Now in a tea-oration, XI ll show of tea and Love the true relation. f [The guests cluster round him. JIt has its home in the romantic land; JAlas, Love s home is also in Romance, JOnly the Sun s descendants understand TThe herb s right cultivation and advance. NWith Love it is not otherwise than so. TBlood of the Sun along the veins must flow RIf Love indeed therein is to strike root, JAnd burgeon into blossom, into fruit. MISS JAY. LBut China is an ancient land; you hold JIn consequence that tea is very old STRAWMAN. LPast question antecedent to Jérusalem.
Page 228
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RYes, twas already famous when Methusalem \His picture-books and rattles tore and flung 2MISS JAY [triumphantly]. LAnd love is in its very nature young! PTo find a likeness there is pretty bold.
-
Page 229
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. JNo; Love, in truth, is also very old; LThat principle we here no more dispute JThan do the folks of Rio or Beyrout. ^Nay, there are those from Cayenne to Caithness, JWho stand upon its everlastingness; LWell, that may be slight exaggeration, HBut old it is beyond all estimation. MISS JAY. JBut Love is all alike; whereas we see XBoth good and bad and middling kinds of tea! MRS. STRAWMAN. JYes, they sell tea of many qualities.
Page 230
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html ANNA. `The green spring shoots I count the very first SVANHILD. dThose serve to quench celestial daughter s thirst. A YOUNG LADY. PWitching as ether fumes they say it is ANOTHER. PBalmy as lotus, sweet as almond, clear GULDSTAD. LThat s not an article we deal in here. lFALK [who has meanwhile come down from the verandah]. HAh, ladies, every mortal has a small NPrivate celestial empire in his heart. \There bud such shoots in thousands, kept apart TBy Shyness s soon shatter d Chinese Wall. JBut in her dim fantastic temple bower RThe little Chinese puppet sits and sighs, PA dream of far-off wonders in her eyes NAnd in her hand a golden tulip flower. ZFor her the tender firstling tendrils grew; TRich crop or meagre, what is that to you? DInstead of it we get an after crop dThey kick the tree for, dust and stalk and stem, TAs hemp to silk beside what goes to them GULDSTAD. $That is black tea. FALK [nodding]. \ That s what fills the shop. A GENTLEMAN. fThere s beef tea too, that Holberg says a word of (MISS JAY [sharply]. JTo modern taste entirely out of date.
Page 231
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. TAnd a beef love has equally been heard of, RWont -in romances -to brow-beat its mate, XAnd still they say its trace may be detected XAmongst the henpecked of the married state. lIn short there s likeness where twas least expected. TSo, as you know, an ancient proverb tells, NThat something ever passes from the tea POf the bouquet that lodges in its cells, LIf it be carried hither over the sea. TIt must across the desert and the hills, VPay toll to Cossack and to Russian tills; ^It gets their stamp and licence, that s enough, RWe buy it as the true and genuine stuff. ZBut has not Love the self-same path to fare? ^Across Life s desert? How the world would rave RAnd shriek if you or I should boldly bear ROur Love by way of Freedom s ocean wave! \ Good heavens, his moral savour s passed away, TAnd quite dispersed Legality s bouquet! &STRAWMAN [rising]. DYes, happily, -in every moral land JSuch wares continue to be contraband!
Page 232
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. bYes, to pass current here, Love must have cross d PThe great Siberian waste of regulations, RFann d by no breath of ocean to its cost; It must produce official attestations ZFrom friend and kindred, devils of relations, RFrom church curators, organist and clerk, HAnd other fine folks -over and above XThe primal licence which God gave to Love. `And then the last great point of likeness; -mark LHow heavily the hand of culture weighs >Upon that far Celestial domain; XIts power is shatter d, and its wall decays, bThe last true Mandarin s strangled; hands profane RAlready are put forth to share the spoil; VSoon the Sun s realm will be a legend vain, BAn idle tale incredible to sense; ^The world is gray in gray -we ve flung the soil `On buried Faery, -then where can Love be found? DAlas, Love also is departed hence! b [Lifts his cup. ZWell let him go, since so the times decree; RA health to Amor, late of Earth, -in tea! b [He drains his cup; indignant murmurs amongst $ the company. MISS JAY. LA very odd expression! Dead indeed! Thé LADIES. 4To say that Love is dead ! STRAWMAN. X Why, here you see VHim sitting, rosy, round and sound, at tea, TIn all conditions! Here in her sable weed The widow MISS JAY. X Here a couple, true and tried, STIVER. DWith many ample pledges fortified. GULDSTAD. TThe Love s light cavalry, of maid and man, :The plighted pairs in order STRAWMAN. P In the van \The veterans, whose troth has laughed to scorn &The tooth of Time BMISS JAY [hastily interrupting]. b And then the babes new-born FThe little novices of yester-morn STRAWMAN. TSpring, summer, autumn, winter, in a word, \Are here; the truth is patent, past all doubt, bIt can be clutched and handled, seen and heard, -
Page 233
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. What then? MISS JAY. Z And yet you want to thrust it out!
Page 234
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RMadam, you quite mistake. In all I spoke LI cast no doubt on anything you claim; ZBut I would fain remind you that, from smoke, BWe cannot logically argue flame. TThat men are married, and have children, I @Have no desire whatever to deny; VNor do I dream of doubting that such things XAre in the world as troth and wedding-rings; RThe billets-doux some tender hands indite `And seal with pairs of turtle doves that -fight; \That sweethearts swarm in cottage and in hall, NThat chocolate reward the wedding call; NThat usage and convention have decreed, ZIn every point, how Lovers shall proceed: \But, heavens! We ve majors also by the score, LArsenals heaped with muniments of war, XWith spurs and howitzers and drums and shot, NBut what does that permit us to infer? VThat we have men who dangle swords, but not bThat they will wield the weapons that they wear. bTho all the plain with gleaming tents you crowd, ZDoes that make heroes of the men they shroud? STRAWMAN. HWell, all in moderation; I must own, LIt is not quite conducive to the truth ZThat we should paint the enamourment of youth PSo bright, as if -ahem -it stood alone. RLove-making still a frail foundation is. BOnly the snuggery of wedded bliss RProvides a rock where Love may builded be 2In unassailable security. MISS JAY. JThere I entirely differ. In my view, TA free accord of lovers, heart with heart, PWho hold together, having leave to part, ^Gives the best warrant that their love is true. ANNA [warmly]. ZO no -Love s bound when it is fresh and young XIs of a stuff more precious and more strong. *LIND [thoughtfully]. FPossibly the ideal flower may blow, VEven as that snowdrop, -hidden by the snow. >FALK [with a sudden outburst]. RYou fallen Adam! There a heart was cleft LWith longing for the Eden it has left!
Page 235
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. What stuff! NMRS. HALM [offended, to FALK, rising]. R Tis not a very friendly act XTo stir a quarrel where we ve made a peace. ^As for your friend s good fortune, be at ease SOME LADIES. (Nay that s assured OTHERS. T A very certain fact. MRS. HALM. XThe cooking-class at school, I must confess, ^She did not take; but she shall learn it still. MISS JAY. `With her own hands she s trimming her own dress. >AN AUNT [patting ANNA s hand]. BAnd growing exquisitely sensible. .FALK [laughing aloud]. NO parody of sense, that rives and rends RIn mania dance upon the lips of friends! NWas it good sense he wanted? Or a sheDProfessor of the lore of Cookery? PA joyous son of springtime he came here, XFor the wild rosebud on the bush he burned. ZYou reared the rosebud for him; he returned LAnd for his rose found what? The hip! *MISS JAY [offended]. b You jeer!
Page 236
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. XA useful household condiment, heaven knows! PBut yet the hip was not his bridal rose. MRS. HALM. NO, if it is a ball-room queen he wants, VI m very sorry; these are not their haunts.
Page 237
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. BO yes, I know the pretty coquetry DThey carry on with Domesticity. DIt is a suckling of the mighty Lie bThat, like hop-tendrils, spreads itself on high. BI, madam, reverently bare my head TTo the ball queen; a child of beauty she And the ideal s
Page 238
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html golden woof is spread JIn ball-rooms, hardly in the nursery. PMRS. HALM [with suppressed bitterness]. LYour conduct, sir is easily explained; HA plighted lover cannot be a friend; NThat is the kernel of the whole affair; JI have a very large experience there.
