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Block Diagram of EURORACK UB1204FX-PRO EURORACK UB1204FX-PRO
Overview Mixing Consoles Effect Presets
(TXLSPHQW 8%);352 8%352 @AA@8UÃQS@T@UT
Mono input channels 4 (balanced XLR 4 (balanced XLR I @AA@8U 9rp
vv I @AA@8U 9rp
vv
(mic/line) + TRS connectors) + TRS connectors) C6GGÃ( 9@G6`Ã$$(
Stereo input channels (line) 2 (bal. TRS connectors) 2 (bal. TRS connectors) TH6GGÃC6GGÃ approx. 1.0s reverb decay $ TCPSUÃ9@G6`Ã Like a short shattering
-3 dB @ 75 Hz, -3 dB @ 75 Hz, TH6GGÃC6GGÃ! approx. 1.2s reverb decay $ TCPSUÃ9@G6`Ã! 1-2 short impulse(s)
Low-cut filter 18 dB/oct. 18 dB/oct. ! TH6GGÃC6GGÃ" approx. 1.5s reverb decay $! TCPSUÃ9@G6`Ã" 1-2 short impulse(s)
(on mono inputs only) (on mono inputs only) " HD9ÃC6GGÃ approx. 1.8s reverb decay $" HD9Ã9@G6`Ã Classical Delay for up-tempo music (115-125 BPM)
Phantom power
+ 48 Volt + 48 Volt # HD9ÃC6GGÃ! approx. 2.0s reverb decay $# HD9Ã9@G6`Ã! Classical Delay for mid-tempo music (105-115 BPM)
(on mic inputs only) (on mic inputs only)
$ HD9ÃC6GGÃ" approx. 2.5s reverb decay $$ HD9Ã9@G6`Ã" Classical Delay for slow-tempo music (95-105 BPM)
Mute all channels all channels
EQ mono input channels 3-band EQ 3-band EQ
% 7DBÃC6GGÃ approx. 2.8s reverb decay $% GPIBÃ9@G6`Ã Classical Delay for reggae-tempo music (85-95 BPM)
EQ stereo input channels 3-band EQ 3-band EQ
& 7DBÃC6GGÃ! approx. 3.2s reverb decay $& GPIBÃ9@G6`Ã! Classical Delay for dub-tempo music (75-85 BPM)
1 pre/post fader, 1 pre fader, ' 7DBÃC6GGÃ" approx. 4s reverb decay $' GPIBÃ9@G6`Ã" Extra long (nearly infinite) delay effect
Aux sends
1 post fader 1 post fader ( 8CVS8C approx. 7s reverb decay $( GPIBÃ@8CP Extra long canyon echo effect
2, with flexible routing to aux 2, with flexible routing to aux SPPHÃ ( 8CPSVTÃ%%(
Stereo aux returns send 1, main mix send 1, main mix TH6GGÃSPPHÃ approx. 0.5s reverb decay % TPAUÃ8CPSVTÃ Unobtrusive effect
and Alt 3-4 and Alt 3-4
TH6GGÃSPPHÃ! approx. 0.8s reverb decay % TPAUÃ8CPSVTÃ! Unobtrusive effect with different color
2 (with dedicated outputs 2 (with dedicated outputs
Subgroups
on TS connectors) on TS connectors) ! TH6GGÃSPPHÃ" approx. 1.0s reverb decay %! X6SHÃ8CPSVTÃ Analog sounding
PFL/Solo yes – " HD9ÃSPPHÃ approx. 1.2s reverb decay %" X6SHÃ8CPSVTÃ! Analog sounding with different color
Headphones output TRS connector TRS connector # HD9ÃSPPHÃ! approx. 1.5s reverb decay %# QC6UÃ8CPSVTÃ Pronounced chorus effect
Control room outputs TS connectors TS connectors $ HD9ÃSPPHÃ" approx. 1.8s reverb decay %$ QC6UÃ8CPSVTÃ! Pronounced chorus effect with different color
Meters 8-segment LED 12-segment LED % 7DBÃSPPHÃ approx. 2.0s reverb decay %% 8G6TTD8ÃAG6IB@S Standard flanger effect
2-Track input/output stereo (RCA connectors) stereo (RCA connectors) & 7DBÃSPPHÃ! approx. 2.2s reverb decay %& X6SHÃAG6IB@S More analog touch
Main outputs
left/right left/right ' 7DBÃSPPHÃ" approx. 2.5s reverb decay %' 9@@QÃAG6IB@S Deep modulation impression
(XLR balanced) (XLR balanced)
