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					band                                title                            format           label
mika goedrijk                       pellicules                       cd               ant-zen
synapscape                          again                            cd               ant-zen
synapscape                          synaptic engine                  girlie-shirt     ant-zen
synapscape                          synaptic engine                  t-shirt          ant-zen
synapscape                          synaptic engine                  t-shirt          ant-zen
synapscape                          synaptic engine                  t-shirt          ant-zen
synapscape                          synaptic engine                  t-shirt          ant-zen
keef baker                          pen fifteen                      2cd              hymen
marching dynamics                   the workers party of haiti       cd               hymen
v.a.                                maschinenfest 08                 girlie-shirt     pflichtkauf
v.a.                                maschinenfest 08                 t-shirt          pflichtkauf
v.a.                                maschinenfest 08                 t-shirt          pflichtkauf
v.a.                                maschinenfest 08                 t-shirt          pflichtkauf
v.a.                                maschinenfest 08                 t-shirt          pflichtkauf
ab ovo                              1st3                             3cd-r            meka
zentriert ins antlitz               no                               cd               tympanik audio
esa                                 the sea and the silence          cd               tympanik audio
broken fabiola                      severed                          cd               tympanik audio
v.a.                                emerging organisms 2             2cd              tympanik audio
stendeck                            sonnambula                       cd               tympanik audio
ten data keshin                     neo neon generation              cd               audiotrauma
baxter lilly                        unsichtbare flecken              cd               audiotrauma
absolute body control               lost / found                     2cd              daft records
matter                              technology and planetary power   cd-r             le petit machiniste
the man                             mental.derange.booster           cd-r             le petit machiniste
kk null                             akumu                            cd               vital
another electronic musician         five                             cd               n5md
funckarma                           vell vagranz                     cd               n5md
oloolo                              pavilosta                        cd               lagunamuch
mewark                              little one                       cd               lagunamuch
0id                                 systems of mercy                 cd               lagunamuch
v.a.                                deep sea shipping                cd               lagunamuch
nightech                            deviation                        cd               lagunamuch
lazyfish / mewark                   s/t                              cd               peace technologies
jägerblut                           tannöd                           cd               umb kollektif
submerged                           violence as first nature         2cd              ohm resistance
repeater                            ultra violet                     12''             peace off
v.a.                                anonymous series vol.1           12''             praxis
fanny                                                              2x12''
                                    icantbelieveyouwereamusicianyougotnosoulbaby      widerstand
klima / morbus m.                   past and future ep             12''               kellermusik
klima / morbus m.                   past and future ep               12''             kellermusik
exocet / morbus m.                  don*t trust your eyes ep         12''             spunky monkey
meander                             dreaming in reverse              12''             low res
davros / unibomber                  the final amiga 500 battle       2x12''           noizetek
a wake a week                       little black cloud               cd               spectraliquid
fear drop                           charbons ardents                 magazine+cd      fear drop
skinwell                            tunnels                          cd               angle records
pbk / telepherique                  noise-ambient connection         cd               monochrome vision
math head                           stab city                        12''             ad noiseam
the kilimanjaro darkjazz ensemble   mutations                        cd-ep            ad noiseam
sickboy                             time to play vol.1               12''             ad noiseam
v.a.                                for whom the balls toll          12''             rednex rampage records


ab ovo                              empreintes                       cd               ant-zen
ab ovo                              mouvements                       cd               ant-zen
synapscape                          raw version                      t-shirt size L   ant-zen
ant-zen                     leaf-cutter ants                  fitted jacket-ladies   ant-zen
sonar                       cosmic rays                       size S
                                                              12''                   hymen
donna summer                s/t                               7''                    mirex
v.a.                        wasted                            cd                     mirex
this morn' omina            inferno                           cd                     spectre
ah cama-sotz                declaration of innocence                                 bats & cats
mono no aware               kika no sekai                     cd                     hands
snog                        planet of shit                    cd                     psy-harmonics
lyunx productions           syrup, bones and toast            cd                     u-cover
zonk't                      itching                           cd                     brume records
otx                         escape                            cd                     brume records
atrox                       empire-state                      cd                     atacama
v.a.                        deepnet                           2cd                    side effects
monstrare                   novum ott                         cd                     force of nature
jarl                        sealed void                       cd                     force of nature
c2                          cubed                             cd                     force of nature
venetian snares             sabbath dub                       10''                   kriss
end.user                    left                              cd                     ohm resistance
glowstyx                    class of 1992                     cd                     cock rock disco
doormouse                   i heart kraftwerk                 12''                   addict records
the wirebug                 the uncontrollable h disease      12''                   praxis
abelcain                    the garden                        12''                   zhark international
abelcain                    pantheon of fiends                2x12''                 zhark international
tarmvred                    tintorama                         12''                   low res
ambassador 21               akcija v1.1                       2x12''                 restroom
tamarin                     rule the planet                   7''                    de los siete
belladonnakillz             perverted & proud                 cd                     dross:tik
textile ranch               bird heart in wool                cd                     very friendly
v.a.                        the flatline compilation          2cd                    flatline
the galan pixs              pink film edition                 cd                     flatline
netz                        werk01                            cd                     flatline
v.a.                        the flatline compilation part 2   2cd                    flatline
implant                     kmputor                           cd                     flatline
silk saw                    claudicating                      cd                     hypraphon
salfetky                    go screw yourself                 cd                     acidsamovar
inshizzo                    beyond the mad music              cd                     acidsamovar
mendelayev                  acid mind                         cd                     acidsamovar
venetian snares             horse and goat                    cd-ep                  sublight records
venetian snares             pink+green                        cd-ep                  sublight records
belladonnakillz             as if                             cd                     sublight records
bad sector + tommaso lisa   reset / rebis periferiche         cd+book                old europa cafe
troum / all sides           shutun                            cd                     old europa cafe
voidloss / villain          approaching numb                  12''                   singularity
v.a.                        hard bodies                       cd                     klangkrieg
kareem                      battlefield                       12''                   ramadan
kareem                      neoclassical                      12''                   ramadan
himuro                      mild fantasy violence             cd                     zod records
mystery palace              flags forward                     cd                     zod records
v.a.                        we're all frankies                cd                     daft records
sleep chamber               sirkus                            cd                     daft records
s.core                      crime                             cd                     daft records
hybryds                     elektrik voodoo                   cd                     daft records
r|a|a|n                     the nacrasti                      cd                     malignant - antibody


telepherique                licht und schatten                cd                     ant-zen
imminent starvation         human dislocation                 cd                     ant-zen
telepherique                           v=s/t                             cd          ant-zen
ambre                                  enclave                           cd          ant-zen
silk saw                               preparing wars                    cd          ant-zen
synapscape                             so what                           2cd         ant-zen
p.a.l                                  release                           cd          ant-zen
hypnoskull                             ffwd > burnout !                  cd          ant-zen
squaremeter                            14id1610s                         cd          ant-zen
axiome                                 rictus                            cd          ant-zen
monokrom                               monokrom                          cd          ant-zen
imminent / synapscape                  screenwalking                     cd-ep       ant-zen
asche                                  distorted disco                   cd          ant-zen
silk saw                               4th dividers                      cd          ant-zen
celluloid mata                         sable                             cd          ant-zen
vromb                                  emission pilote                   cd          ant-zen
vromb                                  episodes                          cd          ant-zen
converter                              blast furnace                     cd          ant-zen
hypnoskull                             electronic music means war to us cd           ant-zen
azure skies                            s/t                               cd          ant-zen
axiome                                 ca ne nous rendra pas le congo    cd          ant-zen
synapscape                             positive pop                      cd          ant-zen
synapscape                             positive pop                      boxset      ant-zen
black lung                             profound and sentimental journey cd-ep        ant-zen
black lung                             profound and sentimental journey 12'' lp      ant-zen
david thrussell                        the voices of reason              cd          ant-zen
vromb                                  le tourne-disque                  10''        ant-zen
vromb                                  le tourne-disque                  3''cd       ant-zen
monokrom                               monokrom                          12'' lp     ant-zen
converter / asche / morgenstern        erode                             cd-ep       ant-zen
noosa hedz                             hoola hopz                        10''        ant-zen
celluloid mata                         spectrum                          2cd         ant-zen
rob(u)rang                             & friends                         cd-ep       ant-zen
l'ombre                                medicine for the meaningless      cd          ant-zen
telerotor                              modern times                      cd          ant-zen
hypnoskull                             operation tough guy!              cd          ant-zen
hypnoskull                             operation tough guy!              2x12'' lp   ant-zen
hypnoskull                             operation tough guy!              boxset      ant-zen
klangstabil                            taking nothing seriously          cd          ant-zen
synapscape                             raw                               cd          ant-zen
ambre                                  le mensonge                       cd          ant-zen
this morn' omina                       7 years of famine                 cd          ant-zen
converter                              expansion pack 1.10               2 x 10''    ant-zen
squaremeter                            war of sound                      cd          ant-zen
l'ombre                                simulations 1.0                   cd          ant-zen
v.a.                                   daruma                            2cd         ant-zen
vromb                                  rayons                            cd          ant-zen
vromb                                  rayons                            12'' lp     ant-zen
this morn' omina                       le serpent blanc - le serpent rouge2cd        ant-zen
individual                             180 bullets per man               cd          ant-zen
roger rotor                            malleus maleficarum               cd          ant-zen
cell auto mata                         the devil is in the detail        cd          ant-zen
ab ovo                                 le temps suspendu....             2cd         ant-zen
brian evenson / xingu hill / tamarin   altmann's tongue                  cd          ant-zen
ultra milkmaids                        pop pressing                      cd          ant-zen
vromb                                  jeux de terre                     2x12'' lp   ant-zen
black lung                             the grand chessboard              12'' lp     ant-zen
genetic selection                      orbital ground attack             cd          ant-zen
silk saw                   empty rooms                        cd                 ant-zen
synapscape                 act!                               cd                 ant-zen
l'ombre                    simulations 2.0                    cd                 ant-zen
this morn' omina           les passages jumeaux: 25°~33°      2cd                ant-zen
szkieve                    ékranoplanes                       3'' cd             ant-zen
hypnoskull                 dark skies over planet e           cd                 ant-zen
mimetic desire             sacred aim                         dvd                ant-zen
gjöll                      way through zero                   cd                 ant-zen
axiome                     il pleut des cordes                12''               ant-zen
moctan                     suspect                            cd                 ant-zen
genevieve pasquier         soap bubble factory                cd                 ant-zen
monokrom                   tales of rabbits and hares         cd                 ant-zen
imminent / synapscape      the revenge of the incredible three7''                ant-zen
imminent / synapscape      the return of the incredible three 7''                ant-zen
black lung                 karmageddon                        12''               ant-zen
genetic selection          darwin's voyage                    cd                 ant-zen
silk saw                   8 reports                          cd                 ant-zen
hypnoskull                 panik mekanik                      cd                 ant-zen
morgenstern                two different faces                cd                 ant-zen
iszoloscope                the audient void                   cd                 ant-zen
ultra milkmaids            pocket station                     cd                 ant-zen
genevieve pasquier         virgin pulses                      cd                 ant-zen
synapscape / asche         scenes from a galton's walk        cd                 ant-zen
converter                  expansion pack 2.0                 2cd                ant-zen
black lung                 the coming dark age                cd                 ant-zen
genetic selection          world of tomorrow                  cd                 ant-zen
sonar                      alien overdrive                    cd                 ant-zen
david thrussell            the fetid fungi                    book+cd            ant-zen
bipol                      ritual                             cd                 ant-zen
p.a.l                      modus                              cd                 ant-zen
black lung                 concrete octopus                   12'' lp            ant-zen
hypnoskull                 industrial owes us money           cd                 ant-zen
s:cage                     madness turns to glass             cd                 ant-zen
gjöll                      not to lead nor to follow          cd                 ant-zen
squaremeter                nyx                                cd                 ant-zen
punch inc.                 fightclub                          cd                 ant-zen
tzolk'in                   haab'                              cd                 ant-zen
contagious orgasm          ripple                             cd                 ant-zen
100blumen                  in floriculture there is no law!   cd                 ant-zen
twinkle                    le jouet                           cd                 ant-zen
proyecto mirage            turn it on                         cd                 ant-zen
klangstabil                math & emotion                     cd                 ant-zen
klangstabil                math & emotion                     cd - special ed.   ant-zen
synapscape                 now                                cd                 ant-zen
lingouf                    area keloza                        cd                 ant-zen
exocet                     violation                          cd                 ant-zen
von magnet                 ni prédateur ni proie              cd                 ant-zen
monokrom                   one fine day in the pyramid        cd                 ant-zen
the [law-rah] collective   inspiration                        cd                 ant-zen
moctan                     come closer                        cd                 ant-zen
100blumen                  floral annihilation                cd                 ant-zen
ant-zen                    the ant                            metal pin          ant-zen
mental destruction         logo                               sweatshirt         ant-zen
ant-zen                    atomic ant                         girlie-shirt       ant-zen
ant-zen                    atomic ant                         t-shirt            ant-zen
ant-zen                    atomic ant                         t-shirt            ant-zen
ant-zen                    atomic ant                         t-shirt            ant-zen
ant-zen                 atomic ant                         t-shirt                ant-zen
ant-zen                 atomic ant                         sweatshirt             ant-zen
ant-zen                 atomic ant                         sweatshirt             ant-zen
ant-zen                 atomic ant                         sweatshirt             ant-zen
hypnoskull              p3945                              girlie-shirt           ant-zen
morgenstern             s/t                                girlie-shirt           ant-zen
morgenstern             s/t                                t-shirt                ant-zen
ant-zen                 beware the ants                    girlie-shirt           ant-zen
synapscape              flames                             t-shirt                ant-zen
ant-zen                 we are your friends                girlie-shirt           ant-zen
ant-zen                 we are your friends                t-shirt                ant-zen
ant-zen                 we are your friends                t-shirt                ant-zen
ant-zen                 we are your friends                t-shirt                ant-zen
ant-zen                 we are your friends                t-shirt                ant-zen
klangstabil             the chess opening                  girlie-shirt           ant-zen
klangstabil             the chess opening                  t-shirt                ant-zen
klangstabil             the chess opening                  t-shirt                ant-zen
klangstabil             the chess opening                  t-shirt                ant-zen
klangstabil             the chess opening                  t-shirt                ant-zen
vromb                                                      girlie-shirt           ant-zen
ant-zen                 leaf-cutter ants                   hooded jacket-ladies   ant-zen
ant-zen                 leaf-cutter ants                   hooded jacket-ladies   ant-zen
ant-zen                 leaf-cutter ants                   hooded jacket          ant-zen
ant-zen                 leaf-cutter ants                   hooded jacket          ant-zen
ant-zen                 leaf-cutter ants                   hooded jacket          ant-zen
punch inc.              206 bones to break                 t-shirt                ant-zen
punch inc.              206 bones to break                 t-shirt                ant-zen
punch inc.              206 bones to break                 t-shirt                ant-zen
punch inc.              206 bones to break                 t-shirt                ant-zen
ant-zen                 explicit insect nudity             t-shirt                ant-zen
ant-zen                 explicit insect nudity             t-shirt                ant-zen
ant-zen                 explicit insect nudity             t-shirt                ant-zen
ant-zen                 explicit insect nudity             t-shirt                ant-zen
proyecto mirage         take it off                        t-shirt                ant-zen
proyecto mirage         take it off                        t-shirt                ant-zen
proyecto mirage         take it off                        t-shirt                ant-zen
proyecto mirage         take it off                        t-shirt                ant-zen
klangstabil             faust                              girlie-shirt           ant-zen
klangstabil             faust                              t-shirt                ant-zen
klangstabil             faust                              t-shirt                ant-zen
klangstabil             faust                              t-shirt                ant-zen
klangstabil             faust                              t-shirt                ant-zen
100blumen               floral annihilation                girlie-shirt           ant-zen
100blumen               floral annihilation                t-shirt                ant-zen
100blumen               floral annihilation                t-shirt                ant-zen
100blumen               floral annihilation                t-shirt                ant-zen
klangstabil             math & emotion                     fine art print         ant-zen
torsion                 jackson's private zoo              12'' lp                hymen
oil 10                  metastases                         12'' lp                hymen
starfish pool           illusions of move - chapter blue   12'' lp                hymen
vromb                   emission pilote                    12'' lp                hymen
imminent / synapscape   screenwalking                      12'' lp                hymen
starfish pool           illusions of move - chapter red    12'' lp                hymen
lusine icl              slipthrough ep                     12'' lp                hymen
neutral                 driving backwards                  12'' lp                hymen
lusine icl              iron city                          2x12'' lp              hymen
hecate / lustmord       law of the battle of conquest      12'' lp                hymen
gridlock                   formless                           2x12'' lp            hymen
architect                  noise is out of stock              12'' lp              hymen
orphx                      circuitbreaking                    12'' lp              hymen
somatic responses          pounded mass                       12'' lp              hymen
wisp                       nrthndr                            12'' lp              hymen
hecate                     brew hideous                       12'' lp              hymen
somatic responses          giauzar                            12'' lp              hymen
xanopticon                 psicicite                          12'' lp              hymen
end.user                   left                               2x12'' lp            hymen
snog                       beyond the valley of the proles    2x12'' lp            hymen
doormouse                  major changes                      12'' lp              hymen
otto von schirach          oozing bass spasms                 2x12''               hymen
ove-naxx                   massive swingin' mpc2000           10''                 hymen
v.a.                       teknoir                            2cd                  hymen
beefcake                   polycontrale contra punkte         cd                   hymen
passarani                  unspeakable future outbreaks       cd                   hymen
snog                       third mall from the sun            cd                   hymen
xingu hill                 alterity                           cd                   hymen
scorn                      imaginaria award                   cd-ep                hymen
snog                       relax into the abyss               cd                   hymen
scorn                      greetings from birmingham          cd                   hymen
somatic responses          augmented lines                    cd                   hymen
substanz-t                 tripped experiences                cd                   hymen
starfish pool                                                 c
                           illusions of move - the golden cycle d                  hymen
xingu hill / squaremeter   this anxious space                 cd                   hymen
neutral                    motion of                          cd                   hymen
v.a.                       masonic                            2cd                  hymen
lusine icl                 iron city                          cd                   hymen
somatic responses          touching the void                  cd                   hymen
end                        science/fiction                    cd                   hymen
substanz-t                 electric opium                     cd                   hymen
snog                       beyond the valley of the proles    cd                   hymen
venetian snares / hecate   nymphomatriarch                    cd                   hymen
v.a.                       belio:cd:war                       magazine + cd        hymen
v.a.                       belio:cd:war                       cd                   hymen
neutral                    caller id                          cd                   hymen
xanopticon                 liminal space                      cd                   hymen
architect                                                   cd
                           i went out shopping to get some noise                   hymen
orphx                      circuitbreaking                    cd                   hymen
hecate                     seven veils of silence             cd                   hymen
kattoo                     places                             cd                   hymen
somatic responses          pounded mass                       cd                   hymen
hecq                       scatterheart                       cd                   hymen
snog                       real estate man plus               cd                   hymen
end                        the sick generation                cd                   hymen
dead hollywood stars       smoke and mirrors                  cd-ep                hymen
kattoo                     megrim                             cd                   hymen
hecq                       bad karma                          cd                   hymen
ginormous                  the endless procession             cd                   hymen
ginormous                  the endless procession + our ancestors’ intense love affair
                                                            cd+cd                    hymen
enduser                    form without function              cd                   hymen
mad ep                     not afraid of spiders              cd                   hymen
snog                                                         cd
                           vs the faecal juggernaut of mass culture                hymen
nebulo                     kolia                              cd                   hymen
terminal11                 fractured sunshine                 cd                   hymen
substanz-t                 beyond e                           cd                   hymen
keef baker                          redeye                             cd             hymen
lusine icl                          language barrier                   cd             hymen
tonikom                             epoch                              cd             hymen
marching dynamics                   nailsleeper                        cd             hymen
snog                                the last days of rome              cd             hymen
somatic responses                   digital darkness                   cd             hymen
ginormous                           at night, under artificial light   cd             hymen
jerome chassagnard                  (f)light                           cd             hymen
hecq                                night falls                        cd             hymen
nebulo                              avutma                             cd             hymen
hpc                                 halfbreed                          cd             hymen
zeller                              audio vandalism                    cd             hymen
lusine icl                          iron city                          t-shirt        hymen
gridlock                            formless                           girlie-shirt   hymen
hymen records                       enjoy the gush                     girlie-shirt   hymen
fanny                               fear & loathing for dummies 1      7''            mirex
raquel de grimstone                 liber cordis cincti serpente       7''            mirex
sonic dragolgo                      sweet pain                         7''            mirex
xanopticon                          azif                               7''            mirex
projet 2501                         s/t                                7''            mirex
xingu hill                          16-bit golem                       7''            mirex
fanny                               fear & loathing for dummies        cd             mirex
fanny                                                                  of
                                    revelry and decadence as the rightcd slaves       mirex
v.a.                                carbon                             cd             mirex
subskan                             repaired                           cd             mirex
drop the lime                       step it up                         12''           mirex
sickboy                             into oblivion                      cd             mirex
sickboy                             into oblivion                      12''           mirex
bong-ra                             soldaat van oranje                 12''           mirex
enduser                             the end                            12''           mirex
v.a.                                gully gotham grit. volume 1        12''           mirex
drop the lime                       step it up                         t-shirt        mirex
crunch                              10 inch                            10''           delikatessen records
metamatics                          remixes                            10''           delikatessen records
lilienthal                          anti-matter                        10''           delikatessen records
myrza                               all you can eat                    10''           delikatessen records
eu                                  mandarines                         10''           delikatessen records
deru                                pushing soil                       10''           delikatessen records
beefcake                            viande de gâteau                   10''           delikatessen records
bubble gum                          s/t                                7''            bazooka joe
jonni mogul                         betcha bootz                       7''            bazooka joe
the rorschach garden                our japanese friends               cd             bazooka joe
the rorschach garden                the toy factory                    cd             bazooka joe
the rorschach garden                the ninja robots                   t-shirt        bazooka joe
rasputeen                           die segnungen der neuzeit          cd             bazooka joe
the rorschach garden                transfer                           cd             bazooka joe
                                     rasputeen in heavy leather
rasputeen / catholic boys in heavy leather                             cd-ep          bazooka joe
vromb                                interlüder                        cd-ep          pflichtkauf
cybernetic:fuckheadz                s/t                                cd             pflichtkauf
p.a.l                               live at 2:00 a.m.                  cd             pflichtkauf
die neue sachlichkeit               s/t                                10''           pflichtkauf
config.sys                          ulysses                            cd             pflichtkauf
ars moriendi                        live at maschinenfest 2002         cd             pflichtkauf
v.a.                                maschinenfest 03                   2cd            pflichtkauf
pow(d)er pussy                      six ways from sunday               cd             pflichtkauf
dazzling malicious                  don't like                         boxset         pflichtkauf
dazzling malicious                   don't like                        cd         pflichtkauf
config.sys                           gravity probe [b]                 cd         pflichtkauf
contaminant                          sanity report                     cd         pflichtkauf
the [law-rah] collective             drones for drella                 cd         pflichtkauf
v.a.                                 maschinenfest 05                  2cd        pflichtkauf
pow(d)er pussy                       just 2 annoy you                  cd-ep      pflichtkauf
suicide inside                       theory of the arising of desire   cd         pflichtkauf
v.a.                                 maschinenfest 06                  2cd        pflichtkauf
suicide inside                       learn to swallow                  cd         pflichtkauf
dazzling malicious                   psychoanalyse                     cd         pflichtkauf
config.sys                           back and forth                    2cd        pflichtkauf
ahnst anders                         dialog                            cd         pflichtkauf
v.a.                                 maschinenfest 07                  2cd        pflichtkauf
catholic boys in heavy leather                                       c
                                     nobody urged you to get canonisedd           pflichtkauf
suicide inside                       dead red                          cd         pflichtkauf
config.sys / ahnst anders            boiling the ocean                 cd         pflichtkauf
v.a.                                 maschinenfest 2008                2cd        pflichtkauf
deaf machine                         found noises                      cd         raubbau
strops                               s/t                               cd         raubbau
deaf machine                         transistor                        cd         raubbau
orphx                                teletai - rarities and remixes    2cd        hands
v.a.                                 2009 hands                        2cd        hands
typhoid                              destinazione magnetica            cd         hands
edgey                                square form annihilations         cd         hands
shorai                               40 minutes into the future        cd         hands
mono no aware                        kataku                            cd         hands
orphx                                insurgent flows                   cd         hands
nullvektor                           stromaufwärts                     cd         hands
synth-etik                           phantom                           cd         hands
nullvektor                           electrophrenique                  cd         hands
heimstatt yipotash                   perpetual beta                    cd         hands
greyhound                            noise whisperer                   cd         hands
5f-x                                                                   invasion
                                     the xenomorphians - your friendly cd         hands
xabec                                transformed                       cd         hands
v.a.                                 forms of hands 08                 cd         hands
empusae                              the hatred of trees               cd         hands
maschinenkrieger kr52 vs. disraptor audio-phobie                       cd         hands
last days of s.e.x.                 first s.e.x.ual experience         cd         hands
mono no aware                        ketoujin                          cd         hands
geistform                            pro-analogic                      cd         hands
ms gentur                            end_chapter                       cd         hands
tonikom                              tonikom killed tonik              cd         tonikom
tonikom                              ocular pitch                      cd         tonikom
ml                                                                   cd
                                     everyone looks like somebody else            n5md
spark                                the robotic girl next door        cd         n5md
quench                               punctuated                        cd         n5md
proem                                live                              cd         n5md
v.a.                                 md8                               cd         n5md
spark                                super robot battle deluxe         cd         n5md
funckarma                            refurbished one                   cd         n5md
another electronic musician          use                               cd         n5md
quench                               caipruss                          cd         n5md
another electronic musician          patience                          cd         n5md
last days                            sea                               cd         n5md
tobias lilja                         time is on my side                cd         n5md
subtractivelad                       no man's land                     cd         n5md
arc lab                       no spectre                       cd             n5md
run_return                    sum of an abstract               cd             n5md
damiak                        micalavera                       cd             n5md
funckarma                     refurbished two                  cd             n5md
last days                     these places are now ruins       cd             n5md
near the parenthesis          of soft construction             cd             n5md
hologram                      hologram+                        cd             n5md
bitcrush                      epilogue in waves                cd             n5md
near the paranthesis          l'eixample                       cd             n5md
bitcrush                      shimmer and fade                 cd             n5md
lights out asia               eyes like brontide               cd             n5md
architect / klima             noiseambush                      12''           kellermusik
converter / klima             divider e.p.                     12''           kellermusik
converter / klima             divider e.p. - special edition   12''           kellermusik
rdr                           pissing nightmare ep             12''           kellermusik
v.a.                          no u turn ep                     7''            kellermusik
v.a.                          consider:noise 01                cd             kellermusik
v.a.                          binkcrsh mixed up compilation    cd-r           binkcrsh
cats on earth                 la fin triste                    cd-r           binkcrsh
such broken glass                                               cd-r
                              the tourist industry / someone became a ghost   binkcrsh
aries fiktion                 live at netphorce 5.1            bk040          binkcrsh
pleq                          lucid dream                      cd             halbsicht
dnn                           try to feel                      cd             halbsicht
v.a.                          systemic 02                      cd             systemic audio
messer chups                  vamp babes upgrade version 2004cd               solnze records
messer chups                  hyena safari                   cd               solnze records
messer chups                  black black magic                cd             solnze records
messer chups                  the best of messer chups: cocktailcd
                                                                 draculina    solnze records
kim and buran                 kosmos for children               cd            solnze records
messer chups                  crazy price                      cd             solnze records
end                           the sounds of disaster           cd             solnze records
kim and buran                 rock'n'robot                     cd             solnze records
project arctic                third pole                       cd             spectre
def                           c                                cd             spectre
the [law-rah] collective      1953                             cd             spectre
mimetic                       ultra                            cd             spectre
vromb                         le pecheur de noye               cd-boxset      spectre
empusae                       geesten                          7''            spectre
antigen shift                 this moment of cold remembering cd-ep           spectre
okk-ulth                      elisabeth bathory               2x7''           spectre
camanecroszcope               echoes ov who lieth dead but ever cd
                                                                dreameth      spectre
stupor                        bête noire                        cd            spectre
mimetic / origami galaktika   origamimetic                     cd             spectre
kraken                        amore                            2cd            spectre
loss                          i kill everything                cd             spectre
v.a.                          angst                            2cd            spectre
hypnoskull                    (g.o.d)-once again               cd             spectre
kraken                        chagrin                          cd             spectre
camanecroszcope               echoes ov a beckoning arcanum cd                spectre
loss                          you are what eats you            7''            spectre
v.a.                                                           cd
                              spectre: decade cd anniversary compilation      spectre
hysteresis                    measured chaos                   cd             spectre
kraken                        drift                            cd             spectre
skincage                      things fall apart                cd             spectre
the [law-rah] collective      ...as it is...                   2x3'' cd       spectre
kraken                        nachtschade                      cd+dvd         spectre
hysteresis                          will + representation              cd             spectre
ah cama-sotz                        dead cities                        cd             bats & cats
mimetic                             one more than nine                 book+2x3''cd   les art minis
ars moriendi                        freudentränen                      cd-r           fich-art
the rorschach garden                irony of progress                  cd-r           fich-art
monokrom                            s/t                                cd-r           fich-art
monokrom / morgenstern              live at iwtbf berlin 03            cd-r           fich-art
vuoto                               paranoia vienna                    cd-r           fich-art
morgenstern                         hypnoider zustand                  cd-r           fich-art
morgenstern                         yesterdays                         cd-r           fich-art
asche                                                                    cd-r
                                    the older stuff / cenobites in the ballroom       fich-art
asche                               non apocalypse                     cd-r           fich-art
asche                               down by loop                       cd-r           fich-art
morgenstern                         zyklen                             cd-r           fich-art
ars moriendi                        schlachtgesänge                    cd-r           fich-art
asche / the rorschach garden        times                              cd-r           fich-art
feine trinkers bei pinkels daheim   kornzweig baby                     cd-r           fich-art
eva | 3                             the great divide                   cd             fich-art
monokrom                            mummies of noise                   cd-r           fich-art
oszillotom                          energetika                         cd-r           fich-art
v.a.                                phoney m - fightnight on venus     cd-r           fich-art
xsoz                                basic topology                     cd-r           fich-art
exurban                             abstieg aufwärts                   cd-r           fich-art
gestalt                             gargamelle                         cd             ms records
ordinateur                          magnetronic turbulence             cd             brainchaos
v.a.                                365 jours de bruits                cd             audiotrauma
ten data keshin                     tex+s instrument                   cd-r           audiotrauma
f.y.d.                              defied                             cd             audiotrauma
mind necrosis factor                entropy                            cd             audiotrauma
twinkle                             processing industry                cd-r           audiotrauma
v.a.                                noxious art will never die         2cd            audiotrauma
f.y.d.                              attrition (chapter III)            cd-r           audiotrauma
sonic area                          explore                            cd             audiotrauma
chrysalide                          lost in a lost world               cd             audiotrauma
mind necrosis factor                morphogenesis                      cd             audiotrauma
le diktat                           unabomber                          cd             audiotrauma
v.a.                                white cock 1-4 compilation         cd             cock rock disco
dev/null                            lazer trash                        cd             cock rock disco
donna summer                        panther tracks                     cd             cock rock disco
otto von schirach                   oozing bass spasms                 cd             cock rock disco
doormouse                           xylophone jism                     12'' lp        cock rock disco
slepcy                              we are the newest battle models 12''              cock rock disco
assdroids                           daddy's gone                       12''           cock rock disco
stunt rock                          this is stunt rock volume three    12''           cock rock disco
dj donna summer                     panther tracks vol.1            12''              cock rock disco
dj donna summer                     panther tracks vol.2            12''              cock rock disco
v.a.                                maddest chik'ndom compilation 1 12''              cock rock disco
v.a.                                white cock 3                       12''           cock rock disco
droon                               hold the west in hand / barndance 7''             wood records
v.a.                                we exist                           12''           reject records
john dark                           amiga hip hop                      12''           yb-70
zotz                                s/t                                cd             yb-70
elektroplasma                       mechaniballs                       cd             yb-70
v.a.                                parazit                            cd             yb-70
element abuse                       unbirth                            cd             yb-70
rainier lericolais                                                   cd
                                    my song exaggerated to dilate horizontally        ytterbium
unit                                                            cd
                            i came here to tell you how it's going to begin       modulo
v.a.                        sunday afternoon records ep1       12''               sunday afternoon records
hinsidan                    god is in the details              boxset             phisteria
v.a.                        meat                               dvd                v-atak
roger rotor                 burn down the blues                7''                electric transfusion
v.a.                        sub.session                        cd                 sub.session records
v.a.                        on002 compilation                  12''               onrecords
nynack                      pattern errors                     12''               onrecords
autophonic                  slack                              cd                 onrecords
v.a.                        tured in been                      cd                 onrecords
tricot trio                 neu optimism                       cd                 ateliers tentack
daniel menche               rusty ghosts                       2x 7'' vinyl       duëbel
ultra milkmaids             peps                               cd                 duëbel
telepherique                nerv.sys                           2cd                duëbel
v.a.                                                         cd
                            low end recon. a dark hop transmission vol.1          hushush
v.a.                                                            the
                            four ways of saying h3o (tribute to cd hafler trio)   hushush
mark spybey / mick harris   bad roads, young drivers           cd                 hushush
c-drik                      dissolution                        cd                 hushush
kk null                     peak of nothingness                cd                 hushush
moonsanto                   fraud hell dope                    cd                 hushush
martiens go home!           une occasion de chute              cd                 hushush
szkieve                     des rhythmes de passage            cd                 hushush
orphx / mark spybey         sealey / oddie / spybey (sos)      cd                 hushush
lilith                      imagined compositions for water cd                    hushush
vromb / szkieve                                                7''
                            le pavillon des oiseaux / le monorail                 hushush
kapotte muziek / goem       kgm                                cd                 hushush
szkieve                                                      cd
                            chants et danses folkoriques des hauts plateaux       rape art productions
grkzgl                      esque                              3'' cd             angle records
the missing ensenble        hidden doors                       cd                 angle records
lcedp                       de l'utilite des convoyeurs        cd                 angle records
nos royaumes                l'antichambre                      7''                angle records
15 degrees below zero                                         10''
                            between checks and artillery, between work and images angle records
netherworld / nadja         magma to ice                       cd                 fario
v.a.                        beyond ignorance and borders       cd                 syrphe
elekore                     volontary human extinction         cd                 syrphe
one man nation              rained and it rained...            cd                 syrphe
neutronic                   the mutation engine                cd                 component
gys                         art d'echo                         cd                 component
mochipet                    uzumaki                            cd-ep              component
portland                    my daily routine                   cd-ep              component
jvox                        address unknown                    cd                 component
mochipet                    feel my china                      cd                 component
collapse                    section                            cd                 daft records
monolith                    compressed form                    cd                 daft records
sigillum s                  abstraction                        cd                 daft records
monolith                    tribal globe                       cd                 daft records
jeff and jane hudson        flesh                              cd                 daft records
monolith                    labyrinth                          cd                 daft records
monolith                    sub-system                         cd                 daft records
pressure control            vamp                               cd                 daft records
dive                        behind the sun                     cd                 daft records
geistform                   sequentia 2.0                      2cd                daft records
absolute body control       never seen                         cd-ep              daft records
absolute body control       wind[re]wind                       cd                 daft records
v.a.                        shadows in the dark                picture-lp         minimal maximal
click click                 s/t                                12'' lp            sonic groove
pankow                                s/t                                12'' lp     sonic groove
reutoff                               reutraum v                         7''         divine comedy records
tzolk'in                              s/t                                cd          divine comedy records
lith                                  tribal end                         cd          divine comedy records
lambwool                              fading landscapes                  cd+book     divine comedy records
das reut                              arte de ben moire                  cd-ep       divine comedy records
land                                  wien                               10''        divine comedy records
                                   univers carceral
hiv+ / mourmansk 150 / babylone chaos                                    book+2cd    divine comedy records
horologium                         the fire sermon                       cd          divine comedy records
foundation hope                       a call to all redeemers            cd          divine comedy records
land                                  budapest                           10''        divine comedy records
v.a.                                  pere lachaise                      cd+book     divine comedy records
sigma octantis                        invocations                        cd          divine comedy records
aql / h.i.v.+ / muckrackers           paradise now                       cd+book     divine comedy records
urawa                                 parable of the driver              cd          divine comedy records
eretsua                               microcosm                          cd          divine comedy records
                                      s/t
kulfi / michael yonkers & the blind shake                                7''         divine comedy records
lambwool                              ...and the angel is gone           cd          divine comedy records
v.a.                                  electronic manifesto 2             cd          divine comedy records
hiv+                                  we are all haunted houses          cd          divine comedy records
arcaide                               cyclic sound from the form         cd          divine comedy records
horologium / moljebka pvlse           penfield mood organ                cd          divine comedy records
kulfi / kenji siratori                s/t                                12'' lp     divine comedy records
tonal y nagual                        the unseen deserts                 cd          umb kollektif
jägerblut                             1896-1906                          cd          umb kollektif
demange machine                       gourmandise                        cd          brume records
oil 10                                arena                              cd          brume records
demange machine                       conscience                         cd          brume records
flint glass                           nyarlathotep                       cd          brume records
lith                                  gaia                               cd          brume records
empusae / nick grey                   simple black lines in a diagram    3'' cd      brume records
talvekoidik                           silent reflections                 cd          brume records
thermidor                             1929                               cd          brume records
fractional                            come mierda                        cd          brume records
fractional                            come mierda ep                     12''        brume records
flint glass                                                             cd
                                      circumsounds - a flint glass remixcollection   brume records
pylone                                black grains                       cd          sound on probation
zonk't                                purr                               cd          sound on probation
laurent perrier                       downfall / disperse                2cd         sound on probation
suspicion breeds confidence           nyugodt                            cd          frozen empire media
kreptkrept                            irregular dark beat                cd          frozen empire media
totateke                              lament                             cd-ep       frozen empire media
red reflection                        prelude to annihilation            cd          frozen empire media
antigen shift                         next to departed                   cd-ep       frozen empire media
totateke                                                                  cd
                                      at the train station on a saturday evening     frozen empire media
velapene screen                       medical breaths                    cd          frozen empire media
n0nplus                               keep me here                       cd-ep       frozen empire media
duncan avoid                          metaphysics                        cd          hive records
mash up soundsystem                   a great escape from lunacy         cd          hive records
cenotype                              origins                            cd          hive records
autoclav1.1                           broken beats for broken hearts     cd          hive records
panic lift                            witness to our collapse            cd          hive records
prospero                                                                 madness
                                      folie a deux: the elements and the cd          artoffact
freeze etch                           vessels                            cd          force of nature
synnack                               v2                                 cd          force of nature
                                   mondegreen
concrete cookie and the maggot farmer                                    cd          force of nature
xanopticon                      meme mage                           12''      mutant sniper
v.a.                            invasion from xxx dimension         cd        mutant sniper
eight frozen modules            rejected resident ep                12''      mutant sniper
duran duran duran               blow job breaks                     12''      mutant sniper
monster x                       disco zombie assault                12''      mutant sniper
ebola                           on a gastro-bass tip                12''      mutant sniper
amph                            mambo mind                          12''      mutant sniper
anarchic hardrive               feeding our paranoia                cd        peace off
rotator                                                          cd
                                choose your poison, mine is hardcore!         peace off
v.a.                            kamikaze club 07                    12''      peace off
eiterherd / xanopticon          novus ordo seculorum                12''      peace off
doormouse                       fractured hearts e.p.               12''      peace off
cardopusher                                                        2x12''
                                hippie killers don't mind jah conversations   peace off
cardopusher                                                        cd
                                hippie killers don't mind jah conversations   peace off
sickboy                         times infinity                      2x12''    peace off
rotator                         curses on your ghettoblaster        12''      peace off
le jad                          painful epic ep                     12''      peace off
dr. bastardo                    death to all false rave             12''      peace off
kid606                          wickid                              12''      bang a rang
venetian snares                                                    12''
                                winnipeg is a frozen shithole ep part 2.0     bang a rang
cardopusher                     red red blood                       12''      damage
krumble                         return of the amen spamer           12''      damage
broken note                     fuelling the fire ep                12''      damage
v.a.                            rules of anger                      12''      ruff
b-lam                           mongrel                             12''      ruff
starkey / bong-ra               split ep                            12''      ruff
broken note                     dubversion / mortal bass            12''      ruff
broken note / starkey           war in the making / no struggle     12''      ruff
rotator / cardopusher           junp the fuck up / fighters unite   10''      brothers in blood
kyler                           pur cosy tales                      cd        planet mu
dolphin / teknoist              soul cannibal / closing down        12''      planet mu
virus syndicate                 ready to learn                      12''      planet mu
virus syndicate                 ready to learn remixes              12''      planet mu
pinch                           qawwali / qawwali vip               12''      planet mu
breakage                        drowning                            12''      planet mu
the gasman                      this one's for you                  cd        planet mu
guilty connector                beats, noise and life               cd        planet mu
shitmat & friends               gary's gruesome remixes             12''      planet mu
hawerchuck                      four messengers                     12''      planet mu
tom burbank                     famous first words                  2x12''    planet mu
tom burbank                     famous first words                  cd        planet mu
milanese                        extend                              2x12''    planet mu
current value                   into the light / deep digger        12''      soothsayer
rasputin                        das leberwurstbrot                  cd-r      invasion wreckchords
fragment king                   grey album                          cd-r      invasion wreckchords
ambassador 21                   weight of death                     cd        invasion wreckchords
rasputeen                       gegen die wand                      cd-r      invasion wreckchords
monoid                          crowd control                       cd-r      invasion wreckchords
ambassador 21 / fragment king   good morning w.                     cd-r      invasion wreckchords
boot-sector-viruz               anti-matter                         cd-r      invasion wreckchords
ambassador 21                   drunken, crazy, with a gun          cd        invasion wreckchords
v.a.                            caution! invasion & friends 2k7     dvd-r     invasion wreckchords
ambassador 21                   cut&go                              cd-r      invasion wreckchords
ambassador 21                   fuck all $ystem$                    cd        invasion wreckchords
ctrler                          this is hardcore                    cd-r      invasion wreckchords
v.a.                                                             cd
                                underground. invasion & friends 2k8           invasion wreckchords
ambassador 21                                                           cd
                                   justified thirst for blood (compilation 2002-2007)   invasion wreckchords
ambassador 21                      monsters, victims & witnesses      dvd               vendetta music
blipvert                           stop:skronk:explode!               cd                d-trash
matamachete                        tanin no kao                       cd                d-trash
hecate                             the magick of female ejaculation 2x12'' lp           praxis
hecate                             the magick of female ejaculation cd                  praxis
crisis theory                      s/t                                12'' lp           praxis
hecate                             ascension chamber                  2x12'' lp         praxis
hecate                             ascension chamber                  cd                praxis
adc / somatic responses            teatrodellopera                    12'' lp           praxis
nihil fist                         resistance is fertile              12''              praxis
la peste                           safety first                       12''              praxis
base force one                     expediture of excess energy        12'' lp           still raven
the friedrichshain frequency fuckers s/t                              12'' lp           unearthly
dj controlled weirdness              south london bass                12''              unearthly
hecate                             at the seven gates                 12''              zhark international
the betrayer                       circumvent the pestilence ep       12''              zhark international
somatic responses                  engaging the enemy                 12''              zhark international
vile enginez                       constant falling                   12''              zhark international
harpsicorpse                       suite for harpsicord               12'' lp           zhark international
hecate                             seven veils of silence             12''+7''          zhark international
slutmachine                        s/t                                12''              zhark international
xanopticon                         the silver key ep                  12''              zhark international
bong-ra                            vitus blister                      12''              zhark international
v.a.                               shapeshifters - the remixes        2x12'' lp         zhark international
raquel de grimstone                free mansonic youth                cd                zhark international
richard for cerebellum             thoughts that breathe...words that cd
                                                                      burn              zhark international
citizens of shade                  s/t                                12''              koolpop
crisis theory                      luxuria / avaritia                 12''              sub/version
kovert                             jaffna                             12''              sub/version
hecate                             technical witch / tech bitch       12''              sub/version
vile enginez                       undermine / overthrow              12''              sub/version
amboss                             nitro / razor pleasure             12''              sub/version
vile enginez                       cycadelic / tool                   12''              sub/version
raquel de grimstone                venom bytes                        7''               homewrecker foundation
bombardier                         syn rmxs                           12''              low res
übergang                           fear leader                        12''              low res
innasekt                           structure / core                   12''              sprengstoff
summone                                                               / zombie
                                   making the best of a bad situation 12''              sprengstoff
v.a.                               beats from beyond 04               12''              dirty needles
fanny                              the great american fear meter      12''              girlcum
mirra                              never knows best                   12''              acidsamovar
davros / fanny                     s/t                                12''              noizetek
minion                             bored in the u.s.a. ep             12''              darkmatter
adc                                the giammarco fratocchi ep         12''              darkmatter
fobia                              s/t                                12''              seven samurai
emotionaljoystick                  bellicose pacific                  cd                zod records
soplerfo / hrvatski                ep for dogs                        12'' lp           zod records
v.a.                               dura matters                       cd                zod records
v.a.                               dura matters                       2x12'' lp         zod records
solenoid                           splendid ep                        12'' lp           zod records
binray                             hyena ventilator                   cd                zod records
emotionaljoystick                  plays!                             cd                zod records
v.a.                               ballroom blitz                     cd                deathsucker records
ripley                             ich bin defekt                     cd                deathsucker records
dj c                               ransom the senator                 12''              deathsucker records
dj floorclearer                     s/t                               12''                   deathsucker records
monster zoku onsomb / nam shub of europe tour 2006 white label
                                  enki                                12''                   deathsucker records
gusset                            ask dr kim                          cd                     deathsucker records
big joan                            the flood ep                      12''                   deathsucker records
monkey steak                        electric birdland                 12''                   deathsucker records
acrnym                              bone structure                    12''                   deathsucker records
soundbites                                                           12''
                                    bootlegs for a mashed up generation                      deathsucker records
dj c                                sonic weapons                     12''                   deathsucker records
dj floorclearer                     goat slaughterer                  12''                   deathsucker records
electromeca                         brutal funk                       12''                   deathsucker records
krumble                             nasty nasty                       12''                   deathsucker records
big joan                            the flood ep                      cd                     blood red sounds
v.a.                                crimson                           cd                     terminal dusk
v.a.                                crimson                           12'' lp                terminal dusk
emotionaljoystick / line47          meet uptown                       12''                   terminal dusk
cardopusher                         down to the wire                  12''                   terminal dusk
komonazmuk                          for real / love                   12''                   terminal dusk
kowareta hyoushi                    mangel an talent ep               12''                   restroom
v.a.                                public convenience II             12''                   restroom
5xpi                                15,70796327 ep                    12'' lp                restroom
                                     w
gabba front berlin / incorrect segment e have explosive               12''                   restroom
stormtrooper / anc                   s/t                              12'' lp                restroom
sangre                              en memoria                        12''                   restroom
the man unknown                     neocities                         2x12'' lp              restroom
anc / gabba front berlin            50th floor                        12''                   restroom
inapt                               inaptology II                     cd                     antigroove
v.a.                                terror noize industry vol. 1      12''                   terrornoize industry
v.a.                                terror noize industry vol. 4      12''                   terrornoize industry
v.a.                                voxxx series a                    12''                   ventilator
kybernaut                           the stalker                       12'' lp                flyco
ammo                                the age of terminal irony         12'' lp                flyco
ammo                                the age of terminal irony         cd                     flyco
kybernaughty                        obiekt                            cd-ep                  flyco
                                                                    cd
panacea / needle sharing / tarmvred panacea shares needles with tarmvred                     ad noiseam
xenonics k-30                       automated                       cd                       ad noiseam
magwheels                           evebuildingbomb                   cd                     ad noiseam
wilt                                radio 1940                        2cd                    ad noiseam
mago                                                                 cd
                                    definition of raw moments from a different perspective   ad noiseam
cdatakill                           paradise                          2cd                    ad noiseam
andrey kiritchenko                  kniga skazog                      cd                     ad noiseam
uniform                             not a word                        cd                     ad noiseam
larvae                              fashion victim                    cd                     ad noiseam
magwheels / stone glass steel       pane                              cd                     ad noiseam
cordell klier                       winter                            cd                     ad noiseam
tarmvred                            viva 6581                         cd-ep                  ad noiseam
crno klank                          etat des lieux                    cd                     ad noiseam
wilt                                as giants watch over us           cd                     ad noiseam
horchata                            basidia                           cd                     ad noiseam
curtis chip                         eating paste                      cd                     ad noiseam
mothboy                             the fears                         cd                     ad noiseam
andrey kiritchenko                  interplays, in between            cd                     ad noiseam
enduser                             bollywood breaks                  cd-ep                  ad noiseam
cdatakill                           the cursed species                cd                     ad noiseam
mad ep                              eating movies                     cd                     ad noiseam
larvae                              empire                            12''                   ad noiseam
az-rotator                          science of chance                 cd                     ad noiseam
detritus                            origin                             cd         ad noiseam
lapsed                              lapsed                             cd         ad noiseam
bong-ra                             i am the god of hellfire           2x12''     ad noiseam
antigen shift                       the way of the north               cd         ad noiseam
keef baker                          pure language                      cd-ep      ad noiseam
enduser / larvae                    unraveled ears                     12''       ad noiseam
larvae                              dead weight                        cd         ad noiseam
larvae                              dead weight                        2x12''     ad noiseam
wilt                                dark meadows                       cd         ad noiseam
bong-ra                             stereohype heroin hooker           cd         ad noiseam
detritus                            thresholds                         cd-ep      ad noiseam
cdatakill                           valentine                          cd         ad noiseam
enduser                             pushing back                       cd         ad noiseam
mad ep                              the madlands trilogy               3cd        ad noiseam
mothboy                             deviance                           cd         ad noiseam
drumcorps                           grist                              cd         ad noiseam
cakebuilder                         decks'n'demons                     12''       ad noiseam
jvox                                qed                                cd         ad noiseam
dj hidden                           the later after                    cd         ad noiseam
bong-ra / enduser                   the kill                           12''       ad noiseam
mad ep / ra                         ultrafood                          12''       ad noiseam
az-rotator                          freaky vintage disco breaks        12''       ad noiseam
drumcorps                           grist                              12''       ad noiseam
aaron spectre                       lost tracks                        cd         ad noiseam
the mount fuji doomjazz corporation doomjazz future corpses!           cd         ad noiseam
cdatakill                           bleeding hearts vol. 1             12''       ad noiseam
cdatakill                           bleeding hearts vol. 2             12''       ad noiseam
bong-ra                             full metal racket                  cd         ad noiseam
detritus                            fractured                          cd         ad noiseam
exillon                             it's ok to dance                   cd         ad noiseam
lapsed / nonnon                     the death of convenience           cd         ad noiseam
scorn                               stealth                            cd         ad noiseam
scorn                               stealth                            2x12''     ad noiseam
raoul sinier                        huge samurai radish                cd         ad noiseam
mad ep                              bass.hed                           cd         ad noiseam
                                     epistrophy
spyweirdos / john morjopoulos / floros floridis at utopia              cd         ad noiseam
raoul sinier                         brain kitchen                     cd         ad noiseam
chevron                             tuff shite                         12''       ad noiseam
cakebuilder                         feeding the worms                  12''       ad noiseam
machine girl                        s/t                                12''       ad noiseam
funckarma                           dubstoned vol.2                    12''       ad noiseam
larvae                              loss leader                        cd         ad noiseam
broken note                         crux / zealot                      12''       ad noiseam
the teknoist                        ...like a hurricane made of zombies2x12''     ad noiseam
the teknoist                        ...like a hurricane made of zombiescd         ad noiseam
abelcain / cdatakill                passage                            cd         ad noiseam
sickboy                             time to play                       cd         ad noiseam
v.a.                                cross roads ep                     12''       dross:tik
belio                               issue 26 - party                   magazine   belio
belio                               issue 27 - wildlife                magazine   belio
belio                               pencilbreak                        book       belio
belio                               die young collection - 36          book       belio
belio                                                                   book
                                    die young collection - nicolas di genova      belio
black                               issue 48                           magazine   black
pure / ultra milkmaids              s[E]nd                             cd         vacuum
the trifid project                  s/t                                cd-ep      vacuum
the trifid project                   s/t                                 10''       vacuum
                                      machine that
frz (aspic) / blue baboon / etereo expandeum club also let you draw !    cd-ep      vacuum
oil 10                                links                              cd         vacuum
aspic                                an ancient song sung too long       cd         vacuum
archipel                             space casino                        cd-ep      vacuum
the joint between ultraphonist       s/t                                 cd         vacuum
drahomira song orchestra             la chambre de styrene               cd         vacuum
logatomistes                         ke-re-kö-kö-kokex                   cd         vacuum
weltraumorgel                        communication                       cd         kaleidoskop
hecq                                 a dried youth                       cd         kaleidoskop
die farben                           sensory specific satiety            cd         kaleidoskop
v.a.                                 sonic-arts inspiration              cd         liquid harsh
atrox                                betonmonolith                       cd         atacama
v.a.                                 tonwellen - about 40 years          cd         atacama
v.a.                                 tanzfront                           cd         indiestate
v.a.                                 elektroanschlag                     2cd        2b4 records
v.a.                                 elektroanschlag 2                   cd         r-reger
v.a.                                 elektroanschlag 3                   cd         r-reger
v.a.                                 elektroanschlag 4                   2cd        r-reger
v.a.                                 schlagstrom - krrrbrrrtztzkrrr 02   2cd        rustblade
v.a.                                 schlagstrom 3                       cd         rustblade
v.a.                                 krachcom.pilation 1                 cd         krachcom
v.a.                                 dark ambient radio vol.1            cd         dark ambient radio
v.a.                                 minimal baby                        cd         skullline
v.a.                                 emerging organisms                  2cd        tympanik audio
totakeke                             the other side of the tracks        cd         tympanik audio
subheim                              approach                            cd         tympanik audio
disharmony                           cloned - other side of evolution    cd         tympanik audio
adversary                            bone music                          cd         tympanik audio
displacer                            the witching hour                   cd         tympanik audio
pneumatic detach                     [ko·mor·bid]                        cd         tympanik audio
lucidstatic                          gravedigger                         cd         tympanik audio
endif                                carbon                              cd         tympanik audio
autoclav1.1                          love no longer lives here           cd         tympanik audio
integral                             rise                                cd         tympanik audio
tapage                               the institute of random events      cd         tympanik audio
totateke                                                                 cd
                                     forgotten on the other side of the tracks      tympanik audio
v.a.                                 konkrete                            cd         spectraliquid
blackfilm                            blackfilm                           cd         spectraliquid
ebola                                mutant dubstep vol.1                cd-ep      spectraliquid
cardopusher                          mutant dubstep vol.2                cd-ep      spectraliquid
100blumen                            against the snails                  7''        le petit machiniste
100blumen                            flowers and barricades              3'' cd-r   le petit machiniste
saal5                                saal5                               3'' cd-r   le petit machiniste
yuki tendo                           saturnine                           3'' cd-r   le petit machiniste
frl. linientreu                      echtzeit                            cd-r       le petit machiniste
warbaby                              release                             cd-r       le petit machiniste
saal5                                la bionda                           cd-r       le petit machiniste
v.a.                                 3 years of d.i.y.                   cd-r       le petit machiniste
v.a.                                 crom de la chrom II                 cd         black channel records
v.a.                                 schachtfrequenz - the compilationcd            zone30 records
v.a.                                 -00 db                              2cd        audiophob
spherical disrupted                  null                                cd         audiophob
mandelbrot                           auf tauchfahrt                      cd         audiophob
zero degree                          s/t                                 cd         audiophob
alarmen                              there's no place like hoan          cd         audiophob
spherical disrupted               barriere                          cd        audiophob
nerthus                           urban                             cd        audiophob
mandelbrot                        thorns                            cd        audiophob
zero degree                       the inner realm                   cd        audiophob
v.a.                              hyperakusis                       cd        audiophob
bogger                            glenn dambo ep                    12''      digital gadget / front
lara bandilla                     welcome to paradise               7''       mhz
klangstabil                       aktiv                             vhs       mhz
telepherique                      stahl und stein                   cd        waystyx
telepherique                      bionik                            cd+lp     laub records
telepherique                      telepherique's mail-art orchestra cd        sssm
impulsantwort / telepherique      bewegung der klangmasse           cd        thesonicabyss
maurizio bianchi / telepherique   the house of mourning             cd        radiotarab
telepherique                      musique montage                   cd-r      blade records
ultra milkmaids                   oldies vol.1                      cd        manifold records
hentai                            toy factory                       cd        vital
v.a.                              four studies for a human portrait cd        vital
hentai / nordvargr                semen                             cd        vital
v.a.                              audiotion - sonic tribute to takashi2cd
                                                                      miike   vital
kotodama                          captured voices                     cd      vital
kirdec                            death to the macho e.p.           12''      independenza
venetian snares                   infolepsy ep                      cd-ep     coredump
the [law-rah] collective          isolation                         cd        www.darkambient.net
end                               the sounds of disaster            cd        ipecac
newt                              37°c                              cd        flatline
spies                             notinism                          cd        flatline
implant                           unidentified flying frequencies   2cd       flatline
h_m_b                             great industrial love affairs     cd        flatline
v.a.                                                                cd
                                  compiled - 5 years of operation mindfuck    tribune records
cat-nr.        price € quantity   date            info
act221           12.80            10february2k9   many listeners will have expectations about this release as mika goedrijk is well-known as the masterm
act227           12.80            18february2k9   the dynamic duo from bielefeld is back - one and a half years after 'now', tim kniep and philipp münch pr
ikon85g          14.80            18february2k9   dark brown t-shirt w/ large frontprint in black & white ink. one-sized girlie-shirt.
ikon85s          14.80            18february2k9   dark brown t-shirt w/ large frontprint in black & white ink. size small.
ikon85m          14.80            18february2k9   dark brown t-shirt w/ large frontprint in black & white ink. size medium.
ikon85l          14.80            18february2k9   dark brown t-shirt w/ large frontprint in black & white ink. size large.
ikon85xl         14.80            18february2k9   dark brown t-shirt w/ large frontprint in black & white ink. size extra large.
¥771             13.90            24february2k9   mighty subbass drones, driving, energetic beats, wonderful piano lines, atmospheric keyboards, doomy
¥773             12.80            13february2k9   it was worth waiting more than a year for the second aural manifestation of s.talada's darker self. m.d.'s
pflicht39gm      15.00            now !!!         black shirt w/ silver + white front- and backprint. girlie-shirt size medium.
pflicht39ts      15.00            now !!!         black shirt w/ silver + white front- and backprint. size small.
pflicht39tm      15.00            now !!!         black shirt w/ silver + white front- and backprint. size medium.
pflicht39tl      15.00            now !!!         black shirt w/ silver + white front- and backprint. size large.
pflicht39txl     15.00            now !!!         black shirt w/ silver + white front- and backprint. size extra large.
meka002          17.00            06february2k9   remastered re-issue of the first three ab ovo releases 'panorama 94-96', 'strates' and 'triode'. limited 200
ta017            13.40            now !!!         after three cd releases for cop international and several free download-only albums, the talented germa
ta018            13.40            now !!!         following esa’s debut album ‘devotion, discipline, and desire‘ as well as this year’s encompassing 2nd a
ta019            13.40            now !!!         headed by manufactura frontman karloz.m, the new full-length album by broken fabiola titled ‘severed‘,
ta020            15.90            now !!!         the second edition to tympanik audio’s critically acclaimed ‘emerging organisms‘ compilation series cele
ta021            13.40            17february2k9   combining epic synth patterns with stunning piano movements and a subtle dose of distorted rhythmic b
trauma013        13.40            now !!!         3 years after 'tex*s instrument', ten data keshin comes back with the 'neo neon generation' new album.in
trauma015        13.40            now !!!         from the electro scene of brussels 'baxter lilly' is a detonating trio! they have met together in a small stre
d1049cd          14.50            now !!!         this double cd with 44 (!) tracks is a welcome re-release of this essential compilation which was initially
lpm013            8.70            now !!!         the duo matter is a band project from bologna / italy that hits us hard with their straight rhythm industrial
lpm014            5.80            now !!!         finest electro from the beaver´s lodge. dr. shoe beaver and cheesy beaver (aka 100blumen) makes you
vital006         14.00            now !!!         japanese experimental music legend kazuyuki kishino ( kk null ) now presents his new cd album entitled
md163            13.40            now !!!         for most of n5md's existence the 'idm' ( intelligent dance music) genre descriptor has been used sparing
md164            13.40            now !!!         'vell vagranz' is don and roel funcken's first full cd of original material under the funckarma alias since 2
lmc333           13.40            now !!!         oloolo is the project of two sound designers from riga, latvia - kriipis tulo and rodion zolotarew. it's found
lmc500           13.40            now !!!         alexander petrunin aka mewark works as a sound designer & jingle writer for mtv-russia. together with la
lmc700           13.40            now !!!         0id is andrey antonets, who is a member of alexandroid, but solo creates his own ambient music. i think
lmc800           13.40            now !!!         deep sea shipping is the first compilation on lagunamuch, an electronic label in moscow. this compilatio
lmc900           13.40            now !!!         nickname nightech conceals a talented painter of ambient structures, aka ed sherbakoff, living in a remo
pt005            13.40            now !!!         alexander potekhin aka lazyfish, one of the most talented up-and-coming artists from moscow electronic
umb 006          13.40            now !!!         one and a half years after '1896-1906', anton knilpert, genévieve pasquier, giuseppe tonal und tikki nag
ohm10m           15.90            30january2k9    submerged is the artist owner behind the ohm resistance label movement. having played alongside bill
poffltd23         7.90            now !!!
praxis44          7.50            now !!!         praxis is back with a 4-track compilation of no compromise breakcore, broken beats and noise, challeng
widerstand15     12.50            now !!!         widerstand is back after a long hiatus finally catching up with releasing some of the pearls that have bee
km010             7.70            now !!!
km010sp          14.50            now !!!         special cover edition with embossed printed extra-strong cardboard foldout-cover.
spmk03            8.70            now !!!         on side a morbus m. aka paul rusk forms an acoustic journey which is lead by broken, melancholy, som
lowres021         8.70            now !!!         slamming dutch breakcore for the teddy riley on crack in all of us. so-called intelligent dance music is fo
ntk008           12.80            now !!!         davros (aka abelcain) returns to noizetek, this time in direct battle with the mighty unibomber! the inspira
slq006           13.20            30january2k9    a wake a week...do we never tire of these endless reruns of our grief? with this debut release from his n
fd14             14.00            now !!!         from now on, fear drop magazine will appear on paper + cd only for special releases. the first one in this
a.r.05.06        12.80            now !!!         doors cleverly concealed…unexplored abandoned industrial sites….the anglerec and mondes elliptique
mv22             12.00            now !!!
adn98             8.20            30january2k9    with 'stab city', math head finally presents on wax a new testimony of his insolent skills at creating ever
adn105cd         10.50            30january2k9    even though 'mutations' is their first release on ad noiseam, the kilimanjaro darkjazz ensemble and ad n
adn107            8.20            30january2k9    first part of the vinyl pendants to sickboy's latest album, 'time to play', released on cd under the adn106
rednex001         8.20            30january2k9    first release by the russian label rednex rampage, featuring new and unreleased material by otto von sc


act176           12.80
act197           12.80
ikon34l          14.80
ikon75jgs        34.80
¥013              7.90
x12               7.90   jason forrest / donna summer seems to be the celebrity electro-artist of the hour: featured worldwide in m
                         this is the official
c8               12.80   festival
spectre-s32      14.00
bc06             14.50
hands-d038       14.50
psy-061          12.80
40-03            13.40
brume09          13.40
brume11          13.40
ar26             12.80
dfx 19           18.00   legendary dark ambient compilation feat. lustmord, t.a.g.c. (adi newton), monte cazzaza and more.
fon02            13.40   this is monstrares second full length cd that delves deeper into the darkest reaches of humanities horrif
fon05            13.40   jarl has already taken the world of dark electronic music by storm as one half of irm, hailed the world ov
fon06            13.40   c2 is a bombastic journey into dancefloor bliss. hard destructive dance tracks boardering on hardcore, b
kriss666          7.90
7m ohm           13.40
crock013         13.40
addict-ss05       8.70
praxis28          7.00
zhark-12017       7.00
zharklp4         10.50
lowres018         7.00
rr1200a-1200b    14.40
dls01             7.40
dtk03            12.80   direct from toronto’s own dross:tik records comes this brash, brazen, impudent full-length release from b
vf003cd          12.80   'bird heart in wool' is the debut album from textile ranch, the solo project of glen johnson from piano mag
null01           13.80   feat. the galan pixs, snog, biopsy, imminent starvation, netz, n.e.w.t., lf project, organized noise, it, syna
null02           13.40   a hybrid of electro, pop, crossover and break beat with an outstanding singer, their music is equally fasc
null03           13.40   an individual mixture of melodious ebm, electro-pop, dark wave together with influences from the origins
null05           13.80   explore the sound of this innovative & unique collection, but be prepared to be manipulated. mostly unre
null08           13.40   incorporating hard danceable rhythms, ever evolving bass-lines and probably the most psychedelic voc
hyp01            13.40   not an album, more a document: a live recorded in nantes (25 03 2000). the live conception for the duo
acsa004          13.00   russian electronika ambient, full of shy thin drills and drums. freezing jazzy drums & melodics ambientis
acsa005          13.00   a little fast speedtek break! surprising russian production with a good high sound. kind of a japanese fas
acsa006          13.00   a fantastic good surprise for a good dry breakcore minimalism... good one!!
slr201            8.00
slr204            9.90   venetian snares, aka gonk the 8-legged viking, is back with yet another record that sounds nothing like
slr1701           9.90   belladonnakillz is one of the most unique artists to grace the electronic music scene in what seems like
oecd075          13.80   for this release massimo magrini was joined by the italian cyberzone-writer tommaso lisa. so the album
oecd089          13.80   finally, after several historical releases as maeror tri, the acclaimed german duo is going for their first fu
singularity001    7.90   a new project from underground producers of the london techno scene. shedding the more commercial,
kk1              13.40   feat. black lung, scanner, aube, pasca, fever, stephan mathieu, keramik, din s.t.. - jewelcase edition
ramadan01         3.00   ramadan recordings was launched in april 2001. this imprint deals solely with deep, kafkaesque!! hip ho
ramadan02         7.70   neoclassical' presents a more depraved laptop based approach to hip hop loopism combining classical
zod.31           13.40
zod.33cd         13.40   there's no guide or manual for what mystery palace does, no easy clockwork formula hidden in the minn
d1013cd          10.30   a tribute to suicide (the band). featuring dive, neon judgement, kirlian camera/o.e.n., psyche, bloodstar,
d1024cd          10.30   as the sub title says ‘designer drug musick’. this album is predominately analogue synth instrumentals.
d1026cd          10.30   ambient noise from this japanese cult project.
d1041cd          13.40   hybryds new project : na - dha , electrified voodoo dub with sultry vocals. a new sound from the 21st cen
treatment 02     10.30   the remarkable debut from r|a|a|n (stig berg) and the second release on malignant records' sister-label m