Page 239
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. VNo doubt, -with seven nieces, each a wife MRS. HALM. .And each a happy wife ,FALK [with emphasis]. N Ah, do we know? GULDSTAD. How! MISS JAY. Mr. Falk!
-
Page 240
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. P Are you resolved to sow Dissension? &FALK [vehemently]. ` Yes, war, discord, turmoil, strife! STIVER. NWhat you, a lay, profane outsider here!
Page 241
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. XNo matter, still the battle-flag I ll rear! RYes, it is war I mean with nail and tooth PAgainst the Lie with the tenacious root, TThe lie that you have fostered into fruit, XFor all its strutting in the guise of truth! STIVER. VAgainst these groundless charges I protest, 6Reserving right of action MISS JAY. T Do be still!
Page 242
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. LSo then it is Love s ever-running rill ^That tells the widow what she once possess d, ^Out of her language blotted moan and sigh ! ZSo then it is Love s brimming tide that rolls RAlong the placid veins of wedded souls, RThat very Love that faced the iron sleet, LTrampling inane Convention under feet, NAnd scoffing at the impotent discreet! RSo then it is Love s beauty-kindled flame \That keeps the plighted from the taint of time NYear after year! Ah yes, the very same ^That made our young bureaucrat blaze in rhyme! ^So it is Love s young bliss that will not brave JThe voyage over vaulted Ocean s wave, PBut asks a sacrifice when, like the sun, ZIts face should fill with glory, making one! LAh no, you vulgar prophets of the Lie, ^Give things the names we ought to know them by; ZCall widows passion -wanting what they miss, PAnd wedlock s habit -call it what it is! STRAWMAN. XYoung man, this insolence has gone too far! XIn every word there s scoffing and defiance. d [Goes close up to FALK. JNow I ll gird up my aged loins to war VFor hallowed custom against modern science!
Page 243
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. DI go to battle as it were a feast! STRAWMAN. ZGood! For your bullets I will be a beacon: \ [Nearer. LA wedded pair is holy, like a priest >STIVER [at FALK s other side]. "And a betrothed -
Page 244
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^ Half-holy, like the deacon. STRAWMAN. bBehold these children; -see, -this little throng! Io triumphe. may for them be sung! PHow was it possible -how practicable -: XThe words of truth are strong, inexorable -; RHe has no hearing whom they cannot move. VSee, -every one of them s a child of Love ! ` [Stops in confusion. XThat is -you understand -I would have said ! dMISS JAY [fanning herself with her handkerchief]. @This is a very mystical oration!
Page 245
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^There you yourself provide the demonstration, fA good old Norse one, sound, true-born, home-bred. VYou draw distinction between wedded pledges ^And those of Love: your Logic s without flaw. \They are distinguished just as roast from raw, \As hothouse bloom from wilding of the hedges! JLove is with us a science and an art; ^It long ago since ceased to animate the heart. NLove is with us a trade, a special line VOf business, with its union, code and sign; XIt is a guild of married folks and plighted, JPast-masters with apprentices united; PFor they cohere compact as jelly-fishes, \A singing-club their single want and wish is GULDSTAD. And a gazette!
Page 246
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. P A good suggestion, yes! PWe too must have our organ in the press, VLike ladies, athletes, boys, and devotees. ^Don t ask the price at present, if you please. JThere I ll parade each amatory fetter PThat John and Thomas to our town unites, XThere publish every pink and perfumed letter PThat William to his tender Jane indites; dThere you shall read, among Distressing Scenes :Instead of murders and burnt crinolines , XThe broken matches that the week s afforded; fThere under goods for sale you ll find what firms TWill furnish cast-off rings on easy terms; ZThere double, treble births will be recorded; LNo wedding, but our rallying rub-a-dub VShall drum to the performance all the club; PNo suit rejected, but we ll set it down, VIn letters large, with other news of weight PThus: Amor-Moloch, we regret to state, RHas claimed another victim in our town. fYou ll see, we ll catch subscribers: once in sight POf the propitious season when they bite, \By way of throwing them the bait they ll brook TI ll stick a nice young man upon my hook. TYes, you will see me battle for our cause, NWith tiger s, nay with editorial, claws Rending them GULDSTAD. \ And the paper s name will be ?
Page 247
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. DAmor s Norse Chronicle of Archery. .STIVER [going nearer]. VYou re not in earnest, you will never stake VYour name and fame for such a fancy s sake!
Page 248
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. NI m in grim earnest. We are often told XMen cannot live on love; I ll show that this 6Is an untenable hypothesis; TFor Love will prove to be a mine of gold: DParticularly if Miss Jay, perhaps, XWill Mr. Strawman s Life s Romance unfold, As appetising feuilleton , in scraps. ,STRAWMAN [in terror]. fMerciful heaven! My life s romance! What, what! RWhen was my life romantic, if you please? MISS JAY. I never said so. STIVER. H Witness disagrees. STRAWMAN. JThat I have ever swerved a single jot VFrom social prescript, -is a monstrous lie.
Page 249
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. Good. Z [Clapping STIVER on the shoulder. \ Here s a friend who will not put me by. TWe ll start with Stiver s lyric ecstasies. ^STIVER [after a glance of horror at STRAWMAN]. \Are you quite mad! Nay then I must be heard! >You dare accuse me for a poet MISS JAY. N How !
Page 250
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. DYour office has averred it anyhow. 8STIVER [in towering anger]. LSir, by our office nothing is averred.
Page 251
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. XWell, leave me then, you also: I have by me ROne comrade yet whose loyalty will last. Z A true heart s story Lind will not deny me, ZWhose troth s too tender for the ocean blast, NWho for his mistress makes surrender of THis fellow-men -pure quintessence of Love! MRS. HALM. PMy patience, Mr. Falk, is now worn out. TThe same abode no longer can receive us: PI beg of you this very day to leave us rFALK [with a bow as MRS. HALM and the company withdraw]. RThat this would come I never had a doubt! STRAWMAN. ZBetween us two there s a battle to the death; \You ve slandered me, my wife, my little flock, TFrom Molly down to Millie, in one breath. $Crow on, crow on - Émancipation s cock, ^ [Goes in followed by his wife and children.
Page 252
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. JAnd go you on observing Peter s faith \To Love your lord -who, thanks to your advice, \Was thrice denied before the cock crew thrice! 4MISS JAY [turning faint]. LAttend me, Stiver! help me get unlaced ZMy corset -this way, this way -do make haste! vSTIVER [to FALK as he withdraws with MISS JAY on his arm]. @I here renounce your friendship.
Page 253
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. Z $FALK [seriously]. "You too, my Lind?
I likewise.
Page 254
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. 8
Farewell.
Page 255
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \
You were my nearest one
-
Page 256
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. \No help, it is the pleasure of my dearest one. f[He goes in: SVANHILD has remained standing on the verandah steps.
Page 257
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^So, now I ve made a clearance, have free course $In all directions! SVANHILD. X Falk, one word with you! NFALK [pointing politely to the house]. dThat way, Miss Halm; -that way, with all the force ROf aunts and inmates, Mrs. Halm withdrew. .SVANHILD [nearer him]. \Let them withdraw; their ways and mine divide; TI will not swell the number of their band.
Page 258
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. You ll stay? SVANHILD. \ If you make war on lies, I stand HA trusty armour-bearer by your side.
Page 259
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. 0You, Svanhild, you who SVANHILD. ^ I, who -yesterday ZWčré you yourself, Falk, yesterday the same? NYou bade me be a sallow, for your play.
?
