Monster Flicks!: A Selected Bibliography General Andriano, Joseph D. Immortal Monster: The Mythological Evolution of the Fantastic Beast in Modern Fiction and Film. Westport, CT: Greenwood P, 1999. Baird, David. Movie Monsters. London: MQ, 2005. Cartmell, Deborah, et al. Alien Identities: Exploring Difference in Film and Fiction. London: Pluto P, 1999. Elliot, Dave, C. J. Henderson, and R. Allen Leider. A Field Guide to Monsters. New York: Hylas Pub., 2004. Halliwell, Leslie. The Dead That Walk: Dracula, Frankenstein, the Mummy, and Other Favorite Movie Monsters. New York: Continuum, 1988. Jones, Stephen. The Essential Monster Movie Guide. New York: Billboard Books, 2000. Marrero, Robert. Giant Monster Movies: An Illustrated Survey. Key West, FL: Fantasma Books, 1994. ---. Vintage Monster Movies. Key West, FL: Fantasma Books, 1993. McEwan, Douglas. The Q Guide to Classic Monster Movies. New York: Alyson, 2007. Osborne, Jennifer, ed. Monsters: A Celebration of the Classics from Universal Studios. New York: Del Rey Books, 2006. Schoell, William. Creature Features: Nature Turned Nasty in the Movies. Jefferson, NC: McFarland, 2008. Scott, Niall, ed. Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. Amsterdam: Rodopi, 2007. Stacy, Jan and Ryder Syvertsen. The Great Book of Movie Monsters. Bromley: Columbus Books, 1983. Weaver, Tom. Invasion of the Monster Movie Makers: Conversations with 22 from the SF and Horror Film Industry. Jefferson, NC: McFarland, 2001. Westwood, Emma. Monster Movies. Harpenden: Pocket Essentials, 2008. Zito, Zach, Mel Neuhaus, and Michael Lederman. Monster Madness. New York: Smithmark, 1998. John Polidori's The Vampyre: A Tale (1819) Bainbridge, Simon. "Lord Ruthven's Power: Polidori's The Vampyre, Doubles and the Byronic Imagination." Bryon Journal 34.1 (2006): 21-34. Morrison, Ronald D. "'Their Fruits Like Honey in the Thought/But Poison in the Blood': Christina Rosetti and The Vampyre." Weber Studies: An Interdisciplinary Humanities Journal 14.2 (1997): 86-96. Morrill, David F. "'Twilight Is Not Good for Maidens': Uncle Polidori and the Psychodynamics of Vampirism in Goblin Market." Victorian Poetry 28.1 (1990): 1-16. Senf, Carol A. "Polidori's The Vampyre: Combining the Gothic with Realism." North Dakota Quarterly 56.1 (1988): 197-208. Christina Rossetti's Goblin Market (1862) Brownley, Martine Watson. "Love and Sensuality in Christina Rossetti's 'Goblin Market.'" Essays in Literature 6 (1979): 179-186.
Escobar, Kirsten E. "Female Saint, Female Prodigal: Christina Rossetti's 'Goblin Market.'" Religion and the Arts 5.1-2 (2001): 129-1154. Humphries, Simon. "The Uncertainty of Goblin Market." Victorian Poetry 45.4 (2007): 391-413. Jamison, Anne. "Passing Strange: Christina Rossetti's Unusual Dead." Textual Practice 20.2 (2006): 257-280. Hill, Marylu. "'Eat Me, Drink Me, Love Me': Eucharist and the Erotic Body in Christina Rossetti's Goblin Market." Victorian Poetry 43.4 (2005): 455-472. Lysack, Krista. "Goblin Markets: Victorian Women Shoppers at Liberty's Oriental Bazaar." Nineteenth-Century Contexts 27.2 (2005): 139-165. Packer, Lona Mosk. "Symbol and Reality in Christina Rossetti's Goblin Market." PMLA 73.4 (1958): 375-385. Stern, Rebecca F. "'Adulterations Detected': Food and Fraud in Christina Rossetti's 'Goblin Market.'" Nineteenth-Century Literature 57.4 (2003): 477-511. Earle C. Kenton's Island of Lost Souls (1932) Buchanon, Judith. "Forbidden Planet and the Retrospective Attribution of Intentions." Retrovisions: Reinventing the Past in Film and Fiction. Ed. Deborah Cartmell, I. Q. Hunter, and Imelda Whelehan. London: Pluto, 2001 148-162. Lammes, Sybille. "So Far, So Close: Island of Lost Souls as a Laboratory of Life." Screen Consciousness: Cinema, Mind and World. Ed. Robert Pepperell and Michael Punt. Amsterdam: Rodopi, 2006. 