( 8C6Q@G approx. 3s reverb decay %( C@6W`ÃAG6IB@S Extremely pronounced effect
Digital effects processor yes, plus footswitch connector no QG6U@Ã!!( QC6T@QDU8CÃ&&(
! TCPSUÃQG6U@ approx. 1.0s reverb decay & 8G6TTD8ÃQC6T@S Standard phaser effect
Switch-mode power supply yes yes
! HD9ÃQG6U@ approx. 1.5s reverb decay & X6SHÃQC6T@S More analog touch
Width 247 mm (9 11/16") 247 mm (9 11/16") !! GPIBÃQG6U@ approx. 2.2s reverb decay &! 9@@QÃQC6T@S Deep modulation impression
Height 97 mm (3 7/8") 97 mm (3 7/8") !" WP86GÃQG6U@ approx. 1.2s reverb decay &" C@6W`ÃQC6T@S Extreme strong effect
Depth 334 mm (13 5/32") 328 mm (13") !# 9SVHTÃQG6U@ approx. 1.0s reverb decay &# QDU8CÃTCDAUÃ9@UVI@ 2-3-times detune for a wider solo voice sound
Weight 2.60 kg (5 3/4 Ibs) 2.56 kg (5 5/8 lbs) !$ BPG9ÃQG6U@Ã approx. 1.2s reverb decay &$ QDU8CÃTCDAUÃ" Minor third added voice
!% BPG9ÃQG6U@Ã! approx. 2.0s reverb decay &% QDU8CÃTCDAUÃ# Major third added voice
!& TCPSUÃTQSDIB approx. 1.0s reverb decay && QDU8CÃTCDAUÃ& Quint above added voice
!' HD9ÃTQSDIB approx. 2.0s reverb decay &' QDU8CÃTCDAUÃ$ Fourth down added voice
!( GPIBÃTQSDIB approx. 2.5s reverb decay &( QDU8CÃTCDAUÃ ! 1 octave down added voice
B6U@9S@W@ST@Ã""( HVGUDÃ Ã''(
" B6U@9ÃS@WÃTCPSU approx. 0.8s gate time ' 8CPSVTÃÃS@W@S7Ã Soft chorus + medium-short reverb
" B6U@9ÃS@WÃHD9 approx. 1.2s gate time ' 8CPSVTÃÃS@W@S7Ã! Deep chorus + medium-long reverb
"! B6U@9ÃS@WÃGPIB approx. 2.0s gate time '! AG6IB@SÃÃS@W@S7Ã Soft flanger + medium-short reverb
"" B6U@9ÃS@WÃYYG approx. 3.0s gate time '" AG6IB@SÃÃS@W@S7Ã! Deep flanger + medium-long reverb
"# B6U@9ÃS@WÃ9SVHTÃ approx. 0.8s gate time '# QC6T@SÃÃS@W@S7Ã Soft phaser + medium-short reverb
"$ B6U@9ÃS@WÃ9SVHTÃ! approx. 1.2s gate time '$ QC6T@SÃÃS@W@S7Ã! Deep phaser + medium-long reverb
"% S@W@ST@ÃTCPSU approx. 0.8s reverb raise '% QDU8CÃÃS@W@S7Ã Soft voice detuning + medium-short reverb
"& S@W@ST@ÃHD9 approx. 1.2s reverb raise '& QDU8CÃÃS@W@S7Ã! Fourth above interval + medium-long reverb
"' S@W@ST@ÃGPIB approx. 2.0s reverb raise '' 9@G6`ÃÃS@W@S7Ã Short delay + medium-short reverb
"( S@W@ST@ÃYYG approx. 3.0s reverb raise '( 9@G6`ÃÃS@W@S7Ã! Medium-long delay + medium-long reverb
@6SG`ÃS@AG@8UDPITÃ##( HVGUDÃ!Ã(((
# @6SG`ÃS@AG@8UDPIÃ Short ( 9@G6`ÃÃB6U@9ÃS@W Short delay + medium-long gated reverb
# @6SG`ÃS@AG@8UDPIÃ! Medium-short ( 9@G6`ÃÃS@W@ST@ medium-short delay + medium-long reverse reverb
#! @6SG`ÃS@AG@8UDPIÃ" Medium-long (! 9@G6`ÃÃ8CPSVTÃ Short delay + soft chorus
#" @6SG`ÃS@AG@8UDPIÃ# Long (" 9@G6`ÃÃ8CPSVTÃ! Medium-long delay + deep chorus
## TCPSUÃ6H7D@I8@ Short (# 9@G6`ÃÃAG6IB@SÃ Short delay + soft flanger
#$ HD9Ã6H7D@I8@ Medium-short ($ 9@G6`ÃÃAG6IB@SÃ! Medium-long delay + deep flanger
#% GDW@Ã6H7D@I8@ Medium-short (% 9@G6`ÃÃQC6T@SÃ Short delay + soft phaser
#& 7DBÃ6H7D@I8@ Medium-long (& 9@G6`ÃÃQC6T@SÃ! Medium-long delay + deep phaser
#' TU69DVH Long (' 9@G6`ÃÃQDU8CÃ Short delay + fourth down interval
#( BCPTUÃ6H7D@I8@ Extra-long special FX (( 9@G6`ÃÃQDU8CÃ! Medium-long delay + minor third above interval