Page 260
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. NAnd a sweet sallow sang me into shame. RNo, you are right: I was a child to ask; PBut you have fired me to a nobler task. ^Right in the midst of men the Church is founded ^Where Truth s appealing clarion must be sounded XWe are not called, like demigods, to gaze on ZThe battle from the far-off mountain s crest, VBut in our hearts to bear our fiery blazon, NAn Olaf s cross upon a mailed breast, RTo look afar across the fields of flight, TTho pent within the mazes of its might, PBeyond the mirk descry one glimmer still ROf glory -that s the Call we must fulfil. SVANHILD. ZAnd you ll fulfil it when you break from men, (Stand free, alone, -
Page 261
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ` Did I frequent them then? `And there lies duty. No, that time s gone by, DMy solitary compact with the sky. HMy four-wall-chamber poetry is done; VMy verse shall live in forest and in field, XI ll fight under the splendour of the sun; NI or the Lie -one of us two must yield! SVANHILD. ^Then forth with God from Verse to Derring-doe! VI did you wrong: you have a feeling heart; \Forgive me, -and as good friends let us part -
Page 262
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RNay, in my future there is room for two! VWe part not. Svanhild, if you dare decide, LWe ll battle on together side by side. SVANHILD. We battle?
Page 263
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. V See, I have no friend, no mate, JBy all abandoned, I make war on all: VAt me they aim the piercing shafts of hate; VSay, do you dare with me to stand or fall? VHenceforth along the beaten walks I ll move NHeedful of each constraining etiquette; ^Spread, like the rest of men, my board, and set BThe ring upon the finger of love! d [Takes a ring from his finger and holds it up. FSVANHILD [in breathless suspense]. You mean that?
Page 264
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \ Yes, by us the world will see, >Love has an everlasting energy, VThat suffers not its splendour to take hurt `From the day s dust, the common highway s dirt. RLast night I showed you the ideal aflame, PBeaconing from a dizzy mountain s brow. RYou shuddered, for you were a woman, -now FI show you woman s veritable aim; bA soul like yours, what it has vowed, will keep. ZYou see the abyss before you, Svanhild, leap! :SVANHILD [almost inaudibly]. &If we should fail ? "FALK [exulting]. X No, in your eyes I see VA gleam that surely prophesies our winning! SVANHILD. LThen take me as I am, take all of me! fNow buds the young leaf; now my spring s beginning! ^[She flings herself boldly into his arms as the curtain falls. ‚SVANHILD [Looks after him a moment, then says softly but firmly: JNow over is my life, by lea and lawn, fThe leaves are falling; -now the world may take me. b[At this moment the piano strikes up a dance, and ^champagne corks explode in the background. The ^gentlemen hurry to and fro with their ladies on Ztheir arms. GULDSTAD approaches SVANHILD and Xbows: she starts momentarily, then collects \herself and gives him her hand. MRS. HALM and fher family, who have watched the scene in suspense, \throng about them with expressions of rapture, Twhich are overpowered by the music and the Nmerriment of the dancers in the garden. h [But from the country the following chorus rings ^ loud and defiant through the dance music: @CHORUS OF FALK AND Thé STUDENTS. PAnd what if I shattered my roaming bark, FIt was passing sweet to be roaming! *MOST OF Thé COMPANY. Hurrah! X [Dance and merriment; the curtain falls. l[Turning to the company, while the STUDENTS depart and rand the Chorus of the First Act is faintly heard outside. T[They go across in conversation; MRS. HALM 2approaches with SVANHILD. ACT THIRD. ‚Evening. Bright moonlight. Coloured lanterns are hung about the | trees. In the background are covered tables with bottles, . glasses, biscuits, etcF. From the house, which is lighted | up from top to bottom, subdued music and singing are heard „ during the following scene. SVANHILD stands on the verandah. z FALK comes from the right with some books and a portfolio z under his arm. The PORTER follows with a portmanteau and knapsack.
Page 265
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. "That s all, then? PORTER. ^ Yes, sir, all is in the pack, HBut just a satchel, and the paletot.
Page 266
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. XGood; when I go, I ll take them on my back. JNow off. See, this is the portfolio. PORTER. &It s locked, I see.
Page 267
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. D PORTER. Z
Locked, Peter. Good, sir.
Page 268
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. f .Make haste and burn it. PORTER. @ Burn it?
Pray,
Page 269
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \ Yes, to ash f [Smiling. DWith every draft upon poetic cash; RAs for the books, you re welcome to them. PORTER. \ Nay, XSuch payment is above a poor man s earning. RBut, sir, I m thinking, if you can bestow lYour books, you must have done with all your learning?
Page 270
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RWhatever can be learnt from books I know, And rather more. PORTER. b More? Nay, that s hard I doubt!
Page 271
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ZWell, now be off; the carriers wait without. TJust help them load the barrow ere you go. \ [The PORTER goes out to the left. fFALK [approaching SVANHILD who comes to meet him]. XOne moment s ours, my Svanhild, in the light ROf God and of the lustrous summer night. ZHow the stars glitter thro the leafage, see, fLike bright fruit hanging on the great world-tree. DNow slavery s last manacle I slip, XNow for the last time feel the wealing whip; HLike Israel at the Passover I stand, XLoins girded for the desert, staff in hand. PDull generation, from whose sight is hid XThe Promised Land beyond that desert flight, lThrall tricked with knighthood, never the more knight, NTomb thyself kinglike in the Pyramid, LI cross the barren desert to be free. RMy ship strides on despite an ebbing sea; ZBut there the Legion Lie shall find its doom, ZAnd glut one deep, dark, hollow-vaulted tomb. p [A short pause; he looks at her and takes her hand. "You are so still! SVANHILD. N So happy! Suffer me, NO suffer me in silence still to dream. hSpeak you for me; my budding thoughts, grown strong, JOne after one will burgeon into song, NLike lilies in the bosom of the stream.
Page 272
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RO say it once again, in truth s pure tone \Beyond the fear of doubt, that thou art mine! 2O say it, Svanhild, say RSVANHILD [throwing herself on his neck]. T Yes, I am thine!
Page 273
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RThou singing-bird God sent me for my own! SVANHILD. THomeless within my mother s house I dwelt, NLonely in all I thought, in all I felt, RA guest unbidden at the feast of mirth, ZAccounted nothing -less than nothing -worth. \Then you appeared! For the first time I heard RMy own thought uttered in another s word; XTo my lame visions you gave wings and feet HYou young unmasker of the Obsolete! ^Half with your caustic keenness you alarmed me, `Half with your radiant eloquence you charmed me, VAs sea-girt forests summon with their spell TThe sea their flinty beaches still repel. PNow I have read the bottom of your soul, LNow you have won me, undivided, whole; VDear forest, where my tossing billows beat, TMy tide s at flood and never will retreat!
Page 274
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. PAnd I thank God that in the bath of Pain ^He purged my love. What strong compulsion drew FMe on I knew not, till I saw in you VThe treasure I had blindly sought in vain. TI praise Him, who our love has lifted thus JTo noble rank by sorrow, -licensed us LTo a triumphal progress, bade us sweep PThro fen and forest to our castle-keep, BA noble pair, astride on Pegasus! DSVANHILD [pointing to the house]. `The whole house, see, is making feast to-night. XThere, in their honour, every room s alight, ZThere cheerful talk and joyous song ring out; NOn the highroad no passer-by will doubt RThat men are happy where they are so gay. b [With compassion. ZPoor sister! -happy in the great world s way!
Page 275
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. . Poor sister, say you? SVANHILD. V Has she not divided VWith kith and kin the treasure of her soul, HHer capital to fifty hands confided, RSo that not one is debtor for the whole? TFrom no one has she all things to receive, HFor no one has she utterly to live. PO beside my wealth hers is little worth; LI have but one possession upon earth. ZMy heart was lordless when with trumpet blare TAnd multitudinous song you came, its king, VThe banners of my thought your ensign bear, \You fill my soul with glory, like the spring. ZYes, I must needs thank God, when it is past, TThat I was lonely till I found out thee, NThat I lay dead until the trumpet blast LWaken d me from the world s frivolity.
Page 276
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. \Yes we, who have no friends on earth, we twain XOwn the true wealth, the golden fortune, -we TWho stand without, beside the starlit sea, VAnd watch the indoor revel thro the pane. TLet the lamp glitter and the song resound, VLet the dance madly eddy round and round; VLook up, my Svanhild, into yon deep blue, \There glitter little lamps in thousands, too SVANHILD. ^And hark, beloved, thro the limes there floats PThis balmy eve a chorus of sweet notes -
Page 277
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RIt is for us that fretted vault s aglow SVANHILD. HIt is for us the vale is loud below!