65-84. Tod Browning's Freaks (1932) Adams, Rachel. Sideshow U.S.A.: Freaks and the American Cultural Imagination. Chicago: U of Chicago P, 2001. Larsen, Robin. "Public Reception of Real Disability: The Case of Freaks." Journal of Popular Film and Television 29.4 (2002): 164-172. Hawkins, Joan. "'One of Us': Tod Browning's Freaks." Freakery: Cultural Spectacles of the Extraordinary Body. Ed. Rosemarie Garland Thomson and Leslie A. Fiedler. New York: New York UP, 1996. 265-276. Herzogenrath, Bernd. "Join the United Mutations: Tod Browning's Freaks." Post Script: Essays in Film and the Humanities 21.3 (2002): 8-19. Norden, Martin E. "Violence, Women, and Disability in Tod Browning's Freaks and The Devil Doll." Journal of Popular Film and Television 26.2 (1998): 86-94. Vieira, Mark A. "Tod Browning's Freaks (1932): Production Notes and Analysis." Bright Lights Film Journal 32 (Apr. 2001): n.p. Schoedsack and Cooper's King Kong (1933) Carroll, Noel. "King Kong: Ape and Essence." Planks of Reason: Essays on the Horror Film. Metuchen, NJ: Scarecrow, 1984. 215-244. Erb, Cynthia. Tracking King Kong: A Hollywood Icon in World Culture. Detroit: Wayne State UP, 1998. Färber, Helmut. "King Kong: One More Interpretation; or, What Cinema Tells about Itself." Discourse 22.2 (2000): 104-126.
Franklin, Peter. "King Kong and Film on Music: Out of the Fog." Film Music: Critical Approaches. New York: Continuum, 2001. 88-102. Greenberg, Harvey Roy. "King Kong: The Beast in the Boudoir; or, 'You Can't Marry That Girl, You're a Gorilla!'" The Dread of Difference. Ed. Barry Keith Grant. Austin: U of Texas P, 1996. 338-351. McGurl, Mark. "Making It Big: Picturing the Radio Age in King Kong." Critical Inquiry 22.3 (1996): 415-445. Pomerance, Murray. "The Shadow of the World Trade Center Is Climbing My Memory of Civilization." Film and Television after 9/11. Ed. Wheeler Dixon. Carbondale: Southern Illinois UP, 2003. 42-62. Seelye, John. "Moby-Kong." College Literature 17.1 (1990): 33-40. Snead, James. "Spectatorship and Capture in King Kong: The Guilty Look." Critical Quarterly 33.1 (1991): 53-69. Telotte, J. P. "The Movies As Monster: Seeing in King Kong." The Georgia Review 42.2 (1988): 388-398. Torry, Robert. "'You Can't Look Away': Spectacle and Transgression in King Kong." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 49.4 (1993): 61-77. Robert Mamoulian's Dr. Jekyll and Mr. Hyde (1933) Kerr, Darren. "To Release Himself at the Last Moment: Constructing the Sexual Deviant in Hyde on Screen." Screen Methods: Comparative Readings in Film Studies. Ed. Jacqueline Furby and Karen Randell. London: Wallflower, 2006. 82-90. Lehman, Peter. "Looking at Ivy Looking at Us Looking at Her: the Camera and the Garter." Wide Angle: A Film Quarterly of Theory, Criticism, and Practice 5.3 (1983): 59-63. Senn, Bryan. "Dr. Jekyll and Mr. Hyde (1931): Science, Society, and Sexuality." Science Fiction America: Essays on S. F. Cinema. Jefferson, NC: McFarland, 2005. 1723. Welsch, Janice R. "The Horrific and the Tragic." The English Novel and the Movies. Ed. Michael Klein and Gillian Parker. New York: Ungar, 1981. 165-179. Wexman, Virginia Wright. "Horrors of the Body: Hollywood's Discourse on Beauty and Rouben Mamoulian's Dr. Jekyll and Mr. Hyde." Dr. Jekyll and Mr. Hyde after One Hundred Years. Ed. William Veeder and Gordon Hirsch. Chicago: U of Chicago P, 1988. 283-307. James Whale's Frankenstein (1931) and The Bride of Frankenstein (1935) Gill, Linda. "Women Beware! The Appropriation of Women in Hollywood's Revisioning of Mary Shelley's Frankenstein." Journal of American and Comparative Cultures 24.3-4 (2001): 93-98. Heffernan, James A. W. "Looking at the Monster: Frankenstein and Film." Critical Inquiry 24.1 (1997): 133-158. Juengel, Scott J. "Face, Figure, Physiognomics: Mary Shelley's Frankenstein and the Moving Image." Novel: A Forum on Fiction 33.3 (2000): 353-376. Morris, Gary. "Sexual Subversion: The Bride of Frankenstein." Bright Lights Film Journal 19 (1997): n.p.