act51            12.80   a concept album on the research and effect of röntgen radiation. solid electronic collagework combined
act59            12.80   imminent starvation forges industrial-strength style techno with barbaric schizophrenia. they construct im
act71       12.80   this is the 3rd cd by telepherique. they offer the most complex soundscapes by combining elements of c
act72       12.80   a collaboration between olivier moreau, john n. sellekaers and c-drik. ambre finds its strongest power m
act82       12.80   ultra dark dronings and complex harsh rhythms for a utopia of the scientific process, not without a touch
act87       13.90   an incredible vast spectrum of noises and structures from dark sounddrones and powerful electronic rhy
act93       12.80   release' is a caustic bubble of beats and sub-bass sounds mixed with electronic weirdness and mechan
act94       12.80   patrick stevens aka hypnoskull combines the power of pure analogue electronics with harsh rhythm stru
act98       12.80   a collection of electronic minimalism, pure-tone synthesis and computer-generated sound. this is experi
act99       12.80   expect and embrace the lust to fuck with dissonant noises and bombing crunches - rapid distorted beats
act102      12.80   hostile inorganic atmospheres are interrupted sharply by merciless distorted beats - a subliminal war ha
act103      10.50   screenwalking' is the conclusion and essence of state-of-the-art rhythmic power electronic noise featurin
act105      12.80   “distorted disco” is on one hand the musical interpretation of asche’s visual works, a soundtrack for ima
act106      12.80   systematic division of the soudscape, namely: cuts of the ground, angledozers in bulk, walking on a hea
act107      12.80   state-of-the-art rhythmic post-power electronics intelligent dance music. starting off with doom frequenci
act108      12.80   oscillating, minimalistic frequencies, rotating sequences and bubbling technoid sounds describe vromb’
act111      12.80   static hisses and expansive drones lay the foundation for retro-sci-fi bleeps and twirls on top of pulsating
act113      12.80   blast furnace is the second toxic candy by the seattle-based project converter. the constructor, scott stu
act114      12.80   anarchic industrial techno, hard hitting electronic rhythms, cold electro… the world of hypnoskull is an u
act115      12.80   azure skies, a project who are no less than mental destruction and the two musicians of sanctum. solem
act116      12.80   the firstborn has grown up. and axiome (aka olivier moreau of imminent and performance artist c-drik) d
act117      12.80   having gained tremendous experience through various side projects and thus having reached such a hi
act117.7    31.10   limited edition. incl. positive pop cd + triple 10'' vinyl with alternative outtakes by synapscape and remixe
act119      10.50   exulting in his purely digital being david thrussell is intent on building skyscrapers of ultra-distorted soun
act119.1    10.50   vinyl version of act119 cd-ep.
act120      12.80   david thrussell aka snog, black lung and renowned for various other musical projects offers with this rele
act121.10    7.90   after the pulsating soundscapes of the concept album 'episodes' and the electro-acoustic 'first chapter i
act121.3     7.90   cd version of act121.10.
act122      10.50   dark atmospheres aggravate to cold, sheer fear; the ultimate threat. massive beats, torn to shreds by m
act123      10.50   erode is a collaboration project of the bands converter, asche & morgenstern. sounds, samples & struct
act124      10.50   what originally started as a collaboration in 1999 between celluloid mata and ultra milkmaids, later evolv
act125      13.90   ‘spectrum’ is a dossier of tracks, which are hard to find. all of the cd tracks of this double set (and most
act127      10.50   following his first album on noise museum and some collaborations, uncle rob(u)rang is yet again redefi
act129      12.80   ant-zen proudly presents the phantastic debut album of this artist. what l'ombre's works are about: atmo
act130      12.80   modern times' continues telepherique's conceptual work - creating music on and about basic topics. 'mo
act134      12.80   hypnoskull's fourth album in a row on ant-zen, 'operation tough guy [ready to scream, ready to die!]' is a
act134.1    13.40   the double 12'' set contains excerpts from the operation tough guy! cd and songs from the previous hyp
act134.4    22.60   the boxset includes the operation tough guy! cd, the operation mean machine cd (exclusive material + 3
act136      12.80   once again, you can hear klangstabil's uniqueness on this long awaited release. the musical variety of t
act137      12.80   those who are familiar with ant-zen know that synapscape (aka tim kniep and philipp münch) needs no i
act140      12.80   ambre's second full length release explores a new direction in sound - this will be especially evident for
act142      12.80   imagine someone stealing small bits from other genres - genres as diverse as tribal, ritual, techno and p
act143.10   12.80   vinyl version of 'expansion 1.3'' w/ same tracklisting.
act148      12.80   it’s hard to believe that revolutionary hardcore drum’n’bass producer mathis mootz, more commonly kno
act149      12.80   an artist has 10 to 20 years to make his first album and one year for the second one. if a debut is accep
act150      13.90   for centuries zen masters have said that daruma is zen. perhaps it would now be appropriate to say tha
act151      12.80   vromb's intention on 'rayons' is to translate several kinds of rays into music – ranging from sunbeams to
act151.1    10.50   vinyl version of act151.
act152      13.90   after the re-release of '7 years of famine' ant-zen presents the first part of this morn' omina’s 'nyan' trilog
act153      12.80   the open minded listener knows marc medea as one half of the belgian duo, silk saw and now the listen
act154      12.80   roger rotor has worked as an electronic musician since 1993. his first solo record was released in 1999
act155      12.80   after six years and several releases on different labels, matthieu maire decided to cancel all activities th
act158      13.90   in 1991, jérôme chassagnard and régis baillet started their sound explorations as a unit named ab ovo (
act159      12.80   upon the circulation of his first short story collection, altmann’s tongue (knopf, 1994), author and profess
act160      12.80   ultra milkmaids started in 1993 as a trio. the third member, oliver, left the group in 1997 and the remaini
act161.1    13.40   vinyl version of ant-zen act161.
act164.4    10.50   unlike the last black lung release, 'the sound of meat', david thrussell's new opus is strictly instrumental
act165      12.80   the one man project genetic selection, was founded in 2002 and in 2004 he will unleash the ‘orbital grou
act166      12.80   all the tracks on this album are based on material composed especially for a french play called ‘les cham
act167      12.80   t.kniep and p.münch have finally finished their first full length album since 2001 and compared to other a
act169      12.80   ant-zen presents stephen sawyer's follow-up to last years 'simulations 1.0'. once again, the listener dive
act172      13.90   it took this morn' omina three years to reach the next part of the 'nyan' trilogy, and it was worth the wait.
act173       7.90   szkieve is dimitri della faille who founded the project in 1998. besides several szkieve releases, dimitri h
act174      12.80   ‘dark skies over planet e.’ contains no less but 16 groundbreaking new tracks and an additional bonus 6
act175      15.90   mimetic is the solo project of jerome soudan - a drummer for european industrial and experimental band
act177      12.80   gjöll are two individuals, jóhann eiríksson (member of the musical projects reptilicus and product 8) and
act179       7.90   on september 9th 1999 the belgian alien axiome saw the light of day and through the years his parents
act180      12.80   andreas glöckner aka moctan (synthesizer, sampling and programming) has been perfoming since 1994
act181      12.80   being a member of the legendary, now defunct german industrial project thorofon, geneviéve pasquier r
act182      12.80   in december 2003, berlin was invaded by a bunch of rabbits, attacking the audience of a three day festiv
act183.2     7.20   excerpt from mission report: '...el paso to valentine to del rio. arrested three mexicans ... bootleggers. in
act183.3     7.20   hunching his shoulders against the cold, pelting rain, phil slipped a hand under his caped coat to assure
act184       7.90   following 'the grand chessboard' is david thrussell's next strike. it seems pretty logical that a release dea
act185      12.80   in the year 2504 d.c. a non-human lifeform was found on a colonized planet and was attacking the colon
act186      12.80   8 reports is an album that can be seen as a conceptual work. eight tracks (eight 'reports') about the curr
                    if   hypnoskull's
act187      12.80   recent work
act188      12.80   with this new release, morgenstern are officially andrea börner and andreas schramm (asche). over the
act189      12.80   yann faussurier's work can be defined as a combination of dark fearful ambient soundscapes and heavy
act190      12.80   the ultra milkmaids can be found in unusual places: record stores, stages, maybe even on video covers
act191      12.80   geneviéve pasquier's debut cd 'soap bubble factory' introduced this outstanding artist to listeners who d
act192      12.80   seven tracks by synapscape and six tracks from asche - this could have been 2 new cd-eps. well, here
act193      13.90   there is a theory that track 2 on a cd is the cd's "hit". on this 2cd package, track 2 is 'domination' - enoug
act194      12.80   ‘the coming dark age’ features an electrotechno and sociopolitical theme through avant-garde instrumen
act195      12.80   two years have passed since genetic selection's last strike. the concept album 'darwin's voyage' showca
act196      12.80   during the last ten years sonar has become one of the most well-known and appreciated rhythmic-indus
act199      16.00   the fetid fungi is d.thrussell's second spoken word album. like 'the voices of reason' it can not be seen a
act201      12.80   andreas brinkert a.k.a. bipol (synth, sampling, programming & arrangement) has been active since 1992
act203      12.80   2006. six years have passed since 'release'. long-awaited - by listeners, by fans, by the artist himself - m
act204      10.50   first came 'karmageddon', then 'the coming dark age' - together with 'concrete octopus' david thrussell s
act205      12.80   guten abend meine damen und herren, are you ready for hypnoskull? like a brick thrown into your intest
act206      12.80   it has been two years since 'remote' and now s:cage has returned with 'madness turns to glass'. with thi
                    on their second
act207      12.80   release, jóhann
act208      12.80   following the fantasy influenced 'war of sound', the exotic 'aswad' and the haunting 'frozen spark', mathi
act209      12.80   the bielefeld based live / studio project punch inc. was founded in august 2000. both protagonists, a. bri
act210      12.80   tzolk'in is a collaboration between empusae and flint glass - artists who are known in the fields of dark a
act211      12.80   hiroshi hashimoto started releasing music twenty years ago as contagious orgasm. right from the beginn
act213      12.80   100blumen's roots are in guitar (punk, grindcore and metal). from the beginning his political stance was
act214      12.80   what is twinkle? better ask what are twinkle, because this is a two members project: yves cornu & j.-b. le
act215      12.80   proyecto mirage was founded in 1990 by alicia h. willen and francisco planellas. they were initially influe
act216      12.80   the idea of producing a concept album about chess arose in the summer of 2005 when boris may starte
act216.1    20.50   special edition with oversized 20page booklet (21x21cm) + poster (42x42cm), postcard & stickers, incl.
act217      12.80   with their sixth full length album synapscape (t.kniep and p.münch) continue and evolve what they starte
act218      12.80   this normandy project defines its very own universe including distinctive burton-esque graphic works an
act219      12.80   rené klimaczewski a.k.a. klima is well-known for his collaborations with artists like converter and archite
act220      12.80   von magnet dreams of the existence of other possible paths; thin and minute. those tightrope walking pa
act222      14.40   nobody knew where the rabbits went - one day they disappeared and were never seen again. only a few
act224      12.80   this time the [law-rah] collective is martijn pieck and bauke van der wal. bauke is the founder and origina
act230      12.80   with 'come closer' andreas glöckner joins the ant-zen racing team for a second time - perpetuating what
act233      12.80   although the electronic sound assaults seems like a long way from this artist's punk rock roots, the insp
ikon25       3.70   solid silver metal pin
ikon32sxl   26.30   black hooded sweatshirt w/ small silver frontprint. size extra large.
ikon33g     14.80   black t-shirt w/ glowing frontprint and silver backprint. one-sized girlie-shirt.
ikon33s     14.80   black t-shirt w/ glowing frontprint and silver backprint. size small
ikon33m     14.80   black t-shirt w/ glowing frontprint and silver backprint. size medium
ikon33l     14.80   black t-shirt w/ glowing frontprint and silver backprint. size large.
ikon33xl     14.80   black t-shirt w/ glowing frontprint and silver backprint. size extra large.
ikon33sm     26.30   black hooded sweatshirt w/ glowing frontprint and silver backprint. size medium.
ikon33sl     26.30   black hooded sweatshirt w/ glowing frontprint and silver backprint. size large.
ikon33sxl    26.30   black hooded sweatshirt w/ glowing frontprint and silver backprint. size extra large.
ikon48g      14.80   black shirt w/ yellow and black frontprint (logo). one-sized girlie-shirt
ikon49g      14.80   black high quality shirt w/ silver print. morgenstern logo on front and morgenstern font on sleeve. one-si
ikon49l      14.80   black high quality shirt w/ silver print. morgenstern logo on front and morgenstern font on sleeve. size la
ikon55g      14.80   black shirt w/ embossed grey printing. frontprint ('beware the ants' in japanese) & back print (ant-zen an
ikon56l      14.80   black shirt w/ frontprint in silver & red colour. size large.
ikon66g      14.80   black shirt w/ a glowing cluster of ants and silver logo imprint. one-sized girlie-shirt
ikon66s      14.80   black shirt w/ a glowing cluster of ants and silver logo imprint. size small.
ikon66m      14.80   black shirt w/ a glowing cluster of ants and silver logo imprint. size medium.
ikon66l      14.80   black shirt w/ a glowing cluster of ants and silver logo imprint. size large.
ikon66xl     14.80   black shirt w/ a glowing cluster of ants and silver logo imprint. size extra large.
ikon70g      14.80   black t-shirt w/ frontprint in silvergrey & white ink. plus klangstabil button. one-sized girlie-shirt
ikon70s      14.80   black t-shirt w/ frontprint in silvergrey & white ink. plus klangstabil button. size small
ikon70m      14.80   black t-shirt w/ frontprint in silvergrey & white ink. plus klangstabil button. size medium
ikon70l      14.80   black t-shirt w/ frontprint in silvergrey & white ink. plus klangstabil button. size large
ikon70xl     14.80   black t-shirt w/ frontprint in silvergrey & white ink. plus klangstabil button. size extra large
ikon72g      14.80   black t-shirt w/ frontprint (vromb + logo) in glow in the dark ink. one-sized girlie-shirt.
ikon75hzgs   34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + ja
ikon75hzgm   34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + ja
ikon75hzm    34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + ja
ikon75hzl    34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + ja
ikon75hzxl   34.80   black hooded zip sweater-jacket with silver print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + ja
ikon76s      14.80   black t-shirt w/ frontprint in white & metallic grey-blue and backprint in white. size small.
ikon76m      14.80   black t-shirt w/ frontprint in white & metallic grey-blue and backprint in white. size medium.
ikon76l      14.80   black t-shirt w/ frontprint in white & metallic grey-blue and backprint in white. size large.
ikon76xl     14.80   black t-shirt w/ frontprint in white & metallic grey-blue and backprint in white. size extra large.
ikon77s      14.80   black shirt w/ white and lime-green frontprint. size small.
ikon77m      14.80   black shirt w/ white and lime-green frontprint. size medium.
ikon77l      14.80   black shirt w/ white and lime-green frontprint. size large.
ikon77xl     14.80   black shirt w/ white and lime-green frontprint. size extra large.
ikon78s      14.80   black t-shirt w/ frontprint in red & dark silver and backprint in dark silver. size small. plus button.
ikon78m      14.80   black t-shirt w/ frontprint in red & dark silver and backprint in dark silver. size medium. plus button.
ikon78l      14.80   black t-shirt w/ frontprint in red & dark silver and backprint in dark silver. size large. plus button.
ikon78xl     14.80   black t-shirt w/ frontprint in red & dark silver and backprint in dark silver. size extra large. plus button.
ikon81g      14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. one-sized girlie-shirt
ikon81s      14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. size small
ikon81m      14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. size medium
ikon81l      14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. size large
ikon81xl     14.80   black t-shirt w/ frontprint in dark copper & white ink. plus klangstabil button. size extra large
ikon83g      14.80   black t-shirt w/ frontprint in grey & orange ink. one-sized girlie-shirt
ikon83m      14.80   black t-shirt w/ frontprint in grey & orange ink. size medium
ikon83l      14.80   black t-shirt w/ frontprint in grey & orange ink. size large
ikon83xl     14.80   black t-shirt w/ frontprint in grey & orange ink. size extra large
ikon84       48.00   math & emotion cover fine art print. 70 x 50 cm. unfolded. painting by ugurcan yüce
¥017          7.90   a nasty and surrealistic of mixture of techno, industrial and ambient music. produced by john n. sellekae
¥019          7.90   steady minimalistic beats and electrostatic movements, deep bass sounds stretch out to give a spacey
¥021          7.90   a mixture of dark ambient soundscapes, hypnotic drum patterns, an impressive stylistic range, emotiona
¥022          7.90   oscillating, minimalistic frequencies, rotating sequences and bubbling technoid sounds describe vromb’
¥023          7.90   'screenwalking' is the conclusion and essence of state-of-the-art rhythmic power electronic noise featuri
¥029          7.90   starfish pool is the electronic project of koen lybaert. it's an electronic project where rhythm will appear i
¥031          7.90   lusine icl explores different styles of electronica such as dark-ambient, minimal music and idm, but does
¥032          7.90   neutral, contrary to the name, is thematic and full of emotion.where her debut, font translation errors exp
¥037         10.50   lusine icl (jeff mcilwain) on his fourth album, iron city, explores a unique blend of lush electronics, dance
¥041          7.90   only on rare occasions do such opposites converge to create an enduring state of struggle. of course hy
¥045     10.50   formless, gridlock’s fourth album and first full-length for hymen, is as far away from the acrid, slight worl
¥046      7.90   yesterday, i went out shopping to get some noise. hmmm…noise. today, the galactic supermarket had l
¥047      7.90   a ph.d. candidate in environmental politics at toronto’s york university, rich oddie revels in the interplay b
¥048      7.90   for those rubberheads who consider somatic responses to be idm - thanks in part to their melodically br
¥050      7.90   upon its arrival at the hymen records office, 'nrthndr' caused an unambiguous reaction: a marvellous alb
¥051      7.90   rachael kozak is the woman veiled behind the hecate moniker. releasing records on her own label zhark
¥053      7.90   somatic responses have become a household name in experimental electronic music by reanimating cl
¥054      7.90   ryan friedrich is known from his first release 'azif' in 2002. breakcore addicts who were familiar with soun
¥055     12.80   end.user is one of the cornerstones of the modern eclectic electronic music. releases across many platf
¥406     13.40   david thrussell’s snog project has always been a meme complex - a series of critical cultural concepts th
¥408     10.50   look out, here comes dan 'doormouse' martin presenting thirteen tracks of love fueled dribble punk beat
¥411     13.40   the sado-booty ring-master, theromantic toe sniffler, the gangster of dsp is back again! that's right, hyme
¥412      8.40   little is known about ove-naxx, a mysterious and extremely talented young musician from japan's highly-
¥701     13.90   special etched booklet. exclusive and unreleased material: from chilling ambient drum'n bass, minimal e
¥702     12.80   beefcake presents sweet harmonic soundscapes, disrupted by harsh drum & bass rhythms: a powerful
¥706     12.80   a timeless soundtrack made of pure electronica, characterised by complex rhythmstructures and deep a
¥707     12.80   collector's note: dear cherished listener, we here at the international mind control corporation always str
¥708     12.80   this album is free from stylistic limitations, it travels through groovy ambient tunes with surrealistic atmo
¥710      8.40   scorn with its unique blend of sub bass and minimalist grooves continues to challenge standard concep
¥711     12.80   share the snog experience. the snog album of studio re-contextualizations and retrospective collaboratio
¥712     12.80   being a member of various bands and projects like quoit, painkiller, lull, napalm death, just to name a fe
¥713     12.80   the brothers john and paul healy, collectively known throughout the world as somatic responses, are stil
¥714     12.80   after several years of silence, the sound perfectionists substanz t from frankfurt finally present their 3rd
¥715     12.80   from driven ambient to minimal techno or breakbeat. a imaginary soundtrack with sweet female vocals a
¥717     12.80   xhm2 is collaboration between xingu hill and squaremeter (panacea). it's a perfect melting of squaremet
¥718     12.80   on her second neutral album, nicole elmer tosses her industrial penchants aside for a more piercing loo
¥719     13.90   five years of hymen records - we think this anniversary should be celebrated with a 'bang'! so for the list
                 lusine icl (jeff
¥721     12.80   mcilwain) on his
¥723     12.80   this is the third strike of the welsh healy brothers on hymen. they continue their electronic assaults on th
¥725     12.80   the term 'science-fiction' often dredges up from memory two things: b-movies, and bizarre, unsettling mu
¥729     12.80   frankfurt’s arne stevens and alex lange of substanz-t return after a 2-year span to release one of hymen
¥730     12.80   david thrussell’s snog project has always been a meme complex - a series of critical cultural concepts th
¥731     12.80   hecate’s rachael kozak has a thing with collaborations. she paired up earlier this year with lustmord’s br
¥732     14.40   the belio war sonic assault system (package) comprises two elements: 1) a single compact disc (cd) of
¥732cd   12.80   matka - early-warning ambient siren system coupled to expansive synthesizer foundation; asphalt! - pre
¥733     12.80   neutral’s nicole elmer is back with a captivating remix album, caller id. less than a year after she redefin
                 liminal space,
¥735     12.80   xanopticon’s
¥737     12.80   ever prolific, haujobb’s daniel myer returns for a second album as architect, i went out shopping to get s
¥738     12.80   a ph.d. candidate in environmental politics at toronto’s york university, rich oddie revels in the interplay b
¥739     12.80   salome had heard the music for some time now, hecate’s seven veils of silence. the haunting dulcimer s
¥740     12.80   kattoo is volker kahl of beefcake. in a recent interview, volker kahl talked at length about his new album
¥741     12.80   for those rubberheads who consider somatic responses to be idm - thanks in part to their melodically br
¥742     12.80   although only 22 years old, benny boysen’s musical interests run wide and deep, ranging from bach, ba
¥743     10.50   david thrussell's career here takes a new turn and rises to a new high. ten strikingly different versions of
¥744     12.80   charles pierce strikes again. this album goes far beyond his previous full length release 'the sounds of d
¥745     10.50   three years after their critically acclaimed second album, junctions, dead hollywood stars are back with a
¥747     12.80   if the first kattoo album, 'places' can be seen as a soundtrack to an imaginary tv movie then this second
¥748     12.80   bad karma' is the most unique hecq release to date; a masterpiece of electronica which stands for itself
¥749     12.80   for his second album on hymen, the endless procession, ginormous’ bryan konietzko digs deep into a p
¥749.1   15.40   for those who want more of ginormous’ epic sound, the endless procession is available as a limited edit
¥750     12.80   within the last few years, lynn standafer has become a well-recognized artist in the breakcore scene. his
¥751     12.80   new york based mad ep (aka iowa native matthew peters) began studying the cello at age 8 and music
¥752     12.80   snog's last full-time-album 'beyond the valley of the proles' was a brilliantly placed shock for many of tho
¥753     12.80   french composer thomas p. (age 25) started as a visual artist. he studied at two art schools and as a vis
¥755     12.80   once, terminal11's music was described as: it's like hearing a drum machine for the very first time. this d
¥756     12.80   there is one trend in substanz-t's musical development and that is its uniqueness. that is, substanz-t doe
¥757           12.80   born in widnes and living in leeds, uk keith 'keef' baker has been writing music under various names sin
¥760           12.80   language barrier is jeff mcilwain's first album for hymen records since his iron city full length, released in
¥761           12.80   tonikom started as tonik in 2002, releasing several now-deleted cd-rs and changed the name to tonikom
¥762           12.80   the path you’re about to take was sculpted, paved and designed by s. talada. he began his musical exp
¥763           12.80   just when you thought contemporary music had nothing new and exciting to offer here come snog to sav
¥764           12.80   a new sign of life from wales - john and paul healy, well-known as somatic responses produced a new fu
¥765           12.80   if i had more time, i would have written a shorter letter.' in the case of ginormous’ third album on hymen
¥766           12.80   with (f)light jérôme chassagnard, a member of the french project ab ovo, presents his first solo work. he
¥767           12.80   those who are familiar with ben lukas boysen's 5 year catalog of work will notice an important change w
¥768           12.80   avutma is the latest release by nebulo after the album kolia, two remixes for architect and hecq, and eve
¥769           12.80   at a very young age, the norwegian one man project hpc started creating electronic music that ranged fr
¥770           12.80   audio vandalism is the first release by the young artist jb zeller who is based in southern france. this rele
¥611xl         14.80   brown shirt w/ black print (front) and orange print (back). size extra large
¥618g          14.80   black shirt . 2c green print on front & sleeve. one-sized v-neck girlie-shirt
¥622g          14.80   silver sperms + white text on black t-shirt. silver hymen records logo on the back. one-sized girlie-shirt
x05             7.90   broken beats share a tank of deconstructing standard electronic forms. limited 500 copies
x06             7.90   apocalyptic female vocals underlined by breaks and broken beats. limited 500 copies
x07             7.90   hardcore-melody-punk-rock-electronica w/ dirty metal guitars, euphoric noise attacks and really thick, hy
x08             7.90   distorted cut-style + kickin' hard noise.
x10             7.90   straight-up drum and bass beats with spacey vocal samples from known french project.
x11             7.90   for the first time in four years, since the 'alterity' cd on hymen records, this is the first solo release from j
c1             12.80   this compact disc is a perverted horrorshow of distintigrating beats, disembodied voices and amphetam
c2             12.80   fraser runciman (a.k.a. fanny) has struck again with his second cd. previously, he has released cdr-s, vi
                       you hear the
c3             12.80   knock on the
c5             12.80   besides reports about live and dj activities, there isn’t much information to be found on subskan masterm
c7             10.50   luca venezia, a. k. a. drop the lime, is reigning badass among the likes of kid606, knifehandchop, and o
c9             12.80   bernard had been buying mirex releases since the very first, somatic responses’ tlooz 7-inch, back in 20
c11            10.50   6-track vinyl excerpt from mirex c9.
c13            10.50   the soldier of orange... the dreaded dutchman launches his hardest and deadliest sonic ammunition so
c14            10.50   an explosive monster of a release. steaming violent drum'n'bass anthems and sinister atmosphere guar
c15             8.90   n.y., always a melting pot of cultures and styles. the city that doesn't sleep - and if you make it there you
t2xl           14.80   black shirt w/ silver front- and backprint. size extra large.
                       "i prefer crunchy
plate 2         9.00   bits in my ice-
plate 3         9.00   “too much curry encourages ringburn, which does not come recommended; stay away from vindaloo un
plate 5         9.00   'perhaps it was the claustrophobic restaurant, the foreign environment, the caffeine, but my stomach ga
plate 6         9.00   "regular cookies out-of-the-box are nice, of course, but it can get so much better. cookies dipped in hot
plate 7         9.00   'mandarins are a most popular food for christmas time in russia - our grandparents even had this traditio
plate 8         9.00   'basically, carrots are like peanut-butter and jelly, they are so dependable and always in the fridge; witho
plate 9         9.00   'yes!! we're both ace carnivores! vitamin f & b plus proteins, which means: it's good for your brain!' – be
bubble7inch3    7.90   four electronic kraftwerkish italo-electro pop tunes from a new spanish project with female vocals. limite
bubble7inch5    7.90   you have already heard some great 7''es by sensational british 70s/80's retro-electro duo mogul, such a
bubble8        12.80   bazooka joe and kaleidoskop are proud to present the rorschach garden's second full length cd which fe
bubble9        12.80   it has been two years since rorschach garden’s last album, 'our japanese friends', but the world is still e
bubble10s      14.80   black shirt w/ black - white - grey frontprint. size small.
bubble11       12.80   rasputeen (former rasputin) released his first works on the small bielefeld-based sub.ver.siv-label. altho
bubble12       12.80   they are back! never before has a trg album been as self-contained as 'transfer'. compared to their prev
bubble13       10.50   rotor siffredi and joke stryker first met in 1989 as young recruits in the vatican city's swiss guard. after m
pflicht06      10.50   industrial soundscapes from a technoid human, called hugo girard aka vromb. also this time hugo girard
pflicht08      13.40   the long awaited collaboration project of noisex & hypnoskull. cybernetic:fuckheadz> was created as an
pflicht10      13.40   this album features a live concert performed by p.a.l in aachen/germany during maschinenfest 2001. the
pflicht11       9.20   dark atmospheres with powerful basses mixed up with brilliant sounds and hard rhythms. white vinyl, lim
pflicht12      13.40   config.sys does not care about any rules. on this cd you will find industrial combined with different music
pflicht15      13.90   a document of the legendary reunion performance at the maschinenfest, aachen/germany, october 2002
pflicht17      10.30   exclusive tracks from (mostly) all performing bands of the maschinenfest 2003. feat. cell auto mata, sho
pflicht18      13.40   the second episode for pow[d]er pussy is a fact! after their first well-received 3'' epcd ('one day'), on pflic
pflicht19      20.50   contains the 'don't like' cd (pflicht20) plus bonus vinyl lp. the seven untitled lp tracks are less rhythmic b
pflicht20    13.40   dark rhythmic industrial stuff from a new german project - enjoy at home, enjoy on the dancefloor. tinbox
pflicht21    13.40   on this long-awaited second album, config.sys follows ulysses' path - although this path leads into darke
pflicht23    13.40   pounding rhythmic industrial from this new german project feat. one config.sys-member. distorted beats
pflicht24    13.40   how does a building sound? or a statue? what does one get if paint is replaced by sound? are canvas a
pflicht25    10.30   exclusive tracks from almost all performing bands of the maschinenfest 2005. feat. az-rotator, empusae
pflicht26    11.30   pow(d)er pussy's third strike! six tracks showing the two pussies' claws and fangs once more - get up an
pflicht27    13.40   this very complex and intense sounding cd offers a nucleic mixture of industrial and power noise music.
pflicht28    10.30   exclusive tracks from all performing bands of the maschinenfest 2006. feat. hysteresis, the law-rah colle
pflicht29    13.40   coming out after suicide inside's debut album, 'theory of the arising of desire' (pflichtkauf), the new one,
pflicht30    13.40   more darkness, more rhythm - the second strike after 'don't like'! packaging: digipak printed on special s
pflicht31    14.40   config.sys have their roots in the industrial- & noise sector - however, breaking with cliches and bridging
pflicht32    13.40   a dialogue between organic and electronic sounds, merged with a slice of d'n'b and ambient, resulting in
pflicht33    15.90   featuring tracks from all performing bands of the maschinenfest 2007 (mostly exclusive). feat. skincage,
pflicht34    13.40   praise this release! here comes the instant salvation for all heathens worldwide, concerning the two mo
pflicht37    13.40   suicide inside are back with long awaited new album 'dead red'! mixing together harsh-as-slap in the fac
pflicht38    13.40   a collaboration between config.sys and ahnst anders. config's rhythmic industrial power meets anders' a
pflicht39    15.90   featuring tracks from almost all performing bands of the maschinenfest 2008 (mostly exclusive). feat. hy
raub-002     13.40   the groups in the nyköping/oxelösund region of sweden (megaptera, the protagonist, morthound) have b
raub-003     13.40   a lonely atmosphere… a forest on a misty autumn day… constructed by heavy drones, pulsating beat-lik
raub-007     13.40   the german label raubbau have decided that the time is ripe to end the nearly two decades of severe un
hands-b033   21.50   a double cd of remixes and rare orphx tracks, feat. the phantastic long-deleted 'nullity' 10'' vinyl titles an
hands-b034   21.50   feat. exclusive tracks by 5f-x, mono no aware, maschinenkrieger kr52 vs. disraptor, heimstatt yipotash,
hands-d030   14.50   a dynamic world of infectious, precise and hacked rhythms for corrupt data
hands-d072   14.50   remarkable debut from england, broken beats vs. noise in a new perspective.
hands-d078   14.50   a smashing ten-tracker that progresses heavily from the debut, incl. bonus video clip
hands-d085   14.50   hard kicking beats, distortion and (japanese) samples, the mna offering.
hands-d088   14.50   10 powerful new tracks that combine harsh rhythms with pulsing minimalism.
hands-d093   14.50   the musical head behind s.i.n.a. and pzychobitch now on a solo path.
hands-d102   14.50   the 3rd album, long-awaited,a trip of futuristic hard industrial club sounds.
hands-d106   14.50   after the first nullvektor album 'stromaufwärts', stefan bohm ( s.i.n.a and ex- mono no aware ) continues
hands-d108   14.50   on their second album heimstatt yipotash focus more on the steely strengths known from their live perfo
hands-d109   14.50   following after their explosive albums 'electroiz' and 'minimal communication' here is the third strike from
hands-d112   14.50   the second 5f-x album (and the fourth album of 5f_55/5f-x if you count those albums together). on 'the x
hands-d113   14.50   xabec remixed by contagious orgasm, orphx, ah cama-sotz, the empath, atmogat, schachtanlage gegen
hands-d116   14.50   exclusive tracks by last days of s.e.x., adjacency pair, empusae, greyhound, scrap.edx, mono no aware
hands-d117   14.50   second album of the tzolk'in member on hands productions. 'the hatred of trees', an astonishing and un
hands-d118   14.50   rhythmic noise from a new german project!
hands-d119   14.50   rhythmic noise from a greek project!
hands-d120   14.50   the new strike from the german rhythmic teknoid noise mastermind!
hands-d123   14.50   our years after his last album on daft records rafael m. espinosa presents his third album of geistform pr
hands-d126   14.50   3 exclusive new tracks combined with compilation appearances and 'physis' - call it a power pack!
cwr001       13.40   tonikom, a project born out of curiousity, creativity and a need for expressing a sound that wasnt heard,
cwr002       13.40   ocular pitch continues the sonic evolution that tonikom killed tonik started. eleven more tracks flowing th
md106        12.80   pacific northwest electronic music trio ml have spent the last few years changing their name from thine e
md109        13.40   this debut cd from canadian experimental electronica artist spark will have you saying to yourself…'whe
md112        13.40   don and roel funcken claim to have made music since they arrived on earth...and we believe them! they
md116        13.40   by popular demand of almost everyone who has seen richard bailey (a.k.a. proem) play live... n5md and
md118        13.40   n5md continues it’s 'md' series of compilations on a slightly 'friendlier' format. as with the md1, md2 and
md128        13.40   spark follows up his critically acclaimed 'the robot girl next door' cd with 'super robot battle deluxe'. all bu
md130        13.40   the first in a series of remix discs from don and roel funcken's funckarma project. features rare and prev
md135        13.40   aem as some have learned to call him) has been carving away his own niche on the web for the last few
md139        13.40   the highly prolific dutch duo of don and roel funcken drop another album of all new material via their que
md140        13.40   another electronic musician follows up last years 'use' (n5md) with his sophomore outing 'patience.' nev
md141        13.40   last days' debut sea brings to mind all those last moments of events in ones life. which yield those confu
md142        13.40   'time is on my side' is swedish experimental composer tobias lilja’s second full-length album and first on
md143        13.40   when canadian electronic musician stephen hummel‘s debut as subtractive-lad 'giving up the ghost' ma
md144          13.40   arc lab’s sophomore release 'no spectre' finds the n5md imprint returning to its roots. medard fischer (a.
md146          13.40   before they took the metro north run_return did a little math...sum of an abstract is their little known self
md147          13.40   abe dichi who's musical works are released via the damaik alias is what you would classify as a true cos
md149          13.40   don and roel funcken in conjunction with n5md compile more remixes; old, new, unreleased and even s
md151          13.40   last days' follow up to 2006’s 'sea' 'these places are now ruins' is by the artist’s admission a personal jou
md152          13.40   san francisco based musician tim arndt brings his near the parenthesis project to n5md with the release
md153          13.40   hologram makes its north american debut via the n5md imprint with their album "hologram +." "hologram
md156          13.40   epilogue in waves' is the third album from n5md main-man mike cadoo's ever evolving bitcrush moniker
md159          13.40   near the parenthesis follows up 2007's 'of soft construction' with 'l'eixample,' tim arndt's most focused w
md160          13.40   originally released in 2005, 'shimmer and fade' was a limited time download ep from n5md's sub-label e
md161          13.40   once a band has developed a sound that is undeniably theirs it can be difficult to push beyond those co
km07            7.70   if you like architect's new release you might like this one. kellermusik is a young label from leipzig/germa
km08            7.70   rhythmic noise meets intelligent dance music - three converter tracks from ant-zen act193 first-time on v
km08sp          8.90   rhythmic noise meets intelligent dance music - three converter tracks from ant-zen act193 first-time on v
km09            7.70   rdr aka raw state aka mr.a.k.a. is one of the rare hardcore acts with more than just thinking about 300bp
km09 1/9        7.70   feat. exocet, heimstatt yipotash and klima. packaged in a concrete cutting disc box with instructions for
kmcd01         13.40   compilation to the first consider: noise festival from 10.11.2007 at yard club, leipzig (germany). feat. exc
bk022           7.00   this compilation contains ten amazing remixes and collaborations from and by wisp, drop the lime, end,
bk024           6.50   beautiful album by cats on earth aka chris oldaker loosly based on the short story 'la fin triste' by mary lu
bk026           6.50   few hardcopies of this very pure, intense and lay down album by such broken glass. the cd version of th
bk040           7.00   five straight pushing electro tracks from aries fiktion to serve your dancefloor needs, mastered to drop in
hs001          13.40   pleq is an ingenious experimental project by bartosz dziadosz, a 25-year-old philosophy student. based
hs002          13.40   dnn is a side project by danny prusseit who is a part of berlins artist duo atmogat. this project focus the
sys 02          7.70   contained herein are 15 tracks of the finest the underground has to offer, chock full of industrial, breakc
scd005         13.40   embracing elements of decadent capitalism that even most westerners would shy away from, zany russ
scd010         13.40   'the hard-liners of russian-style “easy listening” music messer chups have released their eighth 'horror-a
scd025         13.40   'messer chups is a side project of one of the members of russia's messer fur frau muller. each of their re
scd027         13.40   keeping up with the copious output of the messer empire can be a full-time job, but fortunately, the oleg
scd030         13.40   very nice sci-fi retro-easy listening music from russia - produced by messer-chups mastermind oleg gita
scd032         13.40   the story: the sixth album of the member of mffm oleg gitarkin, who is cooking the lounge-surf, like the h
scd046         13.40   european version of ipecac ipc49 cd. jewelcase edition. incl. 3 messer chups remixes.
scd048         13.40   second release from russian retro-electro project kim&buran, packed with 60's-style twist, rock'n'roll, sam
spectre-na06   13.40   this morn' omina/empusae members join forces in project arctic, a dark glacial and occult sonic entity th
spectre-na07   13.40   def debuts with 'c', a release that massages your mind into an altered state... effective in its worked out
spectre-na08   13.40   51 years after the flood disaster that killed more than 1800 people in holland, the dutch [law-rah] collect
spectre-na09   13.40   we all know that mimetic is jérôme soudan, but he is so much more then 'just' mimetic. on this new naut
spectre-na10   18.50   translation of 'le pêcheur de noyés' is almost impossible, but 'the fisher of drowned ones' covers it quite
spectre-noc8    7.90   geesten is an exorcism on vinyl by the belgian artist empusae, who releases his ghosts by banging the
spectre-s12     9.20   on this album antigen shift offers you a coherent continuous unity, varied enough to keep you at the edg
spectre-s13    16.40   out of the hidden room of his batcave, dr blood a.k.a. ah cama-sotz returns with a conceptual work abou
spectre-s14    13.40   vocal elements like chants and invocations drift on a bed of soundscapes ranging from the solemn broo
spectre-s15    13.40   stupor's black beast creates a separate universe which encapsules you into your own world of thought.
spectre-s16    13.40   mimetic and origami galaktika join talents on this live collaboration presented under the origamimetic m
spectre-s17    15.40   there is a lovely silence - the swansong - the rustling of the poplars' leaves. nobody would suspect the t
spectre-s19    13.40   in a unique combination of power electronics, dark ambient, and rhythmic noise loss' releases assaults
spectre-s20    15.40   angst is an achievement... in this case it is... spectre's 'big boss' summoned his demons to work toward
spectre-s21    13.40   exactly one year after his last strike titled 'dark skies over planet e.', hypnoskull is back with a special co
spectre-s22    13.40   just like on 'amore' all titles on their fourth cd 'chagrin' are in dutch. strange titles which present an insig
spectre-s23    13.40   and just when you thought it was safe again to go outside, the gruesome twosome decided to break the
spectre-s24    10.50   in 2005 the cd 'i kill everything' saw the light of day, and we - the audience - saw the light, period. loss is
spectre-s25    13.40   how does one celebrate a decade of musical activities ? right ! by adding yet another release to the list!
spectre-s26    13.40   until shortly, a single track on the 'angst' sampler was all the belgian project hysteresis had to offer, but
spectre-s27    13.40   trilogies always come in three parts, that is why they're called trilogies. and just like the latest two kraken
spectre-s28    13.40   it took jon ray six years to create his second cd. and after those six years he took a bit of distance to his
spectre-s29    13.40   as happy as some people are to give you the uttermost truth on life's questions, the [law-rah] collective
spectre-s30    18.50   after two aquatic adventures on the spectre sub-label nautilus and the emotional trilogy 'amore', 'chagrin
spectre-s31    13.40   it has been two years since hysteresis surprised friend and foe with their debut release 'measures chao
bc05           13.40   tales of 'dead cities' as described by the master of darkness, the bat himself. for his new album 'dead ci
lam002/003     22.00   10 years after the very first release ('overrated' – moloko+ rds — 1998), mimetic and les arts minis are p
fich49          8.20   early tapeworks of the famous german 'industrial punk all-star-band'. cd-r release.
fich51          8.20   unreleased material of p.münch's electronic pop project. cd-r release.
fich52          8.20   hard, rhythmic, pulsing, noisy - and unreleased - monokrom at their best! cd-r release.
fich53          8.20   a live recording from the 'information wants to be free' festival that took place in berlin in december 2003
fich54          8.20   minimal sound-collages and experimental tracks from deceased german artist bertrand brueningk - part
fich55          8.20   previously released material 94-95
fich56          8.20   incl. previously released material 96-97 (act40 lp + c60 cling film)
fich57          8.20   re-release of old tape and compilation tracks. cd-r release.
fich58          8.20   cd (91-93) previously released on functional / tesco. cd-r release.
fich59          8.20   incl. previously released material 96-97 (act40 lp + c60 cling film). cd-r release.
fich60          8.20   re-release of the classic first morgenstern cd (ant-zen act88). cd-r release.
fich65          8.20   recorded in 1990 and previously released on tape. dark electronic industrial for the apocalypse, done by
fich66          8.20   recorded between 1990 and 94 by a.schramm and p.münch, previously released on tape. many styles,
fich67          8.20   fich-art presents 'kornzweig baby' by feine trinkers bei pinkels daheim. this is the re-release of the same
fich72         12.80   fich-art presents its first pressed cd: 'the great divide' is the first full-length release of eva | 3. paul lavign
fich73          8.20   the 'big band of noise' strikes again, recorded live at bassbeben, bielefeld 2007! cd-r-release.
fich74          8.20   first release of this new project from bielefeld by ex config.sys member m.'kirk' fuchs & h.althaus. 12 trax
fich75          8.50   years after the first tribute to one of the most influencial german pop giants from the seventies - presen
fich76          8.20   the debut release by xsoz. the person behind this new noise/experimental project is john raptis from ath
fich77          8.20   fich-art presents the debut release from exurban; this project was founded by hanne adam & tanja dove
ms004          13.40   gestalt (mitsunori sato) from japan began working as an artist in 1996, using analogue synthesizers and
bc-1-cd        13.40   ordinateur is a japanese artist musically based on industrial, noise and techno. on his' label brainchaos
trauma001      13.40   across europe, industrial music is running riot ! a new sound that defied boundaries. at the forefront of t
trauma003      12.30   this cd is a mix between different styles, from electronica to industrial hip-hop and break-beat. it sounds
trauma004      13.40   hyper-active industrial/hardcore duo f.y.d. presents their brandnew album entitled 'defied' - after couple
trauma005      13.40   the first album of 'mind necrosis factor' features melodic soundscapes through electronic and industrial
trauma006      12.30   the experience begins as soon as you put on the cd player... you better have a good stereo system or a
trauma008      18.50   noxious art will never die' is a double cd assembling 30 tracks, photos and a video. almost every track is
trauma009      12.30   attrition' is built as a single track divided in seven parts. its slow increasing start has to be bound directly
trauma010      13.40   with 'explore', sonic area takes the listener on a disturbing and involving exploratory journey to the dark
trauma012      13.40   after 2 years of hard work, chrysalide comes back with the 'lost in a lost world' album. you know the kind
trauma014      13.40   'morphogenesis' proposes an initiation trip through the cultures and the ages, where ancestral voices ar
trauma016      13.40   le diktat is a bicephalous project held by thomas p. and benoit g. since 2001, le diktat's music has been
crock012        8.00   all four white cock vinyls on one single cd! featuring: jason forrest , bong ra, duran duran duran, xanopti
crock014        8.00   it took three years to record this album and an additional year to be released - but to make a long story
crock018       12.80   he’s back! it’s been 2 years since jason forrest released his last full-length album, and 5 years since he’
crock019       12.80   the sado booty ring master is back again, that’s right, cock rock disco is proud to present the new full len
vrock003        6.50   vinyl version of crock003 cd. full-colour cover.
vrock005        6.50   vinyl version of cock rock disco crock010.
vrock006        6.50   completely over the top thrash-rock that’s been fucked up by computers, the assdroids make their debu
vrock007        6.50   vinyl version of cock rock disco crock007 - in association with addict records (addict017).
vrock010        8.20   he’s back! it’s been 2 years since jason forrest released his last full-length album, and 5 years since he’
vrock016        8.20   he’s back! it’s been 2 years since jason forrest released his last full-length album, and 5 years since he’
maddestcock1    6.50   a small 12''-only series of tracks from osaka based maddest chik’ndom records. crazy gabber/rave tech
whitecock03     6.50   if you have ever tasted one white cock, you will yell for more - well, here's some more! play loud!! white
wood003         7.90   on this record, droon celebrates his' sincere love for america, (really!) his' love for dance music and par
rr-001          8.90   breakcore from a new u.s. label - their first release features selector catalogue, aneurysm, deucalion, da
yb70.03         7.70   noisy industrial darkjungle with breakcore influences
yb70.10        13.40   industrial hardtek/hardcore tunes - hard & hypnotic
yb70.11        13.40   noisy industrial darkjungle with breakcore influences
yb70.12        13.40   yb70 rec parazit present. the 1st compilation of the label concerning 11 years of organization of concert
yb70.13        13.40   newcomer on the industrial scene, but already of the most active in the universe of clear(net) labels (or
ytterbium019   13.40   a disk everything in atmospheric and gently abrasive gravity: as usual, rainier lericolais built an album w
modulo1       13.40   the album impress as credible amalgams of bass throbs, sculpted beats, and tonal shimmer. interweavi
sar1          10.80   sunday afternoon is a collective of 6 young electronic producers from the netherlands. all 6 producers h
phi002/3cd    14.40   hinsidan are back after their praised debut ep 'we're sick ov your violence' (realler 2003). they return wit
vatak001      15.90   meat is a visual album coming straight out of label v-atak: 3 years of research condensed into ten films
e-trans013     7.20   2 new rhythmic outbursts from the swiss genius, guaranteed to burn down your blues! full colour folder c
sub.001       13.40   sub.session is a compilation of work by bands that explore the abstract world of digital sound. featuring
on002          7.90   'brilliant follow-up to on's 4-track comp, this time featuring tracks from adam johnson, mr projectile, auto
on103          7.90   on records presents a 6 track 12'' ep by dutch talent nynack. 'venetian snares fans out there need to che
on205         13.40   autophonic was one of the first to come with electronic listening music on the rotterdam dub label from h
on306         13.40   on records continues with what started the label: compiling electronic music offering only the finest elec
tk01          12.80   once upon a time, it was yesternow, olivier moreau (imminent) and gabriel séverin (silk saw) met carme
whol 6        10.50   dark, rich, clear sounds from the center of the earth. a dark smoothering atmosphere produced by quiet
whol 8        13.40   a hybrid of meditative electronics and ambient soundscapes combined with subliminal noises and arctic
whol 9        13.90   nerv.sys's topic is distress as a result of technical evolution in industrial civilizations. the collage-based
hed01         10.30   since the mid-seventies when dj's gave it a name, dub music has evolved into many distinct forms. from
hsh01         12.80   the world is paying a tribute to the hafler trio. this is not the kind of tribute you might be expecting it does
hsh04         12.80   this disc is the second instalment in the hushush threesome three cd's series that will see mark spybey,
hsh07         12.80   multifaceted artist, academically trained musician and drummer, c-drík fermont is electroacoustic compo
hsh08         12.80   it takes a special person to conduct successfully two different musical careers at the same time and jap
hsh09         12.80   bastard child of incestuous relations, the belgian quartet moonsanto is proud to present itself to the wor
hsh10         12.80   improvisation was once the privilege of multiple decades of classic instrumentalists. with the introductio
hsh11         12.80   des rythmes de passage (drdp), literally rhythms of passage, is szkieve's second long-playing cd for dis
hsh12         12.80   mentioned several times in interviews, this collaboration between christina sealey, richard oddie and ma
hsh13         12.80   imagined compositions for water uses a single theme to produce its effects without synthesizers or tradi
hsh15          7.70   the monorail provided by les enterprises hushush will take you on a journey to our own world fair, an exh
hsh17         12.80   the challenge of asking two bands evolving in two different sonic universe to collaborate is not quite one
rap-cd #031   12.80   with his most recent output 'folkloric songs and dances from the high plains' szkieve takes one step furt
a.r.03.01      7.00   first release of the .angle.records. label in the 3’’ mini-cd format! this format lends itself well to the imple
e.q.05.01     12.80   three sonic trajectories which tie and untie. three creative entities to orchestrate the whole. john sellekae
a.r.05.03     12.80   ever entered one of those old abandoned factories at night, wandering through its long desolated vintag
a.r.07.01      7.50   before running aground onto the shores of a minimal, somber, muffled and textured electro with strains
a.r.10.03      8.70   a trio from san francisco composed of daniel blomquist, mark wilson and michael addison mersereau, 1
fariocd010    13.40   talented italian ambient composer alessandro tedeschi runs the glacial movements record label and pla
syrphe-s002   12.80   compilation including noise, experimental, electro-acoustic, ambient, electronic artists from algeria, mor
syrphe-s004   12.80   electro post-punk, doom, industrial from singapore and belgium.
syrphe-s005   12.80   post-rock electronica from singapore.
com-106       12.80   the mutation engine' is the 4th album from neutronic and the project's most intense and complex work to
com-113       12.80   todd gys remains one of the progressive sonic minds of the next generation of electronic producers, spe
com-115        8.70   mochipet drops his first cd on component. full of frantic breaks and 'happy darkness'. complete with rem
com-116        8.70   on my daily routine, portland (spencer lytle) presents his interpretation of classic idm. this 8 track ep is b
com-117       12.80   on jvox's second full length album(and first on component), brooklyn's joel tallent presents varied select
com-121       12.80   feel my china is the brand new remix collection from mochipet with fourteen of the most amazing break-
d1019cd       10.30   uk's leigh hunt is the man behind the collapse project. from dark drones and subtle rhythms, to hard bea
d1021cd       13.40   monolith aka eric van wonterghem has broken free from the formulas of the ebm style into new combina
d1030cd       10.30   one of the most intense and suggestive sigillum s albums.
d1034cd       13.40   more danceable than monolith's first one with hypnotic tribal beats.
d1037cd       10.30   electro-pop employing early Roland synths and the TR808 drum machine.
d1038cd       13.40   eric von wonterghem returns to his' dark experimental roots with his third release as monolith.
d1043cd       13.40   great album from this belgian electro wizzard with special vocalguests dirk ivens (dive) and johan van ro
d1044cd       13.40   this project is based on the glorious past of belgium as home of 80ies electronic body music! presure co
d1045cd       13.40   the long awaited new full-length album by dirk ivens’ dive! the all new album – the first after a long gap –
d1046cd       13.40   geistform presents 11 brand new tracks and the free bonus cd contains the complete live concert at the
d1047mcd       7.90   brandnew ep, as an addendum to the wind[re]wind album, contaning a remix by the horrorist.
d1048cd       13.40   influenced by bands from the german and uk electronic scene, dirk ivens (synths & voice) formed absol
mm002         14.40   a 100% belgian underground electro compilation album. comes with leaflet that holds the biographies o
sgx 01         7.70   click click remains one of the most original electronic bands of all time, originally formed in 1982 adrian
sgx 02     7.70   sonic grove experiments proudly releases 5 cuts of future ebm from the legendary band pankow. formed
dc023      7.20   reutoff have become famous within a very short time thanks to their unique, very special cold, but also e
dc033     12.80   here's a split release by empusae and flint glass under the name tzolk'in ! a sweet and very organic wor
dc034     12.80   quite two years have passed since lith's last release on divine comedy records. their first opus was atom
dc035     15.40   here's a book with some beautiful photographies by peter bengtsen and an enigmatic text written by nic
dc037     10.30   das reut is a side project of russian dark industrial's leading combo, the mighty reutoff... here, we presen
dc038     12.80   'wien' is the second chapter of lands's 10'' trilogy on divine comedy, the follow-up to 'praha'. once again
dc039     18.00   what we have here is a soundtrack supported by a complete work of about 100 pictures (taken by the d
dc041     12.80   'the fire sermon' is based upon pessimistic views on history, fate of humankind and t.s. elliot's poetry ('th
dc042     12.80   the music of foundation hope creates pieces of dramatic's film music. the one that just reach you 'au plu
dc044     10.80   here's the long awaited third and last volume of the 10'' trilogy! here end up the celestine orlac's aventur
dc045     14.40   père-lachaise cemetery is one of the most romantic and mysterious place on this holy world. it's also an
dc046     12.80   both ethnic and ambient, sometimes low & harsh or even psychedelic, sigma octantis's music is always
dc047     14.40   here comes paradise now, a beautiful and nightmarish 'book & music' exploration picturing some of the
dc048     12.80   olivier moreau (imminent) & john selleakaers (dead hollywood stars, xingu hill) make us travel on desert
dc049     12.80   eretsua oscillates between melodic and ambient soundscapes, with particular rhythms, developing a mu
dc050      9.00   this limited single open with two unreleased tracks by michael yonkers & the blindshakes... very raw 'ga
dc051     12.80   fading landscape' is already a classic and divine comedy records is proud to enter new paths with this 5
dc052     12.80   following the success of the first electronic manifesto compilation, d.c. has once again decided to pay h
dc053     12.80   we are all haunted houses' is the 6th opus from hiv+, one of the leading figure from the 'made in france'
dc055     12.80   arcaïde's influences mainly derive from the surrealistic and industrial movement. here, we can quote pin
dc056     12.80   back in 2005, divine comedy records released the first ever horologium's full length. three years later the
dc058     13.40   a real nightmare overwhelmed by saturations and overdubs. a sort of weird distorted heavy-psychedelia
umb 004   13.40   everybody knows how catchy harmonies are supposed to sound. but tonal y nagual know exactly why th
umb 005   14.50   the experience of jägerblut ('hunter's blood') can be described best as listening to a musical narrative, to
brume06   13.40   mostly influenced by nurse with wound, illusion of safety and hirsche nicht aufs sofa’ surealist collages,
brume08   13.40   for 5 years oil 10 has produced pure electronica tracks in which powerful, elegant analogical sounds mix
brume12   13.40   mostly influenced by nurse with wound, illusion of safety and the hafler trio’s albums. demange machine
brume13   13.40   a slightly more melodic, sad and obscure side of flint glass that still keeps the cold and dark atmosphere
brume14   13.40   on the occasion of its tenth year of existence, talented french project lith delivers a new album, powerfu
brume15   13.40   both nick grey and empusae should dispense any introductions and are known for their collaborative eff
brume16   13.40   with his first release as talvekoidik - an estonian word meaning a foggy, winter like atmosphere - he offe
brume17   13.40   presented live for the first time in 2005, thermidor is the audiovisual experience/installation of an artist k
brume18   13.40   it's been several years that belgian artist pierre remy has been forging his own path on the european sc
brume19    7.90   the vinyl addendum to the fulltime-cd brume18 - incl. remixes by dj hidden and cdatakill.
brume20   13.40   flint glass is a paris-based dark electronica project that has been described by critics as representing so
sop004    12.80   listening to this minimal electro-acoustic disc one sees a context, a performance, an installation or proje
sop005    12.80   the bass still pulses threateningly, but album by album laurent perrier is moving away from rhythm and m
sop006    14.90   downfall-disc 1: made as one single track,this album developes the music ultra slowly,starting with a ve
femcd1    13.40   sbc combine both organic and electronic elements of noise, musique concrete, glitchy electronics and d
femcd3    13.40   kreptkrept is one of many projects by mn based electronic musician, cordell klier. with kreptkrept, cordel
femcd6    12.30   'lament' represents the debut of a brand new project by the every-busy electronic musician, frank mokro
femcd8    13.40   nearly 2 1/2 years after an initial debut with "amid the ruins" (fem04), red reflection now return to fem wi
femcd9    12.30   after several long months of silence, antigen shift return to frozen empire media in full force with a new e
femcd10   13.40   following last years well received 'lament' ep, totakeke return to fem with a brand new full length, 'at the
femcd11   13.40   'medical breaths' features 13 brand new tracks of schizoid, cut-up, hip-hop influenced idm rhythms com
femcd12   12.30   following the well received 'still' cdr debut, n0nplus return with a stellar new ep entitled 'keep me here'. b
hiv.12    13.40   a collaborative project between undacova [dyslexic response records] and kaebin yield [hive records / a
hiv.18    13.40   the debut full length album from these underground beat wreckers is finally here! mash up have made q
hiv.24    13.40   for years cenotype has been active in the new york city industrial scene, and after much fevered anticipa
hiv.27    13.40   among electronic musicians, there are few able to infuse a real human element into their compositions w
hiv.31    13.40   absolutely essential, panic lift’s sophomore effort after the ep dancing through the ashes is a monument
aof060    13.40   i have known wade anderson, aka prospero, for years now and seem to bump into the man everywhere
fon11     13.40   over four years in the making and clocking in at just over an hour - vessels, the first proper full-length fre
fon12     13.40   defying easy categorization, synnack.s v2 is perhaps best described as experimental electronic music. a
fon13     13.40   mondegreen, 13th release on rhode island.s force of nature productions, is distinctly a more reflective d
msadv0.01      7.90   first release on mutant sniper, and the first full 12'' from pittsburgh's xanopticion. supremely mashed up
msadv0.03     12.80   impressive, maniac and wild, a deadly virus is released. dangerous for humans, 'invasion from xxx dime
msadv0.04      7.90   mighty new 12'' from ken gibson under his eight frozen modules moniker, here turning his hand to oblite
msadv0.05      7.90   hide your children, ed flis (duran duran duran ) is back!!! against clicks'n'cuts minimalism and angular id
msadv0.06      7.90   think that if ed banger, turbo or institubes make a party with otto von schirach and richard devine under
msadv0.07      7.90   'ebola's new 'on a gastro-bass tip' e.p. is a incredibly wicked ride. intense, broken dubstep/idm/experime
msadv0.08      7.90   the 8th installment in mutant sniper series presents a straight out catalan’s rising talent: amph. sounding
poffcd01      12.80   straights from bristol’s scene (uk), the anarchic computer team strike back with this time, their first full a
poffcdmix03   10.50   special limited rotator digipak cd compilation. unreleased & released traxxx from 2005 to 2007. released
poffkc07       8.70   new compilation from the kamikaze club!!! strictly limited to 500 copies!!! this is a full newcomers compi
poffltd04      7.90   three tracks each from two up-in-coming breakcore artists. first, pittsburgh's own xanopticon smashes th
poffltd11      7.90   'the doormouse sound is difficult to pinpoint, as most tracks vary in sounds, yet flow smoothly and all po
poffltd12v    12.80   continuing the peace off hurry up limited series , cardopusher, new stormer producer from caracas (ven
poffltd12cd   12.80   the cd-version of the peace off double vinyl comes with 4 bonus tracks incl. a mothboy remix, a cardopu
poffltd17     12.80   the long awaited come-back from sickboy to the peace off brand will not be unnoticed. we have assemb
poffltd20      7.90   heavyweight return from rotator with a 4 tracker, full of his sonic trademark!!! combining raggacore, met
poffltd21      7.90   watch out kids, another new signing to the stellar hurry up limited roster, le jad hits the electronica big tim
poffltd22      7.90   dr bastardo propose here , another well produced for tracker of twisted and dancefloor music!!!
bag01          7.90   bust out the soundsystem and crank the volume to 11, the soundclash monster, kid606, gonna 'mash th
bag04          7.90   part 2 of the winnipeg... 12''es.
dam12.009      7.90   after a course of 'pot belge' (amphetabreaks - analgedrum - herosamples - cocaragga ...) 'el doctor de c
dam12.010      7.90   once again, krumble propose an absolute kill-sound records dedicated to the dancefloor!!! return of the
dam12.011      7.90   more info soon!
ruff03         7.90   from the hardest working camps in the scene, the third ruff instalment featuring 4 traxxx from cardopush
ruff04         7.90   sam kidel aka b-lam, 18 years old bristol's producer, drive a dance wild!! with two solid tracks of shockin
ruff05         7.90   the fifth ruff installment featuring 2 traxxx from starkey & bong ra. another huge release ready to kick yo
ruff06         7.90   debut release from broken note is finally here, and its gonna wreck ya nans hi-fi! 2 twisted bullets from t
ruff08         7.90   more info soon!
bib001         7.90   brand new release by brand new peace off sublabel - more infos soon!!
ziq126cd      17.00   'kyler is the latest alias of sonic changeling henry collins (aka shitmat). in his new guise, he creates moo
ziq128         7.20   is this uk's next generation? features dolphin and the teknoist in a healthy face-off to see who can melt y
ziq132         7.20   supercatchy new grime hit (with the use of helium octave samples) by the everbusy mark one and his vi
ziq132r        7.20   remix plate with works provide by virus syndicate and jammer. 'ready to learn' and 'major list mc's' remix
ziq133         7.20   this is superlow deepness! both tracks are reduced to the most basic: depth, space and simplicity. and t
ziq135         7.20   'scientific wax's breakage finally releases these two blissful tracks which seem to have been on dub for
ziq138cd      17.00   'this one's for you, the fourth full-length release from portsmouth, uk's christopher reeves (aka the gasm
ziq142cd      17.00   dr. kohei (aka the filth (aka gxcx (aka guilty connector))) is a japanese human/noise-machine hybrid tha
ziq143         7.20   the planet µ imprint brings you shitmat, chevron and labelboss µ-ziq on just one plate. its not exactly wh
ziq158         7.20   the mysterious hawerchuk rustles up two further morsels for our delight. both of them in a darker, ravier
ziq160v       17.90   vinyl version of ziq160cd
ziq160cd      17.00   it's not all dubstep and breakcore on planet mu: l.a. based tom burbank delivers a crunched up melodic
ziq165v       17.90   vinyl version of ziq165cd
ss03           8.40   current value brings the nails on his debut ep for soothsayer. lauded by insiders as the chief purveyor of
inv025         8.20   rasputin - new name in invasion wreck' family and very mysterious person. philipp muench (synapscape
inv031         8.20   '...so you want a piece of me? only a piece, because you don't need the totality? sure, cut off what you n
inv033        12.80   the first pressed cd on invasion wreckchords!! 'weight of death' forces your ears to bleed, but keeps you
inv034         8.20   after amazing 'das leberwurstbrot' (invasion wreck chords inv025) and brilliant live perfomances f.e. at m
inv035         8.20   'crowd control' comes back to this mixture of quasi-song structures and ambient experiments after the p
inv036         8.20   what do you get when an unstoppable force hits an immovable mass? famed ultracore duo of industrial
inv037         8.20   things start somewhat calm with a cut up and glitchy intro, warming up the audience for what is yet to co
inv038        12.80   celebrating their 5th anniversary, ambassador21 and invasion wreck chords proudly present a brand ne
inv039        15.90   this is a 77 minutes movie, based on 16 video tracks from ambassador21, suicide inside, rasputeen, fra
inv040         8.20   in celebration of its 5th anniversary, ambassador21 and invasion wreck chords proudly presents this ne
inv041        12.80   in celebration its 5th anniversary, ambassador21 and invasion wreck chords proudly presents 5th amba
inv042         8.20   this is hardcore' is the brand new full-length album from madrid-based electronic music producer ctrler,
inv043        12.80   after winter hibernation, invasion wreck is gonna make your blood seethe and awake your nature. 'invas
inv044            12.80   following after their harsh and merciless album 'fuck all $y$tem$' here is the new release from ambassa
vm0017            15.90   the movie based on true events and included live shows with best songs of ambassador21 in denmark,
dtrash104         13.40   the music of blipvert combines noise, fractured dancefloor rhythms, robotic vocal chants, and alien soun
dtrash109         13.40   swiss band matamachete have been playing together since 2003, building a peculiar sound assembling
praxis35          10.50   vinyl version of praxis 35cd
praxis35cd        10.50   eleven tracks serve as eleven channels on a journey through the female psyche experienced through th
praxis37           7.00   the new release on praxis by rachael kozak and christoph fringeli was recorded in the period of 1999-20
praxis40          10.50   vinyl version of praxis 40cd.
praxis40cd        10.50   vinyl version of praxis 40cd.
praxis41           7.00   four tracks of caustic weirdness and harsh broken beats destined to be yet another classic.
praxis42           7.00   harsh and militant speedcorenoize attacks on 5 new tracks.
praxis43           7.00   long awaited and finally imminent, la peste’s momentous 24 min work on praxis!
stillraven003      7.00   on this one c.fringeli (praxis) had the great chance to pay hommage to some of the wicked early hardco
unearthly005       7.00   the f.f.f. are controlled weirdness, rachael kozak and christoph fringeli on 5 tracks, exploring the psycho
unearthly006       7.00   4 track ep of breakcore electronica by the artist behind the richard for cerebellum project!
zhark12007         7.00   finally released this 5-tracker perfectly accompanies and complements the hard bass-laden, atmospher
zhark12008         7.00   a cryptic and dark ep by an unknown artist ranging from industrial ambient to atmospheric breaks and s
zhark12009         7.00   brilliant and refined, the somatic responses duo take on another 12'' release brought to you this time by
zhark12010         7.00   five scorching tracks hit you on the debut 12'' release of zhark's newest member from switzerland, vile e
zhark12011         7.50   a case of possession by a 17th century composer? martin frank (a.k.a. abelcain) presents us with 12 int
zhark12013+7003    8.90   following the cd release on hymen, seven tracks of twisted middle eastern textures and rhythms come r
zhark12014         7.00   4 track ep of breakcore electronica by the artist behind the richard for cerebellum project!
zhark12016         7.00   a welcome return for zhark international with a massive 12'' by xanopticon - america's splinter break ma
zhark12018         7.00   church bells shatter against a backdrop of lightning speed breaks while sinister creatures take shape in
zharklp3          10.50   clearly the most insane and radical track written by raquel de grimstone, shapeshifters found its way to t
zharkcd3          10.50   following the infernal trilogy of her 7'' releases, raquel de grimstone (aka hecate) brings out her first full
zharkcd5          10.50   if there was a film entitled, 'love cycle of machines', richard for cerebellum's 'thoughts that breathe...wor
koolpop12.005      7.00   the only record by rachael kozak that somewhat show her detroit roots. teaming up with john ryan this e
subversion005      7.00   sub/version is a sub-label of praxis and vienna’s pure dedicated to harsh exaggerations of what drum an
subversion006      7.00   the long awaited new sub/version is finally out - titled jaffna pt. 1 and 2. your expectations will be met: th
subversion007      7.00   haunting strings and monster basslines underline the driving breaks and metallic rhythms found on the n
subversion008      7.00   transgressive drum’n’basscore by vile enginez (zhark12010) - two trax that do maximum damage on the
subversion011      7.00   much anticipated this has been rocking dance floors for a few months from superlimited white labels! fin
subversion013      7.00   after several months on white label vile enginez' new release on sub/version is out this week - a mind tr
hwf 5              7.00   second part of the raquel de grimstone trilogy, continuing the mixage of aggressive female vocals and d
lowres017          7.00   bombardier’s track syn remixed by eye-d, cdatakill, christoph de babalon, adjust!
lowres020          7.50   on this turnover of electronic hardcore music, übergang are transcending the past and giving new direct
sprengstoff14      7.00   innasekt create their own unique definition of dubstep orientated beats. the two tracks on their debut 12
sprengstoff15      7.00   sumone is back with his second release on sprengstoff recordings. leaving the ragga jungle behind he i
dirtyneedles004    7.00   a1- nicaragua by kalbata, an extended darkside ride into the unknown, with pulsing subs and fractured s
girlcum001         7.00   finally out with sticker! fanny’s first release on his label - the scale of terror warnings rising from yellow to
acsa003            7.00   drum’n’bass, rave and breakcore from russia!
ntk003             7.50   new breakcore homages to dr. who from the two men most capable: davros a.k.a. abelcain and fanny!
dm12001            7.00   out now on darkmatter soundsystem, the same people who brought you the dancefloor killing adc - 'giam
dm12002            7.50   darkmatter soundsystem from la is presenting their first 12'' vinyl - an excellent new record by rome’s leg
7s01               7.00   as a statement of focus, seven samurai records starts off where the film ends. this first 12” compilation h
zod.12            13.40   there is in the musical mood that runs through this recording, a certain poignant quality all too rarely fou
zod.15             7.70   using organic sounds to create the unspoken melodies of objects found, soplerfo takes from the palette
zod.20cd          13.40   many contributed to make this compilation of ideas into one main idea that cannot, and should not, be ig
zod.20v           13.40   many contributed to make this compilation of ideas into one main idea that cannot, and should not, be ig
zod.22             7.70   a trancelike and circular synth line discordantly dissipates into claps and competing keys that are then g
zod.23            13.40   with this, his first foray into the professional production and distribution of his art, bristol uk's bin ray has
zod.30            13.40   'congratulations on finding this excellent album by emotionaljoystick! this record is appropriately named
dsr2.0            12.80   this full-length cd contains 23 tracks of blistering ragga, mash-up and pop deconstruction and features a
dsr7.0            10.50   'rhythmic danger in overdrive... rootical rally-cry uproar.' -simon reynolds on dj ripley. now disturbing new
dsr15              7.90   dj c continues to drop his mashed up mix of hip-hop, bashment, grime, bounce, jungle, rock, folk, bhang
dsr16            7.90   straight-outta brighton, wrong music's dj floorclearer batters you to the floor with a platter of leg shatterin
dsr17            7.70   monster zoku onsomb blew the scene up with their debut 12'' on death$ucker records (dsr9) back in 200
dsr18cd          9.50   death$ucker records releases the secret weapon of the bristol underground music scene on an unsuspe
dsr19            7.90   vinyl excerpt of red7 comprising the maiof, shitmat and parasite mixes alongside the original version of
dsr20            7.90   monkey steak, the electronica duo comprised of hanuman and atki2 (shadetek, combat) were formed in
dsr21            7.90   acrnym is 21-year-old calum gunn from glasgow in scotland. he's been making noises with computers s
dsr22            7.90   soundbites brings a 4 track absolutely ravetastic 12'' to death$ucker records. the prodigy mash-up extra
dsr23            7.90   dj c continues to drop his mashed up mix of hip-hop, bashment, grime, bounce, jungle, rock, folk, bhang
dsr24            7.90   floorclearer spews his latest 12'' all over your face in large, meaty chunks. you may remember him from
dsr26            7.90   since he discovered that fm-radio could sound way much better through his sp202, electromeca didn't s
dsr29            7.90   krumble (aka the disco breaker) brings his unique blend of choppy breakcore and cut-up jungle bass ter
red007           7.90   'the flood' is a collaboration between bristol-based diy rhythm fiends big joan and a bunch of lunatics wh
td001cd         12.80   crimson introduces your ears to many different styles of eclectic electronic music ranging from broken g
td001v          10.50   crimson introduces your ears to many different styles of eclectic electronic music ranging from broken g
td003            8.20   after quite a long period of silence from both, this long awaited split between emotional joystick (remem
td007            8.20   luis garban of venezuela has released heaps of records these past couple years for many labels. now h
td012            8.20   for real / love promises to be the hot release of 2007. solid beats, driving bass, and atmospheric texture
rr1200c          7.90   breakcore, drum & bass and A little bit breakbeat...
rr1200d          7.90   contains: breakcore, drum & bass, hardcore, industrial and experimental elektronics, 12'' front & back co
rr1200e          7.90   30 minutes of dark soundscapes flavoured with brekbeats in a bad mood. get your depression now!
rr1200f          7.90   dark speedcore from berlins most wanted speedcore act: gfb. incorrect segment presents 3 hardcore bo
rr12007          7.90   stormtrooper who recently released on industrial strength presents on restroom his broken stuff. 2 trax i
rr12009          7.90   sangre (aka acid enema) presents a perfect mixture between black metal and hard/speedcore. 5 songs
rr12010/12011   14.40   60 minutes of dark techno to industrial to hardcore to... never trust in technology!
rr12012          7.90   lacrima mosa est originally by gabba front berlin on darkera02 and doomsday 02 conceale originally by
antigroove001   12.80   abstract, noise, drum n bass, breakcore, speedcore - historical recordings from the project behind restro
tni1             7.90   3 times hard/speedcore plus one dark breakbeat track - first of the terror noize industry compilation seri
tni4             7.90   tni strikes back. 6 speedcore trax by gfb, noisekick, bonehead, capcom, akira and drokz. limited 300 co
vt0002           8.70   this compilation marks the cornerstone for voxxx series a which will ultimately consist of six 12''es. the a
flyco001        10.50   kybernaut is a japan / german based project and produce quite an aggressive, dark and moody music w
flyco002         7.90   vinyl version of flyco 003, incl. 2 alternative cd-track versions.
flyco003        13.40   eclectic hi-tech drum’n bass vs. a lurid mix of gritty soundscapes and unrelenting heavy beats. abstract
flyco2k12       12.80   first there was sight, then there was sound. recycling and resampling visual input into stereo output - op
adn11           13.40   this split cd is the result of a common work by these three musicians, who shared sounds, samples and
adn16           13.40   xenonics k-30 are also known under the name of the multitalented scott sturgis (converter) and leech (th
adn17           13.40   with his first full length cd, david sullivan, a.k.a. magwheels, works his magic, building heavy and poetic
adn19           14.40   radio 1940' is wilt’s fourth album, and his most ambitious work to date. the nineteen tracks of this double
adn20           13.40              they started writing music, the swedish artists jan carleklev and håkan paulsson have torn alm
                        ever sincehaving
                        after
adn21           14.40   released music
adn23           13.40   fairytales and electronic music. what if you were to give back a soul and a smile to this sound you listen
adn24           13.40   following his critically acclaimed 'irony is' album on mute records, the musician behind 2nd gen presents
adn29           13.40   following their recent 'monster music' ep, , larvae present here their first full length album, 'fashion victim
adn30           13.40   for its second album on ad noiseam, portland, or based prodigy david sullivan (magwheels) teams up w
adn31           13.40   precision, dedication, innovation. such are the mottos by which cordell klier has worked all throughout h
adn32            7.70   the coolest teenage robot on this side of the microchip finally comes back with a new single. here is his
adn33           13.40   being at the core of many projects (ammo, ambre, axiome, dead hollywood stars, moonsanto...) and col
adn35           13.40   two years after the colossal 'radio 1940', in which james keeler transcribed into music his conceptions o
adn36           13.40   active since the last 1990's, michael palace's horchata project has become known for the quality of his (
adn38           13.40   people wanted it, people asked for it, here it is. curtis chip's long awaited and much talked about first ful
adn39           13.40   long time scorn and larvae collaborator mothboy will present his debut album, a journey full of subwoofe
adn40           13.40   andrey kiritchenko presents here is second album, which crowns the progress and incessant activity of
adn41cd          9.20   cd version of adn41 with a bonus video track.
adn43           13.40   cdatakill is back with a second full length album on ad noiseam. incendiary breaks, hard beats and wick
adn44           13.40   following shortly his 12'' 'when i'm 6', nyc's matthew peters offers here his debut full length album, in wh
adn48            7.90   following the 'fashion victim' album and its 'monster music' introductory single, 'empire' is a 'different' rel
adn50           13.40   the debut album by spanish sensation az-rotator is a detailed-to-the-bone combination of fractal beats, b
adn51      13.40   detritus’s second album, 'origin', takes this act’s combination of clean and powerful drum’n’bass, deep s
adn53      13.40   a year and a half after the release of 'twilight', lapsed presents a second album combining his glitch and
adn55      14.40   vinyl version of the cd on very friendly.
adn57      13.40   after years of silence, ottawa-based antigen shift returns with a new album. having left some of his dirty
adn59       9.20   following two cds on n5md, uk's multitalented keef baker offers a solid 6-track mcd in which his music ta
adn61       8.20   over the recent years, enduser and larvae have played live together, remixed each others, and appeare
adn62cd    13.40   with their second album, larvae strip their music out of the genres they had been associated with, and fo
adn62lp    14.40   vinyl version of adn62cd.
adn63      13.40   wilt's new album is also their first as a band, with the electronic experimentation being combined with ac
adn64      13.40   bong-ra comes back armed with enough beats to make everybody rave till late after dawn, including the
adn65       8.20   one hard step forward: 'thresholds', a prolongation of detritus's second full length album (the acclaimed
adn66      13.40   cdatakill's talent blossoms fully with 'valentine', an album of deep beauty. here's what happens (for the b
adn67cd    13.40   a new major contribution to enduser's growing discography, 'pushing back' shows lynn standafer integra
adn68      18.50   the madlands' trilogy is the gathering of three thematically and stylistically linked mini-albums composed
adn69      13.40   finally, here comes mothboy's second album. having become one of the most sought-after london produ
adn70      13.40   starting out as a 16-year-old drummer in massachusetts garages and all-ages clubs, aaron spectre late
adn71       8.20   breakcore ghetto tunes for the discerning zombie. for his debut record, winnipeg's cakebuilder present a
adn72      13.40   third full length album for jvox (following 'address unknown' on component records, 'shuffling data' on u
adn73      13.40   after 25 releases on vinyl over the course of seven years (not counting the ones of his outside agency a
adn76lp     8.20   vinyl version of adn76cd - same tracklisting.
adn77       8.20   'ultrafood' is the new audio creation of the two forward-thinking audio chefs that are mad ep and ra, pres
adn78       8.20   dancefloor droids rejoice! for his first release on vinyl, madrid's forefront producer az-rotator puts his com
adn79       8.20   the 'grist' 12'' is the vinyl pendant to the 'grist' full length cd, presenting on vinyl format a selection of trac
adn80      13.40   here finally comes aaron spectre (aka drumcorps)'s first full length album, on which he explores very me
adn81      13.40   the mount fuji doomjazz corporation is the lost evil twin of the kilimanjaro darkjazz ensemble (featuring b
adn82       8.20   first cdatakill 12'' in years, this first volume of 'bleeding hearts' contains one new cdatakill tracks and rem
adn83       8.20   part two of 'bleeding hearts': dj hidden kicks off the second record with his trademark high-fidelity, percu
adn84      13.40   featuring all the tracks from the 'grindkrusher' and 'sick sick sick' records, re-recorded and remastered, '
adn85      13.40   the logical sequel of the 'thresholds' single, 'fractured' sees detritus keep the harder guitars and beats, w
adn86      13.40   exillon brings acid to idm, speeds things up several notch, and bombs the dance floor with a high energ
adn87      13.40   'a matter of consciousness': lapsed's third album sees his pair up with dj and turntablist nonnon and a c
adn88cd    13.40   5 years since his début and 5 since his last studio album: mick harris breaks the silence and delivers wi
adn88lp    14.40   vinyl version of adn88cd
adn89      13.40   an appetizer to raoul sinier (formerly known as 'ra') 's third studio album 'brain kitchen' (to come on ad n
adn90      13.40   begun years ago, mad ep's fourth full length album sees this highly praised musician focus on low frequ
adn91      13.40   greece's spyweirdos, who received a lot of attention in the recent years for his sharp and subtle glitchy e
adn92      13.40   announced with the 'huge samurai radish' single and remix cd in december, ra(oul sinier)'s third studio a
adn93       8.20   chevron's intricate beats and party anthems get down and dirty with 'tuff shite'. partly inspired by chevro
adn95       8.20   from its symphonic opening to its sweeping heavy basses, cakebuilder's second record for ad noiseam
adn97       8.20   re-mastered, re-cut and given a whole record on their own, the four tracks written by enduser and line 4
adn99       8.20   the second volume of funckarma's adventures in dubstep kicks off with 'nays of dight', already a dancefl
adn101     13.40   finally! larvae present here a sequel to the remarkable 'dead weight' in the form of a split up album. whil
adn102      8.20   excellent dancefloor packing, subwoofer wrecking new record by broken note, a british duo among the m
adn103v    14.40   following his split with eustachian, uk's most insane purveyors of shattered hardcore comes back to ad
adn103cd   13.40   following his split with eustachian, uk's most insane purveyors of shattered hardcore comes back to ad
adn104     13.40   for their third meeting, the two breakcore legends that are cdatakill and abelcain not only come up with n
adn106     13.40   sickboy's exhilarating, enthusiastic and insane-as-ever fifth full length album features this musician's mo
dtk07       8.20   excellent new 12'' compilation from dross:tik, who had already provided us with the great 'raviour ep' som
belio26    10.00   a special about party and parties - 146 pages, bilingual edition (spanish/english) - more info soon!
belio27    10.00   a special edition to defend (since an artistic point of view) the animal's rights and fight the abuses that s
book02     25.00   a new book edited by belio. a big mashup of the best art and graphics inspired by and for the digital har
dy004      19.90   the fourth book from die young collection is dedicated to the french artist 36 (www.36recyclab.com). the
dy005      19.90   the fifth book from die young collection is dedicated to the canadian artist nicholas di genova (www.med
black48     3.50   84 page b/w magazine in german language - feat. interviews / articles about controlled bleeding, bakter
v2.0       13.40   meditative electronics and ambient soundscapes. a collaboration of pure (austria) & ultra milkmaids (fra
v3.0       10.50   feat. james plotkin - matthieu maire - yves daubert - marie daubert - sheila mata. james plotkin & matthi
v3.1              10.50   limited vinyl version of 400 copies
v4.0              10.50   7 tracks melting slow motion melodies to creepy break beats, an absolute journey into colourful and soa
v5.0              13.40   links is the third album from the french project oil 10. technoid forms deal with upbeat and spacey wave
v6.0              13.40   first full length album for the french aspic duo, pop exeriment, mixing drowned beats with melodic strate
v7.0              10.50   space casino is the first lp of the parisian group archipel.it combines traces of music from multiple origin
v8.0              13.40   through this side project, silk saw members are explorating purified and abstract compositions. their wo
v9.0              13.40   this album is the first release of the drahomira song orchestra, the musical subsidiary of the multimedia
v10.0             13.40   logatomistes is a sideproject of rob[u]rang (silk saw, jardin d'usure, moonsanto...) john sellekaers (ambr
kal002            12.80   well, what's the 'space organ' (weltraumorgel)? take a science fiction soundtrack, combine it with the gro
kal003            12.80   well, what the heck is hecq? hecq is not beefcake, and hecq is not lusine icl - but hecq could be a phan
kal004            12.80   die farben (the colours) is a solo project from ex-pzychobitch member frank klatt. sensoric specific satie
lh02              13.40   the second liquid harsh cd-compilation, varying between industrial, ambient,breakcore - and more! entir
ar17              12.80   the new atrox release, ranging between rhythm industrial, power electronics and noise. white tray edition
ar23              12.80   exclusive tracks from all performing bands of the tonwellen-konferenz festival in erlangen/germany in de
ist060cd          13.40   tesla proudly presents its first international distorted beatz compilation which was prepared in a collabor
bb 0014 01-0205   14.40   a fine collection of tracks by artists who performed at the 'elektroanschlag' festivals in altenburg/german
ea7               12.80   feat. exclusive and yet unreleased tracks by all artists performing at elektroanschlag festival 2006 in alte
ea8               12.80   feat. 15 exclusive and 3 yet unreleased tracks by all artists performing at elektroanschlag festival 2007
ea9               14.00   feat. 17 exclusive and 7 yet unreleased tracks by almost all artists performing at elektroanschlag festiva
rbl011            14.40   fourth installment of the schlagstrom compilation series - this double disc collection delivers 100% pure
rbl016            12.80   this cd5 years of schlagstrom!, 5 years of pure electro noise industrial infusion and now the 3rd release
krach001          12.80   krachcom.pilaton 1 is a collection of exclusive tracks from members of the krachcom internet forum. a v
dar001            15.00   low frequencies, deep atmospheres, layers of darkness. all this decorated with slow, wicked melodies. m
slcd001-08        13.40   genre: minimal, retro, synth, flexi pop, robotic, new wave, 80s. feat. the rorschach garden, echo west, in
ta001             15.90   29 exclusive, rare, remixed, and unreleased tracks by some of the world's most prolific electronic artists
ta003             13.40   the brilliant new album from new york producer, frank mokros (synth-etik / hands productions) featuring
ta004             13.40   subheim is the deeply personal project of electronic music composer and visual artist kostas k., a down
ta005             13.40   the definitive remix collection by one of the most prolific and under-rated dark electro acts in operation,
ta006             13.40   hailing from the canadian electronic music underground after a decade of techno and industrial dj and p
ta008             13.40   with three ground-breaking albums in 3 years, michael morton, toronto-based electronic music compose
ta009             13.40   the highly-anticipated new album by the one and only pneumatic detach! with previous releases on froze
ta010             13.40   in stark contrast to the cold alaskan landscape from which he hails, lucidstatic offers his fiery debut albu
ta011             13.40   endif draws upon a broad spectrum of experiences and influences and distills them into weapons-grade
ta012             13.40   since 2004, tony young, aka: autoclav1.1 has had numerous successes including two ep’s, two albums
ta013             13.40   with their very personal approach to dark and beautiful idm compositions, integral have created a touch
ta014             13.40   tapage began as an axe-grinder for a short-lived metal/hip-hop band in the netherlands. he soon depart
ta015             13.40   the companion cd to totakeke’s critically-acclaimed album 'elekatota - the other side of the tracks' appro
slq001            13.20   first compilation by young greece label spectraliquid, in the field of dark ambient/hard technoid/idm/d'n'b
slq002            13.20   hiding his face as well as his real name, even more interesting questions arise when somebody attempt
slq003            10.50   uk based ben hudson aka ebola delivers a powerful, complicated yet wisely minimal and absolutely dan
slq004            10.50   luis garban aka cardopusher has been releasing a serious number of records these past couple years fo
lpm002             7.50   two track single including 'what kind of man are you...' original version with a 30second pure noise intro.
lpm004             6.50   this release is a tribute to the anarchist movement. 100blumen puts ass kick rhythms with harsh noises
lpm005             6.50   the power electronic project saal5 combines sound constructions with distorted voices. attention,... very
                          breakbeat, dark
lpm008             6.50   step and idm
lpm009             8.70   fräulein linientreu, the pearl of the nothern german coast delivers on her debut album 'echtzeit' synthesi
lpm010             8.70   nothing about war, only darker side of ireland. warbaby combines rhythmnoise and techno to her own st
lpm011             8.70   with 'la bionda' saal5 wraps farewell, mourning, anger, hope and fun into painful and disturbing sound-c
lpm012             8.70   contains 17 exclusive tracks of 100blumen, alarmen, asche, contaminant, frl.linientreu, graph, mono no
bc007             12.80   industrial and powernoise compilation w/ mainly exclusive tracks by synapscape, morgenstern, asche, p
z-010             13.40   the compilation for the schachtfrequenz-festivals, took place in zwickau/germany in 2005 and 2006. fea
auphcd001         13.40   this double cd compilation is the young german label's debut. sounds between dark ambient and idm, e
auphcd002         12.80   after releasing quite a few solo tapes, cd-r releases, collaboration works, compilation appearances and
auphcd003         12.80   audiophob presents another dark ambient act: mandelbrot. founded in 1994 by p. muench (synapscape
auphcd004         12.80   the fourth release on audiophob presents the first works of the new project zero degree, which was born
auphcd005         12.80   the fulltime debut of alarmen might be described as the soundtrack to the information chaos of our socie
auphcd006         12.80   as a follow-up to the last album 'null', the new cd by spherical disrupted called 'barriere' has just been re
auphcd007         12.80   nerthus isn't a new name to audiophob as a track of this project was already on the first release from ou
auphcd008         12.80   mandelbrot are back from their 'tauchfahrt' to present their 2nd album on audiophob. recorded between
auphcd009         12.80   three years after the debut work here's the second full length album of zero degree. again 'the inner rea
auphcd010         12.80   when audiophob started in 2004 we gathered tracks from artists we liked and where we thought they mi
dgf#3              7.90   bogger is back. and kicks out another shining vinyl on digital-gadget/front. 'glenn dambo' takes bogger's
mhz-sp10           8.20   before lara bandilla (married, two children) in her mid-twenties devoted herself to the fine arts, she was
mhz-vhs1          15.40   this videotape includes 3 klangstabil live-tracks from 1998 - rough and intense. a very interesting collect
wr32              13.40   devoted to himalaya expedition in 1937. made with usage of big amount of old analog sound and field re
laub 007          16.40   bionik is telepherique's topic of this new cd+vinyl concept work. bionik means: transferring discoveries f
sssm-101          13.40   a telepherique mail-art project: the mail-art orchestra. contributors: telepherique, roger rotor, vromb, con
cps0507           12.80   'theesonicabyss.com is proud to present 'bewegung der klangmasse' split cd release. the deafening leth
rt003             12.80   ''the house of mourning is that purifier building in which there's deep sorrow and disheartened grief due
wmda075           12.00   another album from the well-known german project. rhythmic and danceable but also a little more exper
mancd47           12.80   a compilation of rare tracks originally released between 1995 and 1997 on vinyl, cd-r and on various com
vital001          13.40   as an abstract radio transmission from a hellish toy factory, this nightmare of experimental death electro
vital002          14.00   for this compilation, each artist has chosen his' favorite francis bacon painting as an inspiration source t
vital003          14.00   hentai and nordvargr ejaculate their audio semen into the cold electronic womb, and watch in fear as an
vital004          18.00   featuring takashi miilke, kk null, shinjuku thief, converter, hentai, shinkiro, sunao inami, jazkamer, henrik
vital005          14.00   the rising star of japanese avantgarde electronic music manabu hiramoto (shinkiro) has entered the dar
n.002             10.80   the multiple-facets artists kirdec (cedric fermont, also known as c-drik) is back with a great 4-track ep. o
core_007.2         9.90   same tracklisting as the vinyl version.
darkambientnet1   12.80   'the ritual as a method of coping with fear' is the basic thought behind 'isolation', which is the first output
ipc49             14.40   the sounds of disaster document the past few years of end’s life. a time of shootings, home invasions, a
null04            13.40   a futuristic contact beyond the barriers, realized by two of electro-industrial genre's most regarded music
null10            13.40   'spies' is a french based multimedia activists with an untamable desire to reach music in a global way. t
null12            13.40   'u.f.f.' is the second outing of implant on flatline records, it continues where 'kmputor' finished and blend
null13            13.40   h_m_b is far more than simply another side project of daniel myer, this long awaited album is the outcom
tribune005        10.50   operation mindfuck is an idea, a creative collective, and a dj-crew. for five years now, operation mindfuc
 this release as mika goedrijk is well-known as the mastermind of projects such as this morn' omina, project arctic and pow(d)er pussy. what you are about to hear illustrates mika's decision to
  and a half years after 'now', tim kniep and philipp münch present another full dose of massive electronics for the mind and body. tracks like 'who painted my cat black' and 'stuck' keep up sy
 & white ink. one-sized girlie-shirt.




 & white ink. size extra large.
eats, wonderful piano lines, atmospheric keyboards, doomy guitars, occasional vocal work - pen fifteen is another journey into keef baker's world, where unequal musical styles like trip hop, e
 second aural manifestation of s.talada's darker self. m.d.'s unique mix of intelligent dance music, dark experimental sound layers and technoid beat'n'bass patterns enthused a large audienc
rint. girlie-shirt size medium.




 releases 'panorama 94-96', 'strates' and 'triode'. limited 200 copies.
and several free download-only albums, the talented german trio zentriert ins antlitz joins tympanik audio to release their latest collection of work simply titled '...no'. however, simple, this albu
pline, and desire‘ as well as this year’s encompassing 2nd album ‘how pure would your utopia be?‘ on hive records, esa (electronic substance abuse) returns with an enormous new album on
the new full-length album by broken fabiola titled ‘severed‘, marks their return from hibernation since the release of their double cd collection in 2005 on the auricle media label. broken fabiola
ally acclaimed ‘emerging organisms‘ compilation series celebrating our 1st year of unique and modern electronic music cd releases. ‘eo2‘ picks up where the first volume of ‘emerging organis
 piano movements and a subtle dose of distorted rhythmic beats, stendeck’s long awaited new album ‘sonnambula ‘ injects an air of originality and purpose that will both inspire and move you
 hin comes back with the 'neo neon generation' new album.inspired by comics, mangas, science fiction, video games and some chaos riot involved books. he delivers a warm massive groovy
 y' is a detonating trio! they have met together in a small street of dark and furious electro-indus. these three protagonists borrowed from the distorded beats their disturbing ambiance to get u
e re-release of this essential compilation which was initially released on tarantulla productions. a must-have for wave / minimal / electro fans!
na / italy that hits us hard with their straight rhythm industrial. in their own words: 'the music explores territories of ambient isolationism and and electronic music'. cd-r release.
 oe beaver and cheesy beaver (aka 100blumen) makes you feel wooooooooooooooah! get ready for the dancefloorhell motherfuckers, this is the beaverish answer to david hasselhof! cd-r re
uki kishino ( kk null ) now presents his new cd album entitled akumu / nightmare. on this album kazuyuki tests his own limits into the darkness and focus all his artistic skills on creating a pers
ligent dance music) genre descriptor has been used sparingly and only for those artists that utilize a more strict electronic pallet. we shy away from such a specific genre tag because, for the
 ull cd of original material under the funckarma alias since 2006's 'bion glent' (sublight). this new album shows funckarma at their most diverse by folding in other electronic music sub-genres
 from riga, latvia - kriipis tulo and rodion zolotarew. it's founded in 2001. this peculiar quality of oloolo music is achieved through extensive use of soviet-era analogue synthesizers (polyvox, yu
sound designer & jingle writer for mtv-russia. together with lazyfish he released a split-album lazyfish/mewark.little one is an album which shows alexanders talents to combine live recorded in
alexandroid, but solo creates his own ambient music. i think it's played on analogue synthesizers, and it's not the tapestry sounds of hypnos but more the stripped down version of ambient ho
 lagunamuch, an electronic label in moscow. this compilation has united many russian-speaking artists living in russia and abroad. deep sea shipping is a term borrowed from the maritime lo
ter of ambient structures, aka ed sherbakoff, living in a remote industrial city of serov in urals. beginning from 2001 he has recorded about 10 original works on different labels in russia and in
most talented up-and-coming artists from moscow electronic music scene, will release his second album in collaboration with alexander petrunin aka mewark. lazyfish has already released an
n knilpert, genévieve pasquier, giuseppe tonal und tikki nagual are back, releasing this fascinating soundtrack album of the theatrical production 'tannöd', based on a book by andrea maria sc
m resistance label movement. having played alongside bill laswell, dr. israel, john zorn, mike patton, and others, he offers up this collection of new tracks and vinyl-only favourites, along with


no compromise breakcore, broken beats and noise, challenging the orientation towards the 'artist genius' with a selection of tracks chosen for their quality and not for their marketability - in the
 catching up with releasing some of the pearls that have been waiting to see the light of day for a while. this double 12'' by fanny is his 'lost' first album, originally recorded in 1999 and 2000, c


 extra-strong cardboard foldout-cover.
 acoustic journey which is lead by broken, melancholy, sombre, but harmonious sceneries. besides, frequency spheres of the most different genres are plumbed. melancholy harmonies are e
y on crack in all of us. so-called intelligent dance music is for old ladies and paperboys, improve your groove and get this shit in your earhole quick. chilly willy melodies and ice cold beats to s
 is time in direct battle with the mighty unibomber! the inspiration for this release came from their 'final amiga battle' live set which was performed at the now legendary schizophrenia show in t
ndless reruns of our grief? with this debut release from his new project, dave dando-moore (detritus) offers us an intensely composed symphony of unending sorrow. if detritus is the debris of
r on paper + cd only for special releases. the first one in this collection (fear drop 14) is about the cure's masterpiece, pornography. on paper: a study of the album (french and english) on cd:
doned industrial sites….the anglerec and mondes elliptiques labels had the opportunity to work with many sound artists whose explorations are accompanied by a will to uncover on the field,

n wax a new testimony of his insolent skills at creating ever changing, massive dubstep. never loosing the dancefloor from its sight, but including a lot of innovative elements to this genre and
 on ad noiseam, the kilimanjaro darkjazz ensemble and ad noiseam are no stranger to each other. this polymorphic band founded by bong-ra had already graced ad noiseam with an album un
 test album, 'time to play', released on cd under the adn106 catalog number. more beat madness, mash-up goodness and breakcore sickness coming up your way, this time on big black 12'' v
page, featuring new and unreleased material by otto von schirach, passenger of shit, inshizzo and marrow explosion. comes in full color sleeve.
he celebrity electro-artist of the hour: featured worldwide in magazines, permanently releasing 7''es, split- and fulltime 12''es, cd-rs and cds and touring around the world, from the united state




 tmord, t.a.g.c. (adi newton), monte cazzaza and more.
 delves deeper into the darkest reaches of humanities horrific mind. cold, dark ambient, pasted with ritualistic overtures, a nightmarish sountrack for the soul.
 ronic music by storm as one half of irm, hailed the world over as the new leaders of the swedish noise-industrial underground. with his solo project, he has once again risen to the throne and
ss. hard destructive dance tracks boardering on hardcore, breakcore and noise.




omes this brash, brazen, impudent full-length release from belladonnakillz. combining his technical skills with imagination, original melodies and his own crooning, come-hither vocals, 'perver
extile ranch, the solo project of glen johnson from piano magic. the album includes 'boys climbing skull' and 'girl with numbered heart' taken from the double a-side single (on the french label,
starvation, netz, n.e.w.t., lf project, organized noise, it, synapscape, mother destruction, spahn ranch, ichor, the aggression, rx, beefcake, generation x-ed, hanzel and gretyl, torsion, dive, pai
k beat with an outstanding singer, their music is equally fascinating on the dancefloor as well as at home
ctro-pop, dark wave together with influences from the origins of electronic music. netz provides a break from typical electro and ebm and explores the style a little further, mixing in elements o
e collection, but be prepared to be manipulated. mostly unreleased material.
 evolving bass-lines and probably the most psychedelic vocals ever heard, in one smashing album. 'kmputor' is the result of hours of cut-troth programming. an ear-gasm for the digital junkie.
rded in nantes (25 03 2000). the live conception for the duo is their other side, when music is more based on a free construction with a lot of improvisation.
drills and drums. freezing jazzy drums & melodics ambientish idm electro melodies. a soulful realese.
 n production with a good high sound. kind of a japanese fast gamepad sound...
akcore minimalism... good one!!


ng, is back with yet another record that sounds nothing like boards of canada! from the catchy title track opener 'pink + green' which blends demented punk vocals with hyper-complex groove
ists to grace the electronic music scene in what seems like forever producing an almost unheard-of sound in the current u.s. dance market and with surprising results. a mix of gabber, drum
 by the italian cyberzone-writer tommaso lisa. so the album was recorded using as conceptual reference tom's 'italian neuro-poems' collection rebis. short spoken fragments of the texts are tr
aeror tri, the acclaimed german duo is going for their first full-length release on oec as troum. this is, as they say, their most complex work to date made mixing 25 different tracks into one uni
of the london techno scene. shedding the more commercial, hypnotic and loop based trappings of techno for an altogether darker and less predictable sound, the record begins with strained,
r, stephan mathieu, keramik, din s.t.. - jewelcase edition
001. this imprint deals solely with deep, kafkaesque!! hip hop breaks, and minimal loop science. the inspiration being a mutant dekonstrukkt of themes featured on zhark (berlin) 06, and the f
 op based approach to hip hop loopism combining classical hip hop structures with obscure sound components...k gives life to deep, dark and gloomy hip hop instrumentals merging sample p


 palace does, no easy clockwork formula hidden in the minneapolis-based trio's agenda. sequenced electronics-plus-live instruments offer a tough enough row to hoe on their own; when the
 , neon judgement, kirlian camera/o.e.n., psyche, bloodstar, foil, darkstar
 this album is predominately analogue synth instrumentals.


oodoo dub with sultry vocals. a new sound from the 21st century.
 and the second release on malignant records' sister-label malignant antibody. r|a|a|n delivers dark-ambient in it's classic pure-form, at times, conjuring the spirit of heresy-era lustmord or vin


 of röntgen radiation. solid electronic collagework combined with psychedelic noise - synth waves meet subliminal rhythms - feel the effect after listening a few times. special tracing-paper boo
h style techno with barbaric schizophrenia. they construct impenetrable walls of distorted technoid rhythm atop a foundation of horrific soundscapes. intelligent, technoid industrial & ambient
the most complex soundscapes by combining elements of chilling ambient, industrial, noise and drum & bass. special tracing-paper booklet.
 n. sellekaers and c-drik. ambre finds its strongest power moments in the simplicity and essence of the elements, it even reaches this point by refusing the use of any kind of beats with the sh
ms for a utopia of the scientific process, not without a touch of humour. this enterprise requires the refusal of compromise. furthermore, some references to scientific research, especially in th
 ructures from dark sounddrones and powerful electronic rhythms up to ambient soundscapes by adding a stronger rhythmic element. the 2cd set contains infecting rough & powerloaded trac
b-bass sounds mixed with electronic weirdness and mechanical brilliance. a gently controlled chaos is layered upon a cloud of subliminal melodies and dark hypnotic textures with analogue b
e power of pure analogue electronics with harsh rhythm structures - an anarchic assault of noise, electronic abuse and techno-industrial. fast forward > burnout ! reset your machines and star
one synthesis and computer-generated sound. this is experimental post-techno, an up-and-coming genre of sound, and it is intended for the listener who can appreciate its bold sense of expl
sonant noises and bombing crunches - rapid distorted beats and grand drifting waves. unsettling emerges of grinding ambient backdrops overlaid with machine rhythmics and schizophrenic m
 d sharply by merciless distorted beats - a subliminal war has errupted. floating drones, full of fear, taking your mind, a feeling of subliminal threat. fragments of voices and strange sounds are
ce of state-of-the-art rhythmic power electronic noise featuring eight tracks combining imminent’s twisted metal, mass confusion, agony, chaos and penetrating coldness with synapscape’s en
 interpretation of asche’s visual works, a soundtrack for imaginary movies, and on the other hand a vast mixture of simply any modern electronic musical style. the album’s title basically says
 y: cuts of the ground, angledozers in bulk, walking on a heavy soil with hobnailed boots, to stone ears, doors and inner doors, holzwege, syncopated landscapes and landslides, ground bass
nics intelligent dance music. starting off with doom frequencies and a nearly dark ambient track the record climaxes in technoid, high-speed beats and rhythms without losing track on the chos
 sequences and bubbling technoid sounds describe vromb’s special and unique repetitiveness and grant a preview of things to come. note: this is not an album, at the most a few elements e
oundation for retro-sci-fi bleeps and twirls on top of pulsating dynamics and rubbery beats. electro-tribal is that feeling of dreams where you are falling and where you can’t escape. episodes i
he seattle-based project converter. the constructor, scott sturgis, melds a tribal inferno of paranoid intensity and barbaric sweetness. paranoid and threatened atmospheres of power noise and
ronic rhythms, cold electro… the world of hypnoskull is an urban city with no place for silence. this one-man project of patrick stevens is known in the worldwide industrial scene as one of the
mental destruction and the two musicians of sanctum. solemn post-industrial rhythms, extremely touching melodies and powerful male vocals - a melting of the breath taking harshness of me
 olivier moreau of imminent and performance artist c-drik) developed dramatically. the intense rhythmic straightforward distorted percussion has been put aside and replaced by structured fee
 gh various side projects and thus having reached such a high status within the post-industrial scene, synapscape is giving the listener what the listener deserves and of course expects from
10'' vinyl with alternative outtakes by synapscape and remixes by converter, silk saw, imminent, savak, asche, hell-g, somatic responses & ntt
ssell is intent on building skyscrapers of ultra-distorted sound and darkest ambient. his vast array of stripped beats dismantled clanking and wrenched tones create a panoply of sonic informa


 owned for various other musical projects offers with this release his own personal thoughts on a spoken word album. despite other famous narrators like jello biafra and henry rollins just to na
ept album 'episodes' and the electro-acoustic 'first chapter in an electronic opera for ultratonical machines' named 'mémoires paramoléculaire'; between hugo girard's legendary live appearan


 ear; the ultimate threat. massive beats, torn to shreds by metal splinters, subfrequent sequences, metallic echoing, herald the advance of an inorganic intelligence without hurry, though victo
 converter, asche & morgenstern. sounds, samples & structures have been constantly exchanged to construct a collection of songs for one united project. this recording combines everything
1999 between celluloid mata and ultra milkmaids, later evolved into a project entitled noosa hedz. hoola hopz is the title of their first release under that name. the five tracks on this 10'' genera
hard to find. all of the cd tracks of this double set (and most of the vinyls) are not available anymore. instead of a re-release of all lost items, this is the essence of the past. ‘spectrum’ covers a
nd some collaborations, uncle rob(u)rang is yet again redefining the pumped stomp of nature with a bunch of old-fashioned rhythm-boxes and faulty synths.he is helped by some of his good f
ut album of this artist. what l'ombre's works are about: atmosphere. hypnotizing ambient soundscapes that makes you want to listen and feel. let yourself go, drift away into a haze of images
ceptual work - creating music on and about basic topics. 'modern times' is about today's working situations, stress, machines overthrowing men and time. 'modern times' was recorded by dire
n, 'operation tough guy [ready to scream, ready to die!]' is again a hard clash between new influences of several contemporary dance styles and the hard side of underground industrial electr
 e operation tough guy! cd and songs from the previous hypnoskull ant-zen releases. limited edition.
! cd, the operation mean machine cd (exclusive material + 3 remixes by converter), a rubber-badge and several stickers. limited 938 copies.
ueness on this long awaited release. the musical variety of this record ranges from pop-oriented synth-tunes ('gloomy day' - a different version appeared on the 'daruma' compilation) done ove
at synapscape (aka tim kniep and philipp münch) needs no introduction. their debut was the very first ant-zen cd (released back in 1995) and we are glad that they have stuck by the label. syn
 a new direction in sound - this will be especially evident for those who are familiar with 'enclave'. however, there are still no rhythms in this aural universe, but it is still mighty cold and extrem
 her genres - genres as diverse as tribal, ritual, techno and powerful rhythmic industrial. now, what if all this was added up and merged into one unique style? - would this sound good? probab


re drum’n’bass producer mathis mootz, more commonly known as panacea, is releasing his sixth full-length album as m2 - pronounced “squaremeter” but it’s true, and in keeping with an unre
album and one year for the second one. if a debut is accepted by listeners and reviewers then it has an effect on the artist's future work. expectations aren't easy to ignore and there are only
uma is zen. perhaps it would now be appropriate to say that daruma is japan. in neither case is the definition fully explicable or applicable. each is essentially a koan whose solution is acessi
several kinds of rays into music – ranging from sunbeams to optical rays. so, 'rayons' can also be seen as an aural sight-seeing tour. the 'speed' factor is that of a person moving (whether by f