-
Page 278
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. NI feel myself like God s lost prodigal; XI left Him for the world s delusive charms. TWith mild reproof He wooed me to His arms; XAnd when I come, He lights the vaulted hall, PPrepares a banquet for the son restored, TAnd makes His noblest creature my reward. fFrom this time forth I ll never leave that Light, TBut stand its armed defender in the fight; ^Nothing shall part us, and our life shall prove FA song of glory to triumphant love! SVANHILD. HAnd see how easy triumph is for two, "When He s a man -
-
Page 279
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^ She, woman thro and thro ; DIt is impossible for such to fall! SVANHILD. ZThen up, and to the war with want and sorrow; JThis very hour I will declare it all! Z [Pointing to FALK s ring on her finger. FALK [hastily]. bNo, Svanhild, not to-night, wait till to-morrow! ZTo-night we gather our young love s red rose; X Twere sacrilege to smirch it with the prose Of common day. Z [The door into the garden-room opens. V Your mother s coming! Hide! ZNo eye this night shall see thee as my bride! d[They go out among the trees by the summer-house. ^MRS. HALM and GULDSTAD come out on the balcony. MRS. HALM. $He s really going? GULDSTAD. J Seems so, I admit. "STIVER [coming]. $He s going, madam! MRS. HALM. J We re aware of it! STIVER. If once I mutter but a syllable TAgainst the brazen bluster of his claims. PThese civil-service gentlemen, they say, JAre very potent in the press to-day. HA trumpery paragraph can lay me low, POnce printed in that Samson-like Gazette RThat with the jaw of asses fells its foe, NAnd runs away with tackle and with net, HEspecially towards the quarter day &FALK [aquiescing]. XAh, were there scandal in the case, indeed 2STRAWMAN [despondently]. XNo matter. Read its columns with good heed, LYou ll see me offered up to Vengeance. (FALK [whimsically]. V Nay, PTo retribution -well-earned punishment. PThro all our life there runs a Nemesis, NWhich may delay, but never will relent, RAnd grants to none exception or release. ^Who wrongs the Ideal? Straight there rushes in VThe Press, its guardian with the Argus eye, JAnd the offender suffers for his sin. STRAWMAN. ZBut in the name of heaven, what pledge have I ^Given this Ideal that s ever on your tongue? PI m married, have a family, twelve young TAnd helpless innocents to clothe and keep; HI have my daily calls on every side, VChurches remote and gleve and pasture wide, ^Great herds of breeding cattle, ghostly sheep ^All to be watched and cared for, clipt and fed, ZGrain to be winnowed, compost to be spread; NWanted all day in shippon and in stall, What time have I: to serve the Ideal withal?
Page 286
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ZThen get you home with what dispatch you may, NCreep snugly in before the winter-cold; XLook, in young Norway dawns at last the day, `Thousand brave hearts are in its ranks enroll d, PIts banners in the morning breezes play! STRAWMAN. PAnd if, young man, I were to take my way TWith bag and baggage home, with everything JThat made me yesterday a little king, &Wčré mine the only volet face to-day? XThink you I carry back the wealth I brought? Z [As FALK is about to answer. VNay, listen let me first explain my thought X [Coming nearer. ^Time was when I was young, like you, and played RLike you, the unconquerable Titan s part; \Year after year I toiled and moiled for bread, ^Which hardens a man s hand, but not his heart. ZFor northern fells my lonely home surrounded, \And by my parish bounds my world was bounded. PMy home -Ah, Falk, I wonder, do you know What home is? FALK [curtly]. B I have never known. STRAWMAN. ` Just so. ^That is a home, where five may dwell with ease, NTho two would be a crowd, if enemies. bThat is a home, where all your thoughts play free XAs boys and girls about their father s knee, bWhere speech no sooner touches heart, than tongue PDarts back an answering harmony of song; bWhere you may grow from flax-haired snowy-polled, VAnd not a soul take note that you grow old; PWhere memories grow fairer as they fade, XLike far blue peaks beyond the forest glade. BFALK [with constrained sarcasm]. *Come, you grow warm STRAWMAN. Z Where you but jeered and flouted. FSo utterly unlike God made us two! NI m bare of that he lavished upon you. ^But I have won the game where you were routed. ^Seen from the clouds, full many a wayside grain bOf truth seems empty chaff and husks. You d soar XTo heaven, I scarcely reach the stable door, 4One bird s an eagle born -
Page 287
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. T And one a hen. STRAWMAN. PYes, laugh away, and say it be so, grant NI am a hen. There clusters to my cluck ZA crowd of little chickens, -which you want! ZAnd I ve the hen s high spirit and her pluck, LAnd for my little ones forget myself. NYou think me dull, I know it. Possibly NYou pass a harsher judgment yet, decree DMe over covetous of worldly pelf. PGood, on that head we will not disagree. Z [Seizes FALK s arm and continues in a low R tone but with gathering vehemence. fYou re right, I m dull and dense and grasping, yes; ZBut grasping for my God-given babes and wife, `And dense from struggling blindly for bare life, TAnd dull from sailing seas of loneliness. VJust when the pinnance of my youthful dream HInto the everlasting deep went down, JAnother started from the ocean stream ^Borne with a fair wind onward to life s crown. TFor every dream that vanished in the wave, VFor every buoyant plume that broke asunder, LGod sent me in return a little wonder, PAnd gratefully I took the good He gave. ^For them I strove, for them amassed, annexed, XFor them, for them, explained the Holy text; ^On them you ve poured the venom of your spite! fYou ve proved, with all the cunning of the schools, NMy bliss was but the paradise of fools, RThat all I took for earnest was a jest; LNow I implore, give me my quiet breast RAgain, the flawless peace of mind I had -
Page 288
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. PProve, in a word, your title to be glad? STRAWMAN. ^Yes, in my path you ve cast the stone of doubt, HAnd nobody but you can cast it out. RBetween my kin and me you ve set a bar, VRemove the bar, the strangling noose undo -
Page 289
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. HYou possibly believe I keep the glue POf lies for Happiness s in a broken jar? STRAWMAN. RI do believe, the faith your reasons tore TTo shreds, your reasons may again restore; \The limb that you have shatter d, you can set; ^Reverse your judgment, -the whole truth unfold, TRestate the case -I ll fly my banner yet $FALK [haughtily]. HI stamp no copper Happiness as gold. FSTRAWMAN [looking fixedly at him]. VRemember then that, lately, one whose scent TFor truth is of the keenest told us this: b [With uplifted finger. V There runs through all our life a Nemesis, PWhich may delay, but never will relent. X [He goes towards the house.
Page 290
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html STIVER b [Coming out with glasses on, and an open book & in his hand. ZPastor, you must come flying like the blast! 0Your girls are sobbing >Thé CHILDREN [in the doorway]. 8 Pa! STIVER. V And Madam waiting! X [Strawman goes in. JThis lady has no talent for debating. Z [Puts the book and glasses in his pocket, 6 and approaches FALK. Falk!
Page 291
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. Yes! STIVER. V I hope you
ve changed your mind at last?
Page 292
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. Why so? STIVER. N For obvious reasons. To betray DCommunications made in confidence, HIs conduct utterly without defence. 8They must not pass the lips.
Page 293
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^ No, I ve heard say HIt is at times a risky game to play. STIVER. The very devil!
Page 294
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. F Only for the great. (STIVER [zealously]. TNo, no, for all us servants of the state. DOnly imagine how my future chances PWould dwindle, if the governor once knew LI keep Pegasus that neighs and prances TIn office hours -and such an office, too! `From first to last, you know, in our profession, ZThe winged horse is viewed with reprobation: RBut worst of all would be, if it got wind PThat I against our primal law had sinn d RBy bringing secret matters to the light -
Page 295
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. NThat s penal, is it -such an oversight? .STIVER [mysteriously]. HIt can a servant of the state compel LTo beg for his dismissal out of hand. LOn us officials lies a strict command, JEven by the hearth to be inscrutable.