Norden, Martin F. "Sexual References in James Whale's Bride of Frankenstein." Eros in the Mind's Eye. Ed. Donald Palumbo. New York: Greenwood, 1986. 141-150. Picart, Caroline Joan S. "Re-Birthing the Monstrous: James Whale's (Mis)Reading of Mary Shelley's Frankenstein." Critical Studies in Mass Communication 15.4 (1998): 382-404. Young, Elizabeth. "Here Comes the Bride: Wedding Gender and Race in Bride of Frankenstein." Feminist Studies 17.3 (1991): 403-437. William Dieterle's The Hunchback of Notre Dame (1939) Grossman, Kathryn M. "From Classic to Pop Icon: Popularizing Hugo." French Review 74.3 (2001): 482-495. Whittington-Walsh, Fiona. "From Freaks to Savants: Disability and Hegemony from The Hunchback of Notre Dame (1930) to Sling Blade (1997)." Disability and Society 17.6 (2002): 695-707. Jean Cocteau's Beauty and the Beast (1946) Cocteau, Jean. Beauty and the Beast: Diary of a Film. Trans. Ronald Duncan. New York: Dover, 1972. Sheaffer-Jones, Caroline. "Fixing the Gaze: Jean Cocteau's La Belle et la Bête." Romantic Review 93.3 (2002): 361-374. DeNitto, Dennis. "Jean Cocteau's Beauty and the Beast." American Imago: A Psychoanalytic Journal for Culture, Science, and the Arts 33 (1976): 123-154. Eecke, Wilifried Ver. "Jean Cocteau: Word and Image." Bucknell Review: A Scholarly Journal of Letters, Arts and Sciences 41.1 (1997): 57-77. Galef, David. "A Sense of Magic: Reality and Illusion in Cocteau's Beauty and the Beast." Literature/Film Quarterly 12.2 (1984): 96-106. Hammond, Robert M. "The Authenticity of the Filmscript: Cocteau's Beauty and the Beast." Style 9 (1975): 514-532. Hayward, Susan. "La Belle et la bête." History Today 46.7 (1996): 43-48. Hoggard, Lynn. "Writing with the Ink of Light: Jean Cocteau's Beauty and the Beast." Film and Literature: A Comparative Approach to Adaptation. Ed. Wendell Aycock and Michael Schoenecke. Lubbock: Texas Tech UP, 1988. 123-134. McGowan, Raymond. "Jean Cocteau and Beauty and the Beast." New Orleans Review 8.1 (1981): 106-108. Pauly, Rebecca M. "Beauty and the Beast: From Fable to Film." Literature/Film Quarterly 17.2 (1989): 84-90. Popkin, Michael. "Cocteau's Beauty and the Beast: The Poet as Monster." Literature/Film Quarterly 10.2 (1982): 100-109. Smith, Evans Lansing. "Framing the Underworld: Threshold Imagery in Murnau, Cocteau, and Bergman." Literature/Film Quarterly 24.3 (1996): 241-254. Honda's Gojira (aka Godzilla 1954) Anisfield, Nancy. "Godzilla/Gojiro: Evolution of the Nuclear Metaphor." Journal of Popular Culture 29.3 (1995): 53-62. Brophy, Philip. "Monster Island: Godzilla and Japanese Sci-Fi/Horror/Fantasy." Postcolonial Studies 3.1 (2000): 39-42.