 -zen presents the first part of this morn' omina’s 'nyan' trilogy. so - what can the listener expect? 'le serpent blanc' concentrates t.m.o.'s combination of hard techno, 4-to-the-floor rhythms, trib
a as one half of the belgian duo, silk saw and now the listener will also know marc medea as the man behind individual. individual, medeas solo project, debuted on ant-zen with his appearan
 ician since 1993. his first solo record was released in 1999 and prior to that, he performed in several bands with varying musical styles. some of these projects date back to 1983. rotor’s earli
rent labels, matthieu maire decided to cancel all activities that were executed under the celluloid mata moniker. but it wasn’t his intention to end his musical activities - something just had to c
et started their sound explorations as a unit named ab ovo (latin “from the egg”; in literature, the practice of beginning a poetic narrative at the earliest possible chronological point). four years
 llection, altmann’s tongue (knopf, 1994), author and professor brian evenson found himself out of favor with his spiritual home ground, the church of jesus christ of latter day saints - the morm
 third member, oliver, left the group in 1997 and the remaining brothers jan and rodolphe turned the former punk/noise/ambient/rock formation into the soundscape-oriented project we know t


d of meat', david thrussell's new opus is strictly instrumental - no voices will be heard except for philipp glass-like samples on 'neither dominion nor exclusion'. the grand chessboard's messag
ounded in 2002 and in 2004 he will unleash the ‘orbital ground attack’ cd. it is the follow up to a self-released demo cd-r that was released in 2003. this young artist has only appeared live on
aterial composed especially for a french play called ‘les chambres d’œdipe’, an adaptation of hölderlin’s translation of ‘œdipus tyrant’, by sophocles. ‘les chambres d’œdipe’ was performed in
eir first full length album since 2001 and compared to other ant-zen releases this is not simply an 'act' - it is an act! on this cd, synapscape's astonishing rhythm skills are perfectly displayed. k
p to last years 'simulations 1.0'. once again, the listener dives into a strange parallel universe that is populated by dark ambiences, paralyzing sub-basses and cold-sounding rhythms. the rhyt
 the next part of the 'nyan' trilogy, and it was worth the wait. lots of change and experiences happened during this period - the most important change might be that of sal-ocin, the new band m
e project in 1998. besides several szkieve releases, dimitri has also collaborated with martiens go home and vromb, and made a split-vinyl with ammo. szkieve's music is made of intense and
but 16 groundbreaking new tracks and an additional bonus 6-tracker ‘urban territory intruders’ featuring only collaboration tracks with the following projects: defragmentation (usa), needle shar
  - a drummer for european industrial and experimental bands such as von magnet or column one. his classical background is best seen by his playing of orchestral percussion and computing
 ember of the musical projects reptilicus and product 8) and sigurður harðarson (member of grindcore band forgarður helvitis). 'way through zero' is gjöll's initial release. music, lyrics and artw
 ome saw the light of day and through the years his parents c-drik fermont and olivier moreau watched it grow and grow - eventually becoming a unique creation far beyond his relatives: immin
sampling and programming) has been perfoming since 1994 in different guises and has supported various industrial projects such as ars moriendi, asche, morgenstern and monokrom. the m
nct german industrial project thorofon, geneviéve pasquier released her first work as a solo artist in 2003. her first record, 'virgin thoughts' caused enthusiastic reactions by both listeners and
bunch of rabbits, attacking the audience of a three day festival with a furious noise inferno. nobody knew where they came from - we guess it was from a place that doen't even exist. in octobe
 lentine to del rio. arrested three mexicans ... bootleggers. in absence of sheriff guarded them till his return. to ensign. called by attack of musician during a live concert. venue burned in fight.
 ting rain, phil slipped a hand under his caped coat to assure himself that his spare pistol remained in position. a sudden gust of wind rattled rain upon his campaign hat and spattered his face
ussell's next strike. it seems pretty logical that a release dealing with the upcoming lack of oil ressources is pressed onto vinyl - you know what vinyl is made of, - don't you? 'the end of the wo
was found on a colonized planet and was attacking the colonists. this creature was nearly indestructible and the colonists sent an s.o.s. to earth... the entire story in german can be read on the
 conceptual work. eight tracks (eight 'reports') about the current state of man and the planet he lives on. however, there is more than enough room for interpretations, personal additions and d


 ally andrea börner and andreas schramm (asche). over the years, both tribal, rhythmic and dark, atmospheric facets of morgenstern's work fused together. the separation of beat-oriented trac
combination of dark fearful ambient soundscapes and heavy rhythmic beat assaults. some of iszoloscope's releases, f.e. 'aquifére' and 'les gorges des limbes', are located in the 'ambient' sec
 places: record stores, stages, maybe even on video covers. the ultra milkmaids can also be discovered in many record collections - if you file your records alphabetically then all their records
 factory' introduced this outstanding artist to listeners who do not have access to a record player (having a vinyl collection isn't expected anymore). now, after countless customers' requests, b
 rom asche - this could have been 2 new cd-eps. well, here you get 1 new full-time cd instead! the act! was just finished, but synapscape still had more. seven new tracks where t.kniep and ph
 d's "hit". on this 2cd package, track 2 is 'domination' - enough said. two years after the first 'expansion' came out, we present the second strike. this expansion contains unreleased material, l
 hno and sociopolitical theme through avant-garde instrumental work, possessed by wildly experimental elements which is often juxtaposed by variations of deep electro, techno, crunchy brea
 on's last strike. the concept album 'darwin's voyage' showcased the german oneman-project as an open-minded artist who is an explorer of new musical territories. futuristic sci-fi concepts co
 one of the most well-known and appreciated rhythmic-industrial projects. countless releases and high-energetic live performances assured their top position in this genre. for those unfamiliar
n word album. like 'the voices of reason' it can not be seen as an 'audio book'. thrussell with a dark haunting voice speaks about mushrooms, diseases of civilization, the impact of machines o
g, programming & arrangement) has been active since 1992. he has also supported well known bielefeld based artists such as ars moriendi, templegarden's and rasputeen. in 2000, he and a
  long-awaited - by listeners, by fans, by the artist himself - modus. twelve tracks ranging from rhythmic industrial and technoid four-to-the-floor tracks to ambient, to ritualistic soundscapes, up
dark age' - together with 'concrete octopus' david thrussell serves a fine cd-in-between-vinyl-sandwich. 2 tracks on this lp are already featured on 'the coming dark age'; the two 'concrete octo
you ready for hypnoskull? like a brick thrown into your intestines, p.stevens and collaborators ask for attention - whether you like it or not. this mash-up of ultra-fast breaks, straight hard-drivin
w s:cage has returned with 'madness turns to glass'. with this release stephen seto has achieved the emotional response that he is known for; accomplished via his unique mixture of melody,


 d', the exotic 'aswad' and the haunting 'frozen spark', mathis mootz produced his latest concept work, 'nyx' (night). 'nyx' is not only the album title but it's also the ancestral name of the eight g
 h inc. was founded in august 2000. both protagonists, a. brinkert and a. glöckner are equally responsible for synthesizer, sampling and programming (both have played in various projects sin
 and flint glass - artists who are known in the fields of dark ambient, contemporary ritualistic tribal music and experimental electronica. this project is a conceptual creation inspired by mayan m
wenty years ago as contagious orgasm. right from the beginning listeners knew that there was something very unique and special about c.o.'s sound - differing from the typical japanese 'indus
core and metal). from the beginning his political stance was anti-fascist and he still characterizes himself as an anarchist. he discovered industrial music in 1997 after debuting as a vocalist in
  because this is a two members project: yves cornu & j.-b. leduc from france. so far only one ep has been released on the label/collective audiotrauma. after many concert appearances which
cia h. willen and francisco planellas. they were initially influenced by the classic electro-pop of the early nineties (a sound which is still present in their side project bubble gum) but the duo wa
 t chess arose in the summer of 2005 when boris may started cultivating an interest in the game to find a way to overcome his growing mental laziness. maurizio blanco also liked the idea of t
et (21x21cm) + poster (42x42cm), postcard & stickers, incl. additional lyrics and special chess game - limited edition of 400 copies
  (t.kniep and p.münch) continue and evolve what they started twelve years ago: powerful and versatile explorations in sound, rhythm and ambience. this release is unmistakably synapscape
niverse including distinctive burton-esque graphic works and audio releases in vinyl and cd format. provided with the typical romanic humour and french eccentricity, lingouf alienates those w
n for his collaborations with artists like converter and architect; he also made well-approved remixes (for displacer, for example) along with supporting young upcoming performers like demian
 r possible paths; thin and minute. those tightrope walking paths almost invisible. bouncing in between two perils, two poles, above empires, across frames, which can slip through the breache
 ay they disappeared and were never seen again. only a few documents proved they even existed. years passed. there were rumours about a federation of ninjas overwhelming an unpremed
eck and bauke van der wal. bauke is the founder and original member of the collective, hence the first releases being the result of his personal twisted mind. within the years of law-rah's exist
e ant-zen racing team for a second time - perpetuating what began years before and what was perfected with 'suspect'. still the target moctan has set is visible: creating a unique synthesis of
ms like a long way from this artist's punk rock roots, the inspiration from punk prophets like conflict, discharge and crass is still of great importance to 100blumen - that is a citizen of full age, th



backprint. one-sized girlie-shirt.
nt and silver backprint. size medium.
nt and silver backprint. size large.
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nstern logo on front and morgenstern font on sleeve. one-sized girlie-shirt.
nstern logo on front and morgenstern font on sleeve. size large.
 rint ('beware the ants' in japanese) & back print (ant-zen ant). one-sized girlie-shirt


 ilver logo imprint. one-sized girlie-shirt
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e ink. plus klangstabil button. one-sized girlie-shirt
e ink. plus klangstabil button. size small
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 ow in the dark ink. one-sized girlie-shirt.
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. for ladies - size sm
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. for ladies - size m
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. size medium.
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. size large.
print on front (the leaf-cutter ant) & sleeve ('ant-zen' logo + japanese text). hooded jacket incl. full length zip, deep front pouch pockets & double fabric hood with drawstring. size extra large.
grey-blue and backprint in white. size small.
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 and backprint in dark silver. size small. plus button.
 and backprint in dark silver. size medium. plus button.
 and backprint in dark silver. size large. plus button.
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hite ink. plus klangstabil button. one-sized girlie-shirt
hite ink. plus klangstabil button. size small
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cm. unfolded. painting by ugurcan yüce
 industrial and ambient music. produced by john n. sellekaers (xingu hill) and olivier moreau (imminent starvation)
movements, deep bass sounds stretch out to give a spacey feel of modern electrical manipulations. an engaging techno-ambient type release w/ ultra minimalistic grooves.
pnotic drum patterns, an impressive stylistic range, emotional minimalism and timbral sophistication. harsh sound-structures unfold a new chapter for smooth atmospheric noise. they are gonn
 sequences and bubbling technoid sounds describe vromb’s special and unique repetitiveness and grant a preview of things to come. note: this is not an album, at the most a few elements e
ce of state-of-the-art rhythmic power electronic noise featuring eight tracks combining imminent’s twisted metal, mass confusion, agony, chaos and penetrating coldness with synapscape’s en
 lybaert. it's an electronic project where rhythm will appear in, in all its aspects. since the very start it is the manipulation of loops - the basic idea of the way tracks were created as starfish po
nica such as dark-ambient, minimal music and idm, but doesn't limit himself to these genres…actually there is no limit. the tracks become a trip that stands far beyond the average electronic o
 d full of emotion.where her debut, font translation errors explored industrial overtones, driving backwards cultivates the organic essence of electronics. this equinoctial music rides between la
 iron city, explores a unique blend of lush electronics, dance floor rhythms and ambient interludes that are sure to please both the discriminating music collector and djs looking for the next bi
onverge to create an enduring state of struggle. of course hymen does not postulate that hecate vs. lustmord’s confrontational sonic assault, law of the battle of conquest is so pure a pairing o
 l-length for hymen, is as far away from the acrid, slight world of plug-ins and software music as you could possibly get. full of lush melodies and luscious analog warmth, formless summons fr
noise. hmmm…noise. today, the galactic supermarket had lots of great offers - but i went out shopping to get some noise, and there was no noise at all. hmmmmm .... noise? i asked some fri
 t toronto’s york university, rich oddie revels in the interplay between politics, theory, and music, and plies all three into the fabric of his new album for hymen, circuitbreaking. hymen will releas
c responses to be idm - thanks in part to their melodically brilliant 2002 album for hymen, touching the void - take heart: pounded mass stylistically name checks your idm and experimental ele
'nrthndr' caused an unambiguous reaction: a marvellous album. aaron funk (venetian snares) recommended wisp to sublight records, and they immediately decided to release an album. the r
he hecate moniker. releasing records on her own label zhark since 1996, she has left a bleeding wound in the global underground through dense atmospheres and tearing beats. hecate being
old name in experimental electronic music by reanimating classic electronic music styles with distortion and tempo to create a new futuristic sound. this album, dedicated to the memory of the
 'azif' in 2002. breakcore addicts who were familiar with sound-cut masters like venetian snares were impressed: ryan went far beyond the above-mentioned by building up walls of snippets (s
 odern eclectic electronic music. releases across many platforms have built him into a juggernaut. a usually prolific artist, having recorded for hymen, ad noiseam, sublight, cargo, and many o
en a meme complex - a series of critical cultural concepts that suggest an alternative worldview is necessary. yet the composition of its payload has shifted into a far more seductive form tha
n presenting thirteen tracks of love fueled dribble punk beat box picture book mayhem. far beyond 'breakcore', 'easy listening' or 'bavarian folk music', doormouse kicks ass, balls, jaws and a
sniffler, the gangster of dsp is back again! that's right, hymen records and cock rock disco are proud to present the vinyl version of his new full length album: 'oozing bass spasms'. with enou
 and extremely talented young musician from japan's highly-evolved electronica scene. when asked for biographical materials, he simply replies: 'dirty monkey from osaka japan'. ove-naxx is
eased material: from chilling ambient drum'n bass, minimal electronics to harsh rhythms and teknoid noises. feat.:vostok, black lung, orphx, imminent starvation, not breathing, synapscape, m
apes, disrupted by harsh drum & bass rhythms: a powerful intelligent tune to break your chaos, or chambermusic for modern electronics obsessed. it starts harmlessly, but beefcake destroy e
nica, characterised by complex rhythmstructures and deep atmospheres. 'unspeakable future outbreaks' was exclusively composed and performed for expovni 1996, brussels - an ufo exhibiti
here at the international mind control corporation always strive for excellence. indeed, the finely-honed recorded product you currently hold is the very zenith of late twentieth century marketin
travels through groovy ambient tunes with surrealistic atmospheres to chaotic soundscapes towards slower, more experimental pieces which however form an intimate coexistence. the comp
minimalist grooves continues to challenge standard concepts of structure in order to forge his own musical path. ‘imaginaria award’ - a monolith among modern beats and drums.
of studio re-contextualizations and retrospective collaborations. an experience you're sure to never forget. new tracks & remixes by beefcake, black lung, low-key, xingu hill, ubin, spacecat, s
cts like quoit, painkiller, lull, napalm death, just to name a few, we are now concentrating on scorn and here are the bare facts: founded by mick harris in 1991 to create rhythmic, hypnotic dru
y known throughout the world as somatic responses, are still native residents of a small industrial mining community snugly located in the southwest region of wales. somatic responses are in
fectionists substanz t from frankfurt finally present their 3rd album. with this release they move one step forward into an stereophonic universe of smoth break beats and trip hop, covered with
eakbeat. a imaginary soundtrack with sweet female vocals and realistic soundrecordings taken from the streets of mexico city and new york. starfish pool’s new release proves to be somethin
 squaremeter (panacea). it's a perfect melting of squaremeter's cinematic atmospheres and the abstract sci-fi feeling of xingu hill - it's calm but very intense and full of atmospheric click & cu
osses her industrial penchants aside for a more piercing look into the eyes of her creative muse. the result is a breath-taking dark pop departure. 'motion of' is slow brooding emotion that cont
nniversary should be celebrated with a 'bang'! so for the listeners and the collectors, hymen records present this compilation featuring m2, neutral, dead hollywood stars, beefcake, lusine icl,


hers on hymen. they continue their electronic assaults on the open-minded idm generation. their sound mixes noisy rhythms, broken drum'n'bass beats and complex-structured layers with me
om memory two things: b-movies, and bizarre, unsettling music. music that’s supposed to capture the feel of the otherworldly, the alien, the unexplored and therefore un-mastered realm of ou
ubstanz-t return after a 2-year span to release one of hymen records’ most immediately accessible albums, electric opium. all the traits you know and love about substanz-t are in-tact: down te
en a meme complex - a series of critical cultural concepts that suggest an alternative worldview is necessary. yet the composition of its payload has shifted into a far more seductive form tha
aborations. she paired up earlier this year with lustmord’s brian williams on law of the battle of conquest, a visceral, percussive revision of lustmord’s drone aesthetic. now she’s shacking up w
 ) comprises two elements: 1) a single compact disc (cd) of audio composites, called 'tracks;' and 2) a bound, print copy of the spanish design magazine belio. war, which arrives in a non-des
 coupled to expansive synthesizer foundation; asphalt! - precision soundstage design and ebm aesthetic generation; end - concussive breakbeat matrices and psycho-cinematic audio effects
 ing remix album, caller id. less than a year after she redefined her sound from laptop industrial to a rich hybrid of acoustic instrumentation and intelligent pop lyricism on her album motion of,


or a second album as architect, i went out shopping to get some noise. myer’s previous architect album, 1998’s galactic supermarket, leant toward the darker threads of technoid drum’n’bass
 t toronto’s york university, rich oddie revels in the interplay between politics, theory, and music, and plies all three into the fabric of his new album for hymen, circuitbreaking. hymen will releas
now, hecate’s seven veils of silence. the haunting dulcimer sounds of the santur in '1 st veil - desert capture' began to move through her after her mother, herodias, sliced the flaccid tongue of
 interview, volker kahl talked at length about his new album 'places' on hymen, and about a wide range of topics. the following is an excerpt from that interview. (r): okay, let’s settle down now
c responses to be idm - thanks in part to their melodically brilliant 2002 album for hymen, touching the void - take heart: pounded mass stylistically name checks your idm and experimental ele
musical interests run wide and deep, ranging from bach, bartok and haydn, to duran duran, billy idol, gary moore and u2. 'today,' he says, 'i love everything that seems to be intelligent music
 n and rises to a new high. ten strikingly different versions of the one song might seem excessive to some, but once heard you'll agree that each interpretation brings a refreshing new vigour t
s far beyond his previous full length release 'the sounds of disaster', adding fresh remixer’s blood and exciting stylistic variations to end's remember-the-sixties-easy-listening-electrock'n'roll-b
cond album, junctions, dead hollywood stars are back with a brand new record - exploring once again a different facet of their twisted american dream. admirers of the previous two albums w
n as a soundtrack to an imaginary tv movie then this second album could be described as a major blockbuster's soundtrack. although 20 tracks are displayed on your cd player, 'megrim' shou
 to date; a masterpiece of electronica which stands for itself. the melodic lines of the first two releases, which were reminiscent of artists like beefcake and lusine icl, are now mostly replaced
 procession, ginormous’ bryan konietzko digs deep into a passion for stringed instruments. 'i took electric guitar lessons for years, learning pink floyd solos and jane's addiction and stuff,” not
 sound, the endless procession is available as a limited edition 2cd set including the first ginormous album, 'our ancestors’ intense love affair'.
 become a well-recognized artist in the breakcore scene. his output is tremendous - not too long after 'the end', he now presents his new full length release, ‘form without function’ (featuring g
atthew peters) began studying the cello at age 8 and music theory, composition, and improvisation at age 14. while finishing his undergraduate degree at northwestern university in cello perfo
y of the proles' was a brilliantly placed shock for many of those who filed david thrussell's project under 'just-electronic' - thrussell's reference to artists such as lee hazlewood or leonard cohe
 as a visual artist. he studied at two art schools and as a visual artist he sees himself more as a 'graphic illustrator' than as a painter. now he has decided to work seriously as a musician. his
 it's like hearing a drum machine for the very first time. this description does seem like the perfect definition of mike castaneda's sound - especially after listening to his compilation appearanc
 velopment and that is its uniqueness. that is, substanz-t does not have just one sound. the chilling ambience of tripped experiences was followed by the hip-hop influenced electric opium; the
 keef' baker has been writing music under various names since 1989. starting out in death metal bands and moving into indie and jazz, keef became a session bassist and also a computer ga
m for hymen records since his iron city full length, released in 2002. (not including the 3'' cd contribution for the travel sickness box set or the condensed singles compilation). here, mcilwain ex
 everal now-deleted cd-rs and changed the name to tonikom in 2006, documented in the album title 'tonikom killed tonik'. after two self-released albums, 'epoch' sees the light of day on hyme
 paved and designed by s. talada. he began his musical experimentations and creations in 1987. talada's musical experience is in many styles/forms as he has worn many hats, masks and at
had nothing new and exciting to offer here come snog to save the day!!! after almost forty live dates around the usa, europe, russia and australia in 2006 snog return to the recording studio in
 healy, well-known as somatic responses produced a new fulltime masterpiece of electronic sound wizzardry. almost two years have passed since giauzar and it seems the brothers used the
orter letter.' in the case of ginormous’ third album on hymen records, bryan konietzko did take more time and produced his most direct and potent musical message to date. 'at night' is even m
 of the french project ab ovo, presents his first solo work. he is accompanied by befriended artists like flaque and guillaume eluerd (nimp). what can we expect from an artist whose influences
n's 5 year catalog of work will notice an important change while listening to this album. his former creations can be seen as explorations of different sound facets transforming boysen's feeling
the album kolia, two remixes for architect and hecq, and even freely available nebulo ringtones. the outstanding french artist thomas p. with this cd has created a closed opus that might be se
n project hpc started creating electronic music that ranged from danceable electronica and psytrance to hard-/speed-/breakcore, ambient and noise. after some experimentation and developm
oung artist jb zeller who is based in southern france. this release includes eleven tracks which were recorded between 2005 and 2008. zeller is effected by 'all kinds of subversive music' (rang
 print (back). size extra large
  one-sized v-neck girlie-shirt
 ver hymen records logo on the back. one-sized girlie-shirt
  standard electronic forms. limited 500 copies
 aks and broken beats. limited 500 copies
 irty metal guitars, euphoric noise attacks and really thick, hyped-up beats


 y vocal samples from known french project.
 rity' cd on hymen records, this is the first solo release from j.sellekaers' project. ultra-fast breakbeats collide with soundtrackish melodies. 10-seconds rhythm parts are compressed into millise
 of distintigrating beats, disembodied voices and amphetamine bass from the great beyond. you know that scene in the exorcist where linda blair's head slowly turned unnaturally all the way a
 ain with his second cd. previously, he has released cdr-s, vinyls (on labels such as zod records and widerstand.org) and a full length debut cd on mirex. this debut full length, 'fear and loathin


 here isn’t much information to be found on subskan mastermind jean-marc. there were rumors about him working in a factory and using pure industrial samples for his artistic work. listening t
 ng badass among the likes of kid606, knifehandchop, and other digital cut-up artists ripping up the back catalogs of early dance music imprints like xl and suburban base - taking wicked samp
 ce the very first, somatic responses’ tlooz 7-inch, back in 2001. since that time bernard made sure to save his money so that every few months, when mirex unleashed another one of its limit


an launches his hardest and deadliest sonic ammunition so far. this album blasting shrapnel like a motherfucking soundgrenade. dark and twisted is the theme of this album, a rave gone sour
g violent drum'n'bass anthems and sinister atmosphere guaranteed to be a smasher on the club floor!
yles. the city that doesn't sleep - and if you make it there you'll etc.-etc.. important for the u.s. subculture for decades (if you don't know 'no new york' yet, you should look out...). besides the ac



  does not come recommended; stay away from vindaloo unless you intend on a morning of anal sting.” – xela “it has replaced fish and chips…everyone is eating curry…our slang for curry is
 t, the foreign environment, the caffeine, but my stomach gave way and i threw up the entire contents of my belly, completely severing the place in half with a puddle of regurgitated chinese te
course, but it can get so much better. cookies dipped in hot chocolate, milk or soya vanilla-milk for instance. just a little bit, so they don't get too soft and fall to pieces." –myrza. toss out those
 tmas time in russia - our grandparents even had this tradition. of course there are lot of other dishes but somehow mandarins and their fragrance is a kind of symbol of the new year holidays…
 jelly, they are so dependable and always in the fridge; without them i would probably starve to death.' –deru. have we got a farm fresh offer for you! toss out all your stale veggie trays and he
 b plus proteins, which means: it's good for your brain!' – beefcake. it’s the start of 2004, so delikatessen is sharpening its cleavers on a fat new slab of meaty beats! that’s right, we’ve got fou
 tunes from a new spanish project with female vocals. limited 300 copies.
 sensational british 70s/80's retro-electro duo mogul, such as the recent 'rotunda' ep on elefant. 'i`m going pop now i`m solo, and will have big hits,stuff indie music it`s rubbish' (jonni mogul) -
 resent the rorschach garden's second full length cd which features 16 excellent 80s / retro-minimal-electro tracks. last year's debut full length release on kaleidoskop received enthusiastic pre
 n’s last album, 'our japanese friends', but the world is still enjoying their mixture of danceable beats, charmful melodies and unique vocals. the music hits the listener right in the centre of thei


 t works on the small bielefeld-based sub.ver.siv-label. although the firstling's pressing was rather low, his catchy electronic minimalist beats combined with inimitable german lyrics caused ma
 been as self-contained as 'transfer'. compared to their previous albums one will notice a significant wave influence and a turning towards contemporary songwriting; here, the bielefeld based
 9 as young recruits in the vatican city's swiss guard. after many years of serving and protecting the holy father they got a bit bored and discovered their mutual fascination for loud music and
man, called hugo girard aka vromb. also this time hugo girard knows how to prove his brilliant sound-engineering, in contrast to his former releases he uses the bass drum and believe me he k
 sex & hypnoskull. cybernetic:fuckheadz> was created as an idea in 1998, and grew to this project throughout the years, resulting in this first album. after their shared usa tour in 2000, roucka
  by p.a.l in aachen/germany during maschinenfest 2001. the concert was intended as a special event and shows the more ambient oriented side of p.a.l.which clearly is set aside from the we
 ed up with brilliant sounds and hard rhythms. white vinyl, limited 420.
  this cd you will find industrial combined with different musical styles like house and ebm.therefore this cd is not comparable with others. this debut is a completely unique piece!
mance at the maschinenfest, aachen/germany, october 2002. special photo-book packaging.
  bands of the maschinenfest 2003. feat. cell auto mata, shorai, the law-rah collective, iszoloscope, asche, ultrastatals, panacea, hanin elias, 5f_55, punch inc., telerotor, pow(d)er pussy, mon
 act! after their first well-received 3'' epcd ('one day'), on pflichtkauf, the time was right to put out their first full length cd 'six ways from sunday' released on the same label.the combination of e
 nus vinyl lp. the seven untitled lp tracks are less rhythmic but have more noise influences. special hardcover-packaging with embossing & metallic paper. limited to 210 copies.
 man project - enjoy at home, enjoy on the dancefloor. tinbox packaging
 ys follows ulysses' path - although this path leads into darker regions. industrial for the open-minded ! green paper-packaging with gold printing.
 erman project feat. one config.sys-member. distorted beats, well-placed samples and dark moods - it's fresh, check it out!
 at does one get if paint is replaced by sound? are canvas and a hard drive in any way related to each other? what happens if an artist gets his inspiration from an architect, writer, filmer, or ev
 bands of the maschinenfest 2005. feat. az-rotator, empusae, contaminant, edgey, mental destruction, iszoloscope, architect, punch inc., synapscape, orphx, loss, lapsed, s.k.e.t., atrox, endus
wing the two pussies' claws and fangs once more - get up and dance! make 'em purr! meow!
offers a nucleic mixture of industrial and power noise music. cold, dark and simultaneously very emotional atmospheres of complex, restrained fury bring massive beats, deep bass, unexpecte
 f the maschinenfest 2006. feat. hysteresis, the law-rah collective, nullvektor, camanecroszcope, geistform, black lung, asche, squaremeter, winterkälte, moctan, antigen shift, genevieve pasq
m, 'theory of the arising of desire' (pflichtkauf), the new one, 'learn to swallow', is a perfect continuation of its mental aesthetic. and again, this is an unusual and aggressive mixture of poundin
 trike after 'don't like'! packaging: digipak printed on special silver cardboard
 & noise sector - however, breaking with cliches and bridging gaps to house, ebm, minimal and other styles is what makes it special. the third cd comes as a double pack, including remixes by
 ounds, merged with a slice of d'n'b and ambient, resulting in an industrial experience. cd includes 5 cards printed on both sides with a picture to each song + special matt varnish.
  the maschinenfest 2007 (mostly exclusive). feat. skincage, dazzling malicious, detune x, scrap.edx, greyhound, this morn' omina, twinkle, catholic boys in heavy leather, synapscape, ahnst a
salvation for all heathens worldwide, concerning the two most important topics in western civilization: sex & religion! a holy mass of sampling and preaching - on your knees, get fisted! packag
 w album 'dead red'! mixing together harsh-as-slap in the face well-structured rhythmic noise with a big spectrum of influences and richness of variety of the sound, suicide inside stands for ha
st anders. config's rhythmic industrial power meets anders' ambient soundscapes, to be concluded on this concept album which has 'water' as main topic. packaging: cardboard sleeve.
 ands of the maschinenfest 2008 (mostly exclusive). feat. hysteresis, kirdec, p.a.l, scorn, enduser, architect, roger rotor, iszoloscope, camanecsoszope, ah cama-sotz, mono no aware, kraken
n of sweden (megaptera, the protagonist, morthound) have been thoroughly documented in the past. however, one crucial missing link of this micro-scene has been overlooked, and not given
utumn day… constructed by heavy drones, pulsating beat-like structures and lyrics in a unfamiliar sounding language… strops are taking us out of the comfort and warmth of our hiding place
  the time is ripe to end the nearly two decades of severe under-exposure for deaf machine, the megaptera offshoot conceived by mikael svensson. previously in 2008 the 'found noises' cd wa
 s, feat. the phantastic long-deleted 'nullity' 10'' vinyl titles and remixes by imminent, sonar, winterkälte, xabec, contagious orgasm, mimetic and more!
 e, maschinenkrieger kr52 vs. disraptor, heimstatt yipotash, last days of s.e.x., geistform, nullvektor, synth-etik, kom-intern and typhoid.
 acked rhythms for corrupt data
 ts vs. noise in a new perspective.
 vily from the debut, incl. bonus video clip
 ) samples, the mna offering.
 rhythms with pulsing minimalism.

 c hard industrial club sounds.
 s', stefan bohm ( s.i.n.a and ex- mono no aware ) continues his work with a mixture of rhythm'n'noise and technoid / industrial soundscapes. nullvektor's harsh groovy beats meet sharp noise
 cus more on the steely strengths known from their live performances : kicking rhythm'n'noise tracks laced with crazy samples and great sound experimentation. unexpected and uncompromis
 oiz' and 'minimal communication' here is the third strike from one of the hardest and most aggressive rhythm'n'noise projects around these days. on 'noisewhisperer' greyhound show two dist
m of 5f_55/5f-x if you count those albums together). on 'the xenomorphians - your friendly invasion' the enigmatic 5f-x continue their robotic / tribal / industrial beat invasion with an amazing up
x, ah cama-sotz, the empath, atmogat, schachtanlage gegenort, incite, northaunt, wild shores, alio die, patrick franke and elektronengehirn.
 ency pair, empusae, greyhound, scrap.edx, mono no aware, maschinenkrieger kr52 vs. disraptor, heimstatt yipotash, saverio evangelista, s.k.e.t., ms gentur and ah cama-sotz.
nds productions. 'the hatred of trees', an astonishing and unique piece of dark epic industrial electronica with smooth tribal rhythms. the music will take you to a journey through dark and threa




 s rafael m. espinosa presents his third album of geistform project sited in rubi (barcelona). since his earlier recordings in 'uno' until 'sequentia 2.o' and also as music composer for the dive alb
 ilation appearances and 'physis' - call it a power pack!
 ativity and a need for expressing a sound that wasnt heard, tonikom continues to defy genres and explore various styles of electronic music. countless influences, both sonic and visual, help
 at tonikom killed tonik started. eleven more tracks flowing through your speakers that combine tonikom's familiarly vast influences to keep each track fresh. stories are being told here, and su
 ve spent the last few years changing their name from thine eyes to ml (pronounced mluh), being part of various compilations and doing a release for toast and jam records. now ml have put to
 ectronica artist spark will have you saying to yourself…'where's has this guy been hiding?'. the cd, entitled 'the robotic girl next door' is a timeless excursion of mad beats and wickedly infectio
 usic since they arrived on earth...and we believe them! they have been making music for the last several years under several monikers such as 'funckarma', 'cenik' and 'quench'. they have re
 has seen richard bailey (a.k.a. proem) play live... n5md and proem have teamed up yet again to bring you his first live disc. recorded at a live show in his homebase of austin tx , this seamles
 ns on a slightly 'friendlier' format. as with the md1, md2 and tim koch compilations n5md has aurally conjoined new artists with veterans of the experimental electronica genre. md8 features r
 robot girl next door' cd with 'super robot battle deluxe'. all but decimated are the saccharine 8 bit melodies of the robotic girl. this time around she has been retrofitted for 12-bit mayhem, and
and roel funcken's funckarma project. features rare and previously un-released re-interpretations and remixes of plaid, funkstorung, speedy j, ra-x, mr. projectile, + many more.
 been carving away his own niche on the web for the last few years by providing his enigmatic style to various compilations and net-label releases. don't let aem's moniker fool you though...he
 funcken drop another album of all new material via their quench moniker. their 5th quench album and second for n5md entitled caipruss starts where 2002s dyn (u-cover) left off and hotwires
 ears 'use' (n5md) with his sophomore outing 'patience.' never one to rest on his laurels or repeat himself, jase rex (another electronic musician) has pushed beyond 'use' to a place where the
  last moments of events in ones life. which yield those confused emotions that endings and their subsequent beginnings bring. there is an implied lo-fi cinematic quality which makes 'sea' fee
 composer tobias lilja’s second full-length album and first on n5md. this follow up to his sonic debut 'ex-leper' (nonresponse) has all the controlled visions of decay as its predecessor but with
  hummel‘s debut as subtractive-lad 'giving up the ghost' materialized in 2005 n5md touted it as an amalgam of the label’s emotional experiments in music credo. with his second album 'sutur
 ds the n5md imprint returning to its roots. medard fischer (a.k.a arc lab) uses almost 99.9% the digital realm to create his sonic tapestries. those familiar with fischer’s music will hear unparall
 did a little math...sum of an abstract is their little known self released first album. now repressed by n5md after a few years of unavailability this time around remastered and repackaged comp
 via the damaik alias is what you would classify as a true cosmopolitan musical entity. spending most of his life moving between mexico, europe and the united states somehow gives his debu
md compile more remixes; old, new, unreleased and even some recently updated ones for this second in funckarma’s refurbished series of remix albums. new reinterpretations of run_return a
 ces are now ruins' is by the artist’s admission a personal journey about revisiting the past and accepting the present is something we can all truly identify with. the album tells, strictly through
 gs his near the parenthesis project to n5md with the release of his second album 'of soft construction.' this sophomore effort finds arndt luring his potent song writing capabilities to the forefro
 a the n5md imprint with their album "hologram +." "hologram +" melds together detailed post-rock instrumentation, subtle electronic textures, and thoughtful, yet meaningful, female vocals. w
5md main-man mike cadoo's ever evolving bitcrush moniker. the album is the soundtrack to a story which begins with a sense of hope, but whose undercurrents pull you to the end you feared
oft construction' with 'l'eixample,' tim arndt's most focused work to date. l'eixample draws on inspiration gained during travels through barcelona, spain. of particular interest was the innovative
 de' was a limited time download ep from n5md's sub-label en:peg digital. within its forty-eight minutes, bass and guitar arose from the background to a place of prominence and carried the ep
 undeniably theirs it can be difficult to push beyond those confines and expand the sound into new territory. lights out asia set out to do just that and have succeeded in writing a record that wa
 like this one. kellermusik is a young label from leipzig/germany - and daniel myer from architect is working there, too! with the release of kellermusik 07 this label establish itself not only in the
 c - three converter tracks from ant-zen act193 first-time on vinyl, 2 yet unreleased klima tracks plus a klima remix of 'cloud eye'. regular disco-sleeve-cover edition.
 c - three converter tracks from ant-zen act193 first-time on vinyl, 2 yet unreleased klima tracks plus a klima remix of 'cloud eye'. limited folder-cover edition.
 rare hardcore acts with more than just thinking about 300bpm. the result of his collaborations with kellermusik records is a vinyl with influence from broken beats to techno, a little bit of hardc
 ackaged in a concrete cutting disc box with instructions for use on back. limited 300 copies.
 al from 10.11.2007 at yard club, leipzig (germany). feat. exclusive tracks by architect, 100blumen, genevieve pasquier, s.k.e.t., displacer, zero degree, mc1r, the empath and m.o.p.m..
 es and collaborations from and by wisp, drop the lime, end, alcrani, ears akimbo, toyz’r’me, augias amena, powderform, kilowatts and ghosthunt. comes with one of 15 random covers. cd-r re
 daker loosly based on the short story 'la fin triste' by mary lucas. as wonderful as electronic music can be - influences: autechre, tortoise, kid 606, solvent, kraftwerk, mainstream hip hop, sele
 d lay down album by such broken glass. the cd version of the web-release features the complete tracklisting in the needed high quality to enjoy every moment as its meant to be. sounds like:
 s fiktion to serve your dancefloor needs, mastered to drop in fat. runs 30+ minutes. cd-r release.
  bartosz dziadosz, a 25-year-old philosophy student. based in katowice, poland; pleq has developed his highly-synthetic competencies through a series of disreality attempts, monastery supe
 s a part of berlins artist duo atmogat. this project focus the melancholic part of that slight sentimental touch which was brought out earlier in some of atmogat-productions. 'try to feel' has the
 he underground has to offer, chock full of industrial, breakcore, idm, dark ambient, drones, and noise. featuring excerpts from current and upcoming releases, this compilation is a "who's who
 that even most westerners would shy away from, zany russian lounge mutants oleg kostrow and oleg gitarkin (who in one form or another are responsible for all of these aliases) play twangy
ng” music messer chups have released their eighth 'horror-album' called hyena safari. it is “easy listening” since one can enjoy it as a background music while the other one will get a kick out
  members of russia's messer fur frau muller. each of their releases is slightly different in tone - they're all loaded with bits of musical and spoken samples, ranging from 1950s b-movies to car
 esser empire can be a full-time job, but fortunately, the oleg and co. offer this handy study-guide: a 'best of' with tracks culled and remixed from vamp babes, miss libido, bride of the atom, an
 m russia - produced by messer-chups mastermind oleg gitarkin. if you are into ed wood and raumschiff orion, check this out!
mffm oleg gitarkin, who is cooking the lounge-surf, like the hot patties. now he is in the company of three young ladies - one is playing harp, the two others are playing some strange instrumen
 ase edition. incl. 3 messer chups remixes.
 oject kim&buran, packed with 60's-style twist, rock'n'roll, sampledelic collages and tracks which fit perfectly as sci-fi-adventure movies' soundtracks or at new year's eve children parties. com
 ces in project arctic, a dark glacial and occult sonic entity that casts its spell over the plains from the rim of the world. they form the inner dark companion on an auditory journey to the third po
 your mind into an altered state... effective in its worked out construction of noises, thumps, weird voices and surging interventions over a stereophonic sea of drones, multidimensional sound
more than 1800 people in holland, the dutch [law-rah] collective commemorate this catastrophe with a long and very intense track: 1953. in this moving interpretation a story told by unspeakab
 but he is so much more then 'just' mimetic. on this new nautilus release 'ultra' he is mimetic under pressure. as one can expect after the previous releases in the nautilus series 'ultra' contains
 t impossible, but 'the fisher of drowned ones' covers it quite good. nautilus, the water based sub-division of spectre records, presents its tenth release and all honours go to vromb. the canadi
 an artist empusae, who releases his ghosts by banging the electronic drums. hypnotic constructions, deconstructions and reconstructions for the intelligent dancer. limited 399 copies
 rent continuous unity, varied enough to keep you at the edge of your seat. sad or even malignant soundscapes, distant voices, intricate rhythms and constant tension form an oppressive dre
 od a.k.a. ah cama-sotz returns with a conceptual work about the blood countess elizabeth bathory. this is something different from his other work, only related to it by its darkness, but never
 drift on a bed of soundscapes ranging from the solemn brooding to the etherial yet haunting. this cd reveals a masterly example of sound research and sound manipulation in a coherent and
 erse which encapsules you into your own world of thought. a ritual that invites you to take a look inside yourself aided by repetitive tribal percussive elements, by invocations, by solemn and
n this live collaboration presented under the origamimetic moniker. experimental ambient carefully threads on a swaying bed of processed field recordings, every now and then lured into lettin
e rustling of the poplars' leaves. nobody would suspect the treachery of love to be slumbering in the middle of the flemish polders. kraken are hunting the invisible enemy for 20 years now and
 s, dark ambient, and rhythmic noise loss' releases assaults the listener with the nearly two decades of depression, failure, frustration, and self-immolation that spawned this work. the first mus
 . spectre's 'big boss' summoned his demons to work towards a common goal : a sonic exploration of and into angst. all spectre projects have gathered here to contribute their audio sculpture
 rk skies over planet e.', hypnoskull is back with a special concept album titled '(g.o.d.)-once again', this time for belgian antwerp-based independent label spectre records. after 2 vinyl-release
d 'chagrin' are in dutch. strange titles which present an insight in the (obviously) very sick mind of the kraken. 'floating dogs', 'fear of meat' and 'your sister and the wrong leg' are just a few exa
 to go outside, the gruesome twosome decided to break the laquer seal on the last one of the once so thankfully forgotten hidden scrolls. within this final scroll were the long lost incantations
 of day, and we - the audience - saw the light, period. loss is like a god; the god of noise, strings and beats. just as on 'i kill everything' the two tracks on this 7inch (entitled 'you are what eats
 l activities ? right ! by adding yet another release to the list! spectre records just became 10 and this brand new sampler is our gift to the world. the original spectre roster covers three contine
mpler was all the belgian project hysteresis had to offer, but that one track had more then enough quality to be invited for a full release on spectre records. 'measured chaos' counts ten tracks
why they're called trilogies. and just like the latest two kraken releases, the new album 'drift' also comes in a minimal designed black and white cardboard cover. which brings us to the conclus
 cd. and after those six years he took a bit of distance to his works and he saw it was good. spectre records is proud to present 'things fall apart', that 'difficult' second release by the project sk
 e uttermost truth on life's questions, the [law-rah] collective happily tears it right down again. on their sixth release '...as it is...' the [law-rah] collective gives its dark poetic view on stuff like, yo
 sub-label nautilus and the emotional trilogy 'amore', 'chagrin' and 'drift' on spectre records itself, you might have wondered if the guys from kraken would be able to rise above the level of exc
ised friend and foe with their debut release 'measures chaos', which was also presented by spectre records. and the dynamic duo hasn't been doing nothing between then and now ... 'will + re
ster of darkness, the bat himself. for his new album 'dead cities' ah cama-sotz created no less then ten descriptive aural landscapes from all over the world; the tracks range from deep ambie
ed' – moloko+ rds — 1998), mimetic and les arts minis are publishing the birthday book, 160 pages colour printed with a double cover mat silver and brilliant orange containing 2 mcds (mini-m
strial punk all-star-band'. cd-r release.


sed - monokrom at their best! cd-r release.
to be free' festival that took place in berlin in december 2003. cd-r release.
acks from deceased german artist bertrand brueningk - partly noisy, partly with song structures with a disturbing mood. cd-r release.




40 lp + c60 cling film). cd-r release.
d (ant-zen act88). cd-r release.
n tape. dark electronic industrial for the apocalypse, done by the legendary german project feat. philipp münch (synapscape...), andreas schramm (asche...) and sven pügge. cd-r release.
 m and p.münch, previously released on tape. many styles, but always strange - somewhere between harshness and tranquility.. cd-r release.
inkers bei pinkels daheim. this is the re-release of the same-titled tape (fich o33) released by fich-art in 1996. noisy and ambient soundcollages with whit and e´spirit. oswin czerwinsky and jü
at divide' is the first full-length release of eva | 3. paul lavigne created this album between 2002 and 2006. he was supported by riotmiloo from the punk band 'venom seeds' doing vocals on tw
 d live at bassbeben, bielefeld 2007! cd-r-release.
d by ex config.sys member m.'kirk' fuchs & h.althaus. 12 trax of noisy beats & analog-soundz + a rmx by asche. cd-r release.
st influencial german pop giants from the seventies - presented by fich-art on tape - here comes the second one! unreleased cover versions by asche, synapscape, 100blumen feat. ++99, p.a
d this new noise/experimental project is john raptis from athens, greece, who also is involved in spectraliquid. with xsoz he creates a combination of cold mechanical ambiences and manipula
rban; this project was founded by hanne adam & tanja dovens in 2007. both are studied audiovisual artists. exurban introduce us to a very impressive dark ambient album, combining drones,
orking as an artist in 1996, using analogue synthesizers and doing experimental music. he had releases on various labels like dhyana and even appeared on a sony music compilation back in
ed on industrial, noise and techno. on his' label brainchaos he presents his first album. his' influences range from sonar and converter to hypnoskull, but his' unique style makes it different fom
ot ! a new sound that defied boundaries. at the forefront of that scene is the french audiotrauma label. playing completly live, these artists will blur the boundaries between techno, electronica
m electronica to industrial hip-hop and break-beat. it sounds vibrant, unexpected, and utterly contemporary, pushing it forward with an intoxicating rush of synthesizers, electronics, and layere
esents their brandnew album entitled 'defied' - after couple of great shows in uk and france. it's hard, it's raw, it's real. everyone must have! (includes remixes by hecate and ambassador21.+
 res melodic soundscapes through electronic and industrial ambiences. 'entropy' describes a dark world where minimalist and depressive voices flutter on distorted rhythms. the 9 tracks mix c
n the cd player... you better have a good stereo system or a decent pair of headphones in order to listen to their stuff. this is complex, challenging stuff. something to push your brain around a
embling 30 tracks, photos and a video. almost every track is an exclusive co-production between 2 projects present in one of the 2 editions of the noxious art festival, organized in france in ju
even parts. its slow increasing start has to be bound directly to fyd 'defied'. the first album ends with a one minute silence track called 'useless', and 'dogma' announces the consequences of
 n a disturbing and involving exploratory journey to the dark corners into an epic complex cinematographic phantasmagoria of the human psyche. a personal organic dusty warm sound remot
 back with the 'lost in a lost world' album. you know the kind of heavy music that scares uptight parents? between electro-experimental and cyber-punk, chrysalide is uncompromising, unforg
hrough the cultures and the ages, where ancestral voices are confronted with the deafening silence of modernity. within this second album, 'mind necrosis factor' mixes acoustic instruments a
mas p. and benoit g. since 2001, le diktat's music has been nourishing itself with various references to be found in the spheres of music, politics as well as urban visual arts. deeply influenced
eaturing: jason forrest , bong ra, duran duran duran, xanopticon, knifehandchop, dev/null, sickboy, warst, deacon boombastardizer, terminal 11, society suckers, the assdroids, and dj rainbow
an additional year to be released - but to make a long story short: it's the worth the wait. dev/null, aka pete cassin, presents his first full-length release "lazer thrash": a million beats, notes and
est released his last full-length album, and 5 years since he’s released as donna summer. so now he’s back, this time with the slightly different moniker (dj donna summer) and his first release
at’s right, cock rock disco is proud to present the new full length album by otto von schirach: 'oozing bass spasms'. with enough porn and horror samples to satiate the most demented progra



een fucked up by computers, the assdroids make their debut with this golden ep of drum and guitar noise insanity.
n association with addict records (addict017).
est released his last full-length album, and 5 years since he’s released as donna summer. so now he’s back, this time with the slightly different moniker (dj donna summer) and his first release
est released his last full-length album, and 5 years since he’s released as donna summer. so now he’s back, this time with the slightly different moniker (dj donna summer) and his first release
 based maddest chik’ndom records. crazy gabber/rave techno to the maxxx. featuring: 2 terror crew, dj technorch, dj chucky, and warst.
will yell for more - well, here's some more! play loud!! white label 12'' + a2 poster + sticker.
 love for america, (really!) his' love for dance music and parties through the ages. both tracks lift off from their jungle bass, dark and chaotic, heading for an air raid on nashville. from the first
elease features selector catalogue, aneurysm, deucalion, davincigreen, evil old man and uchuuhikoushi.




n of the label concerning 11 years of organization of concerts / evenings in france, seppuku then parazit. yb70 made, for the 1st time in france, a lot of artists of the circles play the electro / ind
 dy of the most active in the universe of clear(net) labels (or he(it) evolves under the name of smear) the scot alan matthews developpe under the name of element abuse his own vision of the
 abrasive gravity: as usual, rainier lericolais built an album which holds so much penetrating music as the internal landscape. his(her,its) dreamy and night-electronics takes root in the ponde
 bass throbs, sculpted beats, and tonal shimmer. interweaving patterns of analog keyboards, percussive clicks and clatter, alternating between languid ambience, aggressive electrofunk and
electronic producers from the netherlands. all 6 producers have different ideas about music, combining experimental electronic sounds with danceable tracks. this first release includes 1 track
 p 'we're sick ov your violence' (realler 2003). they return with two full albums 'music for ghosts' & 'god is in the details’ - to be released as a limited double cd box-set with 10 artprints on marc
 f label v-atak: 3 years of research condensed into ten films in one hour. different musical and graphic styles come into contact all along this project. lifesteak, a collaborative work between tzi
nius, guaranteed to burn down your blues! full colour folder cover. limited 300 copies.
ds that explore the abstract world of digital sound. featuring l'ombre, gridlock, savak, antechamber, prospero, kaltesglas, s:cage, displacer, <tekniq>, mara's torment, diode fetish, inseminold,
time featuring tracks from adam johnson, mr projectile, autophonic and quench. having just been made aware of his work via his excellent contribution to musik aus strom's 'mas confusion' co
ch talent nynack. 'venetian snares fans out there need to check this latest ep from the on label double fast! the label has previously brought us shining moments from the likes of eog and l'usi
 electronic listening music on the rotterdam dub label from holland back in 1998. he is an artist with an incredible pair of ears when it comes to making sound. he also understands how to han
abel: compiling electronic music offering only the finest electronix. to satisfy this ambitious task, on records brings on a new exciting release that will delight even the more demanding ear. am
moreau (imminent) and gabriel séverin (silk saw) met carmen cardona, a young percussion player born in belo horizonte to a cuban mother. 'neu optimism' is the encounter between incredible
 e earth. a dark smoothering atmosphere produced by quiet intensity and subtle noisework.
 nt soundscapes combined with subliminal noises and arctic minimalism to frame a multitude of emotions. the attention to detail is shaped by the confusing mix of tones and silences
hnical evolution in industrial civilizations. the collage-based music symbolizes the moods and parameters appearing under distress and the effects caused on the human mind and body. on th
name, dub music has evolved into many distinct forms. from rock to techno music, the vitality and strength of dub has proven that its influence is not a trend but here to last. the mid-nineties s
. this is not the kind of tribute you might be expecting it doesn’t contain any cover versions. all tracks are exclusive material. the four artists here, aube (japan), lilith (us of a), p.a.l (germany), p
hush threesome three cd's series that will see mark spybey, mick harris, and ambre (imminent, axiome, xingu hill etc) collaborate successively together. mark spybey has recorded this disc, f
sician and drummer, c-drík fermont is electroacoustic composer annette vande gorne former student. he takes his influences from varied sources such as child tales, dark humour and inu cha
sfully two different musical careers at the same time and japanese kk null is truly one of the few. he has gained recognition for his work with terror punk rock project zeni geva as well as his se
 gian quartet moonsanto is proud to present itself to the world in the form of its first long-playing compact disc. active performers from the brussels' scene, members of silk saw and xingu hill t
iple decades of classic instrumentalists. with the introduction of a wider range of electronic devices such as synthesizers, samplers and mini disks a new generation of artists has taken over t
hms of passage, is szkieve's second long-playing cd for disques hushush. almost three years after debuting with des germes de quelque chose, szkieve has gained critical reputation worldw
 ollaboration between christina sealey, richard oddie and mark spybey was recorded at the end of the 1990's. sos had never seen the daylight before this release. oddie and sealey active und
gle theme to produce its effects without synthesizers or traditional instruments. just as stone (sub rosa, 1992) used stones, rocks, etc; and redwing (sub rosa, 1995) used air; 'icfw' uses sourc
shush will take you on a journey to our own world fair, an exhibition for advanced technologies and oddities. recorded on this seven inch vinyl is a visit to the birds pavilion, 'le pavillon des oise
 n two different sonic universe to collaborate is not quite one, but asking two bands consisting of the same members to collaborate with each other is a real one! when asked by hushush to co
 nd dances from the high plains' szkieve takes one step further his characteristic blend of synthetic and organic sounds. this album explores minimal ambient territories, sci-fi inspired spirals o
e 3’’ mini-cd format! this format lends itself well to the implementation of a maximum of ideas within a minimum of space. clocking it at under 20 minutes on the cd player, this release propose
hree creative entities to orchestrate the whole. john sellekaers (xingu hill, dead hollywood stars), daniel de los santos (tamarin) and mathias delplanque (lena, bidlo) open us the door to a uni
ctories at night, wandering through its long desolated vintage hallways, discovering rusty machines put to a permanent idle state against their will, hearing your footsteps resonating around yo
 minimal, somber, muffled and textured electro with strains that are nevertheless poetically devastating, the creator behind the montreal project nos royaumes flirted with the uneven terrains o
l blomquist, mark wilson and michael addison mersereau, 15 degrees below zero, with previous releases in cd or cdr format on the force of nature and crunch pod labels, brings us their first p
ro tedeschi runs the glacial movements record label and plays music as netherworld. his fascination for polar landscapes and soundscapes makes him close to industrial ambient pioneers su
lectro-acoustic, ambient, electronic artists from algeria, morocco, egypt, south africa, lebanon, israel, turkey, united arab emirates, singapore, indonesia, malaysia, thailand, laos, vietnam, chi



eutronic and the project's most intense and complex work to date. the sound of 'the mutation engine' takes the dancefloor aspects of the earlier neutronic discs (on pendragon and ecr) and s
nic minds of the next generation of electronic producers, spearheading a new movement based on the groundwork laid by early detroit techno and the pioneering dub of the 60’s. art d’echo is
ull of frantic breaks and 'happy darkness'. complete with remixes by otto von schirach and xyn. this ep will establish mochipet as the new king of the breakbeat!
presents his interpretation of classic idm. this 8 track ep is based on portland’s three point approach to song writing (1.emotional, 2.cruchy, 3.melodic). while the intent may be simple, the son
on component), brooklyn's joel tallent presents varied selection of jazzy hip-hop riffs, spacey idm, odd samples and mechanical beats. the overall tone of the album is one that is quite dreamli
 on from mochipet with fourteen of the most amazing break-metal-polka-idm reworkings of mr. mochi’s tracks to date. this disc features remix/reconstructions of uzumaki and mochipet’s earlie
se project. from dark drones and subtle rhythms, to hard beats and distorted vocals section's concept uses several musical moods to convey it's theme of an unsettled sense of body and mem
en free from the formulas of the ebm style into new combinations of analogue electronics, noise and abstract beats. compressed form's instrumentals are a superb example of how he is achie



and the TR808 drum machine.
perimental roots with his third release as monolith.
d with special vocalguests dirk ivens (dive) and johan van roy (suicide commando).
belgium as home of 80ies electronic body music! presure control is nothing else than the brand new dark wave electro/ebm-project by another living legend of belgian ebm/electro: gino de vo
rk ivens’ dive! the all new album – the first after a long gap – was this time recorded in collaboration with the very talented, spanish musician with name rafael m. espinosa, the mastermind be
 the free bonus cd contains the complete live concert at the daft festival on 22.05.04 at the steeple -waregem - belgium. with already one well received album on daft records and gigs all over
e]wind album, contaning a remix by the horrorist.
k electronic scene, dirk ivens (synths & voice) formed absolute body control early 1980 , and was joined by mark de jonghe (synths) and veerle de schepper (backing vocals). after releasing a
ation album. comes with leaflet that holds the biographies of the 10 groups featured on this compilation and advertises for the showcase and release party at hof ter lo in antwerp, belgium on
electronic bands of all time, originally formed in 1982 adrian smith and brother derek smith began a long and inventive project that continued to break ground with their unrelenting and often u
 cuts of future ebm from the legendary band pankow. formed in italy in 1981 pankow released an impressive onslaught of stripped down hard pounding ebm industrial music. pankow has rele
hort time thanks to their unique, very special cold, but also emotional russian ambient style. a sort of frozen electronica meets esoterical lanscapes … one could see reutoff's music as « ambi
 lass under the name tzolk'in ! a sweet and very organic work based around the maya's civilisation... it'll be a superb 8 tracks digipack mastered by the emblematic and enigmatic ah cama-sot
 release on divine comedy records. their first opus was atomic-dance-floor-harsh-music, to quote some reviewers... now, after various concert and compilation appearances, lith comes back w
phies by peter bengtsen and an enigmatic text written by nico bally (his second contribution to dc after 'ombres & lumières'). the music propose some esoterical and ritual soundscapes create
 ustrial's leading combo, the mighty reutoff... here, we present its very first release : a 4 tracks mcd. the music is a very weird affair... mid tempo rythmics flirting with dark-electronica (and even
 ilogy on divine comedy, the follow-up to 'praha'. once again this is a strictly limited release.
 d by a complete work of about 100 pictures (taken by the divine comedy records boss himself) showing the obscure and darkest places of his own town. this 100 pictures are the result of a
 iews on history, fate of humankind and t.s. elliot's poetry ('the waste land'). this release combine the darkest side of what we can call traditional symphonic industrial style... from spk 'leichens
s of dramatic's film music. the one that just reach you 'au plus profond des méandres de l'inconscient'. the band is influenced by ambient-acts like raison d’être, lustmord, or robert rich, but als
e of the 10'' trilogy! here end up the celestine orlac's aventures somewhere in budapest ... previous volumes (praha and wien) are masterpieces and now very hard to locate as quite deleted.
omantic and mysterious place on this holy world. it's also an unmissable reference in gloomy and cinematic 'tragical' culture. together, steinklang & divine comedy records are producing a trib
harsh or even psychedelic, sigma octantis's music is always melancholic & quite strange. this enigmatic act may appeal to divine comedy's addicts into lambwool or othila, or even foundation
 ightmarish 'book & music' exploration picturing some of the most obscure landscapes from the south of france. a so-called paradise that's in fact one of the most polluted part of europe. musi
s (dead hollywood stars, xingu hill) make us travel on deserted roads of an imaginary trip through the usa. ambient and obsessive feedbacks, astral noises... the call of the wild is here. an ego
bient soundscapes, with particular rhythms, developing a multilayered tapestry of unconventional harmonics, unexpected twists and occasional violent outbursts. coherence is maintened by a
 tracks by michael yonkers & the blindshakes... very raw 'garage-punk'! two short tracks by this living legend kulfi's contacted because the whole band is into the incredible 'microminiature lov
 vine comedy records is proud to enter new paths with this 51th release... what a better title for dc than '...and the angel is gone' after the 'inferno' release, closing a decade? the music keeps
manifesto compilation, d.c. has once again decided to pay homage to the pioneers of dark electronic musics from the post-punk years. it is with the same requirement in the selection of unrele
 om hiv+, one of the leading figure from the 'made in france' industrial culture. with this new album (easily described as its darker and disturbing one), pedro peñas robles succeed in making t
surrealistic and industrial movement. here, we can quote pink floyd, aphex twin, sielwolf & einstürzende neubauten, but also luis buñuel, david lynch, and writers such as tristan tzara, andré b
ed the first ever horologium's full length. three years later the discography is impressive : dcr, steinklang, o.e.c, neuropa, cynfeirdd, blade, bop... for the third time, dcr is working with horologiu
 s and overdubs. a sort of weird distorted heavy-psychedelia kraut rock fulll of atmospheres. 4 pieces haunted by ghosts of bands such can, neurosis, comus, ca quintet, or tful 282. it may rem
e supposed to sound. but tonal y nagual know exactly why they try to avoid them. their music exists beyond the usual listening habits. it jumps eloquently from one mood to the next and swing
 can be described best as listening to a musical narrative, told in several parts forming a larger story of another time and place. this place is a sort of bavaria from a parallel universe infused w
ion of safety and hirsche nicht aufs sofa’ surealist collages, and the unique atmospheres of zoviet france, the hafler trio, whitehouse, coil’s albums. de mange machine finds its strongest pow
nica tracks in which powerful, elegant analogical sounds mixup. gilles rossire chisels his findings around a genuine musical framework and shows that research doesn't always mean icy herm
 ion of safety and the hafler trio’s albums. demange machine's universe is built on a great variety of sounds coming from electronic generators as well as various items. de mange machine un
de of flint glass that still keeps the cold and dark atmosphere that defines its sound. inspired by h.p lovecraft novels, coldness and warmth are constantly fighting for predominance and the qu
e, talented french project lith delivers a new album, powerful and committed. 'gaia' (the earth) is a call for our planet as the living cradle of everything that is ; in turns dark and desperate, 'gaia
 e any introductions and are known for their collaborative efforts with other artists. the first came to prominence with the post-rock/experimental/ electronics ensemble l'eglise du mouvement p
 nian word meaning a foggy, winter like atmosphere - he offers an album of brilliant and original electronica that finds its influences in gridlock and beefcake as well as in scandinavian, baltic,
midor is the audiovisual experience/installation of an artist known solely as 'j.', an architect by formation, who also has worked in writing, comics, theatrical performance and poetry recitals. it i
 rre remy has been forging his own path on the european scene; thus, under the name of 'fractional' -pierre's electro experimental solo project - several cd and vinyl releases have already be
 18 - incl. remixes by dj hidden and cdatakill.
project that has been described by critics as representing some of the most innovative sounds-styling towards electronica, rhythmic noise and dark ambient genres. flint glass is a one man pr
c one sees a context, a performance, an installation or projections that match the parasite-like noises. definitely something very singular, dark and violent.there is a whole scale, an entire spe
m by album laurent perrier is moving away from rhythm and moving in on textures. the synthetic pulsations that open this new opus are accompanied by electronic bleeps and clicks. an approa
 is album developes the music ultra slowly,starting with a very low, organic rumbling bass that plunges the listener quickly into a hypnotic state. the composition seems minimalistic but yet com
 ments of noise, musique concrete, glitchy electronics and dark ambience in a very unique and captivating way. 'nyugodt' sonically drifts between collage and poly-rhythmic art, taking the liste
 sed electronic musician, cordell klier. with kreptkrept, cordell takes a more powernoise approach by combining a relentless mix of crushing rhythmic noise, metallic percussion and dark, churn
w project by the every-busy electronic musician, frank mokros [known for hands projects synth-etik & ativ, among others]. with totakeke, mokros explores a new direction where the focus lies m
"amid the ruins" (fem04), red reflection now return to fem with a long awaited new release, "prelude to annihilation". with "pta", red reflection takes his niche for classical orchestrations, heavy
n shift return to frozen empire media in full force with a new ep entitled, 'next to departed'. while the ambience remains haunting and the beats are still heavy as ever, this exciting new release
 , totakeke return to fem with a brand new full length, 'at the train station on a saturday evening'. with this new release, totakeke serve up layers of spacey ambience combined with pulsating s
cks of schizoid, cut-up, hip-hop influenced idm rhythms combined with glitchy electronic stabs atop a bed of lush and often playfully melodic ambient tones. 'medical breaths' is sure to impress
 0nplus return with a stellar new ep entitled 'keep me here'. building off the sound and feel of 'still', n0nplus push the envelope even futher, in both creativity and production, by meshing heavy
 yslexic response records] and kaebin yield [hive records / aural addiction], duncan avoid is a bottomless well of unexpected mammoth soundscapes, surprising sampling and studio trickery,
rground beat wreckers is finally here! mash up have made quite a name for themselves after releasing just a few 12'' records on uk's underground music. working with names like duranduran
ew york city industrial scene, and after much fevered anticipation finally unleashes his debut cd with all of the kinetic energy of an underwater nuclear test. with a nod towards the early daft/an
 ble to infuse a real human element into their compositions with the sincerity and conviction of tony young, aka autoclav1.1. in his compositions, amid the scattered, paranoid breaks and stee
 effort after the ep dancing through the ashes is a monumental collection of songs, nearly any of which could stand on their own as singles. with the concussive force of a runaway supercollide
 , for years now and seem to bump into the man everywhere. i’ve seen him freak out on a dance floor to covenant’s 'call the ship’s to port' and i also know that he loves noise and tribal rhythm
n at just over an hour - vessels, the first proper full-length freeze etch album, is a dynamic excursion into a world of thick organic rhythms, striking melodic textures, and surging ambient mom
 perhaps best described as experimental electronic music. and fuses elements of ambient, noise, industrial, and idm musical styles. v2 builds on synnack.s prior releases by leveraging an inc
  force of nature productions, is distinctly a more reflective direction for the duo, as a follow up to mash up soundsystem.s 'a great escape from lunacy', released on hive records in 2006. the a
ull 12'' from pittsburgh's xanopticion. supremely mashed up hard breaks, distorted synths and abstract structures, raining down acid blast beats on your head. includes the hot remix of graved
 is released. dangerous for humans, 'invasion from xxx dimension' decimates everything all you have ever heard about sounds boundaries. organic jungle, ingenious chaotic beats , unusual s
ight frozen modules moniker, here turning his hand to obliterated digital dancehall grime, jungle in the most furiest processed, ferocious style!!!. 'rejected residents' is a frenzy of hyper-creativ
n ) is back!!! against clicks'n'cuts minimalism and angular idm, duran duran duran, the philly-raised producer, smashes soundwave like tyson's fists hurt his wife. 4 hyper-structured tracks, org
ake a party with otto von schirach and richard devine under crack & pcp and ... you've got the perfect drawn of his music!!!
ncredibly wicked ride. intense, broken dubstep/idm/experimental madness. i have been playing it constantly in my car now for 2 weeks!!!! the track 'girlfriend trouble' is going to be a dance flo
resents a straight out catalan’s rising talent: amph. sounding unreasonably mature for a 19-year old composer, juan raventos coral is delivering four exclusives trax on his first record 'mambo
hic computer team strike back with this time, their first full album. one of the most await record on peace off, atkiz and razor passive propose all you can expect of the new skool junglist disea
n. unreleased & released traxxx from 2005 to 2007. released for the japan tour (2007). total duration : 67:06.
trictly limited to 500 copies!!! this is a full newcomers compilation - 5 exclusive trax by sinead o'connick jr, ozzy ozwald, stazma , totally normal, autopsy protocol. kamikaze never surrender!!!
 akcore artists. first, pittsburgh's own xanopticon smashes things up with harsh synthetic atmospheres, put down with hyper-edited glitchy breakbeats. pure mania, for fans of vsnares. the flip
 as most tracks vary in sounds, yet flow smoothly and all possess the distinct doormouse touch. while there are plenty of harsh scrapings of breaks and rolls to be found within doormouse's w
ies , cardopusher, new stormer producer from caracas (venezuela) wins more awards than it’s possible to the mash up scene. tight breaks, killer prod, floor carnage, ballistic ragga beats, and
comes with 4 bonus tracks incl. a mothboy remix, a cardopusher/ rotator collaboration track and a krumble remix. digipak packaging.
 the peace off brand will not be unnoticed. we have assembled some of his hardest and strongest material to date, a hybrid sound of bursting breakcore, gabber and sampling. nothing new to
ker, full of his sonic trademark!!! combining raggacore, metal, hip hop, hardcore & breakcore, the original peace off punxxx delivers once again 4 explosive and energetic riddims. these raw t
tellar hurry up limited roster, le jad hits the electronica big time with his debut release for peace off! this legendary breakbeat producer who worked already for dmc world championship (like d
duced for tracker of twisted and dancefloor music!!!
ume to 11, the soundclash monster, kid606, gonna 'mash the place up’. a noisy trip through jamaican dancehall, with ‘wickid’ bootleg, this soundbwoy open the story of our new offshoot bang


 - analgedrum - herosamples - cocaragga ...) 'el doctor de caracas' gives us a transfusion of his red red blood! damage 12009. an explosive cocktail for this summer full of rising breaks, frenz
ll-sound records dedicated to the dancefloor!!! return of the amen spamer, is one of his most accomplished record! the discobreaker digs deep into the same vein that produced the awesome


e, the third ruff instalment featuring 4 traxxx from cardopusher, krumble, dj floorclearer & black ham (aka rotator)!!! rules of anger is another huge release ready to kick your bass !!! from astra
roducer, drive a dance wild!! with two solid tracks of shocking dubstep decimation, he's drawing influences from the rich soup of broken beat into dancehall crasher territory! newcomer to the
m starkey & bong ra. another huge release ready to kick your bass!!!
e, and its gonna wreck ya nans hi-fi! 2 twisted bullets from the ruff headquarter!!! this up and coming london production duo have cut their teeth in the london free party scene for years makin


sublabel - more infos soon!!
henry collins (aka shitmat). in his new guise, he creates moods and atmospheres using samples and found sounds to evoke feelings of childhood, warmth, wonder and memory. pur cosy tale
n and the teknoist in a healthy face-off to see who can melt your needle first. topping their spasticated beats with piano and strings respectively, dolphin and tecknoist prove they understand t
elium octave samples) by the everbusy mark one and his virus syndicate. "major list mc's" features fallacy, trim, ears and jammer on the mic. categories: grime/dubstep.
icate and jammer. 'ready to learn' and 'major list mc's' remixes plus extra instrumental ... mark one produced grime! categories: grime/dubstep.
educed to the most basic: depth, space and simplicity. and this is what makes it work! essential!! categories: grime/dubstep.
ese two blissful tracks which seem to have been on dub for years. both push the boundaries of what was once known as oceanic jungle, 'drowning' with blissful vocal samples and 'the 9th ha
ase from portsmouth, uk's christopher reeves (aka the gasman), is perhaps his most rewarding work to date. on this follow-up to 2005's multiplex (released by canada's sublight label), reeves
connector))) is a japanese human/noise-machine hybrid that creates noise-scapes of unfathomed depths. banging hand-made noise generators (aka shibaki electronics) made of iron plates,
vron and labelboss µ-ziq on just one plate. its not exactly what you'd come to expect of the clown prince of comedy jungle. henry collins with his piss on garage plus excellents reworks. lets st
ther morsels for our delight. both of them in a darker, ravier direction than his previous 12'', 'four messengers' twists a christopher lee voice sample into something even more menacing, and


mu: l.a. based tom burbank delivers a crunched up melodic glitch-hop album which would please very much fans of his label-mate edit. following on from his appearance on the 'sacred symb


p for soothsayer. lauded by insiders as the chief purveyor of futuristic drum n' bass. with 4 longplayers spanning labels as renouned as position chrome and klangkrieg, current value has resh
 y and very mysterious person. philipp muench (synapscape) has met rasputin under enigmatic circumstance, and now phillip produced his unbelievable powerful debut album entitled "das le
because you don't need the totality? sure, cut off what you need, from me lying on that stainless steel table, just as if i was a labrat and you the pathologist...run away from the horror, run and
s!! 'weight of death' forces your ears to bleed, but keeps your brains alive. with this intensive sounding album ambassador21 blows up your sound system totally - there is no time for a funeral
 wreck chords inv025) and brilliant live perfomances f.e. at maschinenfest'05, rasputeen come back with 'gegen die wand'! more minimal and obscure than the debut album, 'gegen die wand'
 quasi-song structures and ambient experiments after the purely rhythmic 'virtual violence” cd and last years experimental 'pattern hiding” 3''cdr. it features some of the harshest as well as th
 hits an immovable mass? famed ultracore duo of industrial punk, the invincible ambassador 21, have squared off with the tortured soul of mechanical doom, the incredible fragment king, in a
d glitchy intro, warming up the audience for what is yet to come. it prepares the listener to be taken on a trip through the mind of erik schleicher, or, to speak in more precise terms, deep down
or21 and invasion wreck chords proudly present a brand new powerful album - 'drunken, crazy, with a gun'. mostly based on previous full-length 'weight of death'’ material, this remix album d
eo tracks from ambassador21, suicide inside, rasputeen, fragment king, boot-sector-viruz, mimetic, synapscape, sonar, asche, klangstabil, roger rotor, proyecto mirage, s.k.e.t., ah cama-sotz
 ador21 and invasion wreck chords proudly presents this new excellent release - this time a collection of remixes, made by ambassador21 in 2003-2007. some of the remixes are unreleased
 or21 and invasion wreck chords proudly presents 5th ambassador21 full-length album 'fuck all $y$tem$'.if you are looking for clean intelligent sound - forget it. it's impossible to insert this bel
album from madrid-based electronic music producer ctrler, also known as collaborator of ambassador21 and placid. two years have been necessary for ctrler to design, create and produce h
onna make your blood seethe and awake your nature. 'invasion & friends 2k8' - this is underground. features new tracks from ambassador21, beinhaus, boot-sector-viruz, catholic boys in hea
um 'fuck all $y$tem$' here is the new release from ambassador21. this cd has tracks which were released between 2002 and 2007 and two versions recorded live in paris and florence during
d live shows with best songs of ambassador21 in denmark, france, italy, austria, netherlands, belgium, germany, belarus... maschinenfest, noxious art festival, elektroanschlag and many othe
 ed dancefloor rhythms, robotic vocal chants, and alien soundscapes into a unique collage of sonic mayhem. blipvert's 2004 debut release, 'triple acid foot,' on brooklyn, new york's ra sounds
g together since 2003, building a peculiar sound assembling breakbeat, industrial and drum’n’bass rhythmics, poisoning it with punk and hardcore guitar riffs. heightening their frenzied musica


a journey through the female psyche experienced through the eyes and ears of hecate. rachael kozak, after releasing records for five years under this guise, has finally completed her debut s
and christoph fringeli was recorded in the period of 1999-2001 and shows the other side of the coin of their sub/version record, presenting more abstract and psychedelic breaks and noise wi



 roken beats destined to be yet another classic.


 momentous 24 min work on praxis!
hance to pay hommage to some of the wicked early hardcore rave and transform it into phuture breakcore. but the references don't end with mentasm, the plank or l'infamie, but reach out to
ozak and christoph fringeli on 5 tracks, exploring the psychogeography of friedrichshain and bermondsey by means of warped electro and a kind of drum'n'bass that's feeding off jess franco m
 tist behind the richard for cerebellum project!
mpanies and complements the hard bass-laden, atmospheric breakcore sound of hecate around the time she recorded her 'magick of female ejaculation' album.
anging from industrial ambient to atmospheric breaks and steps, released now in a limited edition of 465 copies on white vinyl. 6 tracks of varying intensity, but never lacking in depth. contrar
duo take on another 12'' release brought to you this time by zhark international. starting with 'engaging the enemy' - the a side opens with a sliding and subtle assault on the senses, a slipping
 '' release of zhark's newest member from switzerland, vile enginez aka nirvanez. abrasive and menacing, broken and bastardized - constant falling delivers a fresh take on industroid cut-up b
poser? martin frank (a.k.a. abelcain) presents us with 12 intense compositions for the harpsicord!
acks of twisted middle eastern textures and rhythms come ripping through on zhark international presented on a 12 inch with a bonus 7 inch included in the package. with cuts including 'all ni
 tist behind the richard for cerebellum project!
 a massive 12'' by xanopticon - america's splinter break master- the silver key ep a three tracker of ultra tightly edited and produced pummeling against layers of haunting ambience. his com
ghtning speed breaks while sinister creatures take shape in deep caverns. bong-ra transports the listener back to the demonic rites of the middle ages by summoning four apocalyptic pieces
tten by raquel de grimstone, shapeshifters found its way to the studios of todays most exciting breakcore and electronix producers all over the world to be recut and pieced back together in an
es, raquel de grimstone (aka hecate) brings out her first full length as a emotionally charged, sinister ride through the shadows of perception. thirteen tracks comprise this cd release, six of wh
chines', richard for cerebellum's 'thoughts that breathe...words that burn' would be a most appropriate soundtrack. hymns of ghostly ancients coalesce on a playground of twisted metal, evokin
what show her detroit roots. teaming up with john ryan this early work shows them from a electro noir side, nice and sleazy from the shadow world of motor city.
na’s pure dedicated to harsh exaggerations of what drum and bass could be. after classics such as dark star, antichrist and fight’em, the label presents another sonic attack of warped psyche
ut - titled jaffna pt. 1 and 2. your expectations will be met: this is razor sharp, harder hitting drum'n'bass!
erline the driving breaks and metallic rhythms found on the new sub/version. hecate presents a track of deep subtleties and masterful programming on “technical witch”, and on the flip side g
ez (zhark12010) - two trax that do maximum damage on the dancefloor!
ce floors for a few months from superlimited white labels! finally on general release! 2 massive slamming tracks between breakcore and drum’n’bass.
nez' new release on sub/version is out this week - a mind trip through devilish labyrinths of a myriad of sound constructions. vile enginez, hailing for basel, ch, has produced his most innovati
 y, continuing the mixage of aggressive female vocals and dark broken beats.
 atakill, christoph de babalon, adjust!
c, übergang are transcending the past and giving new directions. übergang are working without conditioned, cheap references to create a new style of digital electronic music - fresh, contemp
 f dubstep orientated beats. the two tracks on their debut 12inch on sprengstoff recordings show that they favour complex arrangements with dense atmospheres. innasekt manage to produce
sprengstoff recordings. leaving the ragga jungle behind he is focusing now on the dark side of the jungle. time-stretched vocals meet melancholic synth pads on side a 'making the best of a b
side ride into the unknown, with pulsing subs and fractured stepping beats. a2- night boat by crooked one, lurching half step with skeletal rave stabs and a horrible warped b-line, industrial tec
 n his label - the scale of terror warnings rising from yellow to red in just a few minutes!


 two men most capable: davros a.k.a. abelcain and fanny!
me people who brought you the dancefloor killing adc - 'giammarco fratocchi e.p.' , bring you 'bored in the u.s.a.' by minion. a 12'' full of electro - gabber - dnb - breakcore - grime - dubstep an
ng their first 12'' vinyl - an excellent new record by rome’s legendary adc following up their 2004 collaboration with somatic responses on praxis titled teatrodellopera ep. this release combines
ords starts off where the film ends. this first 12” compilation highlights a variety of percussive genres: hip hop, breaks, industrial. the record contains 2 solo tracks by label founder fobia and 2
gh this recording, a certain poignant quality all too rarely found in current releases. for the emotionaljoystick fan in general, this album will be regarded as a collector's item, since by the stand
n melodies of objects found, soplerfo takes from the palette the sphere provides and cuts up down and around it like a knife gifted with vision. textures push and 'pull' as you shrug and scratc
 f ideas into one main idea that cannot, and should not, be ignored. spawned from the collective mind of zod into a like ideal, the artists that came together to bring dura matters to fruition hav
 f ideas into one main idea that cannot, and should not, be ignored. spawned from the collective mind of zod into a like ideal, the artists that came together to bring dura matters to fruition hav
ntly dissipates into claps and competing keys that are then given emphasis and direction by a bassline that belies its title; the result is splendidly beyond adequate, traveling well beyond that s
production and distribution of his art, bristol uk's bin ray has found a perfect partner in his ambitions to further the sound of electronic music. like twins separated at birth out of some terrible s
um by emotionaljoystick! this record is appropriately named 'plays!' for two reasons. first, because the blend of electronic programming and live 'playing' is effectively produced so that both el
ering ragga, mash-up and pop deconstruction and features a wealth of international artists, such as ove-naxx, toecutter, donna summer, bong-ra, sickboy, mochipet...
 cry uproar.' -simon reynolds on dj ripley. now disturbing new york and brooklyn, ripley has caused total dance mayhem at events all over the planet. ripley's wreckstep raggaphonics slice thro
 hip-hop, bashment, grime, bounce, jungle, rock, folk, bhangra, dub-step and just about everything else at parties, clubs, and events worldwide. in 2003 he began the mashit record label with
 rclearer batters you to the floor with a platter of leg shattering, synapse dissolving beats. he produces a horrible mix of frenetic ragga-breakcore and pounding 200 bpm gabber, served with a
 th their debut 12'' on death$ucker records (dsr9) back in 2004, now they are touring europe in 2006! to celebrate this joyous occation, they have released a split white label especially for the t
 apon of the bristol underground music scene on an unsuspecting world. gusset have been scaring friends and punters alike since 1996, unleashing aural assaults at breakcore, techno and h
 hitmat and parasite mixes alongside the original version of 'here comes the flood'.
 d of hanuman and atki2 (shadetek, combat) were formed in new cross, south london in october 2000. initially monkey steak pursued the drum and bass / jungle vibe with tunes such as 'shiva
 gow in scotland. he's been making noises with computers since about 1995 or something, but finally took it seriously in 2004. he's had 2 cdr releases on bad boxr and 2 digital download ep's
astic 12'' to death$ucker records. the prodigy mash-up extravaganza, absolutely illegal and forbidden...the way we like it!!! soundbites (aka robert van loghem) started out as a drum and bass
 hip-hop, bashment, grime, bounce, jungle, rock, folk, bhangra, dub-step and just about everything else at parties, clubs, and events worldwide. in 2003 he began the mashit record label with
 r face in large, meaty chunks. you may remember him from such record labels as death$ucker, wrong music and his very own proboscus records where he demonstrated his ability to sink br
nd way much better through his sp202, electromeca didn't stop to cut-crush-distort-chop-chew-spit-reconstruct fat & dirty beats with a delicious guilty pleasure. that's it: james brown driving a
 nique blend of choppy breakcore and cut-up jungle bass terror to death$ucker with two dancefloor killers 'time to burn' and 'fucking hostile'. having previous releases on french labels peace
 based diy rhythm fiends big joan and a bunch of lunatics who were invited to abuse their master tapes. the e.p includes the first two new studio tracks from big joan since 2004. title track 'here
ent styles of eclectic electronic music ranging from broken gabber hits and ragga drill breaks to melodic atmospheres and dirty basslines. the journey into crimson begins with doormouse grab
ent styles of eclectic electronic music ranging from broken gabber hits and ragga drill breaks to melodic atmospheres and dirty basslines. the vinyl includes 6 excerpts from the cd version - fe
 , this long awaited split between emotional joystick (remember his excellent releases on zod?) and line47 (who used to manage sonicterror together with enduser, and has since founded term
 s of records these past couple years for many labels. now he reveals his passion for dubstep on his latest effort. 'down to the wire' contains high energy levels, sick low bass and brilliantly sel
  of 2007. solid beats, driving bass, and atmospheric textures define this two track 45rpm 12''. for real begins with a simple beat; swelling into an esoteric dreamworld that eventually drops into


 , industrial and experimental elektronics, 12'' front & back cover, exclusive toilet paper within the cover, a lot of love. feat. psykotropp, stormtrooper feat. mck, kiew, the man unknown, umkra
with brekbeats in a bad mood. get your depression now!
peedcore act: gfb. incorrect segment presents 3 hardcore bombs which reminds on the older napalm sound. tip!
strial strength presents on restroom his broken stuff. 2 trax in rapcorestyle and 1 breakcoretune for the dancefloor. his last track is more for relaxing the mind. excellent! anc is nowadays miles
 mixture between black metal and hard/speedcore. 5 songs with melancholic melodies influenced by the death of a familymember. this record is directly influenced by and dedicated to his gra
 rdcore to... never trust in technology!
erlin on darkera02 and doomsday 02 conceale originally by anc on restroom12007 - remix till you drop!
eedcore - historical recordings from the project behind restroom records.
 beat track - first of the terror noize industry compilation series. feat. jensen, bula, igoa and 5xpi.
 sekick, bonehead, capcom, akira and drokz. limited 300 copies.
 oxxx series a which will ultimately consist of six 12''es. the additional five eps will be one each from the projects represented here. the a-side belongs to the chemnitzers, while we did invite fr
 and produce quite an aggressive, dark and moody music with exhilarating bass lines and militaristic bastard-breakbeats. just as a beat seems too overpowering, a broad melancholy melody


of gritty soundscapes and unrelenting heavy beats. abstract beat complexity hyper-edited with superb apocalyptic harmonics for a cosmic and surrealistic drum n bass attitude. ammo is produ
recycling and resampling visual input into stereo output - open your ears, and you shall see. no straight line, no black and white but what’s in between and beyond. obiekt - a prototype aural p
by these three musicians, who shared sounds, samples and ideas. it is also the first cd output of the long time collaboration of panacea with needle sharing. a cd, with its huge beats, its small
me of the multitalented scott sturgis (converter) and leech (the man behind navicon torture technologies). uniting all the rust, scraping noise and anger they couldfind in their samplers, the two
k.a. magwheels, works his magic, building heavy and poetic tunes that carry the mind away. beauty. here is the keyword of 'evebuildingbomb', an album in which magwheels steps outside of e
ost ambitious work to date. the nineteen tracks of this double cd were created as individual piece, under the influence of literature, architecture, design and history of the 1940’s. neither a polit
 edish artists jan carleklev and håkan paulsson have torn almost every instrument and genre into their own particular approach.emerging from what was supposed to become a soundtrack to


were to give back a soul and a smile to this sound you listen to? what if you closed your eyes and imagined what your favorite children stories were to sound like? the pretty princess and the b
 um on mute records, the musician behind 2nd gen presents here his new project, uniform, with the first album of this mysterious act. 'not a word': a disc that does contain words, but will you f
arvae present here their first full length album, 'fashion victim'. the most ambitious work of these american artists to date, this album is also the culminating point of a painstaking improvement
 d, or based prodigy david sullivan (magwheels) teams up with industrial icon phil easter (stone glass steel) and presents a musical dialogue for guitars, noise pedals and samplers. sullivan's
he mottos by which cordell klier has worked all throughout his career. on once side with his own music, either under his own name or as kreptkrept, of or monstrare, cordell klier is a driving fo
 microchip finally comes back with a new single. here is his 44khz homage to the mos6581, the soundchip at the core of the commodore 64 and the dearly loved sidstation. tarmvred feels like
 mbre, axiome, dead hollywood stars, moonsanto...) and collaborations, holland-based c-drík comes back with 'etats des lieux' to his project crno klank with a first cd album which presents ac
which james keeler transcribed into music his conceptions of the 40's, wilt is back with a new album, looking this time definitely further ahead. progressing from his mostly atmospheric works,
 s horchata project has become known for the quality of his (often self-released output), as well as for his highly appraised collaboration. starting with the essential 'integral' album, in which he
 is. curtis chip's long awaited and much talked about first full length cd, in the form of a re-release of his highly acclaimed 'eating paste' 12'' (on zod records), enriched with new material, seve
hboy will present his debut album, a journey full of subwoofer-torturing bass, distorted beats and groovy rhythms, with the participation of scorn, larvae, horchata and md akira the don.
album, which crowns the progress and incessant activity of this kharkov, ukraine based musician. having collaborated with such acts as scanner, kim cascone, or kotra and played basically e


bum on ad noiseam. incendiary breaks, hard beats and wicked tones: one of the best known names of breakcore delivers his most mature album so far, and steals the whole 'rave is back' thin
matthew peters offers here his debut full length album, in which he shows with insolent talent that mad e.p. is far from being a one trick project. juggling between the syncopated rhythms and c
monster music' introductory single, 'empire' is a 'different' release for larvae. after having presented his music live worldwide during several tours, matthew jeanes realized that he had more ex
tator is a detailed-to-the-bone combination of fractal beats, beautiful harmonies and abrupt breaks. constantly on the move, these tracks are the result of a careful digital trickery, pushing the
 ct’s combination of clean and powerful drum’n’bass, deep strings and emotion-ridden melodies to a whole new level. brilliantly produced, this album is a perfect combination of beauty and m
 ', lapsed presents a second album combining his glitch and cuts approach with a strong hip-hop feel. all along eleven tracks (enriched by a remix by aaron spectre / air inspector), he succee


 shift returns with a new album. having left some of his dirty and gritty noise behind, antigen shifts now blend his powerful beats with a stronger groove. syncopated rhythms and carefully chos
 d keef baker offers a solid 6-track mcd in which his music takes a resolute accoustic and organic turn. warm voices flow through 'pure language' on top of a very distinctive bass and a new fo
 ave played live together, remixed each others, and appeared on several projects together. now is the time for both acts to write a record together, in the form of his throbbing, hard and ground
 usic out of the genres they had been associated with, and focus on a sincere reflection on their musical roots, their position as a band, and their place in the musical landscape. integrating gu


  with the electronic experimentation being combined with acoustic walls of bass and noise. wide, dusty and dark, 'dark meadows” displays wilt's new psychedelic and atmospheric approach to
ats to make everybody rave till late after dawn, including the two cover models. he then hands up the mixer to four veterans of the breakcore scene (enduser, duran duran duran, drop the lime
 gation of detritus's second full length album (the acclaimed 'origin'), sees david dando-moore contract his beats and infusing his tracks with newly found, harder and drier sounds. crystal-clea
ne', an album of deep beauty. here's what happens (for the best) when one of the most renowned name of breakcore trades the fast beat for a dub-heavy trip-hop, while still integrating challen
ng discography, 'pushing back' shows lynn standafer integrating new elements to his otherwise typical sound, and taking its listener to a new memorable ride. an artist recognised as one of th
 e thematically and stylistically linked mini-albums composed by new york-based classical musician and electronic composer mad ep, who takes here his listener through a non-linear collectio
m. having become one of the most sought-after london producer, mothboy presents here a very mature work in which his very bassy beat get adjusted to a new, faster tempo, and conjugated w
 ssachusetts garages and all-ages clubs, aaron spectre later discovered a taste for electronic music. his rather calm mixture of down-tempo beats and dulcimer collided with the fury of breakc
 mbie. for his debut record, winnipeg's cakebuilder present a well produced four tracker combining the best of breakcore and rave. hard, infectious and twisted, his tracks are sure to bring som
dress unknown' on component records, 'shuffling data' on unit and a 7'' on n5md), who presents here his own personal combination of flowing electronica, warm sounds and downbeat. precis
 seven years (not counting the ones of his outside agency and semiomime monikers), for such labels as ruff teck, outbreak, killing sheep or sub/version, here comes finally the first full length


wo forward-thinking audio chefs that are mad ep and ra, presenting here a brand new and fresh way to mix the hip hop recipe with cautiously baked breaks, spicy samples and tasty textures. a
e on vinyl, madrid's forefront producer az-rotator puts his complex dynamic beats to good use, and make them pay homage to old-school rave. razor-sharp and crystal clear, the freaky vintage
 t' full length cd, presenting on vinyl format a selection of tracks from the album.
corps)'s first full length album, on which he explores very melodic, downtempo and beautiful territories, supporting his laid back, flowing electronica with the sound of the dulcimer.
 st evil twin of the kilimanjaro darkjazz ensemble (featuring bong-ra on bass), returning to this world to create landscapes of barren wastelands, droning into memories of future's past...dirges
 f 'bleeding hearts' contains one new cdatakill tracks and remixes of tracks from 'valentine' by enduser, übergang (christoph de babalon's new project), detritus, lapsed and mad ep, the whole
 off the second record with his trademark high-fidelity, percussive and dark blend of drum’n’bass, followed by cakebuilder, who remixes the same 'no brakes' in a very direct, club-friendly mad
 r' and 'sick sick sick' records, re-recorded and remastered, 'full metal racket' is bong-ra's unmatchable homage to his grindcore and hardcore heroes. a fast, high-energy album of twisted bea
 fractured' sees detritus keep the harder guitars and beats, while staying true to this intricate drum'n'bass patterns and evocative strings. a production tour-de-force, it presents a crystal-clear,
 several notch, and bombs the dance floor with a high energy, unmissable album of catchy twisted club tunes. tapping on his high production skills, 'it's ok to dance' brings back life to twisted
 bum sees his pair up with dj and turntablist nonnon and a crew of renowned mc to deliver a wild ride of glitchy electronic hip-hop with an edge. ranging from heavy head bangers to lyrical nar
 studio album: mick harris breaks the silence and delivers with "stealth" one of his most massive works so far. staying faithful to his trademark sound, this corner-stone of a musician, constant


 as 'ra') 's third studio album 'brain kitchen' (to come on ad noiseam in 2008), 'huge samurai radish' sees this multi talented artist present a new menu of his gritty, catchy and personal electro
 album sees this highly praised musician focus on low frequencies and everything which comes with them. syncopated beats, guest vocals by shadow huntaz, mc equivalant and others and t
 ttention in the recent years for his sharp and subtle glitchy electronica, pairs up this time with the two improv / free jazz musicians john mourjopoulos and floros floridis. the three give birth to
 ngle and remix cd in december, ra(oul sinier)'s third studio album is follows up and builds upon the material of his previous 'wxfdswxc2' (released on sublight). intricate melodies, gritty underto
 get down and dirty with 'tuff shite'. partly inspired by chevron's hometown, and partly the result of his extensive live experience all throughout europe, the six complex, crisp and tongue-in-che
heavy basses, cakebuilder's second record for ad noiseam shows that things are still deep in winnipeg. bridging angry, dark dubstep and a highly melodic drive, cakebuilder opens a new gate
d on their own, the four tracks written by enduser and line 47 back in 2007 get a second life on ad noiseam. ranging from the most aggressive and noisy breakcore to melodic, syncopated ma
es in dubstep kicks off with 'nays of dight', already a dancefloor hit, and continues with the funcken brothers massive mixture of dub basses, catchy rhythm and idm influences.
emarkable 'dead weight' in the form of a split up album. while its first half gather new guitar-oriented, melancholic post rock tracks of great beauty, the second part, 'monster music 2', brings b
ecking new record by broken note, a british duo among the most vicious, hardest and noisiest dubstep acts. a perfect 12'' for those of you who don't want sweeteners in their basses.
 insane purveyors of shattered hardcore comes back to ad noiseam for his first full length album, full of his hard and mean combination of gabber and breakcore. shooting the head will not be
 insane purveyors of shattered hardcore comes back to ad noiseam for his first full length album, full of his hard and mean combination of gabber and breakcore. shooting the head will not be
 ends that are cdatakill and abelcain not only come up with new remixes and collaboration, but also with the re-release on cd of their two previous split records, originally released on zhark int
ne-as-ever fifth full length album features this musician's most infectious, catchiest and most efficient material. while the noise might be gone for good, sickboy's new clothes are of the colour
 , who had already provided us with the great 'raviour ep' some time ago. staying one of the top purveyors of breakcore wax in north america, this label gathers here new material by no less th
 s, bilingual edition (spanish/english) - more info soon!
 point of view) the animal's rights and fight the abuses that some 'human' commit. you can find articles about: aj fosik, amy sol, angela singer, nicola costantino, gregory colbert, davide zucco.
  the best art and graphics inspired by and for the digital hardcore subcultures we live and enjoy. this book compiles fresh work from more than twenty international artists. all of them share a
 dedicated to the french artist 36 (www.36recyclab.com). the 192 full color pages compilate his last works on design, 3d, installations and street art, selected pieces that show the essential wo
 dicated to the canadian artist nicholas di genova (www.mediumphobic.com). the 192 full color pages compilate his last works, but also sketches, sculptures and works from the early years. a
 - feat. interviews / articles about controlled bleeding, bakterielle infektion, savage republic and more...
 apes. a collaboration of pure (austria) & ultra milkmaids (france)
 aubert - marie daubert - sheila mata. james plotkin & matthieu maire first met in early 1999, which quickly led to collaborations a few times later. james, matthieu, & 3 others french fellows, ma
eepy break beats, an absolute journey into colourful and soaring soundscapes.
 ct oil 10. technoid forms deal with upbeat and spacey wavelengths. lost signals and deep bass sounds are joined by robotic voices which gives to this album an unusual atmosphere, between
 o, pop exeriment, mixing drowned beats with melodic strates of bass, treated guitar and bits. to be played while the sun is going down, shiny colors and unindentified vibes floating in the air...
oup archipel.it combines traces of music from multiple origins, from pop-music, through french variety to the rarest annals of jazz history and of largely unknown contemporary composers. sam
 are explorating purified and abstract compositions. their work is a constant evolution of infra-basses with sounds of guitar within the framework of a post-rock 'joint venture'. with this act, reco
 ra song orchestra, the musical subsidiary of the multimedia art factory 'institut drahomira' (drahomira ink.) . 8 obscure ambient tracks : bizarre string loops and mysterious unidentified speakin
silk saw, jardin d'usure, moonsanto...) john sellekaers (ambre, xingu hill, urawa...) and c drik (ammo, axiome...), started in 2001, after recording a live improvisation at radio worm in rotterdam.
 l)? take a science fiction soundtrack, combine it with the groove of the digital age, and finally spice it with some 80s sounds - now that's a space organ ! with their first album 'communication'
 fcake, and hecq is not lusine icl - but hecq could be a phantastic listening experience for those who are into these artists. actually, hecq is benny boysen from germany, and 'a dried youth' is
m ex-pzychobitch member frank klatt. sensoric specific satiety is a stylistic rollercoaster ride, from chill-out to industrial. check it out !
 ing between industrial, ambient,breakcore - and more! entirely yet unreleased material feat. ambassador 21, the rorschach garden, alarmen, spherical disrupted, ahp, nobdrun, fragment king
 hm industrial, power electronics and noise. white tray edition limited 444 copies.
 f the tonwellen-konferenz festival in erlangen/germany in december 2006 - feat. morgenstern, p.a.l, synapscape, deutsch nepal, heimstatt yipotash, atrox, umb kollektif, stahlwerk 9 and more
 istorted beatz compilation which was prepared in a collaboration with moscow promo-group tanzfront project. this album is a collection of tracks by the artists who have performed on the eve
ormed at the 'elektroanschlag' festivals in altenburg/germany. what started pretty small became one of the most important electro/industrial events in eastern germany over the years. on this
 all artists performing at elektroanschlag festival 2006 in altenburg/germany. incl. klangstabil, p.a.l, monokrom, empusae, monolith, ambassador 21, tarmvred, mlada fronta, insekt and more.
ks by all artists performing at elektroanschlag festival 2007 in altenburg/germany. incl. imminent / synapscape, ah cama-sotz, esplendor geometrico, catholic boys in heavy leather, sanctum,
ks by almost all artists performing at elektroanschlag festival 2008 in altenburg/germany incl. seven bonus tracks by new upcoming artists plus video 'the boxmaker' by stephen swartz. feat. g
ation series - this double disc collection delivers 100% pure noise, electro and industrial tracks with unreleased material from sonar, detune-x, insekt, bahntier, adam-x, hecate, proyecto mirag
 re electro noise industrial infusion and now the 3rd release in a line of compilations that for 3 consecutive years has brought us the sights and sounds of the berlin festival, which over the yea
ve tracks from members of the krachcom internet forum. a vast variety of sonic expression is delivered by the participating projects, which cover a lot of different branches of modern industria
of darkness. all this decorated with slow, wicked melodies. music not usually coming from your radio, more likely coming from the abyss scorching inside a sick mind. but there is this place - d
 c, new wave, 80s. feat. the rorschach garden, echo west, insektronic, datafreq, legopop, sickdoll, solitude fx and more. numbered, limited edition 500 copies.
 tracks by some of the world's most prolific electronic artists. eo 1 contains 14 tracks of dark ambient and technoid industrial by some of the best in the genre including architect, eretsua, flaqu
cer, frank mokros (synth-etik / hands productions) featuring 13 stunning tracks of complex rhythmic industrial. with previous remix collaborations flanking the likes of terrorfakt, imminent, radia
ectronic music composer and visual artist kostas k., a downtempo, experimental venture fusing idm elements with rich ambiance and female vocals by katja. complex and uncompromising, s
most prolific and under-rated dark electro acts in operation, the talented slovakian duo disharmony. fresh off the heels of their fantastic 3rd album, last year's 'malignant shields' on aliens prod
 nderground after a decade of techno and industrial dj and promotional work, jairus khan now presents his debut album three years in the making. while providing north american tour support
 s, michael morton, toronto-based electronic music composer and visual artist, has established himself as a driving force in the world of modern dark electronica. performing live with such leg
 and only pneumatic detach! with previous releases on frozen empire media, hive records, and bugs crawling out of people, a plethora of remixing and producing credits, and memorable live
 pe from which he hails, lucidstatic offers his fiery debut album 'gravedigger'. a fierce hybrid of breakcore, powernoise, and classic industrial elements, lucidstatic is by no means an imitator, b
 iences and influences and distills them into weapons-grade hard-electronic; original sonic compositions incorporating a syncrete of techniques with a mind altering rhythmic bent and a fierce
 s had numerous successes including two ep’s, two albums ‘you are my all and more‘ [crunchpod] and ‘visitor attractions’ [crunchpod], and more recently a remix album ‘broken beats for brok
 d beautiful idm compositions, integral have created a touching aural narration that reveals new depths with every listening experience. the talented german duo leads electronic music into ne
 ived metal/hip-hop band in the netherlands. he soon departed from his roots when introduced to tracker programming and began developing electronic beats and fusing guitar with synthetic s
 laimed album 'elekatota - the other side of the tracks' appropriately titled 'forgotten on the other side of the tracks'. 13 new and forgotten totakeke masterpieces from the 'at the train station on
 traliquid, in the field of dark ambient/hard technoid/idm/d'n'b and experimental/noise music - feat. ah cama-sotz, detritus, flaque, mobthrow, xsoz, subheim, fabrics, psytech and more. digipak
 n more interesting questions arise when somebody attempts to get into blackfilm's complicated music structures. starting off in a somewhat soundtrack perspective, blackfilm slowly builds up
powerful, complicated yet wisely minimal and absolutely danceable new cd-ep out today on spectraliquid. known for his unique sound engineering skills and his extreme live performances alo
 sing a serious number of records these past couple years for labels such as ad noiseam, peace-off, intellectual violence, mirex, cock rock disco & wrong music, terminal dusk and more. now
 are you...' original version with a 30second pure noise intro. nothing left to say,...
ement. 100blumen puts ass kick rhythms with harsh noises into a melting pot and out comes massive old school rhythm noise that shakes you to the bone. that`s tnt, that´s dynamite... ;). cd-
 sound constructions with distorted voices. attention,... very noisy! special package with an acrylic block tray. cd-r release.