Page 296
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. >O those despotical authorities, `Muzzling the -clerk that treadeth out the grain! DSTIVER [shrugging his shoulders]. JIt is the law; to murmur is in vain. FMoreover, at a moment such as this, BWhen salary revision is in train, NIt is not well to advertise one s views \Of office time s true function and right use. PThat s why I beg you to be silent; look, .A word may forfeit my -
Page 297
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. D Portfolio? STIVER. ROfficially it s called a transcript book; XA protocol s the clasp upon the veil of snow \That shrouds the modest breast of the Bureau. XWhat lies beneath you must not seek to know.
Page 298
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. HAnd yet I only spoke at your desire; BYou hinted at your literary crop. STIVER. THow should I guess he d grovel in the mire \So deep, this parson perch d on fortune s top, ZA man with snug appointments, children, wife, HAnd money to defy the ills of life? LIf such a man prove such a Philistine, PWhat shall of us poor copyists be said? ZOf me, who drive the quill and rule the line, HA man engaged and shortly to be wed, LWith family in prospect -and so forth? \ [More vehemently. HO, if I only had a well-lined berth, PI d bind the armour d helmet on my head, DAnd cry defiance to united earth! FAnd were I only unengaged like you, VTrust me, I d break a road athwart the snow LOf prose, and carry the Ideal through!
Page 299
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. $To work then, man! STIVER. , How?
Page 300
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. X You may still do so! `Let the world s prudish owl unheeded flutter by; VFreedom converts the grub into a butterfly! STIVER. FYou mean, to break the engagement ?
Page 301
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. Z That s my mind; VThe fruit is gone, why keep the empty rind? STIVER. TSuch a proposal s for a green young shoot, LNot for a man of judgment and repute. TI heed not what King Christian in his time f(The Fifth) laid down about engagements broken-off; TFor that relationship is nowhere spoken of HIn any rubric of the code of crime. LThe act would not be criminal in name, JIt would in no way violate the laws -
Page 302
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. 0Why there, you see then! "STIVER [firmly]. b Yes, but all the same, RI must reject all pleas in such a cause. bStaunch comrades we have been in times of dearth; XOf life s disport she asks but little share, FAnd I m a homely fellow, long aware VGod made me for the ledger and the hearth. LLet others emulate the eagle s flight, VLife in the lowly plains may be as bright. FWhat does his Excellency Goethe say NAbout the white and shining milky way? VMan may not there the milk of fortune skim, LNor is the butter of it meant for him.
Page 303
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. `Why, even were fortune-churning our life s goal, PThe labour must be guided by the soul; RBe citizens of the time that is -but then JMake the time worthy of the citizen. ZIn homely things lurks beauty, without doubt, ZBut watchful eye and brain must draw it out. RNot every man who loves the soil he turns VMay therefore claim to be another Burns.(5) STIVER. PThen let us each our proper path pursue, VAnd part in peace; we shall not hamper you; NWe keep the road, you hover in the sky, VThere where we too once floated, she and I. ZBut work, not song, provides our daily bread, TAnd when a man s alive, his music s dead. XA young man s life s a lawsuit, and the most JSuperfluous litigation in existence: `Plead where and how you will, your suit is lost. \FALK [bold and confident, with a glance at the & summer-house]. VNay, tho I took it to the highest place, \Judgment, I know, would be reversed by grace! VI know two hearts can live a life complete, fWith hope still ardent, and with faith still sweet; VYou preach the wretched gospel of the hour, 8That the Ideal is secondary! STIVER. B No! TIt s primary: appointed, like the flower, LTo generate the fruit, and then to go. p[Indoors, MISS JAY plays and sings: In the Gloaming. TSTIVER stands listening in silent emotion. JWith the same melody she calls me yet bWhich thrilled me to the heart when first we met. x [Lays his hand on FALK s arm and gazes intently at him. NOft as she wakens those pathetic notes, PFrom the white keys reverberating floats RAn echo of the yes that made her mine. XAnd when our passions shall one day decline, PTo live again as friendship, to the last `That song shall link that present to this past. ZAnd what tho at the desk my back grow round, TAnd my day s work a battle for mere bread, ZYet joy will lead me homeward, where the dead REnchantment will be born again in sound. PIf one poor bit of evening we can claim, RI shall come off undamaged from the game! h [He goes into the house. FALK turns towards the h summer-house. SVANHILD comes out, she is pale n and agitated. They gaze at each other in silence j a moment, and fling themselves impetuously into 0 each other s arms.
Page 304
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RO, Svanhild, let us battle side by side! `Thou fresh glad blossom flowering by the tomb, fSee what the life is that they call youth s bloom! PThere s coffin-stench wherever two go by PAt the street corner, smiling outwardly, VWith falsehood s reeking sepulchre beneath, PAnd in their blood the apathy of death. bAnd this they think is living! Heaven and earth, JIs such a load so many antics worth? VFor such an end to haul up babes in shoals, NTo pamper them with honesty and reason, ZTo feed them fat with faith one sorry season, RFor service, after killing-day, as souls? SVANHILD. (Falk, let us travel!
Page 305
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. Z Travel? Whither, then? XIs not the whole world everywhere the same? XAnd does not Truth s own mirror in its frame HLie equally to all the sons of men? TNo, we will stay and watch the merry game, LThe conjurer s trick, the tragi-comedy ROf liars that are dupes of their own lie; RStiver and Lind, the Parson and his dame, ^See them, -prize oxen harness d to love s yoke, HAnd yet at bottom very decent folk! REach wears for others and himself a mask, JYet one too innocent to take to task; NEach one, a stranded sailor on a wreck, VCounts himself happy as the gods in heaven; VEach his own hand from Paradise has driven, XThen, splash! into the sulphur to the neck! NBut none has any inkling where he lies, REach thinks himself a knight of Paradise, XAnd each sits smiling between howl and howl; ZAnd if the Fiend come by with jeer and growl, lWith horns, and hoofs, and things yet more abhorred, \Then each man jogs the neighbour at his jowl: h Off with your hat, man! See, there goes the Lord! ZSVANHILD [after a brief thoughtful silence]. LHow marvellous a love my steps has led `To this sweet trysting place! My life that sped HIn frolic and fantastic visions gay, bHenceforth shall grow one ceaseless working day! TO God! I wandered groping, -all was dim: VThou gavest me light -and I discovered him! \ [Gazing at FALK in love and wonder. dWhence is that strength of thine, thou mighty tree ^That stand st alone, and yet canst shelter me ?
-
Page 306
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. ^God s truth, my Svanhild; that gives fortitude. `SVANHILD [with a shy glance towards the house]. RThey came like tempters, evilly inclined, REach spokesman for his half of humankind, ZOne asking: How can true love reach its goal ZWhen riches leaden weight subdues the soul? TThe other asking: How can true love speed ZWhen life s a battle to the death with Need? JO horrible! -to bid the world receive XThat teaching as the truth, and yet to live!
Page 307
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. 6How if twere meant for us? SVANHILD. b For us? -What, then? VCan outward fate control the wills of men? XI have already said: if thou lt stand fast, TI ll dare and suffer by thee to the last. THow light to listen to the gospel s voice, ZTo leave one s home behind, to weep, rejoice, \And take with God the husband of one s choice! ,FALK [embracing her]. hCome then, and blow thy worst, thou winter weather! RWe stand unshaken, for we stand together! b[MRS. HALM and GULDSTAD come in from the right in the background. $GULDSTAD [aside]. Observe! n[FALK and SVANHILD remain standing by the summer-house. .MRS. HALM [surprised]. $ Together! GULDSTAD. N Do you doubt it now? MRS. HALM. ,This is most singular. GULDSTAD. P O, I ve noted how NHis work of late absorb d his interest. 0MRS. HALM [to herself]. NWho would have fancied Svanhild so sly? Z [Vivaciously to GULDSTAD. ,But no -I can t think. GULDSTAD. T Put it to the test. MRS. HALM. "Now, on the spot? GULDSTAD. L Yes, and decisively! BMRS. HALM [giving him her hand]. 0God s blessing with you! (GULDSTAD [gravely]. ` Thanks, it may bestead. ` [Comes to the front. pMRS. HALM [looking back as she goes towards the house]. PWhichever way it goes, my child is sped. \ [Goes in. :GULDSTAD [approaching FALK]. &It s late, I think?