Enns, Anthony. "'The Mutated Flowers of Hiroshima': American Reception and Naturalization of Toho's Godzilla." Popular Culture Review 12.2 (2002): 37-46. Hosokawa, Shuhei. "Atomic Overtones and Primitive Undertones: Akira Ifukube's Sound Design for Godzilla." Off the Planet: Music, Sound and Science Fiction Cinema. Ed. Philip Hayward. London: Libbey, 2004. 42-60. Saga, Yukari. "Gozilla in Japan: Interpreting a Destructive Monster." The Image of Technology in Literature, the Media, and Society. Ed. Will Wright and Steve Kaplan. Pueblo, CO: U of Southern Colorado, 1994. 294-297. George Romero's Night of the Living Dead (1968) Higashi, Sumiko. "Night of the Living Dead: A Horror Film about the Horrors of the Vietnam Era." From Hanoi to Hollywood: The Vietnam War in American Film. Ed. Linda Dittmar and Gene Michaud. New Bruswick, NJ: Rutgers UP, 1990. 175-188. Waller, Gregory A. The Living and the Undead: From Stoker's Dracula to Romero's Dawn of the Dead. Urbana: U of Illinois P, 1985. Angela Carter's Wolf Trilogy and Neil Jordan's The Company of Wolves (1984) Cimitile, Anna Maria. "'Who's Afraid of the Virgin Wolf?': Revisiting Stereotypes through Angela Carter's Looking Glass." Studi di letteratura e di linguistica, IV. Naples, Italy: Scientifiche Italiane, 1995. 95-107. Collick, John. "Wolves Through the Window: Writing Dreams/Dreaming Films/Filming Dreams." Critical Survey 3.3 (1991): 283-289. Douglas, Mary. "Red Riding Hood: An Interpretation from Anthropology." Folklore 106 (1995): 1-7. Haase, Donald P. "Is Seeing Believing? Proverbs and the Film Adaptation of a Fairy Tale." Proverbium: Yearbook of International Proverb Scholarship 7 (1990): 89104. Lau, Kimberly J. "Erotic Infidelities: Angel Carter's Wolf-Trilogy." Marvels and Tales 22.1 (2008): 77-94. Martín, Sara. "Little Red Riding Hood Meets the Werewolf: Genre and Gender Tensions in Neil Jordan's The Company of Wolves." Journal of the Fantastic in the Arts 12.1 (2001): 18-33. Lappas, Catherine. "'Seeing Is Believing, but Touching Is the Truth': Female Spectatorship and Sexuality in The Company of Wolves." Women's Studies: An International Journal 25.2 (1996): 115-135. Large, Victoria. "Hairy on the Inside: Surrealism and Sexual Anxiety in Neil Jordan's The Company of Wolves." Bright Lights Film Journal 54 (2006): n.p. Swyt, Wendy. "'Wolfings': Angela Carter's Becoming-Narrative." Studies in Short Fiction 33.3 (1996): 315-323. Zucker, Carole. "Sweetest Tongue Has Sharpest Tooth: The Dangers of Dreaming in Neil Jordan's The Company of Wolves." Literature/Film Quarterly 28.1 (2000): 66-71. Francis Ford Coppola's Bram Stoker's Dracula (1992) Bauer, Rachel Noël. "Hearing Dracula: Sound as Sign in Film." RLA: Romance Languages Annual 11 (1999): 138-143.
Corbin, Carol and Robert A. Campbell. "Postmodern Iconography and Perspective in Coppola's Bram Stoker's Dracula." Journal of Popular Film and Television 27.2 (1999): 40-48. Dika, Vera. "From Dracula--with Love." The Dread of Difference. Ed. Barry Keith Grant. Ausin: U of Texas P, 1996. 388-400. Dyer, Richard. "Dracula and Desire." Film/Literature/Heritage: A Sight and Sound Reader. Ed. Ginette Vincendeau. London: British Film Institute, 2001. 91-97. Fry, Carrol L. and John Robert Craig. "'Unfit for Earth, Undoomed for Heaven': The Genesis of Coppola's Byronic Dracula." Literature/Film Quarterly 30.4 (2002): 271-278. Kline, Michael. "The Vampire as Pathogen: Bram Stoker's Dracula and Francis Ford Coppola's Bram Stoker's Dracula." West Virginia University Philological Papers 42-43 (1997-98): 36-44. Reeder, Steven. "Dracula as a Tragic Hero: The Illumination of Film on a Text." Nineteenth Century Literature in English 10.2 (2006): 243-271. Sheehan, Henry. "Trust the Teller: Henry Sheehan Talks with James V. Hart about Dracula." Film/Literature/Heritage: A Sight and Sound Reader. Ed. Ginette Vincendeau. London: British Film Institute, 2001. 271-274. Thomas, Ronald R. "Specters of the Novel: Dracula and the Cinematic Afterlife of the Victorian Novel." Nineteenth Century Contexts 22.1 (2000): 77-102. Whalen, Tom. "Romancing Film: Images of Dracula." Literature/Film Quarterly 23.2 (1995): 99-101. Wyman, Leah M. and George N. Dionisopoulos. "Primal Urges and Civilized Sensibilities: The Rhetoric of Gendered Archetypes, Seduction, and Resistance in Bram Stoker's Dracula." Journal of Popular Film and Television 27.2 (1999): 3239. ---. "Transcending the Virgin/Whore Dichotomy: Telling Mina's Story in Bram Stoker's Dracula." Women's Studies in Communication 23.2 (2000): 209-237.