erman coast delivers on her debut album 'echtzeit' synthesizer sounds which reach from friendly to melancholic. a hint of 1980's atmosphere combined with technolike beats to a unique brew
d. warbaby combines rhythmnoise and techno to her own style of, what we call intelligent dance music, and kicks the shit out of us! cd-r release
 ng, anger, hope and fun into painful and disturbing sound-constructions. 'la bionda', a tribute to life, demands with its energetic sounds from its listeners first of all to stay tuned and hold out,'
 alarmen, asche, contaminant, frl.linientreu, graph, mono no aware, nin kuji, nullvektor, p.a.l, rasputeen, saal5, salt, spherical disrupted, tendo, warbaby, zero degree. cd-r release
ainly exclusive tracks by synapscape, morgenstern, asche, punch inc, marita schreck, polarlicht 4.1, industriepalast and more. limited to 1000 copies. packaging: dvd-case.
 ivals, took place in zwickau/germany in 2005 and 2006. feat. exclusive and rare tracks by sonar, architect, ah cama-sotz, winterkälte, marita schreck, oil 10, echorausch, xabec, polarlich 4.1,
man label's debut. sounds between dark ambient and idm, experimental sounds and noise. mostly exclusive and yet unreleased tracks, feat. p.a.l, telepherique, klangstabil, ah cama-sotz, xab
eleases, collaboration works, compilation appearances and remix works, 'null' marks the beginning of a new epoch for the german project spherical disrupted as it is his' first regular cd-album
ct: mandelbrot. founded in 1994 by p. muench (synapscape, the rorschach garden etc.), mandelbrot released a tape and a cd-r on fich-art so far. the cd "auf tauchfahrt" was created in collabo
e first works of the new project zero degree, which was born to create something new after several years of rhythmic noise. the 8 idm influenced tracks on this debut album give the evidence
 ibed as the soundtrack to the information chaos of our society. either by any kind of broadcasting, the mailbox or at the internet we're flooded by information we are not able to conceive. e-m
                                                                       ∞
 w cd by spherical disrupted called 'barriere' has just been released. it features one new track plus 10 remixes of tracks from 'null' remixed by different electronic artists. among the remixers ar
 track of this project was already on the first release from our label '-   db' (auphcd001). furthermore nerthus provided a track to spherical disrupteds remix cd 'barriere' (auphcd006). but you m
 o present their 2nd album on audiophob. recorded between 2006 and 2007 by p. muench and b. teichner 'thorns' shows the rugged and surreal sides of nature: from cold, stormy nights of sn
 econd full length album of zero degree. again 'the inner realm' offers tight electronic sounds between dark ambient worlds and noisy technoid rhythms. the later might be even more dominant
 d tracks from artists we liked and where we thought they might fit to our label concept. the result was a double cd compilation called 'minus infinity db'. now, more than 4 years later we releas
 g vinyl on digital-gadget/front. 'glenn dambo' takes bogger's idea of electronic music on a new level: while the focus on small slices of atmosphere and dry beatstructures is stricter than befor
n her mid-twenties devoted herself to the fine arts, she was already a successful model and later actress, appearing in many film, tv and theatre roles. in various solo exhibitions such as 'sogn
 cks from 1998 - rough and intense. a very interesting collector's item for those who don't know this project from the very beginning. limited to 100 copies, only a few copies left! pal system.
 de with usage of big amount of old analog sound and field recordings, it reflects the atmosphere of those times. special packaging, limited to 425 numbered copies.
 vinyl concept work. bionik means: transferring discoveries from nature into human technology. to audio-visualize this work, telepherique collected natural noises and transformed these in ana
orchestra. contributors: telepherique, roger rotor, vromb, contagious orgasm, ultra milkmaids, celluloid mata, aube, salt, brume & shingo sogiura.
 wegung der klangmasse' split cd release. the deafening lethargic sonic project created by the german artists of telepherique and impulsantwort. it involves producing, haunting dark drones, h
 ng in which there's deep sorrow and disheartened grief due to the lack of our beloved ones... when someone is paying a condolence visiting that house of affliction, he is reminded of his own
 project. rhythmic and danceable but also a little more experimental. cardboard-packaging, limited 200 copies. cd-r release.
 ed between 1995 and 1997 on vinyl, cd-r and on various compilations. all tracks have been remastered.
 lish toy factory, this nightmare of experimental death electronics is filled with manic rusted toy samples, disturbing unnatural soundtextures and weird mutating cut-up soundscapes. a chaotic
 his' favorite francis bacon painting as an inspiration source to create a unique sound collage masterpiece. feat. contagious orgasm, henrik nordvargr björkk, hentai and lasse marhaug. comes
 emen into the cold electronic womb, and watch in fear as an unnatural sonic offspring mutate, squirms in agony and slowly comes to life..a unique and extremely disturbing masterpiece of fle
ef, converter, hentai, shinkiro, sunao inami, jazkamer, henrik nordvargr björkk, contagious orgasm, hecate, p.a.l, s:cage, asmorod, iszoloscope, tokitoshi shiota. these artists pay respect to th
 onic music manabu hiramoto (shinkiro) has entered the darkest places of his unique nightmarish imagination to record and capture the voices that has been haunting his creative mind..now m
mont, also known as c-drik) is back with a great 4-track ep. only original samples were used for this one. sounds ranging from hip-hop to breakcore - recommended!

  the basic thought behind 'isolation', which is the first output by the [law-rah] collective since the release of 'incarnation' in 2001. the emotionally triggered droning soundscapes, which are the
 w years of end’s life. a time of shootings, home invasions, and near fatal accidents. outrageous, epic, nihilistic, and absurd, the sounds of disaster is the soundtrack to a world of b-movie fant
 zed by two of electro-industrial genre's most regarded musicians, daniel myer (architect, haujobb) & andreas meyer (forma tadre). newt demands your attention to open a gate to an unknown
s with an untamable desire to reach music in a global way. they disregard trends and ages, in order to acquire science and different forms of evolution. an endeavour to develop the interaction
 ine records, it continues where 'kmputor' finished and blends dark-electronics with dynamic elements of trance, techno, and frenetic synths to be rounded up with a good portion of science-fic
 project of daniel myer, this long awaited album is the outcome of two years of intensive production and the collaboration with such respected artists like victoria lloyd (claire voyant), vanessa
 lective, and a dj-crew. for five years now, operation mindfuck (om) proves with its successful parties, concerts and festivals, that individual style and originality is all you need to find your plac
 )er pussy. what you are about to hear illustrates mika's decision to form a 'brand new' project (which is named perfectly). pellicules (films) highlights previously unrecognized facets of mika's m
body. tracks like 'who painted my cat black' and 'stuck' keep up synapscape's aural trademark: heavyweight interlaced polyrhythms, distorted textures and tim's non-reversible voice - an ecsta




o keef baker's world, where unequal musical styles like trip hop, electronica and even metal are used as baseplates and sometimes merge within a single note - just check out what starts as
ayers and technoid beat'n'bass patterns enthused a large audience worldwide on the previous nailsleeper release. now it's the time for the workers party of haiti to take over... music as divers




st collection of work simply titled '...no'. however, simple, this album is not. with ever-expanding maturity and grace, zentriert ins antlitz once again redefine their signature sound by injecting in
ctronic substance abuse) returns with an enormous new album on tympanik audio titled ‘the sea & the silence‘. 11 tracks of pure industrial adrenaline, marked carefully by strong, complex atm
ble cd collection in 2005 on the auricle media label. broken fabiola takes the listener into a delicate world of tense atmospheres filled with dense, emotional soundscapes stirred generously by
 leases. ‘eo2‘ picks up where the first volume of ‘emerging organisms‘ left off by providing a fantastic collection of fresh new tracks by some of the very finest in pioneering electronic music co
 n air of originality and purpose that will both inspire and move you to elated heights. with one astounding song composition after the next, ‘sonnambula ‘ conjures up the true ingredients of int
me chaos riot involved books. he delivers a warm massive groovy metallic mix between different styles, from melancolic electronica to industrial hip-hop, break-beat and cyber-punk. it sounds
rowed from the distorded beats their disturbing ambiance to get us to a dark and synthetic atmosphere. a noisy trip to an indus fun fair, where the sweatinesses are black and the clowns host

lationism and and electronic music'. cd-r release.
erfuckers, this is the beaverish answer to david hasselhof! cd-r release - 25min. playtime.
nto the darkness and focus all his artistic skills on creating a personal cinematic audio nightmare. akumu is like being caught in a spiderweb that sticks and creeps to your skin, there is no es
 llet. we shy away from such a specific genre tag because, for the most part, the music created by our artists lacks the 'd' of idm...yes, dance. that trend changes with another electronic music
 heir most diverse by folding in other electronic music sub-genres into their already potent mix. ambient, drum and bass, dubstep, hip hop, downtempo, and even some post-industrial motifs a
gh extensive use of soviet-era analogue synthesizers (polyvox, yunost-21, formanta, rmif ti-5 and others).oloolo took part events: pan sonic's and phill niblock concerts in riga (2002, 2004), w
album which shows alexanders talents to combine live recorded instruments with the unnatural but interesting world of reaktor sounds. the results range from sweet and melodic songs to dee
unds of hypnos but more the stripped down version of ambient house music. things move a little bit, there is arpeggio's on the piano, and even a bit of percussion. however the highlight of the
broad. deep sea shipping is a term borrowed from the maritime logistics and navigation. it perfectly reflects the whole internal component of music on this compilation. the concept of deep se
ecorded about 10 original works on different labels in russia and in europe. his new album deviation, written in space dark-ambient direction is another sound experiment dedicated to research
h alexander petrunin aka mewark. lazyfish has already released an idm/techno album vortex in russia and some more deep-tech tracks on trapez records in europe. alexander petrunin aka m
heatrical production 'tannöd', based on a book by andrea maria schenkel. as this cd was concepted as a soundtrack right from the beginning it is mostly instrumental, but far from being simpl
p this collection of new tracks and vinyl-only favourites, along with a mix chronicling the history of his labels ohm resistance and obliterati. violence as first nature contains three brand new dru


racks chosen for their quality and not for their marketability - in the format of anonymity. the first of a series of 3 12''s to come out in the next months. ltd. to 300 copies. slamming and dangero
nny is his 'lost' first album, originally recorded in 1999 and 2000, containing 12 excellent tracks, including one remix by venetian snares! twisted hybrids of classic breakcore and hardcore styl



e most different genres are plumbed. melancholy harmonies are embedded here in destructively deep beats and effective background noises, so that an apparently contrary combination lead
 in your earhole quick. chilly willy melodies and ice cold beats to shiver your spine armored axe, while you hack at the triggidy trolls and pillage the land with your guild of stank armored pig-g
 hich was performed at the now legendary schizophrenia show in the u.s.a. creating the entire record using only the commodore amiga home computer, davros and unibomber showcase their
omposed symphony of unending sorrow. if detritus is the debris of emotion, a wake a week is the tar-black residue still clinging like a parasite, clawing away at old wounds. like ashes on cellu
 raphy. on paper: a study of the album (french and english) on cd: covers of the eight tracks by : contagious orgasm, troum, savage republic, nadja, dirge, wild shores, year of no light, kill the t
 se explorations are accompanied by a will to uncover on the field, in the abstract as well as in the concrete, different mysteries or secrets, or at least, to probe the enclave, the place they hau

 sight, but including a lot of innovative elements to this genre and not afraid of mixing the club appeal with wider sensibilities, he comes up here again with a highly impressive record that doe
nded by bong-ra had already graced ad noiseam with an album under the 'mt fuji doomjazz corporation' in 2007. an extended appetizers to tkde's second full length album to come in 2009, 'm
eakcore sickness coming up your way, this time on big black 12'' vinyl.
 cd-rs and cds and touring around the world, from the united states till moscow. forrest is one of the most interesting plunderphonic virtuosos, sampling, deconstructing and reconstructing for




ghtmarish sountrack for the soul.
d. with his solo project, he has once again risen to the throne and stands strong as a force to be reckoned with. 'sealed void' takes the listener drifting past dying suns, through black holes an




iginal melodies and his own crooning, come-hither vocals, 'perverted & proud” is sure to be a neo-pop, underground smash. running the gamut from the massive hit in the waiting of 'kill bella
ed heart' taken from the double a-side single (on the french label, lykill), 'huit oiseaux bruns dans la nuit blanche (modèle reduit)' is taken from the 7'' single of the same name (on the static ca
rx, beefcake, generation x-ed, hanzel and gretyl, torsion, dive, pail, pain konsept, tower ii, equinox, skorbut, vnv nation, das ich.


nd ebm and explores the style a little further, mixing in elements of other subgenres in the culture. call it 'electronic power pop'.


hours of cut-troth programming. an ear-gasm for the digital junkie. those who have seen implant, can only agree, that implant live is a very trancy, psyched-out dance night. digital junky food -
 ion with a lot of improvisation.




 ' which blends demented punk vocals with hyper-complex grooves and gut gurgling bass blasts you can just tell this is something fresh and funky from producer aaron ' funk' funk. not to worr
 dance market and with surprising results. a mix of gabber, drum and bass, and hard rock vocals, given the production sense of a pop god, and then over-tweaked with a monstrous equalizat
poems' collection rebis. short spoken fragments of the texts are treated and inserted in a sonic structure built with minimal, strangely syncopated pseudo-rhythms and sharp pulsing noises. th
complex work to date made mixing 25 different tracks into one unique long (over 50 minutes) composition. troum for this album is collaborating with the female all sides-project which makes t
arker and less predictable sound, the record begins with strained, metallic scrapings, and an evil spoken vocal, and eventually crashes into a ritualistic, shamanic combination of dark sound s


nt dekonstrukkt of themes featured on zhark (berlin) 06, and the first release comes kowrekt from thee bid-daddio of da k-man islandz- kareem.. now a re-pressing of this deleted item is avail
 o deep, dark and gloomy hip hop instrumentals merging sample processing techniques and multiple synthesis usage into minimal and deformed loop arrangements. also featured on the sec


truments offer a tough enough row to hoe on their own; when the former come from a pair of heavily circuit-bent yamaha mid-pro keyboards, opportunities for disaster multiply exponentially. lu




re-form, at times, conjuring the spirit of heresy-era lustmord or vintage raison d'etre. heavy ritualistic drones, sporadic rhythmic accents, and deep subsonics that will vibrate your very core. an


eel the effect after listening a few times. special tracing-paper booklet
of horrific soundscapes. intelligent, technoid industrial & ambient noise.
 ches this point by refusing the use of any kind of beats with the shifts in it threatened atmospheres.forbidden frequencies are merged seamlessly with unseen fear and organic consciousness
urthermore, some references to scientific research, especially in the nuclear domain, clearly appear in the silk saw recordings wich stigmatise, non without a touch of humour, the utopia of the
 element. the 2cd set contains infecting rough & powerloaded tracks for your pulping fiction on disk one, while the second disk is keeping the ambience with drowning grooves and unrestraine
of subliminal melodies and dark hypnotic textures with analogue bleeps and warbles. 'release' is refreshingly simple and complex in its construction by combining pounding, bass-heavy rhythm
 o-industrial. fast forward > burnout ! reset your machines and start up again. connect your networks and prepare to crash! disturb your culture by deleting it and replace it by your altered cultu
 ntended for the listener who can appreciate its bold sense of exploration, as well as the surreal beauty of the world it evokes. a scientific bridge between sinetone minimalism and sonic mega
 nt backdrops overlaid with machine rhythmics and schizophrenic metamorphoses. a clawing sequence for your chaotic consciousness. de-constructed by olivier moreau aka imminent starvat
g of subliminal threat. fragments of voices and strange sounds are up to destroying the thin layer of socialisation. file under “harsh rhythm dark ambient”. jewelcase & special booklet w/ etchin
 ion, agony, chaos and penetrating coldness with synapscape’s energetic force, harsh rhythms and multilayered distortion. 'screenwalking' is the perfect balance between heavy processed pe
 y modern electronic musical style. the album’s title basically says it all. starting off with deep, droning, dark ambient influences over distorted beats, harsh rhythms and voices. “distorted disco
 s, holzwege, syncopated landscapes and landslides, ground bass, blind alleys, ban on sounding the retreat. a slow collection of percussive minimalism that fall somewhere into the grey area
 id, high-speed beats and rhythms without losing track on the chosen path - modernist soundscapes with a scent of 'intelligent', slow motion drum and bass ingredients - ending in a somehow
  to come. note: this is not an album, at the most a few elements extracted here and there from work intended for 'episodes'. nevertheless the important suspense creating factor is always imm
ams where you are falling and where you can’t escape. episodes is the final chapter of the lastest vromb releases. please check www.ant-zen.com/episodes for a full information how to handl
 etness. paranoid and threatened atmospheres of power noise and analogue electronics. it is pure, technoid rhythm noise and obscure frightening ambient. re-pressing with new full-colour art
  stevens is known in the worldwide industrial scene as one of the 'dissident' projects that offer new directions into an old scene. hypnoskull shows are accompanied by images that fit the soun
 erful male vocals - a melting of the breath taking harshness of mental destruction and the poetic sanctum.
 rted percussion has been put aside and replaced by structured feedbacks, samples and tremendous loops. 'ca ne nous rendra pas le congo' is different - different by all means. here sublimin
he listener what the listener deserves and of course expects from the state-of-the-art visually as musically artists. 'positive pop' consists of 13 excellent structured tracks ranging from synapsc


ed clanking and wrenched tones create a panoply of sonic information densely packed, always surprising with each contrasting twist. a 30 minutes ep.


e other famous narrators like jello biafra and henry rollins just to name today’s most active spokespersons, the weirdest think tank from down under (or the world?) surprises with subliminal sta
  paramoléculaire'; between hugo girard's legendary live appearance at the 'mutek' festival in montreal/canada and the 'maschinenfest 02' in aachen/germany, ant-zen presents this nicely des


he advance of an inorganic intelligence without hurry, though victory is near. the sound of machines flows into noise. distorted beats are hailing down like a storm. mercilessly tormenting and m
  songs for one united project. this recording combines everything from dark ambient drones, hard pounding rhythms with processed. samples and harsher noises. a 57 minute ep.
 eir first release under that name. the five tracks on this 10'' generate a chilling psychedelic mood with constantly changing loops that are supplemented with noise clicks and minimal rhythm d
 f all lost items, this is the essence of the past. ‘spectrum’ covers all parts of mata – diversification and variation with satisfaction guaranteed. you won’t find a single ‘sable’ track in this packag
 hythm-boxes and faulty synths.he is helped by some of his good friends: m. medea (silk saw), imminent, dr. john (for the metarc engineering) and the hash hash little robot. experienced nurse
 o listen and feel. let yourself go, drift away into a haze of images and scenes. the mood of this record can be described as 'icy ambience'. cold drones meld perfectly with sounds of electronic
  overthrowing men and time. 'modern times' was recorded by direct interaction between telepherique and roger rotor. despite the convenient 'internet collaborations' that are possible they pre
 ry dance styles and the hard side of underground industrial electronics. the project continues with the aim to create a new form of dance music without a compromise, controversial as hell an



  different version appeared on the 'daruma' compilation) done over distorted electro-beats to soundtrackish infernos. in addition, the album also explores grindcore (if you are familiar with the
ack in 1995) and we are glad that they have stuck by the label. synapscape's unique usage of heavy polyrhythms, ambient soundscapes, slight dub influences, mysterious vocals and astonish
 hythms in this aural universe, but it is still mighty cold and extremely dark in there. even in this cold and dark place, life forms (creatures, not machines) are created. you can hear them celebr
 d merged into one unique style? - would this sound good? probably not, but strangely enough it works brilliantly for this morn' omina. '7 years of famine' takes us into a highly visual aurora of


 ronounced “squaremeter” but it’s true, and in keeping with an unrelenting drive to push himself, mootz delivers a complete and total evolution in m2’s ethos with war of sound. “an artist should
 future work. expectations aren't easy to ignore and there are only a few musicians who won't be influenced by these reactions. there are three directions an artist can pursue with a follow-up:
 or applicable. each is essentially a koan whose solution is acessible only to experience, not to rational analysis. this is to assert finally that daruma is one key to an authentic and rewarding e
 ng tour. the 'speed' factor is that of a person moving (whether by foot or in different vehicles). this movement was transformed into rhythmic patterns. imagine the aural equivalent of taking a w


 tes t.m.o.'s combination of hard techno, 4-to-the-floor rhythms, tribal percussion and breaks overwhelmed by voice samples. this music is powerful and aggressive, but not as nihilistic as man
vidual, medeas solo project, debuted on ant-zen with his appearance on the 'daruma' compilation’. the compilation featured the short version of '180 bullets per man' - the title track of individu
sical styles. some of these projects date back to 1983. rotor’s earlier releases are more noise oriented and as such it was quite a surprise when he confronted the unprepared audience of mas
 his intention to end his musical activities - something just had to change. as a member of the ant family he was in contact with philipp münch (synapscape, ars moriendi and a solo artist (rors
 c narrative at the earliest possible chronological point). four years have passed since their last cd 'triode', and now the current state of the project's evolution can be heard on ant-zen's first ab
me ground, the church of jesus christ of latter day saints - the mormon church. since that time, evenson’s incisive, acerbic writing about the medieval brutality of contemporary humanity has go
ent/rock formation into the soundscape-oriented project we know today - take the 'peps' cd on duebel or the 'disco_2k ep' vinyl on ant-zen for example. u.m. had already announced 'pop press


  'neither dominion nor exclusion'. the grand chessboard's message: the united states’ "divide and rule" strategy - as represented by z.brzezinski's quotes (which are displayed in more detail o
 was released in 2003. this young artist has only appeared live once and that performance caused enthusiastic reactions from the audience and several label owners. we're proud to present t
s tyrant’, by sophocles. ‘les chambres d’œdipe’ was performed in november 2003 and february 2004 at the théâtre méga-pobec in evreux, france. the first performance took place at the fear d
, synapscape's astonishing rhythm skills are perfectly displayed. keeping the beat straight but always changing the patterns throughout a track. when a track starts you might think you know h
nces, paralyzing sub-basses and cold-sounding rhythms. the rhythmic part of l'ombres’ work has also increased and on 'simulations 2.0' you can find unusual references - such as slow dark h
e most important change might be that of sal-ocin, the new band member, his skills as a percussionist have been added to mika's ultra-precise machinery usage - on stage and in the studio.
de a split-vinyl with ammo. szkieve's music is made of intense and complex compositions that assemble rich textures and expansive sounds. this is then combined with chords, string melodie
cks with the following projects: defragmentation (usa), needle sharing (g),sickboy(b), the mike vanraspaardenquartet (b), urban punk assassin (b) and actdramatik (b). this album is the pearl o
s best seen by his playing of orchestral percussion and computing pieces for contemporary music performances (with art zoyd & kasper t.toeplitz). he has also composed music for dance com
). 'way through zero' is gjöll's initial release. music, lyrics and artwork of this cd should be seen as a conceptual work. the lyrics in icelandic language tell a story of a man´s anger evolving. in
ntually becoming a unique creation far beyond his relatives: imminent, delta files, c-drik or crno klank. axiome delighted at home listeners and live crowds all over the world. after the last viny
 such as ars moriendi, asche, morgenstern and monokrom. the most well-known project he's working in should be punch inc., a rhythm-industrial project that has released several cd-rs and 2
gin thoughts' caused enthusiastic reactions by both listeners and reviewers. the result was a mix of electronic/post-industrial music and 80s-minimal-electro with a frigid but soulful voice. thes
om - we guess it was from a place that doen't even exist. in october 2004, the same rabbits came to krefeld and unleashed their fury on the maschinenfest audience. the enthusiastic addicts a
by attack of musician during a live concert. venue burned in fight. no arrests. brought musician to del rio. prevented lynching of hip hop musician. arrested sheriff. transferred hip hop musician
 of wind rattled rain upon his campaign hat and spattered his face and hands. desperately tired and carrying the gnawing hunger from three missed meals, he glanced back along the road at
yl - you know what vinyl is made of, - don't you? 'the end of the world as we know it' as it is quoted in the liner notes, seems to be a dance centered around a volcano and the accent is on 'dan
nt an s.o.s. to earth... the entire story in german can be read on the new genetic selection release's cover. the creature itself, beautifully painted by michael hutter, is part of this release's artwo
 re than enough room for interpretations, personal additions and dissenting votes - marc medea and gabriel severin do not agitate. they do allegorise though and when asked they say 'we hop


enstern's work fused together. the separation of beat-oriented tracks and soundscape pieces disappeared and the fusion of different styles took their place. 'two different faces' is the perfect
uifére' and 'les gorges des limbes', are located in the 'ambient' sector, while albums like 'coagulating wreckage' and 'au seuil du nèant' also target the rhythmic region. on 'the audient void', ya
 ctions - if you file your records alphabetically then all their records can be kept in one place. but if you sort by genre... trouble may start. 'peps' for example will be stored where all the 'difficult
n't expected anymore). now, after countless customers' requests, both geneviéve and ant-zen are presenting g.p.'s finest vinyl tracks on compact disc (for the first time). what you will find is th
synapscape still had more. seven new tracks where t.kniep and philipp münch keep the beat straight, the vocals distorted, and the pace fast; however, they let the dancers catch their breath w
 the second strike. this expansion contains unreleased material, live tracks and remixes by industrial icons like sonar and ambient masters like architect and displacer. scott sturgis' musical v
 en juxtaposed by variations of deep electro, techno, crunchy breaks, neo space rock and startling abrupt rhythmic changes through to industrial-ambience. this album can be seen as a conce
s an explorer of new musical territories. futuristic sci-fi concepts combined with complex hard beats are his trademarks and these are further refined with 'world of tomorrow'. on this album, g.s
ances assured their top position in this genre. for those unfamiliar, sonar's sound can be described as synthesized outbursts, strategically placed samples and droning bass pulses, corseted
out mushrooms, diseases of civilization, the impact of machines on man, fear, and harassments. these illuminations are accompanied by soundscapes which are also used to introduce and t
as ars moriendi, templegarden's and rasputeen. in 2000, he and andreas glöckner started the rhythm industrial project punch inc. which has released one cd-r and two fulltime cds. in addition
d four-to-the-floor tracks to ambient, to ritualistic soundscapes, up to the utilization of quite unusual influences. we hope you enjoy listening!
 already featured on 'the coming dark age'; the two 'concrete octopus' remixes and three new unreleased tracks will keep you dancing & thinking - that's what black lung stands for. from sir re
like it or not. this mash-up of ultra-fast breaks, straight hard-driving rhythms, oscillating sub-bass, heavy distortion, explicit lyrics, and sampled media madness perfectly displays hypno's perc
t he is known for; accomplished via his unique mixture of melody, aggression and iciness. that is, he has continued on the path he started with his debut. what's astounding in s:cage's work is


 t only the album title but it's also the ancestral name of the eight greek goddesses and gods that are the inspiration for the track titles. mootz says that this work 'is the most satisfying squarem
mpling and programming (both have played in various projects since 1992). a. glöckner (aka moctan) experimented with electronic dance music and supported local industrial projects like ars
ectronica. this project is a conceptual creation inspired by mayan mythology and the ancient mayan astrological calendar of the same name. from the beginning their approach to sound result
ecial about c.o.'s sound - differing from the typical japanese 'industrial scene'. the initial aural transformation of track and release titles were soon replaced by something quite different. theme
 discovered industrial music in 1997 after debuting as a vocalist in a punk band and a few years later he started experimenting with electronic equipment. in 2005 he founded the 'le petit mach
bel/collective audiotrauma. after many concert appearances which caused reactions that were beyond enthusiasm/ecstasy and two years after 'processing industry' the time has come for thei
 ch is still present in their side project bubble gum) but the duo was also attracted to industrial-music projects like s.p.k., whitehouse and - of course - esplendor geométrico. their first release s
s growing mental laziness. maurizio blanco also liked the idea of turning chess into a musical concept. chessboards and relevant literature were aquired so as to get into to the spirit of the ga

, rhythm and ambience. this release is unmistakably synapscape - distorted polyrhythmic beats meet atonal synth tones, kniep's strange lyrics (coupled with his haunting alienated voice that
romanic humour and french eccentricity, lingouf alienates those who are into 'exact' terminations and information while contemporaneously intriguing broad-minded audio and visual art gourm
 le) along with supporting young upcoming performers like demian, rdr a.k.a. raw state and denizchador on his label kellermusik, which started seven years ago. by chance, on a trip to new yo
above empires, across frames, which can slip through the breaches of any walls. that is the story of this album. when rage is accompanied by tears. this album is our reaction facing the bruta
 rumours about a federation of ninjas overwhelming an unpremeditated audience, but before the legend became widespread there were more ominous tales being told: a congregation of mum
 ult of his personal twisted mind. within the years of law-rah's existence, he worked together with several people and re-evaluated the collectiveness of the project, which on its turn changed fr
he target moctan has set is visible: creating a unique synthesis of atmosphere, aggression and rhythm. after starting with the comparatively silent 'here and now', moctan increases speed and
ll of great importance to 100blumen - that is a citizen of full age, the scrutinization of authorities, politics and beliefs. but he does not consider his music 'political'; however track titles and som
h pockets & double fabric hood with drawstring. for ladies - size small.
h pockets & double fabric hood with drawstring. for ladies - size medium.
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 ient type release w/ ultra minimalistic grooves.
unfold a new chapter for smooth atmospheric noise. they are gonna play with your cells in your brain
 to come. note: this is not an album, at the most a few elements extracted here and there from work intended for 'episodes'. nevertheless the important suspense creating factor is always imm
 ion, agony, chaos and penetrating coldness with synapscape’s energetic force, harsh rhythms and multilayered distortion. 'screenwalking' is the perfect balance between heavy processed pe
 ops - the basic idea of the way tracks were created as starfish pool. this concept that has nothing to do with the sound but more with the way that tracks are practically made. the illusions of m
acks become a trip that stands far beyond the average electronic outputs from the u.s. jeff mcilwain now resides in los angeles, where he has been for two years. he originally started making m
nic essence of electronics. this equinoctial music rides between late winter and early spring, that time when the flesh begins to warm as it emerges from darkness into sunlight. driving backwa
h the discriminating music collector and djs looking for the next big thing. of course, lusine icl is not a stranger to the music scene. he has produced heralded music on labels as diverse as iso
al sonic assault, law of the battle of conquest is so pure a pairing of opposites - but it’s damned close, where the struggle of chaos vs. controlled atmospheres, of hellish breakbeats vs. dark d
 lush melodies and luscious analog warmth, formless summons from the depths of human emotion a musical epic that touches upon the gravest recesses of memory. the epic begins with “pa
 d there was no noise at all. hmmmmm .... noise? i asked some friends for help and klima found a loopish 3/4 pattern with nice breaks, it was quite unusual and I had to add it to the cart! disp
bric of his new album for hymen, circuitbreaking. hymen will release two versions: the full-length cd will include 10 tracks, where the arrangement consists of thematic, melody-driven pieces p
 ded mass stylistically name checks your idm and experimental electronic icons like aphex twin, squarepusher, and lee norris. somatic responses’ john healy and paul healy also have a mess
 records, and they immediately decided to release an album. the results were enthusiastic reviews and a 'top album' recommendation on the warp records' website. before 'nrthndr', reid dunn
 ound through dense atmospheres and tearing beats. hecate being the main conduit of electric escapism also splits her energy into other projects appearing under the name raquel de grimsto
a new futuristic sound. this album, dedicated to the memory of their father john healy, ranges between dark rhythmic downtempo pieces ('b boy 3000), hard-driven broken beats ('shell') and th
ar beyond the above-mentioned by building up walls of snippets (sometimes lasting less than half of a second) into sheer break-noise mayhem. hymen records’ first xanopticon record 'liminal
 ing recorded for hymen, ad noiseam, sublight, cargo, and many others, he took 2007 off, working on something very special: his debut on ohm resistance and the 2x12'' vinyl version on hym
 sition of its payload has shifted into a far more seductive form than it’s ever been before. once a harsh, post-industrial harbinger of the western world’s cultural and economic imperialism, sno
g' or 'bavarian folk music', doormouse kicks ass, balls, jaws and all the rest. perfectly well-placed sounds - a jazz trumpet, children's voices or jerry lee lewis combined with all sorts of rhythmic
sion of his new full length album: 'oozing bass spasms'. with enough porn and horror samples to satiate the most demented programmer, and enough juicy bass to placate the most voracious
s, he simply replies: 'dirty monkey from osaka japan'. ove-naxx is pioneering a delirious take on raggamuffin drum & bass and post-modern nipponese pop. catchy synth melodies buzz inside
ck lung, orphx, imminent starvation, not breathing, synapscape, monolith, icon zero, p.a.l, substanz t, lustmord vs. metal beast, vromb, seekness, architect, oil 10, bochumwelt, beefcake, som
  electronics obsessed. it starts harmlessly, but beefcake destroy everything entirely to build up their own unique imagery.
mposed and performed for expovni 1996, brussels - an ufo exhibition. 'a genious blend of the soundtrack '2001' and the early aphex twin' (radio atomic).
 currently hold is the very zenith of late twentieth century marketing and manufacturing technologies. although snog's output has always been of above average quality, the recent direction of
ntal pieces which however form an intimate coexistence. the complex melting of these different styles emphasises 'alterity' with a special, unique character. deeply fractured sonic mutations b
 award’ - a monolith among modern beats and drums.
 xes by beefcake, black lung, low-key, xingu hill, ubin, spacecat, shinjuku filth, francois tetaz. although snog's output has always been of above average quality, the recent direction of his relea
 s: founded by mick harris in 1991 to create rhythmic, hypnotic drum and bass music. since its inception, with its throbbing low end, ethereal sounds and big beats, scorn has explored previou
ocated in the southwest region of wales. somatic responses are into complex dislocated & broken beats, distorted intelligent constructions, fascinating sonic structures, force and sweetness t
 ophonic universe of smoth break beats and trip hop, covered with urban ambient soundscapes and hypnotising melodies. tripped experience is a soul inflected unreal landscape of slow-moti
 y and new york. starfish pool’s new release proves to be something of its own kind full of enjoyable and intelligent music. complex and soulful, this changing mood style can take our feelings
 u hill - it's calm but very intense and full of atmospheric click & cut electronics.
 dark pop departure. 'motion of' is slow brooding emotion that contains fierce electronic punches, which glisten with introspective guitar and meandering vocal delivery. fans and magazines of
 featuring m2, neutral, dead hollywood stars, beefcake, lusine icl, funkstörung, imminent, baracuda, scorn, venetian snares, frz & blue baboon & etereo expandeum club, fourplay, solar-x, son


  broken drum'n'bass beats and complex-structured layers with melodic lines while touching the void between 'tech' and 'industrial'. it seems that john and paul healy's creative output is bigge
y, the alien, the unexplored and therefore un-mastered realm of our imaginative experience. sonic themes and melodies so evocative they craft visions in your mind’s eye. that’s pretty much w
  the traits you know and love about substanz-t are in-tact: down tempo beats, industrial funk rhythms, and precision soundscape creation. yet electric opium, substanz-t’s 4 th album, comes fr
 sition of its payload has shifted into a far more seductive form than it’s ever been before. once a harsh, post-industrial harbinger of the western world’s cultural and economic imperialism, sno
ve revision of lustmord’s drone aesthetic. now she’s shacking up with venetian snares’ aaron funk. literally. nymphomatriarch, a joint project between venetian snares and hecate, is 100% com
 e spanish design magazine belio. war, which arrives in a non-descript sealed plastic container (bag), is designed to instantaneously immobilize personnel within an established radius by cau
oncussive breakbeat matrices and psycho-cinematic audio effects; black lung - martial industrial rhythm loops and stealth-quality ambience; and projecto mirage - caustic roland analog rhythm
strumentation and intelligent pop lyricism on her album motion of, neutral’s brought in some of the best and brightest in modern electronic music to have a go at her back catalog. remixers inc


ermarket, leant toward the darker threads of technoid drum’n’bass (panacea, tarmvred, etc). for i went out shopping to get some noise, myer reigns in the breaks to toss down thirteen mind-be
bric of his new album for hymen, circuitbreaking. hymen will release two versions: the full-length cd will include 10 tracks, where the arrangement consists of thematic, melody-driven pieces p
hrough her after her mother, herodias, sliced the flaccid tongue of john as it sat on the silver salver, the rhythm turning martial and full of cymbal brashness in 'nest of vipers.' the baleful sound
 g is an excerpt from that interview. (r): okay, let’s settle down now and move on to another question, alright? let’s talk a little about this new album of yours, ???. it’s your first solo album, right
 ded mass stylistically name checks your idm and experimental electronic icons like aphex twin, squarepusher, and lee norris. somatic responses’ john healy and paul healy also have a mess
 ay,' he says, 'i love everything that seems to be intelligent music me: speedy j, l'usine, biosphere, dälek, murcof, deathprod or james plotkin.' so it’s no wonder that on his second album as he
 u'll agree that each interpretation brings a refreshing new vigour to this cherished classic. in these fireside and dancefloor favourites there is a gentle, convincing persuasiveness about every
 ons to end's remember-the-sixties-easy-listening-electrock'n'roll-bastardazation. a marvellous aural rollercoaster ride of twanging guitars, scratches, soul horn blasts, surf sound, hecq, the tra
 r twisted american dream. admirers of the previous two albums will be in familiar territory, a feeling reinforced by the omnipresence of the slide guitars, ghostly melodies and the unique comb
 although 20 tracks are displayed on your cd player, 'megrim' should be enjoyed as one long 'track' consisting of 20 'parts' - without any pauses in between; a self-contained work of art. once a
 nt of artists like beefcake and lusine icl, are now mostly replaced by changing rhythmic textures, clicks and surprising sound manipulations. the precise filter effects on 'scumdrum's acoustic p
years, learning pink floyd solos and jane's addiction and stuff,” notes bryan, whose creative endeavors extend beyond music to being co-creator of the animated tv series avatar: the last airbe


 nts his new full length release, ‘form without function’ (featuring guest appearances by dj hidden, speaker wrath, somatic responses, submerged and silentkiller). 'form without function' follow
 his undergraduate degree at northwestern university in cello performance, he interned at wfmt and became the youngest person to produce the chicago symphony orchestra radio broadcasts
ssell's reference to artists such as lee hazlewood or leonard cohen polarized and proved snogs unpredictable creativity. and listeners' reactions on the seven all-acoustic 'travel sickness' tune
 painter. now he has decided to work seriously as a musician. his attendance of electro acoustic composition courses at the bordeaux conservatoire radically changed his musical point of vie
 a's sound - especially after listening to his compilation appearances and the brilliant 'illegal nervous habits' cd. the term 'beats' is re-defined by the sound maniac from arizona. a whirl of samp
 riences was followed by the hip-hop influenced electric opium; the moods may change but the vibe never will. four years have passed, and that vibe is still within 'beyond e'. substanz-t has tra
 and jazz, keef became a session bassist and also a computer game musician. over the years, he learned to play various instruments including bass, keyboard, guitar, drums, mandolin, sitar
s box set or the condensed singles compilation). here, mcilwain explores his ambient side to a fuller extent than in any of his previous releases. beautiful chord structures melt with excerpts fr
er two self-released albums, 'epoch' sees the light of day on hymen records - some kind of a logical conclusion; besides the aphex twin, meat beat manifesto, underworld, the orb and leftfield
 is in many styles/forms as he has worn many hats, masks and attires (with various bands and music projects) for the last 20 years. he has worked with cult groups (such as punk/industrial ba
 russia and australia in 2006 snog return to the recording studio in 2007 (unlike the romans of which they sing) victorious. ‘the last days of rome’ - is it leonard cohen (with its perversely apoca
  rs have passed since giauzar and it seems the brothers used their time not only for the explorations of new tonal and atonal scapes, they also went for a re-analysis of their roots. the digital d
 ost direct and potent musical message to date. 'at night' is even more emotive and personal than ginormous’ previous work, all while resisting self-indulgence. these eleven tracks were objec
 luerd (nimp). what can we expect from an artist whose influences and preferences range from electronica and ambient to pop, ethnic music and drum'n'bass? whose preferred authors are a.
 xplorations of different sound facets transforming boysen's feelings into music. it took time for this artist to subordinate the innumerable technical possibilities to become implements of his inn
 thomas p. with this cd has created a closed opus that might be seen as a concept album in which the listener has to decide what the concept is. nebulo's subtle approach forms a complex fic
ore, ambient and noise. after some experimentation and development he felt the time for a first release was right and now 'halfbreed' has been realized. in his own words, hpc's aim is to build
and 2008. zeller is effected by 'all kinds of subversive music' (ranging from breakcore and industrial music to dubstep) in such a way that he is able to assimilates these different musical facet




sh melodies. 10-seconds rhythm parts are compressed into milliseconds, this is definitely rhythmic, but this is definitely not metric - for sure it's metarc. let your mind enter the particle accelera
cist where linda blair's head slowly turned unnaturally all the way around? imagine if your computer did that to you as you late one night and you ll get an idea of what this record feels like...sp
 l length debut cd on mirex. this debut full length, 'fear and loathing for dummies', was the cd version of the zod 12" plus new material. however, 'revelry and decadence...' is all new material -


y and using pure industrial samples for his artistic work. listening to 'repairs' might validate the truth of these rumours. we do know that this is his second release. 'repaired' could be seen as th
nce music imprints like xl and suburban base - taking wicked samples from the heyday of rave culture and other sources, cracking them wide open, and pouring everything from industrial nois
  every few months, when mirex unleashed another one of its limited-release experimental break records, he’d be sure to be the first to get one. bernard had heard of sickboy’s incredibly twist


ade. dark and twisted is the theme of this album, a rave gone sour by bad speed or xtc. the usual trademark bong-ra stabs punch through the dancefloor orientated tracks. a weird rollercoaste


 on't know 'no new york' yet, you should look out...). besides the academic 'knitting factory' scene, there have always been artists who are and will keep 'underground'. what that means in this



ed fish and chips…everyone is eating curry…our slang for curry is ruby murry!” – metamatics. it is with immense pleasure and much local celebration that delikatessen, your source for delicio
 severing the place in half with a puddle of regurgitated chinese tea…we couldn't get to our table, the staff couldn't get past us to clean it up and the poor patrons near me all had to lift their fe
o they don't get too soft and fall to pieces." –myrza. toss out those stale old animal crackers and forget about the smell of your grandma’s kitchen, because delikatessen’s got a hot and gooey
 s and their fragrance is a kind of symbol of the new year holidays…such a bright colored fruit full of vitamins.' - eu. is it june already? not here it ain’t! it’s new year’s eve at the deli and eu is in
 arm fresh offer for you! toss out all your stale veggie trays and head on over to the delikatessen for a vitamin packed vinyl plate of tasty new carrots, erm, cuts from deru - pushing soil!. right o
 avers on a fat new slab of meaty beats! that’s right, we’ve got four fresh new cuts from none other than germany’s beefcake, the illustrious duo of gabor schablitzki and volker kahl, who’ve be


 and will have big hits,stuff indie music it`s rubbish' (jonni mogul) - well, 'betcha bootz' is the first official release for jonni as 'jonni mogul', continuing bazooka's consequent research for what w
 debut full length release on kaleidoskop received enthusiastic press reviews and praise from listeners worldwide. that cd even made it onto the german alternative charts (dac) for eight week
unique vocals. the music hits the listener right in the centre of their heart. it also seems that the italian division of ford thought the same thing - an excerpt from 'robot song' was chosen as a s


minimalist beats combined with inimitable german lyrics caused many people's attention. in 2004 belarussian label invasion wreckchords caught fire, and so the full-time album 'das leberwurst
 ning towards contemporary songwriting; here, the bielefeld based trio present a mixture between state-of-the-art electropop and instrumental tracks which are a perfect invitation to listen dee
bored and discovered their mutual fascination for loud music and heavy leather. cbihl was born! enigmatically, cbihl professed to have cruised the realms of central europe 'to convert all the lo
 o his former releases he uses the bass drum and believe me he knows how to use it. so he is building up landscapes which are danceable and therefore - industrial soundscapes by a techno
 ting in this first album. after their shared usa tour in 2000, roucka and stevens decided to actually make work of this project since the rumours were so well spread in the scene of the newsch
mbient oriented side of p.a.l.which clearly is set aside from the well-known power-rhythms he usually employs. limited 1000 copies.


 with others. this debut is a completely unique piece!


cea, hanin elias, 5f_55, punch inc., telerotor, pow(d)er pussy, mono no aware, klangstabil, synapscape, converter, antigen shift, axiome, detritus, morgenstern, architect, needle sharing, ah ca
 ays from sunday' released on the same label.the combination of exploding rhythms and freshly squeezed pussy juice music will atomize the brains & feet of the energetic dancers. think eclec
 embossing & metallic paper. limited to 210 copies.
 f an artist gets his inspiration from an architect, writer, filmer, or even a painter? some two years ago the [law-rah] collective started to work on this concept. being a long-time admirerer of the
 punch inc., synapscape, orphx, loss, lapsed, s.k.e.t., atrox, enduser, pow(d)er pussy, roger rotor, klangstabil, sonar, elekore, rasputin, kom-intern, kraken, ambassador 21, contagious orgasm


 mplex, restrained fury bring massive beats, deep bass, unexpected flash backs and mental industrialism, which mixes perfectly with concentrated agression, hysterical vocals and noisy brok
e, squaremeter, winterkälte, moctan, antigen shift, genevieve pasquier, suicide inside, in slaughter natives, p.a.l, snog, mono no aware, this morn' omina, institution d.o.l., cdatakill, shorai, xab
 . and again, this is an unusual and aggressive mixture of pounding rhythmic noise, broken beats and painful, dark melodics. this time suicide inside brings more ambient synths, explosive hy


 pecial. the third cd comes as a double pack, including remixes by p.a.l, s:cage, synapscape, 100blumen, ah cama-sotz, monolith, geistform, contaminant and more. cover printed in copper o
des with a picture to each song + special matt varnish.
 mina, twinkle, catholic boys in heavy leather, synapscape, ahnst anders, detritus, keef baker, 100blumen, ordo rosarius equilibrio, wai pi wai, config.sys, 5f-x, sonar, eva | 3, spherical disrupte
 ass of sampling and preaching - on your knees, get fisted! packaging: digipak printed silver on black cardboard + embossed logo!
 s and richness of variety of the sound, suicide inside stands for hard, rough and complex sounding rhythmic industrial. following the 'theory of the arising of desire' and 'learn to swallow', new
 ich has 'water' as main topic. packaging: cardboard sleeve.
 oscope, camanecsoszope, ah cama-sotz, mono no aware, kraken, rasputeen in heavy leather, larvae, empusae, xabec, ars moriendi, orphx, imminent, config sys / ahnst anders, hypnoskull,
 ssing link of this micro-scene has been overlooked, and not given the deserved recognition. until now, that is. mikael svensson, founding member of megaptera, also did his own project deaf
ps are taking us out of the comfort and warmth of our hiding place called life, guiding us on a dark and also mysterious journey like they did last year on 'likuma burts'. the echoing voice - with
 d by mikael svensson. previously in 2008 the 'found noises' cd was put out, a release that was met with great enthusiasm. a majority of listeners to industrial music were up until this year not




 l soundscapes. nullvektor's harsh groovy beats meet sharp noise peaks and clear electro sounds. presented in a hands paper pack.
s and great sound experimentation. unexpected and uncompromising club formations from one of the most promising noize acts on the scene. presented in a hands paper pack.
 around these days. on 'noisewhisperer' greyhound show two distinct faces : the ultra-hard, merciless and rhythmical industrial noise tracks they are renown for alongside a selection of more
e their robotic / tribal / industrial beat invasion with an amazing upgrade to new levels of perfected machine operation... presented in a hands paper pack.


  evangelista, s.k.e.t., ms gentur and ah cama-sotz.
 ythms. the music will take you to a journey through dark and threatening places, deep feelings, mystic glades, fallen empires, buried dreams, haunted woods and forgotten old worlds - the so




 ' until 'sequentia 2.o' and also as music composer for the dive album 'behind the sun', on this new release 'pro analogic', geistform has worked only with analog equipment and produced an e


 lectronic music. countless influences, both sonic and visual, help tonikom perpetuate its evolution. idm, industrial, techno, drum n bass, electro, trance, power electronix, ambient and tribal al
ences to keep each track fresh. stories are being told here, and subtle emotions threaten to break through on tracks like the wave goodbye, change my life, and the lone figure. this is electron
 and doing a release for toast and jam records. now ml have put together a full-length for n5md entitled 'everyone looks like somebody else'. with delicate playful melodies mixed with crunchy
 xt door' is a timeless excursion of mad beats and wickedly infectious melodies. spark manages to walk the fine line of experimentation and standard 'songs' with great effect. 'the robotic girl n
 l monikers such as 'funckarma', 'cenik' and 'quench'. they have released material on labels from across the globe including neo ouija, isophlux, dub, u-cover, delekatessen, and on records, a
 ecorded at a live show in his homebase of austin tx , this seamless reworking of original mixes and remixes shows why proem is one of the current shining stars of the genre. a highly recomm
 th veterans of the experimental electronica genre. md8 features rare and unreleased tracks from quench, gimmik, gridlock (remixed by loess), spark, vesna, headphone science, vcam (remix
 this time around she has been retrofitted for 12-bit mayhem, and now the real battle has begun. recorded live in spark's secret lair, 'super robot battle deluxe' assaults you with a perfect mix o
 orung, speedy j, ra-x, mr. projectile, + many more.
nd net-label releases. don't let aem's moniker fool you though...he is not 'just' 'another electronic musician'. 'use', his debut album for the n5md imprint, is an album of fragile, glitched-up expe
 ed caipruss starts where 2002s dyn (u-cover) left off and hotwires the quench blueprint for further digital mutation. those already acclimated to their many projects (funckarma, quench, shado
 lectronic musician) has pushed beyond 'use' to a place where the breadth of his sound has eclipsed expectations for an artists second full-length. previous comparisons to pole and lusine ar
 g. there is an implied lo-fi cinematic quality which makes 'sea' feel like the soundtrack to those old super-8 movies you have in the attic, with the only things missing are the musty smell of the
 has all the controlled visions of decay as its predecessor but with the addition of tobias’ desperate yet controlled vocals. these vocals bring to the fore-front a humanistic layer of melody to the
motional experiments in music credo. with his second album 'suture' (2006) subtractivelad toughened things up a bit by getting darker and somewhat emotionally weighted. with his new 3rd ful
nic tapestries. those familiar with fischer’s music will hear unparalleled growth in his production and songwriting since 2005’s 'the nineteen floors' (mmbp). those unfamiliar will take comfort in
  unavailability this time around remastered and repackaged complete with 3 bonus tracks. a shining album of 'futures passed' still sounding current, relevant, and true to form, galvanizing run
een mexico, europe and the united states somehow gives his debut album 'micalavera' for n5md an undercurrent of international, almost globalized, method. add in the mixing and mastering
 shed series of remix albums. new reinterpretations of run_return and landau sit a long side updated versions of remixes the funcken brothers have done of gridlock, multiplex and labteks. in
 thing we can all truly identify with. the album tells, strictly through feelings, of expectations, disappointments, distance, and the futility of attempting to reclaim lost memories. 'these places are
 finds arndt luring his potent song writing capabilities to the forefront yielding something truly exceptional. spiraling piano sonnets are juxtaposed against sweeping cascades of grainy synth-w
 ctronic textures, and thoughtful, yet meaningful, female vocals. while their carefully crafted songs may seem a bit out of place on a label founded on emotional electronics, upon further listens
 e of hope, but whose undercurrents pull you to the end you feared. epilogue in waves marks the end of cadoo's 'wading in the ocean' thematic metaphor for lost time that constituted the back
 through barcelona, spain. of particular interest was the innovative and sometimes peculiar modernist architecture of the l'eixample district. in catalunyan, l'eixample literally means an extensi
 from the background to a place of prominence and carried the ep's melodic content. this change in form represented an important period in the natural evolution of the bitcrush sound, a time
  out to do just that and have succeeded in writing a record that was as much a sign of the times as it was an expansion of their aural bubble that has been their watermark. they have been ca
 e release of kellermusik 07 this label establish itself not only in the techno scene. the music is finally where it belongs: industrial dj´s all over the world will play the label's music. with #07 kelle
ye'. regular disco-sleeve-cover edition.
ye'. limited folder-cover edition.
 nyl with influence from broken beats to techno, a little bit of hardcore and the typical kellermusik records sounds. his releases on strike records and other hardcore labels are worlds of speed


 t., displacer, zero degree, mc1r, the empath and m.o.p.m..
watts and ghosthunt. comes with one of 15 random covers. cd-r release.
 hre, tortoise, kid 606, solvent, kraftwerk, mainstream hip hop, select flims with interesting sound effects (that's not a band), matmos, brian eno, m83, mouse on mars, b. fleischman, styrofoam
 gh quality to enjoy every moment as its meant to be. sounds like: aphex twin, luke vibert, wagon christ, plug, squarepusher, mu-ziq, remarc, matmos, portishead, prince, mum, mogwai, globa


mpetencies through a series of disreality attempts, monastery supervision and a truly romantic way of handling peer pressure. his motives in sound resemble an abandoned ironworks garage d
 ht out earlier in some of atmogat-productions. 'try to feel' has the sensible aim to call listeners attention to the mood of several songs. the main intention of the artist is the acoustic perception
m current and upcoming releases, this compilation is a "who's who" of the scene's current and upcoming leading lights. from the grinding industrial beats of zymosiz, to the breakcore smackdo
 rm or another are responsible for all of these aliases) play twangy sci-fi music for people who know that the future actually happened over 40 years ago,was scripted by ed wood and illustrate
oy it as a background music while the other one will get a kick out of relishing every detail... messer chups is also known for it’s steady policy to bring aesthetics into kitsch and trash. the found
 musical and spoken samples, ranging from 1950s b-movies to cartoon sounds.this one, however, focuses more on surf-style guitar music and theremin. now there's a combination you don't h
  and remixed from vamp babes, miss libido, bride of the atom, and black black magic. absolutely essential,if you don't already own the the full set.


 s playing harp, the two others are playing some strange instrument - theremin. verdict: it's nice, that there is more live sound and less samples. composition 66,6 fm is particularly nice - it is a


 re movies' soundtracks or at new year's eve children parties. composed by multi-instrumentalist slava zavjalov and mostly done on old analogue russian synths - brilliant and highly recommen
 rm the inner dark companion on an auditory journey to the third pole, from blinding aural snow to an everlasting darkness crushing through the ice of the 88th parallel. they move in a giant so
 ntions over a stereophonic sea of drones, multidimensional soundscapes and subtle rhythms...coming over you, seeping into the very inside of your head, oscillating and twitching under the s
 ack: 1953. in this moving interpretation a story told by unspeakable sounds unfolds, sparsely reinforced by touching and dramatic spoken word interventions. sophisticated in sound, evolution
ect after the previous releases in the nautilus series 'ultra' contains cinematographic aquatic ambience. this time in the form of a radio play without words. an opressive soundscape, without th
 presents its tenth release and all honours go to vromb. the canadian sculptor of electronic sounds pictures life below water-level and sadly for us humans, the oxygen-level isn't high enough t
 constructions for the intelligent dancer. limited 399 copies
 es, intricate rhythms and constant tension form an oppressive dream, a moment of cold remembering.
 nt from his other work, only related to it by its darkness, but never has it been this present as on this demonic vinyl duo : this is spectre 13. the new number of the beast. 2x7-inch in box - limi
mple of sound research and sound manipulation in a coherent and convincing conceptual whole presented with a superbly elaborated artwork. the seal is cast aside, pass through the gate an
petitive tribal percussive elements, by invocations, by solemn and hymnic passages.
 of processed field recordings, every now and then lured into letting shamanic melodies or careful and subtle rhythms join in. sometimes the rhythms work their way to the surface - to hypnotiz
 ders. kraken are hunting the invisible enemy for 20 years now and for the last time they take the heavy task upon them - to take us on the ultimate mission over the borders of the musically un
 stration, and self-immolation that spawned this work. the first music that flows from your speakers is extremely harsh, throbbing power-noise, but already after a few minutes the style change
 re projects have gathered here to contribute their audio sculptures, and they do not celebrate this fest alone. they're given heart by other labels' dearest and a few promising newcomers. the
 erp-based independent label spectre records. after 2 vinyl-releases for this label, an album had to follow. '(g.o.d.)-once again' is a compact yet strong album that offers a good view on the las
 fear of meat' and 'your sister and the wrong leg' are just a few examples of the mindsetting of this album. soundwise 'chagrin' can best be described as isolasionist music, but with the remark
dden scrolls. within this final scroll were the long lost incantations which would bring the earth and all upon it on their knees. while mumbling the sacred incantations, herr manh klaph oltz and
 verything' the two tracks on this 7inch (entitled 'you are what eats you' and 'the waiting') are abrasive, eroding, mindblowing and emotionally very intense. maybe they're even more mentally d
 ur gift to the world. the original spectre roster covers three continents and almost fourty releases, divided over three labels. and while this is way too much to choose from, any sampler would
 ll release on spectre records. 'measured chaos' counts ten tracks in just a little under an hour. an ecletic mixture of elements, ranging from distorted beats, basslines and industrial to urban in
 d black and white cardboard cover. which brings us to the conclusion that together with 'amore' and 'chagrin', the kraken trilogy on spectre has been completed. amongst the multiple meanin
ent 'things fall apart', that 'difficult' second release by the project skincage. in twelve tracks you are given a tour through the mind of skincage, a tour among things that did, will or could fall apa
 ' the [law-rah] collective gives its dark poetic view on stuff like, you know, the world, leaving the listener with food for thought and space to fill in the blanks. on two 3'' cd's you are guided throu
 the guys from kraken would be able to rise above the level of excellence they had already reached. in all honesty and modesty, because we are the ones releasing it: yes, they are. on 'nachts
c duo hasn't been doing nothing between then and now ... 'will + representation' is even more eclectic and chaotic as the first album, resulting in a mixture ranging from breakbeats and ragga
scapes from all over the world; the tracks range from deep ambient with a religious touch to ritual layered structures - sometimes even close to straightforward dub - to technoid industrial epic
ble cover mat silver and brilliant orange containing 2 mcds (mini-max 3'') with 10 unreleased tracks, more than 700 photos and texts in english & french languages by mimetic and internationa




.), andreas schramm (asche...) and sven pügge. cd-r release.


ient soundcollages with whit and e´spirit. oswin czerwinsky and jürgen eberhard from the blackforest, germany founded this project in 1989. cd-r release.
 by riotmiloo from the punk band 'venom seeds' doing vocals on two tracks. also paul got the support of a.schramm (asche), d.vallee (lith), p.münch, who added three remixes as well as s.alt,



cover versions by asche, synapscape, 100blumen feat. ++99, p.a.l, morgenstern, imminent, rasputeen, genevieve pasquier, keef baker, salt, Eva|3, tourette bros, the rorschach garden, punc
reates a combination of cold mechanical ambiences and manipulating dark soundscapes with distorted rhythms. cd-r release.
e us to a very impressive dark ambient album, combining drones, soundscapes, abstract sounds and field recordings, following their conception of associating impressions of forgotten places
e dhyana and even appeared on a sony music compilation back in 1998. so far he released four cds on his' own label ms records. his' addiction to hard, rhythmic noise could be also heard on
converter to hypnoskull, but his' unique style makes it different fom these artists. this album is a mixture of minimal, ebm, hard tech, grinding, dance music and he also includes power electro
 these artists will blur the boundaries between techno, electronica, jungle, broken beat, darkwave, electro noise and metal. be prepared for a futuristic post-apocalyptic sounds.
d with an intoxicating rush of synthesizers, electronics, and layered drum machines. ten data keshin might not push forward into self-consciously arty territories like some of his electronic peer
 ne must have! (includes remixes by hecate and ambassador21.+ video clip) everything on this record comes together to form what could possibly be the perfect soundtrack to a riot possible.
d depressive voices flutter on distorted rhythms. the 9 tracks mix crystalline textures and corrosive patterns within atmospheric themes. based on additive and repetitive constructions, these t
complex, challenging stuff. something to push your brain around and probably make you dance. they are here to battle each other with hard hitting rhythms and beats, everything being ultra d
f the 2 editions of the noxious art festival, organized in france in june 2004 and 2005. facing the financial failure of the 2005 edition jeopardizing the organizing associations, artists mobilized,
ck called 'useless', and 'dogma' announces the consequences of this regain of conscience. the themes developed in 'attrition' are the will to power, death confronting life, dead end society, ir
f the human psyche. a personal organic dusty warm sound remote island universe made of sampling, cutting, audio manipulation and collages of masterfully chosen and assembled samples
perimental and cyber-punk, chrysalide is uncompromising, unforgiving, emotional, in-your-face, pure fucking industrial act that has the same quiet/loud technique as metal masters use. thema
second album, 'mind necrosis factor' mixes acoustic instruments and shooting rhythms, tribal cries and post-industrial atmospheres. more than genesis of a new shape, this album relates the
es of music, politics as well as urban visual arts. deeply influenced by the industrial, hip hop, ambient and noise scenes, le diktat follows the footsteps of bands such as scorn, dalëk, techno a
rdizer, terminal 11, society suckers, the assdroids, and dj rainbow ejaculation.
 is first full-length release "lazer thrash": a million beats, notes and moods are compressed into a few seconds which pounds the defenseless listener to the wall. cassin throws in references t
 e slightly different moniker (dj donna summer) and his first release for his own cock rock disco label. just as 'shamelessly exciting' was a record that mixed different genres into a new mash o
ugh porn and horror samples to satiate the most demented programmer, and enough juicy bass to placate the most voracious bass head, oozing bass spasms is a masterwork by one of the w




e slightly different moniker (dj donna summer) and his first release for his own cock rock disco label. just as 'shamelessly exciting' was a record that mixed different genres into a new mash o
e slightly different moniker (dj donna summer) and his first release for his own cock rock disco label. just as 'shamelessly exciting' was a record that mixed different genres into a new mash o



ark and chaotic, heading for an air raid on nashville. from the first bass lines onwards, sounds are grotesque exaggerations, but with one sweet nuance: the floor loves it. as a part of droon’s l




1st time in france, a lot of artists of the circles play the electro / indus, technoïde noise, breackore or noise and of multiple independent labels. the purpose of its evenings was to make discov
developpe under the name of element abuse his own vision of the manufacturer rhytmique, a rhythmic more relevant which does not forget to reference in quite a piece of the modern hardcor
. his(her,its) dreamy and night-electronics takes root in the pondering, to recreate the world, reinvent the reality, submerge the senses - but as to waste them better. this disk would look like h
 ternating between languid ambience, aggressive electrofunk and breakbeat electronica. 6page digipack.
nic sounds with danceable tracks. this first release includes 1 track on the a-side (45rpm) and 2 on the flip (33rpm). 'cocaine', the first track is a special one for those who like this old xtc dance
  released as a limited double cd box-set with 10 artprints on march 7 th 2005. music for ghosts emphatizes the essence of the bands aesthetic diverse expressions, that breaks - one after the
 ct all along this project. lifesteak, a collaborative work between tzii and rko, explores the relationship existing between our auditive and our visual environment in everyday life. this project as l


age, displacer, <tekniq>, mara's torment, diode fetish, inseminold, reagent, 45cep.
 his excellent contribution to musik aus strom's 'mas confusion' compilation, adam johnson's opening 'boungy' is a brilliantly crafted slice of warmed-up electronic atmosphere, slight dub echo
 iously brought us shining moments from the likes of eog and l'usine and their latest find, nynack, takes to the stage with 6 tracks of frenzied idm, a more digital version of aaron funk's special
  when it comes to making sound. he also understands how to handle samples without even having to think about it. with his tight beat structures and his catching atmospheres he took his ow
exciting release that will delight even the more demanding ear. among well known artists like kettel, adam johnson and funckarma this cd gives you the opportunity to discover the talents of th
 cuban mother. 'neu optimism' is the encounter between incredible, strange rhythms from brazil and new directions from old europe. the technical skills of moreau, combined with the analog to


 tail is shaped by the confusing mix of tones and silences
 stress and the effects caused on the human mind and body. on this cd, telepherique try to transform these effects caused via the nerve system into music - caution: please listen at your own
n that its influence is not a trend but here to last. the mid-nineties saw a very important event in contemporary electronic music with the arrival of scorn. the english band scorn showed, the wo
 he four artists here, aube (japan), lilith (us of a), p.a.l (germany), propeller (uk- canada, aka mark spybey of dead voices on air) are giving us a 15 minutes track each. each artist is giving her
orate successively together. mark spybey has recorded this disc, from tapes provided to him by mick harris, at the klaverland, netherlands nearby the rhine river. the two got help on this disc f
 from varied sources such as child tales, dark humour and inu chanting. dissolution, his first solo album, consists of pieces composed in between 1997 and 2001. this is more than just a colle
 r his work with terror punk rock project zeni geva as well as his self-titled solo works. 1987 witnessed the birth of zeni geva and in the years following an impressive history grew. they recorde
 ers from the brussels' scene, members of silk saw and xingu hill teamed up in 1999 for a very exclusive limited cd ep entitled 'dogme' (hsh06). this long time sold out item was presenting mo
mplers and mini disks a new generation of artists has taken over the improvisation scene. offering more diversity and sometimes depth than classic improvisation could provide, this new gene
s de quelque chose, szkieve has gained critical reputation worldwide. his truly distinctive sound is constituted of both suiting chords and strings and high-pitched synthetic sounds. drdp is in c
 seen the daylight before this release. oddie and sealey active under their project orphx met dead voices on air's mark spybey and the three decided to work together. the release of the record
 cks, etc; and redwing (sub rosa, 1995) used air; 'icfw' uses source audio and video recordings made exclusively from oceans-rivers-lakes-waterfalls-etc, modified using analog & digital filters
 seven inch vinyl is a visit to the birds pavilion, 'le pavillon des oiseaux' as well as an overview of the site. often remembered for the showing of tomorrow’s technological advancements, world
borate with each other is a real one! when asked by hushush to confront kapotte muziek’s sound - made from instruments consisting of discarded objects, discovered by the trio on locations a
 album explores minimal ambient territories, sci-fi inspired spirals of sonic textures and heavily modified field recordings. the deep drones, whispery hisses and dusty distortion from this album
 cking it at under 20 minutes on the cd player, this release proposes a journey that is indeed short but full of variations. here is an excellent introduction for this promising artist from montreal.
 in) and mathias delplanque (lena, bidlo) open us the door to a universe whose maze conceals a multitude of other doors. some are half-open, others are closed and many are, at first sight, in
 tate against their will, hearing your footsteps resonating around you towards infinity, up to the high arched ceilings of the engine room, hearing the distant sound of the water dripping slowly o
he montreal project nos royaumes flirted with the uneven terrains of rhythmic noise, pure noise, hard ebm and a zillion other sonic outlets, under various names. it is, however, with the found
 on the force of nature and crunch pod labels, brings us their first production in vinyl format. it is comprised of 2 exclusive tracks, on 10 inch vinyl (45rpm), released on the montreal based labe
d soundscapes makes him close to industrial ambient pioneers such as thomas köner, rapoon, biosphere and lull. icy, windy, droning and deeply ³protomelodic² at once, his music is a poetic
 rates, singapore, indonesia, malaysia, thailand, laos, vietnam, china, south korea, tibet, mongolia, hong kong and taiwan.



 pects of the earlier neutronic discs (on pendragon and ecr) and slams it together with an experimental dsp infected sound. 'the mutation engine' teaters on the edge, with its mutating flavor o
 rly detroit techno and the pioneering dub of the 60’s. art d’echo is a solid musical statement featuring nine original tracks plus three remixes from phil western (download/nettwerk), substance
 as the new king of the breakbeat!
onal, 2.cruchy, 3.melodic). while the intent may be simple, the songs themselves are more than a sum of their parts and add up to an introspective and melancholic masterwork. life itself was
cal beats. the overall tone of the album is one that is quite dreamlike where mutedvoices shuffle between the down tempo beats. hip hop plays a large roll in this release(most likely taken from
 c features remix/reconstructions of uzumaki and mochipet’s earlier works by the likes of devnull, donna summer, drop the lime, exillon, duran duran duran and a host of other talented mixers
moods to convey it's theme of an unsettled sense of body and memory. recycling of sounds and experimentation with voice cutups are essential elements in the recent work of collapse, leadin
ssed form's instrumentals are a superb example of how he is achieving his musical goals of a forward-looking industrial-dance music. eric's new abstract style surrounds minimalist beats with




project by another living legend of belgian ebm/electro: gino de vos of vomito negro! gino promises in his own words: ‘our goal is to bring you the future of sound. colours, atmospheres, dance
panish musician with name rafael m. espinosa, the mastermind behind the band geistform who released his debutalbum 'uno' on daft records. ‘behind the sun’ also features a guest appearan
 already one well received album on daft records and gigs all over europe with highlights like the daft festival (belgium), maschinenfest (germany) and the indieference festival (spain) geistfor


synths) and veerle de schepper (backing vocals). after releasing a track on the 'blitzpop 1' compilation and the release of their first 7'' single 'is there an exit?' (1981), wich became a local und
e showcase and release party at hof ter lo in antwerp, belgium on 6/10/07. feat. synthetic, morph control, darkmen, sol XIX, cruise [ctrl], synthetic dream, devoted symbols, ntrsn, act dramatik
t that continued to break ground with their unrelenting and often unclassifiable sound. responsible for such classics as i rage i melt, wet skin & curious eye and rorschach testing as well as ma
 pped down hard pounding ebm industrial music. pankow has released on such seminal labels as contempo, wax trax, and minus habens. without question pankow has influenced the sound
 s esoterical lanscapes … one could see reutoff's music as « ambient music for the very end of times »!!! the fifth chapter of their 'reutraum' series of conceptual releases comes in a very nice
 digipack mastered by the emblematic and enigmatic ah cama-sotz. the music can be described as an ambient but powerful and obsessive electronic piece.
er various concert and compilation appearances, lith comes back with 'tribal end', a moodier album with strong industrial fields as usual, but moderated by more tribal trance and echoing soun
 he music propose some esoterical and ritual soundscapes created by the french project lambwool. it occured to the label that both introspective works evolve on quite the same fields...lambw
 affair... mid tempo rythmics flirting with dark-electronica (and even ebm), enhanced by some desperate and aggressive vocals, but without any intention of dance floor's conquest. there's also


rkest places of his own town. this 100 pictures are the result of a four years shooting... the main title draw a parallel between the industrial noise movement (showing how our lives are condi
 can call traditional symphonic industrial style... from spk 'leichenschrei' to cmi's acts such as memorandum, heid or sophia, with heavy and desperate feelings similar to aghiatrias and omnic
 by ambient-acts like raison d’être, lustmord, or robert rich, but also post-rock acts such as godspeed you! black emperor, low and mogwai. intense and radical with a very 80's feeling always
 ) are masterpieces and now very hard to locate as quite deleted. all these works are stricktly limited editions of 500 items and are woth to be collected! musicaly speaking, the third volume w
 together, steinklang & divine comedy records are producing a tribute to this worldwide and legendary atmospheric icon. this musical journey is depicted by four top bands (with two tracks eac
vine comedy's addicts into lambwool or othila, or even foundation hope ; but sigma octantis can be more menacingto our ears. as musical influence, sigma octantis will quote spindrift of mort
 aradise that's in fact one of the most polluted part of europe. musically speaking , we meet up again with h.i.v.+ for a powerful split with the french sensation muckrackers. this is a return to no
ssive feedbacks, astral noises... the call of the wild is here. an egoistic pleasure of solitude turned into madness. this record is evanescent and paranoiac at the same time, fixing a point of no
sts and occasional violent outbursts. coherence is maintened by a subdued and introverted palette of sounds. you may strongly enjoy this new act if you appreciate ab ovo, mago, s:cage or th
  because the whole band is into the incredible 'microminiature love', as everybody in the world should be! kulfi's side is a brand new track energic and dreamy as the same time. can we say a
 ne' after the 'inferno' release, closing a decade? the music keeps the direction of the first lambwool effort, a delicate but strong ritual and symphonic music. peter bengtsen illustrates this albu
 nk years. it is with the same requirement in the selection of unreleased tracks that they call upon the cold and minimalist spirit that runs through the most brilliant and original works of the nor
 rker and disturbing one), pedro peñas robles succeed in making tangible the worst childhood nightmares. deeply influenced by coldwave and punk sounds from the early 80's, this release als
 uis buñuel, david lynch, and writers such as tristan tzara, andré breton & lovecraft. this audio/visual work will be presented in a nice digisleeve... a weird packaging for a very weird release! l
feirdd, blade, bop... for the third time, dcr is working with horologium (just remember the abyssal and beautiful v/a 'père-lachaise') on a split release with moljebka pvlse. this new opus entitled
ands such can, neurosis, comus, ca quintet, or tful 282. it may remind you or millions of things, but this album represents their own sound and it's darker than hell! obsessive and complex tex
g habits. it jumps eloquently from one mood to the next and swings bravely between spheric and rythmic poles. their spectrum reaches from anarcho-industrial to folkloristic ambient, which is
ce. this place is a sort of bavaria from a parallel universe infused with pagan and christian mysticism. drawing heavily from rural lore, legends of blood-covered martyrs and the inevitabilty of n
 ehouse, coil’s albums. de mange machine finds its strongest power moments in the simplicity and essence of the elements, it even reaches the point by refusing the use of any kind of beats
 ramework and shows that research doesn't always mean icy hermetism. this oil 10 release moves towards a resolutely dancefloor universe. with its timeless atmosphere, catching melodies a
 tronic generators as well as various items. de mange machine uniqueness rests on in the simplicity and essence of the elements. “conscience" ou le règne de l’animal malade” is an introspe
s and warmth are constantly fighting for predominance and the quasi-total absence of vocals makes it an extremely visionary record which would be a perfect match for a number of movie so
 ing cradle of everything that is ; in turns dark and desperate, 'gaia' hints at man as the destructor of nature and species ('hiroshima', 'katami') but also evokes, in an optimistic, hopeful manne
 rock/experimental/ electronics ensemble l'eglise du mouvement péristaltique inversé and his solo work crossing over avantrock and classical compositions in addition to being a member of 4
ences in gridlock and beefcake as well as in scandinavian, baltic, arabic and african musical traditions. conceived in terms of rhythmic structures supporting catchy melodies, silent reflections
 d in writing, comics, theatrical performance and poetry recitals. it is a concept in constant evolution with a marked cenographical and theatrical edge, complemented by collaborative work with
 ental solo project - several cd and vinyl releases have already been delivered. hungry for new sound adventures, 'fractional' is now coming back with a full length cd album (and a 12'' vinyl ep


 ythmic noise and dark ambient genres. flint glass is a one man project of gwenn trémorin, formed in 1999. not only a musician and producer, he also manages the outstanding experimental e
ery singular, dark and violent.there is a whole scale, an entire spectrum of sounds responding to or bouncing off each other in one composition that pop up again from track to track with bruta
 opus are accompanied by electronic bleeps and clicks. an approach compareable to certain works of frank bretschneider and taylor deupree; abstraction made of minimalist groove. these hi
o a hypnotic state. the composition seems minimalistic but yet complex;it is not one continuing loop,but the same sonic phrase multiplied by more than thirty, and for each phrase a different e
nically drifts between collage and poly-rhythmic art, taking the listener on a remarkably cerebral aural experience.
mix of crushing rhythmic noise, metallic percussion and dark, churning atmospheres. while falling primarily into the powernoise genre, this disc also incorperates many other interesting elemen
h totakeke, mokros explores a new direction where the focus lies more within the atmosphere, tension and individual elements of sound that construct these compositions as opposed to the m
 ", red reflection takes his niche for classical orchestrations, heavy ambience and rhythms even further by introducing many new components to the mix. while the focus of "amid the ruins" was
 ng and the beats are still heavy as ever, this exciting new release takes as into new sonic territories by further shreading, disjointing & layering these rhythmic assaults and introducing severa
 ke serve up layers of spacey ambience combined with pulsating synth sequences and infectious, slowly evolving rhythmic patterns that permeate the mix. the overalll sound of totakeke is dif
 ayfully melodic ambient tones. 'medical breaths' is sure to impress with its original blend of technically advanced sounds, creatively abstact rhythms and intelligently crafted song structures. m
e even futher, in both creativity and production, by meshing heavy layers of melodic, moody ambience, unsettling noisescapes and crushing, intelligently programmed rhythms. 'keep me here'
 mammoth soundscapes, surprising sampling and studio trickery, and broken noisy rhythms that connect like a baseball bat to the ribs. the sounds presented are a deftly woven steel mesh of
 on uk's underground music. working with names like duranduranduran and doormouse, they are set to take over the hard electronix scene with their fuck-labels amalgamations of noise, hard
 f an underwater nuclear test. with a nod towards the early daft/ant zen sound, origins is 10 tracks of chest-kicking industrial rhythms and murky black ambience. like some archaic destruction
n his compositions, amid the scattered, paranoid breaks and steel-cold threads of industrial ambience, threading through the somber melodies and creaking idm-infused spatters of noise, is a
wn as singles. with the concussive force of a runaway supercollider, panic lift exploded onto the industrial music scene in 2006, and they instantly careened to the forefront of the nyc industria
 hip’s to port' and i also know that he loves noise and tribal rhythms. i’ve seen him dancing to the hardest ebm tracks at savage garden as well as take in one of displacer’s lovely idm perform
anic rhythms, striking melodic textures, and surging ambient momentum. by turns sparkling and pristine and by others ugly and smoldering, vessels explores the brooding tensions between d
 l styles. v2 builds on synnack.s prior releases by leveraging an increasing amount custom software, field sampling techniques and live electronics to create an epic combination of ambient gl
great escape from lunacy', released on hive records in 2006. the artwork on this disc, once again beautifully merges inga dorosz.s photography of surreal landscapes, familiar made unfamilia
wn acid blast beats on your head. includes the hot remix of gravediggaz '1800suicide'.
ds boundaries. organic jungle, ingenious chaotic beats , unusual scale timings, the mutanoid soldiers deliver once again groundbreaking textures rythms, sound edit, syncopated and deadly b
d, ferocious style!!!. 'rejected residents' is a frenzy of hyper-creative sound, edits, and complex beats which reflects gibson’s attention to detail...
dwave like tyson's fists hurt his wife. 4 hyper-structured tracks, organic, brutal & dynamic, his high-level production is insane. duran duran duran's most ambitious and most accomplished wor


r 2 weeks!!!! the track 'girlfriend trouble' is going to be a dance floor hit!' (richard devine) - 'while others jump belatedly on the dubstep/breakbore bandwagon, ebola continues to sidestep gen
 coral is delivering four exclusives trax on his first record 'mambo mind'!!! the steps are performed by heavy, sharp beats, fine balancing act between all-out aural assaults and nuanced produ
passive propose all you can expect of the new skool junglist disease. massive bassline, driving rhythm roll, through a barrage of synthetic filter modulation, extra harsh reverb and manipulate


ma , totally normal, autopsy protocol. kamikaze never surrender!!!
edited glitchy breakbeats. pure mania, for fans of vsnares. the flip has eiterherd bringing back a little more structure with smashing breakbeat hardcore numbers that shred video-game sensib
sh scrapings of breaks and rolls to be found within doormouse's work, the true beauty and distinction lies in the sounds and washes of noise that create the mood. any good story has a great
e. tight breaks, killer prod, floor carnage, ballistic ragga beats, and beastly basses, luis garban, new talent, delivers for his first official release, 15 solid traxxx (19 on the cd version), complime


sound of bursting breakcore, gabber and sampling. nothing new to the genuine follower yet another step further into the violent, glorifying and energetic chapters to the milkplus story. to say th
delivers once again 4 explosive and energetic riddims. these raw tunes are an intense, largely unrelenting vulcanik assault on the ears...dancefloor will die!!!
 producer who worked already for dmc world championship (like dj netik, rafik,...), and sooner on a split release with the qemists on ninja tunes , disintegrate all over with a real dancefloor ma


 bootleg, this soundbwoy open the story of our new offshoot bang a rang. ragga breakcore, gabber recharge mix, glitchy structured electronica to modern breakbeat sounds version, kid606 d


09. an explosive cocktail for this summer full of rising breaks, frenzied drum rolls, massive ragga style n'crazy samples. exceed the stated dose’n’bun da danceflow!
 breaker digs deep into the same vein that produced the awesome 'my funny dead cats' 12'' in 2005, specifically an hard-steppin heavy ragga core artillery and an ear for defined drum and ba


nger is another huge release ready to kick your bass !!! from astract to dubstep & electro, the beats are pure fire. if you're looking for candies, this is too ruff for you!!! limited 700 copies.
p of broken beat into dancehall crasher territory! newcomer to the scene, this record is hard evidence that b-lam won’t be slipping through the door quietly and will not be forgotten easily. you


have cut their teeth in the london free party scene for years making their ears bleed to hardtek and drum n bass. coming from punk and hip-hop backgrounds respectively these two lads draw



feelings of childhood, warmth, wonder and memory. pur cosy tales is a concept album about the norfolk, uk village where collins grew up. the album features thirty-two tracks of inventive ele
trings respectively, dolphin and tecknoist prove they understand the need for a bit of light amongst the dank digital underpass they choose to inhabit. ouch! categories: hardcore.
mmer on the mic. categories: grime/dubstep.



anic jungle, 'drowning' with blissful vocal samples and 'the 9th hand' with detuned drum pads and an amazing chopped-up apache break.'
p to 2005's multiplex (released by canada's sublight label), reeves embellishes other-worldly electronica with clusters of organ-like chords and slabs of murky reverb. in the cross-fire of waveri
 e noise generators (aka shibaki electronics) made of iron plates, he creates and liberates dazzling spectra of sounds, from ultra-fast, extremely trippy, harsh barrages to spacy meditations. e
nry collins with his piss on garage plus excellents reworks. lets start rinsin' this one ... very good indeed!
opher lee voice sample into something even more menacing, and 'mr. leotardo' features a rude word. breaks.