Page 308
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. P Ten minutes and I go. GULDSTAD. 4Sufficient for my purpose. $SVANHILD [going]. H Farewell. GULDSTAD. P No, Remain. SVANHILD. Shall I? GULDSTAD. V Until you ve answered me. dIt s time we squared accounts. It s time we three XTalked out for once together from the heart. (FALK [taken aback]. We three? GULDSTAD. T Yes, -all disguises flung apart. 8FALK [suppressing a smile]. &O, at your service. GULDSTAD. T Véry good, then hear. TWe ve been acquainted now for half a year; We ve wrangled -
Page 309
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. * Yes. GULDSTAD. T We ve been in constant feud; jWe ve changed hard blows enough. You fought -alone :For a sublime ideal; I as one HAmong the money-grubbing multitude. LAnd yet it seemed as if a chord united TUs two, as if a thousand thoughts that lay NDeep in my own youth s memory benighted LHad started at your bidding into day. ^Yes, I amaze you. But this hair grey-sprinkled fOnce fluttered brown in spring-time, and this brow, FWhich daily occupation moistens now ^With sweat of labour, was not always wrinkled. NEnough; I am a man of business, hence 8FALK [with gentle sarcasm]. RYou are the type of practical good sense. GULDSTAD. ZAnd you are hope s own singer young and fain. ^ [Stepping between them. \Just therefore, Falk and Svanhild, I am here. VNow let us talk, then; for the hour is near ZWhich brings good hap or sorrow in its train. (FALK [in suspense]. Speak, then! (GULDSTAD [smiling]. ` My ground is, as I said last night, $A kind of poetry -
-
Page 310
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. > GULDSTAD. L
In practice. Right!
Page 311
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. bAnd if one asked the source from which you drew ? GULDSTAD h [Glancing a moment at SVANHILD, and then turning * again to FALK. JA common source discovered by us two. SVANHILD. Now I must go. GULDSTAD. R No, wait till I conclude. RI should not ask so much of others. You, `Svanhild, I ve learnt to fathom thro and thro ; PYou are too sensible to play the prude. VI watched expand, unfold, your little life; JA perfect woman I divined within you, PBut long I only saw a daughter in you; LNow I ask of you -will you be my wife? T [SVANHILD draws back in embarrassment. 0FALK [seizing his arm]. Hold! GULDSTAD. \ Patience; she must answer. Put your own TQuestion; -then her decision will be free.
Page 312
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. I -do you say? HGULDSTAD [looking steadily at him]. J The happiness of three VLives is at stake to-day, -not mine alone. RDon t fancy it concerns you less than me; RFor tho base matter is my chosen sphere, PYet nature made me something of a seer. XYes, Falk, you love her. Gladly, I confess, XI saw your young love bursting into flower. ^But this young passion, with its lawless power, BMay be the ruin of her happiness. $FALK [firing up]. 8You have the face to say so? (GULDSTAD [quietly]. ^ Years give right. *Say now you won her $FALK [defiantly]. H And what then? HGULDSTAD [slowly and emphatically]. Z Yes, say HShe ventured in one bottom to embark RHer all, her all upon one card to play, XAnd then life s tempest swept the ship away, TAnd the flower faded as the day grew dark? ,FALK [involuntarily]. She must not! PGULDSTAD [looking at him with meaning]. L Hm. So I myself decided VWhen I was young, like you. In days of old RI was afire for one. Our paths divided. XLast night we met again; -the fire was cold.
Page 313
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. Last night? GULDSTAD. j Last night.
You know the parson
s dame
-
Page 314
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. No. 6FALK [with forced humour]. Z Since the sum HWorks out a minus then in every case TAnd never shows a plus, -why should you be BSo resolute your capital to place >In such a questionable lottery? lGULDSTAD [looks at him, smiles, and shakes his head]. bMy bold young Falk, reserve a while your mirth. TThere are two ways of founding an estate. XIt may be built on credit -drafts long-dated FOn pleasure in a never-ending bout, >On perpetuity of youth unbated, PAnd permanent postponement of the gout. HIt may be built on lips of rosy red, XOn sparkling eyes and locks of flowing gold,
Page 317
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html TOn trust these glories never will be shed, TNor the dread hour of periwigs be tolled. fIt may be built on thoughts that glow and quiver, TFlowers blowing in the sandy wilderness, XOn hearts that, to the end of life, for ever XThrob with the passion of the primal yes. TTo dealings such as this the world extends \One epithet: tis known as humbug, friends.
-
Page 318
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. HI see, you are a dangerous attorney, LYou -well-to-do, a millionaire may-be; `While two broad backs could carry in one journey NAll that beneath the sun belongs to me. (GULDSTAD [sharply]. "What do you mean?
Page 319
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. V That is not hard to see. RFor the sound way of building, I suppose, VIs just with cash -the wonder-working paint ^That round the widow s batten d forehead throws HThe aureole of a young adored saint. GULDSTAD. TO no, tis something better that I meant. N Tis the still flow of generous esteem, FWhich no less honours the recipient `Than does young rapture s giddy-whirling dream. HIt is the feeling of the blessedness XOf service, and home quiet, and tender ties, BThe joy of mutual self-sacrifice, POf keeping watch lest any stone distress VHer footsteps wheresoe er her pathway lies; LIt is the healing arm of a true friend LThe manly muscle that no burdens bend, PThe constancy no length of years decays, ZThe arm that stoutly lifts and firmly stays. JThis, Svanhild, is the contribution I XBring to your fortune s fabric: now, reply. l [SVANHILD makes an effort to speak; GULDSTAD lifts < his hand to check her. TConsider well before you give your voice! RWith clear deliberation make your choice.
Page 320
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. :And how have you discovered GULDSTAD. ^ That I love her? TThat in your eyes twas easy to discover. PLet her too know it. [Presses his hand. P Now I will go in. TLet the jest cease and earnest work begin; LAnd if you undertake that till the end VYou ll be to her no less a faithful friend, NA staff to lean on, and a help in need, LThan I can be - [Turning to SVANHILD. VCancel it from the tables of your thought. LThen it is I who triumph in very deed; XYou re happy, and for nothing else I fought. ^ [To FALK. RAnd, apropos -just now you spoke of cash, bTrust me, tis little more than tinsell d trash. NI have not ties, stand perfectly alone; DTo you I will make over all I own; TMy daughter she shall be, and you my son. TYou know I have a business by the border: \There I ll retire, you set your home in order, TAnd we ll foregather when a year is gone. ^Now, Falk, you know me; with the same precision bObserve yourself: the voyage down life s stream, LRemember, is no pastime and no dream. XNow, in the name of God -make your decision! N[Goes into the house. Pause. FALK and DSVANHILD look shyly at each other.
Page 321
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. You are so pale. SVANHILD. F And you so silent.
Page 322
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. T True. SVANHILD. (He smote us hardest. &FALK [to himself]. T Stole my armour, too. SVANHILD. *What blows he struck!
Page 323
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. Z He knew to place them well. SVANHILD. VAll seemed to go to pieces where they fell. ` [Coming nearer to him. NHow rich in one another s wealth before RWe were, when all had left us in despite, ZAnd Thought rose upward like the echoing roar ROf breakers in the silence of the night. NWith exultation then we faced the fray, XAnd confidence that Love is lord of death; \He came with worldly cunning, stole our faith, XSowed doubt, -and all the glory pass d away! 8FALK [with wild vehemence]. XTear, tear it from thy memory! All his talk LWas true for others, but for us a lie! HSVANHILD [slowly shaking her head]. ZThe golden grain, hail-stricken on its stalk, NWill never more wave wanton to the sky. HFALK [with an outburst of anguish]. .Yes, we two, Svanhild ! SVANHILD. \ Hence with hopes that snare! ZIf you sow falsehood, you must reap despair. VFor others true, you say? And do you doubt VThat each of them, like us, is sure, alike, `That he s the man the lightning will not strike, LAnd no avenging thunder will find out, ZWhom the blue storm-cloud scudding up the sky ROn wings of tempest, never can come nigh?
Page 324
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. `The others split their souls on scattered ends: LThy single love my being comprehends. bThey re hoarse with yelling in life s Babel din: JI in this quiet shelter fold thee in. SVANHILD. VBut if love, notwithstanding, should decay, L -Love being Happiness s single stay PCould you avert, then, Happiness s fall?
Page 325
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. RNo, my love s ruin were the wreck of all. SVANHILD. LAnd can you promise me before the Lord `That it will last, not drooping like the flower, `But smell as sweet as now till life s last hour? 8FALK [after a short pause]. $It will last long. SVANHILD. N Long! Long! -Poor starveling word! XCan long give any comfort in Love s need? XIt is her death-doom, blight upon her seed. T My faith is, Love will never pass away bThat song must cease, and in its stead be heard: T My faith is, that I loved you yesterday! b [As uplifted by inspiration. ZNo, no, not thus our day of bliss shall wane, VFlag drearily to west in clouds and rain; ZBut at high noontide, when it is most bright, ZPlunge sudden, like a meteor, into the night!
Page 326
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. 2What would you, Svanhild? SVANHILD. X We are of the Spring; RNo autumn shall come after, when the bird TOf music in thy breast shall not be heard, ^And long not thither where it first took wing. LNor ever Winter shall his snowy shroud RLay on the clay-cold body of our bliss; ZThis Love of ours, ardent and glad and proud, 8Pure of disease s taint and age s cloud, ZShall die the young and glorious thing it is! *FALK [in deep pain]. \And far from thee -what would be left of life? SVANHILD. VAnd near me what were left -if Love depart?
Page 327
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. A home? SVANHILD. \ Where Joy would gasp in mortal strife. ^ [Firmly. PIt was not given to me to be your wife. TThat is the clear conviction of my heart! PIn courtship s merry pastime I can lead, PBut not sustain your spirit in its need. X [Nearer and gathering fire. VNow we have revell d out a feast of spring; dNo thought of slumber s sluggard couch come nigh! JLet Joy amid delirious song make wing VAnd flock with choirs of cherubim on high. PAnd tho the vessel of our fate capsize, fOne plank yet breasts the waters, strong to save; NThe fearless swimmer reaches Paradise! LLet Joy go down into his watery grave; TOur Love shall yet triumph, by God s hand, XBe borne from out the wreckage safe to land!
Page 328
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. NO, I divine thee! But -to sever thus! `Now, when the portals of the world stand wide, PWhen the blue spring is bending over us, XOn the same day that plighted thee my bride! SVANHILD. dJust therefore must we part. Our joy s torch fire VWill from this moment wane till it expire! XAnd when at last our worldly days are spent, ^And face to face with our great Judge we stand, LAnd, as righteous God, he shall demand ROf us the earthly treasure that he lent bThen, Falk, we cry -past power of Grace to save P O Lord, we lost it going to the grave! 8FALK [with strong resolve]. &Pluck off the ring! ,SVANHILD [with fire]. < Wilt thou?
Page 329
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. P Now I divine! TThus and no otherwise canst thou be mine! RAs the grave opens into life s Dawn-fire, JSo Love with Life may not espoused be ^Till, loosed from longing and from wild desire, :Pluck off the ring, Svanhild! .SVANHILD [in rapture]. ^ My task is done! \Now I have filled thy soul with song and sun. ^Forth! Now thou soarest on triumphant wings, `Forth! Now thy Svanhild is the swan that sings! h [Takes off the ring and presses a kiss upon it. @To the abysmal ooze of ocean bed \Descend, my dream! -I fling thee in its stead! h [Goes a few steps back, throws the ring into the h fjord, and approaches FALK with a transfigured " expression. bNow for this earthly life I have foregone thee, RBut for the life eternal I have won thee! FALK [firmly]. TAnd now to the day s duties, each, alone. \Our paths no more will mingle. Each must wage RHis warfare single-handed, without moan. PWe caught the fevered frenzy of the age, TFain without fighting to secure the spoil, ^Win Sabbath ease, and shirk the six days toil, VTho we are called to strive and to forego. SVANHILD. (But not in sickness.
Page 330
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. hTho quenched were all the light of earth and sky, XThe thought of light is God, and cannot die. ^SVANHILD [withdrawing towards the background]. 0Farewell! [Goes further.
-
Page 331
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. P Farewell -gladly I cry again ` [Waves his hat. XHurrah for love, God s glorious gift to men! d[The door opens. FALK withdraws to the right; the Xyounger guests come out with merry laughter. "Thé YOUNG GIRLS. A lawn dance! A YOUNG GIRL. : Dancing s life! ANOTHER. \ A garland spread NWith dewy blossoms fresh on every head! SEVERAL. :Yes, to the dance, the dance! ALL. ^ And ne er to bed! j [STIVER comes out with STRAWMAN arm in arm. MRS. N STRAWMAN and the children follow. STIVER. ZYes, you and I henceforward are fast friends. STRAWMAN. JAllied in battle for our common ends. STIVER. RWhen the twin forces of the State agree STRAWMAN. .They add to all men s $STIVER [hastily]. < Gains! STRAWMAN. T And gaiety. ^[MRS. HALM, LIND, ANNA, GULDSTAD, and MISS JAY, \with the other guests, come out. All eyes are bturned upon FALK and SVANHILD. General amazement Dwhen they are seen standing apart. `MISS JAY [among the AUNTS, clasping her hands]. HWhat! Am I awake or dreaming, pray? @LIND [who has noticed nothing]. LI have a brother s compliments to pay. `[He, with the other guests, approaches FALK, but \starts involuntarily and steps back on looking at him. XWhat is the matter with you? You re a Janus "With double face! FALK [smiling]. D I cry, like old Montanus ,(6) \The earth is flat, Messieurs; -by optics lied; JFlat as a pancake -are you satisfied? ` [Goes quickly out to the right. MISS JAY. Refused! Thé AUNTS. " Refused! MRS. HALM. \ Hush, ladies, if you please! X [Goes across to SVANHILD. :MRS. STRAWMAN [to STRAWMAN]. Fancy, refused! STRAWMAN.
Page 332
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html : MISS JAY. H It is! DThé LADIES [from mouth to mouth]. 8Refused! Refused! Refused! ^[They gather in little groups about the garden. *STIVER [dumfounded]. ^ He courting? How? STRAWMAN. `Yes, think! He laugh d at us, ha, ha -but now H[They gaze at each other speechless. ANNA [to LIND]. XThat s good! He was too horrid, to be sure! ,LIND [embracing her]. XHurrah, now thou art mine, entire and whole. J [They go outside into the garden. TGULDSTAD [looking back towards SVANHILD]. RSomething is shattered in a certain soul; LBut what is yet alive in it I ll cure. hSTRAWMAN [recovering himself and embracing STIVER]. PNow then, you can be very well contented $To have your dear fiancee for a spouse. STIVER. NAnd you complacently can see your house VWith little Strawmans every year augmented. rSTRAWMAN [Rubbing his hands with satisfaction and looking , after FALK]. \Insolent fellow! Well, it served him right; dWould all these knowing knaves were in his plight! 6MRS. HALM [aside eagerly]. ,And nothing binds you? SVANHILD. > Nothing. MRS. HALM. \ Good, you know &A daughter s duty SVANHILD. J Guide me, I obey. MRS. HALM. LThanks, child. [Pointing to GULDSTAD. < He is rich and comme il faut PartiP; and since there s nothing in the way SVANHILD. PYes, there is one condition I require! (To leave this place. MRS. HALM. T Precisely his desire. SVANHILD. And time MRS. HALM. \ How long? Bethink you, fortune s calling! >SVANHILD [with a quiet smile]. VOnly a little; till the leaves are falling. f [She goes towards the verandah; MRS. HALM seeks & out GULDSTAD. :STRAWMAN [among the guests]. bOne lesson, friends, we learn from this example! VTho Doubt s beleaguering forces hem us in, bThe Truth upon the Serpents s head shall trample, It cannot be!
Page 333
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html :The cause of Love shall win GUESTS. Z Yes, Love shall win! b[They embrace and kiss, pair by pair. Outside to Jthe left are heard song and laughter. MISS JAY. &What can this mean?
Page 334
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html ANNA. B
The students!