-mate edit. following on from his appearance on the 'sacred symbols of mu' compilation, 'gnats', tom crunks it up even further with 'juno rhapsody' and 'blabber mouth' but still has time to intr


nouned as position chrome and klangkrieg, current value has reshaped his sound once again. utilizing the inimitable drum programming techniques and production values which garnered him
p produced his unbelievable powerful debut album entitled "das leberwurstbrot". as rasputin says about his concept: "we are human beings and beside all destructive behaviour we also have
 labrat and you the pathologist...run away from the horror, run and clench our wirehanger fist, hack your life away until you can't consume anymore, run away from the ruins that your life has b
 blows up your sound system totally - there is no time for a funeral arrangement. musically based on massive industrial sound with obvious punk influences, 'weight of death' brings more heav
 ore minimal and obscure than the debut album, 'gegen die wand' was produced by well known philipp muench (synapscape) and features 19 danceable industrial killer-tracks. since 'das lebe
attern hiding” 3''cdr. it features some of the harshest as well as the most melodic and danceable tracks released by monoid so far, trying to be interesting and accessible at the same time. the
rtured soul of mechanical doom, the incredible fragment king, in a titanic death-battle of the giants! monster island residents, beware! observe! as treated, ultra-low end bass hits the blisterin
d of erik schleicher, or, to speak in more precise terms, deep down into the viruz realm. this artist has a history of more than 10 years making hard hitting music, and it shows. from industriale
 previous full-length 'weight of death'’ material, this remix album delivers a large variety of styles, and at the same time it has the very own ambassador21 sound. we pass from rhythmic noise
e, klangstabil, roger rotor, proyecto mirage, s.k.e.t., ah cama-sotz and bong-ra. camera, visuals, edition and design by invasion wreck chords. this is a movie about our friends, about us and a
mbassador21 in 2003-2007. some of the remixes are unreleased (proyecto mirage, foetus), some others are been previously released on-line only (ctrler, the shizit, hansel). 'cut&go' brings 15
r clean intelligent sound - forget it. it's impossible to insert this belorussian duo's expression into generally accepted stereotype of exemplary life. this album deserves its name completely, it i
rs have been necessary for ctrler to design, create and produce his third album. the title is a good description of what we are going to look for inside: fast beats, breakcore chaos and hard dru
 ambassador21, beinhaus, boot-sector-viruz, catholic boys in heavy leather, cdatakill, chrysalide, config.sys, contagious orgasm, ctrler, detritus, fragment king, mimetic fake, moctan, monolith
d 2007 and two versions recorded live in paris and florence during fuck all systems tour 2007. here are everything which describes sound of ambassador21 - grinding wall of sound, massive d
maschinenfest, noxious art festival, elektroanschlag and many other awesome gigs... featuring guest appearances by fragmet king, synapscape, this morn' omina, dj hidden, asse, rasputeen,
 debut release, 'triple acid foot,' on brooklyn, new york's ra sounds was reviewed as 'a clever masterpiece' by smother.net and was one of the nyc downtown music gallery's best of 2004 relea
 h punk and hardcore guitar riffs. heightening their frenzied musical menace with brutal vocals by two singers was the next step. matamachete unleashes a musical fury and a disturbing sonic


s for five years under this guise, has finally completed her debut solo lp. as a manifestation of the power of love, life, sex and death, the magick of female ejaculation reaches deep into chamb
rd, presenting more abstract and psychedelic breaks and noise with influences ranging from hitchcock sountracks to metal bashing industrial music fused in their own aesthetic of dark breaks




 s don't end with mentasm, the plank or l'infamie, but reach out to the opening of misty beethoven and the electric prunes! and georges bataille !? the accursed share of rave!
d electro and a kind of drum'n'bass that's feeding off jess franco movies. mind you this record even has christoph on vocals demanding new sexual organs (not just for himself, but for all of yo


magick of female ejaculation' album.
yl. 6 tracks of varying intensity, but never lacking in depth. contrary to the somatic responses ep, there are no plans for a black vinyl re-press of this one.
 e opens with a sliding and subtle assault on the senses, a slipping in and out of conciousness which leads to the sleek and dark 'night drive' - a classic beat driven track in the vein of their pre
 dized - constant falling delivers a fresh take on industroid cut-up break mayhem. cold steel machines get caught up in brutal basslines and destroyed ambience to create a a solidep for mixin


 a bonus 7 inch included in the package. with cuts including 'all night', 'succumb unto the rapture', and 'houris’ hours', hecate delivers 'seven veils' most playable tunes for djs and collectors a


 oduced pummeling against layers of haunting ambience. his compostions showing a new maturity in streamlined elegance. labels printed on silver background.
 ic rites of the middle ages by summoning four apocalyptic pieces of his darkest work to date on the latest vinyl installment from zhark international. blending high-definition breakcore with har
 ucers all over the world to be recut and pieced back together in an astonishing assortment of remixes. this collection, although heavy on the beats and bass all around, doesn't get stuck in an
 s of perception. thirteen tracks comprise this cd release, six of which have been released on the single format, and the remaining seven to bring the listener ever closer to the haunted world r
ghostly ancients coalesce on a playground of twisted metal, evoking a tin heart pining for oil with every beat. filigreed harmonics, with their underpinnings of power, form an intricate armour ag
om the shadow world of motor city.
 ight’em, the label presents another sonic attack of warped psychedelia this time produced by rachael kozak and christoph fringeli. if you are into somatic responses - go get this one!


masterful programming on “technical witch”, and on the flip side going full out into territory bordering on breakcore, but never forgetting mixability for the progressive dancefloor.



 vile enginez, hailing for basel, ch, has produced his most innovative and complex record yet - and look for his next zhark intl. release sometime in the future. taking up the sub/version project



 s to create a new style of digital electronic music - fresh, contemporary and without compromises. their debut ep 'fear leader' on detroit's electronic hardcore techno label lowres will be out in
 angements with dense atmospheres. innasekt manage to produce hybrid structures combining conflicting elements: the heat of heavy subbasses and the icy coldness of dusky rooms. this re
als meet melancholic synth pads on side a 'making the best of a bad situation'. the second side of the record creates with 'zombie' a spooky atmosphere with a bell sound playing a frightening
 with skeletal rave stabs and a horrible warped b-line, industrial tech step at its dirtiest. b1- base sox express by dj controlled weirdness, the south london baseball obsessed card shark cw dro




a 12'' full of electro - gabber - dnb - breakcore - grime - dubstep and a little bit of everything else thrown into the blender with emphasis on all things core. the outcome is one of the roughest re
 sponses on praxis titled teatrodellopera ep. this release combines the power of their latest production on 2 tracks with 2 tracks from the mid-90’s resulting in an ep of highly distorted and com
 ial. the record contains 2 solo tracks by label founder fobia and 2 collaborations of her with amboss and hecate respectively. this compilation sets the mood for what is to follow in the future o
 is album will be regarded as a collector's item, since by the standards of tom's releases in recent years it is an unusual set both in the style of execution and constitution of the two newest tra
 gifted with vision. textures push and 'pull' as you shrug and scratch your head in awe, warm and reassuring, he wonders: 'why can't it make sense to you?'. spinning the record, taking it back.
 the artists that came together to bring dura matters to fruition have conceived a song cycle that mirrors a spring and autumn cycle of beauty and worth that will stand out among any collection
 the artists that came together to bring dura matters to fruition have conceived a song cycle that mirrors a spring and autumn cycle of beauty and worth that will stand out among any collection
  result is splendidly beyond adequate, traveling well beyond that standard in the course of a song that beckons the listener into a scape of ambient to electro and back in a relaxed and confid
 ectronic music. like twins separated at birth out of some terrible scheme of eugenics, the two come together as though drawn like rats of the same rhythm toward the melodic catharsis both h
 gramming and live 'playing' is effectively produced so that both elements not only compliment one another but interact in a way that gives the record a colorful personality. somehow, emotion
na summer, bong-ra, sickboy, mochipet...
 ents all over the planet. ripley's wreckstep raggaphonics slice through genres of jungle, dancehall, breakcore, hiphop, d'n'b, experimental breaks, and dub, sprouting new life on every dancefl
 events worldwide. in 2003 he began the mashit record label with a 12-inch featuring one of his rough-and-rugged-ragga tracks along-side an aaron spectre remix. it sold out within weeks of i
 ic ragga-breakcore and pounding 200 bpm gabber, served with a side salad of rave stabs and samples about dead bodies and all that sort of nonsense.
 occation, they have released a split white label especially for the tour featuring three tracks by the monsters and 2 tracks by nam shub of enki (aka kiki/ill). this is a rollercoaster ride of electro
 since 1996, unleashing aural assaults at breakcore, techno and hip-hop nights around the city. not to mention anywhere else that will have them, from brighton to madrid. they don't fit comfor


 pursued the drum and bass / jungle vibe with tunes such as 'shiva las vegas', a rinsing dnb blast which is still a firm crowd favourite and jamaican girl style a classic ragga / jungle cut. since t
 . he's had 2 cdr releases on bad boxr and 2 digital download ep's on the northamericanhardcore net label: nahc087 and nahc066, and has just signed a deal with sublight records of canada t
oundbites (aka robert van loghem) started out as a drum and bass dj / producer together with his long-time friend dj westrum. it seemed these two were inseparable when they started listening
  events worldwide. in 2003 he began the mashit record label with a 12-inch featuring one of his rough-and-rugged-ragga tracks along-side an aaron spectre remix. it sold out within weeks of i
wn proboscus records where he demonstrated his ability to sink breakcore balls deep, right into your cranium. after spending a lot of time touring and rinsing it out everywhere from krakow to n
 ts with a delicious guilty pleasure. that's it: james brown driving a bulldozer through a wrecking yard, hectic b-boys breakdancing in a puddle of motor oil, the bomb squad meets russolo in a z
 ucking hostile'. having previous releases on french labels peace off, damage, jungle therapy and bristol's jungletek movement, krumble takes raggacore to a new level!!!
 rst two new studio tracks from big joan since 2004. title track 'here comes the flood' is a relentless, pounding, dancehall-inspired groove which builds towards a climax of apocalyptic noise an
 ty basslines. the journey into crimson begins with doormouse grabbing your attention with his juxtaposition of cartoon samples and rugged live drums and twisting them into a hip-hop reggae
 ty basslines. the vinyl includes 6 excerpts from the cd version - feat. shitmat, line 47, exillon, eight frozen modules, chevron and soundmurderer.
 age sonicterror together with enduser, and has since founded terminal dusk) finally sees the light of the day. they go for the real dub here, neither 'step' nor 'ill', but come up with five excellent
  wire' contains high energy levels, sick low bass and brilliantly selected reggae samples. this album is executed perfectly and includes remixes from two fellow dubstep heads: atki2 & starkey
eat; swelling into an esoteric dreamworld that eventually drops into a bass heavy rhythm. after rattling your chest with deep bass tones; the esoteric world is quickly reintroduced and then take


 ykotropp, stormtrooper feat. mck, kiew, the man unknown, umkra and 5xpi.



ack is more for relaxing the mind. excellent! anc is nowadays miles away from his former speedcorestyle. he presents his new work. one track is in frenchcorestyle while the other 3 tracks are
 mber. this record is directly influenced by and dedicated to his grandfather!




 here. the a-side belongs to the chemnitzers, while we did invite friends from north america for the flip. echorausch (alexander hessel, rico suchatzki) have been an integral part of the local ele
 t as a beat seems too overpowering, a broad melancholy melody will descend like swans landing on a lake. a gorgeous swell of shifting colors and textures, with nary a beat in earshot. carto


 for a cosmic and surrealistic drum n bass attitude. ammo is produced by john sellekaers (xingu hill, ambre, torsion...) and mysterious c-drik (crno klank, axiome, ambre...). exclusive remixes b
 ite but what’s in between and beyond. obiekt - a prototype aural painting, the madman’s brush on a canvas of sound. a sonic sculpture chiseled out of marble noise. who is he that claims to a
 f panacea with needle sharing. a cd, with its huge beats, its small details, its subtilities and, most of all, intelligent and complex track that are the definitive and most accurate proof that drum,
 scraping noise and anger they couldfind in their samplers, the two of them have formed here the perfect bridge between the old and angry power electronic sound with up to date and musical
 vebuildingbomb', an album in which magwheels steps outside of every known paths and breeds the most emotional post-rock guitars with massive and yet flowing drones. rich, subtle and co
ature, architecture, design and history of the 1940’s. neither a political statement nor a cultural manifesto, this album is a dusty photo album of this period, transferred into sounds by one of tod
 ch.emerging from what was supposed to become a soundtrack to dance performances, this first album by mago tapping its inspiration from a more electronic direction, and allowing these mu


e children stories were to sound like? the pretty princess and the big bad wolf have jumped out of their pages and become little themes and sound waves. they step gently and softly to your ea
 ous act. 'not a word': a disc that does contain words, but will you find them? who knows what they are saying, and why? 'the whole process was a seemingly stereotypical artistic one in that it
 album is also the culminating point of a painstaking improvement, research and mixing of influences. powerful, intelligently written and uncommonly diverse, 'fashion victim' is an album which
musical dialogue for guitars, noise pedals and samplers. sullivan's new work, 7 track gathered under the title 'the only window is so high up', shows his skill at mixing post rock guitars and den
 name or as kreptkrept, of or monstrare, cordell klier is a driving force of the american electronic underground, putting his energy in both a music that definitely stands out and supporting many
 commodore 64 and the dearly loved sidstation. tarmvred feels like putting on silicon the tunes he had been throwing at audience for two years. here come the ultra distorted italo disco, the di
 x' to his project crno klank with a first cd album which presents across 11 tracks the vast array of material which has been written under this name. started in 1989, then paused in order to de
 ly further ahead. progressing from his mostly atmospheric works, wilt now integrates new elements into his sound, implementing cut-ups, modern electronics and a multitude of styles into his
 llaboration. starting with the essential 'integral' album, in which he set an example for the whole illbient / dark hop scene, michael palace later collaborated with twine (of bip-hop and ghostly i
 ting paste' 12'' (on zod records), enriched with new material, seven remixes and a track from his first 12''' ('binoculars'). 8 bit melodies one could whistle to, sequences mashed up beyond rec
 ticipation of scorn, larvae, horchata and md akira the don.
 uch acts as scanner, kim cascone, or kotra and played basically each and every music festival in eastern europe (as well as the transmediale, garage and information wants to be free festiva


  most mature album so far, and steals the whole 'rave is back' thing from the candy ravers.
  one trick project. juggling between the syncopated rhythms and cut ups of tracks such as 'hz' or 'den-m', he confronts mc equivalant's vocals on several rich pieces of electronic hip hop, befo
during several tours, matthew jeanes realized that he had more expectations to live up to than ever before. he was not struggling anymore to find an audience for his weird beats, and heavy b
 hese tracks are the result of a careful digital trickery, pushing the envelope of what can be re-invented with complex electronic music, and how tasty it can be. 'science of chance' is an album
tly produced, this album is a perfect combination of beauty and musical talent, of human feeling and driven beats. one doesn’t get very often an album which is satisfying both for the head, at
 (enriched by a remix by aaron spectre / air inspector), he succeeds at deconstructing funky, syncopated rhythms to build his own micro-cuts and tunes. a ferociously catchy album under a co


ats with a stronger groove. syncopated rhythms and carefully chosen sounds add a strong edge to an viciously headbanging-inducing album which both proves antigen shift's talent and open
ugh 'pure language' on top of a very distinctive bass and a new found drum'n'bass twist. keef baker enriches this vocabulary with a playful use of tempo changes and contained noise, writing
ite a record together, in the form of his throbbing, hard and ground-shaking 'unraveled ears' 12''. one new track by each act and one remix by each act.
as a band, and their place in the musical landscape. integrating guitars on most tracks and vocals (by jessica bailiff, shadowhuntaz, hope for agoldensummer and scalper), larvae give here bi


ows” displays wilt's new psychedelic and atmospheric approach to its deeply textured ambiances. 'dark meadows” is one the most rewarding and sombre of works of wilt, for it marries it organ
of the breakcore scene (enduser, duran duran duran, drop the lime and parasite) before inviting four youngsters (cake builder, cardopusher, dr bastardo and ace of breaks) and giving them an
 his tracks with newly found, harder and drier sounds. crystal-clear, melodic and dynamic, detritus's sound widens again with 'thresholds', mixing ardour and melancholy as never before. 'thre
he fast beat for a dub-heavy trip-hop, while still integrating challenging sounds and ideas. a very mature, interesting and beautiful album full of surprises and intensity. zak roberts (aka cdatak
 stener to a new memorable ride. an artist recognised as one of the most important of today breakcore and drum'n'bass scene, enduser had long wished to release an album where his hard b
mad ep, who takes here his listener through a non-linear collection of his most laid-back, personal and instrumental works. a deeply personal work displaying the heart of what mad ep is, 'the
 bassy beat get adjusted to a new, faster tempo, and conjugated with more diversity and voices than ever. a very varied, personal and massive work, adding a solid stone to the mothboy disc
of down-tempo beats and dulcimer collided with the fury of breakcore and the last vestige of punk rock when he moved from new york to berlin in 2003, giving birth to drumcorps, his newest a
 rave. hard, infectious and twisted, his tracks are sure to bring some fresh air to decks and playlist worldwide.
bination of flowing electronica, warm sounds and downbeat. precise but warm, and always groove-ridden, 'qed' injects a impressive dose of humanity and audio craftmanship in his idm sensib
killing sheep or sub/version, here comes finally the first full length album by dj hidden. 'the later after' presents an hour long of new material ranging from the hardest and most twisted drum'n'


 with cautiously baked breaks, spicy samples and tasty textures. a catchy, heart-warming meal awaits you here, served together with the astonishing visual cutlery or ra's painting.
o old-school rave. razor-sharp and crystal clear, the freaky vintage disco breaks are here to recombine complexity and club-appeal.


ck, flowing electronica with the sound of the dulcimer.
barren wastelands, droning into memories of future's past...dirges that will awaken the sleeping god's...doomjazz future corpses!
 e babalon's new project), detritus, lapsed and mad ep, the whole thing coming with a magnificent sleeve artwork by magnus blomster, who had already worked on 'valentine'.
ho remixes the same 'no brakes' in a very direct, club-friendly mad stomper. in contrast, non non (lapsed’s new partner in crime) offers a much slower, ever changing and gritty remix of 'hungr
ore and hardcore heroes. a fast, high-energy album of twisted beats, breaks and merciless riffs, it finally presents the 10 gems of these two records to all fans of this superlative-heavy, towerin
tive strings. a production tour-de-force, it presents a crystal-clear, yet powerful and deep sound that confirms this essential acts to the confirmed heights he had reached with his previous albu
high production skills, 'it's ok to dance' brings back life to twisted beats and complex rhythms and does it all with a smile. it's ok to take the acid test, and certainly impossible to resist.
-hop with an edge. ranging from heavy head bangers to lyrical narratives, 'the death of convenience' impresses by its variety, detail and its maturity. a very rich, well thought and thought-provo
 to his trademark sound, this corner-stone of a musician, constantly redefining the boundaries of electronic music, delivers here 8 salvoes of monumental bass, sparse dry beats and deep dro


 rtist present a new menu of his gritty, catchy and personal electronic hip hop, as well as lend the knife to la caution, vast aire (of cannibal ox fame), wisp, datach'i and lynx & ram for five spicy
s, guest vocals by shadow huntaz, mc equivalant and others and the multi-instrumentation which has made mad ep famous are all brought back on this artists's heaviest and most direct album
cians john mourjopoulos and floros floridis. the three give birth to a surprisingly human, warm and catchy game of clicks, horns and strings. deep, abrasive, but funky at parts: no surprise that
wxfdswxc2' (released on sublight). intricate melodies, gritty undertones, imaginative structures are thrown into a canva of idm and electronic hip-hop, forming a tasty (and brainy) whole.
ce all throughout europe, the six complex, crisp and tongue-in-cheek tracks presented here are also a lot more than just 'tuff'. upbeat and clear, the a side displays (again, as if necessary) che
dubstep and a highly melodic drive, cakebuilder opens a new gate for the genre, where 'dub' is replaced by something a lot colder and orchestral. cinematic dubstep of the blackest shade.
 most aggressive and noisy breakcore to melodic, syncopated material, the material on this record shows both producers at the top of their form and still is, 5 years after their original release
 of dub basses, catchy rhythm and idm influences.
acks of great beauty, the second part, 'monster music 2', brings back the giant monsters and heavy beats. and of course, watch out for new videos at larvae's upcoming concerts.
those of you who don't want sweeteners in their basses.
ombination of gabber and breakcore. shooting the head will not be enough.
ombination of gabber and breakcore. shooting the head will not be enough.
 of their two previous split records, originally released on zhark intl and low res. the final product is an intense, twisted and complex full length cd that documents the micro-edits and bold bea
 e might be gone for good, sickboy's new clothes are of the colourful party kind. mixing old school rave, new school electro, breaks and madness, sickboy hits the nail on its head and invite ev
n north america, this label gathers here new material by no less than venetian snares, cakebuilder, belladonnakillz and unitus to deliver a very strong record ranging from hard, dancefloor-frie


ol, angela singer, nicola costantino, gregory colbert, davide zucco. + a long list of contributions by: ana nieto, alberto alvarez, arthur d'arajuro, axel jiménez, beatriz tormo, caramela de nata, c
 rk from more than twenty international artists. all of them share a similar feeling and passion for distorted sounds and graphics. this book is meant to be an homage to breakcore and other sty
 llations and street art, selected pieces that show the essential working process of the last years.
s, but also sketches, sculptures and works from the early years. a book that shows the talent of one of the best illustrators in our days.



 s a few times later. james, matthieu, & 3 others french fellows, marie and yves daubert (my), sheila mata (hita corporated) worked together at james' studio in new jersey and released a surre
voices which gives to this album an unusual atmosphere, between space exploration and satellite serenades steady minimalistic beats and electrostatic movements, deep bass sounds stretc
 ing down, shiny colors and unindentified vibes floating in the air...
 azz history and of largely unknown contemporary composers. sampling is at the heart of this contrasted and carefully constructed music. it gives each piece its unique identity. the disk is a co
 hin the framework of a post-rock 'joint venture'. with this act, recorded live in nantes, march 2001, marc moéda and gabriel séverin are offering a claustrophobic musical field and a strong phy
nt tracks : bizarre string loops and mysterious unidentified speaking voices create a worrying atmosphere of claustrophobia. so far, their works (about 50 albums) were only produced on cd-r o
01, after recording a live improvisation at radio worm in rotterdam. their music is a construction of collage soundtracks, evolving from ambient shores to noisy frameworks. the originality of this
- now that's a space organ ! with their first album 'communication', olaf wollschläger and ralf gehle opened up the door to a very unique sound universe. it's up to the listener what he gets here
tually, hecq is benny boysen from germany, and 'a dried youth' is his debut album. in his' own words, 'cold, functional elements are combined with organic, 'natural' ones, the result is a hybrid


 arden, alarmen, spherical disrupted, ahp, nobdrun, fragment king and others.


 pal, heimstatt yipotash, atrox, umb kollektif, stahlwerk 9 and more. total: 75 min./ lim. 500 copies.
 collection of tracks by the artists who have performed on the events tanzfront has made in a recent one and a half years of their activities. among their guests who have contributed the track
ectro/industrial events in eastern germany over the years. on this double cd you can find 24 tracks (15 of them exclusive, 3 yet unreleased), ranging from electronic body music to noise, rhyth
 nolith, ambassador 21, tarmvred, mlada fronta, insekt and more. limited to 500 copies, jewelcase edition.
 , esplendor geometrico, catholic boys in heavy leather, sanctum, detritus, cervello elettronico, fragment king, heimstatt yipotash, nullvektor vs. mc1r, sonic area, twinkle, zero degree and mor
coming artists plus video 'the boxmaker' by stephen swartz. feat. genevieve pasquier, tzolk'in, punch inc., mimetic, winterkälte, the [law-rah] collective, loss, aaron spectre, stendeck, contami
 sonar, detune-x, insekt, bahntier, adam-x, hecate, proyecto mirage, mono no aware, sandblasting, mezire, monokrom, p.a.l and many others...
 us the sights and sounds of the berlin festival, which over the years has grown to become one of the premier events for the international noise and industrial scenes. this year’s compilation b
 ojects, which cover a lot of different branches of modern industrial music. feat. zero degree, tardive dyskinesia, tonal y nagual and more.
m the abyss scorching inside a sick mind. but there is this place - dark ambient radio. a place which provides with a shelter not only those who enjoy drowning their senses in dark soundscape
bered, limited edition 500 copies.
 by some of the best in the genre including architect, eretsua, flaque, urusai, lucidstatic, architrav, totakeke, s:cage, talvekoid, tzolk'in, and newcomers rekt, distraub, freeze etch, and unterm r
 emix collaborations flanking the likes of terrorfakt, imminent, radial, and klangstabil, 2 successful releases for frozen empire media, and a radiant new track on the recent tympanik audio com
 nce and female vocals by katja. complex and uncompromising, subheim’s debut album on tympanik audio is full of intricate rhythms, deep reverbs, and bitcrushed sounds, combined with pia
r fantastic 3rd album, last year's 'malignant shields' on aliens production, disharmony compiles their most beloved remixes for such prolific artists as polygon, flint glass, mnemonic, deadjump
 years in the making. while providing north american tour support for such acts as terrorfakt, antigen shift, cyanotic, adam x, iszoloscope and others, his many remixes of such industrial noise
he world of modern dark electronica. performing live with such legendary acts as xingu hill, s:cage, terrorfakt, converter, manufactura, haujobb, and legendary pink dots, a multitude of remix c
a plethora of remixing and producing credits, and memorable live performances around the world, pneumatic detach now brings his signature brand of sonic brutality to tympanik audio. ’[ko·m
assic industrial elements, lucidstatic is by no means an imitator, but rather an innovator of the hard electronic sound. with an impressive dossier of remixing and collaboration credits, includin
 rete of techniques with a mind altering rhythmic bent and a fierce uncompromising aesthetic. hard electronic rhythms meant for the dancefloor with enough vigor to perpetuate inviting headph
unchpod], and more recently a remix album ‘broken beats for broken hearts‘ [hive records], all of which have cemented autoclav1.1 as one of the more prolific artists on the scene. fusing huge
xperience. the talented german duo leads electronic music into new dimensions, adding not only complexity to their unique sound but an accessible human element as well that shines vibrant
egan developing electronic beats and fusing guitar with synthetic sounds. it wasn’t long before tapage started formulating his own style, experimenting with the vast possibilities of electronic s
nd forgotten totakeke masterpieces from the 'at the train station on a saturday evening' and 'elekatota' album sessions, seamlessly mixed and mastered to flow like a new collection of work. fu
que, mobthrow, xsoz, subheim, fabrics, psytech and more. digipak edition, limited 500 copies.
 in a somewhat soundtrack perspective, blackfilm slowly builds up an incredibly dark environment, in which fearsome ambiences co-exist with film-noir references. evolving from downtempo e
 e sound engineering skills and his extreme live performances alongside the likes of venetian snares, the bug, scorn and many more, ebola is back with another great album. previously releas
rex, cock rock disco & wrong music, terminal dusk and more. now, cardopusher returns with a blasting new ep on spectraliquid records, the sequel to 'mutant dubstep vol.1' by uk's ebola. wha


 e that shakes you to the bone. that`s tnt, that´s dynamite... ;). cd-r release.



80's atmosphere combined with technolike beats to a unique brew. she takes us on a journey to her home at the north sea coast. on this record one thinks that one can hear the clouds, the tid


tic sounds from its listeners first of all to stay tuned and hold out,' live goes on!' cd-r release - very special packaging: bound book-cover with 1-page inlet and embossed frontprint!
 disrupted, tendo, warbaby, zero degree. cd-r release
e. limited to 1000 copies. packaging: dvd-case.
nterkälte, marita schreck, oil 10, echorausch, xabec, polarlich 4.1, transistor and more. hand-numbered edition limited to 500 copies in special packaging.
 ed tracks, feat. p.a.l, telepherique, klangstabil, ah cama-sotz, xabec, 5f_55, the rorschach garden, the [law-rah] collective, spherical disrupted, alarmen and more. jewelcase edition, limited to
 rman project spherical disrupted as it is his' first regular cd-album. headstrong and dark sound structures between ambient and noise, electronic sounds and field recordings are featured on t
d-r on fich-art so far. the cd "auf tauchfahrt" was created in collaboration with b. teichner (the rorschach garden). as you can see by it's name underwater worlds are used as the cd's main the
he 8 idm influenced tracks on this debut album give the evidence that ambient and rhythm fit together perfectly. boxset edition feat. various coloured cards.
net we're flooded by information we are not able to conceive. e-mail spam (which was eponymous to the tracks and the album itself) tries to bypass filter mechanisms and spam-blockers with
null' remixed by different electronic artists. among the remixers are the audiophob projects mandelbrot and zero degree but also 5f-x, heimstatt yipotash, mimetic, telepherique, facies deform
 to spherical disrupteds remix cd 'barriere' (auphcd006). but you might also know the project from its earlier releases, for instance at art konkret and recently on polymorph records. 'urban' is
 rugged and surreal sides of nature: from cold, stormy nights of snow to the armed resistance of flora. once again you will hear sophisticated dark ambient tracks between cold synth-pads and
nd noisy technoid rhythms. the later might be even more dominant than on the predecessor. the cd comes with 10 new tracks plus a remix by spherical disrupted.
n called 'minus infinity db'. now, more than 4 years later we release our 10th cd. again it's a compilation, but this time we would like to show you what we have done so far. every project that re
 slices of atmosphere and dry beatstructures is stricter than before, the amount of darkness increases. and the funkyness remains. who the hell is glenn dambo? at least we know who bogge
 film, tv and theatre roles. in various solo exhibitions such as 'sognando dio' (rom, 2000) 'penthesilea - the undirected will' (kleist museum frankfurt/oder, 2001-2002), 'the time of the dogs' and
nning. limited to 100 copies, only a few copies left! pal system.
aging, limited to 425 numbered copies.
elepherique collected natural noises and transformed these in analogue compositions. limited vinyl lp plus fulltime cd edition w/ full-color sleeve and 8-page booklet including more infos abou


 and impulsantwort. it involves producing, haunting dark drones, hypnotic ambients and pulses from liquids of different tensile strengths. to joint the equalized spawn of impulsantwort, dreadfu
dolence visiting that house of affliction, he is reminded of his own inexorable mortality. to consider our existence in the gloomy house of mourning, ultimately and invariably culminating in dea



soundtextures and weird mutating cut-up soundscapes. a chaotic, naive and childish audio journey through the noisy insane toy factory corridors. digipak packaging - limited 500 copies.
rgasm, henrik nordvargr björkk, hentai and lasse marhaug. comes in deluxe 6-page-digipak.
omes to life..a unique and extremely disturbing masterpiece of fleshy, cold and perverse avantgarde dark-electronic soundscape nightmares.you have never heard anything like this before, a
 orod, iszoloscope, tokitoshi shiota. these artists pay respect to the japanese master of controversial new wave cinema takashi miike. his work inspires so many artists in our music scene, an
 apture the voices that has been haunting his creative mind..now manabu brings you his new dark electronic music project kotodama. once you have unleashed the captured voices from their
 hip-hop to breakcore - recommended!

001. the emotionally triggered droning soundscapes, which are the collective's trademark, have the power of confronting the listener with his or her deepest inner fears. the 44 minute track, b
he sounds of disaster is the soundtrack to a world of b-movie fantasies where hydrogen bombs, hippie death cults, subway-dwelling zombies, cannibal midgets, and legions of homicidal mad
adre). newt demands your attention to open a gate to an unknown universe, a confrontation with delirious hallucinations, emphatic atmospheres and an impressing look into the future, it will s
fferent forms of evolution. an endeavour to develop the interaction of music with other forms of expression such as image, video, decoration, theater and human sensitiveness... the main insp
 renetic synths to be rounded up with a good portion of science-fiction. this combination of aggressive rhythms and thrilling trance-passages hammer into your brain and will certainly gain con
 such respected artists like victoria lloyd (claire voyant), vanessa brigs (haujobb) and dennis ostermann (in strict confidence) which resulted in one of the brightest and matured debuts in quit
that individual style and originality is all you need to find your place in nightlife culture. every month hundreds of people get together in an abandoned barrack in southern germany to celebrat
 icules (films) highlights previously unrecognized facets of mika's musical self-conception. this album accentuates prior subsurface appearances of technoid intelligent dance music structures
 ythms, distorted textures and tim's non-reversible voice - an ecstatic mixture evolved to make you move! on 'countercroque' or 'requirement', crystal clear technoid detroit synth lines meet stri




metimes merge within a single note - just check out what starts as a distorted guitar and ends as click'n'cut in 'dead end'. instead of 'eclecticism' a logical extrapolation of varied influences is d
he time for the workers party of haiti to take over... music as diverse as moody atmospheric dark ambient tunes, slow hop-beat-driven sub-bass monsters and fast dance tracks built upon hard




 ins antlitz once again redefine their signature sound by injecting infectious beatwork into lush atmospheric soundscapes to create a poignant blend of dark electronica and industrial-tinged am
 ure industrial adrenaline, marked carefully by strong, complex atmospheres and dense, apocalyptic beats, ‘the sea & the silence‘ is a monster of an album, proclaiming two powerful elements
 es filled with dense, emotional soundscapes stirred generously by a vast assortment of broken beats and rhythmic pulses. drawing from a prolific pool of dark ambient, idm, tech-step, and rhy
 racks by some of the very finest in pioneering electronic music composers. featuring all new and exclusive tracks from artists around the globe including access to arasaka (us), totakeke (us)
after the next, ‘sonnambula ‘ conjures up the true ingredients of intelligent electronica, driven by distortion-tinged beats, soaring synth-lines, and modern classical elements that spew emotion
 tronica to industrial hip-hop, break-beat and cyber-punk. it sounds hybrid, exciting and darkly futuristic, pushing it forward with an intoxicating rush of synthesizers, electronics, political sample
 us fun fair, where the sweatinesses are black and the clowns hostile.




 t in a spiderweb that sticks and creeps to your skin, there is no escape. akumu is a truly imaginative and terrifying electronic album that gives us a new and unique edge on the artist and soun
dm...yes, dance. that trend changes with another electronic musician's latest album 'five', jase rex's fifth release under the n5md group of labels. five puts the dance back into intelligent dance
step, hip hop, downtempo, and even some post-industrial motifs are all drawn into the funckarma vortex to be reformed into the alien sonic shroud that embodies their trademark zig-zag sutur
ents: pan sonic's and phill niblock concerts in riga (2002, 2004), watercolors 2002, skanu mezs (sound forrest - klangwald) festival (2003), microstraava (2005) and more.
or sounds. the results range from sweet and melodic songs to deep and dark soundscapes. all 12 tracks on mewark's amazing debut album tell individual chapters of one story. its a fairy tale
 e piano, and even a bit of percussion. however the highlight of the cd is the fourth track, which started out with a voice going through a vocoder, later on forming a duet of voices and brings it
 l component of music on this compilation. the concept of deep sea shipping is rooted way back in the mythical worlds of h.p.lovecraft, as well as in the realm of sci-fi stories. moreover, the wo
mbient direction is another sound experiment dedicated to research of transition between outer sound spaces by means of music and a thought. this is a message from extraterrestrial worlds t
 ech tracks on trapez records in europe. alexander petrunin aka mewark works as a sound designer & jingle maker on mtv-russia. both met about 2 years ago programming for native instrume
 m the beginning it is mostly instrumental, but far from being simple 'background music'.soundscapes of threatening beauty are intersparsed with sophisticated melodic and powerful rhythmic
 nd obliterati. violence as first nature contains three brand new drum n bass anthems in homicide bomber, consciousness, and bad time for the empire, in addition to vinyl only hits like dirty bo


  out in the next months. ltd. to 300 copies. slamming and dangerous, these tracks will act as intensifiers at underground parties worldwide: no stars here....
 an snares! twisted hybrids of classic breakcore and hardcore styles, not to be missed!



 ckground noises, so that an apparently contrary combination leads to an unknown musical destination. the diverse sound and rhythm structures release a special acoustic perception which g
 y trolls and pillage the land with your guild of stank armored pig-grilled saxon hammers and pigtailed maiden coochie, you will need this. phantom fresh programming and a sense of severity
 ore amiga home computer, davros and unibomber showcase their own viscous blend of industrial hardcore and splintered broken beats with that unmistakable 8-bit crunch! davros takes ove
 g like a parasite, clawing away at old wounds. like ashes on celluloid, 'little black cloud' opens up a widescreen vista of sound, albeit sullied and decaying. eschewing the polish and sterility th
 avage republic, nadja, dirge, wild shores, year of no light, kill the thrill.
es or secrets, or at least, to probe the enclave, the place they haunt. the skinwell project is no exception; its two protagonists, christian corvellec and martin dumais, concoct music for tunnels

 , he comes up here again with a highly impressive record that does justice to his extensive talent. here comes highly efficient, fresh and hard dubstep record you have been waiting for.
d appetizers to tkde's second full length album to come in 2009, 'mutations' gather new tracks and reworks of older tunes, always in the very deep, beautiful and human way so typical and par
phonic virtuosos, sampling, deconstructing and reconstructing for his' life, in a very energetic and powerful way. his' knowledge of musical styles such as disco and prog rock is hilarious and h




 takes the listener drifting past dying suns, through black holes and beyond, to a place where the universe takes human form.




 running the gamut from the massive hit in the waiting of 'kill bella donna” ( complete with a complementary panacea remix ), to the grinding industrial-lashed assault of 'gotta gotta gotta kill,”
uit)' is taken from the 7'' single of the same name (on the static caravan label), while everything else on here is new and exclusive. angèle david-guillou, from the french band, klima, sings on




 live is a very trancy, psyched-out dance night. digital junky food - spiced with remixes by eon project, pierrepoint and takshaka.




thing fresh and funky from producer aaron ' funk' funk. not to worry though the sub-rattling low-end blasts and jackhammering hardcore anthems are still here and in full effect on tracks like 's
e of a pop god, and then over-tweaked with a monstrous equalization that will send your speakers straight to the repair shop.
trangely syncopated pseudo-rhythms and sharp pulsing noises. the effect of those spoken texts is really disqieting, a very severe & obscure release, different from all previous bad sector albu
m is collaborating with the female all sides-project which makes this release even more intriguing & it's their first full-length album since tjukurrpa 3 dated 2003.troum's (ancient german word
 y crashes into a ritualistic, shamanic combination of dark sound scapes and tribalistic electronic percussion that continues as a unifying theme for each track. the journey through the 4 track


an islandz- kareem.. now a re-pressing of this deleted item is available, limited to 300 copies in white 'disco-sleeve'. complete your collection now!
 nimal and deformed loop arrangements. also featured on the second ramadan release is reggae and dub vocalist paul st. hilaire, known for his releases on burial mix, main street records an


-pro keyboards, opportunities for disaster multiply exponentially. luckily, so do opportunities for the sorts of disastrous successes the band enjoys regularly, largely thanks to founder food team




ic accents, and deep subsonics that will vibrate your very core. an ideal blend of thick warm analog and sharp digital sound that bridges the gap between old and new technology. thematicall
e merged seamlessly with unseen fear and organic consciousness - constructing some of the most remote soundtracks imaginable.
s wich stigmatise, non without a touch of humour, the utopia of the scientific process and the inherent dangers in it.
k is keeping the ambience with drowning grooves and unrestrained weirdness. the track 'new order' has been perfectly converted by video-artist clemens von wedemeyer into a thrilling visual
plex in its construction by combining pounding, bass-heavy rhythms and hammering taps with fragmented noises and vocal samples. this is pure soundscaping, layering to silence and back.
sturb your culture by deleting it and replace it by your altered culture. insert audiofiles into your mind. incl. 2 bonustracks by hypnoskull vs. tunnel.
 a scientific bridge between sinetone minimalism and sonic mega-sampling which could be visualised as digital ambient. 89% of all samples are taken from various ant-zen releases. sample
ciousness. de-constructed by olivier moreau aka imminent starvation and the performance artist c-drìk. an unspoken chaos just started to penetrate your disfunction.
harsh rhythm dark ambient”. jewelcase & special booklet w/ etching.
creenwalking' is the perfect balance between heavy processed percussion and noise manipulation, the next step in the evolution of both bands. imminent and synapscape both perfectly comb
 s over distorted beats, harsh rhythms and voices. “distorted disco” reaches a first climax with a feedback orgy, heavy beats reminiscent of some older logic records stuff, quickly followed by p
n of percussive minimalism that fall somewhere into the grey area between orderly and infectious sporadic ambient.
nt', slow motion drum and bass ingredients - ending in a somehow warm and relaxing atmosphere. jewelcase packaging / transparent paper + 2 of 6 covercards (polaroid mata's)
nevertheless the important suspense creating factor is always imminent. despite the undeniable magic of monotony there is as well the soundtrack-like, dark science fiction atmosphere contr
eck www.ant-zen.com/episodes for a full information how to handle the sonic motions of vromb.
d obscure frightening ambient. re-pressing with new full-colour artwork. packaging: jewelcase, 4 page booklet.
ne. hypnoskull shows are accompanied by images that fit the sounds like a glove fits your hand. desolate, obscure, somehow alienating


ra pas le congo' is different - different by all means. here subliminal sounds dominate the scenery - the effort has been put here not on the violence of the tracks, but more on the adequation o
p' consists of 13 excellent structured tracks ranging from synapscape’s ambience over distorted vocalised tracks, always with a rhythmical touch and a scent of dancefloor. the multi-layered d




 tank from down under (or the world?) surprises with subliminal statements on vegans, media, information, tells stories about bizarre journeys, reveals his personal social observations regard
 hinenfest 02' in aachen/germany, ant-zen presents this nicely designed tourne-disque in two different formats. 'le tourne-disque' is more beat oriented which fits perfectly to vromb's live sets,


d beats are hailing down like a storm. mercilessly tormenting and mistreating. the embodiment of numb.
 cessed. samples and harsher noises. a 57 minute ep.
ops that are supplemented with noise clicks and minimal rhythm dots.this is the finest in electronica. limited 509 copies.
 ion guaranteed. you won’t find a single ‘sable’ track in this package! the direction of cd1 is focussed on heavily distorted rhythms that are monotonous, minimal, and repetitive. however, you c
 arc engineering) and the hash hash little robot. experienced nursery rhymes for an ethnic group to come.
cy ambience'. cold drones meld perfectly with sounds of electronic and even acoustic instruments. watch the northern lights while listening - if you can't, just close your eyes, then you will see
e the convenient 'internet collaborations' that are possible they preferred to record the disc 'live'. today's merciless rhythm of work and daily life is audible.factory work and disco enjoyment is m
rm of dance music without a compromise, controversial as hell and to-the-point. hypnoskull tracks are like dark, scary movies full of urban tragedy and fast beats; they represent a life on the f



ion, the album also explores grindcore (if you are familiar with the klangstabil/schmerzverstärker split-7'' you won't be surprised about that). however, mentioning musical genres leads the ope
 undscapes, slight dub influences, mysterious vocals and astonishing live appearances has made fans all over the world. 'raw' is the fifth full length synapscape release. it contains a variety o
s (creatures, not machines) are created. you can hear them celebrating their rituals, you can hear them talk and you can hear them sending greetings to zoviet france's parallel universe (perh
 ' omina. '7 years of famine' takes us into a highly visual aurora of darkness, aggression, pain, and contentment - all via lost and forgotten tribal styles of the past that are layered with present


nd total evolution in m2’s ethos with war of sound. “an artist should always progress with his sound, the actual style of m2 i’ve been working on is more ‘danceable,’ better for live-shows than
 s. there are three directions an artist can pursue with a follow-up: walk the same path as they did on the first record, change the style radically or use the fundamentals of the debut as a basis
sert finally that daruma is one key to an authentic and rewarding experience of japan and the japanese people.' (h. neill mcfarland: daruma-the founder of zen in japanese art and popular cultu
 d into rhythmic patterns. imagine the aural equivalent of taking a walk during a thunderstorm ('éclairs') or feeling the sun peaking through a clouded sky while window shopping ('boulevard'). a


 this music is powerful and aggressive, but not as nihilistic as many industrial soundwars. if you can't dance to it, you must be at least deaf, maybe blind, or at least a one-eyed man... cd2, 'le
he short version of '180 bullets per man' - the title track of individual's first album, also presented by the antz. medea's definition of this album: 'an abstract battlefield combining subbasses &
te a surprise when he confronted the unprepared audience of maschinenfest 02 with a straightforward rhythmic 4/4 beat attack. people asked for records and exactly one year later he has de
h philipp münch (synapscape, ars moriendi and a solo artist (rorschach garden)). mata decided to exchange musical ideas with philipp and a new project was formed. a project that would inc
nt state of the project's evolution can be heard on ant-zen's first ab ovo release: 'le temps suspendu...'. it is presented as a double cd - cd 1 includes the album itself, cd 2 contains remixes of
 ing about the medieval brutality of contemporary humanity has gone on to garner significant praise, and not a few distinctions. the creation of altmann’s tongue - which features brian evenson
yl on ant-zen for example. u.m. had already announced 'pop pressing' in interviews: "maybe our music became more 'listenable'" -- they said. to answer the question "what do you mean, listen


nted by z.brzezinski's quotes (which are displayed in more detail on the record cover). this message is subliminally transmitted through sound. the early description of black lung's music, "ultra
m the audience and several label owners. we're proud to present this debut full length cd on ant-zen. 'orbital ground attack' is the proof that it isn't always necessary to re-invent the wheel. the
bec in evreux, france. the first performance took place at the fear drop festival (les nuits de l’observatoire) and silk saw played live for every performance. in order to achieve a proper life inde
 hroughout a track. when a track starts you might think you know how it will proceed, but while listening you will end up being surprised. there is a permanent change - without any real interfere
 ulations 2.0' you can find unusual references - such as slow dark hop oriented beats and loops that are overlaid with smooth synth soundscapes, soundtrackish samples and filter manipulatio
mika's ultra-precise machinery usage - on stage and in the studio. 'les passages jumeaux' is presented as a 2-cd-set: 25° (cd1): you will be blown away by the sheer power and intensity of the
 pansive sounds. this is then combined with chords, string melodies and high-pitched synthetic tones. szkieve's sound explorations could be described as 'scientific', comparable to the works
an punk assassin (b) and actdramatik (b). this album is the pearl on more than a decade of hypnoskull-activities and is set to top even the highly rewarded ‘electronic music means war to us’a
yd & kasper t.toeplitz). he has also composed music for dance companies like ndt2 in the netherlands. in france, he wrote a pre-thesis about industrial music for the university of lyon (1993). a
 cs in icelandic language tell a story of a man´s anger evolving. in the beginning this person is pessimistic and moody, feeling powerless and hiding his' head in the sand. the second part show
ome listeners and live crowds all over the world. after the last vinyl release on ant-zen there were lots of curious requests about a new sign of life - well, here it is! if you once again expect me
 ., a rhythm-industrial project that has released several cd-rs and 2 full length albums. since 1998 he has been experimenting with electronic dance music or to put it another way, he has been
 music and 80s-minimal-electro with a frigid but soulful voice. these even tempered tracks attracted a german and international fan base. 'soap bubble factory' is geneviéve's first album on cd
heir fury on the maschinenfest audience. the enthusiastic addicts and shocked carrotheads tried to escape from the venue. after their performance they disappeared as fast as they showed u
 of hip hop musician. arrested sheriff. transferred hip hop musician to safe place. traced rumour of mexican raiders operating on this side border. unfounded. arrested white man with boatload
 nger from three missed meals, he glanced back along the road at the scattered friends. they were an army no longer; like himself they were just tired men returning to homes left long ago. on
 o be a dance centered around a volcano and the accent is on 'dance'. three rhythm-oriented tunes will immediately overtake the listener's ears and feet - another well-known thrussell tactic: g
 beautifully painted by michael hutter, is part of this release's artwork and the music is an aural description of the story's continuation... this concept album shows genetic selection's musical im
 gitate. they do allegorise though and when asked they say 'we hope that people will see the humour inside those reports - a humour you will find in samuel beckett's works for example.' once


 different styles took their place. 'two different faces' is the perfect proof that this merging of styles is possible. ritualistic beats meet dark and drony loops. surrealistic samples are added with m
 du nèant' also target the rhythmic region. on 'the audient void', yann takes 'au seuil du néant's concept one step further. there was once a more strict separation of ambient spheres and hard
  may start. 'peps' for example will be stored where all the 'difficult' stuff is - soundscapes, bits'n'clicks, the 'new music' which is actually fifty years old now (if you know how to spell 'pierre scha
yl tracks on compact disc (for the first time). what you will find is the complete 'virgin thoughts' lp, three 7" tracks, 'fairy tale' from the split-10" with bastards of love, g.p.'s 'in stahlgewittern II' co
nd the pace fast; however, they let the dancers catch their breath with 'karambolage' and 'situation eight'. so what are you doing with whitenoise, baby? go enjoy it! after three years, several co
mbient masters like architect and displacer. scott sturgis' musical variety is amazing, ranging from heavily distorted industrial beat attacks to dark ambient soundscapes. 'expansion 2.0' tracks
 hrough to industrial-ambience. this album can be seen as a conceptual / musical continuation and expansion to the 'karmageddon' 12'' which was released on ant-zen earlier this year. packa
hese are further refined with 'world of tomorrow'. on this album, g.s. combines heavy rhythms with his interpretation of various styles. hypnotic synth lines converge with pounding four to the flo
  strategically placed samples and droning bass pulses, corseted in strict driving beats and minimalistic sequences. presently the sonar line-up consists of dirk ivens (dive, the klinik, absolute
 ompanied by soundscapes which are also used to introduce and to mesmerize the listener. 'ringtone', which can also be watched as a short film, is a modern adaptation of e.a.poe's 'the tell-t
h inc. which has released one cd-r and two fulltime cds. in addition, he began to develop his own project bipol in 2005. ritual is the result of two years of hard work, a mixage of electronic triba


 u dancing & thinking - that's what black lung stands for. from sir real's distorted big beats to hecq's sound wizardry, from drilling basses to the final 'fissure of baal' collage - go get the official r
 rics, and sampled media madness perfectly displays hypno's perception as it is today. all this combined with his characteristic 'e-punk' attitude (clearly demonstrated in the cover of the dead k
ath he started with his debut. what's astounding in s:cage's work is the ability of mixing various moods through the assemblage of sounds. there is beauty and aggression at the same time bu


 ack titles. mootz says that this work 'is the most satisfying squaremeter release since i started the project'. the name of the first five mythological statures characterize an attribute for which th
tronic dance music and supported local industrial projects like ars moriendi, asche, morgenstern and monokrom, while a. brinkert (aka bipol) achived recognition as an innovative bass player
he same name. from the beginning their approach to sound resulted in quite a few novel musical perspectives: the merging of empusae's distinct dark, oppressive and brooding soundscapes
 ase titles were soon replaced by something quite different. themes became more abstract and surrealistic; influences came from various collaborations and often seriousness was undercut w
ng with electronic equipment. in 2005 he founded the 'le petit machiniste' label and the project that became 100blumen... although the project's name was taken from the mao zedong quote, (
nd two years after 'processing industry' the time has come for their first full length album. le jouet (the toy) explores the different aspects of 'toys': the pretend innocence of a real toy like barbie
ehouse and - of course - esplendor geométrico. their first release saw the light of day after nine years, and their creative output since then has evolved into more complexity. the hard-floor orie
 vant literature were aquired so as to get into to the spirit of the game. originally, the title of this album was planned to be "mindchess". later on, it was transformed into 'math & emotion' becau

ep's strange lyrics (coupled with his haunting alienated voice that is offset with various effects), and constant rhythmic changes (while the metric speed is kept). however, there is a readiness
mporaneously intriguing broad-minded audio and visual art gourmets. lingouf's first releases on the french ark-aik label might fit in the hardcore / gabber genre, area keloza can be seen as a
sik, which started seven years ago. by chance, on a trip to new york city in 2007, he became acquainted with dave kean - an inspirational character and a non-musician with a twisted mind, w
 accompanied by tears. this album is our reaction facing the brutal reality of our world today. a world under pressure where all is put into opposition, where everything would like to divide us an
 there were more ominous tales being told: a congregation of mummies entering stages, taking no prisoners, making eardrums bleed... all these tall tales mentioned the same name: monokro
 ated the collectiveness of the project, which on its turn changed from a solo-project with a weird name to a true collective of artists in auditive and visual areas. after knowing each other since
  comparatively silent 'here and now', moctan increases speed and activates the supercharger on the subsequent tracks - making you move, just as intended. titles like 'come closer' and 'a ne
 oes not consider his music 'political'; however track titles and some samples can be used as thought provoking impulses - if the listener decides to. musically, 'floral annihilation' is a consolid
nevertheless the important suspense creating factor is always imminent. despite the undeniable magic of monotony there is as well the soundtrack-like, dark science fiction atmosphere contr
creenwalking' is the perfect balance between heavy processed percussion and noise manipulation, the next step in the evolution of both bands. imminent and synapscape both perfectly com
ore with the way that tracks are practically made. the illusions of move cycle is an idea that started end at the end of 1999. it all comes to colours. the first one called blue, the colour that refle
s, where he has been for two years. he originally started making music about 5 years ago in austin, tx. where he received much of his musical influence. the music is much more acoustically
to warm as it emerges from darkness into sunlight. driving backwards is a rewarding and original listen.
cene. he has produced heralded music on labels as diverse as isophlux, hymen records, tigerbeat6, u-cover, musik aus strom and delikatessen records. with waves of praise, respect and ne
haos vs. controlled atmospheres, of hellish breakbeats vs. dark drones takes the form of four riveting tracks. rachael kozak pushes the aggressive, the combative, the raw power of percussiv
 es upon the gravest recesses of memory. the epic begins with “pallid”’s heavy mood, a product of forceful noise structures pounding through an idyllic synth melody - setting the stage for form
 e breaks, it was quite unusual and I had to add it to the cart! displacer recommended a straight forward piece, with crystal-clear synth-sounds - catchy.. okay, add this one too! benny came o
 ere the arrangement consists of thematic, melody-driven pieces punctuated by precision experimental electronics that range in timbre from the textural calamities of akira rabelais and autopo
 . somatic responses’ john healy and paul healy also have a message for these folks: rethink that tag. pounded mass is one acerbic noise assault after another, the kind that will make most fa
mendation on the warp records' website. before 'nrthndr', reid dunn (a.k.a. wisp) made several albums/eps (both on cd and mp3 format), appeared on compilations and produced remixes. wisp
gy into other projects appearing under the name raquel de grimstone, crisis theory, and is now working with abelcain and slutmachine on other projects. relentless in her output and energy, sh
mpo pieces ('b boy 3000), hard-driven broken beats ('shell') and threatening, soundtrackish electro-ambience which evokes the memory of john carpenter as viewed through bullet-shattered g
 ak-noise mayhem. hymen records’ first xanopticon record 'liminal space' was a compact, ultra-fast, stunning roll block of sound that left the listener nailed to the wall. three years later, 'psicici
 : his debut on ohm resistance and the 2x12'' vinyl version on hymen records. having relocated to san francisco, a new lease on his creative power is demonstrated adroitly over the entire albu
 ger of the western world’s cultural and economic imperialism, snog is now simply western. sorta. beyond the valley of the proles leverages the anthemic sagas of johnny cash, roger miller an
 ldren's voices or jerry lee lewis combined with all sorts of rhythmic styles - think breakbeat, drum & bass, jazz, a human beatbox and other styles which haven’t been invented yet - the result i
 programmer, and enough juicy bass to placate the most voracious bass-head, oozing bass spasms is a masterwork by one of the world's most original artists. by far his most approachable an
 d post-modern nipponese pop. catchy synth melodies buzz inside fast-moving thickets of percussion. reggae and video-game music are an obvious influence, as are japanese harmonic syste
 st, vromb, seekness, architect, oil 10, bochumwelt, beefcake, somatic responses, crno klank, esplendor geometrico, klangstabil, it, mother destruction, snog, hypnoskull, winterkälte and silk s


 aphex twin' (radio atomic).
 has always been of above average quality, the recent direction of his releases under the snog name had suggested a gradual change in style, with the quirky industrial of snog metamorphosi
 th a special, unique character. deeply fractured sonic mutations build up their own morphogenic aesthetics. it's unalterable giving a mindfully listening to enjoy a more experimental side of ele


ays been of above average quality, the recent direction of his releases under the snog name had suggested a gradual change in style, with the quirky industrial of snog metamorphosing into a
w end, ethereal sounds and big beats, scorn has explored previously uncharted musical territory and, in the process, has redefined the world of ambient dub. scorn has emerged as the vangu
 constructions, fascinating sonic structures, force and sweetness that is rarely matched by anyone else. 'augmented lines' is actually the 2nd cd release of the somatix brothers and the followe
 pped experience is a soul inflected unreal landscape of slow-motion cyber vibrations - leaded, disrupted and broken with stirring basslines & breaks. the journey continues on with rhythmic tr
mplex and soulful, this changing mood style can take our feelings and mind into sad, joyfull or dark atmospheres. with a general urban feeling worked out in an intelligent way. the final step so


 tive guitar and meandering vocal delivery. fans and magazines often praise neutral as both electronic and post-industrial. however, there's too much twangy electro and dolorous ambient fun
 frz & blue baboon & etereo expandeum club, fourplay, solar-x, sonic dragolgo, gridlock, xingu hill, lilienthal, bochum welt, substanz-t, starfish pool, noosa hedz, somatic responses, xanopticon


 strial'. it seems that john and paul healy's creative output is bigger than whales - you get 70+ minutes on the cd version and you will enjoy every second of it!
 vocative they craft visions in your mind’s eye. that’s pretty much what you get on end’s debut album for hymen records, science/fiction. throughout end’s science/fiction is a strong sense of th
 ape creation. yet electric opium, substanz-t’s 4 th album, comes from a much shinier place than their 2001 release, tripped experiences. electric opium bursts forth with bright soul and a vibra
 ger of the western world’s cultural and economic imperialism, snog is now simply western. sorta. beyond the valley of the proles leverages the anthemic sagas of johnny cash, roger miller an
 , a joint project between venetian snares and hecate, is 100% composed of sounds the duo made having sex together. but it’s not porno music. nymphomatriarch is cutting-edge drill beats an
 neously immobilize personnel within an established radius by causing rapid excitation of the cerebrum through both sonic and visual input. the impact radius of war varies from location to loca
 ality ambience; and projecto mirage - caustic roland analog rhythms and machine gun sounds. each artist on war contributes two original tracks to the cd, as well as remix of another artist’s tr
ern electronic music to have a go at her back catalog. remixers include ant-zen and hymen’s well-known noise arbiters xingu hill, p•a•l, and telepherique as well as newcomers like the cinema


 me noise, myer reigns in the breaks to toss down thirteen mind-bendingly tight electro-acid-industrial-techno cuts, each bearing myer’s signature dark flair and impeccable production. compa
 ere the arrangement consists of thematic, melody-driven pieces punctuated by precision experimental electronics that range in timbre from the textural calamities of akira rabelais and autopo
 l and full of cymbal brashness in 'nest of vipers.' the baleful sound of 'houris’ hours' and '3 rd veil - salome’s command' remained vague like a metallic ambience, a remembrance of her lascivi
 about this new album of yours, ???. it’s your first solo album, right? (vk): right, my first solo album. gabor, the other beefcake, he and i both make music separately but this is the first time i’ve
 . somatic responses’ john healy and paul healy also have a message for these folks: rethink that tag. pounded mass is one acerbic noise assault after another, the kind that will make most fa
or james plotkin.' so it’s no wonder that on his second album as hecq, scatterheart, boyson demonstrates a knack for incorporating the musical approaches that impress him into a dynamic an
 vourites there is a gentle, convincing persuasiveness about every rendition. the approach here is so totally, unaffectedly sincere you can't help but feel your whole inner being is touched. real
 ging guitars, scratches, soul horn blasts, surf sound, hecq, the trashmen, clicks, orchestral strings, cuts, breakcore, a progressive rock organ, heavy john-bonham-like drums, rap vocals, mad
esence of the slide guitars, ghostly melodies and the unique combination of acoustic with electronic elements. but smoke and mirrors quietly leaves the 'desert ambient' of gone west (2000) a
 ithout any pauses in between; a self-contained work of art. once again, volker kahl's preference for classical music, well-placed samples, field recordings, clutching melody lines, varying rhyth
 manipulations. the precise filter effects on 'scumdrum's acoustic percussion samples are a good example of hecq's production skills. one could draw a comparison to uwe schmidt's ealier wo
 to being co-creator of the animated tv series avatar: the last airbender. that said, the endless procession is hardly a rock album; it is epic music for the dynamism of a darker, more sinister wo


 ponses, submerged and silentkiller). 'form without function' follows what began with 'comparing paths': a movement from the raw sampling and breakbeat madness of his earlier works to the
 son to produce the chicago symphony orchestra radio broadcasts in their history. after two seasons, matthew decided to study sound recording and digital media at mcgill university in montre
 listeners' reactions on the seven all-acoustic 'travel sickness' tunes was even more surprised at......while we're talking about this one here. yes there are also eight brand new acoustic tracks,
 bordeaux conservatoire radically changed his musical point of view. of course he knew of artists such as the aphex twin but the classes introduced him to the academic world of musical avan
 ts' is re-defined by the sound maniac from arizona. a whirl of samples, time lapse meters and black hole like compression of track structures - 'terminal 11s sounds roams in an accelerated tw
 e passed, and that vibe is still within 'beyond e'. substanz-t has traded electric opium's roughness for hypnotic, almost melancholic sentiments. this album is a perfect merger of downtempo b
 truments including bass, keyboard, guitar, drums, mandolin, sitar and double bass. however he rediscovered music through bands such as skinny puppy, test dept and autechre in the early t
 previous releases. beautiful chord structures melt with excerpts from his huge archive of field recordings. characteristic layers and treatments are mostly kept together by a metric structure ac
aphex twin, meat beat manifesto, underworld, the orb and leftfield she also names hymen records' artist beefcake as one of her influences. 'epoch' is an enthralling mixture: the melodic richne
  years. he has worked with cult groups (such as punk/industrial band stg as a vocalist) and a programmer for death rock projects and as a keyboardist for kommunity fk - talada was undoubte
e last days of rome’ - is it leonard cohen (with its perversely apocalyptic lyric and delivery) or is it public enemy (with its slinky hip-hop beat and grinding guitar motif)? or is it even a male versi
 scapes, they also went for a re-analysis of their roots. the digital darkness described here is a dry, drawn out universe of distorted chromatic basses, straightened heavy beats and swirling fil
all while resisting self-indulgence. these eleven tracks were objectively beaten and honed until they each became the most condensed and vivid versions of themselves. bryan konietzko shin
p, ethnic music and drum'n'bass? whose preferred authors are a. de st. exupery, and andré gide, e.a. poe and ray bradbury? whose favorite movie directors are stanley kubrick, david lynch a
 numerable technical possibilities to become implements of his inner self, and he already began to walk this new path with '0000'. now, boysen qualifies 'night falls' as a turning point in hecq's
 what the concept is. nebulo's subtle approach forms a complex fictitious scenery by using seemingly minimal resources that are more visible than ever. electronically treated instruments like
alfbreed' has been realized. in his own words, hpc's aim is to build an aural exposure of his personal view of life by creating music beyond predictable schedules and clichés in electronic musi
h a way that he is able to assimilates these different musical facets into his own style. needless to say the results are unique and subversive in their own right. audio vandalism is an aggregat




metric - for sure it's metarc. let your mind enter the particle accelerator!
  one night and you ll get an idea of what this record feels like...special plastic sleeve packaging.
 material. however, 'revelry and decadence...' is all new material - another attack of ultra-fast break beat clashes that are mixed with odd samples and grinding bass power. fanny's “take it or l


 know that this is his second release. 'repaired' could be seen as the transformation of a regular work day into music. starting with drony, abstract soundscapes, followed by the addition of emb
 cking them wide open, and pouring everything from industrial noise to acid breaks into the mix. venezia has been musically inclined since youth, made mixtapes in elementary school and goi
 he first to get one. bernard had heard of sickboy’s incredibly twisted breakcore releases on death$ucker and peace off, so he was especially excited to pick up mirex’ newest release, sickboy


unch through the dancefloor orientated tracks. a weird rollercoaster ride from ambience to straight-up-drum-and-bassy weirdness to 200bpm+ chaos!! soldaat van oranje is influenced by past


 ists who are and will keep 'underground'. what that means in this case: fresh, pry and rowdy! and that's what this compilation series should be - a little overview of what's happening in this po



 d much local celebration that delikatessen, your source for delicious electronics, announces a true globe-spanning dish: spicy metamatics in a lush remix sauce! round up a six of kingfisher
 s to clean it up and the poor patrons near me all had to lift their feet in the air to avoid the flood!' --lilienthal ooof! we guarantee there will be no barfing when you check out delikatessen’s fif
 r grandma’s kitchen, because delikatessen’s got a hot and gooey batch of new tunes from myrza! all you can eat is a 10-inch cookie with three glorious flavors baked in. the first bite, “lylt,” is
already? not here it ain’t! it’s new year’s eve at the deli and eu is in the house, so put your melons in the air and shake ‘em like you just don’t care! ooops, wrong fruit group. it don’t matter thou
 ate of tasty new carrots, erm, cuts from deru - pushing soil!. right on the heels of a critically renown lp for neo ouija, pushing air, deru digs up this spanking new collection of four remixes by fe
  the illustrious duo of gabor schablitzki and volker kahl, who’ve been slicing and dicing choice electronic and idm selections since 1997. the first track is a top sirloin cut, cooked well-done on


onni mogul', continuing bazooka's consequent research for what we call 'hits'- ride the rodeo !!!! the red vinyl single will be backed with 'el chupacabra', the mythological name for the mexican
 en made it onto the german alternative charts (dac) for eight weeks! this brand new release by the german trio is the logical continuation of the first album. 14 unreleased tracks plus 2 titles p
 t the same thing - an excerpt from 'robot song' was chosen as a soundtrack for a ford fiesta tv ad. now here is trg's long-awaited follow-up: the cd presents fourteen new tracks (except the en


 reckchords caught fire, and so the full-time album 'das leberwurstbrot' was published, followed by 'gegen die wand' two years later. by the time of the second full-length, rasputin decided to c
 and instrumental tracks which are a perfect invitation to listen deeply and to 'lift-off' as well. the opener 'move myself' already points out the direction: catchy melodies, p.münch's unmistakable
 d to have cruised the realms of central europe 'to convert all the lost souls down the valley deep and up the mountain high'. within a few years they had gathered many enthusiastic disciples f
 are danceable and therefore - industrial soundscapes by a technoid human. the mcd comes in a special cardboard packaging.
since the rumours were so well spread in the scene of the newschool industrial techno, and everybody was asking how <cybernetic:fuckheadz> would sound like. hardcore breakbeats <cyber




 ift, axiome, detritus, morgenstern, architect, needle sharing, ah cama-sotz, sonar.
 will atomize the brains & feet of the energetic dancers. think eclectic, think dynamic, think pow[d]er pussy ! pow[d]er to the pussies! - meow!
started to work on this concept. being a long-time admirerer of the works of andy warhol, the goal was to translate his works into an auditory perspective. the result is presented on the new alb
 rasputin, kom-intern, kraken, ambassador 21, contagious orgasm, morgenstern, imminent, ah cama-sotz. paper folder-cover edition.


ctly with concentrated agression, hysterical vocals and noisy broken beats. even if 'theory of the arising of desire' contains a lot of melody, it always forces you to feel that control of violence c
 no aware, this morn' omina, institution d.o.l., cdatakill, shorai, xabec, bong-ra, militia, hypnoskull, mimetic and needle sharing. paper folder-cover edition.
 this time suicide inside brings more ambient synths, explosive hythms and sharp vocals than ever before. the words are razors. suicide inside has added new sensations and the perception


nolith, geistform, contaminant and more. cover printed in copper on black cardboard


librio, wai pi wai, config.sys, 5f-x, sonar, eva | 3, spherical disrupted, dj hidden, ab ovo, s.k.e.t., ambassador 21, drumcorps, vromb and ah cama-sotz. gatefold-cover printed in gold on bordea


ing the 'theory of the arising of desire' and 'learn to swallow', new album inherits its mental aesthetic, but on new level of consciousness. suicide inside developed their very own style to desc


moriendi, orphx, imminent, config sys / ahnst anders, hypnoskull, ambassador 21 / suicide inside, monokrom, klangstabil, punch inc., mimetic, sonar, the law-rah collective, monolith, ms gent
on, founding member of megaptera, also did his own project deaf machine but it vanished without leaving many traces behind. besides a couple of wildly obscure self-released tapes, the only
y like they did last year on 'likuma burts'. the echoing voice - with a tinge of lament - supports the feeling of being desolate, but the hypnotic eastern cold is so addictive. the breath of wrecked
 majority of listeners to industrial music were up until this year not even aware of the name deaf machine. only a minuscule fraction had ever heard the music. merely ten people can claim to




acts on the scene. presented in a hands paper pack.
al noise tracks they are renown for alongside a selection of more minimal, kicking and groovy electro / industrial tracks. presented in a hands paper pack.
ented in a hands paper pack.



, buried dreams, haunted woods and forgotten old worlds - the soundtrack for your darkest fantasies.




stform has worked only with analog equipment and produced an electro-industrial album full of kicking beats, analogue modulations, oscilators, waves and wh/noise. the concept was transfor


um n bass, electro, trance, power electronix, ambient and tribal all combine to form tonikom's sound. released at the very beginning of 2005, this debut solidified tonikom's presence as an up
wave goodbye, change my life, and the lone figure. this is electronic music that refuses to live on one planet, that flows like its namesake into the soul and distracts from reality. highly recomm
somebody else'. with delicate playful melodies mixed with crunchy beats that almost seem organic in nature 'everyone looks like somebody else' is almost beyond comparison. there are many
mentation and standard 'songs' with great effect. 'the robotic girl next door' is an excellent debut from an excellent artist!
neo ouija, isophlux, dub, u-cover, delekatessen, and on records, as well as a future release with warp's arcola imprint under their latest incarnation 'cane'. their musical output has been rather
m is one of the current shining stars of the genre. a highly recommended release if you’re a fan lush glitched-up electronica.
emixed by loess), spark, vesna, headphone science, vcam (remixed by proem), among others. all of which are decompressed for your listening leisure.
 et lair, 'super robot battle deluxe' assaults you with a perfect mix of acidic old school hardcore, breakcore trickery and subtle subliminal melodies that leave you wanting the battle to never en


 bum for the n5md imprint, is an album of fragile, glitched-up experimental electronica bringing to mind the aural edges of lusine, alvo noto, and pole. 'use' not only showcases aem's excellen
ady acclimated to their many projects (funckarma, quench, shadowhuntaz, cane…et al) will see a sonic shift from their past quench ethos. all but a ghost of the long stretched out percussion
sts second full-length. previous comparisons to pole and lusine are still present, but only in the very ends of their reverberation. 'patience' is a very dense album, culled from 36 original tracks
 in the attic, with the only things missing are the musty smell of the cardboard box that the movies have been in all these years and the warm clatter of the old projector. the music on 'sea' is ju
 e vocals bring to the fore-front a humanistic layer of melody to the tonal blizzard of tobias’ music yielding new dimensions which are to most, unclassifiable. said by the artist to be somewhat
g darker and somewhat emotionally weighted. with his new 3rd full-length for n5md entitled 'no man's land' subtractivelad has out shined his previous albums by creating an introspective and
 'the nineteen floors' (mmbp). those unfamiliar will take comfort in his musical expressions. 'no spectre' features cascading rhythms reminiscent of some of telefon tel aviv’s beat-work, the me
d' still sounding current, relevant, and true to form, galvanizing run_return as a band that is as distinctive as it is timeless. you do the math and come up with your own sum...
onal, almost globalized, method. add in the mixing and mastering of mio and valgeir sigurdsson (bjork, mum, bonnie 'prince' billy) at greehouse studios in iceland and this compounds the bord
 funcken brothers have done of gridlock, multiplex and labteks. in addition are 9 other remixes of artists like ontaynso, strand & tres, machine drum, eog and celine among others, some of whi
he futility of attempting to reclaim lost memories. 'these places are now ruins' is not so much a concept as 'sea' but instead a loosely chronological album documenting thoughts and emotions
nets are juxtaposed against sweeping cascades of grainy synth-washes and agile, yet carefully executed, beat-work. add in an occasional mid radio station listen-in on a seemingly unfinished
 e on a label founded on emotional electronics, upon further listens one finds that they are right at home amongst such kindred spirits as label-mates lights out asia and bitcrush. hologram's d
 e ocean' thematic metaphor for lost time that constituted the backbone of his previous album, 'in distance.' as his self described 'rock record,' the album eschews some of cadoo's previous e
 ample district. in catalunyan, l'eixample literally means an extension, a strong symbolic parallel to the music found on arndt's latest work which itself reflects an extension of the near the paren
 ortant period in the natural evolution of the bitcrush sound, a time that found mike cadoo transitioning from his post-industrial and idm beginnings found on enarc to the more ambient/post-sh
 eir aural bubble that has been their watermark. they have been called ethereal, post-shoegaze and sleep-rock, but on their third full length 'eyes like brontide' the band slides into a darker mo
 rial dj´s all over the world will play the label's music. with #07 kellermusik pushes the limits within imitable reduced/industrialesque techno, stomping kicks and always freaky effects and noise



 s on strike records and other hardcore labels are worlds of speedy beats and darkness rhythms.on kellermusik he shows his definition of the line between techno and hardcoresounds. featuri




matmos, brian eno, m83, mouse on mars, b. fleischman, styrofoam, safety scissors, the postal service, mogwai, dntel, animal collective.... cd-r release.
mu-ziq, remarc, matmos, portishead, prince, mum, mogwai, global goon, boards of canada, dj premier, dr. dre, the neptunes, madlib, prefuse 73, mannie fresh, timbaland, missy elliot, outkas


 his motives in sound resemble an abandoned ironworks garage during the industrial revolution, where melancholy is paired with harmonies of magnetizing structure. pleq's initial exposure be
 al songs. the main intention of the artist is the acoustic perception of transferred feelings. the album was generated in a phase of life filled with unanswered questions and that gave reason to
 the grinding industrial beats of zymosiz, to the breakcore smackdown of xanopticon, to the smooth idm of xyn, to the deep ambient catacombs of jarl, to the swirling noise storm of ntt, every tr
 ppened over 40 years ago,was scripted by ed wood and illustrated by eric stanton while criswell and the faltering ghost of bela lugosi looked on. rediscover the power of the omni analogue sy
 ’s steady policy to bring aesthetics into kitsch and trash. the founding father of pop-art andy warhol promoted kitsch to a objet d’art at some point. there are enough artists that doubt it nowad
 guitar music and theremin. now there's a combination you don't hear much of on cd these days! messer chups plays with these completely diverse sounds to create a wonderful musical style



 and less samples. composition 66,6 fm is particularly nice - it is an instrumental version of the song gloomy sunday by magyar composer rezo seres, which was forbidden in hungary after 17


one on old analogue russian synths - brilliant and highly recommended!
 shing through the ice of the 88th parallel. they move in a giant soundscape where long stretched strings of coldness explore the unknown icy fields, and where frost bites the air in wide cathe
o the very inside of your head, oscillating and twitching under the soil you dwell on, shining its light in all its absorbing intricacy and evolution... comes in an exquisitely designed oversized nau
 matic spoken word interventions. sophisticated in sound, evolution and intensity, every chapter of this story will grab your attention and keep you on the edge of your seat. an honest, sad and
 f a radio play without words. an opressive soundscape, without the ability to pinpoint the source of the opression or the emotion which causes it. is it the effect of the water outside of us, or is
evel and sadly for us humans, the oxygen-level isn't high enough to survive ... 'le pêcheur de noyés' is the story about roger girard who - as a scubadiver - searched for and found several corp



 is spectre 13. the new number of the beast. 2x7-inch in box - limited 414 copies.
aborated artwork. the seal is cast aside, pass through the gate and enter the world because this is a spectre! re-pressed jewelcase edition.


 sometimes the rhythms work their way to the surface - to hypnotizing effect, morphing into clicks that intermittently pull back in favour of atmospheric cuts. wide, intense, rich, multi-faceted an
ake us on the ultimate mission over the borders of the musically unexplored. amore, the third kraken release on spectre, is recorded on a paradise island - in the middle of a complete mess. a
 ing power-noise, but already after a few minutes the style changes completely. melodic, floating synth lines and danceable beats take control and they form the base over which raw, distorted
eart by other labels' dearest and a few promising newcomers. the result : a monolith of diverse industrial atmospheres united in darkness and anxiety. once you have had a look at the tracklis
n' is a compact yet strong album that offers a good view on the last decade of hypnoskull's musical adventures, bearing 10 tracks chaptered 'the past', including a more technoid industrial sid
 ' can best be described as isolasionist music, but with the remark that kraken is a duo. you would expect true isolationism to be written by a single performer and because of this, the cd has s
while mumbling the sacred incantations, herr manh klaph oltz and yanh fou sus rear played slow minimal rhythms on the bones and skulls of those who tried before. the sounds reflected on th
 nd emotionally very intense. maybe they're even more mentally disturbing as his earlier material. behold the future of music ! worship the dead bird ! hail ! hail ! heavy transparent yellow viny
 nd while this is way too much to choose from, any sampler would just be that : a sampler (but : a very good one). the artists on 'decade' are from canada, switzerland, united states and offcou
 , ranging from distorted beats, basslines and industrial to urban influences and layers of noisey drones as well as symphonic sounds. titles like 'deepthroataches' and 'slutfuckers' reveal their
 gy on spectre has been completed. amongst the multiple meanings of the dutch 'drift' there is 'temper' and 'impulse' which are the emotional layers on this cd, but it also reflects to a ship bein
 ind of skincage, a tour among things that did, will or could fall apart. 'bhopal' and 'chernobyl' already reached an impressive level of destruction, while 'hungry ghosts' are still unaware of their
 and space to fill in the blanks. on two 3'' cd's you are guided through soundscapes built from deep ambience, harsh analogs and haunting narration. just like on the highly acclaimed '1953', r
sty, because we are the ones releasing it: yes, they are. on 'nachtschade' the krakens take their creational possibilities a step further on a combined cd & dvd release. the cd part gives you ov
 album, resulting in a mixture ranging from breakbeats and ragga to metal and industrial. tracks where neither the prodigy, nor - at moments - fear factory would feel any shame for having wri
 mes even close to straightforward dub - to technoid industrial epic anthems, bound to make the audience scream - no wait - pray for more. the bat is back! mr sotz will change your vision on
nd texts in english & french languages by mimetic and international guests. 2 mcds: 40 minutes of music have been composed exclusively with auto samplings from all other mimetic releases




project in 1989. cd-r release.
d.vallee (lith), p.münch, who added three remixes as well as s.alt, who designed the artwork. eva|3 's music, is a cold and sharp mixture of ambient texture and distorted rhythms. from exper



 keef baker, salt, Eva|3, tourette bros, the rorschach garden, punch inc., oszillotom, hell-g, tonal y nagual, frl. linientreu and more! mixed mode audio cd-r, 76:00 minutes audio + 3 mp3 tracks


ing their conception of associating impressions of forgotten places with their compositions. cd-r release.
 ords. his' addiction to hard, rhythmic noise could be also heard on live appearances with f.e. converter, mono no aware, incapacitants, k2. on this new release, the sounds became more 'abs
rd tech, grinding, dance music and he also includes power electronics, dub and ambient (f.e. at track 10). check it out!
e prepared for a futuristic post-apocalyptic sounds.
nto self-consciously arty territories like some of his electronic peers, but he has more style and focus, constructing an innovative and relentlessly propulsive album that's an exhilarating listen
m what could possibly be the perfect soundtrack to a riot possible... it is mind-blowing. a massive wall of loud drums, slashing guitar and screams. each time you think you have a second to b
ic themes. based on additive and repetitive constructions, these tracks reveal one long and expressive rise, leading to an explosive climax.
other with hard hitting rhythms and beats, everything being ultra distorted. it is very difficult to escape it. they give us a good dose of sped up, confusing beats and mystery construction. over t
edition jeopardizing the organizing associations, artists mobilized, for they were aware of the intense efforts required to organize this exceptional - and therefore hazardous - event twice. the m
n' are the will to power, death confronting life, dead end society, ironic selfishness and vulnerability. there is no way back when things have gone too far. reason and mind are futile because, d
ation and collages of masterfully chosen and assembled samples, permeated by haunting noises, minimal melodies and impacting ethnic percussion. everything sounds as if it has been com
at has the same quiet/loud technique as metal masters use. thematically anarchistic and decadant, manifesting indignation and raging against the fucked-up condition of the world in the vein
pheres. more than genesis of a new shape, this album relates the emergence of a mind, from the obscurity of the first moments to pain cessation. it invites us to look beyond the flesh, to feel
ktat follows the footsteps of bands such as scorn, dalëk, techno animal, 2nd gen, or consolidated. after a much remarked first apperance on a mexican compilation by raid music, in 2005 fren


 the defenseless listener to the wall. cassin throws in references to everything from grindcore to classic rave; chip tunes, space-jazz and doom metal; a continuous data overflow and a mercil
citing' was a record that mixed different genres into a new mash of sampled sounds, 'panther tracks' is a record comprised of different styles of dance music made solely with the intention to g
s bass head, oozing bass spasms is a masterwork by one of the world’s most original artists. by far his most approachable and even refined album, it’s still pretty fucking crazy in a way that o




citing' was a record that mixed different genres into a new mash of sampled sounds, 'panther tracks' is a record comprised of different styles of dance music made solely with the intention to g
citing' was a record that mixed different genres into a new mash of sampled sounds, 'panther tracks' is a record comprised of different styles of dance music made solely with the intention to g



but with one sweet nuance: the floor loves it. as a part of droon’s liveset, both tracks have been trialed and tested on crowds all over the world with great success. barndance is the most requ




 ependent labels. the purpose of its evenings was to make discover to public french the link between the diverse independent scenes. this compilation redraws this epic with a selection of 16
 oes not forget to reference in quite a piece of the modern hardcore. we are thus on unbirth in the country of the rhythm king, a rhythm which wastes(destroys) everything on the passage, kno
e senses - but as to waste them better. this disk would look like has a collaboration enter nurse with wound, hafler trio or coil.
 the first track is a special one for those who like this old xtc dancefloor feelin - a danceable crossover of oldskool, techno, tekno...and more. 'fuck yeah' on side 2 is danceable, but experimen
e bands aesthetic diverse expressions, that breaks - one after the other of electronic musics unwritten laws - not for breaking, but because they think different. music for ghosts is on one hand
 ditive and our visual environment in everyday life. this project as light as it is incisive, dissects our present reality in brutal and honest ways. cinemassaker was born from the desire of seeing



crafted slice of warmed-up electronic atmosphere, slight dub echoes overlacing textured melodies and bass shifts to die for, less idm, more cinemascope for the soul. toytronic's mr projectile
acks of frenzied idm, a more digital version of aaron funk's special blend of mental. the first track '6 minus 23' attests to this aesthetic with its frantic beats and ultra clean dsp noises, a la aute
 tight beat structures and his catching atmospheres he took his own place in the electronic music scene. besides the dub releases he delivered tracks for compilations on studio!k7, vpro and
arma this cd gives you the opportunity to discover the talents of the still anonymous ard bit and aver boodi. it also shows you the electronic side of belgium on the names of herrmutt lobby (=
europe. the technical skills of moreau, combined with the analog touch of dusty synthesizers from séverin's own museum, were just missing spontaneity - that's where cardona came into the g



a the nerve system into music - caution: please listen at your own risk!
 c with the arrival of scorn. the english band scorn showed, the world that dub music could now offer a very strong image of introspection and inner emotions. dub was not the dancehall music
air) are giving us a 15 minutes track each. each artist is giving here his own interpretation of the legendary experimental act. and there’s even a a fifth secret one! the hafler trio is a seminal ex
, netherlands nearby the rhine river. the two got help on this disc from niels van hoorn (legendary pink dots) for saxes. in fact, this album is incorporating material from many different sources
omposed in between 1997 and 2001. this is more than just a collection of carefully chosen tracks. with simple melodies, minimal drones and a lot of nostalgic harmonies, dissolution, has a st
 nd in the years following an impressive history grew. they recorded a session for bbc’s famous john peel; worked intensively with steve albini; were produced on jello biafra’s label (dead kenn
d 'dogme' (hsh06). this long time sold out item was presenting moonsanto's interpretation of the current uses of biotechnologies by global companies. 'fraud - hell - dope' being the follow up to
mes depth than classic improvisation could provide, this new generation of electronic improvisers changed forever the face of non-written, non-composed music. named after fredric brown’s s
chords and strings and high-pitched synthetic sounds. drdp is in continuity with szkieve's precedent releases, however, this disc incorporates new tones and techniques. silk saw's rob(u)rang
y and the three decided to work together. the release of the recorded project was aborted when mark spybey returned to his native england after having spent almost a decade in canada. than
s-rivers-lakes-waterfalls-etc, modified using analog & digital filters and effects, and only minimal computer processing. homemade electronic controllers are used to direct many of the effects.
 for the showing of tomorrow’s technological advancements, world fairs presented many mechanical, electronic and magnetic types of equipment. thought to be the way of the future, some of
nsisting of discarded objects, discovered by the trio on locations and played in combination with prerecorded found sounds - with goem’s pulses and shifting layers of rhythm, the three dutch
deep drones, whispery hisses and dusty distortion from this album adequately depicts the picture of a region full of mountains, rivers and deserts exposed to snow, wind and sand. with his sh
s an excellent introduction for this promising artist from montreal. grkzgl (pronouced ‘grak-siggle’), once known under various other names, comes from many horizons at the same time. influe
me are half-open, others are closed and many are, at first sight, invisible. as we explore further, we must let those secret doors some time to take shape, to reveal themselves…and it will then
 ine room, hearing the distant sound of the water dripping slowly on the floor, having the feeling of breaking a near silence full of secrets and long lost memories? like a sanctuary, the abando
sonic outlets, under various names. it is, however, with the founding of its current project that he proudly delivers us his first official release, which is the result of months, even years, of expe
cks, on 10 inch vinyl (45rpm), released on the montreal based label .angle.rec., still fond of the vinyl disc. 2 tracks which suggest an even more brilliant and exploded future for this exploratory
 droning and deeply ³protomelodic² at once, his music is a poetic translation of the ice floe. for this record, he used processed fragments of classical music. nadja is the drone / doom / ambie




he mutation engine' teaters on the edge, with its mutating flavor of post-industrial idm. the album features12 new tracks and includes drastic re-workings from xyn and somatic reponses.
s three remixes from phil western (download/nettwerk), substance (scion/chain reaction), and twine (bip hop/hefty). styles range from tech-house, electro dub, glitch, ambient, and minimal tec


 up to an introspective and melancholic masterwork. life itself was perhaps the biggest influence on my daily routine- 'all of my songs are written with a thought or feeling that was generated b
ats. hip hop plays a large roll in this release(most likely taken from joel's experience as an mc in the late 80's) interjected with a healthy dose of idm sensabilities(that seduced him in the 90's
me, exillon, duran duran duran and a host of other talented mixers. this collection takes mochipet’s vision of the absurd to the next level!
utups are essential elements in the recent work of collapse, leading to soundscapes with a slight psychedelic touch.
 e music. eric's new abstract style surrounds minimalist beats with electrical drones. compressed form is a remarkable and unpredictable work. the computer-related track titles situate his idea




al is to bring you the future of sound. colours, atmospheres, dance beats, noises, thoughts. we designed our music with skills from the past, and now we reflect it on you. we are here to satisfy
 ' on daft records. ‘behind the sun’ also features a guest appearance by ms. poly-ester, a multi-talented dj, writer, journalist from the benelux that collaborated already with acts such as this m
chinenfest (germany) and the indieference festival (spain) geistform is also know now for his collaboration on the dive album 'behind the sun'. the main sound sources of geistform are the sam


ir first 7'' single 'is there an exit?' (1981), wich became a local underground hit, mark left the band. eric van wonterghem, who was in fact a spectator at the first abc concert, filled in the gap an
 ruise [ctrl], synthetic dream, devoted symbols, ntrsn, act dramatik and propulsion.
 i melt, wet skin & curious eye and rorschach testing as well as many others, click click etched themselves forever into the history of legends. after a long hiatus they have returned. click click
minus habens. without question pankow has influenced the sound and feel of ebm industrial music. with often humorous and political vocals meshed with hard drums and minimal yet funky syn
 heir 'reutraum' series of conceptual releases comes in a very nice full colored sleeve and is a strictly limited edition of 500 copies!
 and obsessive electronic piece.
 s as usual, but moderated by more tribal trance and echoing sounds. 'tribal end' includes some featurings and remixes by p.a.l, iszoloscope, aql, s.to cage, h.i.v.+, empusae and shizuka. it fig
 t both introspective works evolve on quite the same fields...lambwool was born in 2000, with dead can dance, tangerine dream, labradford, and 'heaven deconstruction' by the young gods as
 ls, but without any intention of dance floor's conquest. there's also an 80's touch all around but the reutoff's tragical and frozen atmosphere still remains... let's add the artwork is composed of


  the industrial noise movement (showing how our lives are conditioned, compartmentalized) and real pictures from the city where you can find similarities with carceral environments: walls,
 with heavy and desperate feelings similar to aghiatrias and omnicore ... with the addtion of some folkish and liturgical elements from eastern part of europe, this release presents a very seriou
w and mogwai. intense and radical with a very 80's feeling always appreciated at the divine comedy record headquarter. sad and bleak soundscapes for a depraved religious institute, pretend
 d are woth to be collected! musicaly speaking, the third volume was announced to be more ambient or lower, but it's surprisingly not the case... we can even say it may be the strongest of the
 musical journey is depicted by four top bands (with two tracks each) from the new emerging dark-ambient and neo-symphonic scene: horologium, project winter and artefactum from poland c
 s. as musical influence, sigma octantis will quote spindrift of morthond. for the eyes: 'europe after the rain' by from max ernst. about movement : from tarkovski's 'stalker' (the fab's one all-tim
ul split with the french sensation muckrackers. this is a return to noisy explorations in opposition with the recent ambient release on caustic records. the third act of the musical part is a weird i
 s evanescent and paranoiac at the same time, fixing a point of no return somewhere in the distance. limited 500 copies.
gly enjoy this new act if you appreciate ab ovo, mago, s:cage or the 'phantasmagoric' feeling from early empusae releases!
 nd new track energic and dreamy as the same time. can we say a sort of sonic youth / high tide mix? as the band usually says, 'people listening to our music give us different influences each
ng ritual and symphonic music. peter bengtsen illustrates this album with some enigmatic pictures about departure and solitude. with the addition of vocals by sigma from komplex, '...and the
 rit that runs through the most brilliant and original works of the normal, cabaret voltaire, clock dva, the neon judgement, nitzer ebb of the very first first human league or of ultravox - john foxx e
 by coldwave and punk sounds from the early 80's, this release also benefits from the contribution of external musicians such as lambwool, electric press kit, normotone (neon cage experimen
n a nice digisleeve... a weird packaging for a very weird release! limited 500 copies.
aise') on a split release with moljebka pvlse. this new opus entitled 'penfield mood organ' is about a device from p.k. dick's book 'do androids dream of electric sheep?'... a box destinated to in
 r own sound and it's darker than hell! obsessive and complex textures emerging from large variety of instruments...'sun ra meets sunn o)))' according to noise magazine...
m reaches from anarcho-industrial to folkloristic ambient, which is sometimes reminiscent of coil. but even that influence is not too obvious in the music of giuseppe tonal & tikki nagual. every
 ral lore, legends of blood-covered martyrs and the inevitabilty of nature, the musicians try to find their roots within the context of modernity. the music itself ranges from whimsical folk to ritual
 t even reaches the point by refusing the use of any kind of beats with the shifts in it's threatened atmospheres. forbidden frequencies are merged seamless with unseen fear and organic cons
 efloor universe. with its timeless atmosphere, catching melodies and powerful beats, arena is the opus of a definitely unclassable french artist.
 ents. “conscience" ou le règne de l’animal malade” is an introspective hour inside the brain, an underground exploration in the form of a kaleidoscope of experiences memories, pain, and ple
  record which would be a perfect match for a number of movie soundtracks varying from post apocalyptic to foggy northern woods, from lunar landscapes to horror aberrations. deeply disturb
oshima', 'katami') but also evokes, in an optimistic, hopeful manner, the cultures that have deified the earth and its elements ('sentinelese', 'huli') and that still survive today. thus, somewhere
ock and classical compositions in addition to being a member of 48 cameras. in addition to his highly acclaimed ritual electronics project empusae, sal-ocin is an accomplished percussionist
 rhythmic structures supporting catchy melodies, silent reflections is a work full of oppositions and contrasts enriched by a celtic feeling, a somewhat epic touch. alternately powerful, fragile an
 ical and theatrical edge, complemented by collaborative work with video artists from the portuguese contemporary scene. unpredictable change in the course of a revolution, thermidor is a m
 is now coming back with a full length cd album (and a 12'' vinyl ep), 'come mierda'. fractional' s music -somewhere in between breakbeat experiments, electronica and pure industrial-construc


 n and producer, he also manages the outstanding experimental electronica label brume records in france. flint glass' music tends to crawl under your skin, shapes the most fantastic images
 n one composition that pop up again from track to track with brutality, but even the faintest sounds reappear.disturbing cracking sweeps over low-frequency whistling, sharp oscillations oversh
 d taylor deupree; abstraction made of minimalist groove. these high-tech sounds are coupled with plaintive stretches (interior) or a melodic buzz that progressively amplifies (ohm.05 part.1).
se multiplied by more than thirty, and for each phrase a different equalization,a different surround,.a different path. these phrases are layered so that they create an orchestrated buzzing mas


 e genre, this disc also incorperates many other interesting elements into the overall sound by integrating touches of glitch, drum & bass and dark ambient. 'irregular dark beat' also features re
 s of sound that construct these compositions as opposed to the more high bpm style and pure aggression of his other projects. totakeke combine layers of dark, spacey ambience with intrica
 ew components to the mix. while the focus of "amid the ruins" was primarily on lush ambience and orchestral movements with a secondary focus on rhythms, "pta" takes the rhythmic elemen
 jointing & layering these rhythmic assaults and introducing several new elements into the mix. 'next to departed' features 7 new tracks + 1 remix by iszoloscope. limited to 500 copies. artwork
atterns that permeate the mix. the overalll sound of totakeke is difficult to define, yet easy to please as this brand of dark electronica crosses and covers many styles making for a diverse and
 atively abstact rhythms and intelligently crafted song structures. mastering: john sellekaers @ metarc. artwork: ben didier / chris gherardi.
 s and crushing, intelligently programmed rhythms. 'keep me here' digs deep and hits hard, bringing forth a fine example of whats sure to be a promising future for this rising australian talent. f
 o the ribs. the sounds presented are a deftly woven steel mesh of meandering experimentalism, stuttering breakcore, and powernoise/industrial grittiness. the tracks are immeasurably compl
 ectronix scene with their fuck-labels amalgamations of noise, hard techno, hip hop, and breakcore. collecting new tracks as well as some of the best tracks from their 12''s, this cd is going to
 hythms and murky black ambience. like some archaic destruction machine, origins unfolds in waves of grinding steel and arcs of white-hot electricity. bass kicks warp and buzz below thick sl
  somber melodies and creaking idm-infused spatters of noise, is a striking honesty and fragile intensity that is both unexpected and endlessly rewarding. it is this tense balance of synthetic, s
06, and they instantly careened to the forefront of the nyc industrial music scene. word of mouth and their live shows across the northeast and california saw the debut ep quickly sell out, leav
ge garden as well as take in one of displacer’s lovely idm performances in montreal. if there is someone who enjoys the variety the scene offers, it’s wade. that is what’s so great about his ne
nd smoldering, vessels explores the brooding tensions between dynamically opposed auras, employing textures which are at once terrestrial and alien, as well as melodic structures which me
 s and live electronics to create an epic combination of ambient glitchy soundscapes and crunchy rhythmic mayhem. a special feature of the v2 release is that each cd package includes a car
 osz.s photography of surreal landscapes, familiar made unfamiliar, with marco pinsker.s eye for the serious and the comedic. it.s also the perfect accompaniment to the content of mondegree
undbreaking textures rythms, sound edit, syncopated and deadly beats bullets. they push the audience into a maximum internal damage level. no territories escape to this mutant sound invas


 duran duran duran's most ambitious and most accomplished work ever. including bunch of endless loops!!!


 dubstep/breakbore bandwagon, ebola continues to sidestep genres with a melding of collision-course rhythms and truly unnerving electronic soundscapes. close your curtains and turn this u
 e balancing act between all-out aural assaults and nuanced production techniques which keep you engaged well beyond an adrenaline sugarrush. resulting in a style that evokes soundmurd
e of synthetic filter modulation, extra harsh reverb and manipulated electronic textures. as ever these producers have created razor sharp edit structures. with vocal mc’ing by d’herbalis mc va



 shing breakbeat hardcore numbers that shred video-game sensibilities into pulverizing kicks and snares.
washes of noise that create the mood. any good story has a great setting, and each of doormouse's tales of cynical despair, tragedy and biting sarcasm are overflowing with peculiar twitches,
st official release, 15 solid traxxx (19 on the cd version), complimented to the full. with 'hippie killers don’t mind jah conversations' , we enjoy skull-splitting demonic rastafaraias-fuck, mash up


nt, glorifying and energetic chapters to the milkplus story. to say the least, peace off is proud to present mr. sickboy's first double pack, a vinyl only release themed with some of sickboy's favo
n the ears...dancefloor will die!!!
 sts on ninja tunes , disintegrate all over with a real dancefloor machine weapon!!! easily one of the hottest new releases of the year, mr dynamic (le jad) with his own signature production sty


 ctured electronica to modern breakbeat sounds version, kid606 delivers with his menacing kicks, breaks and a dark distorted bassline, a perfect dj tools combination and 4 mash-up mayhem


ed the stated dose’n’bun da danceflow!
ppin heavy ragga core artillery and an ear for defined drum and bass production aesthetics. killer fresh mashup material !!! rudebwoy, this choon catches a re-load everytime !!!


oking for candies, this is too ruff for you!!! limited 700 copies.
pping through the door quietly and will not be forgotten easily. you know, punx, you're going to love this one. this is the dubsteppin manouevres for 2007 kids!! strictly limited 500 copies worldw


m punk and hip-hop backgrounds respectively these two lads draw influence from across the spectrum, meeting at one common ground: bass. side a features dubversion, with its dark atmosp



ollins grew up. the album features thirty-two tracks of inventive electronic composition, clever sampling and concise, effective musical ideas. this is a soundtrack so inventive it doesn't require
s they choose to inhabit. ouch! categories: hardcore.




n-like chords and slabs of murky reverb. in the cross-fire of wavering grooves and humming tape loops one can imagine giant insects being poked and prodded by alien machines designed to
ultra-fast, extremely trippy, harsh barrages to spacy meditations. experience the roar of his live electronics with your own flesh.




er with 'juno rhapsody' and 'blabber mouth' but still has time to introduce blissful soul melodies on 'riding off' and 'stay one'.


 ogramming techniques and production values which garnered him cult stardom, current value has added a dancefloor dimension to his techstep experimentalism. concepts begun on past eff
human beings and beside all destructive behaviour we also have the power to create positive energy by refusing rational ways of thinking". full-length album included remixes from iszoloscop
n't consume anymore, run away from the ruins that your life has become...and whose fault is it? is it because mechanization has taken control? because others force their calm upon you? be
d with obvious punk influences, 'weight of death' brings more heavy breaks, flailing noisy straight beats, ferocious screams of natasha in russian and english language and smashed shop win
 and features 19 danceable industrial killer-tracks. since 'das leberwurstbrot', rasputeen does not stop to surprise you again and again. he keesp the beat hard and powerful, the melodies nic
so far, trying to be interesting and accessible at the same time. the applied rhythms are a mixture of programmed beats and sampled loops, ranging between high speed assaults to slow moti
 beware! observe! as treated, ultra-low end bass hits the blistering mechanics of digital beats! behold! as mighty grinding sounds blend with hostile screaming of female vocals almost beyond
10 years making hard hitting music, and it shows. from industrialesque patterns to pure breakcore mania, he manages to cover a broad variety of styles, never forgetting his musical roots to c
 the very own ambassador21 sound. we pass from rhythmic noise (p.a.l, mimetic, asche) and dancefloor oriented pieces (:wumpscut:, suicide inside, ah cama-sotz, s.k.e.t., monolith) to exper
 on wreck chords. this is a movie about our friends, about us and about you. filmed live on stages at maschinenfest, noxious art, elektroanschlag and other events during the years and visuali
 released on-line only (ctrler, the shizit, hansel). 'cut&go' brings 15 very diverse and explosive tracks. ambassador21-remixers present sometimes unexpected edges of other producers, as th
pe of exemplary life. this album deserves its name completely, it is saturated by pure energy from the first till last minute. if you have strong imagination about what that - ambassador21, if yo
 going to look for inside: fast beats, breakcore chaos and hard drum-n-bass. in the same line as his previous album 'noize for america' (d-trash records 2005), the new album is again full of s
asm, ctrler, detritus, fragment king, mimetic fake, moctan, monolith, mono no aware, suicide inside, synapscape, twinkle.
cribes sound of ambassador21 - grinding wall of sound, massive distorted beats, heavy breaks, sharp guitar riffs and, of course, ambassador21 trademark - ferocious duel of vocals plus hard
 king, synapscape, this morn' omina, dj hidden, asse, rasputeen, converter... visit their show again or discover it first time. watch 'monsters, victims & witnesses' and get ambassador21 live e
d was one of the nyc downtown music gallery's best of 2004 releases. will also released a blipvert ep on brooklyn's trixy records in 2007 entitled 'skr(ep).' blipvert recently appeared on a vinyl
ep. matamachete unleashes a musical fury and a disturbing sonic pressure which combines elements that would appeal to fans of pitchshifter, prong, static-x, marilyn manson..... by this amb


 death, the magick of female ejaculation reaches deep into chambers where others fear to tread. like cassavettes' woman under the influence, rachael has obviously been affected by the wor
ashing industrial music fused in their own aesthetic of dark breaks.




d georges bataille !? the accursed share of rave!
demanding new sexual organs (not just for himself, but for all of you!) - and some more surprises!



ck vinyl re-press of this one.
dark 'night drive' - a classic beat driven track in the vein of their previous output with added scourging distortion that fits perfectly on zhark. the b side serves up 2 cut-up beat laden tracks 'rob
 basslines and destroyed ambience to create a a solidep for mixing and listening. a futuristic visit from the flames of the sun, vile enginez melts your mind and the rest follows. stay tuned for h


 delivers 'seven veils' most playable tunes for djs and collectors alike. artwar by salt.


abels printed on silver background.
om zhark international. blending high-definition breakcore with harrowing strings and crushing screams, the 12'' kicks off with 'nomina nuda tenemus' - a dense ride straight into occulted secre
gh heavy on the beats and bass all around, doesn't get stuck in any mode of classification - everything from the darkest in breakcore to electro and pure noise attacks are found on this double
ining seven to bring the listener ever closer to the haunted world rachael kozak inhabits. after splitting up her all grrrl band in 2001, rdg started recording her own vocals to lay over her monst
ics, with their underpinnings of power, form an intricate armour against a suffering understood only by the human machine. commandeering crescendos weave a dense melancholia, infused


 ngeli. if you are into somatic responses - go get this one!


 forgetting mixability for the progressive dancefloor.



 release sometime in the future. taking up the sub/version project of twisting drum n bass and smashing up whatever has become standard for the genre, vile enginez bizarre creation clearly



' on detroit's electronic hardcore techno label lowres will be out in october 2006. four smashing tracks of the freshest breakbeat manipulation and annihilation, delivered with an innovation we
 of heavy subbasses and the icy coldness of dusky rooms. this record explores the dark side of the dub reaching unknown dimensions. side a 'structure' has a melancholic mood. a dubby ba
mbie' a spooky atmosphere with a bell sound playing a frightening melody straight from a 1950s horror movie. it´s midnight on the dancefloor of the undead! avoiding the classical trap of pos
weirdness, the south london baseball obsessed card shark cw drops one of his ruffest electro break beasts. big rolling beats with warped analogue action. b2- voltage by dj m2j, sunday aftern




emphasis on all things core. the outcome is one of the roughest records to come out of los angeles in quite some time. sure to give any set of speakers a work out. great for those who like the
ks from the mid-90’s resulting in an ep of highly distorted and compressed rocking dancefloor tracks.
 this compilation sets the mood for what is to follow in the future of seven samurai, as they thread the path through the mountain of awakening.
oth in the style of execution and constitution of the two newest tracks: 'majik johnson' and 'tonight is a lie'. whatever may have happened in the intervening period, it is clear from the first note
y can't it make sense to you?'. spinning the record, taking it back. it all starts to become clearer. reassured of his place in time, this time, a musician takes his tortured leave of it all. insomnia
 cycle of beauty and worth that will stand out among any collection for its craft and direction. from its amazing artwork, to the sounds within, coupled with the pristine quality of both its vinyl an
 cycle of beauty and worth that will stand out among any collection for its craft and direction. from its amazing artwork, to the sounds within, coupled with the pristine quality of both its vinyl an
nto a scape of ambient to electro and back in a relaxed and confident style unique to solenoid. reminiscent of berlin under the influence of coke and eno, the beat staggers along as though dr
n like rats of the same rhythm toward the melodic catharsis both had been yearning for so long to express. free to explore the boundaries of the full length format, zod has given him formidab
ay that gives the record a colorful personality. somehow, emotionaljoystick has managed to make electronic music more fluid and spontaneous by using live instrumentation that is precise an


experimental breaks, and dub, sprouting new life on every dancefloor. ripley's performances spill over and rumble under into dub and downbreak sound experiments. on sunny afternoons, rip
ks along-side an aaron spectre remix. it sold out within weeks of it’s release. the next 5 mashit 12 inches also featured dj c material, and they've been killing dance-floors and airwaves across
 nd all that sort of nonsense.
nam shub of enki (aka kiki/ill). this is a rollercoaster ride of electro so fat you'd think it would break your turntable and breaks so fresh, they're still moist with dew. comes hand-stamped in plas
e that will have them, from brighton to madrid. they don't fit comfortably into any nice little pigeon hole and have a sound all of their own, but strangely no imitators. after a promising but stalled


vourite and jamaican girl style a classic ragga / jungle cut. since then they have diversified their sound quite considerably and now mix up a variety of styles including dub, ragga, hip-hop, 2st
c066, and has just signed a deal with sublight records of canada to release a full-length cd album due out in april 2007, and a 12'' on bong-ra's kriss records later this year! this is his first viny
 it seemed these two were inseparable when they started listening to the pirate radio station xtc in the early 90’s. they bought hardcore and rave records and trashed a lot of family turntables
ks along-side an aaron spectre remix. it sold out within weeks of it’s release. the next 5 mashit 12-inches also featured dj c material, and they've been killing dance-floors and airwaves acros
a lot of time touring and rinsing it out everywhere from krakow to newcastle and performing at wasted, breakcore gives me wood and overkill he's finally found time to teleport some music at y
cing in a puddle of motor oil, the bomb squad meets russolo in a z-movie disco-club, fm radio harshbeats, dismantled stuttering beat-box, muddy boom-bap... basically: hard & heavily damag
nt, krumble takes raggacore to a new level!!!
 ired groove which builds towards a climax of apocalyptic noise and rampant dustbin percussion. 'the sucker's bug', meanwhile, is a fast, furious, twisted punk rock belter that's been a crowd-p
es and rugged live drums and twisting them into a hip-hop reggae mashup. emotionaljoystick follows with a happy techno ditty filled with intricate melodies and classic techno sounds. jonas th


eal dub here, neither 'step' nor 'ill', but come up with five excellent track of excellent instrumental dub pieces, with a warm, dusty and human feel. not exactly something for the rave, but an ex
d includes remixes from two fellow dubstep heads: atki2 & starkey. side a kicks off with ‘maybe next time’ dropping the warbly and brutal bass and some hot b-boy samples. give in to the hea
ass tones; the esoteric world is quickly reintroduced and then taken away as you are dropped deeper into the sub-levels of bass. love is a twist into the darker side of dubstep. swishing noise




w work. one track is in frenchcorestyle while the other 3 tracks are very dark and atmospheric. one track is an industrialcover of the famous "in the year 2525".




 r hessel, rico suchatzki) have been an integral part of the local electronica scene for more than 10 years now. their album 'different waves' on jetlag records has surely made their name regar
ll of shifting colors and textures, with nary a beat in earshot. cartoony breakbeat music - they fed kybernaut with weird things, we suppose


ysterious c-drik (crno klank, axiome, ambre...). exclusive remixes by panacea, imminent & silk saw
c sculpture chiseled out of marble noise. who is he that claims to achieve such a feat? obiekt employs disruptive technologies that send ripples down the innovation cycle. each track is an effo
ex track that are the definitive and most accurate proof that drum, bass, noise and clicks are made to meet each other under the hands of talented musicians. warning: highly inflammable.
old and angry power electronic sound with up to date and musically appealing structures and sensibilities.
 k guitars with massive and yet flowing drones. rich, subtle and constantly charming, here is a music that can be at the same time powerful and moving, vast and close to the soul.
 y photo album of this period, transferred into sounds by one of today’s masters of sonic experimentation.
nspiration from a more electronic direction, and allowing these musicians' skills to bloom here in a completely new way. the 9 tracks of this album move and seduce, presenting a very up to da


le themes and sound waves. they step gently and softly to your ears, enacting their relentless quests and fights as subtle melodies and rhythms. 'kniga skazok': the book of fairytales turned in
whole process was a seemingly stereotypical artistic one in that it truly felt as though i had nothing to do with the tracks and that some other force was involved,' says uniform about 'not a wor
written and uncommonly diverse, 'fashion victim' is an album which goes back to the essence of a real music album, for its tracks are coherent, linked into a whole, and yet possess quality wh
 is so high up', shows his skill at mixing post rock guitars and dense, dusty noise take yet even a step further. drawing the best elements from his past rock and electronic projects, sullivan br
 rgy in both a music that definitely stands out and supporting many small acts. 'winter' is klier’s second album under his own name, which echoes and answers his 2002 predecessor,'apparitio
ence for two years. here come the ultra distorted italo disco, the distorted computer game music, the dislocated melodies that makes you wish you were a robot too. happy tunes for noise hea
 itten under this name. started in 1989, then paused in order to dedicate on other bands, crno klank was reborned a few years ago, as the electronic part of a performance collective featuring
 ting cut-ups, modern electronics and a multitude of styles into his new sound. a sound designer at heart, james keeler once again used a variety of instruments and devices to create 'as gian
 hael palace later collaborated with twine (of bip-hop and ghostly international fame), ocosi, miles tilmann, narc and zenopede on releases which demonstrated horchata's ability at working wi
melodies one could whistle to, sequences mashed up beyond recognition, playful rhythms and crispy beats. curtis chip is back with a revenge. remastered, remixed, extended, the track by thi


the transmediale, garage and information wants to be free festivals in germany), this artist has become the spearheading figure of the ukrainian electronic music scene, and one of the best re



 uivalant's vocals on several rich pieces of electronic hip hop, before resting with the relaxed and warm tones of 'saill on' and 'dana's calming effect on a mad mind' and finally unleashing mas
 ling anymore to find an audience for his weird beats, and heavy basses. people were dancing, praising the shows, and asking for more. and still, he knew that the second album would be of
ic music, and how tasty it can be. 'science of chance' is an album of uncommon beauty, paired with a masterful sense for electronic composition. uge ortiz (az-rotator) probably missed a care
 ’t get very often an album which is satisfying both for the head, at home, and the feet, on the dancefloor; detritus and ad noiseam are proud to present the perfect example of them. coming tw
 own micro-cuts and tunes. a ferociously catchy album under a cold, hygienic framework: glitch has seldom sounded so human. while jason stevens (lapsed)’s debut album was an exercise i


 -inducing album which both proves antigen shift's talent and opens him whole new doors.
 with a playful use of tempo changes and contained noise, writing down a music both human and massive, full of emotion and yet assertive. 'pure language' is neither a whisper nor a shout, b
and one remix by each act.
 untaz, hope for agoldensummer and scalper), larvae give here birth to a very soulful and wonderfully produced album which can not be overlooked, a work of great substance and talent.


 most rewarding and sombre of works of wilt, for it marries it organic darkness with an acute sense of melody and an ever-present cavernous bass. a massive, encompassing and profound w
 , cardopusher, dr bastardo and ace of breaks) and giving them an opportunity to demonstrate their remixing talents. you don't need a dj anymore with 'stereohype heroin hookers'. warn the su
 'thresholds', mixing ardour and melancholy as never before. 'thresholds' is a cd that detritus had to write before being able to move on to new grounds. a prolongation of the acclaimed full-le
utiful album full of surprises and intensity. zak roberts (aka cdatakill) is no newcomer to anybody interested in breakcore. active since the 1990's under various avatars, he settled for the nam
 e, enduser had long wished to release an album where his hard beats and sudden breaks would be presented together with specially recorded vocals and prominent melodies. this project fin
 deeply personal work displaying the heart of what mad ep is, 'the madlands' is an essential compendium of many stories and tales turned into sound.
sonal and massive work, adding a solid stone to the mothboy discography.
 new york to berlin in 2003, giving birth to drumcorps, his newest answer to break/grind-core. more than yet another tongue-in-cheek mashup, drumcorps's releases are the product of a lifelon


essive dose of humanity and audio craftmanship in his idm sensibilities.
 f new material ranging from the hardest and most twisted drum'n'bass to more downtempo, atmospheric tracks. at the same time a long due crowning for this musician and a perfect introduc


 her with the astonishing visual cutlery or ra's painting.




 blomster, who had already worked on 'valentine'.
me) offers a much slower, ever changing and gritty remix of 'hungry', while larvae’s personal mixture of shoegaze guitar drones and downbeat sticks to the original tempo of 'mingi', yet provide
 s of these two records to all fans of this superlative-heavy, towering producer. zombie-claws lacerated subwoofers ahead.
cts to the confirmed heights he had reached with his previous albums. deep, masterful and highly rewarding.
 ok to take the acid test, and certainly impossible to resist.
 detail and its maturity. a very rich, well thought and thought-provoking album bearing fruits of many influences and sleepless nights of careful composition.
ere 8 salvoes of monumental bass, sparse dry beats and deep drones. let it be heard: scorn is back.


e (of cannibal ox fame), wisp, datach'i and lynx & ram for five spicy remixes. tasty and highly addictive.
are all brought back on this artists's heaviest and most direct album to date.
ns and strings. deep, abrasive, but funky at parts: no surprise that the live rendition of this album have received excellent reviews.
 and electronic hip-hop, forming a tasty (and brainy) whole.
. upbeat and clear, the a side displays (again, as if necessary) chevron's talent for complex rhythms and catchy melodies. flip the record, and the b side delivers the dancefloor-packing tracks
colder and orchestral. cinematic dubstep of the blackest shade.
 the top of their form and still is, 5 years after their original release on sonicterror, a pearl of the breakcore scene.

 tch out for new videos at larvae's upcoming concerts.




omplex full length cd that documents the micro-edits and bold beats of these two essential acts.
 reaks and madness, sickboy hits the nail on its head and invite everybody to play, rave and party non-stop. refreshing!
s to deliver a very strong record ranging from hard, dancefloor-friendly breakcore to heavier, noisier broken hardcore tracks. very solid and very recommended.


 arthur d'arajuro, axel jiménez, beatriz tormo, caramela de nata, carlos asencio, dabiz del reino, daniel martín, daniele orizio, diego rondón , drasik, eloïse oddos, escapista photography, ferna
cs. this book is meant to be an homage to breakcore and other styles of hardcore music and corresponding attitudes. this book doesn't pretend to be the bible of breakcore music [so, don't es




orked together at james' studio in new jersey and released a surrealistic electronica music, melding dark soundscapes with fluffy atmospheres and even instrumental surf influences: 'the trifid
 istic beats and electrostatic movements, deep bass sounds stretch out to give a spacey feel of modern electrical manipulations.


ucted music. it gives each piece its unique identity. the disk is a collection of archipel's collective research, an explosion of tendencies, of sarcastic humor with fits of expressive sensitivity.
éverin are offering a claustrophobic musical field and a strong physical experience...about 'amplification or variations of the inner music of our body : the singing tones of bones, heart and ch
so far, their works (about 50 albums) were only produced on cd-r or tapes and distributed randomly by mail, to people picked in the phonebook. since the late 80's some live performances we
ing from ambient shores to noisy frameworks. the originality of this masterpiece lays in the architecture of the album, bringing many different emotions, colors and visual perspectives. stay st
ery unique sound universe. it's up to the listener what he gets here: whether it is techno, electo, chill-out our a soundtrack. both wollschläger and gehle are working as musicians and djs for ye
nts are combined with organic, 'natural' ones, the result is a hybrid between different styles and moods'.as many artists, hecq uses his' works as a 'link' between artist and 'reality'. his' music is




heir activities. among their guests who have contributed the tracks to this cd there are well-known international rhythm’n’noise and industrial acts such as asche, detritus, empusae, hypnosku
et unreleased), ranging from electronic body music to noise, rhythmic industrial and ambient. feat. morgenstern, asche, synapscape, this morn' omina, p.a.l, sonar, dive, mimetic, greyhound,


ash, nullvektor vs. mc1r, sonic area, twinkle, zero degree and more. limited to 500 copies, jewelcase edition.
 e, the [law-rah] collective, loss, aaron spectre, stendeck, contaminant, chrysalide and more!


 nternational noise and industrial scenes. this year’s compilation brings us unreleased tracks from all the artists performing at this years schlagstrom! festival, being held at maria am ostbahnh


ot only those who enjoy drowning their senses in dark soundscapes and atmospheres but also the ones who dare to create them. and not only it gives a shelter to the dark ambient producers

, tzolk'in, and newcomers rekt, distraub, freeze etch, and unterm rad, as well as remixes by displacer, dryft, and dreams are maps. eo 2 features 15 additional tracks in the idm and electronic
media, and a radiant new track on the recent tympanik audio compilation ‘emerging organisms’, totakeke is back with his 2nd full-length album that proves to be his finest work yet. from start
 hythms, deep reverbs, and bitcrushed sounds, combined with pianos, cellos, and beautiful synthwork. haunting melodies and distant voices meet complex beats and luring atmospheres to c
 r such prolific artists as polygon, flint glass, mnemonic, deadjump, sara noxx, stendeck, fractional, including 3 new tracks, into one fantastic collection of music. 15 beautifully crafted dark ele
iszoloscope and others, his many remixes of such industrial noise icons as converter and iszoloscope have enjoyed heavy club and airplay around the world. now, ad.ver.sary is poised to rel
ufactura, haujobb, and legendary pink dots, a multitude of remix credits and compilation appearances, and sharp imaginative digital artwork under the alias anti/matter, morton has more than
ngs his signature brand of sonic brutality to tympanik audio. ’[ko·mor·bid]’ is chocked full of unrelenting rhythmic noise and furious broken beats expertly laced with stunning dark ambience. e
 impressive dossier of remixing and collaboration credits, including unter null, otto von schirach, diverje, autoclav1.1, totakeke, and many others, lucidstatic lays claim to his rightful place in th
 for the dancefloor with enough vigor to perpetuate inviting headphone accessibility. endif drives the stake straight for the heart, ripping and tearing away at conventional dj filler while effortles
 lav1.1 as one of the more prolific artists on the scene. fusing huge orchestral compositions and idm with flashes of industrial and modern electronica, autoclav1.1 is quickly gaining a reputatio
ound but an accessible human element as well that shines vibrantly. captivating from beginning to end, integral’s debut album ‘rise‘ is a timeless collection of electronic music that is sure to le
 own style, experimenting with the vast possibilities of electronic sound manipulation. inspired by idm and breakcore legends like venetian snares, gridlock, and somatic responses, as well as
 lessly mixed and mastered to flow like a new collection of work. futuristic industrial rhythms meets uncompromising complexity with all the innovation and quality you have come to expect fro


nces co-exist with film-noir references. evolving from downtempo electronic music to orchestral paroxysms and, insanely, passing from down-pitched nothingness to frozen urban landscapes,
ny more, ebola is back with another great album. previously releasing on labels like mutant sniper, sublight, noize:tek and wrong music his 'broken' musical style is varied, with definite grime,
 id records, the sequel to 'mutant dubstep vol.1' by uk's ebola. what you should expect from 'mutant dubstep vol.2' is 3 brand new sonic tracks, evolving around dubstep, hard electronics and




oast. on this record one thinks that one can hear the clouds, the tidelands, the peace and quiet but also the raving sea. cd-r release.


 book-cover with 1-page inlet and embossed frontprint!



 copies in special packaging.
pherical disrupted, alarmen and more. jewelcase edition, limited to 500 copies.
 nd noise, electronic sounds and field recordings are featured on this over 70 minutes album. recommended.
see by it's name underwater worlds are used as the cd's main theme - a psychedelic ambient journey beyond the surface. friends of templegarden's will also like this work, not only because p
 n feat. various coloured cards.
m itself) tries to bypass filter mechanisms and spam-blockers with sophisticated techniques. maybe an analogy to the sounds and rhythms of alarmen: slowly but steady they get into the liste
also 5f-x, heimstatt yipotash, mimetic, telepherique, facies deformis, carsten vollmer and nerthus. this mixture results in a diversified collection that partially places the sounds of spherical disr
 ance at art konkret and recently on polymorph records. 'urban' is the latest work of this project and we are proud to have it on our label. on the first look, the 8 tracks on this cd might be more
ar sophisticated dark ambient tracks between cold synth-pads and gloomy noise. besides ten new mandelbrot tracks the cd features a remix of the czech-living grimbergen.
s plus a remix by spherical disrupted.
 ld like to show you what we have done so far. every project that released on audiophob was asked to provide one or two tracks for this compilation and here is the result! 67 minutes of audio
 mains. who the hell is glenn dambo? at least we know who bogger is: jeff pils, responsible for a lot of unforgettable dj-nights in the clubs of berlin and elsewhere. he is also a member of the in
 eist museum frankfurt/oder, 2001-2002), 'the time of the dogs' and 'fantastic creatures (regensburg, 2003/2004) as well as her stage designs and naturalistic sculptures for many theatres and



 w/ full-color sleeve and 8-page booklet including more infos about the concept.


e strengths. to joint the equalized spawn of impulsantwort, dreadfully pertinacious, and the radio-active glaze of telepherique on this unitary sound-trimmer, we need to perturb the transparent
my house of mourning, ultimately and invariably culminating in death, gives us a healthy, balanced view of our fragile life. some time spent with the sadness or grieving, helps us appreciate the



 toy factory corridors. digipak packaging - limited 500 copies.


 ape nightmares.you have never heard anything like this before, and never will again.. packaging: deluxe 6 panel digipak-sleeve with stylish design by salt.bombthedot
 hi miike. his work inspires so many artists in our music scene, and gives us amazing dark cinematique visions that leads to ideas and audio concepts for creating our sonic art. each artist ha
otodama. once you have unleashed the captured voices from their hiding place and into your living room, then you will never catch them again..in japan the old ancient word kotodama meanin



 listener with his or her deepest inner fears. the 44 minute track, built from drones, ambient noise and extreme frequency modulations, was created for and performed at the new forms festiva
dwelling zombies, cannibal midgets, and legions of homicidal madmen all run rampant. while end's first release science/fiction was filled with spooky space themes, this recording is on a total
 hatic atmospheres and an impressing look into the future, it will stand the test of time and establish them as one of the great innovators of the genre. 37°c incl. an infectious up-tempo mix by
 deo, decoration, theater and human sensitiveness... the main inspiration source for this project are emotions and experimentations, incorporating experiences which they collected during num
 ance-passages hammer into your brain and will certainly gain control over your body! the first 1000 copies include the bonus album 'remixes of kmputor' with remixes by ammo, concentrix, fic
  which resulted in one of the brightest and matured debuts in quite some time. great industrial love affairs is a wicked mix of irresistible electro-beats with highly-skilled rhythm patterns, infect
ogether in an abandoned barrack in southern germany to celebrate beyond all scenes and categories. over the years operation mindfuck invited several artists from electropop to industrial to
urface appearances of technoid intelligent dance music structures, catchy impulsive beats, melodic soundscapes and (unpredictable) tribal elements. for this project mika goedrijk left out orie
or 'requirement', crystal clear technoid detroit synth lines meet strictly accentuated beats, disturbing samples and captivating melodies. the more you listen to this album, the more details that




ead of 'eclecticism' a logical extrapolation of varied influences is displayed, whether it is post-rock, intelligent dance music, dub... in the end they become one style that can only be called kee
at-driven sub-bass monsters and fast dance tracks built upon hard hitting breaks. this album displays talada's ability to merge all these styles into one instead of simply stringing them togethe




reate a poignant blend of dark electronica and industrial-tinged ambient aesthetics. expect a major leap forward in the zentriert sound with this highly-engaging and haunting new album. '...no
ence‘ is a monster of an album, proclaiming two powerful elements, as the title suggests, with no apparent apologies to its potential victims. with tracks ranging from dancefloor-mopping hard
rawing from a prolific pool of dark ambient, idm, tech-step, and rhythmic noise influences, broken fabiola’s ‘severed‘ delves deep into the reaches of the mind, digging purposely into emotiona
s around the globe including access to arasaka (us), totakeke (us), autoclav1.1 vs. esa (uk), subheim (gr), anhedonia (cz), flint glass (fr), aphorism (us), hecq (de), marching dynamics (us), dr
ng synth-lines, and modern classical elements that spew emotion from every surface. this is without a doubt stendeck’s finest hour…
h an intoxicating rush of synthesizers, electronics, political samples and layered drum machines. it blows all stylistic boundaries down. this music never rushes for extreme violence, just like t




album that gives us a new and unique edge on the artist and sound master kazuyuki kishinos universe. this is the dark masterpiece of kk null... deluxe 6 panel digipak comes with beautifull s
 md group of labels. five puts the dance back into intelligent dance music through the fusion of techno, house, electro, and jazz with rex's now signature sculpted sound. he has created some
he alien sonic shroud that embodies their trademark zig-zag suture stitched beats, frenetic basswork and lush emotional gauze. plus with some help from seaming, kettle, spyweirdos, landau
 stival (2003), microstraava (2005) and more.
ng debut album tell individual chapters of one story. its a fairy tale about the little one and it's just 12 chapters long. they include the beginning and the end.
 through a vocoder, later on forming a duet of voices and brings it close to space age popmusic. that is absolutely a great piece. even with such a title for the cd things can't go wrong. (frans d
 ovecraft, as well as in the realm of sci-fi stories. moreover, the word 'deep' is of key importance here, because initially all the tracks on deep sea shipping were stylistically aligned with each o
usic and a thought. this is a message from extraterrestrial worlds that has occasionally found the receiver in thounds of light years.
ssia. both met about 2 years ago programming for native instruments reaktor and started working on the album. lazyfish/mewark contains 14 songs highlighting in the different aspects of thes
re intersparsed with sophisticated melodic and powerful rhythmic pieces. although bavarian folk music influences are audible, the album is far beyond from local eclecticism - in fact a cohere
 d bad time for the empire, in addition to vinyl only hits like dirty bomb, servant, and more. the album features collaborations with and remixes by bill laswell, scorn, technical itch, and more. no


ies worldwide: no stars here....




 d rhythm structures release a special acoustic perception which gives no fixed orientation - almost like a trip without agreed destination. defining an almost unreal post-industrial atmosphere.
ll need this. phantom fresh programming and a sense of severity like no other, defile your mommas speakers the right way, do it with meander on low res. designed to play at volume levels o
oken beats with that unmistakable 8-bit crunch! davros takes over the first vinyl with his doctor who inspired harsh beat trickery. opting for the full on gabba approach, you know you are going
 d, albeit sullied and decaying. eschewing the polish and sterility that digital production can entail, the album embodies the crackle and spark of embers of a once-consuming fire, giving us an

 christian corvellec and martin dumais, concoct music for tunnels, those places, where, at the end, one is beginnning to see the light, as the old proverb says, but in the present case, we do n

t, fresh and hard dubstep record you have been waiting for.
ways in the very deep, beautiful and human way so typical and particular to this rising act.
ge of musical styles such as disco and prog rock is hilarious and he perfectly uses these 70s remains for his sound explorations. but compared to former plunderphonic artists such as john os




to the grinding industrial-lashed assault of 'gotta gotta gotta kill,” to the straight-shootin’ jungle / breakcore rinse of 'grrly jungle,” this is music to party and get down to. with previous releases
usive. angèle david-guillou, from the french band, klima, sings on 'nightmares of the deer.', while steph jaggers speaks on 'the dream of the murderer's ship pulling out.' these tracks were all




g hardcore anthems are still here and in full effect on tracks like 'sporto fucking sellout cocksuckerface' and 'husikam rave dojo' that revisit the days of pilled out candy raving. this is cyberpun


vere & obscure release, different from all previous bad sector albums. in the background, bad sector's trademark chilling micro-melodies completes an upsetting, allucinated but crude vision
lbum since tjukurrpa 3 dated 2003.troum's (ancient german word for 'dream') aim is to lead the listener into a hypnotizing dream-state of mind, and use music as the direct path to the uncons
s a unifying theme for each track. the journey through the 4 tracks on offer is like being dragged through some sinister purgatory from a lynch movie. heavy, industrial machine beats, bone s



aire, known for his releases on burial mix, main street records and false tuned... ramadan is a division of zhark recordings berlin.


sses the band enjoys regularly, largely thanks to founder food team's aptitude for riding his profusely toggle-switxhed brainchildren's outputs like a porn star. granted, the artist sometimes still




hat bridges the gap between old and new technology. thematically, the nacrasti explores an ancient desert culture that was advanced beyond its time and yet long forgotten by history. your d
erted by video-artist clemens von wedemeyer into a thrilling visual story. which is available as quicktime video file (for pc and mac) on disk two.
samples. this is pure soundscaping, layering to silence and back.


% of all samples are taken from various ant-zen releases. sampled, de- and reconstructed by panacea.
ust started to penetrate your disfunction.


 tion of both bands. imminent and synapscape both perfectly combine their familiar elements to an overall sound resulting in something completely different and unique.
 eminiscent of some older logic records stuff, quickly followed by pure power electronics, loops and obscure voice samples. then chill out-like rhythms encounter deep house beats, again follo


nsparent paper + 2 of 6 covercards (polaroid mata's)
as well the soundtrack-like, dark science fiction atmosphere contributing immensely to take the listener on a industrial, futuristic trance trip.




ere not on the violence of the tracks, but more on the adequation of the ensembles of sounds. on first sight this is still unstructured, unspoken chaos (the reminder of 'rictus') - here it is uncom
h a rhythmical touch and a scent of dancefloor. the multi-layered distortions have been put more in the background whereas melodies and rhythm have been given more attention in the foreg




 bizarre journeys, reveals his personal social observations regarding politics, capitalism et al and juxtaposes philosophical aspects of daily routine. 'the voices of reason' is not a spoken world
que' is more beat oriented which fits perfectly to vromb's live sets, but it will come as no surprise to those who own vromb's earlier works. girard's music contains minimal electro rhythmic expl




 hms that are monotonous, minimal, and repetitive. however, you can always hear mata’s experience in the building up of an electrified analog beat in concert with the unique elements of a tra


while listening - if you can't, just close your eyes, then you will see... 'medicine for the meaningless' can be described as a fascinating, imagined soundtrack with a great variety. listeners who
work and daily life is audible.factory work and disco enjoyment is melting together. no pause,no silence - just hypnotising four-to-the-floor polyrhythmic heart-beats. if you live a '24/7 life' you w
s full of urban tragedy and fast beats; they represent a life on the fast track. that is probably why urban scenes all over the world incorporate this unique sound in their daily sceneries. live sets



 ed about that). however, mentioning musical genres leads the open-minded listener down the wrong path. a brief description of the music's intensity is hard to give. reading the lyrics and liste
w' is the fifth full length synapscape release. it contains a variety of works that they did between 1994 and 2001 - most tracks have ever been released before. you will agree that it was worth
 them sending greetings to zoviet france's parallel universe (perhaps even a small postcard is sent to pierre schaeffer). but you can never hear them dance - never. these strange life forms d
and forgotten tribal styles of the past that are layered with present day hypnotic rhythms and dark atmospheres. each track is a part of the whole and perfectly aligned with the others. as to unf


e been working on is more ‘danceable,’ better for live-shows than the complete ambient-like productions i’ve done in the past,” says mootz. “well, certainly there have been loads of glitch-amb
 the style radically or use the fundamentals of the debut as a basis for exploration into new spheres. stephen sawyer a.k.a. l'ombre has chosen the third direction. the mixture of electronic and
 land: daruma-the founder of zen in japanese art and popular culture ) . the expressions of human feelings that you can find in daruma's faces can be found in ant-zen's tenth anniversary com
 king through a clouded sky while window shopping ('boulevard'). all sounds were generated with analog and digital synthesizers. the listener might believe that they are hearing modulated sa


e at least deaf, maybe blind, or at least a one-eyed man... cd2, 'le serpent rouge' focusses the ritual-influenced side of mika's musical personality. this music is more quiet than 'le serpent blan
 ion of this album: 'an abstract battlefield combining subbasses & furious rhthms, low wavelengths & sharp metals, dry kicks & pricks. declined in multiple layers of sonic masses, from the slow
ck. people asked for records and exactly one year later he has delivered his debut ant-zen full length. the malleus maleficarum (the witch hammer, geman: der hexenhammer), first published
with philipp and a new project was formed. a project that would include the creative output of both musicians. hence, cell auto mata was created. maybe you heard the first result on ant zen’s '
ouble cd - cd 1 includes the album itself, cd 2 contains remixes of past and present ab ovo tunes. remixes that were done by von magnet, mimetic, haiku, emphasis and others. 'le temps susp
 s. the creation of altmann’s tongue - which features brian evenson reading selections from several books through a sonic fabric created by xingu hill and tamarin - proved to be similarly catac
ble'" -- they said. to answer the question "what do you mean, listenable?" there was... "pop! rock! dance music! choose your own!" maybe you think that u.m. is 'closing the circle' by returning


 d through sound. the early description of black lung's music, "ultra-distorted sound and darkest ambient", has become quite obsolete. the music is less distorted and much more electronica o
 the proof that it isn't always necessary to re-invent the wheel. the album’s experience is made up of 10 merciless, powerful four-to-the-floor tracks with dominating rhythms, melodic synth lay
d live for every performance. in order to achieve a proper life independently of ‘les chambres d’œdipe’, most of the tracks were strongly reworked at laboratoire central (some months after the
 surprised. there is a permanent change - without any real interference. the album could also be described as an 'attack on expectations' - sequencers and electronic percussion replace the e
 synth soundscapes, soundtrackish samples and filter manipulations. a perusal of the 7 remixes done by ab ovo, enduser, hecq, mimetic, displacer and s:cage reveals reverberated distorted
1): you will be blown away by the sheer power and intensity of the first two tracks but then you will be lead into a state of hypnosis, trance and ecstasy - and before you know it you will get trap
ations could be described as 'scientific', comparable to the works of modern electronic composers. but instead of 'dry, academic experiments’, szkieve transforms moods into music and the re
 top even the highly rewarded ‘electronic music means war to us’album. bringing once again a very eclectic mix of various underground-electronic-astyles with a sharp edge, this album will pl
pre-thesis about industrial music for the university of lyon (1993). also while in france he contributed to the industrial music scene by organising festivals and concerts in paris. in addition he d
 powerless and hiding his' head in the sand. the second part shows his' rising anger towards the powers oppressing him - part 3 continues showing the pure hatred which seems to absorb hi
out a new sign of life - well, here it is! if you once again expect merciless breakbeat attacks and heavy noise experiments, you’re in the right place. yes it indeed rains ropes, starting with a ch
 with electronic dance music or to put it another way, he has been perfecting his personal take on intense and explosive club-music - all under the moctan moniker. the results were two self-r
 al fan base. 'soap bubble factory' is geneviéve's first album on cd - her previous efforts were vinyl only. all 12 cd tracks have never been released and they explore dark, electronic soundscap
 fter their performance they disappeared as fast as they showed up - but photos have been made as a proof that they were indeed rabbits! through mysterious channels, ant-zen received a ph
 on this side border. unfounded. arrested white man with boatload of stolen musical tracks. chased an outlaw into mexico. killed our horses. no arrest. nursed maltreated idm musician. got him
mself they were just tired men returning to homes left long ago. once they had marched with the proud steps of men with a mission to be accomplished; now they plodded wearily, heads down
 the listener's ears and feet - another well-known thrussell tactic: give them a beat, add a melody line, refine the tracks with sometimes pretty, sometimes threatening synthscapes - and invad
nuation... this concept album shows genetic selection's musical improvement one year after 'orbital ground attack'. distorted four-to-the-floor tracks are decisive, dark ambient soundscapes a
humour you will find in samuel beckett's works for example.' once again the two belgians easily create an aural sphere in which the usual musical laws don't seem to exist, or don't seem to be


 meet dark and drony loops. surrealistic samples are added with merciless noises and dark collages. morgenstern's voices on one side, ear-drilling subbasses on the other. two different side
e was once a more strict separation of ambient spheres and hard beats but now there are eight tracks which have to be heard as a whole unit. the straight rhythms and mighty pulsing basses
 is actually fifty years old now (if you know how to spell 'pierre schaeffer') - but we zone out. 'pop pressing', well that's another story. if you enjoyed that record then you will park it not too far fro
om the split-10" with bastards of love, g.p.'s 'in stahlgewittern II' compilation contribution - and the previously unreleased 'blitzkrieg baby' (part 1 and part 2). the style ranges from distorted noi
 ng with whitenoise, baby? go enjoy it! after three years, several compilation appearances and re-releases of older material on cd-r there is a new sign of life from asche. more distortion, more
beat attacks to dark ambient soundscapes. 'expansion 2.0' tracks range from the 'shock front' to 'exit ritual' period - which perfectly documents sturgis' improvement. instead of repeating a su
eddon' 12'' which was released on ant-zen earlier this year. packaging: 4-page digipak cd packaging + 12p booklet.
s styles. hypnotic synth lines converge with pounding four to the floor sequences, symphonic choirs ('epic dreams'), disturbing shattered voice samples ('a man and his droid'), and electronic a
y the sonar line-up consists of dirk ivens (dive, the klinik, absolute body control) and eric van wonterghem (monolith, insekt, absolute body control). alien overdrive displays sonar's profession
ched as a short film, is a modern adaptation of e.a.poe's 'the tell-tale heart'. in this version, technology has replaced the function of the human organ. the 52-page book (21x21cm) features m
 s the result of two years of hard work, a mixage of electronic tribal/triphop beats, combined with dark psychotic soundscapes, drony bass lines and odd voice samples. bipol's music could be


ng basses to the final 'fissure of baal' collage - go get the official record for people who are afraid of, or just plain hate, creepy, evil clowns. yes...this is the no clown zone!
c 'e-punk' attitude (clearly demonstrated in the cover of the dead kennedys classic 'california über alles') and at the same time he offers a blueprint of what rhythmic noise can be today (dying
ge of sounds. there is beauty and aggression at the same time but there is no disruption; which is perfectly exemplified by the13+ minute track, 'madness'. a kaleidoscope of melodic keyboard


 st five mythological statures characterize an attribute for which they stand for: vitiation (moros), death (thanatos), sleep (hypnos), discord (eris), retribution and revenge (nemesis). the last thr
nkert (aka bipol) achived recognition as an innovative bass player and sound constructor with klang, womp and templegarden's. during various sessions both generated the idea to merge the
 f empusae's distinct dark, oppressive and brooding soundscapes and flint glass's characteristic rhythmic and ambient compositions (which are seemingly subject to an almost alien purpose a
from various collaborations and often seriousness was undercut with a wink... as on previous c.o. releases you can hear musical and stylistic sources from many cultural areas; for instance o
 ough the project's name was taken from the mao zedong quote, (which sounds harmless at first but culminated in terribly oppressed freedom of expression) 100blumen's musical aim is not n
ent aspects of 'toys': the pretend innocence of a real toy like barbie, human beings who use toys for specific role playing and deadly weapons used like toys by grown ups who can never nega
ut since then has evolved into more complexity. the hard-floor oriented aggressiveness was enriched with electronic ingredients of all kinds - ranging from electro and electronic body music to
ndchess". later on, it was transformed into 'math & emotion' because this title reflects the way klangstabil learned how to play the game. "the concept 'math & emotion' became wider and over

es (while the metric speed is kept). however, there is a readiness for experiments - thus they avoid turning a trademark into a corset. synapscape's open mindedness to the electronic art com
t fit in the hardcore / gabber genre, area keloza can be seen as a manifold mixage between powerful pulsatile industrial, advanced deep tenebrous electronics and circus-like melodies with h
 inspirational character and a non-musician with a twisted mind, who left klima stunned with a multiplicity of ideas and extraordinary creative urges. kean became the muse for a new-born nam
l is put into opposition, where everything would like to divide us and where we are being arbitrarily dictated the absolute necessity of a choice. but with 'ni prédateur ni proie' (neither predator
ms bleed... all these tall tales mentioned the same name: monokrom. after a long period of research, ant-zen obtained an aural and visual manifestation of these bandaged beings, and it is ou
artists in auditive and visual areas. after knowing each other since 1993 and sharing many hours making music together in the mid 90's both martijn and bauke went into different directions c
king you move, just as intended. titles like 'come closer' and 'a new day' slow down the pace for a well needed pit stop by using dark synths and ceremonial voices which create a hypnotic tra
the listener decides to. musically, 'floral annihilation' is a consolidated package of energetic, percussive pieces, interlaced with many facets of electronic sounds - repetitive, impulsive and su
as well the soundtrack-like, dark science fiction atmosphere contributing immensely to taking the listener on a industrial, futuristic trance trip. vinyl version of ant-zen act108 incl. 1 exclusive n
ution of both bands. imminent and synapscape both perfectly combine their familiar elements to an overall sound resulting in something completely different and unique.
 all comes to colours. the first one called blue, the colour that reflects on sadness and dark feelings. blue reflects these feelings, so it was the right choice to start with the chapter blue as intro
uch of his musical influence. the music is much more acoustically involved, although highly manipulated electronically. much of the credit for the recent change in direction should be given to


m and delikatessen records. with waves of praise, respect and new fans with each release, lusine icl is showing that he is a major rising force in electronic music. it is not hard to imagine jeff m
pushes the aggressive, the combative, the raw power of percussive sound in her recordings as hecate, stressing the dominance of breakbeat as well as contemporary noise fury. brian william
ounding through an idyllic synth melody - setting the stage for formless’ central theme of emotional catharsis borne out through conflicting sonic textures. fans of l’usine, marumari, funckarma
ear synth-sounds - catchy.. okay, add this one too! benny came over and said 'hey daniel check this one! nice rhythm, eh? listen to the breakbeats, soundtrackish voice samples and filters - r
 in timbre from the textural calamities of akira rabelais and autopoieses’ noise patterns to the tone-pulse configurations of ryoji ikeda and carsten nicolai’s microtonal minimalism. titled “circuit
acerbic noise assault after another, the kind that will make most fans of twee synth tunes soil themselves. “we've taken a harder stance for this lp, as the title suggests,” says john. “i think that
p3 format), appeared on compilations and produced remixes. wisp's sound spectrum can be described as the perfect combination of atmospheric synth lines and well elaborated beats. the br
 machine on other projects. relentless in her output and energy, she comes to devestate your receptors through sheer sonic mayhem. based around the destruction and murder of countless h
he memory of john carpenter as viewed through bullet-shattered glass ('heliuminum'). somatic responses puts you into a swirling bed of synth clouds while producing an album which proves t
nd that left the listener nailed to the wall. three years later, 'psicicite' has the same ingredients that xanopticon is known for - microscopic synth tones, noises, samples - and of course beats. r
on his creative power is demonstrated adroitly over the entire album. left shows the most range of end.users album making career. intensely personal, intensely musical, and just plain intense
oles leverages the anthemic sagas of johnny cash, roger miller and johnny horton - the hard-strummed western epics of the 1950s - in turning out superb moments of social commentary on a
 box and other styles which haven’t been invented yet - the result is something you cannot miss! doormouse's parents approve this recording - and you can believe them, he's really a nice boy
of the world's most original artists. by far his most approachable and even refined album, it's still pretty crazy in a way that only otto von schirach can provide. this time the overall feeling of the
e music are an obvious influence, as are japanese harmonic systems. the overall sound can be compared to artists such as venetian snares, dj /rupture, or squarepusher, but ove-naxx's sup
abil, it, mother destruction, snog, hypnoskull, winterkälte and silk saw.



al change in style, with the quirky industrial of snog metamorphosing into a vocal-enhanced take on the idm of thrussell's other well-known project, black lung. thrussell's blend of equal parts p
iving a mindfully listening to enjoy a more experimental side of electronic music and assimilate the full potential with access to an exceptional sound experience! it exists in its own space and


e in style, with the quirky industrial of snog metamorphosing into a vocal-enhanced take on the idm of thrussell's other well-known project, black lung. thrussell's blend of equal parts paranoia
efined the world of ambient dub. scorn has emerged as the vanguard of both the post-rock and isolationist aesthetics; appropriating such distinctly communal music as hip hop and dub to ext
actually the 2nd cd release of the somatix brothers and the follower of the cd 'circumflex' on hymen two years ago. they mix rotary beats form rhythmic regularity, dense waves of electronics w
ring basslines & breaks. the journey continues on with rhythmic trance themes adding touches of and drum'n'bass elements that dirge forward with immense dark demand of detail. those det
ral urban feeling worked out in an intelligent way. the final step so far of starfish pool’s work and something which fits well with the very high quality of the hymen releases.


wever, there's too much twangy electro and dolorous ambient funk on 'motion of' to keep her straddling those genre fences. 'motion of' is the music of mysterious dreams and lonely moments
bstanz-t, starfish pool, noosa hedz, somatic responses, xanopticon, k_chiko, red sparrow, llips., trifid project, end, so fuckin' jazz and fanny. enjoy mostly unreleased tracks by hymen- and hym


you will enjoy every second of it!
nce/fiction. throughout end’s science/fiction is a strong sense of theme and melody that’s as resonant as any modern electronic album you’ll find today. science/fiction revels in expansive perc
xperiences. electric opium bursts forth with bright soul and a vibrant sound stewed in urban lounge dynamics - where you’re as likely to get an earful of tight hip-hop rhymes as you are a hallu
oles leverages the anthemic sagas of johnny cash, roger miller and johnny horton - the hard-strummed western epics of the 1950s - in turning out superb moments of social commentary on a
’s not porno music. nymphomatriarch is cutting-edge drill beats and raucous noise that puts your ears in a vice. the tempestuous breaks venetian snares is known for spiral down to the very p
d visual input. the impact radius of war varies from location to location, but the end result is complete and total intellectual and emotional entertainment of the darker confines of the human so
 two original tracks to the cd, as well as remix of another artist’s track.digipak packaging.
 hill, p•a•l, and telepherique as well as newcomers like the cinematically-driven end. and since caller id, like motion of, is a joint release with mad monkey records, it seemed fitting to bring in m


ing myer’s signature dark flair and impeccable production. comparisons range from afx and caustic window on 'track 7' to emotive digital synthpop like early autechre on 'track 5.' not to be ou
 in timbre from the textural calamities of akira rabelais and autopoieses’ noise patterns to the tone-pulse configurations of ryoji ikeda and carsten nicolai’s microtonal minimalism. titled 'circuit
ned vague like a metallic ambience, a remembrance of her lascivious cavorting for herod, gyrating and thrusting with wickedness for him as the undulating pulse of 'premordial dance' eased t
, he and i both make music separately but this is the first time i’ve released an album by myself like this. i’m very excited about it, aren’t you? (r): yes, it’s a brilliant mixture of dark techno beat
acerbic noise assault after another, the kind that will make most fans of twee synth tunes soil themselves. 'we've taken a harder stance for this lp, as the title suggests,' says john. 'i think that
 rating the musical approaches that impress him into a dynamic and crisp post-electronic album. yet unlike some of his musical predecessors, hecq’s scatterheart posits itself as a complete w
 ere you can't help but feel your whole inner being is touched. real estate man is no doubt well enough known to you that you have probably been able to hum the melody since you were a ch
ssive rock organ, heavy john-bonham-like drums, rap vocals, mad ep, a sitar, ambient synth strikes, donna summer, reggae beats, duran duran duran, shredded vocals, a wah-wah trumpet,
d mirrors quietly leaves the 'desert ambient' of gone west (2000) and the more cinematographic realm of junctions (2002), so that it can dig deeper. more song based and acoustic than before
 ed samples, field recordings, clutching melody lines, varying rhythmic textures, drama and melancholy melt into a uniqueness that at times seems almost impossible. on 'megrim', stylistic ec
on skills. one could draw a comparison to uwe schmidt's ealier works as lassigue bendthaus and atom heart. as an addendum, l'ombre and architect used hecq's sounds/ideas to create track
um; it is epic music for the dynamism of a darker, more sinister world. like gridlock, lusine icl and hecq, ginormous commingles razor-like industrial noise with atmospheric sounds, conjuring a


 raw sampling and breakbeat madness of his earlier works to the 21st century version of drum and bass - drum and bass with more breaks, ragga vocals and tight fitting sample work. the mo
dy sound recording and digital media at mcgill university in montreal. since returning to the united states, he has worked as a freelance sound designer for corporate and academic webmedia
 this one here. yes there are also eight brand new acoustic tracks, live from the verandah - well-hidden on the cd in mp3 format. the fourteen songs you will find in the 'regular' audio-cd sectio
 he classes introduced him to the academic world of musical avant-gardism. prior to these classed he would have called this music 'just noise'. thomas received his degree in 2005 when he c
 track structures - 'terminal 11s sounds roams in an accelerated twilight zone where music turns into data and data turns into music' (jason forrest). on 'fractured sunshine' all this madness is
 cholic sentiments. this album is a perfect merger of downtempo beats, post-psychedelic electronica, driving electric bass pulses and soulful vocals. synth lines, sequences and striking effect
 bands such as skinny puppy, test dept and autechre in the early to mid-90s which was when his attention turned to more electronic music. through the years this music has mutated into a cro
 s and treatments are mostly kept together by a metric structure accented with subtle rhythms. 'jetstream', for example, gets this structure from a sample-and-hold-like-treatment - restrained, b
 er influences. 'epoch' is an enthralling mixture: the melodic richness of idm meet straight d'n'b/breakbeat rhythms, electronic and acoustic instrumentation is enriched with well-placed samplin
 ects and as a keyboardist for kommunity fk - talada was undoubtedly knee deep in it. he has also released several key albums (the operative through the crunch pod & sistinas labels) and ha
 hip-hop beat and grinding guitar motif)? or is it even a male version of goldfrapp, concerning moody electro-psychedelica? well, what it really is, is something completely new! sliding between
 orted chromatic basses, straightened heavy beats and swirling filter pulses, establishing ties from the times when the tb-303 took over technoid music up to the nineties where speed increas
 ondensed and vivid versions of themselves. bryan konietzko shines his bright, 'artificial light' on the elements that hoards of electronic music composers fear the most: melody, song structure
 whose favorite movie directors are stanley kubrick, david lynch and steven spielberg - just to name a few? what looks like an eclectic puzzle at first glance makes perfect sense after listening
 000'. now, boysen qualifies 'night falls' as a turning point in hecq's personal and musical history, and also as a conclusion of what hecq stood for until now. artistic expression of personal expe
 are more visible than ever. electronically treated instruments like organ and piano, combined with synth layers and modified beats generate tempers that range from surreal to melancholic or
music beyond predictable schedules and clichés in electronic music. with this debut he has perfectly accomplished what he had in mind. hpc presents a fusion of heavy syncopated beats and
  and subversive in their own right. audio vandalism is an aggregation of complex beat layers, deep dark bass, distorted synth textures, ominous samples and algid ambiences that are interwo




 ed with odd samples and grinding bass power. fanny's “take it or leave it” attitude is also visualized - if you can stand the cover then you won't have any problem with the sound. this record at


 with drony, abstract soundscapes, followed by the addition of embedded beats, reaching the climax with drum-and-bass/breakcore beats (and don't forget the faded lovely string synths and v
 nclined since youth, made mixtapes in elementary school and going bananas when rave broke in the us in the early 90s. now based in williamsburg, venezia pushes the boundaries of breakc
 e was especially excited to pick up mirex’ newest release, sickboy’s into oblivion. but after just one listen to into oblivion, there would be no point in bernard buying any more records. upon the


ness to 200bpm+ chaos!! soldaat van oranje is influenced by past, future and present in the netherlands, using themes, samples and melodies which are in someway related to his homeland,


  series should be - a little overview of what's happening in this post-9/11 moloch of a city that is still a nutrient solution for something new! mad ep's 'acid jig' is g.g.g. volume 1's perfect opene



cy metamatics in a lush remix sauce! round up a six of kingfisher and settle in for a 10-inch vinyl meal sure to set your senses racing faster than a mumbai bowel movement. at the heart of th
ntee there will be no barfing when you check out delikatessen’s fifth installment of delicious electronics! and that’s lilienthal’s special blend of warm melodies brewed up just for you in anti-m
h cookie with three glorious flavors baked in. the first bite, “lylt,” is a rich mixture of bubbling hip-hop vocal samples and sweet uptempo bass bumps that tastes a little bit like prefuse 73 and th
 e you just don’t care! ooops, wrong fruit group. it don’t matter though, ‘cos everyone at delikatessen is partying like it’s 1999 after learning the next 10-inch plate is none other than those citru
air, deru digs up this spanking new collection of four remixes by fellow sound farmers guaranteed to be the perfect garnish for any listening environment. first up is a delikatessen regular, lusin
 since 1997. the first track is a top sirloin cut, cooked well-done on the outside with crispy fractured beat slivers, but which opens up to a juicy medium-rare atmospheric melody that delights w


 cked with 'el chupacabra', the mythological name for the mexican goat-sucker - a four-fanged, red-eyed creature which drank live goats' blood, plus that of the odd mexican resident (see x-fil
 continuation of the first album. 14 unreleased tracks plus 2 titles previously available only on compilations. once again you will whistle the merry and melancholic tunes, sing-along with the ly
 ited follow-up: the cd presents fourteen new tracks (except the entirely re-recorded'society'). 'life is a combat' starts up with a bang: darrin huss (psyche) is the vocalist and interprets philipp m


 s later. by the time of the second full-length, rasputin decided to change his name to rasputeen to avoid political misconceptions. what you're about to hear on 'die segnungen der neuzeit' is a
 points out the direction: catchy melodies, p.münch's unmistakable vocals, driving beats and moods perfectly balanced between joy and melancholy - once again trg present the perfect conne
within a few years they had gathered many enthusiastic disciples from their public appearances. at one of these occasions cbihl met a mysterious person who was semi-nude, had their face e


ernetic:fuckheadz> would sound like. hardcore breakbeats <cybernetic:fuckheadz> is also the result of both recording artists to create a harsh hybrid form of drum’n bass, breakbeats and har
nto an auditory perspective. the result is presented on the new album ‘drones for drella’, which was named after the tribute lou reed and john cale wrote for andy warhol after his unfortunate d



lot of melody, it always forces you to feel that control of violence can be lost in one nice moment. yes, it wakes up most of your secret wishes which you should like to hide deeply inside yours
g. paper folder-cover edition.
 ors. suicide inside has added new sensations and the perception of the real opposed to fictious worlds into their sound. massive fat beats, slightly faster than on 'theory of the arising of desir




vromb and ah cama-sotz. gatefold-cover printed in gold on bordeaux cardboard.


sciousness. suicide inside developed their very own style to describe not the fiction, but a real world - with all its phobias, beauty, sicknesses, solitude, uniqueness and love. 'dead red' suppli


 nch inc., mimetic, sonar, the law-rah collective, monolith, ms gentur, proyecto mirage, contagious orgasm, bong-ra, vromb, winterkälte. gatefold-cover printed in silver on black cardboard.
 d. besides a couple of wildly obscure self-released tapes, the only other artifacts were contributions to seminal compilations such as "in the butcher's backyard" (cmi) and "death odors" (slaug
but the hypnotic eastern cold is so addictive. the breath of wrecked machines seeps through the album, transported by amphoric sounds created through heavy manipulation of the sound of s
 action had ever heard the music. merely ten people can claim to actually own the original tape release. but certainly the extremely limited nature of an album does not automatically imply tha




ented in a hands paper pack.




ulations, oscilators, waves and wh/noise. the concept was transforming images of antique machines, systems, radios, valves or different landscapes on electronic sound tracks.


ginning of 2005, this debut solidified tonikom's presence as an upcoming electronic artist. fourteen tracks weave in and out of electronic genres, moving you through worlds and atmospheres
s namesake into the soul and distracts from reality. highly recommended. special oversized slimline cd-packaging.
 ike somebody else' is almost beyond comparison. there are many layers to this cd from the skittering shuffle of 'my xmas tree and me' to the deliberate percussion of 'quick kit' to the melanch


heir latest incarnation 'cane'. their musical output has been rather impressive and equally as heartfelt and original. the funcken brothers now land at n5md for a brief moment to bring you 'pun


 d for your listening leisure.
 subliminal melodies that leave you wanting the battle to never end. 'super robot battle deluxe' is an infectious mix of modern experimental electronica.


ine, alvo noto, and pole. 'use' not only showcases aem's excellent programming, production and songwriting skills but is also a perfect mix of stark thoughtful melodies, 'minimal' style produc
quench ethos. all but a ghost of the long stretched out percussion is present swapped out for more alien double-time broken 'funck' reminiscent of the funckarma mother-ship’s previous outpu
 n. 'patience' is a very dense album, culled from 36 original tracks, 10 of which where destroyed to create 'patience's seamless journey. while still being playable track by track the album starts
rs and the warm clatter of the old projector. the music on 'sea' is just that emotive, to conjure up such visual detail to how you are feeling. a slightly new direction for n5md, sea is neither strict
hich are to most, unclassifiable. said by the artist to be somewhat loosely inspired by some of david sylvian’s recent work, this comparison though is almost a moot point due to tobias’ original
s out shined his previous albums by creating an introspective and focused actualization of his emotions. in past outings subtractivelad has only hinted at such introspection and has let us see
 ythms reminiscent of some of telefon tel aviv’s beat-work, the melodious cadence of early arovane and some of the warm yet slightly sinister elements of label-mate proem. it highlights a deli
u do the math and come up with your own sum...
billy) at greehouse studios in iceland and this compounds the borderless sense of musical place that micalavera embodies. the album title which roughly translates to 'my skeleton' utilizes gui
 & tres, machine drum, eog and celine among others, some of which have never been available on compact disc. a 'must have' for fans of the funcken brother’s prolific body of work!
 loosely chronological album documenting thoughts and emotions experienced when returning home after having moved away. the result is often dark and abstract when recalling fears or me
an occasional mid radio station listen-in on a seemingly unfinished conversation and you have an idea of 'of soft construction's' perfected audible dna. near the parenthesis has proven that he
 d spirits as label-mates lights out asia and bitcrush. hologram's direction reflects an original take on familiar genre themes, but pushes way beyond specific genre trappings by tossing aside t
bed 'rock record,' the album eschews some of cadoo's previous electronic methodologies for a more stripped-down songwriting style which utilizes only guitars, basses and drums. this experi
 latest work which itself reflects an extension of the near the parenthesis' sound. while this collection begins where 'of soft construction' left off, it quickly migrates to an even calmer and more
 and idm beginnings found on enarc to the more ambient/post-shoegaze direction of 'in distance.' after years of requests to bring shimmer and fade back, n5md has chosen to rerelease it as
hird full length 'eyes like brontide' the band slides into a darker more ominous and less lucid dream than on previous efforts. the release is a stylistic shift from the sweet lullabies of their debu
esque techno, stomping kicks and always freaky effects and noises. it´s like a 'clicks and cuts amoktrip'. this little compilation features 2 exclusive tracks by klima and two architect remixes by



 definition of the line between techno and hardcoresounds. featuring remixes by architect and klima!




 madlib, prefuse 73, mannie fresh, timbaland, missy elliot, outkast, john cage, james brown, edwin starr, wilson pickett, old jazz and soul music, public enemy, early hip-hop, disco, easy listen


 with harmonies of magnetizing structure. pleq's initial exposure began with a weekly residency at elektro klub, a nationally recognized sanctuary for circuit-fitted audience. pleq's music is the
se of life filled with unanswered questions and that gave reason to constructive examination with the past, the present and the future. in search of oneself and a growing demand for harmony,
mbient catacombs of jarl, to the swirling noise storm of ntt, every track is a new revelation. also includes music from: axiome, duran duran duran, larvae, subtractivelad, mad e.p, exillon, vision
 la lugosi looked on. rediscover the power of the omni analogue synth,the man from planet x and peppy little pop numbers with titles like 'the second advent of elvis', 'the pornoman','cannibal
et d’art at some point. there are enough artists that doubt it nowadays. they can argue against his point. but they can not argue with andy warhol anymore. first of all he’s dead. and second, th
ese completely diverse sounds to create a wonderful musical style all their own. aside from 13 excellent songs, there is also a cd-rom video included on this disc, 'go satan go!,' which comes



 ar composer rezo seres, which was forbidden in hungary after 17 people had killed themselves under the sounds of this song during three years. listen to: in the gloomy sunday morning' (fhm



 the unknown icy fields, and where frost bites the air in wide cathedrals of sound. comes in an exquisitely designed oversized nautilus pack.
y and evolution... comes in an exquisitely designed oversized nautilus pack.
ention and keep you on the edge of your seat. an honest, sad and solemn auditory treat... comes in an exquisitely designed oversized nautilus pack.
 ion which causes it. is it the effect of the water outside of us, or is it the two-thirds of water which forms the base of the human body ? which one is the pacifier ? and which one is the catalyst
 irard who - as a scubadiver - searched for and found several corpses of drowned people. not the most cheerful of stories to tell, but a fact of life. his stories have been well documented over




in favour of atmospheric cuts. wide, intense, rich, multi-faceted and very much alive...
corded on a paradise island - in the middle of a complete mess. a cunning terrorist - a quiet intruder. that's what you could say the final result is. nesting in your blood - staying there forever. u
eats take control and they form the base over which raw, distorted vocals are screamed out. loss is a project created out of need for an outlet. a very personal experience for the man behind
 in darkness and anxiety. once you have had a look at the tracklist, a look at the artwork, and above all a listen to the all-exclusive pearls contained on this two-and-a-half-hour double cd com
acks chaptered 'the past', including a more technoid industrial side of the project and a smashing 2 tracks chapter called 'the future', including a controlled breakcore track and an adventurou
 be written by a single performer and because of this, the cd has so much more to offer. deep droning sound layers, inaudible - or at best incomprehensible - lyrics, noisey ambience, field- rec
es and skulls of those who tried before. the sounds reflected on the moist walls, creating the perfect ambience for the ritual. sounds so dark they could only be referred to as black ambient ...
! worship the dead bird ! hail ! hail ! heavy transparent yellow vinyl in special carton sleeve.
on 'decade' are from canada, switzerland, united states and offcourse belgium and together they are so much more then a cross-section. iszoloscope, l'enfant terrible of industrial, ah cama-so
 sounds. titles like 'deepthroataches' and 'slutfuckers' reveal their chaotic side, while the almost epic 'breinspoeling' emphasizes the fact that this cd will not be the last we'll hear from hystere
re the emotional layers on this cd, but it also reflects to a ship being uncontrolable. as all tracks are related to oceans and oceanlife (amongst them are 'fighting with cachalot', 'whalebones ar
 evel of destruction, while 'hungry ghosts' are still unaware of their new existance. 'things fall apart' is mainly created with broken or somehow manipulated selfmade instruments, as broken or
 and haunting narration. just like on the highly acclaimed '1953', released three years ago on spectre, this album is another true collective effort, combining the sounds from bauke van der wa
p further on a combined cd & dvd release. the cd part gives you over an hour worth of new music as dictated by the little voices in the twisted minds of joris and ricardo. there are thirteen untit
or - at moments - fear factory would feel any shame for having written it. and all that on one album, without ever loosing that specific touch of hysteresis. so what is that specific 'touch of hyste
 pray for more. the bat is back! mr sotz will change your vision on the world ... again!
ed exclusively with auto samplings from all other mimetic releases... the result is a strange mixture of electronica, ambient, experimental and weird danceable atmospheres with the use of de




harp mixture of ambient texture and distorted rhythms. from experimental (the black lodge) to minimal songs (sweet abuse), from ambient to rhythmical distorted music 'the great divide' offers



more! mixed mode audio cd-r, 76:00 minutes audio + 3 mp3 tracks.



apacitants, k2. on this new release, the sounds became more 'abstract noise' including the usage of delay and reverse effects. a stunning mixture of industrial rhythms and abstract ambience



 tive and relentlessly propulsive album that's an exhilarating listen. it blows all stylistic boundaries down. based on the topic of video control, this album denounces the global instrument which
g guitar and screams. each time you think you have a second to breath they come right back at you with full force. be afraid ! the 16 tracks that make up this startling debut album all twist and


dose of sped up, confusing beats and mystery construction. over the psychotic, twisted & tribal rythmic noise are childish melodies that regenerate technologically-advanced worlds on each tr
 ize this exceptional - and therefore hazardous - event twice. the mobilization led to the idea of this compilation. audiotrauma is proud to present a rich, varied and high-quality music productio
en things have gone too far. reason and mind are futile because, due to its frustrations, mankind is reduced to a furious trapped animal. fyd soudnscape is made of madness, intensity and blin
acting ethnic percussion. everything sounds as if it has been compressed, distorted, dipped in acid and scratched with sandpaper but with particular attention to all frequencies of the audio s
nd raging against the fucked-up condition of the world in the vein of the best of punk/digicore with amazing textures and sounds. muttering, stomping, kicking a noisy hip-hop beat, chrysalide
nts to pain cessation. it invites us to look beyond the flesh, to feel the breath of the hidden self inside us.
st apperance on a mexican compilation by raid music, in 2005 french label kubernoise publishes le diktat's first album''2+2=5'', including remixes by cdrik -axiome, kirdec, etc- and communica


 ce-jazz and doom metal; a continuous data overflow and a merciless attack on all the senses. if you are into the real heavy stuff you can't miss this one! this uniqueness in dev/null's sound h
 different styles of dance music made solely with the intention to get people moving! from booty to breakcore, happy hardcore to hardstyle, techno to b’more club music, forrest has it in there
nd even refined album, it’s still pretty fucking crazy in a way that only otto von schirach can provide. this time the overall feeling of the album is more dance sounding; elements of booty, elect




 different styles of dance music made solely with the intention to get people moving! from booty to breakcore, happy hardcore to hardstyle, techno to b’more club music, forrest has it in there
 different styles of dance music made solely with the intention to get people moving! from booty to breakcore, happy hardcore to hardstyle, techno to b’more club music, forrest has it in there!



 all over the world with great success. barndance is the most requested track ever on donna summer's advanced d&d radio show on new jersey's wfmu. hold the west is an all-time favorite on




 t scenes. this compilation redraws this epic with a selection of 16 artists among which 10 onnance, somatic responses, sobchak, subskan, element abuse, ebola, matt fraktion, ripit, kirdec, zo
 a rhythm which wastes(destroys) everything on the passage, knows how to rise well beyond the contingencies of the kind(genre), while applying receipts much better than a lot of his contem
kno...and more. 'fuck yeah' on side 2 is danceable, but experimental hardcore; 'ontbeering' closes the record with a brilliant ambient listening track - a minimal travel through different emotion
, but because they think different. music for ghosts is on one hand, cold with an eerie alienation of human emotions, where feelings are ghostly & transparent, where communication (atish's o
d honest ways. cinemassaker was born from the desire of seeing old films come to life again through remix. this technique is very popular amongst vj's and their sets. rko and ripit add to it the



less idm, more cinemascope for the soul. toytronic's mr projectile is up next, 'dextroamphetamine' being yet another masterful display of his intricate production technique and his feel for scen
esthetic with its frantic beats and ultra clean dsp noises, a la autechre, superb melodies and a penchant for construction make this cut deep, it really eats into your head after a couple of liste
eases he delivered tracks for compilations on studio!k7, vpro and on records. this 'best of' album combines his masterpieces + 5 new tracks on 1 cd. slack is a full length distinct autophonic s
 the electronic side of belgium on the names of herrmutt lobby (= kadah vresky (dub) + friends) and rawakari (elf cut) and amazes you with a great track from the spanish eedl where they did
 re just missing spontaneity - that's where cardona came into the game. her experience as a circus musician brought in layers and layers of craziness, launching a storm of creativity over the




ntrospection and inner emotions. dub was not the dancehall music it used to be. since then, it has been given many names such as dub terror, illbient and dark hop to name a few. each incar
and there’s even a a fifth secret one! the hafler trio is a seminal experimental industrial band who started in the early eighties. then they quickly gained notoriety thanks to their diverse and int
, this album is incorporating material from many different sources and is certainly a shift in what mark spybey and mick harris did in the past. usually in a collaborative release, you can expect
 mal drones and a lot of nostalgic harmonies, dissolution, has a strong feeling of unity. through a personal approach of sound he developed in the past years, c-drík’s dissolution is always pre
with steve albini; were produced on jello biafra’s label (dead kennedys), alternative tentacles; and supported on tour influential bands such as neurosis and the melvins. all the while, kk worke
ies by global companies. 'fraud - hell - dope' being the follow up to this first opus, you can expect similar viewpoints on biotechnologies. but what 'dogme' wasn't able to achieve because of its
 f non-written, non-composed music. named after fredric brown’s seminal sci-fi novel, martiens go home! (mgh!) has nothing to envy classic improvisation. not missing a single week since the
disc incorporates new tones and techniques. silk saw's rob(u)rang contribution of ebow guitar sounds and vromb's radiodrome studio facilities' addition of many analog synthesizers are at the
native england after having spent almost a decade in canada. thanks to a long time friendship with the artists we were able to secure a release for this document in the history of electronic mu
made electronic controllers are used to direct many of the effects. this album contains recordings of two live performances, at the ars electronica festival (austria - 1997) and at the comandini
 types of equipment. thought to be the way of the future, some of them remain now very odd pieces of history, yesterday’s tomorrows. this recording is the first collaboration effort for vromb. t
 with goem’s pulses and shifting layers of rhythm, the three dutch minimalists were enthusiastic and dived into the studio, only to discover that trying to combine the two trio’s was near to impo
s, rivers and deserts exposed to snow, wind and sand. with his sharp, original and well defined sound szkieve contributes here to the creation of new bridges between noise and electronic mu
s other names, comes from many horizons at the same time. influenced by the post-industrial universe as well as the minimal or noisy avant-garde, grkzgl strings 6 pieces together, which rep
rs some time to take shape, to reveal themselves…and it will then be possible to fix our attention on various aspects of the sound labyrinth that is presented to us, to come and go while lettin
l of secrets and long lost memories? like a sanctuary, the abandoned building unfolds its secrets one by one, revealing the true beauty that is hidden in its decaying walls, pipes, equipment…
official release, which is the result of months, even years, of experimentation, discovery and refining. the enriched synthesis made by nos royaumes with his first 2-track 7 inch single, « l’antic
gest an even more brilliant and exploded future for this exploratory vehicle born on the ashes of the famous imperial floral assault unit project. the trio’s most recent cd, ‘under a morphine sky'
d fragments of classical music. nadja is the drone / doom / ambient duo of canadian musicians aidan baker and leah buckareff. their behemoth of sound is a construction of heat, weight, loop




 ncludes drastic re-workings from xyn and somatic reponses.
nge from tech-house, electro dub, glitch, ambient, and minimal techno.for fans of artists on record labels such as basic channel/chain reaction, mille plateaux, plus 8, & force inc.


y songs are written with a thought or feeling that was generated by those around me.'-portland.features a collaboration with dryft on 'the last ever' and a remix of van houten by somatic respon
h a healthy dose of idm sensabilities(that seduced him in the 90's ).address unknown shows a warm and more human side to the usually cold and antiseptic world of electronic music with its s



npredictable work. the computer-related track titles situate his ideas in a place where digital rules but creativity excells.




 from the past, and now we reflect it on you. we are here to satisfy and we will bring your mind in devotion!’
 om the benelux that collaborated already with acts such as this morn omina, hiv+, hybryds and others. the album was produced by eric van wonterghem (insekt, monolith, sonar).
 'behind the sun'. the main sound sources of geistform are the samples of ms-20 and radio emissions (noises, frequencies ... ) mixed with digital noises and raw dates. influences are the imag


o was in fact a spectator at the first abc concert, filled in the gap and became dirk's new musical partner for years to come. before they decided to go on as a duo, abc already appeared on se


story of legends. after a long hiatus they have returned. click click delivers 3 cuts of amazingly deep atmospheric rhythmically driven compositions of dubby organic fluid funk. imagine being a
political vocals meshed with hard drums and minimal yet funky synth production pankow not only defined their own sound, but also over and over again redefined that sound. after a forced br



a.l, iszoloscope, aql, s.to cage, h.i.v.+, empusae and shizuka. it figures out both direction and intentions : diversity but in the great tradition of electronic's industrial warfare...
am, labradford, and 'heaven deconstruction' by the young gods as main influences. his first demo, 'half alive' (2001) won the d-side magazine's tremplin. the following year, he released a very
en atmosphere still remains... let's add the artwork is composed of amazingly strange drawings in a cool packaging !


where you can find similarities with carceral environments: walls, iron, agressivity, but also life and communication. the pictured city is marseille, located in the south of france. the south subu
nts from eastern part of europe, this release presents a very serious and impressive opus in a nihilistic way...
 and bleak soundscapes for a depraved religious institute, pretending to give comfort and light... limited 500 copies, paper folder packaging.
ngly not the case... we can even say it may be the strongest of the three. musically, as you guess, you'll find the same melancholy and dramatic power that made land one of the most acclaim
 ic scene: horologium, project winter and artefactum from poland completed by foundation hope from the netherlands. the mood is dark, menacing and epic at time with horologium being the m
 . about movement : from tarkovski's 'stalker' (the fab's one all-time favourite film ever !). amongst other things sigma octantis likes surrealism, dark and melancholic writers such as bataille, a
ase on caustic records. the third act of the musical part is a weird italian band known as aql ; a sort of industrial break-core with some incursions into ambient and even more symphonic genre



ys, 'people listening to our music give us different influences each times' and that's the best compliment ever. the cover is also a real piece of art ; so don't miss this smart item with a very sym
de. with the addition of vocals by sigma from komplex, '...and the angel is gone' is simply both sensual and ethereal. limited 500 copies.
r ebb of the very first first human league or of ultravox - john foxx era. it is also a search for this so particular sound which haunts the mythical albums from this area. this project is an ode to th
 as lambwool, electric press kit, normotone (neon cage experiment) and riotmiloo with an acoustic approach. the talented remixers tannhauser and bak xiii complete the casting. both artwork


 ok 'do androids dream of electric sheep?'... a box destinated to induce emotions and feelings to people. this release is definitely the coldest to date for horologium. divided into three evolutive
 eets sunn o)))' according to noise magazine...
ot too obvious in the music of giuseppe tonal & tikki nagual. every single piece of this acoustic bag of wonders is an experience, each clear melody a misunderstanding. tonal y nagual: listenin
 of modernity. the music itself ranges from whimsical folk to ritualistic versions of the local styles, not to forget the non too subtle moments of industrial sounds. daring to see comedy withinin
quencies are merged seamless with unseen fear and organic consciousnes - gourmandise is built on a great variety of sounds coming from electronic generators as well as various items. the


he form of a kaleidoscope of experiences memories, pain, and pleasures, discoveries and unanswered questions. emotions are not considered here at all - they are replaced by sensorial stim
woods, from lunar landscapes to horror aberrations. deeply disturbing and yet unequivocally enjoyable and morbidly relaxing. this album is coming in a beautiful 8 pages digipak designed by e
('sentinelese', 'huli') and that still survive today. thus, somewhere between nightmare and dream, 'gaia' ultimately points at the fact that, as the wisdom of sustaining the world about us was im
 nics project empusae, sal-ocin is an accomplished percussionist and member of this morn' omina, tzolk'in as well as live member of ah cama-sotz. 'simple black lines in a diagram' is the sea
 ltic feeling, a somewhat epic touch. alternately powerful, fragile and rough, talvekoidik's music is a mature, expressive and subtle demonstration of his talent as a 'sound architect'. brume rec
 predictable change in the course of a revolution, thermidor is a metaphor that incarnates the impossibility of an absolute domain over the revolutionary act of creation and a tribute to the alien
 n breakbeat experiments, electronica and pure industrial-constructs itself on complex structures, subtle though catchy melodies and rhythms, thus creating an extremely personal, bizarre and


 tends to crawl under your skin, shapes the most fantastic images, and keeps challenging by means of an intelligent use of samples, rhythms and beats. with flint glass you find influences from
 ng sweeps over low-frequency whistling, sharp oscillations overshadow a continuous dripping sound (equation part.1). bizarre scratching, maybe that of mechanical crickets, follow variations
 r) or a melodic buzz that progressively amplifies (ohm.05 part.1). all those elements underline the strangeness of this cerebral music. inversely a few clearer notes break through like luminou
ases are layered so that they create an orchestrated buzzing mass. the piece evolves like an absorbing spiral that grows in volume and intensity,creating distortion,tearing apart and disintegr


 um & bass and dark ambient. 'irregular dark beat' also features remixes by tarmvred, suspicion breeds confidence & needle sharing.
cts. totakeke combine layers of dark, spacey ambience with intricate, slowly evolving analog rhythmic patterns (both distorted and clean), while precision synth sequences interweave througho
 h a secondary focus on rhythms, "pta" takes the rhythmic element to the forefront on several of these new tracks by introducing a combination of tribal and trip hop like beats with astounding
 ew tracks + 1 remix by iszoloscope. limited to 500 copies. artwork by zahkunst. mastered by john sellekaers.
 tronica crosses and covers many styles making for a diverse and truly unique listening experience! artwork by eyelyft. mastered by john sellekaers.


hats sure to be a promising future for this rising australian talent. features artwork by eyelyft and mastering by john sellekaers.
 wernoise/industrial grittiness. the tracks are immeasurably complex, and the breadth of sounds within each composition is amazing. metaphysics will set a new standard for dark electronic m
well as some of the best tracks from their 12''s, this cd is going to trample your preconceptions about who's who in fast, broken electronics. contributions from concrete cookie, the dog, depth
cs of white-hot electricity. bass kicks warp and buzz below thick slabs of dirty ambient rumbling, and the violent churning rhythms make movement absolutely mandatory. this isn't armchair m
ed and endlessly rewarding. it is this tense balance of synthetic, sterile soundscapes and scathing vulnerability that sets this project aside from most acts in the dark-idm genre, and sets it we
he northeast and california saw the debut ep quickly sell out, leaving fans waiting in anticipation of a full-length album. and now hive records is pleased to release witness to our collapse, a m
ety the scene offers, it’s wade. that is what’s so great about his new album, folie à deux; wade anderson’s influences are everywhere and the name of the game is variety. i hear the hammerin
 once terrestrial and alien, as well as melodic structures which merge skilled composition with the ambiguous flood of drone.
al feature of the v2 release is that each cd package includes a card containing a unique .regcode. which can be used to register on synnack.com for access to additional songs, unreleased tra
 . it.s also the perfect accompaniment to the content of mondegreen where, in the opening seconds the door locks behind the listener as one embarks on a slow descent into madness, enterin
nal damage level. no territories escape to this mutant sound invasion. rich by diversity, this compilation propose x-clusiv and unreleased traxxx by venetian snares, dev/null, terminal 11, duran




 erving electronic soundscapes. close your curtains and turn this up to 11. spring, is about to get really, really dark'. (zan lyons) - 'listening to this ep in the hospital made me wanna sniff stool'
 adrenaline sugarrush. resulting in a style that evokes soundmurderer & perez prado, who's smoke a big havana blunt with squarepusher & electric kettle, this sonic assault on our senses is a
d razor sharp edit structures. with vocal mc’ing by d’herbalis mc valle or lewis, they found the perfect thrilling combination to maintain your tension. it’s mash up !!! they gonna kill you !!!




 tragedy and biting sarcasm are overflowing with peculiar twitches, perfect samples and delirious chatter. any single doormouse track contains more emotion (for better or worse) than most ele
 ions' , we enjoy skull-splitting demonic rastafaraias-fuck, mash up ragga hardcore at his maximum!!! 300 samples per seconds, each track seems ready to tear itself apart in pursuit of new id


uble pack, a vinyl only release themed with some of sickboy's favourited subjects such as science fiction, wrestling and aviation. do not miss out, 'times infinity' is a benchmark of classic sickb


he year, mr dynamic (le jad) with his own signature production styles delivers a 'painful epic' ep. this record contains 2 powerfull trax cut in 45rpm for a maximum pressure and 2 bonus , 1 scr


d bassline, a perfect dj tools combination and 4 mash-up mayhem anthem for the dancefloor!!! ( + 11 x-tra endless loops).



 debwoy, this choon catches a re-load everytime !!!



eppin manouevres for 2007 kids!! strictly limited 500 copies worldwide!!!


mon ground: bass. side a features dubversion, with its dark atmospheric intro leading into a shattered 2-step breakbeat revolving round some filthy synth work. guaranteed to destroy any danc



 musical ideas. this is a soundtrack so inventive it doesn't require a movie.'




 t insects being poked and prodded by alien machines designed to extract their unusual sounds. reeves works meticulously to create this eerie ambience, patching samples together on tinker




nsion to his techstep experimentalism. concepts begun on past efforts such as 'in a far future' (position chrome) and 'beyond digits'( klangkrieg) have been adjusted and improved to crystalline
 ys of thinking". full-length album included remixes from iszoloscope, asche, hell-g, ctrler, punch, inc., ambassador21. cd-r release.
 has taken control? because others force their calm upon you? because you feel as if your body flakes away like ash, while everyone else seems like a fucking monolith? because nature itsel
  natasha in russian and english language and smashed shop windows into ambassador21' essence. when you rape us we will seek vengeance. psychodelic guitar riffs by ctrler and painful 'a
 and again. he keesp the beat hard and powerful, the melodies nice, and the lyrics deep, funny and sexy at the same time. rasputeen stands for madness, weirdness and energy direct from th
sampled loops, ranging between high speed assaults to slow motion pressure. vocal sounds come from own recordings and movie samples, mixing german and english language. 'crowd con
 unds blend with hostile screaming of female vocals almost beyond human ken.originally recorded as an in-promptu, improvised session, recorded on-location during one session in central eu
 er a broad variety of styles, never forgetting his musical roots to come back with some high speed hardcore attacks here and there. though there are a lot of samples on various tracks, boot-
umpscut:, suicide inside, ah cama-sotz, s.k.e.t., monolith) to experimental ambience (this morn' omina, contagious orgasm) and hard breakbeats (bak XIII, iszoloscope, hypnoskull, tarmvred).
 art, elektroanschlag and other events during the years and visualized by invasion wreck chords. you will remember everything and will be back to yourself. just push the 'play' button and for th
 rs present sometimes unexpected edges of other producers, as their owns - sounds range from heavy industrial and noisy breakbeats to drum'n'bass interferences or speedcore massacre. o
ou have strong imagination about what that - ambassador21, if you know what you are waiting for - get it. are they more diverse? yes. more deep? yes. more electronic? yes. have they chang
 r america' (d-trash records 2005), the new album is again full of samples from his favourite metal bands, such as marilyn manson, tool or fear factory. these names are not in the credits but it
 se, ambassador21 trademark - ferocious duel of vocals plus hard-as-nails lyrics. uncompromising heavy electronics - this is 'justified thirst for blood'.
atch 'monsters, victims & witnesses' and get ambassador21 live energy! running time: 61 min., pal system, region 0.
rds in 2007 entitled 'skr(ep).' blipvert recently appeared on a vinyl compilation entitled 'new deal' released by the netherlands' eat concrete records. in a live setting, blipvert takes on a twisted
ans of pitchshifter, prong, static-x, marilyn manson..... by this ambiguous device they bring disorder, noise and nihilism in our beloved society.


 der the influence, rachael has obviously been affected by the works of the marquis de sade, jack parsons, dario argento and his involvment with goblin, in addition to a myriad of other historic




 ctly on zhark. the b side serves up 2 cut-up beat laden tracks 'robot fight' and 'the geometry' - both titles reflect their sci-fi feel and approach, brooding machines caught in a fire of uncontrolle
 vile enginez melts your mind and the rest follows. stay tuned for his other upcoming releases on still raven and the praxis sublabel sub/version! all tracks written by f. narvaez except b2 with h




 'nomina nuda tenemus' - a dense ride straight into occulted secrets guarded by gregorian monks. 'la plume de ma tante' follows with sweltering bass terror and overwhelming blasts of precis
eakcore to electro and pure noise attacks are found on this double 12''. an unmissable release from zhark, which includes a full color poster and even acapella samples for the more adventur
 2001, rdg started recording her own vocals to lay over her monsterous breaks and massive basslines - creating a fresh take on every thing from death metal to love songs.her distinct vocal s
 ommandeering crescendos weave a dense melancholia, infused with valleys of lush desolation. unrestricted dark passions scream a liturgy for survival, a call for the underdog to rise above t




 come standard for the genre, vile enginez bizarre creation clearly demonstrates his masterful production and technical skills. 'cycadelic' might be best described as creating the feeling of a bl



eat manipulation and annihilation, delivered with an innovation we've come to expect these days from the hotbed that is berlin. featuring members gg + jc (aka christoph de babalon), this is al
 imensions. side a 'structure' has a melancholic mood. a dubby bass meets forward pushing beats with advanced drum edits. an mournful synthesizer pad with an extended feedback takes th
 n the dancefloor of the undead! avoiding the classical trap of post-jungle trying to imitate clean and overproduced drum´n bass, sumone keeps the production dirty and the drum sounds prett
 with warped analogue action. b2- voltage by dj m2j, sunday afternoon sub fm soldier m2j weighs in with a steamroller 4/4 squlech fest party rocker. a wicked debut on vinyl for this big new pr




to give any set of speakers a work out. great for those who like their bass served extra thick and their snares ultra sharp.



e happened in the intervening period, it is clear from the first note on the lead number that all the elements so vital to his style--excitement, technical mastery, jazz orientation, and a superb se
 e, this time, a musician takes his tortured leave of it all. insomnia is contagious, it seems, among the ranks. soplerfo sums up the thoughts of all those too young to participate in live aid, and
 sounds within, coupled with the pristine quality of both its vinyl and silica; there are few words to describe a record that must be both seen and heard. it is with great confidence and pride that
 sounds within, coupled with the pristine quality of both its vinyl and silica; there are few words to describe a record that must be both seen and heard. it is with great confidence and pride that
e influence of coke and eno, the beat staggers along as though drunk with the power of one too many old styles along the litter-strewn streets of the american gotham solenoid inhabits. determ
e boundaries of the full length format, zod has given him formidable room for interpretation within his unique voice; and bin ray does not disappoint. from the strains of his first chorus to its fina
d and spontaneous by using live instrumentation that is precise and direct. the second (and maybe more important) reason is that 'plays!' is even more adventurous in its fun combinations of


 dub and downbreak sound experiments. on sunny afternoons, ripley spins rocksteady. in all arenas, ripley's fierce intellect and raw energy spark new uprisings and unseat preconceptions. in
material, and they've been killing dance-floors and airwaves across the globe. legendary bbc radio one host john peel (r.i.p.) chose mashit as a 'label of the month' in october 2004. the records
 so fresh, they're still moist with dew. comes hand-stamped in plastic cover with mzo sticker on. limited to only 500 copies! cut in the uk for maximum dance floor pressure!
f their own, but strangely no imitators. after a promising but stalled start as a low-fi amiga 1200 toting indie band that made portishead sound like the theme from my little pony they regrouped


d now mix up a variety of styles including dub, ragga, hip-hop, 2step, grime, as well as more eclectic styles like funk, soul, bhangra, and rave. monkey steak’s exploration of garage and grime
a 12'' on bong-ra's kriss records later this year! this is his first vinyl release!
 hardcore and rave records and trashed a lot of family turntables trying to build up their dj skills. after a quiet period of about three years, they got infected with ltj bukem’s 'logical progression
material, and they've been killing dance-floors and airwaves across the globe. legendary bbc radio one host john peel (r.i.p.) chose mashit as a "label of the month" in october 2004. the record
ood and overkill he's finally found time to teleport some music at you at a high dangerously velocity. goat slaughterer mixes up new style drum n bass, slayer, mosh breaks and punk guitars i
 ng beat-box, muddy boom-bap... basically: hard & heavily damaged club music!


 le, is a fast, furious, twisted punk rock belter that's been a crowd-pleaser at the band's live shows for nearly two years. in both cases, the band sound noisier, more urgent and yet more strang
y filled with intricate melodies and classic techno sounds. jonas the plugexpert keeps the flow and changes it up a bit with some mild ragga-jungle. eight frozen modules gives a lesson in elec


usty and human feel. not exactly something for the rave, but an excellent chill-out record. and it even has lions on the artwork.
y and brutal bass and some hot b-boy samples. give in to the head nod effect. next up is ‘keep on truckin’ with a wall of low end synth leads & bollywood style atmospheres. rounding off the a
ass. love is a twist into the darker side of dubstep. swishing noise and female vocals introduce you to the heavy bass and creeping rhythm. as the beat drops you are cornered by thick growlin




 of the famous "in the year 2525".




fferent waves' on jetlag records has surely made their name regarded positively elsewhere too. vio lat cen (ronny seifert) had until now worked together with leekon under the moniker swap. a




s that send ripples down the innovation cycle. each track is an effort in simultaneous horizontal and vertical integration: just as you may notice distinct patterns of change that occur over the le
 the hands of talented musicians. warning: highly inflammable.


 time powerful and moving, vast and close to the soul.


 tracks of this album move and seduce, presenting a very up to date feeling for deep and varied electronics and drawing their intensity from the seduction of their melodies and culminate as v


 lodies and rhythms. 'kniga skazok': the book of fairytales turned into music. the driving force behind most of today's electronic music from ukraine, andrey kiritchenko has been both a radio a
 hat some other force was involved,' says uniform about 'not a word'. made of echoed beats, of short outbursts of noise, of ghostly voices and extremely detailed background, this album deliv
acks are coherent, linked into a whole, and yet possess quality which could make each stand on its own. 'fashion victim is about my frustration with fashion, image, and superficiality taking pre
 st elements from his past rock and electronic projects, sullivan brings together here again a delicate, yet lush work made to summon emotion and beauty. but 'pane' is not over yet. closing th
name, which echoes and answers his 2002 predecessor,'apparitions'. more than a swan song and definitely not an album of compromise, this ten track cd sees this musician mixing his variou
t makes you wish you were a robot too. happy tunes for noise heads? hard breaks for electro fans? whatever. 6, 5, 8 and 1. no need for a lot of words to get what tarmvred is expressing here.
s ago, as the electronic part of a performance collective featuring singers, african percussions and throat chants (and which for example was used for the 'les machines' performance, directed
again used a variety of instruments and devices to create 'as giants watch over us'. a display of high resolution ambiance and up to date composition, this new album offers a fresh view of wi
e on releases which demonstrated horchata's ability at working with varied sound sources and genres.partly working with sound sampled from his field trips to the amazon forest (michael pala
ck with a revenge. remastered, remixed, extended, the track by this core member of zod records find here a new home on this cd. their complex rhythms, their catchy melodies and their fresh


ure of the ukrainian electronic music scene, and one of the best regarded composers from the former eastern block. if his first album “kniga skazok” was andrey kiritchenko’s interpretation of