Page 335
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html LIND. ` The quartette, XBound for the mountains; -and I quite forgot To tell them X[The STUDENTS come in to the left and remain 2standing at the entrance. *A STUDENT [to LIND]. R Here we are on the spot! MRS. HALM. 2It s Lind you seek, then? MISS JAY. \ That s unfortunate. &He s just engaged AN AUNT. X And so, you may be sure, FHe cannot think of going on a tour. Thé STUDENTS. Engaged! $ALL Thé STUDENTS. 2 Congratulations! 0LIND [to his comrades]. Z Thanks, my friends! >Thé STUDENT [to his comrades]. \There goes our whole fish-kettle in the fire! HOur tenor lost! No possible amends! vFALK [Coming from the right, in summer suit, with student 8 cap, knapsack and stick. I llP sing the tenor in young Norway s choir! Thé STUDENTS. $You, Falk! hurrah!
s
Page 336
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html FALK. b Forth to the mountains, come! RAs the bee hurries from her winter home! HA twofold music in my breast I bear, RA cither with diversely sounding strings, XOne for life s joy, a treble loud and clear, VAnd one deep note that quivers as it sings. Z [To individuals among the STUDENTS. `You have the palette? -You the note-book? Good, RSwarm then, my bees, into the leafy wood, VTill at night-fall with pollen-laden thigh, NHome to our mighty mother-queen we fly! NForgive me my offences great and small, 8I resent nothing; - [Softly. J but remember all. FSTRAWMAN [beaming with happiness]. TNow fortune s garden once again is green! TMy wife has hopes, -a sweet presentiment ^ [Draws him whispering apart. LShe lately whispered of a glad event ` [Inaudible words intervene. hIf all goes well . . . at Michaelmas . . . thirteen! rSTIVER [With MISS JAY on his arm, turning to FALK, smiles h triumphantly, and says, pointing to STRAWMAN: \I m going to start a household, flush of pelf! LMISS JAY [with an ironical courtesy]. RI shall put on my wedding-ring next Yule. VANNA [similarly, as she takes LIND s arm]. ^My Lind will stay, the Church can mind itself BLIND [hiding his embarrassment]. PAnd seek an opening in a ladies school. MRS. HALM. HI cultivate my Anna s capabilities (GULDSTAD [gravely]. BAn unromantic poem I mean to make LOf one who only lives for duty s sake. TFALK [with a smile to the whole company]. TI go to scale the Future s possibilities! >Farewell! [Softly to SVANHILD. b God bless thee, bride of my life s dawn, \Where er I be, to nobler deed thou lt wake me. P[Waves his hat and follows the STUDENTS. NOTES 1. William Russel. An original historic tragedy, found upon the career of the ill-fated Lord William Russell, by Andreas Munch, cousin of the historian P. A. Munch. It was produced at Christiania in 1857, the year of Ibsen s return from Bergen, and reviewed by him in the *Illusteret Nyhedsblad¶ for that year, Nos. 61 and 52. Professor Johan Storm of Christiania, to whose kindness I owe these particulars, adds that it is rather a fine play and created a certain sensation in its time; but Munch is forgotten. 2. "A grey old stagern. Ibsen s friend P. Botten-Hansen, author of the play Hyldrebryllupet . 3. .A Svanhild like the old¨. In the tale of the Volsungs Svanhild was the daughter of Sigurd and Gudrun, -the Siegfried$ and Kriemhild of Nibelungenlied¶ . The fierce King Jormunrek, hearing of her matchless beauty, sends his son Randwer to woo her in his name. Randwer is, however, induced to woo her in his own, and the girl approves. Jormunrek thereupon
Page 337
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html causes Randwer to be arrested and hanged, and meeting with Svanhild, as he and his men ride home from the hunt, tramples her to death under their horses hoofs. Gudrun incites her sons Sřrli and Hamdir to avenge their sister: they boldly enter Jormunrek s hall, and succeed in cutting off his hands and feet, but are themselves slain by his men. This last dramatic episode is told in the Eddic Hamthismol . 4. PIn the remotest east there grows a plant€ . The germ of the famous tea-simile is due to Fru Collett s romance, The Officials Daughters (cf. Introduction, p. ix.). But she exploits the idea only under a single and obvious aspect, viz: ., the comparison of the tender bloom of love with the precious firstling blade which brews the quintessential tea for the Chinese emperor s table; what the world calls love being, like what it calls tea a coarse and flavourless after-crop. Ibsen has, it will be seen given a number of ingenious developments to the analogy. I know Fru Collett s work only through the accounts of it given by Brandes and Jaeger. 5. Another BurnsŽ . In the original: Dolen ("The Dalesman"), that is A. O. Vinje, Ibsen s friend and literary comrade, editor of the journal so-called and hence known familiarly by its name. See the Introduction. 6. "Like Old Montanus@. The hero of Holberg s comedy Erasmus Montanus¸, who returns from foreign travel to his native parish with the discovery that the world is notV flat. Public indignation is aroused, and Montanus finds it expedient to announce that his eyes had deceived him, that the world is$ flat, gentlemen. l***END OF Thé PROJECT GUTENBERG EBOOK LOVE S COMEDY*** €******* This file should be named 18657.txt or 18657.zip ******* This and all associated files of various formats will be found in: httpN://www.gutenberg.org/dirs/1/8/6/5/18657 ˘Updated editions will replace the previous one -the old editions will be renamed. ę Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away -you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. 8*** START: FULL LICENSE *** DThé FULL PROJECT GUTENBERG LICENSE nPLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK š To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http<://www.gutenberg.org/license). ˛Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works V 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm
Page 338
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. ˘ 1.B. Project Gutenberg is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 8 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. l 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. †1.E. Unless you have removed all references to Project Gutenberg: ř 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase Project Gutenberg appears, or with which the phrase Project Gutenberg is associated) is accessed, displayed, performed, viewed, copied or distributed: đ This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase Project Gutenberg associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. P 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright
Page 339
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html holder found at the beginning of this work. ’ 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. D 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. Ö 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than Plain Vanilla ASCII or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original Plain Vanilla ASCII or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. f 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that †- You pay a royalty fee of 20% of the gross profits you derive from Ś the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he ~ has agreed to donate royalties under this paragraph to the Š Project Gutenberg Literary Archive Foundation. Royalty payments ‚ must be paid within 60 days following each date on which you † prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and Š sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, Information about donations to p the Project Gutenberg Literary Archive Foundation. - You provide a full refund of any money paid by a user who notifies Ś you in writing (or by e-mail) within 30 days of receipt that s/he ‚ does not agree to the terms of the full Project Gutenberg-tm p License. You must require such a user to return or † destroy all copies of the works possessed in a physical medium ‚ and discontinue all use of and all access to other copies of @ Project Gutenberg-tm works. Ž- You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the Š electronic work is discovered and reported to you within 90 days 8 of receipt of the work. x- You comply with all other terms of this agreement for free ` distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. Ô 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain Defects, such as, but not limited to,
Page 340
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. X 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES Except for the Right of Replacement or Refund described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT Thé FOUNDATION, Thé TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF Thé POSSIBILITY OF SUCH DAMAGE. J 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. $ 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you AS-IS , WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. Ě 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. h 1.F.6. INDEMNITY You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. ‚Section 2. Information about the Mission of Project Gutenberg-tm X Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. ‚ Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm s goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project
Page 341
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at httpN://www.gutenberg.org/fundraising/pglaf. žSection 3. Information about the Project Gutenberg Literary Archive Foundation ‚ The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state s laws. 4 The Foundation s principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation s web site and official page at httpD://www.gutenberg.org/about/contact HFor additional contact information: 2 Dr. Gregory B. Newby B Chief Executive and Director , gbnewby@pglaf.org €Section 4. Information about Donations to the Project Gutenberg 6Literary Archive Foundation X Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. Č The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit httpN://www.gutenberg.org/fundraising/donate ę While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. ’ International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Ć Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: httpN://www.gutenberg.org/fundraising/donate Section 5. General Information About Project Gutenberg-tm electronic works. ( Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance
Page 342
ABC Amber Sony Converter, http://www.processtext.com/abcsonylrf.html with any particular paper edition. ’Most people start at our Web site which has the main PG search facility: http(://www.gutenberg.org ţ This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
Page 343