 'dana's calming effect on a mad mind' and finally unleashing massive beats and hostile breaks on the closing and shattering 'scab removal technique' and the merciless 'get with rats'. matthe
ng for more. and still, he knew that the second album would be of a much more laid back and quieter answer to 'fashion victim'. the off-the-hook, part novelty 'monster music' had to find a seq
ectronic composition. uge ortiz (az-rotator) probably missed a career as an alchemist by a few hundred years. an experienced composer, this madrid-based musician is a relentless experimen
 eam are proud to present the perfect example of them. coming two years after detritus’ debut full length album ('endogenous'), 'origin' is david dando-moore’s strongest and most accomplish
 an. while jason stevens (lapsed)’s debut album was an exercise in precision and click-driven harmonies, its self-titled follow-up sees the fragile hip hop roots take a lot more space. 'twilight' h



d yet assertive. 'pure language' is neither a whisper nor a shout, but a thoughtful and laid statement, to be listen to with care and enjoyed with ears wide opened.


 can not be overlooked, a work of great substance and talent.


esent cavernous bass. a massive, encompassing and profound work of art.
't need a dj anymore with 'stereohype heroin hookers'. warn the subwoofers and the dancefloors, there is some serious raving coming their way.
o move on to new grounds. a prolongation of the acclaimed full-length 'origin', it dots the i on this artist's skills, and anticipate detritus's changes in the future.
 ve since the 1990's under various avatars, he settled for the name cdatakill in 2002, and has since then released music on ad noiseam, zhark, low res, cross fade entertainment and eupholu
 specially recorded vocals and prominent melodies. this project finally sees the light of the day with 'pushing back', an album on which the listener gets both the heavily pounding beats of such



n-cheek mashup, drumcorps's releases are the product of a lifelong interest and passion with metal and a careful, innovative approach to electronic music. a very detailed combination of pain



 time a long due crowning for this musician and a perfect introduction for people who have been missing out, 'the later after' is the most accomplished and unequaled achievement by this imp




es and downbeat sticks to the original tempo of 'mingi', yet provides it with a dreamy, emotional lightness.




s nights of careful composition.




p the record, and the b side delivers the dancefloor-packing tracks, where jungle, hardcore and breakcore collide in a tasty and incisive way. welcome to blackpool, don't let the comets hit you




very solid and very recommended.


 diego rondón , drasik, eloïse oddos, escapista photography, fernando césar vega, filippo bonino, fredrik mortensen, göla, greygouar, guillermo berdugo garcía, headup, insane kaffeine, íñigo
ok doesn't pretend to be the bible of breakcore music [so, don't espect to find everybodies faces here!], it's just a visual approximation to what the belios think it has been one of most fresh m




 uffy atmospheres and even instrumental surf influences: 'the trifid project' was on. an incredible complexity of sounds, where melodic, evilish guitar strings meet dark-heavy rhytmics, blips an
 ndencies, of sarcastic humor with fits of expressive sensitivity.
nner music of our body : the singing tones of bones, heart and chest...'
 in the phonebook. since the late 80's some live performances were also organised in secret places and transmitted by phone to the audience.
g many different emotions, colors and visual perspectives. stay stoked !
oth wollschläger and gehle are working as musicians and djs for years; in 2002, after several listening sessions (2 lone swordsman, the aphex twin...) they decided to start a project. you can h
 uses his' works as a 'link' between artist and 'reality'. his' music is the aural reflection of the artists' daily life. abstract beats combined ambience samples and sometimes melancholic melodie




 e and industrial acts such as asche, detritus, empusae, hypnoskull, imminent, mimetic fake, morgenstern, proyecto mirage and winterkaelte, as well as younger promising russian and interna
pscape, this morn' omina, p.a.l, sonar, dive, mimetic, greyhound, mono no aware, dive, heimstatt yipotash, mezire, spherical disrupted, norm, s.k.e.t., alarmen and many more. limited to 500




t this years schlagstrom! festival, being held at maria am ostbahnhof on the 15th and 16th of august 2008, and all on one disc. following the path set by the previous releases, this years comp


hem. and not only it gives a shelter to the dark ambient producers who lurk in this online community. it also gave them the chance to present their work to the world. so thirteen artists united, c

maps. eo 2 features 15 additional tracks in the idm and electronica genres by flint glass, ab ovo vs. flaque, stendeck, freeze etch, atomatik13, hecq, ginormous, n0nplus, phylum sinter, justin
d full-length album that proves to be his finest work yet. from start to finish, ‘elekatota’ manages to effortlessly merge several genres of electronic music into one seamless body of work, witho
d distant voices meet complex beats and luring atmospheres to create a unique blend of dynamics and emotion. ‘approach’ flirts with post-rock and atmospheric downtempo styles, while still
to one fantastic collection of music. 15 beautifully crafted dark electronica tracks driven by sopping-wet beats, haunting synthlines, chilling samples, and razor-sharp vocals. beauty meets com
 lub and airplay around the world. now, ad.ver.sary is poised to release his debut album 'bone music' on tympanik audio. hard industrial rhythms meet enormous organic soundscapes to creat
e digital artwork under the alias anti/matter, morton has more than earned his place among the ranks of the greatest electronic musicians of all time. now, michael brings his next masterpiece
 rious broken beats expertly laced with stunning dark ambience. executed with exceptional complexity and fierce emotional posture, ’[ko·mor·bid]’ will undoubtedly blow your brains out. digipa
e, and many others, lucidstatic lays claim to his rightful place in the powernoise ranks among such artists as pneumatic detach, edgey, and genetic selection. with his official debut cd 'graved
art, ripping and tearing away at conventional dj filler while effortlessly mopping the dancefloor with dirty, tech-minded beats and a fierce and uncompromising sub-social complexity. you ain't h
 and modern electronica, autoclav1.1 is quickly gaining a reputation for pulling on the deepest of human emotions with a variety of melodies and real-time instrumentation frequently torn apar
m ‘rise‘ is a timeless collection of electronic music that is sure to leave you spellbound. each track is distinct, yet all together carefully orchestrated as a whole, inviting the listener to an efferve
 like venetian snares, gridlock, and somatic responses, as well as post-rock and avant-garde composers, tapage continues with his vision to merge complicated, harsh rhythms with dream-lik
ity with all the innovation and quality you have come to expect from this master of abrasive and melodic electronic music. side-line magazine calls totakeke '…impressive' with the 'potential to


ssing from down-pitched nothingness to frozen urban landscapes, it becomes inevitable to resist. let yourself sink in the abyss...this second release, carrying the same title with the composer'
ong music his 'broken' musical style is varied, with definite grime, dubstep, gabba and breakcore influences. what you should expect from 'mutant dubstep vol.1' is two incredible dubstep-influ
 new sonic tracks, evolving around dubstep, hard electronics and breakcore explosions produced by the mastermind himself. 100% adrenaline, killer sound production and 2 ultra-heavy remi




ends of templegarden's will also like this work, not only because p. muench and b. teichner present 50% of templegarden's current line up.


ds and rhythms of alarmen: slowly but steady they get into the listeners head and don't find a way out. and don't miss the mandelbrot-mix of 'feeling better is not a dream' and the remix alarme
ersified collection that partially places the sounds of spherical disrupted in an quite different light. in the best idm-tradition everything got more noisy and rhythmic, the epic dimensions of the o
n our label. on the first look, the 8 tracks on this cd might be more rhythmic than nerthus' previous releases but nevertheless it still keeps the ambient mood. on your way through urban land- a
eatures a remix of the czech-living grimbergen.


cks for this compilation and here is the result! 67 minutes of audiophob sound by alarmen, spherical disrupted, zero degree, mandelbrot and nerthus.
in the clubs of berlin and elsewhere. he is also a member of the interactive performance-group 'laptoporchestra'. two completely different conceptual spheres, which bogger easily concatenat
er stage designs and naturalistic sculptures for many theatres and museums, she has demonstrated an impressive breadth of artistic vision. lara bandilla has lived up 'till now in hamburg, rom




on this unitary sound-trimmer, we need to perturb the transparent cranioscopy of the alkalized dysphonia. 'bewegung der klangmasse' is flirting with some concentrated sonic epithelium while
 e time spent with the sadness or grieving, helps us appreciate the simple things in our troubled condition. this is not the easiest lesson to learn, but it is a necessary one because when we gi




eve with stylish design by salt.bombthedot
deas and audio concepts for creating our sonic art. each artist has created a 10 min.unique soundpiece inspired by miike´s films and visions. all bringing their own styles of electronic music e
catch them again..in japan the old ancient word kotodama meaning 'the spirit of words' says to have a mysterious supernatural and spiritual power and is a word to be used with great caution



dulations, was created for and performed at the new forms festival in the hague, netherlands on june 7th 2002. the performance was (and still is) a collaboration between the [law-rah] collectiv
n was filled with spooky space themes, this recording is on a totally different planet. sure, there are recognizable moments - surf rock guitars, crazed breakbeats, cop show riffs, theremins an
 innovators of the genre. 37°c incl. an infectious up-tempo mix by convenant. penetrate and expand your consciousness!
tations, incorporating experiences which they collected during numerous live/dj sets on all continents. they work with deep musical atmospheres and evoke a field of vision, based on the 'noti
 album 'remixes of kmputor' with remixes by ammo, concentrix, fiction 8, mlada fronta, negative format, razed in black, spies etc. each track is a venture into a different genre – so what do yo
irresistible electro-beats with highly-skilled rhythm patterns, infectious synth lines, majestic atmospheres and passionate vocal performance. a sinful experience created by one of the finest e
on mindfuck invited several artists from electropop to industrial to spin records or to play live. for om´s 5th anniversary seventeen acts made their very own present: 'compiled - 5 years of ope
dictable) tribal elements. for this project mika goedrijk left out oriental mysticism for occidental accuracy - the result is conclusive evidence that a pretend 'misfortune' can turn into a valuable w
 melodies. the more you listen to this album, the more details that will be visible. proper heavy engine! the fascinating aspect of this project's work (since the beginning) is their ability to innov




ub... in the end they become one style that can only be called keef baker. 11 songs of melodic harshness - loud and powerful even in their quietest moments. expect your expectations to be c
e all these styles into one instead of simply stringing them together. crisp percussion blasts meet soundtrackish synth lines while aggravating your somatic responses - distortion from detroit m




ert sound with this highly-engaging and haunting new album. '...no' will feature 12 original new songs + fantastic bonus material that can be unlocked from the audio cd via a small software do
 tential victims. with tracks ranging from dancefloor-mopping hard electronics to complex and modern tribal excursions, ‘the sea & the silence‘ takes the esa sound even further into intense an
 eep into the reaches of the mind, digging purposely into emotionally charged epics that explore those territories beyond internal struggle and the duality of mankind. featuring collaborations f
 nt glass (fr), aphorism (us), hecq (de), marching dynamics (us), dryft (us), blackfilm (uk), tapage (nl), stendeck (ch), flaque (de), keef baker (uk), atmogat (de), mnemonic (de), edgey (us), mla

 ies down. this music never rushes for extreme violence, just like the way politicians act in order to muzzle citizens. let you seduced by a new virus that tastes like a acid candy !!!




erpiece of kk null... deluxe 6 panel digipak comes with beautifull stylish design / photography by salt.
 zz with rex's now signature sculpted sound. he has created something unique while leaving the genre's subtler signposts intact to lead the way. 'five' pushes and pulls you to where idm used
 ze. plus with some help from seaming, kettle, spyweirdos, landau, and phinx find funckarma at their most synergistic since 2001s 'solid state' (dub). 'vell vagranz' is proof that funckarma are


 de the beginning and the end.
ece. even with such a title for the cd things can't go wrong. (frans de waard)
 tracks on deep sea shipping were stylistically aligned with each other and interconnected by such concepts as deep-tech, deep-ambient and deep electronic. depth and diving is part of each


wark contains 14 songs highlighting in the different aspects of these 2 sound designers: starting with some dsp-ambient-dub, floating into some bitter-sweet autechre influenced melody-monst
e, the album is far beyond from local eclecticism - in fact a coherent 'language' was created to result in a mixture of various musical influences into a whole. packaging: cd gatefold sleeve.
with and remixes by bill laswell, scorn, technical itch, and more. none of the tracks on this album have ever been featured on cd before – a great collection along with the new tunes. the mix p




 destination. defining an almost unreal post-industrial atmosphere. exocet is a crucible of sounds resonating with power and motion - a truly fine conclusion to a landmark at the boundary zone
do it with meander on low res. designed to play at volume levels of '11' or greater, this is what the real shit sounds like son, take a lesson, yes, yes, y'all.
ery. opting for the full on gabba approach, you know you are going to be in for one hell of a treat. no let up from start to finish, this record will destroy sound-systems the world over! unibombe
 ackle and spark of embers of a once-consuming fire, giving us an album that feels organic and alive. drawing comparisons with max richter, deaf centre, johann johannsson and the protagon

 the light, as the old proverb says, but in the present case, we do not really care; we can see the light in the distance, it also penetrates different interstices or fissures along the walls of the tu
ons. but compared to former plunderphonic artists such as john oswald, jason's music makes you dance - so it has to be disco - and it definitely has to be fun ! this 7'' is just one of the many 2




le,” this is music to party and get down to. with previous releases on tigerbeat6, industrial strength and dross:tik, belladonnakillz is ready to deliver this full length project, crafting a style that d
he dream of the murderer's ship pulling out.' these tracks were all recorded at home without the aid of computers. check.




 jo' that revisit the days of pilled out candy raving. this is cyberpunk at it's finest! welcome to the interzone! 15 year old k-heads will love this shit! if you hated albums like winnipeg is a frozen s


 ro-melodies completes an upsetting, allucinated but crude vision of our 'collapsing civilization'. try this album & 'reset' your 'weltanschauung'! the cd is packed inside a book cover, the book c
eam-state of mind, and use music as the direct path to the unconscious pointing to the archaic essence of human psyche. troum works to create altered states of mind, they work on the huma
atory from a lynch movie. heavy, industrial machine beats, bone shaking bass, epic, atmospheric melodies, and dark ambience charged with an aura of fear and despair. all this is accompan




ildren's outputs like a porn star. granted, the artist sometimes still known as ryan olcott has had practice galore, having built and mastered the instruments with the sort of diligence usually en




advanced beyond its time and yet long forgotten by history. your dark evolving journey into this lost 'nacrastan' landscape is streaked with the warm hue of sun-bleached rock, sand, gold, and
something completely different and unique.
hen chill out-like rhythms encounter deep house beats, again followed by big beats giving reminiscence to legendary drum and bass artists... to put it simply - “distorted disco” is a mature cha




ctured, unspoken chaos (the reminder of 'rictus') - here it is uncomfortable ambience overlaid with reduced machine rhythms and schizophrenic metamorphoses. 'ça ne nous rendra pas le con
melodies and rhythm have been given more attention in the foreground - an overall never heard symbiosis of hard, harsh, rhythmical tracks and droning, deranged ambience. not to speak of




spects of daily routine. 'the voices of reason' is not a spoken world album in the common sense - it offers both smooth and happy tunes as well as abstract, experimental soundscapes and be
arlier works. girard's music contains minimal electro rhythmic explorations beyond cold atmospheric soundscapes. there are also manipulated voices on this record-hugo girard implements th




electrified analog beat in concert with the unique elements of a track or of a song. listen to ‘the council’ featuring sheila mata’s voice and you will understand mata’s craftiness. this cd ends w


scinating, imagined soundtrack with a great variety. listeners who chill out will find themselves drawn happily into the details upon repeated listenings. highly recommended.
 -to-the-floor polyrhythmic heart-beats. if you live a '24/7 life' you will recognize the strictness of these never-ending dance-tracks.
orld incorporate this unique sound in their daily sceneries. live sets are remarkable: unstoppable rhythm-machines like bulldozers over your head. virtual fights and continuously repeating sam



 of the music's intensity is hard to give. reading the lyrics and listening to the haunting vocals is as uncomparable - as is labelling 'gloomy day' 'synthpop'. on this album, the message counts,
 have ever been released before. you will agree that it was worth making these tracks available to the public. this cd also contains three long-deleted compilation tracks that up until now could
 ou can never hear them dance - never. these strange life forms don't need a purpose for what they do. do you need a purpose to exist? either do they. what do you mean... it's all a lie? turn u
 a part of the whole and perfectly aligned with the others. as to unfold a seven part journey into the realms of the unknown, occult mysteries, and worlds of lost egyptians gods/goddesses that


,” says mootz. “well, certainly there have been loads of glitch-ambient releases in the past but my live shows with m2 really showed me the necessity of beats. i thought it would be easy to wo
ombre has chosen the third direction. the mixture of electronic and acoustic sources that lead into mellow, floating soundscapes is sawyer's trademark. that trademark is present on this new re
n daruma's faces can be found in ant-zen's tenth anniversary compilation. from anger to relaxation, from happiness to sadness - all the variety of ant-zen can be found in here. but the most im
zers. the listener might believe that they are hearing modulated samples but this is not true. it is once again, an example of girard's virtuosity in creating 'naturalistic' soundscapes with pure ele


 musical personality. this music is more quiet than 'le serpent blanc' but never calm or soft - open up your mind and let it flow... and then finally take a few minutes at your pc (or mac) and enjo
& pricks. declined in multiple layers of sonic masses, from the slowest organic mood to the fastest cold grinding, these resonating terrorbeats have to be understood as a refusal of all compro
m (the witch hammer, geman: der hexenhammer), first published in 1486, served as a guidebook for inquisitors during the inquisition and was designed to aid them in the identification, prose
 mata was created. maybe you heard the first result on ant zen’s 'daruma' compilation and maybe you wanted to get some more - well, here it is. we proudly present cell auto matas first full l
 von magnet, mimetic, haiku, emphasis and others. 'le temps suspendu...' can be described as mostly quiet, but never soothing. melodic soundscapes, distant, oftenly semi-comprehensible v
bric created by xingu hill and tamarin - proved to be similarly cataclysmic, although of markedly different scale. on the surface, altmann’s tongue appears to be a simple spoken word project b
own!" maybe you think that u.m. is 'closing the circle' by returning to their guitar-oriented roots but what we have here is not quite a circle - maybe it is an ellipsis? an egg? or something entire


obsolete. the music is less distorted and much more electronica oriented. 'the grand chessboard' is a multilayered masterpiece with a huge variety of rhythmic structures, subliminal dance tun
 our-to-the-floor tracks with dominating rhythms, melodic synth layers and economically placed samples - nothing more, nothing less. if you're looking for references: tracks like 'sacrifice' and
re strongly reworked at laboratoire central (some months after the performances). if you never have the opportunity to watch the play don’t worry - this soundtrack featured on this album spea
xpectations' - sequencers and electronic percussion replace the expected bass drum; in a heavily distorted 4/4 track a techno-like 5th-chord is embedded; crystal clear drum strokes replace d
 cq, mimetic, displacer and s:cage reveals reverberated distorted beats, drum'n'bass / breakbeats or straight ambient polyrhythmic percussion/synth lines - adding a stylistic diversity to l'ombr
 osis, trance and ecstasy - and before you know it you will get trapped in the tribal beats and moody sequencer lines. lines that lead to the world tree and 33°. 33° (cd2): your senses will be ov
mic experiments’, szkieve transforms moods into music and the result is quite unusual for this genre. 'ékranoplanes' is a concept work: because they require huge amount of resources and m
 derground-electronic-astyles with a sharp edge, this album will please both open-minded industrial as well as other audiences. the album also includes the ‘100 test channels’track for whichh
 ene by organising festivals and concerts in paris. in addition he developed a network for musicians in europe and he continued this network while living in berlin. after several releases on var
art 3 continues showing the pure hatred which seems to absorb his' soul and drive him into madness. but then in part 4 a process of analysis and rethinking takes place: he realizes that the o
 u’re in the right place. yes it indeed rains ropes, starting with a chaotic rhythmic assault and irritating vocal manipulations, followed by a fast straight-forward breakbeat rally combined with sym
 -music - all under the moctan moniker. the results were two self-released full length albums on cd-r in 2002 and 2004. 'suspect' is strong technoid rhythmic industrial with carefully placed sam
never been released and they explore dark, electronic soundscapes ('elements', 'mind-whore'), sensuous industrial tunes ('remember', 'tu es le star') and driving retro-electro-songs ('existanc
deed rabbits! through mysterious channels, ant-zen received a phonographic recording and a video clip and decided to release it publicly as a document of the aural and visual manifestation
 ed our horses. no arrest. nursed maltreated idm musician. got him home over river. arrested four mainstream rock musicians for attacking him. shot two ... not fatally. called to ensign. no arre
ssion to be accomplished; now they plodded wearily, heads down against the rain, thinking only of home. during one year of almost continual warfare with comanches, kiowas, and border ba
ometimes pretty, sometimes threatening synthscapes - and invade their brains with the message (the entire text by yves cochet can be found on the cover) - another masterpiece from the bl
 four-to-the-floor tracks are decisive, dark ambient soundscapes and more complex structures have been added to the industrial basics, making this cd a closed, unique step in genetic select
ch the usual musical laws don't seem to exist, or don't seem to be useful. the same can be said about time itself - a track's duration has no meaning to the listener - time is suspended. some


 n one side, ear-drilling subbasses on the other. two different sides - two different faces - one perfect instrument to reach the 'hypernoid state', which means a state of 'hypnosis' and 'hysteria'
 d as a whole unit. the straight rhythms and mighty pulsing basses are fully embedded inside the soundtrackish tunes and haunting voice samples - sounds emerge, pump, disappear and re-a
 story. if you enjoyed that record then you will park it not too far from your many stereolab and sonic youth albums. with this release, u.m. has returned to the guitar-oriented basics they origin
zkrieg baby' (part 1 and part 2). the style ranges from distorted noise-influenced industrial ('don't think i am...') to dark electro beats ('pulse'); also included is her take on a pop tune ('today the
n cd-r there is a new sign of life from asche. more distortion, more beats, more disturbing voices and vocals - and more names: this morn' omina collaborated with andreas schramm on 'petu
rfectly documents sturgis' improvement. instead of repeating a successful concept over and over again, scott experimented with new influences and various styles. he even has enough balls


g shattered voice samples ('a man and his droid'), and electronic ambience ('whispers in the dark'). all of this (and more) is welded together with straight but well elaborated drumwork (and br
absolute body control). alien overdrive displays sonar's professional skill in diversifying a well-known style of industrial music, making it fresh and exiting. the straightness of the tracks works p
tion of the human organ. the 52-page book (21x21cm) features many astounding full page and full colour illustrations (drawings, etchings and prints - none ever seen before) drawn from the d
 , drony bass lines and odd voice samples. bipol's music could be seen as the continuation of industrial music before power noise took over; that is, pounding beat boxes, irritating electro aco


y, evil clowns. yes...this is the no clown zone!
e he offers a blueprint of what rhythmic noise can be today (dying circuit assaults v1), this album makes damn sure patrick and his 21st century rat pack will get the earnings they deserve - w
e13+ minute track, 'madness'. a kaleidoscope of melodic keyboard lines, enriched with disturbing samples and sudden broken beats - it could be the symphony of an awakening megalopolis;


nos), discord (eris), retribution and revenge (nemesis). the last three tracks are named by the moires (goddesses of faith): klotho, spinning the thread of life, lachesis who decides this thread's
n's. during various sessions both generated the idea to merge these musical outputs into a collective venture. since the beginning the name punch inc. has stood for hard, intransigent and pr
ositions (which are seemingly subject to an almost alien purpose and theme). the final product is majestic and epic, often martial and bellicose, with a sense of tragedy that at times is even qu
sical and stylistic sources from many cultural areas; for instance on 'ripple' you can hear indian chants, dub bass, electronic clicks/cuts, gongs, a piano, even straight beats and minimal seque
pressed freedom of expression) 100blumen's musical aim is not necessarily political. in his own words, music is an articulation of emotions: 'not exactly the adequate means to express mysel
deadly weapons used like toys by grown ups who can never negate the children they once were. le jouet's music is a unique blend of hard hitting ultra distorted rhythms/beats constructed to s
nts of all kinds - ranging from electro and electronic body music to techno, drum'n'bass, or even sounds similar to those of experimental 'bridging artists' like aphex twin and pan sonic. artists
 the game. "the concept 'math & emotion' became wider and overstepped the limits of a mere game of chess. it was projected on interhuman behavioral patterns in the everyday game of life.

a corset. synapscape's open mindedness to the electronic art combined with their ability to integrate characteristics of breakbeat, electronica and experimental music results (as usual) in a fas
 anced deep tenebrous electronics and circus-like melodies with high recognition value. imagine a comparison with imminent, converter, somatic responses... add a slight intangible obscurity.
 rdinary creative urges. kean became the muse for a new-born named exocet and this album is the first result of this artistic insemination. violation holds a perfect balance between technoid c
 essity of a choice. but with 'ni prédateur ni proie' (neither predator nor prey) we will not choose our side. there between partial / impartial, north / south, subjective / objective, orient / occident,
 al and visual manifestation of these bandaged beings, and it is our duty to publicize it as a demonstration of the roughness and the savageness of ancient times: one fine day in the pyramid.
he mid 90's both martijn and bauke went into different directions concerning making electronic music, until the time was right to start working together again in the autumn of 2007. with the rel
 ng dark synths and ceremonial voices which create a hypnotic trance - only to be followed by pulsing floor burners like 'long distance runner' and 'deja vu'. after having endured the abrasive n
 th many facets of electronic sounds - repetitive, impulsive and suggestive. 100blumen focuses on a balance between hard danceable industrial noise (characterized by the artist's own descri
ristic trance trip. vinyl version of ant-zen act108 incl. 1 exclusive non-cd track.
something completely different and unique.
gs, so it was the right choice to start with the chapter blue as introducing this new cycle. the other four albums will be chapter red, black, white and yellow. red will go around passion, black w
 of the credit for the recent change in direction should be given to the faculty at calarts, including mark trayle and tom erbe who have been in the electronic music scene for a very long time. in


major rising force in electronic music. it is not hard to imagine jeff mcilwain reaching the same level of success as many of his influences. 'iron city' commutes the listener through a wide range
nce of breakbeat as well as contemporary noise fury. brian williams, on the other hand, has a history running into the 80s of voicing subtler emotions like isolation, angst, and dysphoria as am
 gh conflicting sonic textures. fans of l’usine, marumari, funckarma and bola will find the cavernous expanses of “return” and “song23” an aural feast, filled with harmonies shaped as much by
 sten to the breakbeats, soundtrackish voice samples and filters - reminds me a bit of the 'transfer' track by the german project...uh, forgot the name... do you like it?' 'what the hecq... ah-pretty
oji ikeda and carsten nicolai’s microtonal minimalism. titled “circuit I - V,” these almost interstitial pieces buffer stark, techno-infused tracks like “signal to noise,” which with its riveting electro o
 der stance for this lp, as the title suggests,” says john. “i think that we were categorized as idm for a bit, which we never really understood…so we've applied a few good measures of distortio
 ation of atmospheric synth lines and well elaborated beats. the breaks have a venetian snares approach in their complexity and precision - these breaks are combined with straight but compl
mayhem. based around the destruction and murder of countless hordes of men and women for their heresy and blasphemy of the decrepit church hecate's brew hideous album is by far her m
 ling bed of synth clouds while producing an album which proves that ruptured hard-drives of broken-beated chaos can still elicit emotions beyond those of a confused tedium. diversified and
 microscopic synth tones, noises, samples - and of course beats. ryan has forced these bits, pieces and breaks into a metric corset. the four tracks are straight and fast, with a sound structure
 areer. intensely personal, intensely musical, and just plain intense at points, the album showcases a spectacular array of skills across the board. from radio play material (black light) with aus
 950s - in turning out superb moments of social commentary on a post-pop chassis. in crafting an entire album of richly detailed western ambient and broken beat grooves, snog has raised th
ve this recording - and you can believe them, he's really a nice boy. and remember what the doormouse said: feed your head! its major changes time! packaging: full-colour sleeve.
 y otto von schirach can provide. this time the overall feeling of the album is more dance sounding; elements of booty, electro, breakcore, and rave music all find a place in his bizarre universe
 venetian snares, dj /rupture, or squarepusher, but ove-naxx's superb production has a voice all its own. since 2002 he has produced well-received releases such as an ep on dj /ruptures soot




 er well-known project, black lung. thrussell's blend of equal parts paranoia, anti-capitalist politics, humour and making it one of the more distinctive sounds around. ...making the revolution se
 o an exceptional sound experience! it exists in its own space and with its own rules!


 nown project, black lung. thrussell's blend of equal parts paranoia, anti-capitalist politics, humour and making it one of the more distinctive sounds around. ...making the revolution sexy.
priating such distinctly communal music as hip hop and dub to extreme individualistic ends. tracks ranging from slow motion grooves over heavy beats to warm and relaxing structures. scorn
 otary beats form rhythmic regularity, dense waves of electronics with layers of little blips & breaks and turns of melody. twisted drum&bass layers are filled up with abrasive crashes and explo
  that dirge forward with immense dark demand of detail. those details - dreamed voices, slow glacier melodies - low drones flows in a beautiful manner. a collection of awesome dreamscapes
 h the very high quality of the hymen releases.


 motion of' is the music of mysterious dreams and lonely moments of thought.
 azz and fanny. enjoy mostly unreleased tracks by hymen- and hymen-related artists.



nic album you’ll find today. science/fiction revels in expansive percussion patterns and lavish chord structures that swoon with tension, where sonic ideas posited in unrelenting break sequenc
as likely to get an earful of tight hip-hop rhymes as you are a hallucination inducing melody. it would be easy to say that these changes stem from stevens and lange working with mc’s sisco a
 950s - in turning out superb moments of social commentary on a post-pop chassis. in crafting an entire album of richly detailed western ambient and broken beat grooves, snog has raised th
uous breaks venetian snares is known for spiral down to the very pits of hell and back thanks to hecate’s visceral atmospheric treatments, returning as mordant sound meant to corrode the so
 d emotional entertainment of the darker confines of the human soul. when played at high volumes on a public announcement (pa) or stereophonic sound reproduction system (stereo), war re


 nt release with mad monkey records, it seemed fitting to bring in mad monkey labelmates burning rome and chango-feo for this finale. rounding out the remixer list are oregon’s best-kept elec


 otive digital synthpop like early autechre on 'track 5.' not to be outdone by other sample-aholics, myer ensnares the ultimate - beethoven’s moonlight sonata - and contorts it into a neo-roman
oji ikeda and carsten nicolai’s microtonal minimalism. titled 'circuit I-V,' these almost interstitial pieces buffer stark, techno-infused tracks like 'signal to noise,' which with its riveting electro ove
ness for him as the undulating pulse of 'premordial dance' eased through her consciousness. the sounds had followed her throughout her life, even to her death in the frozen river sikoris, her
 ut it, aren’t you? (r): yes, it’s a brilliant mixture of dark techno beats and what the kids call drum-and-bass, right? but i hear lots of strings and things like that in it, there’s lots of orchestral mus
 der stance for this lp, as the title suggests,' says john. 'i think that we were categorized as idm for a bit, which we never really understood…so we've applied a few good measures of distortion
 al predecessors, hecq’s scatterheart posits itself as a complete whole—an aural concept that spans the better part of an hour, where complex, intense breaks and melodic themes intermingl
  have probably been able to hum the melody since you were a child. yet in this presentation, each version is revealed in an entirely new light...so much more meaningful that it's almost as tho
 beats, duran duran duran, shredded vocals, a wah-wah trumpet, drop the lime, swans, a canned foetus, the real one and only foetus himself and a knife for mrs. miller in nearly sixty minutes!
 that it can dig deeper. more song based and acoustic than before, delicately crafted, and yet disturbing, smoke and mirrors opens a new door to the odd universe of dead hollywood stars. a p
ss that at times seems almost impossible. on 'megrim', stylistic eclecticism is less ostensible. the integration of different cultures (for example: using aramaic and japanese voices) best descri
 m, l'ombre and architect used hecq's sounds/ideas to create tracks that should not just be seen as 'remixes'. these collaborations are the perfect completion to this marvellous album.
 es razor-like industrial noise with atmospheric sounds, conjuring a macabre, 3-dimensional soundscape that unfolds as each moment passes. a mechanical haunting presence starts the albu


 h more breaks, ragga vocals and tight fitting sample work. the most basic foundation of the tracks on this album are a continuation of the sound created by artists like panacea in the 90s - str
  freelance sound designer for corporate and academic webmedia projects, scored experimental theatre productions, and was a classical booking agent. matthew's musical training can be rec
mat. the fourteen songs you will find in the 'regular' audio-cd section show thrussell and his' companions (such as c.peirce / end, sir real, ubin, the namshub of enki) as masters of amplified so
 music 'just noise'. thomas received his degree in 2005 when he completed his composition, 'mecalangue'. however, he has to finish two more compositions to finally get his diploma. music is
 music' (jason forrest). on 'fractured sunshine' all this madness is present, but castaneda has straightened out everything a tiny bit. 'counter clockwise chant pattern' f.e. has a song like structu
 ses and soulful vocals. synth lines, sequences and striking effects are kept together by varied rhythms - which expertly balance acoustic and electronic instrumentation. all the while, a manip
ctronic music. through the years this music has mutated into a cross breed of influences. in his' own words, the 'keef baker' project started as a cross between gridlock, somatic responses, ve
his structure from a sample-and-hold-like-treatment - restrained, but still very sonically detailed. language barrier is ambient electronic music at it's best, providing a relaxed, entrancing sentim
 and acoustic instrumentation is enriched with well-placed sampling, sequenced patterns keep embedded ambient soundscapes together, supplemented by power and intensity known from o
ms (the operative through the crunch pod & sistinas labels) and has shared the stage with many performers in industrial and related genres. he also runs and operates the los angeles industr
well, what it really is, is something completely new! sliding between genres like they slip between hot-tubs ‘the last days of rome’ is dark, powerful and totally catchy, a sleek meaningful beast.
 took over technoid music up to the nineties where speed increased and rhythms became dodgier. stylistic classifications were never somatic responses' aim, nevertheless, digital darkness m
 electronic music composers fear the most: melody, song structure and brevity. the album is an intense and addictive experience, charging forward with the nervous energy of urban, nighttime
n eclectic puzzle at first glance makes perfect sense after listening to this outstanding album... each track is carried by intense, emotional moods that take the listener from warm and soothing
what hecq stood for until now. artistic expression of personal experiences are often difficult because these experiences often block the artist's creativity. in exceptional cases it is possible to d
beats generate tempers that range from surreal to melancholic or even nearly frightening. listening to 'avutma' is like walking in a dimly lit basement never knowing what's behind the next cur
ad in mind. hpc presents a fusion of heavy syncopated beats and pulsing low end bass, balanced by synth textures and soundtrackish samples - inducing atmospheres that dwell between un
 textures, ominous samples and algid ambiences that are interwoven with atrabilious melody lines. straight forward electro-industrial meet the complexness of breakbeats merged with whirls




 er then you won't have any problem with the sound. this record at the right volume feels like a kenworth truck running through your wide open mouth into your throat – glory!! special plastic s


akcore beats (and don't forget the faded lovely string synths and voices - just as the muzak played in some factories keeps the workers productive) and finally concluding with a mellow melod
w based in williamsburg, venezia pushes the boundaries of breakcore with the humor and sarcasm that went hand-in-hand to create rave and early techno’s dark side, playing up the seedy un
 e would be no point in bernard buying any more records. upon the first few sick notes of into oblivion’s first cut, 'owleybass,' bernard began to feel a burning sensation in his ears; the lumberi


ples and melodies which are in someway related to his homeland, be it the persecuted satanic ‘goatriders’ from the middle ages, up and till the recent islamic fundamentalist attacks. not forge


mething new! mad ep's 'acid jig' is g.g.g. volume 1's perfect opener, keeping the roughness of the sixties and transforming it into the 21st century - featuring a little homage to a young vocalis



 s racing faster than a mumbai bowel movement. at the heart of this fiery release is the track “byeway” from the metamatics album from death to passwords where you’re a paper aeroplane,
 special blend of warm melodies brewed up just for you in anti-matter , a four-track cup of loveliness on a 10-inch vinyl saucer that’ll snap you out of the afternoon doldrums. the first sip, title
 t uptempo bass bumps that tastes a little bit like prefuse 73 and the rest of the schematic label, but sonorous and chewy instead of digital and crumbly. after whetting your appetite on “lylt” yo
 after learning the next 10-inch plate is none other than those citrus-lovin’ fools eu! ripe with vintage synth juice that’s sticky-sweet and healthy to boot, eu’s mandarines unloads four zesty trac
r any listening environment. first up is a delikatessen regular, lusine icl, who takes a 'no frills' route, spreading his special kind of down tempo techno butter all over 'soulik,' delivering the perfe
ens up to a juicy medium-rare atmospheric melody that delights with its supple sonic texture. while only a 3-minute portion, the second track is a veritable filet mignon of a cut, where lightly rh


k live goats' blood, plus that of the odd mexican resident (see x-files episode 'el mundo gira' for more). 'el chupacabra' is an instrumental track, so jonni says, with (quote) 'a mad latino sample
 ill whistle the merry and melancholic tunes, sing-along with the lyrics in english and french - enjoying the cd at home and in public. If you are an eighties or minimal-electro addict then your he
  bang: darrin huss (psyche) is the vocalist and interprets philipp münch's lyrics brilliantly. on 'l'homme deconnecté', french independent legend charles de goal is the guest vocalist (he also w


ons. what you're about to hear on 'die segnungen der neuzeit' is a mixture of minimal electro pop and eighties-style sequences, with a slight splash of industrial. once asked about musical inf
een joy and melancholy - once again trg present the perfect connection between vogue and sophistication - a trademark they are well-known for since 'state protection'. contemporary, inspirin
bihl met a mysterious person who was semi-nude, had their face enshrouded by a paper bag and who was preaching about liverwurst sandwiches, bureaucracy, insect people, and calling him


 to create a harsh hybrid form of drum’n bass, breakbeats and hardcore electronica. ever since the first appearance of jungle in 1994, stevens for example tried to incorporate these bouncing
ou reed and john cale wrote for andy warhol after his unfortunate death in 1987. the album contains six tracks and is just under an hour long. the track titles refer to the work on which they wer



ur secret wishes which you should like to hide deeply inside yourself, but you have no choice anymore - kill or to be killed. 'theory of the arising of desire' contains 11 tracks with over 50 minu


 sive fat beats, slightly faster than on 'theory of the arising of desire', powerful bass-lines and psychedelic melodic structures - this is 'learn to swallow'. no tragedy - no history. this album has b




auty, sicknesses, solitude, uniqueness and love. 'dead red' supplies the eleven tracks plus three bonus remixes with massive technoid beats, deeply distorted industrial noise, painful synths l


winterkälte. gatefold-cover printed in silver on black cardboard.
such as "in the butcher's backyard" (cmi) and "death odors" (slaughter prod.). not content to rest on their laurels after the successful inaugural release by ordo rosarius equilibrio, the fresh ge
oric sounds created through heavy manipulation of the sound of steel drums… 'industrial culture in its initial forms should be a mirror of the past and postulation of the future' according to yori
emely limited nature of an album does not automatically imply that its content merits another issue. in the case of 'transistor' any such fear of groundless hyperbole can be scrapped. while op




 or different landscapes on electronic sound tracks.


 f electronic genres, moving you through worlds and atmospheres. from sweet slang's smooth moving grooves to like glass's broken, twitching beats to hammerheads pounding relentlessnes


e and me' to the deliberate percussion of 'quick kit' to the melancholic melodies of 'sneakerwave'. there is literally something for everyone in 'everyone....'.


en brothers now land at n5md for a brief moment to bring you 'punctuated'. quench's first release by a stateside label, 'punctuated' shows quench at their cruelest. intense yet subtle melodies



 experimental electronica.


o a perfect mix of stark thoughtful melodies, 'minimal' style production techniques, leg quivering low-end, and firmly planted percussion which all flows with a serious groove. 'use' is a stunning
funck' reminiscent of the funckarma mother-ship’s previous output. not to re-draw the blueprint altogether, still present are the long emotional pads which hold together the funcken’s dense cy
ss journey. while still being playable track by track the album starts with the positive urban ambiance of 'waking at noon' and ends with the intense hornet's swarm of 'pay,' 'patience' delivers e
u are feeling. a slightly new direction for n5md, sea is neither strictly electronic nor acoustic. last day's utilizes both elements to conjure up a sound that is somewhat minimal yet musically rich
s comparison though is almost a moot point due to tobias’ originality in his instrumental composition and his vocal delivery, melody and cadence. 'time is on my side' is truly in a world of its ow
 activelad has only hinted at such introspection and has let us see just a hint of such depth of psyche. this new more open aesthetic has seemingly given hummel a newer confidence in his so
t slightly sinister elements of label-mate proem. it highlights a delicate balance of tension and emotion, harnessing errant melodies, fractured percussion and granular synthesis experiments


he album title which roughly translates to 'my skeleton' utilizes guitars, melodium, harmodium, violin, piano, field recordings, and live drums as well as electronic elements and edits that may
ve' for fans of the funcken brother’s prolific body of work!
ay. the result is often dark and abstract when recalling fears or memories we can't forget but also touching on moments when one explores hopes for the future and the impact loved ones and
 s' perfected audible dna. near the parenthesis has proven that he is yet another artist to capture the n5md ethos in its truest most honest form..
but pushes way beyond specific genre trappings by tossing aside the clichés and commonality to focus on the raw emotion involved in creating music. hologram is exclusively licensed outside
ng style which utilizes only guitars, basses and drums. this experiment in the basics has led to a sonically rich release that still contains those warm musical crevices to find solace in. epilogu
 nstruction' left off, it quickly migrates to an even calmer and more atmospheric experience. through l'eixample, arndt has moved closer to an an emotional apex and provides even greater me
bring shimmer and fade back, n5md has chosen to rerelease it as a re-mastered cd which contains four extra tracks not found on the original ep. limited to 1000, this release will serve as a tim
 he release is a stylistic shift from the sweet lullabies of their debut 'garmonia' (sun sea sky) and the electronic drum driven post-shoegaze of 2007's 'tanks and recognizers' (n5md). the song
 features 2 exclusive tracks by klima and two architect remixes by klima and monstre mekunnik.




azz and soul music, public enemy, early hip-hop, disco, easy listening, soundtracks, arthur lymon, lee dorsey, les baxter, jean-jacques perrey, al green, bjork, booty bass, cocteau twins, dj qui


 cognized sanctuary for circuit-fitted audience. pleq's music is the final answer to understanding social obedience through sound. on 'lucid dream' you listen to empathic and transparent arran
e future. in search of oneself and a growing demand for harmony, which is reflected within the songs, is more or less the contraire of that emotional phase of life. digipak packaging.
 duran duran duran, larvae, subtractivelad, mad e.p, exillon, visions, maath, troum, and s.q.e. 100% pure sonic innovation, and no derivatives.
th titles like 'the second advent of elvis', 'the pornoman','cannibal twist' and 'go,satan,go!'.above all, marvel at what sounds like sampled dialogue taken from, say it ain't so, actual soviet b mo
 e with andy warhol anymore. first of all he’s dead. and second, the history has ranked him as an accredited authority in the world of art. and no one can afford to ignore this. messer chups is
a cd-rom video included on this disc, 'go satan go!,' which comes from messer chups' previous release, vamp babes (which is every bit as good as this cd). run, don't walk, to buy this cd - an



g during three years. listen to: in the gloomy sunday morning' (fhm-russian edition, translated). 'oleg gitarkin, the king of russian lounge, is changing his image swiftly - there are much more ex




 n body ? which one is the pacifier ? and which one is the catalyst ? an intense one hour journey through the mind of a man who is so much more then mimetic; he's mimetic under pressure !
 ell, but a fact of life. his stories have been well documented over the years and this cd add a new dimension to the archives. the atmosphere and underwater sounds are amazingly well caug




ay the final result is. nesting in your blood - staying there forever. until you get sick, until you catch the disease. some are so desperate they choose this way. kraken is kraken. a belgian ense
need for an outlet. a very personal experience for the man behind it, all material is forged from life experiences built around the concepts of love, hate, sorrow or death. loss has quickly begun
usive pearls contained on this two-and-a-half-hour double cd compilation, you'll realize you got hooked... grabbed by angst and enjoying it. angst is : mimetic, hypnoskull, okk-ulth, empusae,
 future', including a controlled breakcore track and an adventurous drum'n bass track. enter the battleground and sneak into the skin of a lost futuristic 'einzelgänger' who lives in this strange
e - or at best incomprehensible - lyrics, noisey ambience, field- recordings of an unknown origin and even a few rhythms. the kraken might well be the belgian cthulu in disguise. who knows ?
sounds so dark they could only be referred to as black ambient ... and so the darkest of the dark was given a face. almost unrecognisable, for the final words on the scroll set it alight... the on


oss-section. iszoloscope, l'enfant terrible of industrial, ah cama-sotz, who released the first spectre ever, loss, who proves that there is a lot of harmony to be found in noise and hypnoskull, b
 zes the fact that this cd will not be the last we'll hear from hysteresis. a multitude of samples from all over the musical spectrum ensures that there is something to be found for everyone on th
eanlife (amongst them are 'fighting with cachalot', 'whalebones are not umbrella's' and 'sushi is murder') we can see what upsets kraken. and the music fits their anger perfectly; a layering of
ken or somehow manipulated selfmade instruments, as broken or manipulated as the thoughts that formed the soil in which they grew. the story which is told on the darkest lovesong ever - e
rue collective effort, combining the sounds from bauke van der wal with the words from hiekelien van den herik. '...as it is...' is about poles and opposites: 'heaven' versus 'hell', sound version
es in the twisted minds of joris and ricardo. there are thirteen untitled tracks in which you are guided around the world with influences ranging from belgium to india, spoken word in dutch and
specific touch of hysteresis. so what is that specific 'touch of hysteresis'? well, even though there are kazillion books written on the scientific meaning, it suffices to summorize them as 'a syst


xperimental and weird danceable atmospheres with the use of deep sounds and complexes rhythms reflecting the main character of the last 10 years of mimetic work. the book: international




 rom ambient to rhythmical distorted music 'the great divide' offers a vast range of genres and styles with a unique personality.




s. a stunning mixture of industrial rhythms and abstract ambience, check it out!



f video control, this album denounces the global instrument which is used by governments to control potentially subversive people who, though hidden, try to fight totalitarianism and economi
 the 16 tracks that make up this startling debut album all twist and turn at unexpected points, before usually evolving into a maelstrom of pure, unadulurated head-fucking violence.


 odies that regenerate technologically-advanced worlds on each track. the result is very body-oriented, in the way the beats and the rhythms are both very danceable or trance-inductive : a de
is proud to present a rich, varied and high-quality music production gathering about 50 musicians but also to affirm that this festival 'will never die' for there is now a digital medium to embody
ed animal. fyd soudnscape is made of madness, intensity and blind realism. growing in a world that muzzles man implies a definite reaction when expression is possible: i will not become wh
paper but with particular attention to all frequencies of the audio spectrum. in this mysterious whole, between electronica and industrial, things are not quite what they seem. lost in details, the
nds. muttering, stomping, kicking a noisy hip-hop beat, chrysalide music makes the psychodrama hit home. each track is already filled up with layers upon layers of audio collage, abrasive sq

 '', including remixes by cdrik -axiome, kirdec, etc- and communication zéro. this critically acclaimed debut album finds its artistic and political origin in george orwell's masterpiece 1984 of wh


 tuff you can't miss this one! this uniqueness in dev/null's sound has already won him a huge number of underground fans. he's probably one of the best-known breakcore producers even tho
re to hardstyle, techno to b’more club music, forrest has it in there! initially begun as a sort of remix record, 'panther tracks' builds heavily on a variety of sampled heroes. one can hear dj chip
ng of the album is more dance sounding; elements of booty, electro, breakcore, and rave music all find a place in his bizarre universe. from the first track 'subatomic disco divas' to the last 'sa




re to hardstyle, techno to b’more club music, forrest has it in there! initially begun as a sort of remix record, 'panther tracks' builds heavily on a variety of sampled heroes. one can hear dj chip
e to hardstyle, techno to b’more club music, forrest has it in there! initially begun as a sort of remix record, 'panther tracks' builds heavily on a variety of sampled heroes. one can hear dj chip



how on new jersey's wfmu. hold the west is an all-time favorite on the widerstand.org mp3 section. full-colour cover packaging.




 hak, subskan, element abuse, ebola, matt fraktion, ripit, kirdec, zotz, ingler aka laurent ho, la peste, elektroplsasma, iszoloscope, dither and imminent for a duration of 79 minutes and only co
enre), while applying receipts much better than a lot of his contemporaries. and if we had to move closer to element abuse of an artist in particular, it would be imminent, in its first embodimen
ambient listening track - a minimal travel through different emotions. limited to 1000 copies, highly recommended.
eelings are ghostly & transparent, where communication (atish's original lyrics) are reduced to fragments, one-line statements, or to the bare essence on 'fel' (the closest one to a vocal song
 very popular amongst vj's and their sets. rko and ripit add to it their chaotic and destructive touch, thus giving life to images frozen by their initial format. films stolen to carpenter, tsui hark or



ul display of his intricate production technique and his feel for scene-setting, luscious ambient weaves paired with a nifty crunch and tripped up beats, lovely as you'd expect. autophonic come
ke this cut deep, it really eats into your head after a couple of listens. likewise on '00 returns' with its breaky feel and metallic acid riding the drums, though very frenzied it retains a sense of m
 + 5 new tracks on 1 cd. slack is a full length distinct autophonic sound, tight beats with a jazzy electro-mechanic-funk flavour. 'bled' is the darkest track of the bunch, possibly the soundtrack
 azes you with a great track from the spanish eedl where they did some releases on the spa.rk label. additional bits come from slemper (etr, prospect, thin consolation) and loden (etr, colony p
s and layers of craziness, launching a storm of creativity over the trio. like a freak show monster, tricot trio, with its multiple faces, catches you in its mysterious world.




uch as dub terror, illbient and dark hop to name a few. each incarnation of dub music has its own unique sound. dark hop focuses more on the influence of hip-hop culture on current electron
 . then they quickly gained notoriety thanks to their diverse and intense material. each new release is requestionning the pertinence of the previous. they started by doing cut and paste and lo
 did in the past. usually in a collaborative release, you can expect to recognize the parties' different styles. but here on this very rhythmic release, mark spybey and mick harris managed to su
d he developed in the past years, c-drík’s dissolution is always precise and clear. it would suit fans of rapoon and thomas köner.
 al bands such as neurosis and the melvins. all the while, kk worked on his solo career. there he experimented with guitars to creating striking and rich noise textures. due to the honesty and
chnologies. but what 'dogme' wasn't able to achieve because of its length restrictions, 'fraud - hell - dope' takes to another stage. beyond the first experimentations of 'dogme', this debut long-
 to envy classic improvisation. not missing a single week since they started their radio show many years ago on radio campus (brussels, belgium) the trio has always played with the contingen
e studio facilities' addition of many analog synthesizers are at the very heart of this lively mix where the calm and the disturbing are reacting in unpredictable ways. 'eleven is a number beauti
o secure a release for this document in the history of electronic music. after so much time spent since the recording, they all decided to return to the tapes, the best moments chosen; a state o
 t the ars electronica festival (austria - 1997) and at the comandini theatre in cesena (italy - 1998). the recordings from these performances were combined to create the final album-document
morrows. this recording is the first collaboration effort for vromb. the montreal dark electronica wonder has teamed up with an almost canadian fellow, hushush’s headhoncho project, szkieve
 y to discover that trying to combine the two trio’s was near to impossible. so a different course was decided on. a kapotte muziek live recording was edited and subsequently used to create g
re to the creation of new bridges between noise and electronic music. this cd is only available in a limited edition in a full colour cardboard packaging on the influential ecuadorian noise label,
l or noisy avant-garde, grkzgl strings 6 pieces together, which represent so many micro adventures, interrelated and presented in an uninterrupted fashion, the whole forming an entity driven
 ound labyrinth that is presented to us, to come and go while letting ourselves be carried by the waves and the modulations, which then become our exploratory vehicle and form one body wit
 ue beauty that is hidden in its decaying walls, pipes, equipment…beauty in decay, as da vinci would have possibly called it. here lies a broken conveyor; there, hidden behind some monstrou
made by nos royaumes with his first 2-track 7 inch single, « l’antichambre », brings us to a crossing of the different roads the creator followed in his many experimentations and sonic discove
sault unit project. the trio’s most recent cd, ‘under a morphine sky', offered a well-balanced perspective between improvisation and composition, a sound alchemy that is realized without any p
eff. their behemoth of sound is a construction of heat, weight, loop and vapour. here, they had to break netherworld¹s ice and find a way to the red core of earth. the common track brings hea




nel/chain reaction, mille plateaux, plus 8, & force inc.


 ryft on 'the last ever' and a remix of van houten by somatic responses.
o the usually cold and antiseptic world of electronic music with its subtle melodies, deep basslines and funky beats.




ced by eric van wonterghem (insekt, monolith, sonar).
 ) mixed with digital noises and raw dates. influences are the images of antique machines, systems, radio's, valves...... these signals are geistform. for those who like to compare, geistform s


efore they decided to go on as a duo, abc already appeared on several compilation albums and tapes worldwide. soon abc became on of the first belgian electronic acts who proved to be suc


y driven compositions of dubby organic fluid funk. imagine being alone in a dark place with waves of noise swelling up around you, gripping your senses. relax as your body begins to feel unc
ut also over and over again redefined that sound. after a forced break in 1993 they returned to the scene with a fresh new sound. here pankow has given 5 cuts of dark thought provoking song



great tradition of electronic's industrial warfare...
 d-side magazine's tremplin. the following year, he released a very critically acclaimed second opus. lambwool music is now close to some cold meat industry's dark-ambient pieces, with that



 ed city is marseille, located in the south of france. the south suburbs are under construction, while the ones from the north are dilapidated, hidden. something like a cross between beyrouth a



 choly and dramatic power that made land one of the most acclaimed bands from the dark / bombastic industrial scene! limited 500 copies.
 od is dark, menacing and epic at time with horologium being the most martial act. 'paradise one' symbolises a passage from life to death surrounded by fading memories from different areas
s likes surrealism, dark and melancholic writers such as bataille, artaud, shakespeare, proust, bernhard, dark humour ala ambrose bierce. musicaly speaking... amongst others blue oyster cu
 th some incursions into ambient and even more symphonic genre. listen to their first (and awesome) track! all three bands've appeared on the now legendary compilation 'trees on oscillation



so a real piece of art ; so don't miss this smart item with a very symbolic number : dc 050!


unts the mythical albums from this area. this project is an ode to the blackness of the beginning of the eighties magnified by the amazing futuristic technology. the v/a comes in digisleeve. (co
mixers tannhauser and bak xiii complete the casting. both artwork and layout were created by the painter wladd_mutagéne making this work a 'must have' in the already impressive hiv+ disco


tely the coldest to date for horologium. divided into three evolutive parts and quickly diving into lurking sadness, 'penfield mood organ' initiate the feeling of something tragic soon to be unleas


ce, each clear melody a misunderstanding. tonal y nagual: listening like being licked by a frog.
 btle moments of industrial sounds. daring to see comedy withinin tragedy and always wandering between sadness and exultation, the experience of jägerblut is that of the world being full of d
ds coming from electronic generators as well as various items. the sounds used (birds singing or door creaking for exemple) are here much more expressive than the sound of any instrument


are not considered here at all - they are replaced by sensorial stimulation. restricted to there very essence, this is a timeless album, arising from a blinding, arrhythmic labyrinth of beauty. dem
 this album is coming in a beautiful 8 pages digipak designed by eyelyft and include four excellent remixes by ah cama-sotz, this morn' omina with empusae, xabec and disharmony.
e fact that, as the wisdom of sustaining the world about us was immediately obvious to many men as they developed, so it should continue to be obvious to us. for this new opus, lith continue
mber of ah cama-sotz. 'simple black lines in a diagram' is the seamless encounter of the talent and creative worlds of both artists. in it, empusae's captivating tribal rhythms and singular amb
ubtle demonstration of his talent as a 'sound architect'. brume records is therefore very proud to release talvekoidik's debut album, silent reflections: deeply influenced by the baltic culture and
main over the revolutionary act of creation and a tribute to the alien, sometimes horrific and brutal, force of chance: paying homage to the eternally unknown and translating into soundscapes
dies and rhythms, thus creating an extremely personal, bizarre and always most fascinating sound universe. pick out the best of idm, for example, autechre and squarepusher, add subtle indu


amples, rhythms and beats. with flint glass you find influences from the ambient of the '90's as well as various forms of idm, tribal and industrial rhythmic noise. flint glass has played numerou
re scratching, maybe that of mechanical crickets, follow variations of tonality…numeric interferences mix with more concrete sounds. some notes stretch over a long process of break-ups wh
al music. inversely a few clearer notes break through like luminous rays (equation part.2). amongst other singularities that pop up in a track, a furtive and disorderly drumming (ohm.05 part.2)
 olume and intensity,creating distortion,tearing apart and disintegration before it disappears. in the second half a new sound takes place,first static,the phrase imposes an austere climate,cold



 and clean), while precision synth sequences interweave throughout the mix. 'lament' features 5 extensive totakeke tracks plus 2 remixes of the title track executed by imminent & klangstabil.
ing a combination of tribal and trip hop like beats with astounding results. from the mechanized noiseloops, dense orchestrations and rhythm's of the epic "withering world" to the ethereal afte




mazing. metaphysics will set a new standard for dark electronic music with its fearless mix of sounds and styles, and completely new take on what 'industrial' truly is in modern music. this rele
en electronics. contributions from concrete cookie, the dog, depth error [aka matt green], the maggot farmer, jism, retrigger [brazil], incredibad [featuring andy samberg from saturday night live
hms make movement absolutely mandatory. this isn't armchair mood music, this is the soundtrack to an army of machines smashing your city to glass dust. featuring a collaboration with nav
 project aside from most acts in the dark-idm genre, and sets it well above most of its contemporaries. in anticipation of the next full-length release, we are pleased to bring you autoclav1.1's f
ow hive records is pleased to release witness to our collapse, a masterpiece of storming beats, memory-searing hooks and flawless production. equally destructive on the dancefloor as it is w
 ywhere and the name of the game is variety. i hear the hammering ebm beat on 'the world that i see,' and i remember wade on the dancefloor, at savage garden, jumping around to grendel. i


 ter on synnack.com for access to additional songs, unreleased tracks, videos, discounts on additional merchandise, and more.
e listener as one embarks on a slow descent into madness, entering yet another world. time slows down as one is enveloped by textures and swells of sound. 'a year in the life.' of sorts, field r
 unreleased traxxx by venetian snares, dev/null, terminal 11, duranduranduran, doormouse, otto von schirach, drop the lime, xanopticon, electric kettle and others.




 s) - 'listening to this ep in the hospital made me wanna sniff stool'. (otto von schirach)...
quarepusher & electric kettle, this sonic assault on our senses is a pure quality 12'' where the music, deliciously warm, step by step will make you dance!!! shake, baby shake!!!
maintain your tension. it’s mash up !!! they gonna kill you !!!




 se track contains more emotion (for better or worse) than most electronic artists can create in an entire album. it's incredible. doormouse is a unique and enigmatic entity indeed, a brooding f
 ds, each track seems ready to tear itself apart in pursuit of new ideas. this album rocks like a solid gold bastard. this is how mash up should be. dirty and brutal to the nth degree. get stupid. i


ion. do not miss out, 'times infinity' is a benchmark of classic sickboy material, hard, rough and catchy at the same time!!!


full trax cut in 45rpm for a maximum pressure and 2 bonus , 1 scratch drumming tool & 1 drum'n'bass skip less beat. with a metronomic break drummer riddim methodology, ragga, breakcore




 ing round some filthy synth work. guaranteed to destroy any dancefloor. side aa features mortal bass, a feast of dark sampling and some seriously low, low end... forget pidgeon holing this, ju




o create this eerie ambience, patching samples together on tinkered pcs and feeding reel-to-reel tapes through his laptop. this one's for you is genuinely refreshing audio for the ears.'




 digits'( klangkrieg) have been adjusted and improved to crystalline perfection. a-'into the light' - lush, serene ambience gives way to an amen blitzkrieg of monolithic proportions complete w/ d


veryone else seems like a fucking monolith? because nature itself looks like they've stitched prosthetics onto everything, onto everyone, all you hate, all you love? is already the pathology bre
will seek vengeance. psychodelic guitar riffs by ctrler and painful 'a la godflesh'-bass guitars by mark kammerbauer make it possible to say - you are dealing with the best ambassador21' album
sputeen stands for madness, weirdness and energy direct from the belly without intellectual ballast - you don’t need to understand german to perceive it. the music is made with electronic ins
movie samples, mixing german and english language. 'crowd control' is a soundtrack for a world slowly going mad as the once bright information age is ripped apart by chaos and social unre
 ed session, recorded on-location during one session in central europe, our three combatants of sound, natasha + alexey protasov and mark kammerbauer created a powerful amalgamation
d there. though there are a lot of samples on various tracks, boot-sector-viruz always maintains to keep them fresh and original with a tongue-in-cheek aspect and even sampling the prodigy g
 nd hard breakbeats (bak XIII, iszoloscope, hypnoskull, tarmvred). ambassador21 never care about any limits or 'genre’ borders'. we can find it even more on this album due to many other con
g and will be back to yourself. just push the 'play' button and for the next 77 minutes all the rest will not exist. amazing, really amazing! and no doubts - this is a best compilation of the year. d
 eakbeats to drum'n'bass interferences or speedcore massacre. original tracks by synapscape, foetus, sonar, :wumpscut:, snog, rasputeen, proyecto mirage, kiew, f.y.d., bak xiii, ctrler, beinha
se? yes. more deep? yes. more electronic? yes. have they changed? no. they are strong and sexy. dense and noisy electro hardcore wall of sound which can be ferocious and merciless. but
 nson, tool or fear factory. these names are not in the credits but it's not difficult to discover the samples if you listen carefully between noises, breaks and overdrives. the first harsh song on th
s' eat concrete records. in a live setting, blipvert takes on a twisted life of its own as he constantly remixes, accompanies, and alters the music through the use of air theremins, vocoders, and



 his involvment with goblin, in addition to a myriad of other historical personas that creatively broke through to new levels of expression. she mixes these energies together with merciless bea




l and approach, brooding machines caught in a fire of uncontrolled energy. this 4 tracker is a re-pressing in black vinyl, a must have for broken beat djs and somatic responses collectors alike
blabel sub/version! all tracks written by f. narvaez except b2 with hecate.




ows with sweltering bass terror and overwhelming blasts of precision beat sequencing, a must for any breakcore dj or headbanger alike. the flip side offers a slightly more subtle approach wh
 ull color poster and even acapella samples for the more adventurous djs.
 on every thing from death metal to love songs.her distinct vocal style lends a new edge to her already edgy music productions.with lyrics like esoteric riddles, raquel de grimstone brings occ
scream a liturgy for survival, a call for the underdog to rise above the industrial waste of the psyche and shine some rusted soul to life.' richard for cerebellum is the brain child of lorren staffor




 'cycadelic' might be best described as creating the feeling of a black magic trip spurned on by female power gone mad - this is a track that will push everyone on the dance floor to extremes



n. featuring members gg + jc (aka christoph de babalon), this is all-out audio warfare with exquisite production and superior engineering. assume greatness, and ready your listening sensibilit
 an mournful synthesizer pad with an extended feedback takes the listener to a room for contemplation. finally an lfo driven, wobbling sound and wooden percussions with long reverbs comp
 ss, sumone keeps the production dirty and the drum sounds pretty rough. the sounds on this record breath the air of parties in dark, narrow basements. but you still can hear the jungle origin
ulech fest party rocker. a wicked debut on vinyl for this big new producer.




e--excitement, technical mastery, jazz orientation, and a superb sense of continuity--are present in full force. dynamic, indispensable and built around the propulsive sound that only he can ta
p the thoughts of all those too young to participate in live aid, and too old to stalk the moonlit streets of gold until dawn with arms of paisley--'i want cookies in my sleep' he beautifully mutters,
 be both seen and heard. it is with great confidence and pride that we present the cumulation of so many years collective work. feat. yuppster, terminal11, emotionaljoystick, ground chuck, ex
 be both seen and heard. it is with great confidence and pride that we present the cumulation of so many years collective work. feat. yuppster, terminal11, emotionaljoystick, ground chuck, ex
er-strewn streets of the american gotham solenoid inhabits. determination evident, the track dissipates into a refrain, then bridge that regains its senses at around the halfway point with a stag
 y does not disappoint. from the strains of his first chorus to its final measure, a work of true melodic talent emerges with intricacies that could only have come from long hours of confinement,
s that 'plays!' is even more adventurous in its fun combinations of styles than we have come to expect, and anyone who has heard the previous releases on the zod label knows that is saying


nd raw energy spark new uprisings and unseat preconceptions. in clubs, warehouses, backrooms, radio stations and performance spaces, ripley has played with artists like asian dub foundat
 hose mashit as a 'label of the month' in october 2004. the records have also been receiving airplay on other bbc shows, in addition to shows on london's resonance fm, and ninja tune's synd
ut in the uk for maximum dance floor pressure!
ortishead sound like the theme from my little pony they regrouped and concentrated on a purely electronic offering. their break came in 2002 when death$ucker head honcho parasite booked


hangra, and rave. monkey steak’s exploration of garage and grime has been an important step in the development of the steak beat sound and has led to the first monkey steak release, grim


 three years, they got infected with ltj bukem’s 'logical progression' and started buying drum and bass records. slowly they worked their way up, first with their own night 'zeist', but later on play
chose mashit as a "label of the month" in october 2004. the records have also been receiving airplay on other bbc shows, in addition to shows on london's resonance fm, and ninja tune's synd
up new style drum n bass, slayer, mosh breaks and punk guitars in dj floorclearer's unique style. this is the perfect antidote to a world full of gang violence, global warming, war and noel edmo



h cases, the band sound noisier, more urgent and yet more strangely danceable than ever. originally planned as a 7" single between albums, 'the flood' got completely out of hand when the b
 me mild ragga-jungle. eight frozen modules gives a lesson in electro with some downtempo madness. chevron brings some mutated atmospheres that transform into spastic amen breaks an



 nd synth leads & bollywood style atmospheres. rounding off the a side is ‘knock yuh out’ and it’s a badman, turning up the energy. flip for the b side and ‘everything is a new surprise’ kicks in
eeping rhythm. as the beat drops you are cornered by thick growling bass, desperate strings, and an echoed vocal hook. this track is destined to become a 2007 dubstep anthem.




 until now worked together with leekon under the moniker swap. apart from compilation contributions for eat this records and dub they did release an ep on the infamous musik aus strom labe




 s you may notice distinct patterns of change that occur over the length of a track, a struggle between individual layers of sound is evident. focused on core competence, each track is built aro




 r intensity from the seduction of their melodies and culminate as vocals.


 c music from ukraine, andrey kiritchenko has been both a radio and video in kharkov, and is at the origins of the nexsound label, a hive of ukrainian acts whose talent is slowly being recogniz
hostly voices and extremely detailed background, this album delivers through his 16 tracks a complex assemblage of feeling and atmospheres, a deep vault of carefully arranged effects and p
out my frustration with fashion, image, and superficiality taking precedent over substance' says matthew jeanes of larvae. and indeed, this album is one of rich content. while drawing its influe
summon emotion and beauty. but 'pane' is not over yet. closing the cd are 40 minutes of reconstruction of the whole magwheelsdiscography by stone glass steel. this pieces, 'the last rays of s
compromise, this ten track cd sees this musician mixing his various influences to offer something at the confluence of the european click’n’cut sound and the old ambient tradition. 'winter' brin
no need for a lot of words to get what tarmvred is expressing here. pure dancefloor appeal, high frequencies breaks, and those sweet, sweet tunes that seem sung by r2d2. wait, is it 'kill all hu
 or example was used for the 'les machines' performance, directed by joël splingard). indeed, the tribal and raw aspect of this phase of crno klank is what made this project take the steps whic
d up to date composition, this new album offers a fresh view of wilt's creation, as james keeler here incorporates into his drones and sound-layering various elements and influences of today'
und sampled from his field trips to the amazon forest (michael palace is a research scientist at the new hampshire's complex system research center), horchata's music ranges from the most
s cd. their complex rhythms, their catchy melodies and their fresh structures are ready for their new audience, accompanied by the remixes by larvae, tarmvred, enduser, xanopticon, ove nax


st album “kniga skazok” was andrey kiritchenko’s interpretation of traditional fairy tales, “interplays, in between” presents the bridge between the two sonic fields dear to this artist. on the one h



  'scab removal technique' and the merciless 'get with rats'. matthew peter's taste for well chosen collaboration is also here once again to all to witness. not only does he pair with mc equivala
m'. the off-the-hook, part novelty 'monster music' had to find a sequel. but still, the godzilla reference had to be put to rest, and 'empire' was born. like 'monster music' before it, 'empire' is half-
d composer, this madrid-based musician is a relentless experimentator with a thing for trying out combinations and formulas that one would never think to work on. making up with the times a
s'), 'origin' is david dando-moore’s strongest and most accomplished work to date. the fruit of a long writing and recording process, it is to date the best embodiment of what detritus is about. a
up sees the fragile hip hop roots take a lot more space. 'twilight' had already been qualified of 'funktastic', but the blend of both atmospheres and sonorities is taking flight for good on such tra



and enjoyed with ears wide opened.




 detritus's changes in the future.
ad noiseam, zhark, low res, cross fade entertainment and eupholus. his open-minded take at the boundaries pushing of breakcore had made of him one of the most varied and surprising artis
on which the listener gets both the heavily pounding beats of such tracks as the title track or the opening 'starting... now' as well as the vocal contribution of kazumi (known for her work on pla



 approach to electronic music. a very detailed combination of painstakingly programmed beats, live guitar, samples and sequencing, drumcorps is an intense experience both on record and o



is the most accomplished and unequaled achievement by this impudently skillful producer.




nd incisive way. welcome to blackpool, don't let the comets hit you on the way to the club.




eygouar, guillermo berdugo garcía, headup, insane kaffeine, íñigo vicente, ioannou chris, javier martínez, josé alberto diez, josé miguel méndez, josep solé, josu sein, juli martínez, koes, lilia
oximation to what the belios think it has been one of most fresh musical scenes during the last years. it's just a book. a book with pictures, illustrations, designs and artworks from different kin




 melodic, evilish guitar strings meet dark-heavy rhytmics, blips and scratches giving an answer to lost hidden female voices. american artist james plotkin started making records in 1987. he
 sman, the aphex twin...) they decided to start a project. you can hear these sources on 'communication', but also many different others, such as greater than one, yello, lassigue bendthaus...
 ombined ambience samples and sometimes melancholic melodies merge into a musical portrait of a non-conformist's daily life. 'a dried youth' is ambient-electronic soundscape music for the




and winterkaelte, as well as younger promising russian and international projects: cervello elettronico, coreline, error, id molotov, novel 23 and virgin fix. all tracks are exclusive or previously u
 disrupted, norm, s.k.e.t., alarmen and many more. limited to 500 hand-numbered copies.




c. following the path set by the previous releases, this years compilation is a homogeneous collection of noise, rhythmic noise, electro, industrial, and power electronics from artists such as 1


ance to present their work to the world. so thirteen artists united, composed eleven tracks and created 70 minutes pure, dark ambient madness. in the first (and hopefully not last) volume of d

etch, atomatik13, hecq, ginormous, n0nplus, phylum sinter, justin mcgrath, displacer, nebulo, mnemonic, and aural. packaged in a beautiful 2 cd digipak that will stand out in any cd collection
 genres of electronic music into one seamless body of work, without distorting the mood or veracity of the album as a whole. each track feels alive, constantly morphing and shifting into new
 lirts with post-rock and atmospheric downtempo styles, while still maintaining an original sound that is both captivating and inspirational. moved by subjects such as urban isolation and the o
hlines, chilling samples, and razor-sharp vocals. beauty meets complexity in a brilliant marriage of orchestral dark electro and savvy electronica. jewelcase packaging.
  industrial rhythms meet enormous organic soundscapes to create what re:gen magazine calls '...a balance between the brutal and the beautiful.' featuring remixes by antigen shift, tonikom,
 c musicians of all time. now, michael brings his next masterpiece to tympanik audio titled ‘the witching hour‘ in august 2008. working from old horror movie samples, crackling analog records
osture, ’[ko·mor·bid]’ will undoubtedly blow your brains out. digipak packaging.
ch, edgey, and genetic selection. with his official debut cd 'gravedigger', lucidstatic effortlessly fuses addictive rhythms with razor-sharp beatwork and powerful, abrasive noise collages to crea
nd a fierce and uncompromising sub-social complexity. you ain't heard nothin' yet... brilliantly mixed and mastered by justin brink [pneumatic detach], stunning artwork and design by kostas k
ety of melodies and real-time instrumentation frequently torn apart by paranoid beatwork and broken rhythmical structures. on ‘love no longer lives here’, his third studio album and first for tym
carefully orchestrated as a whole, inviting the listener to an effervescent cinematic journey of his or her own mind. desperate and hopeful, melancholic and heroic, ‘rise‘ is as nourishing to you
with his vision to merge complicated, harsh rhythms with dream-like atmospheres to create a unique dynamic that is virtually impossible to ignore. now, tapage joins the ranks of innovative el
 e-line magazine calls totakeke '…impressive' with the 'potential to become a reference in the current industrial scene' and igloomag says '…original… a widely varied and ever-changing soni


s...this second release, carrying the same title with the composer's name, is the very first full-length album of this incredibly talented artist who experts in combining modern day electronic mu
d expect from 'mutant dubstep vol.1' is two incredible dubstep-influenced tracks with a strong touch of idm and their respective remixes by end.user and shitmat! heavy basslines, highly energ
. 100% adrenaline, killer sound production and 2 ultra-heavy remixes by pacheko and innasekt, this album is coming out to add another significant moment to the ever expanding dubstep-infl




ndelbrot-mix of 'feeling better is not a dream' and the remix alarmen did for skab (the 'allstar-project' featuring spherical disrupted, kaos interim, alarmen and betriebsdruck).
erything got more noisy and rhythmic, the epic dimensions of the original tracks where distinctly reduced by most of the remixers.
it still keeps the ambient mood. on your way through urban land- and soundscapes: don't forget to have a look at the artwork provided by nerthus himself.




tely different conceptual spheres, which bogger easily concatenates on 'glenn dambo'. with this release, berlin based label digital-gadget/front takes another step on its uncompromising path
f artistic vision. lara bandilla has lived up 'till now in hamburg, rome, regensburg and cologne. the 7'' single, 'welcome to paradise' on mhz records is her first musical work. with it she expands




ngmasse' is flirting with some concentrated sonic epithelium while the immolated magnetometry is murmuring against our everlasting prediction. it's not premature to relegate this sterilized w
est lesson to learn, but it is a necessary one because when we give sober thought to serious matters it brings good benefits later, when life seems resolutely distressing and ostinately depres




ilms and visions. all bringing their own styles of electronic music experiments together in this sonic dedication to the japanese cinema pioneer. this release opens with an exclusive audio voic
ral and spiritual power and is a word to be used with great caution and respect... comes in deluxe 6 panel digipak with design by salt.



nce was (and still is) a collaboration between the [law-rah] collective (music) and juxtapose (choreography and dance). to underline the collaborative effort, a 12 minute video is included on th
surf rock guitars, crazed breakbeats, cop show riffs, theremins and moogs, screaming choirs, horn sections, spy music, japanese noise, scat vocals.... but they’ve all been forced together into


usical atmospheres and evoke a field of vision, based on the 'notinism' with an ambition not to join a specified style or scene. spies go through trends and are always mutable, comparable to
etc. each track is a venture into a different genre – so what do you wait for? get your implant today!
al performance. a sinful experience created by one of the finest electronic artist of our days! tracks like wanted, siren andeverything' clearly prove that emotions and dancefloor appeal can be
teen acts made their very own present: 'compiled - 5 years of operation mindfuck', a compilation featuring mostly exclusive tracks and mixes, showing the artists' appreciation for this joint ope
 sive evidence that a pretend 'misfortune' can turn into a valuable work of electronic art.
  of this project's work (since the beginning) is their ability to innovate in a genre in which many participants seem to restrict themselves - despite the countless amount of technical options. on




  even in their quietest moments. expect your expectations to be confounded! cd2 'light city' - intended to be listened to without interference or pauses - a trip into sudorific clublife that keeps y
 hile aggravating your somatic responses - distortion from detroit meets with los(t) angeles industrial gloom - dark complexity amalgamates with rhythmic intensity... 'the workers party of haiti w




 ial that can be unlocked from the audio cd via a small software download per instructions from the liner notes. the 'de-mutilated' content features 15 additional bonus tracks + remixes by subh
 ea & the silence‘ takes the esa sound even further into intense and engaging terrains. asserting heavy walls of bass-driven rhythms, vast levels of dynamism, commanding vocal stabbings, a
 nal struggle and the duality of mankind. featuring collaborations from some very special guest artists such as shane talada (marching dynamics / the operative), daniel myer (architect / haujo
 e), keef baker (uk), atmogat (de), mnemonic (de), edgey (us), mlada fronta (fr), dj hidden (nl), zentriert ins antlitz (de), architect (de), sincere trade (ca), rope (uk), lights out asia (us), and gino

 duced by a new virus that tastes like a acid candy !!!




act to lead the way. 'five' pushes and pulls you to where idm used to before it went astray with its over the top cuts and glitch and puts the focus back in the mind and hips.
 001s 'solid state' (dub). 'vell vagranz' is proof that funckarma are one of those rare and seasoned artists who can make any style sound like their own unique and personal creation even whe




 eep-ambient and deep electronic. depth and diving is part of each composition, no matter how the genres may vary. musicians: selffish, lazyfish, abstract avenue, unit21, oloolo, sever, riverz


 floating into some bitter-sweet autechre influenced melody-monsters, some tricky technical freak-outs, coming down to dsp-ambient again and ending in some dark and modern deep electron
musical influences into a whole. packaging: cd gatefold sleeve.
 cd before – a great collection along with the new tunes. the mix pieces together the history of ohm resistance and obliterati and demonstrates the depth of the ohm arsenal – from punk influe




motion - a truly fine conclusion to a landmark at the boundary zone between electronica and industrial on side b.
ake a lesson, yes, yes, y'all.
  this record will destroy sound-systems the world over! unibomber does the honours for the second slab in this double whammy with his first official material in ten years!! pure, unadulterated
with max richter, deaf centre, johann johannsson and the protagonist, a wake a week will evoke cathartic exorcisms of woe in even the most glacial of hearts.

penetrates different interstices or fissures along the walls of the tunnels where we progress, but we prefer taking the time to pace the premises, to permeate ourselves with the sound echoes w
 o - and it definitely has to be fun ! this 7'' is just one of the many 2004 d.s. releases. dive into the soundtrackish 'wooden karova', listen to what david says about his' music ('nihilistic rock...' m




killz is ready to deliver this full length project, crafting a style that de.es all labels, and engages broad audiences. when good girls go bad, they do it to belladonnakillz.




ds will love this shit! if you hated albums like winnipeg is a frozen shithole and higgins ultra low track glue funk hits 1972-2006, you will hate this even more! this is not some crybaby n00bcore


weltanschauung'! the cd is packed inside a book cover, the book contains tom's neo-futuristic & cyber-poetry.
 um works to create altered states of mind, they work on the human unconscious sphere... their post-industrial drone music is created using a wide range of instruments likeguitar, bass, voice
nce charged with an aura of fear and despair. all this is accompanied by a narrative prose spoken by some tortured and weary half-man, half-devil. the feel of this concept release is further e




and mastered the instruments with the sort of diligence usually enountered only in fantasy novels and large-scale government operations. only after countless hours of woodshedding and a h




 treaked with the warm hue of sun-bleached rock, sand, gold, and fire. a serenely brooding work with a myriad of nocturnal sub-textures. at times a subtle, almost alien combination of sounds
nd bass artists... to put it simply - “distorted disco” is a mature challenge for the modern, intelligent listener - both working in the clubs or at home. special fake-leather digipak & embossing




and schizophrenic metamorphoses. 'ça ne nous rendra pas le congo' generates a hypnotising, trance like atmosphere adding resonant vibrations and looping samples at best to reach a certa
ythmical tracks and droning, deranged ambience. not to speak of the incredible production - here, enormous emphasis has been put on and your speakers will be put to a hard test.




appy tunes as well as abstract, experimental soundscapes and beats mingled with the dominating smart voice of thrussell. 'the voices of reason' - an eclectic radio play for the eclectic listener
 also manipulated voices on this record-hugo girard implements the spoken words of his infant relatives frédérique and philippe. an excellent addition to the previous vromb releases and it is




a’s voice and you will understand mata’s craftiness. this cd ends with an unreleased remix by two ant-zen artists which lead the listener to the non-rhythmic soundscapes of cd2. these sound


upon repeated listenings. highly recommended.


zers over your head. virtual fights and continuously repeating samples and loops create a scary, wild atmosphere. the atmosphere nobody wants to feel in reality - but what is reality anyway?



elling 'gloomy day' 'synthpop'. on this album, the message counts, which is the total of music, vocals, production and lyrics. this is an album which forces you to listen intensely, and it is one o
ntains three long-deleted compilation tracks that up until now could only be heard by a few people. so, 'raw' is the perfect witness that bielefeld exists - check it out!
se to exist? either do they. what do you mean... it's all a lie? turn up your stereo. put on your headphones. turn off the lights. believe. this cd comes in a folded embossed heavy cardboard cov
ccult mysteries, and worlds of lost egyptians gods/goddesses that have long since been forgotten. the atmosphere slowly evolves in concise compositions that build to overwhelming complex


 howed me the necessity of beats. i thought it would be easy to work with rhythm in m2 songs - they are all from 60 to 90 bpm… slow so you can easily bang your head!” getting to the head ba
pes is sawyer's trademark. that trademark is present on this new record, but it is not a re-hash of older ideas. the first surprising change on “simulations 1.0” is the mood of the ten tracks; the t
ss - all the variety of ant-zen can be found in here. but the most important thing is the main expression - if you fall down, you will rise up again - this is what this label did for ten years. so you a
 rard's virtuosity in creating 'naturalistic' soundscapes with pure electronic equipment. for the images on the album cover, girard gave the photographer alain gauvin the basic audio tracks for


 ... and then finally take a few minutes at your pc (or mac) and enjoy the brilliantly done live video of 'shiftwind' - and be sure that this trilogy will be continued!
ating terrorbeats have to be understood as a refusal of all compromises and the expression of a methodic anger.' individual's focus is that of using rhythmic patterns to create a psychic (or ev
 quisition and was designed to aid them in the identification, prosecution, and dispatching of witches. 'i always wanted to use 'malleus maleficarum' as an album title', says rotor, 'and i think th
 ore - well, here it is. we proudly present cell auto matas first full length release. the first impression you might have while listening to this cd is that these are songs - not just 'tracks'. for instan
 ng. melodic soundscapes, distant, oftenly semi-comprehensible voices and rhythms fade in and out. the listener is lead into a nightmarish view of the mind's eye. there is always an irritating d
e, altmann’s tongue appears to be a simple spoken word project backed by experimental sound design and post-industrial ambience of a distinctly harrowing nature. however, brian evenson’s
quite a circle - maybe it is an ellipsis? an egg? or something entirely non-geometric ! but let's be brief now: undeniably, 'pop pressing' is still the milkies at their best. the first tracks contain the


 ce with a huge variety of rhythmic structures, subliminal dance tunes and precisely set samples. which in turn makes this record a treasure chest for all sound enthusiasts. lp with fullcolour-co
ing less. if you're looking for references: tracks like 'sacrifice' and 'nemesis' seem to hint that g.s. admires a distorted dj's recent work; on 'the day after' and 'prepare for contact' there are sligh
 the play don’t worry - this soundtrack featured on this album speaks for itself. once again, gabriel severin and marc medea lead the listener into a strange, dark, and threatening parallel soun
o-like 5th-chord is embedded; crystal clear drum strokes replace distorted beats; - those 'attacks' are the sparks of the burning flow. the variety of sound is evident in the ambient tracks like 'k
 thmic percussion/synth lines - adding a stylistic diversity to l'ombres ‘simulations 1.0 and 2.0. packaging: gatefold sleeve w/ metallic paper.
at lead to the world tree and 33°. 33° (cd2): your senses will be overwhelmed by thronging rhythmic variations, atmospheric synth lines and voice samples. t.m.o.'s ability to create a continuou
cept work: because they require huge amount of resources and money, science and technologies have always been at the mercy of politics. this mini cd is a study of a lost technology of the f
es. the album also includes the ‘100 test channels’track for whichhypnoskull asked 100 people to send in 5 seconds of audio. the result is a collection offieldrecordings, sounds, noises from w
 ed this network while living in berlin. after several releases on various european labels, mimetic has released his first dvd via a collaborative effort between ant-zen and parametric. 'sacred a
cess of analysis and rethinking takes place: he realizes that the only way fighting his' suppressors is to change the perception - power and it's exertion is only existant as long as individuals g
 lowed by a fast straight-forward breakbeat rally combined with symphonic keyboard lines - richard wagner on amphetamines. but you will lose your orientation in the heavy rain when you try t
ect' is strong technoid rhythmic industrial with carefully placed samples, mildly distorted beats and sick synth lines - which force the listener to groove. don't be irritated by the loopish 'just a tri
 emember', 'tu es le star') and driving retro-electro-songs ('existance', soap bubble factory'). the vocals are perfectly balanced between being sung and spoken (in english and french) - and the
ase it publicly as a document of the aural and visual manifestation of an unknown sort of rabbits - a powerful merciless crescendo of distorted rhythms, noisy loops and unleashed fury. on the
s for attacking him. shot two ... not fatally. called to ensign. no arrest. recorded a track. started with ambient synths. had to add broken beats and distorted vocals, but had to keep the rhythm
almost continual warfare with comanches, kiowas, and border bandits. their fighting skills' advancement was rapid, but now it was time to finish. the final part of the mission showed once aga
het can be found on the cover) - another masterpiece from the black lung mastermind. so it seems that within ten years there will be a lack of vinyl ressources - catch this one before it's too l
 rial basics, making this cd a closed, unique step in genetic selection's evolution. 'if they want to live, they'll have to use their heads before the bugs do!' (starship troopers 2).
uration has no meaning to the listener - time is suspended. some tracks seem to be geometric but try listening to these backwards. the instruments, f.e. synthesizers, 6-string bass guitar and


 'hypernoid state', which means a state of 'hypnosis' and 'hysteria'. once you are done with the 10 regular tracks then you can go and enjoy the brilliant heavy 'viewer' remix by sonar. packagin
unting voice samples - sounds emerge, pump, disappear and re-appear - all of which raises the speed from track to track into a raging climax that finally discards. an ultimate listening experi
elease, u.m. has returned to the guitar-oriented basics they originally started with in 1993 but now there is the addition of the experimental sound modifications from the 'peps' days. this new
beats ('pulse'); also included is her take on a pop tune ('today the disco'). this retrospective shows geneviéve's artistic variety right from the beginning. the mastery of many electronic sound f
es: this morn' omina collaborated with andreas schramm on 'petunia', which was re-edited by moctan on 'falling to the ground'. rhythmic rage meets droning darkness - asche, make my day!
with new influences and various styles. he even has enough balls to communicate with satan herself - as it is documented here. this is a highly recommended addition to your converter collec


elded together with straight but well elaborated drumwork (and breakbeats). in short, a varied sound journey can be found within a 'world of tomorrow'. for instance, in 'brotherhood of steel', g
 making it fresh and exiting. the straightness of the tracks works perfectly as a catalyst that makes you move your body. then again, this music's specific feature is displayed subliminally, f.e. u
ngs, etchings and prints - none ever seen before) drawn from the dark resesses of thrussell's nightmare world. the images are chilling yet strangely mirthful. enjoy this release if you can - and
noise took over; that is, pounding beat boxes, irritating electro acoustic sounds and disturbing implementation of effects. the mood is quite the same on this release - brinkert's technical skills



 nd his 21st century rat pack will get the earnings they deserve - whether money or something different. play loud!!!
 n beats - it could be the symphony of an awakening megalopolis; a million individuals living their daily lives at the same time. rhythm is ever present in s:cage's compositions, but rhythm is no


otho, spinning the thread of life, lachesis who decides this thread's length and atropos who cuts the thread relentlessly. nyx and her descendants represent the dark regions of greek mytholog
nning the name punch inc. has stood for hard, intransigent and propulsive industrial that is supported by tribalistic and technoid beats. the mercilessness of an industrial civilization is punch in
rtial and bellicose, with a sense of tragedy that at times is even quite meditative. tzolk'in can easily be viewed as an exotic soundtrack to the phantoms of a dead civilization or more simply pu
clicks/cuts, gongs, a piano, even straight beats and minimal sequencer grooves. styles range from free form to dance music to idm to noise and to ethnic sources. in hashimoto's works these
on of emotions: 'not exactly the adequate means to express myself, but so far there is no better one available'. what you are about to hear is a sheer outburst of distorted noise, chopped sequ
 blend of hard hitting ultra distorted rhythms/beats constructed to stir up your brain and (probably) force you to dance. psychotic, twisted & tribal rhythmic noise is overlayed with unpretentious
xperimental 'bridging artists' like aphex twin and pan sonic. artists who share p.m.'s taste for alarming atmospheres, broken melodies and distorted rhythms. 'turn it on' is the conclusion of mo
d on interhuman behavioral patterns in the everyday game of life." (boris may); at the end of 2005, boris may was captivated by the idea to make a cover for 'math & emotion' in the dime nov

 eat, electronica and experimental music results (as usual) in a fascinating, unique sonic exploration. the possibilities are infinite as their producing was, is, and will be. this is where they are
 , converter, somatic responses... add a slight intangible obscurity... then you'll get a picture of what lingouf might be - or of what he might not. take a listen, watch lingouf's visuals on his site,
nsemination. violation holds a perfect balance between technoid complexity and industrial roughness, spliced into a single unit by accomplished usage of well-structured rhythmic work. fortify
 l / impartial, north / south, subjective / objective, orient / occident, coward / hero, poor / rich, indifferent / partisan … we will remain bare handed, like astonished and turbulent children dancing
and the savageness of ancient times: one fine day in the pyramid. this very special artifact, packaged in a plaster bandaged sleeve, it will riddle scientists, musicologists and listeners for deca
 to start working together again in the autumn of 2007. with the release of this album martijn became a full member of the collective and ideas for many future projects are already locked into
 distance runner' and 'deja vu'. after having endured the abrasive noise attack of 'overkill' the listener will reach the finish line with the heavily grooved remixes by asche and bipol. once again
 anceable industrial noise (characterized by the artist's own description of 'polyrhythmic rock and roll') and lo-fi influenced less aggressive tunes. all this is combined with a 100blumen / loss c
r red, black, white and yellow. red will go around passion, black will be heavy but soulful, white very open and minimal, and yellow bright. that's the general idea. these releases are planned w
ho have been in the electronic music scene for a very long time. in fact, his way of producing is just amazing. the tracks begin with a soundscape blending into another and at the end of it you


s influences. 'iron city' commutes the listener through a wide range of terrain. detroit techno, jazz, laid back groove, experimental electronics and ambient soundscapes are all part of the land
voicing subtler emotions like isolation, angst, and dysphoria as ambience, working as a sound designer for graeme revell as well as releasing genre-defining dark ambient albums under the lu
 song23” an aural feast, filled with harmonies shaped as much by stereo imaging and time delay as they are by intuitive chord progressions. things become more contentious on “chrometapho
 t...uh, forgot the name... do you like it?' 'what the hecq... ah-pretty good, okay!' hmmm.. no noise yet, but this guy over there... do i know him? 'hi, i'm lucas. check this straight uptempo break
nfused tracks like “signal to noise,” which with its riveting electro overtones and ceaseless crisp bass pulses brashly acknowledges its debt to the detroit underground. “simulacra” and “simula
y understood…so we've applied a few good measures of distortion, et cetera to this release. there's much more of a mixed bag in this release…”. on “go off,” the welsh brothers healy crank u
and precision - these breaks are combined with straight but complex metres with wonderful melodies (think beefcake or boards of canada). this album shows that reid dunn is one of the name
 f the decrepit church hecate's brew hideous album is by far her most ambitious. like a sonic nightmare mutating and transforming live instruments, mainly guitars, synths and rachael kozak's
icit emotions beyond those of a confused tedium. diversified and ingenious is the best way to describe this new album. an album which leaves you breathless.
corset. the four tracks are straight and fast, with a sound structure that changes every second. there is not time to take a breath between the attacking drums - nevertheless there are well pla
lls across the board. from radio play material (black light) with australian vocalist sol thomas, to collaborations with and remixes by influential electronic acts like scorn, to absolutely stunning,
ed western ambient and broken beat grooves, snog has raised the bar far above the confrontational, one-dimensional message music of consolidated or the sample-collage and noise terrori
! its major changes time! packaging: full-colour sleeve.
, breakcore, and rave music all find a place in his bizarre universe. compared with booty-bassers like dj funk or dj assault where mainly females are objects of carnal desires, both male and f
roduced well-received releases such as an ep on dj /ruptures soot label and a split album with fellow breakcore prankster jason forrest. for hymen records, massive swingin' mpc2000 is a quit




of the more distinctive sounds around. ...making the revolution sexy



ore distinctive sounds around. ...making the revolution sexy.
grooves over heavy beats to warm and relaxing structures. scorn with its unique blend of sub bass and minimalist grooves continues to challenge standard concepts of structure in order to fo
 d drum&bass layers are filled up with abrasive crashes and exploding substances. an unidentified atmospheric spike of subtle piercings or just a calculated assault of an sonic weapon.
 ows in a beautiful manner. a collection of awesome dreamscapes perfumed by the shadowplay of dance polyrythms, warm synthesizer pulses, and spoken, sung and atmospherically implied




h tension, where sonic ideas posited in unrelenting break sequences escalate into apocalyptic zeniths - then implode to silence. an arresting epic unfolds inside your ears. end’s charles peirc
e changes stem from stevens and lange working with mc’s sisco and ronin (who appears on megashira and panacea releases), as well as the legendary f. m. einheit of german noise guitar ex
ed western ambient and broken beat grooves, snog has raised the bar far above the confrontational, one-dimensional message music of consolidated or the sample-collage and noise terrori
c treatments, returning as mordant sound meant to corrode the soul. nymphomatriarch bristles with the crisp signature of traditional breakcore dynamics, yet unlike many albums in the genre,
nt (pa) or stereophonic sound reproduction system (stereo), war recreates the signature audible elements of modern musical combat. war accomplishes this objective utilizing five principal mu


his finale. rounding out the remixer list are oregon’s best-kept electro twiddling secret solenoid and famed digital break stylists gridlock. but caller id isn’t just remixes. fans of her music will fin


 - beethoven’s moonlight sonata - and contorts it into a neo-romantic opus on 'track 6.' if this is what myer means by noise, the rest of the musical world has a lot of catching up to do to touch
used tracks like 'signal to noise,' which with its riveting electro overtones and ceaseless crisp bass pulses brashly acknowledges its debt to the detroit underground. 'simulacra' and 'simulacru
 oughout her life, even to her death in the frozen river sikoris, her own head rent from its body by shards of ice. as she watched her arms writhe below the frozen river, the alarming chime crie
ts of strings and things like that in it, there’s lots of orchestral music! it could almost be music for a film. (vk): right, right! you are not only sexy, but perceptive! i was commissioned to make a
 understood…so we've applied a few good measures of distortion, et cetera to this release. there's much more of a mixed bag in this release…' on the tripadelic 'bathrobe brawl v1,' somatic r
ur, where complex, intense breaks and melodic themes intermingle with ambient space and emotional droning. scatterheart begins with a tense ambient dirge that breaks into a post-glitch ga
 ntirely new light...so much more meaningful that it's almost as though you had never really heard the song before: a pure electro assault. packaging: jewelcase cd.
 y foetus himself and a knife for mrs. miller in nearly sixty minutes! just imagine the great russ meyer (if he was still with us) planning a new masterpiece by the name of 'the sick generation': th
opens a new door to the odd universe of dead hollywood stars. a place where dusty slide guitars meet mysterious trumpets, 60's exotica infects old-school electronic pulses, and where the sh
res (for example: using aramaic and japanese voices) best describe the path katto is currently taking. but maybe this is just a theory - the artist volker kahl does not share much information, k
tions are the perfect completion to this marvellous album.
 moment passes. a mechanical haunting presence starts the album off on 'begin with the end in mind,' meandering through raucous noise breaks and a hitchcockian piano theme on 'byprodu


uation of the sound created by artists like panacea in the 90s - straight-forward d'n'b with mighty, pounding basslines. this foundation is combined with the styles mentioned above - which is m
s a classical booking agent. matthew's musical training can be recognised during every note played on 'not afraid of spiders'. the variety of styles - from hip hop, to a treated flamenco guitar o
nd, sir real, ubin, the namshub of enki) as masters of amplified sound - is it electro ('crash crash'), is it the trashmen ('on the rise'), is it one of these rock numbers only snog can do ('destroyer
to finish two more compositions to finally get his diploma. music is also his daytime job as he works for a sound design agency. he creates sounds for different types of media (such as radio,
ny bit. 'counter clockwise chant pattern' f.e. has a song like structure - including a 'bridge' and some sort of 'chorus'. however, terminal11 has re-built the patterns of today's popular music into
nce acoustic and electronic instrumentation. all the while, a manipulated, manipulating voice calls you... listening to substanz-t's music is like being sucked into a black hole - you never know
 roject started as a cross between gridlock, somatic responses, venetian snares and tri repetae period autechre. 'i have expanded (these influences) to include a lot more including dub, jazz,
electronic music at it's best, providing a relaxed, entrancing sentiment - music to be listened to, carefully and often. digipak packaging.
 pes together, supplemented by power and intensity known from other electronic sub-genres. a diversified, innovating, truly epoch-making release.
related genres. he also runs and operates the los angeles industrial/electronic music label mechanismz. as marching dynamics talada steps beyond his unique and varied musical endeavors
me’ is dark, powerful and totally catchy, a sleek meaningful beast. produced by the calculators (the faint, adalita and many others) and featuring the sweet voice of mr. royce doherty, the colla
re never somatic responses' aim, nevertheless, digital darkness might be rated as one of their most straight-lined works since years - f.e. you never heard s.r. as speedy as they are on the tit
nce, charging forward with the nervous energy of urban, nighttime cityscapes, speeding subways and foreboding factories. there is an organic, human element at the center of this unrelenting
e, emotional moods that take the listener from warm and soothing tranquillity to disturbing and yet unknown places with proficient subtlety. flowing ambient landscapes based upon varied rhy
 block the artist's creativity. in exceptional cases it is possible to do, one of these cases is 'night falls'. the predominant mood of the twelve tracks which were recorded as one continuous opu
 in a dimly lit basement never knowing what's behind the next curve, and who or what is actually casting these shadows on the walls... nebulo's trademark, a connection between ambience, id
 dtrackish samples - inducing atmospheres that dwell between unbridled ecstasy and subliminal hypnosis. tracks like 'machine' and 'run' are a fine example of the terrifying and liberating clim
ndustrial meet the complexness of breakbeats merged with whirls of noise, captured media coverage and a hint of melancholy. this album can be seen as a missing link between heavy, metri




h your wide open mouth into your throat – glory!! special plastic sleeve packaging.


he workers productive) and finally concluding with a mellow melodic tune - closing time. despite the fact that industrial work is mostly monotonous, there is a lot of variety in this album's music
 create rave and early techno’s dark side, playing up the seedy underside of an originally urban music that was as much a reality-check as it was drug-fueled escapism. previous drop the lime
bernard began to feel a burning sensation in his ears; the lumbering macabre bass line and frenetic break-splicing was scrambling his senses—more than the usual dj scud or phthalocyanine


ges, up and till the recent islamic fundamentalist attacks. not forgetting holland’s finest musical creation…gabber…yes…gabber...not gabba!


 into the 21st century - featuring a little homage to a young vocalist from texas. this is the only track which has been already released (on mad ep's phantastic 'not afraid of spiders' cd). bit shi



lbum from death to passwords where you’re a paper aeroplane, and three previously-unreleased metamatics tracks—an extremely rare treat for westerner and easterners alike! but delikate
er that’ll snap you out of the afternoon doldrums. the first sip, titled 'infinity,' goes down smooth and sneaks up on you like chamomile, where a soft drum kit rides light in the distance and mov
ead of digital and crumbly. after whetting your appetite on “lylt” you’ll undoubtedly want a second helping, and that’s where the goodness of “taksi” comes in with a scintillating chime melody t
 weet and healthy to boot, eu’s mandarines unloads four zesty tracks that’ll jack your body and your immune system at the same time. just check the mysterioso synth vibe of 'blizzard' on the
d of down tempo techno butter all over 'soulik,' delivering the perfect late night post-party snack. logrey beam shaves off little bits and pieces of 'din' to add flavor to a beefy bass main dish sim
he second track is a veritable filet mignon of a cut, where lightly rhythmatized ambience melts like butter in your ears, note after succulent note. but if the second track is the most tender cut o


nstrumental track, so jonni says, with (quote) 'a mad latino sample going 'eh eh chupa-chupacabra he he'. yi-haaa !
public. If you are an eighties or minimal-electro addict then your heart is already beating faster. an essential release for old and new rorschach friends all over the world - not just in japan!
dependent legend charles de goal is the guest vocalist (he also wrote the lyrics). btw this is a nice example of what myspace is good for - the contact between charles and trg was initiated by


es, with a slight splash of industrial. once asked about musical influences, raputin mentioned projects like der plan, cabaret voltaire, max goldt and palais schaumburg - take this direction, add
 are well-known for since 'state protection'. contemporary, inspiring electronic songs, a guaranteed aural pleasure - which also explains the verve of the 'japanese friends' from korg who dedic
 verwurst sandwiches, bureaucracy, insect people, and calling himself rasputin. immediately they knew that this was a memorable coincidence - after all, wasn’t the russian rasputeen often ca


 in 1994, stevens for example tried to incorporate these bouncing rhythms into his industrial techno work. throughout the years jungle became softened and now ‘walks around’ as drum’n bas
er an hour long. the track titles refer to the work on which they were based. for example ‘electric chair’, ‘oxydation paintings’ and of course ‘campbell’s i’. obviously most tracks were based on



 eory of the arising of desire' contains 11 tracks with over 50 minutes total duration, including an amazing remix by mimetic. artwork based on '13 motives of the arising of desire' photo-sessio


 - this is 'learn to swallow'. no tragedy - no history. this album has been presented by suicide inside at maschinenfest'06 as limited to 32 copies edition (released by invasion wreck chords). ne




e technoid beats, deeply distorted industrial noise, painful synths layers and natasha' s voice out of your speakers, which you feels by your skin. with 'dead red' suicide inside invites you to a j



ccessful inaugural release by ordo rosarius equilibrio, the fresh german label raubbau has decided to highlight deaf machine with an ambitious re-release schedule that covers two separate c
 a mirror of the past and postulation of the future' according to yoric; the mind behind strops' thought-provoking music. this provocation is being emphasized through the use texts by german p
 any such fear of groundless hyperbole can be scrapped. while operating within the confines of death industrial, the sound of deaf machine clearly lacks antecedence in its more oppressive, m




 broken, twitching beats to hammerheads pounding relentlessness, you are guaranteed to hear electronic muscles stretched. one of the most favorite releases at ant-zen's office this year - hi


 for everyone in 'everyone....'.


uated' shows quench at their cruelest. intense yet subtle melodies, unpredictable bass-work and broken hip hop inspired drum action rounds out this solid release from holland's brother funck




 ercussion which all flows with a serious groove. 'use' is a stunning debut from an excellent artist.
 e long emotional pads which hold together the funcken’s dense cybernetic beats and elastic bass-work. caipruss may be the perfect intersection of all of the funcken’s projects mangled toget
 ends with the intense hornet's swarm of 'pay,' 'patience' delivers exceptional forward movement without the use of overtly propelling beats or bass lines. something akin to standing still as urb
to conjure up a sound that is somewhat minimal yet musically rich, much like the more introspective moments of port-royal (resonant) or deaf center (type) 'sea', is somewhat of a concept alb
melody and cadence. 'time is on my side' is truly in a world of its own. a teetering balance of contradictions… frigid yet in some way invitingly warm, desperate with a false sense of hope, other
esthetic has seemingly given hummel a newer confidence in his sound that has led him to push further its boundaries by adding elements such as guitar, field recordings, and even hints of vo
 lodies, fractured percussion and granular synthesis experiments to make that all-important musical connection with the listener. human moments made by machines? a human heart succum


 and live drums as well as electronic elements and edits that may recall similar moments to sigurdsson's copatriots mum and blindfold or even to the more delicate moments of dntel. micalave


n one explores hopes for the future and the impact loved ones and special times have had on our lives. last days' sound remains at times cinematic yet slightly lo-fi and now features more live


 volved in creating music. hologram is exclusively licensed outside of japan via zankyo records.
 ill contains those warm musical crevices to find solace in. epilogue in waves will please fans of previous works by bitcrush as well as neophytes to cadoo's brand of emotional and sometimes
 ved closer to an an emotional apex and provides even greater melodic rewards.
d on the original ep. limited to 1000, this release will serve as a time capsule of what was yet to come.
ost-shoegaze of 2007's 'tanks and recognizers' (n5md). the song dynamics on the album deserve special attention. for the first time in lights out asia's history they have gone for broke with so




 -jacques perrey, al green, bjork, booty bass, cocteau twins, dj quik, roger & zapp, parliment, funkadelic, radiohead, video games... cd-r release


und. on 'lucid dream' you listen to empathic and transparent arranged idm. intelligent bound rhythms are embosomed by static grazed and cracking noises. these beats full of atmosphere me
 traire of that emotional phase of life. digipak packaging.


ke sampled dialogue taken from, say it ain't so, actual soviet b movies. this is the start of the leatherette revolution.
world of art. and no one can afford to ignore this. messer chups is a good example to prove the viability and relevance of his point. check out the videos on the album and you’ll see where the
is every bit as good as this cd). run, don't walk, to buy this cd - and all their others, while you're at it; you won't regret it!' (cheryl shinfield). this russian masterpiece twists you outta this world.



 an lounge, is changing his image swiftly - there are much more exotic instruments on his albums and less samples. the sixth album of gitarkin's project messer chups - crazy price is recorded




who is so much more then mimetic; he's mimetic under pressure !
 the atmosphere and underwater sounds are amazingly well caught by roger girard's son hugo, who happens to be vromb. deep rumbling sounds, oxygen masks producing waterbubbles and




desperate they choose this way. kraken is kraken. a belgian ensemble - perhaps. never ever out of fashion. always itself. bring a towel.
 e concepts of love, hate, sorrow or death. loss has quickly begun to stand out among other artists of the genre by adding a brutally emotional edge to his music.
 nd enjoying it. angst is : mimetic, hypnoskull, okk-ulth, empusae, kraken, p.a.l, 5f_55, iszoloscope, this morn' omina, flint glass, def, leiche rustikal, feindbild.gerauschdichte, hysteresis, hybry
 the skin of a lost futuristic 'einzelgänger' who lives in this strange world full of hardcore scientific labs and warehouses, and experience the non-stop sonic attack he has to deal with. effective
 kraken might well be the belgian cthulu in disguise. who knows ? after all, there are tentacles involved ... double paper sleeve with random set of 4 cards - collect 'em all 13 !
 recognisable, for the final words on the scroll set it alight... the only bodyparts undamaged were two piercing eyes, filled with hatred... and its mouth regurgitated words in a forgotten language


 at there is a lot of harmony to be found in noise and hypnoskull, back after a year of absense. but there is more: hybryds, this morn' omina, empusae, antigen shift, mimetic fake and finally kr
 um ensures that there is something to be found for everyone on this disc. therefore it is a true 'measured chaos'. special paper sleeve.
 sets kraken. and the music fits their anger perfectly; a layering of dark ambience and deep opressive drones, spoken word in various languages and a pinch of noise. three emotions were kra
they grew. the story which is told on the darkest lovesong ever - entitled 'calling home' - is the ultimate proof that 'things fall apart' is an album made in difficult times. it has a reason that the c
s about poles and opposites: 'heaven' versus 'hell', sound version vision, life versus afterlife and 'me' versus 'that other me'. vast themes carefully downsized to fit your skull and keep ringing
 luences ranging from belgium to india, spoken word in dutch and iranian and finally auditory visualisation from above and under sealevel. on the dvd it looks like the men behind those little vo
on the scientific meaning, it suffices to summorize them as 'a system that may be in any number of states, independent of the inputs to the system'. and yes, that is exactly what hysteresis is a


 acter of the last 10 years of mimetic work. the book: international guest are giving their personal point on view on mimetic in different forms (poetry, prose or journalistic style). christian zanés




 eople who, though hidden, try to fight totalitarianism and economical abuses in many of our wealthy 'democratic' countries. this music never rushes for extreme violence, just like the way poli
 aelstrom of pure, unadulurated head-fucking violence.


 nd the rhythms are both very danceable or trance-inductive : a deep connection to their neo-industrial landscape, and instead of rage feels a blind devotion to work the decks.' (includes 6 rem
 estival 'will never die' for there is now a digital medium to embody the noxious spirit. the whole amount of the sale's profits will be used to pay back the debt of the previous noxious art festiva
definite reaction when expression is possible: i will not become what scare me. i will not allow you to stifle me. i hate you and i will yell it out until you are deaf. i will wallop your dead body until
d industrial, things are not quite what they seem. lost in details, the listener is not sure anymore of what is actually really hearing. therefore it’s only for the musically mind adventurous... imagin
 ady filled up with layers upon layers of audio collage, abrasive squalls, squawks, and squelches, with less emphasis on the clever explicit film samples and tortured vocals of the brothers syc

stic and political origin in george orwell's masterpiece 1984 of which it is, somehow, a kind of musical variation. in concert, of course, the diktat can express the full range of its musical possib


e's probably one of the best-known breakcore producers even though he has a limited release history. he holds a new special place as being one of the most downloaded new producers via p
uilds heavily on a variety of sampled heroes. one can hear dj chip and dj technics form the skeleton of more booty oriented tracks like 'peepers' and 'boomshakalaka'. while some live recordi
universe. from the first track 'subatomic disco divas' to the last 'satanic unicorn orgy', we are spoonfed outstanding beats of all types, fractured and welded into ghettoized forms never seen.




uilds heavily on a variety of sampled heroes. one can hear dj chip and dj technics form the skeleton of more booty oriented tracks like 'peepers' and 'boomshakalaka'. while some live recordi
uilds heavily on a variety of sampled heroes. one can hear dj chip and dj technics form the skeleton of more booty oriented tracks like 'peepers' and 'boomshakalaka'. while some live recordin




cope, dither and imminent for a duration of 79 minutes and only consisted of unpublished titles.
 an artist in particular, it would be imminent, in its first embodiment, when the simple declension of a rhythm was enough has to compose titles of anthologies. a performance which updates t
ts, or to the bare essence on 'fel' (the closest one to a vocal song). on the other hand music for ghosts is strangely spiritual & embracing, even if the majority of the albums compositions mig
 frozen by their initial format. films stolen to carpenter, tsui hark or william lustig will be dissected for the pleasure of your eyes and ears. the meat dvd's cover has been designed by fredox, a f



nch and tripped up beats, lovely as you'd expect. autophonic come correct all analogue and retro stylee, a smiling little electropoppish number, complete with some ace oldskoll chop ups and
 acid riding the drums, though very frenzied it retains a sense of melody throughout the frantic and sometimes exceedingly spannered construction. 'leaf pitching' starts with tuned music box m
r. 'bled' is the darkest track of the bunch, possibly the soundtrack of the last minutes of a dieing german stowaway on the kursk. gasp lays down a beautiful jazzy atmosphere over a freaked b
m slemper (etr, prospect, thin consolation) and loden (etr, colony productions) and secede who debuted with the us 'merck” label and did a fantastic release with the dutch label 'sending orbs
 ces, catches you in its mysterious world.




cuses more on the influence of hip-hop culture on current electronic music. dark hop is especially interested in instrumental music with minimal yet strong rhythmic structures. dark hop known
 nence of the previous. they started by doing cut and paste and loop based music. the band is now fronted by andrew mckenzie and concentrate itself on minimal beatless music.
ery rhythmic release, mark spybey and mick harris managed to successfully blend and transcend the differences in sounds and in music conception into a very achieved result. from its noisy


 creating striking and rich noise textures. due to the honesty and quality of his compositions, he has worked with other musical innovators which reads like a who’s who of experimentation: m
age. beyond the first experimentations of 'dogme', this debut long-playing cd gives us a full spectre of what very talented people can do when they are given full artistic freedom. inspired by su
s (brussels, belgium) the trio has always played with the contingency of live experience. with the live sequencing of found sounds and various samples they developed their own approach to e
ng are reacting in unpredictable ways. 'eleven is a number beautiful by its simplicity. its figures are like rods raised against the skies, tearing up apart the relentless passage of time' says szk
decided to return to the tapes, the best moments chosen; a state of the art mastering has enhanced them. full of very fine ambiences and drones, sos is old school organic and abrasive ambi
performances were combined to create the final album-document. a video footage of the performance is available on this cd as a quicktime movie clip. the cd comes in a limited edition light b
n almost canadian fellow, hushush’s headhoncho project, szkieve.
uziek live recording was edited and subsequently used to create goem tracks, which were then mixed back into the live recording. complicated you ask? 'well, in a way it is, but the result is de
our cardboard packaging on the influential ecuadorian noise label, rape art productions.
ed in an uninterrupted fashion, the whole forming an entity driven by multiple jolts. his ingredients? spacious ambiences, cracklings originating from everywhere and nowhere, short-circuits, u
which then become our exploratory vehicle and form one body with us in the journey…indeed, many doors are hidden, but they are awaiting to be discovered, probed…behind them, fullness o
here lies a broken conveyor; there, hidden behind some monstrous crucible surrounded by sparse metal objects, one can see the entrance to a deep basement that seems to remain untouch
 creator followed in his many experimentations and sonic discoveries in recent years, to a place where the demarcation line between old-school industrial, dark ambient, narrative paths not s
n and composition, a sound alchemy that is realized without any pretension under a purple and…of course… morphined sky. power-electronics in symbiosis with dark-ambient in symbiosis w
 find a way to the red core of earth. the common track brings heat onto ice, which warms up, crackles and soon melts. as a conclusion, the long piece by nadja is total heat. this is nadja ³unrh




e signals are geistform. for those who like to compare, geistform sounds like a mixture of pan sonic and esplendor geometrico.


ecame on of the first belgian electronic acts who proved to be succesfull on stage. in total abc released 4 tapes and in 1984 dirk became a member of 'the klinik', followed by eric who left afte


d you, gripping your senses. relax as your body begins to feel uncontrollably numb and your mind is set free from the confines of physical restraints.
und. here pankow has given 5 cuts of dark thought provoking songs that are deeply hypnotic and powerful with messages of life and situations we have all experienced. warm textured rhythm




close to some cold meat industry's dark-ambient pieces, with that strong meditative sadness you can find in the french's dc crew (othila, land, fin de siècle). more recently, lambwool appeared



re dilapidated, hidden. something like a cross between beyrouth and these towns where everything could happen at anytime. you can cross here a horse and a burning car there, first a horrib




 life to death surrounded by fading memories from different areas and destinies. the cd is packed in a beautiful book with full pages sepia pictures by fabrice billard, known for his previous pic
brose bierce. musicaly speaking... amongst others blue oyster cult, new order, mb, militia, mandible chatter, thiefaine, haus arafna, paul roland, megaptera or brighter death now...
e appeared on the now legendary compilation 'trees on oscillation' & 'armageddon's report', both released on divine comedy records some years ago. this contribution is not an hazardous one




he amazing futuristic technology. the v/a comes in digisleeve. (cover art was by fab, inspired from an abandonned place now 'destroyed'). feat. bak XIII, trisomie21, norma loy (mimetic-mix), c
aking this work a 'must have' in the already impressive hiv+ discography. packaging: digisleeve.


od organ' initiate the feeling of something tragic soon to be unleashed... 'so i left the tv sound off and i sat down at my mood organ and i experimented. and i finally found a setting for despair



ation, the experience of jägerblut is that of the world being full of dark poetry. behave! digipak packaging w/ foil embossing and 20-page booklet.
are here much more expressive than the sound of any instruments. constructing some of the remotest soundtracks imaginable - a gorgeous sampled environment emotions are not considere


album, arising from a blinding, arrhythmic labyrinth of beauty. demange machine’s work is thus a reflection of our lives in turns beautiful or monstrous, but always complex, paradoxical... this
this morn' omina with empusae, xabec and disharmony.
hould continue to be obvious to us. for this new opus, lith continues to explore the way opened by 'tribal end' while succeeding in giving to his sound experiment even more depth and meanin
rtists. in it, empusae's captivating tribal rhythms and singular ambiances provide a perfect complement to nick grey's expertise at crafting and interpreting melancholic songs of exquisite elega
lbum, silent reflections: deeply influenced by the baltic culture and landscapes, he himself describes his music as an artistic attempt to illustrate the point 'where the stones hit the water while
mage to the eternally unknown and translating into soundscapes - and assorted media - the project’s inherent feeling of timeless desolation, nightmarish dream and loss.. dream inspires the
 of idm, for example, autechre and squarepusher, add subtle industrial influences, a pinch of the harshness of drum'n'bass, you'll get a mix of dark electronica with a strong jungle aftertaste:


ribal and industrial rhythmic noise. flint glass has played numerous live gigs all around europe, festivals and his project already appears in the foreground of finest experimental electronica. lo
sounds. some notes stretch over a long process of break-ups while others simply burst.up to you to match the environment to this abstract swarm…l.d/wtm
p up in a track, a furtive and disorderly drumming (ohm.05 part.2), an ambient interlude (aquafish) and abstract harmonies (look part.6).undeniably, laurent perrier has his own way of explorin
akes place,first static,the phrase imposes an austere climate,cold but still organic and hypnotic,creating rupture, endlessly ascending and descending modulation,confronting an everchangin



us 2 remixes of the title track executed by imminent & klangstabil. almost 50 minutes worth of music! artwork by eyelyft. mastering by john sellekaers.
ions and rhythm's of the epic "withering world" to the ethereal aftermath of "a moment of claritiy", "pta" is a truly inspiring and unique masterpiece from start to finish. artwork by ben didier. ma




tely new take on what 'industrial' truly is in modern music. this release shows not only the impressive skill of these two artists and the maturity of their soundscaping, but it also reveals that so
brazil], incredibad [featuring andy samberg from saturday night live], and more. 23 tracks of jump up noisepunk, breaks, and antagonistic antics, including the soon-to-be classic narcotics epic
mashing your city to glass dust. featuring a collaboration with navicon torture technologies on the track justice. limited to 500 copies.
ext full-length release, we are pleased to bring you autoclav1.1's first cd release on hive records. broken beats for broken hearts is a collection of 14 remixed tracks from autoclav1.1's first tw
lawless production. equally destructive on the dancefloor as it is with more reflective listening, this album is a testament to the ideology that industrial music can be both agressive and epic, a
on the dancefloor, at savage garden, jumping around to grendel. i hear his smashing cover of malhavoc’s classic track 'discipline' complete with vocals by jennifer parkin of ayria and think co



 by textures and swells of sound. 'a year in the life.' of sorts, field recordings layered with digital and analogue sounds that become progressively unhinged. each successive listen, opens up n
 xanopticon, electric kettle and others.




by step will make you dance!!! shake, baby shake!!!




 doormouse is a unique and enigmatic entity indeed, a brooding force that cannot be fully understood, as there is surely much more going on than listeners can completely wrap their heads a
mash up should be. dirty and brutal to the nth degree. get stupid. it’s the only sane alternative.




metronomic break drummer riddim methodology, ragga, breakcore, drum'n'bass & breakbeat explose like a perfect sound’s cocktail. this new breakcore mentalist hero give a new breath to the




ng and some seriously low, low end... forget pidgeon holing this, just turn it up loud! we can call it now breakstep!!!




 s one's for you is genuinely refreshing audio for the ears.'




 way to an amen blitzkrieg of monolithic proportions complete w/ distorted stabs and heavy sub bass pads. to be one of the best amen stormers of the year. b-'deep digger' - a brutally menaci


o everyone, all you hate, all you love? is already the pathology brewing in your heart, boiling to the point where the black vomit wrenches thee, when autolysis sets in? to the point when you w
ossible to say - you are dealing with the best ambassador21' album ever. converter collaborated with ambassador21 in 'new doctrine about trinity II', which has been released on-line as single
rstand german to perceive it. the music is made with electronic instruments and varies from distorted rhythm tracks to oldskool minimal electro. this combination of industrial, rhythmic noise a
ce bright information age is ripped apart by chaos and social unrest where power structures fight those who once gave them power, cities consume their inhabitants and helpless individuals a
 tasov and mark kammerbauer created a powerful amalgamation of their united talent, for your ears only, to blow your speakers (and your mind) at home! ambassador 21 vs. fragment king. g
nal with a tongue-in-cheek aspect and even sampling the prodigy gives things a nice drift. it's almost impossible to categorize this release by any musical terms as there are no weak tracks an
ers'. we can find it even more on this album due to many other contributors who did a great work, not just having re-made, but added some their very own points of view into ambassador21 so
 amazing! and no doubts - this is a best compilation of the year. dvd-r release.
og, rasputeen, proyecto mirage, kiew, f.y.d., bak xiii, ctrler, beinhaus, the shizit, hansel and altera forma. blast that silence. cd-r release.
hardcore wall of sound which can be ferocious and merciless. but their anger always appears with a smile - from ambivalent ironic lyrics in russian and english to forceful pounding industrial k
 between noises, breaks and overdrives. the first harsh song on the album that includes an ultra-fast sample from ministry, is again a good example of the style of the album, but there are als
d alters the music through the use of air theremins, vocoders, and a host of effects modules. will delivers blistering high energy performances as he dances all over the place as though he's p



expression. she mixes these energies together with merciless beats and grinding rhythms while adding her own deep rooted emotional intensities - combining all of these to form some of the




st have for broken beat djs and somatic responses collectors alike.




anger alike. the flip side offers a slightly more subtle approach which starts with 'naai de duivel in zn reet'. this piece features intensely mangled breaks grinding against bloodcurdling vocal sa


ns.with lyrics like esoteric riddles, raquel de grimstone brings occult symbology into tangibilty in a flurry of screams, whispers and digital mastery - making this cd a rare experience
oul to life.' richard for cerebellum is the brain child of lorren stafford, minneapolis based composer & classically trained pianist, cellist, and violinist. most of the pieces on 'thoughts that breath




s is a track that will push everyone on the dance floor to extremes. 'tool' works perfectly with the dynamic of 'cycadelic' making a forceful totality of this 12'' (played at 33 rpm). hard-hitting beat



 ngineering. assume greatness, and ready your listening sensibility for seduction.
wobbling sound and wooden percussions with long reverbs complete the arrangement. beautiful. the second side with the track 'core' gets darker and ruffer. the main synthesizer line sends o
in dark, narrow basements. but you still can hear the jungle origins in the beat programming. the beats are full of frenetic, fevered energy pushing the tracks forward with their constantly chan




ensable and built around the propulsive sound that only he can take credit for; and much has changed in that sound since the zod congregation was formed. well versed in the building of a m
rms of paisley--'i want cookies in my sleep' he beautifully mutters, making sense to anyone who bothers to listen. 'ch' brings the wanting ear to a cumulative gesture, a knowing shrug at the e
rk. feat. yuppster, terminal11, emotionaljoystick, ground chuck, exillon, eight frozen modules, otto von schirach, com.a, curtis chip, tangible, vaporizer, soplerfo, gridlock and binray.
rk. feat. yuppster, terminal11, emotionaljoystick, ground chuck, exillon, eight frozen modules, otto von schirach, com.a, curtis chip, tangible, vaporizer, soplerfo, gridlock and binray.
dge that regains its senses at around the halfway point with a staggering clarity that cumulates in a cathartic end well worth the walk. latter side, leading off, begins with a smattering of found
cacies that could only have come from long hours of confinement, absorbing inhuman amounts of monitor radiation from the cathode ray to produce the tangible result of an obsessive perfec
heard the previous releases on the zod label knows that is saying something! various subgenres of electronic music have loyal audiences dedicated to them, so it is hard to believe anybody i


 ance spaces, ripley has played with artists like asian dub foundation, kid606, kaffe matthews, hrvatski, criterion, max glazer, drop the lime, pamelia kurstin, dub gabriel, rotator, zipperspy, kni
ddition to shows on london's resonance fm, and ninja tune's syndicated solid steel show. he's been hard at work producing beats and remixes for other labels as well. his mix of the m.i.a. tun
ak came in 2002 when death$ucker head honcho parasite booked them to support fanny and venetian snares on board the good ship thekla (the floating venue brought to bristol by vivian sta


ak beat sound and has led to the first monkey steak release, grim dubs 01 released on werk discs. the a side of the 'electric birdland ep' features two tracks of jungle sweetness; 'too late' and


rked their way up, first with their own night 'zeist', but later on playing at various happenings in utrecht (nl). soundbites and westrum were then hosts at the biggest monthly drum and bass nig
addition to shows on london's resonance fm, and ninja tune's syndicated solid steel show. he's been hard at work producing beats and remixes for other labels as well. his mix of the m.i.a. tu
 a world full of gang violence, global warming, war and noel edmonds.



between albums, 'the flood' got completely out of hand when the band asked a few of their favourite artists to have a go at remixing it. the resulting shitstorm is the work of at least thirteen diff
mutated atmospheres that transform into spastic amen breaks and floating synths. mixing it up, duran duran duran pushes you into the pit with his punishing gabber stylings. while you’re in th



nergy. flip for the b side and ‘everything is a new surprise’ kicks in with an ultra disgusting bassline & pitched up bongos, massive! next are the remixes, starkey starts it off with his remix of ‘k
 track is destined to become a 2007 dubstep anthem.




 dub they did release an ep on the infamous musik aus strom label. geroyche (tamás novák) has contributed to records on various labels since 1998. including lux nigra ('pocket monster rem




nd is evident. focused on core competence, each track is built around a drum / bass pattern, with each loop and chop being selected after careful study of industry benchmarks. the rest is ou




abel, a hive of ukrainian acts whose talent is slowly being recognized worldwide. fresh from his collaboration with andreas berthling and kim cascone, andrey kiritchenko presents here his first
and atmospheres, a deep vault of carefully arranged effects and powerful sounds. listening to 'not a word' is a process that reminds of walking in a glass house. the structure and foundation a
d indeed, this album is one of rich content. while drawing its influence from drum'n'bass, illbient, electronica and noise, this album lets the genre classification to pigeon-holing reviews, and re
elsdiscography by stone glass steel. this pieces, 'the last rays of sunlight paint fire on the window' is the first stone glass steel material to be released on cd since the 1993 cult album 'industr
ropean click’n’cut sound and the old ambient tradition. 'winter' brings back the cold atmospheres indeed. here he used more drones and subdued basses. the vanishing precise beats settle w
se sweet, sweet tunes that seem sung by r2d2. wait, is it 'kill all humans' that he is saying? viva robots!
 phase of crno klank is what made this project take the steps which led to 'etats des lieux'. 'i got the idea of recording some ethno-industrial noise music, a mix between korean, black african
nes and sound-layering various elements and influences of today's electronic music. the modern aspect of 'as giants watch over us' however does not end at the sound design and compositio
system research center), horchata's music ranges from the most organic of atmospheric music to the deepest of basses and beats. the result, a bodily experience that shakes the end and to
by the remixes by larvae, tarmvred, enduser, xanopticon, ove naxx, eight frozen modules and ove naxx.


bridge between the two sonic fields dear to this artist. on the one hand, this album features the precise clicks, sharp glitch and touching melodies that can be found on his earlier recordings, a



nce again to all to witness. not only does he pair with mc equivalant under the mad eq moniker on several tracks, but he also worked with jason forrest / donna summer on one ('live till i rot'),
d 'empire' was born. like 'monster music' before it, 'empire' is half-serious, half-playful. it's not simply a geek fantasy or disco 'imperial march' remix; it's more of a reflection on the last 27 odd
 hat one would never think to work on. making up with the times and trading the philosopher’s stone for a studio crammed with audio hardware, az-rotator has been transmuting beats into gol
cess, it is to date the best embodiment of what detritus is about. a statement of emotion and beauty, it is also a statement for the improvement of composition and quality in the industrial scen
th atmospheres and sonorities is taking flight for good on such tracks as 'hapless plastic', 'till the break of dawn' or 'mechanical spector'. if alternative hip hop has become a genre in itself, lap




kcore had made of him one of the most varied and surprising artists of the genre. taking a opposite direction from the furious and complex 2004 'the cursed species', 'valentine' is a work whos
well as the vocal contribution of kazumi (known for her work on planet mu and city centre offices), shadow huntaz's nongenetic and chemlab's jared louche. these three vocalists and their ver



encing, drumcorps is an intense experience both on record and on stage, as the audience of drumcorps shows at europe and japan's largest breakcore and drum and bass parties and festiv




osé miguel méndez, josep solé, josu sein, juli martínez, koes, lilian coquilland, marc villalba, mgvis, michel noguera, miki company, nicolás ordozgoiti, okuda, oliver schulze, pablo martínez, p
with pictures, illustrations, designs and artworks from different kind of artists. but it also includes words from different people that could help to create a better point of view of the subculture w




american artist james plotkin started making records in 1987. he started in metal, hardcore and went through multiple styles/genres such as rock, industrial, electronic, improvisation, and oth
 ent others, such as greater than one, yello, lassigue bendthaus... but a space organ is no cheap bontempi - this is something else !
ife. 'a dried youth' is ambient-electronic soundscape music for the open-minded listener - enjoy !




 ov, novel 23 and virgin fix. all tracks are exclusive or previously unreleased on cd.




e, electro, industrial, and power electronics from artists such as 100blumen, exocet, ah cama-sotz, architect, catholic boys in heavy leather, cervello elettronico, monolith, geistform and many


 ambient madness. in the first (and hopefully not last) volume of dark ambient radio compilation you'll be able to hear tracks by established artists such as ah cama-sotz, svartsinn, dark muse

d in a beautiful 2 cd digipak that will stand out in any cd collection. dark electronic music that will captivate and inspire.
 each track feels alive, constantly morphing and shifting into new directions without the slightest loss of cohesiveness. a masterful collage of addictive rhythms, richly-layered beats, intriguing
nspirational. moved by subjects such as urban isolation and the outburst of mankind's deepest emotions, subheim delivers the ideal soundtrack for those moments of chaos or melancholy ref
d savvy electronica. jewelcase packaging.
tal and the beautiful.' featuring remixes by antigen shift, tonikom, and synapscape. get ready to rock.
working from old horror movie samples, crackling analog records, chilling atmospheres, and addictive trip-hop beats, ‘the witching hour‘ introduces a new chapter in the displacer legacy with


azor-sharp beatwork and powerful, abrasive noise collages to create a sonic hurricane of brutal compositions that will seize you firmly by the eardrums and leave you gasping for air.
 rink [pneumatic detach], stunning artwork and design by kostas k. [subheim / spectraliquid].
n ‘love no longer lives here’, his third studio album and first for tympanik audio, young changes the goal posts once more and treads some new waters without forgetting his roots. more emph
and hopeful, melancholic and heroic, ‘rise‘ is as nourishing to your heart as it is to your soul. limited to 444 copies and packaged in a beautifully-designed digipak.
 impossible to ignore. now, tapage joins the ranks of innovative electronic music composers in the tympanik audio artist roster to release his debut full-length cd ‘the institute of random events
loomag says '…original… a widely varied and ever-changing sonic soundscape of moods, textures, rhythms and atmospheres.' includes hard-hitting remixes by lucidstatic, pandora’s black bo


alented artist who experts in combining modern day electronic music with classical music references, while remaining absolutely original. highly recommended for those who enjoy acts such
 e remixes by end.user and shitmat! heavy basslines, highly energetic tunes, all gone through an amazing sound production and presented in a beautiful digipak package, this album will blow
dd another significant moment to the ever expanding dubstep-influenced movement. low bass frequencies give their place to powerful melodic parts, while at the same moment sinking to sic




pted, kaos interim, alarmen and betriebsdruck).
 provided by nerthus himself.




 gital-gadget/front takes another step on its uncompromising path along pure electronic pulse.
adise' on mhz records is her first musical work. with it she expands further the range of her artistic expression, which she herself describes as a 'unique telling proposition', divided equally bet




erlasting prediction. it's not premature to relegate this sterilized work on the thermostatic reverence which awakes again portentous impressions. a terrific soundscape in the chimney of gravi
later, when life seems resolutely distressing and ostinately depressing. in the end, "the house of mourning" is the common admonition to our foolish arrogance''. packaging: digisleeve.




e cinema pioneer. this release opens with an exclusive audio voice introduction by takashi miike, recorded for this tribute cd..also features an exclusive outroduction vocal song preformed by




derline the collaborative effort, a 12 minute video is included on the cd which holds outtakes of the actual performance. the video was shot with four camera's and produced by videopunx in am
nese noise, scat vocals.... but they’ve all been forced together into a frenzied mass as catchy as it is schizophrenic. there are jump-up-and-down rock numbers, sitar spaghetti westerns and e


e. spies go through trends and are always mutable, comparable to their patrons juno reactor which already brought them an introduction and a successful debut in japan last year. their first ch


 rything' clearly prove that emotions and dancefloor appeal can be combined! digi-pack packaging w/ artwork by chad michael ward.
acks and mixes, showing the artists' appreciation for this joint operation. feat. genevieve pasquier, this morn' omina, the rorschach garden, echo west, ordo rosarius equilibrio, kirlian camera
hemselves - despite the countless amount of technical options. once 'again' synapscape assert their position as one of the most innovative artists of industrial music today. ahuenna!




ut interference or pauses - a trip into sudorific clublife that keeps you moving for more than an hour. an astounding mix with well-placed increasing and decreasing speed, ranging from dubste
amalgamates with rhythmic intensity... 'the workers party of haiti was my own exorcism from the demon that surrounded me and that was haunting me.' (s.talada) - join the exorcism!




ed' content features 15 additional bonus tracks + remixes by subheim, totakeke, integral, access to arasaka, unterm rad, stendeck, lucidstatic, disharmony, autoclav1.1, and more… 27 track
hythms, vast levels of dynamism, commanding vocal stabbings, and intricately woven versatility, this new collection of impressive rhythmic industrial works promises to be esa’s finest hour…
marching dynamics / the operative), daniel myer (architect / haujobb), scott sturgis (converter) and dre robinson (databomb / download), ‘severed‘ promises to be an intense and memorable j
ct (de), sincere trade (ca), rope (uk), lights out asia (us), and ginormous (us). 26 tracks total, over 140 minutes of music on a double cd collection.




and puts the focus back in the mind and hips.
style sound like their own unique and personal creation even when trying something out of their creative character.




ns: selffish, lazyfish, abstract avenue, unit21, oloolo, sever, riverz end, holden, unbound persistence, batiskaf, total reboot, kriipis tulo, father?, 0id.


ambient again and ending in some dark and modern deep electronic.


and demonstrates the depth of the ohm arsenal – from punk influenced drum n bass music to modern dnb dancefloor smashers.




my with his first official material in ten years!! pure, unadulterated, midwest hardcore - unibomber shows why he is such a hero in his native u.s.a and lays down some of the most brutal track
even the most glacial of hearts.

ace the premises, to permeate ourselves with the sound echoes with which they fill our ears and head, and it should be mentioned that the ambient-drone styling embraced by skinwell conta
ova', listen to what david says about his' music ('nihilistic rock...' maybe it's jason talking, not david?), realize that styx-'teen-prog' (remember styx? yes, domo origato, mr. roboto!) can be turn




girls go bad, they do it to belladonnakillz.




6, you will hate this even more! this is not some crybaby n00bcore bullshit, this is rave at it's roughest like only mr.snares can bring it. so buy this kickin' new ep so snares can buy more laptop



s created using a wide range of instruments likeguitar, bass, voice, accordion, balalaika, flute, mouth-organ, melodica, gong, field recordings & more, to create a sort of transcendental dark &
ry half-man, half-devil. the feel of this concept release is further enhanced by the inclusion of limited edition art prints of works by the composers on the record.




nt operations. only after countless hours of woodshedding and a healthy slew of live dates did he enlist ex-poor line condition bassist james buckley and veteran vertiform drummer joey van p




ub-textures. at times a subtle, almost alien combination of sounds. proof-positive that dark-drones can intone an element of beauty and power. a very promising debut from an equally promisin
 he clubs or at home. special fake-leather digipak & embossing




 g resonant vibrations and looping samples at best to reach a certain state of intensity. axiome’s ability in creating sounds resides in their vicious use of noises to hit your nerves at the most u
been put on and your speakers will be put to a hard test.




he voices of reason' - an eclectic radio play for the eclectic listener or a soundtrack for the insane? deluxe 6page digipack & 24page booklet. audio cd + cd-rom film 'the plastic wars part 1'
 pe. an excellent addition to the previous vromb releases and it is limited - so don't miss it...!




 he listener to the non-rhythmic soundscapes of cd2. these soundscapes illustrate mata’s melodic direction with the use of disturbing mostly non-distorted rhythm-loops that are overlayed with




 phere nobody wants to feel in reality - but what is reality anyway? a vicious game of putting things in a row, in a scene. confront yourself with the harsh reality of everyday life and get the perfe



 is is an album which forces you to listen intensely, and it is one of the most personal and emotional records ant-zen has ever released.
 ess that bielefeld exists - check it out!
believe. this cd comes in a folded embossed heavy cardboard cover.
olves in concise compositions that build to overwhelming complexities - from the ambivalent and unmethodical tribal percussive work of 'the burning hand' and '(the) fires within' to the seducti


m… slow so you can easily bang your head!” getting to the head banging takes a little while, as war of sound builds in slow, deliberate movements, carefully establishing a dark chord progress
 ng change on “simulations 1.0” is the mood of the ten tracks; the temperature seems to have risen a bit – especially when the release is compared to the icy and colder atmosphere of 'medic
 will rise up again - this is what this label did for ten years. so you are invited to celebrate with us. enjoy the essence of ten years of work and hopefully escort ant-zen for the next ten years. a
ard gave the photographer alain gauvin the basic audio tracks for inspiration. the final musical structure on 'rayons' is based on inspirations from gauvin's pictures which were taken in the mon


 hat this trilogy will be continued!
s focus is that of using rhythmic patterns to create a psychic (or even maybe a psychotic) mood - if you are willing and able to discover this listening experience then you will find yourself trapp
 'malleus maleficarum' as an album title', says rotor, 'and i think this title fits perfectly for this record. it shall be an 'inqusitional guide' to identify, prosecute and dispatch awfully bad electronic
 ening to this cd is that these are songs - not just 'tracks'. for instance, 'huevos de oro' or 'ish galil' are based on a 4/4 beat, melodies and even vocals – in other words they are structured like
 a nightmarish view of the mind's eye. there is always an irritating detail. for instance, the looped laughter sample on 'horizon vertical' which disturbs the soft ambience and turns beautiful track
mbience of a distinctly harrowing nature. however, brian evenson’s readings, recorded in an impromptu fashion in a sparse white apartment, begat an intensity of emotion that compelled xingu
pressing' is still the milkies at their best. the first tracks contain the atmospheric soundscapes that listeners of 'peps' are familiar with. pure electronica as it seems - until 'go go...' where u.m. s


 ord a treasure chest for all sound enthusiasts. lp with fullcolour-cover
 ent work; on 'the day after' and 'prepare for contact' there are slight similarities to ... so what ? the difference between g.s.’s music and these (possible) reference points is the harshness of th
ead the listener into a strange, dark, and threatening parallel sound universe. if you are familiar with silk saw’s former works you might be surprised by the unusual straight ahead beats on trac
ng flow. the variety of sound is evident in the ambient tracks like 'kollberg' and 'sellout', the hard 4/4-beat-ers like 'the hoe' and 'katunga' (which lean heavily toward the distorted dance floor) a


synth lines and voice samples. t.m.o.'s ability to create a continuous musical flow while welding a conglomeration of single tracks to one logical aural concept is always astonishing and is prov
mercy of politics. this mini cd is a study of a lost technology of the former soviet union. that is, the futuristic vision of one man confronted by the needs of a country engaged in a battle for the w
 . the result is a collection offieldrecordings, sounds, noises from whole around the world in just one track.
a a collaborative effort between ant-zen and parametric. 'sacred aim' feeds the eyes with a big collection of video clips that combine small scripts, visual effects, flashing colors, black & white
 n - power and it's exertion is only existant as long as individuals give it a right to exist. as soon as the vicious circle is broken, the man has found peace of mind. the story's musical visualizat
 . but you will lose your orientation in the heavy rain when you try to follow the destructed loop variations and changing beat patterns. turn over to side b - hey what do we have here? it’s the be
 ce the listener to groove. don't be irritated by the loopish 'just a trip' - the rhythmic outbursts start with 'good fellas'. except for the 3/4 metres of 'ill' this cd is a merciless four on the floor beat a
 between being sung and spoken (in english and french) - and there's even enough space left for a little poem! 'soap bubble factory' is a perfect example of an artist converting their roots into
endo of distorted rhythms, noisy loops and unleashed fury. on the video, pictures taken at the above mentioned events have been turned into a stroboscopic montage by one of the rabbits its
dd broken beats and distorted vocals, but had to keep the rhythm straight. to del rio. arrested rioters in gambler's resort. chased them with posse. no arrests. recorded a second track. had to a
 t was time to finish. the final part of the mission showed once again what the incredible three stand for: a fast, heavily distorted bassy beat track with tim on vocals and a slower (but still harsh
 e will be a lack of vinyl ressources - catch this one before it's too late! packaging: 12'' cover (full colour sleeve).
 heads before the bugs do!' (starship troopers 2).
wards. the instruments, f.e. synthesizers, 6-string bass guitar and drum computer, are treated in the unusual silk saw way. none the less, you might notice that straight forward rhythms are on


n go and enjoy the brilliant heavy 'viewer' remix by sonar. packaging: jewelcase & 8p booklet.
 o a raging climax that finally discards. an ultimate listening experience for industrial enthusiasts - highly recommended.
 experimental sound modifications from the 'peps' days. this new release entitled 'pocket station' is the logical sequel to 'pop pressing'. the band itself classifies the u.m. sound as 'hypnotic an
y right from the beginning. the mastery of many electronic sound facets, combined with her exceptional voice - claiming, alluring, repelling, suspicious - was and will be g.p.'s trademark. all of
d'. rhythmic rage meets droning darkness - asche, make my day!
 re. this is a highly recommended addition to your converter collection. packaging: jewelcase w/ 4 page booklet.


 thin a 'world of tomorrow'. for instance, in 'brotherhood of steel', g.s. presents a dance track with vocals that could turn a discotheque into a starlight casino. another great album by a real star
 again, this music's specific feature is displayed subliminally, f.e. unusual syncopations ('vanished'), accentuations on the off-beat ('bad man') or a constant state of the rhythmic flux without a
 e chilling yet strangely mirthful. enjoy this release if you can - and watch out for the boiled flying saucers on your dinner plate!
mood is quite the same on this release - brinkert's technical skills and ritual's production prove that this cd is a topical one. moctan's remix of invocation demonstrates that bipol's basics work




 . rhythm is ever present in s:cage's compositions, but rhythm is not just a carrier of a 'beat' - in 'collapsing breath', the structures change constantly, keeping the mind and ear busy. the manip


 nd her descendants represent the dark regions of greek mythology - self-evidently 'nyx' is the aural implementation of what these figures stand for. the deep drones, bass pulses and disturbin
oid beats. the mercilessness of an industrial civilization is punch inc's main influence, and they always place an emphasis on the rhythmic overkill. fightclub: a visualization of the fate of most
oundtrack to the phantoms of a dead civilization or more simply put, music that is inspired by a doomed mayan divination system. on their first self-titled release, empusae and flint glass chos
 o idm to noise and to ethnic sources. in hashimoto's works these ingredients cease what they were before - they are now transformed into coherent music (without being a eclectic cliché). an
about to hear is a sheer outburst of distorted noise, chopped sequences and hard driving beats. an edgy fusion of energy and aggression, rooted in the roughness of punk without any stylish
otic, twisted & tribal rhythmic noise is overlayed with unpretentious melodies and enriched with pushing vocals (complimented by a tremendous selection of samples). music that is complex, c
melodies and distorted rhythms. 'turn it on' is the conclusion of more then ten years of progression. lashing high-speed dance floor blasts ('cannibal party'), distorted eighties nostalgia (6 6 5, 9
 by the idea to make a cover for 'math & emotion' in the dime novel/ghost story style of the german "gespenster geschichten" comics. these ghost novels were pulp fiction that was published

nite as their producing was, is, and will be. this is where they are now - another landmark in contemporary industrial music.
hat he might not. take a listen, watch lingouf's visuals on his site, submerge into an unknown perspective of industrial arts - be caught and captivated at the same time at the area keloza! a tru
nit by accomplished usage of well-structured rhythmic work. fortifying bass pulses and diversified synth chords are enriched with scattered sounds and voices, generating powerful undertones
emain bare handed, like astonished and turbulent children dancing on a mine field. we will just stare at you, we will fall into rage and boil into tears. within this emotional turmoil, flore magnet a
 leeve, it will riddle scientists, musicologists and listeners for decades: a permanent breathtaking attack of contorted, cadenced noise, challenging your audio equipment to the highest peak. w
 ective and ideas for many future projects are already locked into their collective mind. compared with the collective's conceptual works like '1953', which was an earlier release by bauke and
 with the heavily grooved remixes by asche and bipol. once again, moctan has created a perfect balance between hard technoid dance tracks with an industrial feel and disturbing soundscap
s aggressive tunes. all this is combined with a 100blumen / loss collaboration ('pussywillow') and two remixes by p.a.l and heimstatt yipotash. this cd is a truly fine follow up to 'in floriculture th
ellow bright. that's the general idea. these releases are planned within a time-period of two years. a mixture of dark ambient soundscapes, hypnotic drum patterns, an impressive stylistic rang
n with a soundscape blending into another and at the end of it you won`t know how the record began. this is performed with such a perfection that it won`t disturb in any case.


ental electronics and ambient soundscapes are all part of the landscape. it is as varied as any large city, and as enjoyable as any fantastic voyage.
well as releasing genre-defining dark ambient albums under the lustmord name. it’s from four lustmord albums in particular that the tracks on law of the battle of conquest arise. in fact, the fer
d progressions. things become more contentious on “chrometaphor” and “scratch,” where gridlock’s penchant for fractured beat textures and discombobulated rhythms rush formless into a m
.. do i know him? 'hi, i'm lucas. check this straight uptempo breakbeat dance tune... nice, eh?' 'yupp - ehmmm... do you know benny?' 'uhmmmm.... noooo.... but will you take this track?' 'uhm
edges its debt to the detroit underground. “simulacra” and “simulacrum” share strong ties to laptop glitch and rhythmic noise, both spinning around a shared sequence of unchanging tone sou
ag in this release…”. on “go off,” the welsh brothers healy crank up the somatic responses style of electro-mechano breakcore ferocity that would otherwise plant pounded mass firmly in the r
ds of canada). this album shows that reid dunn is one of the names that should be remembered. wisp is one of the rare artists in this genre who have the talent for both sound experimentation
 ming live instruments, mainly guitars, synths and rachael kozak's own growling vocals brew hideous mixes elements of black metal, brutalizing breakcore and esoteric sound design with top
bum which leaves you breathless.
ath between the attacking drums - nevertheless there are well placed pauses which result in a stunning dynamic range. in short, a work of complexity and dramatic art.
xes by influential electronic acts like scorn, to absolutely stunning, no boundaries drum n bass, the album is diverse and full of powerful compositions. compelling from start to finish, left is the
age music of consolidated or the sample-collage and noise terrorism of the beta bodega label. beyond the valley of the proles is electro-western manna for progressive political consciousness

 ere mainly females are objects of carnal desires, both male and female get one's just deserts from otto! from the first track 'subatomic disco divas' to the last 'satanic unicorn orgy', we are sp
on forrest. for hymen records, massive swingin' mpc2000 is a quite unusual release: the format (our first 10''), the artwork (check it out on your own!) and also the sound itself. straight beats a




ontinues to challenge standard concepts of structure in order to forge his own musical path. a monolith among modern beats and drums. scorn is a no joke movement.
 le piercings or just a calculated assault of an sonic weapon.
synthesizer pulses, and spoken, sung and atmospherically implied snapshots of life in the global urban jungle. every tune is very carefully created and integrate itself very well in an orchestra




                                                                                                                  μ

ce. an arresting epic unfolds inside your ears. end’s charles peirce, who has appeared previously on planet- , builds the dark post-industrial themes of science/fiction without the aid of tradi
s), as well as the legendary f. m. einheit of german noise guitar experimentalists einstuerzende neubauten. but that’s not it at all; electric opium’s the next generation of electronic sound to em
age music of consolidated or the sample-collage and noise terrorism of the beta bodega label. beyond the valley of the proles is electro-western manna for progressive political consciousness
ditional breakcore dynamics, yet unlike many albums in the genre, nymphomatriarch retains a sense of complex ambient sound and depth throughout its six tracks - this isn’t just another man
 combat. war accomplishes this objective utilizing five principal musical components (artists), all of which leverage high-calibre ambient, industrial, and experimental electronic equipment ope


 s gridlock. but caller id isn’t just remixes. fans of her music will find four unreleased tracks woven into the release, adding a cohesiveness to caller id that makes it more than a simple collecti


he rest of the musical world has a lot of catching up to do to touch architect.
ges its debt to the detroit underground. 'simulacra' and 'simulacrum' share strong ties to laptop glitch and rhythmic noise, both spinning around a shared sequence of unchanging tone sounds
ed her arms writhe below the frozen river, the alarming chime cries and woeful clashing static clacking of 'all night' gave way to the shrouded percussion and wandering lyrical melody of a ney
are not only sexy, but perceptive! i was commissioned to make a film score, for a low-budget german porno full of, how do you call them, midgets, and also a lot of de-clawed cats, but then th
 g in this release…' on the tripadelic 'bathrobe brawl v1,' somatic responses infuse the psychotic turntablist scratching effervescence of dj spooky with breaks and bass worthy of a depth char
begins with a tense ambient dirge that breaks into a post-glitch gallop on 'fdk,' then meanders through light ('madison I') and dark ('madison II') atmospheric moods in a masterfully arranged su
 ctro assault. packaging: jewelcase cd.
lanning a new masterpiece by the name of 'the sick generation': this might be the soundtrack. 'bang bang boom boom!'. packaging: digipak cd.
60's exotica infects old-school electronic pulses, and where the shadows of badalamenti and morricone are always near. a clash of spectral jazz, ambient americana, spooky boogie and psyc
a theory - the artist volker kahl does not share much information, kattoo's music shall be the message.


 aucous noise breaks and a hitchcockian piano theme on 'byproducts of stress and boredom,' moments of ambient bliss on 'noctilucent” and ominous strumming hallucinations on 'gleaming r


undation is combined with the styles mentioned above - which is more than a 'mixture' - it's a style on it's own - 100% enduser. the rough moods conveyed by many breakcore acts cannot be
 the variety of styles - from hip hop, to a treated flamenco guitar on the four-to-the-floorburner 'velvet pudding mold', to jazzy moods (indeed 'nicoffeine' seems like miles davis' agharta-period
 ise'), is it one of these rock numbers only snog can do ('destroyer')....? indeed it is, amongst others. slide guitars are hit by shuffle-beats, long forgotten tekkno-anthems are drowning in a sea
cy. he creates sounds for different types of media (such as radio, software or web pages). eventually he hopes to be able to compose film soundtracks - especially since his interests are still i
 , terminal11 has re-built the patterns of today's popular music into something new. this is far beyond 'academic electronic music' where only sound itself counts; you can always hear the hum
-t's music is like being sucked into a black hole - you never know what is waiting beyond... new colour. new dimension. new value.
nded (these influences) to include a lot more including dub, jazz, bits of metal, funk, post-rock, straight drum & bass, indie-rock and the like'. the uniqueness of keef's musical talent can be de



ics talada steps beyond his unique and varied musical endeavors. a new force that will surprise/inspire you and will be heard for years to come. marching dynamics astounds the listener with
hers) and featuring the sweet voice of mr. royce doherty, the collapse of civilization has never been this groovy before! the album opens with the epic majesty of 'one grain of sand', an ode to
e years - f.e. you never heard s.r. as speedy as they are on the title track or 'reset the world'. their typical ingredients like unique strings usage are still present ('stranded'), the enrichment with
here is an organic, human element at the center of this unrelenting journey, in the form of symphonic and acoustic instruments and warm bass lines, balancing the bold compositions. the albu
cient subtlety. flowing ambient landscapes based upon varied rhythms include beautiful, sometimes slightly sad melodies - only a glimpse of the darkness behind the mirror of technology. all
d of the twelve tracks which were recorded as one continuous opus ranges from teariness and melancholy up to beauty and puissance, unleashed by discontent, the assurance to need a cha
he walls... nebulo's trademark, a connection between ambience, idm, clicks'n'cuts and post-musique-concrète collages is presented here once again. as a reviewer wrote: 'surreal dreamscap
ne' and 'run' are a fine example of the terrifying and liberating climax of rhythmic power’s crescendo. feel free to file 'halfbreed' between illbient, dubstep and darkest ambient that has accumul
 y. this album can be seen as a missing link between heavy, metric electronica, straight-line jungle-core and saturnine movie soundtracks. join the audio vandalism!




s mostly monotonous, there is a lot of variety in this album's music. there is a constant flow from track to track; leading the listener through ambient spaces to hard-driving rhythmic madnesse
ality-check as it was drug-fueled escapism. previous drop the lime releases on tigerbeat6, dreadpower/electroviolence, shockout, broklyn beats and ambush have garnered intense press scru
mbling his senses—more than the usual dj scud or phthalocyanine 12-inch. it starting as a mild itch in his ear canal that progressed to an intense heat that, by the time 'heart' blared through th




eleased (on mad ep's phantastic 'not afraid of spiders' cd). bit shifter is one of the big names in the gameboy scene, having performed regularly in new york, and touring literally around the wh



tremely rare treat for westerner and easterners alike! but delikatessen doesn’t serve its metamatics plain; we delicately balance strong hints of xela, lbg, setzer and sense into the sauce to c
 amomile, where a soft drum kit rides light in the distance and moves in closer as it’s enveloped by a double lump of rich bass. 'kitty hawk' follows up next, its strong electro percussion swelli
 e goodness of “taksi” comes in with a scintillating chime melody that runs like a reverberating ribbon of pure milk chocolate through your ears. we ain’t talkin’ about no hershey’s or nestle cra
 me time. just check the mysterioso synth vibe of 'blizzard' on the a1, a blend of frigid atmospheric treatments and funky bass groove that’s strikingly warm despite its chilly name. 'ruw' peels o
 bits and pieces of 'din' to add flavor to a beefy bass main dish simmered in rich glitch melodies - talk about a fun way to get your minerals! next up is xela, who you’ll remember from metama
 er succulent note. but if the second track is the most tender cut on viande de gâteau, then the third track is a thundering 72-oz t-bone steak, beginning as it does with a blistering outtake from



nd new rorschach friends all over the world - not just in japan!
 is good for - the contact between charles and trg was initiated by a friend add! with 'the toy factory' trg delivers a contemporary masterpiece of electro-pop without any 'revival' clichés. some o


 oltaire, max goldt and palais schaumburg - take this direction, add the pumping sex-beats of deutsch-amerikanische freundschaft and top everything with a mesmerizing, distinctive voice - th
so explains the verve of the 'japanese friends' from korg who dedicated an extra website to trg. mission accomplished - transfer complete!
rable coincidence - after all, wasn’t the russian rasputeen often called the 'mad monk'? so they kept contact, and in a few years the metamorphosis from rasputin to rasputeen took place. eve


rs jungle became softened and now ‘walks around’ as drum’n bass. however there are many great examples of dark and harder drum’n bass, both producers decided to create a harsh versio
and of course ‘campbell’s i’. obviously most tracks were based on warhol’s graphic works, but also the three hour movie ‘chelsea girls’ served as inspiration on one of them. ‘drones for drella’



artwork based on '13 motives of the arising of desire' photo-session by marc brousselly, created in london in may 2005.


mited to 32 copies edition (released by invasion wreck chords). new 'learn to swallow' edition uncludes two brandnew tracks and remixes from flint glass and empusae.




u feels by your skin. with 'dead red' suicide inside invites you to a journey into the post apocalyptic desert of iron and steel, where dead atoms has saved the souls, full of fury and love. from ki



with an ambitious re-release schedule that covers two separate cd albums. this first one, "found noises", contains one of the tapes, two tracks culled from compilations, and one previously un
ovocation is being emphasized through the use texts by german poet georg trakl. reflecting the past by literature from a victim of world war I, embedding it in pulsating sounds, this title-less m
deaf machine clearly lacks antecedence in its more oppressive, minimal approach; a rhythm-less universe inhabited by the creaking noises of analogue devices and metallic artefacts, and fle




. one of the most favorite releases at ant-zen's office this year - highly recommended. special oversized slimline cd-packaging.




m action rounds out this solid release from holland's brother funcken.




 perfect intersection of all of the funcken’s projects mangled together into one album. a true treat for fans of any, and or all of their projects, plus a perfect jumping off point for newcomers to th
opelling beats or bass lines. something akin to standing still as urban inhabitants pass you by at hyper-speed. 'patience' is equally blurry and defined, if you utilize its virtues you will be reward
esonant) or deaf center (type) 'sea', is somewhat of a concept album about escaping modern life and all responsibilities that come with it. based on mood and song titles 'sea' has a narrative
e way invitingly warm, desperate with a false sense of hope, other-worldly yet somehow familiar, this balance is where tobias lilja excels and is proof of an artist who has found 'his' sound. 'tim
 ng elements such as guitar, field recordings, and even hints of vocal texture to his signature style of self-made synth melodies and compressed beats. songs of defiance, love, exasperation,
ner. human moments made by machines? a human heart succumbing to the synthetic? or maybe just an artist utilizing some old spectres to make something all his own…


 blindfold or even to the more delicate moments of dntel. micalavera is an absorbing mix of many musical styles interwoven into a bright, affectionate, yet cohesive whole that features 12 vign


ains at times cinematic yet slightly lo-fi and now features more live instrumentation giving 'these places are now ruins' a wider diversity and more fullness of sound. few things stay the same a



s well as neophytes to cadoo's brand of emotional and sometimes epic songwriting.



st time in lights out asia's history they have gone for broke with some of the most epic drum machine driven post-rock this side of the pacific along with solemn disconnected passages of dre




ic grazed and cracking noises. these beats full of atmosphere melt with the particular melodies to real pleasure. digipak packaging.




point. check out the videos on the album and you’ll see where the inspiration was drawn from. listening to guitar-surf of messer chups one can imagine eros and thanatos dancing together on
 ryl shinfield). this russian masterpiece twists you outta this world. black black magic is messer chups most musical release… 50’s b-movie soundtracks, the guitar at times reminiscent of rick



 album of gitarkin's project messer chups - crazy price is recorded by this time with participation of two theremin performers, - barbara buchholz joined her teacher lydia kavina, also there join




eep rumbling sounds, oxygen masks producing waterbubbles and a cry for help which wasn't heard in time. the characteristic rhythm based soundsculptures of vromb are on this album accom




brutally emotional edge to his music.
ss, def, leiche rustikal, feindbild.gerauschdichte, hysteresis, hybryds, templegarden's, m2, codetripper, ah cama-sotz, bad sector, salt, frames a second, ms gentur, stupor, project arctic, the [
experience the non-stop sonic attack he has to deal with. effective, monotone, hard rhythms with a filmic approach. this is the hypnoskull that operates inbetween some well defined lines, and
 e with random set of 4 cards - collect 'em all 13 !
 hatred... and its mouth regurgitated words in a forgotten language: they were echoes ov a beckoning arcanum... beautiful 6 panel digipack.


s morn' omina, empusae, antigen shift, mimetic fake and finally kraken, who introduce their new cd 'chagrin'. spectre is ambience, rhytmic industrial, ritual and noise : all in the darkest shade


n various languages and a pinch of noise. three emotions were kraken's guideline while writing the trilogy and 'drift' definitly is the most inhospitable and threatning of them. this third journey th
 part' is an album made in difficult times. it has a reason that the creator of this advises solitude and headphones to fully 'enjoy' the tracks. it took god six days to create the world and a seven
vast themes carefully downsized to fit your skull and keep ringing in your head long after the last track ended. the beautifully designed 7'' artwork in which the cd's are packed contains three p
 der sealevel. on the dvd it looks like the men behind those little voices took over the camera, lightning and sound department of a professional filmset. the result is some truely astonishing vi
e inputs to the system'. and yes, that is exactly what hysteresis is all about. you can expect anything musically possible, but the guys behind it don't give a f*ck because they are who they are


 different forms (poetry, prose or journalistic style). christian zanési wrote the preface. this well-known electroacoustic music composer and co-director of the grm (groupe de recherches music




his music never rushes for extreme violence, just like the way politicians act in order to muzzle citizens. the virus, as it's done everyday, spreads in a soft distorted mode. the purpose: impact.



d of rage feels a blind devotion to work the decks.' (includes 6 remixes of audiotrauma crew). cd-r release.
ill be used to pay back the debt of the previous noxious art festivals and of course to finance the next edition. the compilations features synapscape, larvae, kirdec, flint glass, dive, ambassad
 i will yell it out until you are deaf. i will wallop your dead body until i faint. things will never stop before their own limit: fuck you, die. some scars can never be healed.
ng. therefore it’s only for the musically mind adventurous... imagine yourself sleeping in a lost factory built over sacred indian burial grounds. feat. guest appearances by scalper and ten data
clever explicit film samples and tortured vocals of the brothers syco and arco. angry, sad, mad, depressed, or just plain fucked up, this album is a passionate piece blasting our commercialize

f course, the diktat can express the full range of its musical possibilities: le diktat's hypnotising stage performances are a groovy mix of atmospheric soundscapes and thunderous rhythms tha


al place as being one of the most downloaded new producers via p2p networks the world over. we're proud to finally release this amazing, dare we say ground-breaking, first debut release fro
racks like 'peepers' and 'boomshakalaka'. while some live recordings (on cassette) of old-school uk breakbeat rave festivals by dj slipmat, ratpack, and ellis d are reconstructed to make new
all types, fractured and welded into ghettoized forms never seen. 'magnetic rave headache' will probably be one of the hardest breakcore tracks you’ve ever heard, and then the next song, 'ge




racks like 'peepers' and 'boomshakalaka'. while some live recordings (on cassette) of old-school uk breakbeat rave festivals by dj slipmat, ratpack, and ellis d are reconstructed to make new
acks like 'peepers' and 'boomshakalaka'. while some live recordings (on cassette) of old-school uk breakbeat rave festivals by dj slipmat, ratpack, and ellis d are reconstructed to make new b




 to compose titles of anthologies. a performance which updates today splendidly element abuse, who demonstrated him(it) to us live in september 28 th in paris during a memorable evening o
& embracing, even if the majority of the albums compositions might seem dark to most listeners, it is a loving one, where cold hands reach out..and if you're offguard it might entwine & drag y
s and ears. the meat dvd's cover has been designed by fredox, a famous artist from 'le dernier cri'. dvd5 pal - region free - 70 minutes - 4/3 - stereo pcm - 2006 - digipak.



opoppish number, complete with some ace oldskoll chop ups and key progressions, half paced 80's electroid style, yum. the funcken brothers end us off with quench's 'clan' - denser and dark
pannered construction. 'leaf pitching' starts with tuned music box melodies that descend into click madness while bass swoops and scattered drums creep behind, the pitching coming in on th
 sk. gasp lays down a beautiful jazzy atmosphere over a freaked beat with odd timing. autophonic releases are sparse so make sure you don’t miss this one.
abel and did a fantastic release with the dutch label 'sending orbs” in 2005. l’usine and e.o.g. will be represented by tracks which previously appeared on various artists on001, what keeps the




music with minimal yet strong rhythmic structures. dark hop known for its down tempo beats really succeeds to give despaired urban landscapes the appropriate soundtrack. hed nod (canada)
 zie and concentrate itself on minimal beatless music.
 nd in music conception into a very achieved result. from its noisy moments to its drum'n'bass experiments, from its ambient atmospheres to its weird sound treatments, this album is leading y


 al innovators which reads like a who’s who of experimentation: merzbow, james plotkin, zbigniew karkowski (sensorband), seiichi yamamoto (boredoms), keiji haino and david brown to name
ple can do when they are given full artistic freedom. inspired by surrealist poets and painters as well as early experimental noisemakers, moonsanto is actually a very solid yet diverse project.
unds and various samples they developed their own approach to electronic music. far from any rigid and binary compositions, their sound is organic and complex. on 'une occasion de chute'
 e skies, tearing up apart the relentless passage of time' says szkieve's dimitri della faille.
 biences and drones, sos is old school organic and abrasive ambient music with trance inducing pulses. sealey and oddie are giving this release the signature of their more minimal and expe
 as a quicktime movie clip. the cd comes in a limited edition light blue tinted jewel case.


ding. complicated you ask? 'well, in a way it is, but the result is definitely worth the trouble!' are saying the three brains from this double trio collaboration. kapotte muziek’s sound is an electro


cklings originating from everywhere and nowhere, short-circuits, underlying hummings, psychoactive noise …one already feels, upon the first moments, the presence of each of the many sou
ey are awaiting to be discovered, probed…behind them, fullness or emptiness… or an indefinable intermediate state… here, john sellekaers, daniel de los santos and mathias delplanque ha
e the entrance to a deep basement that seems to remain untouchable and totally shrouded in darkness even when one uses the most powerful torchlights …you gotta watch your step, as som
between old-school industrial, dark ambient, narrative paths not spelt out and recursive bruitism takes on blurred and original shades. nos royaumes demonstrates, with the two monumental
  power-electronics in symbiosis with dark-ambient in symbiosis with guitar-noise in symbiosis with various layered and shifting acoustic and electronic elements …the result and the overall fe
conclusion, the long piece by nadja is total heat. this is nadja ³unrhythmed², which means pure lava.




dirk became a member of 'the klinik', followed by eric who left after the 2nd album to form insekt. in 1989 they released their last tape 'tracks' wich contained all abc compilation contributions s
 life and situations we have all experienced. warm textured rhythms over stark minimal melodies to express life alone in a barren world of stone and cold steel isolation.




 rew (othila, land, fin de siècle). more recently, lambwool appeared as a guest musician on the holeg and spies album 'reality drift' (wirikuta records), with tim schuldt, von magnet, shaolin woo



 you can cross here a horse and a burning car there, first a horrible building, then nature... the terrific harsh-intelligent-industrial structures from babylone chaos, h.i.v+ and mourmansk 150 (




 pages sepia pictures by fabrice billard, known for his previous pictures and illustrations for dcr releases. art and history beyond the graves. père-lachaise is a feeric and beautiful place. a pla
arafna, paul roland, megaptera or brighter death now...
records some years ago. this contribution is not an hazardous one. 70 minutes of intelligent-novo-industrial's spleen dedicated to the death of holy nature. the book comes with full coloured p




w 'destroyed'). feat. bak XIII, trisomie21, norma loy (mimetic-mix), cruise ctrl (imminent-mix), the hacker & hiv+ and more! limited 1000 copies.



 organ and i experimented. and i finally found a setting for despair… so i put it on my schedule for twice a month; i think that's a reasonable amount of time to feel hopeless about everything...




 le - a gorgeous sampled environment emotions are not considered here at all - they are replaced by sensorial stimulation restricted to the essence, this is a timeless album, arising from a blin


ns beautiful or monstrous, but always complex, paradoxical... this album comes in a luxurious 12 pages booklet packaging, limited and numbered - 333 copies edition.


 g in giving to his sound experiment even more depth and meaning. mixing aesthetical soundscapes, tribal and trance elements, distorted noises, fast break beats and powerful industrial rhyt
 e at crafting and interpreting melancholic songs of exquisite elegance. the result is a delicate work of intricate and subtle composition: sad, introspective, haunting and somewhat disturbing a
 attempt to illustrate the point 'where the stones hit the water while falling into it, where the wind blows on the fields and bends the stems...'. additional remixes by heimstatt yipotash, fragment
 less desolation, nightmarish dream and loss.. dream inspires the exploratory nature and characteristic compositions of thermidor, partially created in a state of vigil, on the verge of sleep, in s
you'll get a mix of dark electronica with a strong jungle aftertaste: that's what 'come mierda' is dealing with. cd includes remixes by detritus and disharmony + video clip by antonin de bemels.


 dy appears in the foreground of finest experimental electronica. look for the limited edition flint glass remix collection titled 'circumsounds' with remix tracks from artists like displacer, hiv+, em
 o this abstract swarm…l.d/wtm
ook part.6).undeniably, laurent perrier has his own way of exploring what is called “microscopic-music”, and has given it texture and depth that so often lacks. l.d/wtm
scending and descending modulation,confronting an everchanging environment. like in the first part the transformation happens in a very subtle way,gradually leading towards total chaos,a u




 unique masterpiece from start to finish. artwork by ben didier. mastering by john sellekaers.




 and the maturity of their soundscaping, but it also reveals that somewhat familiar elements of noise and breakcore can be wrought into something totally new and fresh. this cd is a beautiful
antagonistic antics, including the soon-to-be classic narcotics epic, cocaine.


 arts is a collection of 14 remixed tracks from autoclav1.1's first two cds, you are my all and more and visitor attractions, reworked and reinvented by some of the most acclaimed purveyors of
 e ideology that industrial music can be both agressive and epic, as well as carefully crafted. the songwriting transcends the repetitive, predictable cliches of current cookie-cutter releases in t
pline' complete with vocals by jennifer parkin of ayria and think could anything possibly be more toronto? malhavoc, ayria, prospero… makes an ex-pat torontonian teary eyed! the album open



 come progressively unhinged. each successive listen, opens up new meaning as new structures emerge. sit back, close your eyes and disassociate yourself from your immediate environme
 h more going on than listeners can completely wrap their heads around.' (white denim)




 ocktail. this new breakcore mentalist hero give a new breath to the scene!!! wise up, you don't wanna miss out on this one...it's just too good. tasted & approved!!!




 est amen stormers of the year. b-'deep digger' - a brutally menacing wedge of 'dillinja-esque' sledgehammer funk that debases the very best valve/test records. featuring breakswitching and


mit wrenches thee, when autolysis sets in? to the point when you wish you could be a brutalitarian and cleanse the grid, while you absorb life and bleed your purpose, so you can burn the word
 doctrine about trinity II', which has been released on-line as single in august 2k5 and blasted dancefloors all over the world; in collaboration with mothboy - 'winter trip 2' - ambassador21 crea
 ol minimal electro. this combination of industrial, rhythmic noise and minimal electronics is really unique and offers a lot of fun and energy. just beautiful from beginning to the end, 'gegen die
 power, cities consume their inhabitants and helpless individuals are paralyzed waiting for aid which will never come. cd-r release.
ers (and your mind) at home! ambassador 21 vs. fragment king. good morning w. 9 tracks of halforganic human-electronic digital destruction. world, beware! cd-r release.
 this release by any musical terms as there are no weak tracks and no track sounds the same. amazingly the album still sounds very homogeneous. 'anti-matter' takes the listener back to the
 t added some their very own points of view into ambassador21 songs. and in the end we have a new incredible release as a result - intense, hard and nice. it's drunken, it's crazy, it's with a g



 ronic lyrics in russian and english to forceful pounding industrial kicks, brutal synth layers and explosive broken beats seasoned by psychopathic glitches. and duel of earfucking vocals which
 again a good example of the style of the album, but there are also songs as 'classics', which is produced mixing classical music samples and distorted breaks, or 'the a team' cover, which is
gy performances as he dances all over the place as though he's possessed. will might also add in all kinds of ethnic instruments to the mix - most specifically the shehnai, will's favorite, to ad



emotional intensities - combining all of these to form some of the most haunting yet completely rocking tracks. the level of production on this album demonstrates how in tune hecate has bec




 intensely mangled breaks grinding against bloodcurdling vocal samples and hyperspeed dnb detonations - closing with sliding ambiance leading into the final chapter of this audio incubus. o


 and digital mastery - making this cd a rare experience
t, cellist, and violinist. most of the pieces on 'thoughts that breathe...' were written and recorded over a period of 10 years from 1987 to 1997. after the record was completed, it was buried in




g a forceful totality of this 12'' (played at 33 rpm). hard-hitting beats, crazed ambiences, distorted full powered bass and rhythmic complexities abound!




ack 'core' gets darker and ruffer. the main synthesizer line sends out a morse code signal. this is the last sign of human life in the city of the dead. metallic samples like desperate screams res
 ered energy pushing the tracks forward with their constantly changing structures. these advanced drum edits deconstruct the original sequences of the breakbeats. on the other hand the ame




e zod congregation was formed. well versed in the building of a mood, he can play very simply, as he reveals from time to time during his tracks here; but his idols are masters whose control
the wanting ear to a cumulative gesture, a knowing shrug at the enormity of the task at hand that breeds hallucinations auditory, waves of emotion lull then provoke the mind as the needle ea
 chip, tangible, vaporizer, soplerfo, gridlock and binray.
 chip, tangible, vaporizer, soplerfo, gridlock and binray.
he walk. latter side, leading off, begins with a smattering of found objects in a conversation that accelerates to a distorted finale of what could be guitar tones, then trailing off into introversion
 cathode ray to produce the tangible result of an obsessive perfectionism of craft with a breadth of emotion seldom heard. by toying with, rather than replicating, the notions of those few notab
 al audiences dedicated to them, so it is hard to believe anybody is lured in by 'what's new' anymore. however the meshes that ej comes up with on this record are as likely to appeal to new a


 drop the lime, pamelia kurstin, dub gabriel, rotator, zipperspy, knifehandchop, irie-la, dr. israel, timeblind, da kee, and with soundsystems like blackkat (ny), broklyn beats (ny), havoc (ny/sf),
beats and remixes for other labels as well. his mix of the m.i.a. tune u.r.a.q.t., was released on her galang '05 single by xl recordings, and his mixes of the tune gone a jail, by reggae legend g
 ood ship thekla (the floating venue brought to bristol by vivian stanshall as the old verity showboat). since then they have jumped at the opportunity to support any act their name sounds funn


birdland ep' features two tracks of jungle sweetness; 'too late' and 'toxic rip vip', the later a tribute to the late toxic dancehall (probably the uk's best ever breakcore party!). the b side is a more


westrum were then hosts at the biggest monthly drum and bass night in the netherlands 'structure' @ tivoli. soundbites is into breakcore, electro, idm, prodigy, madonna….'it’s all lovely to muc
 beats and remixes for other labels as well. his mix of the m.i.a. tune u.r.a.q.t., was released on her galang '05 single by xl recordings, and his mixes of the tune gone a jail, by reggae legend g




mixing it. the resulting shitstorm is the work of at least thirteen different people. while maiof, shitmat, twocsinak and sax legend terry edwards take turns to pound the two original tracks into ne
ou into the pit with his punishing gabber stylings. while you’re in the pit soundmurderer crushes you with his frantic amen breaks and deep bass tones. for the second half of the disc wisp take



ssive! next are the remixes, starkey starts it off with his remix of ‘knock yuh out’ which takes the original to another level, slows it down a bit, and offers some proper dubstep swagger. atki2 fin




arious labels since 1998. including lux nigra ('pocket monster remixes', 'karl marx stadt 1997-2001'), kool.pop ('letzte zuflucht', 'sweat') and suburban trash. there, amongst others, his solo de




 selected after careful study of industry benchmarks. the rest is outsourced to a sonic case generator. fed random pieces of audio material, it distills all the non - percussive elements of a trac




rthling and kim cascone, andrey kiritchenko presents here his first and longest work to date under his own name. letting behind the most obscure experimentations and atmospheric works he
eminds of walking in a glass house. the structure and foundation are strong and massive, but precise sounds come from everywhere, in a game of reverberation in which the listener is forced
 lbum lets the genre classification to pigeon-holing reviews, and relies on its powerful function to overcome the form. adds jeanes: 'the music is at times angry, at times it sounds defeated and
el material to be released on cd since the 1993 cult album 'industrial icon' phil easter (also known for his mastering work) dived into every piece of music recorded by magwheelsin order to co
 drones and subdued basses. the vanishing precise beats settle with encompassing soundscapes. and the whole thing, as usual with klier, is built up on original sounds and a massive sense


ethno-industrial noise music, a mix between korean, black african percussion and old school industrial and noise', says c-drík. what he now describes as 'something cruder than my main proje
 ver us' however does not end at the sound design and composition. the focus of this new album is indeed current matters. james keeler does not walk the easy way of sampling and quoting t
d beats. the result, a bodily experience that shakes the end and tortures the subwoofer, has been demonstrated live on many occasions, which has helped horchata gain the status of a band t



d touching melodies that can be found on his earlier recordings, and, on the other hand, we hear here the very subtle use of field recordings, distorted voices and unusual use of strings instru



 worked with jason forrest / donna summer on one ('live till i rot'), with exillon ('scab removal technique'), mathhead ('dana's calming effect on a mad mind') and his own improvisation band, th
'imperial march' remix; it's more of a reflection on the last 27 odd years of matthew jeanes' life as it relates to those beloved movies. there's the vibrant optimism of the title track that plays off
th audio hardware, az-rotator has been transmuting beats into gold for some years, a hard labour that gave birth to this accurately titled debut album, 'science of chance'. this album is a caref
r the improvement of composition and quality in the industrial scene. ever since its inception, detritus has been about mixing a musically and intellectually valid music with emotion and beauty
cal spector'. if alternative hip hop has become a genre in itself, lapsed’s process is to take the reverse path to those of long time rap producers and mcs slowly discovering the potentialities o




 and complex 2004 'the cursed species', 'valentine' is a work whose wonders lay in the depths of its textures and its lush atmospheres. still featuring the staccato rhythms and dry beats of cda
ic and chemlab's jared louche. these three vocalists and their very different styles are all integrated seamlessly into enduser's sounds, and join the remixes by label mates bong-ra and dj hidd



 d japan's largest breakcore and drum and bass parties and festival can testify. a dense, short and relentless outburst of all the elements of grindcore updated to the standards of breakcore, d




mpany, nicolás ordozgoiti, okuda, oliver schulze, pablo martínez, pancho tolchinsky, rebeca lite, rebeca varela, plukart, prismatic, raquel buenafé, rosa sierra, rubén darío rodríguez, sagana b
 that could help to create a better point of view of the subculture we talk about. the main idea of belio's visual compilation is to create a graphic world inspired by some kind of electronic, twist




/genres such as rock, industrial, electronic, improvisation, and other experimental forms of music. he worked with an important variety of different people and bands, such as old, mick harris,
n heavy leather, cervello elettronico, monolith, geistform and many others. the compilation is meant not just to be a kind of souvenir for those who have experienced the berlin festival, but is m


by established artists such as ah cama-sotz, svartsinn, dark muse, phelios and stephen parsick but you will also have the chance to discover the works of younger projects such as nihil com



 terful collage of addictive rhythms, richly-layered beats, intriguing samples, and cavernous atmospherics, that all seem to somehow replenish themselves with each listen. ‘elekatota: the othe
he ideal soundtrack for those moments of chaos or melancholy reflections. ‘approach’ is the highly-anticipated debut album from this talented greek artist. featuring remixes by mobthrow (gr) a



 ching hour‘ introduces a new chapter in the displacer legacy with style. includes remixes by l’ombre, diff_cult, larvae, esa, and autoclav1.1.


you firmly by the eardrums and leave you gasping for air.


d treads some new waters without forgetting his roots. more emphasis has been placed on heart rendering piano sections and soul capturing melodies. the introduction of more organic instru
aged in a beautifully-designed digipak.
er to release his debut full-length cd ‘the institute of random events’. combining glitch-tech beats with entrancing atmospheres and serendipitous melodies, ‘the institute of random events‘ will
es.' includes hard-hitting remixes by lucidstatic, pandora’s black book, and terrorfakt. intelligent rhythmic industrial at its finest…


utely original. highly recommended for those who enjoy acts such as amon tobin, portishead, fsol as well intelligent dark electronic music.
and presented in a beautiful digipak package, this album will blow up your minds. an absolute dancefloor killer! not to be missed.
o powerful melodic parts, while at the same moment sinking to sick, rhythmic basslines and solid drum parts. there definitely isn't so much stuff sounding that good out there so don't hesitate
self describes as a 'unique telling proposition', divided equally between distance and movement around an absolute musical dimension. as she herself says, 'going to an exhibition should be




entous impressions. a terrific soundscape in the chimney of gravitational brains!' (maurizio bianchi 2006)
dmonition to our foolish arrogance''. packaging: digisleeve.




.also features an exclusive outroduction vocal song preformed by japanese movie actor tokitoshi shiota ( izo, gozu ). booklet features speciel foreword by japanese cinema expert / takashi mi




deo was shot with four camera's and produced by videopunx in amsterdam. 'isolation' was mastered by the [law-rah] collective at studio am rhein between december 2002 and march 2003. in
e jump-up-and-down rock numbers, sitar spaghetti westerns and even apocalyptic sing alongs. not for the feint of heart, this is the musical equivalent of a car crash. 11 essential anthems for


ntroduction and a successful debut in japan last year. their first chapter 'notinism' is a conceptual album. a mankind painting himself through his different states of mind, expressed with music



chach garden, echo west, ordo rosarius equilibrio, kirlian camera and many more!
ost innovative artists of industrial music today. ahuenna!




well-placed increasing and decreasing speed, ranging from dubstep to techno to drum and bass to
and that was haunting me.' (s.talada) - join the exorcism!




 ndeck, lucidstatic, disharmony, autoclav1.1, and more… 27 tracks total, over 150 minutes of
ssive rhythmic industrial works promises to be esa’s finest hour…
 download), ‘severed‘ promises to be an intense and memorable journey indeed.




ero in his native u.s.a and lays down some of the most brutal tracks he has produced thus far. limite



tioned that the ambient-drone styling embraced by skinwell contains, like the music of some well-
prog' (remember styx? yes, domo origato, mr. roboto!) can be turned into breakcore wit




n bring it. so buy this kickin' new ep so snares can buy more laptops to make his untoucha



 field recordings & more, to create a sort of transcendental dark & atmospheric ambient indus
ks by the composers on the record.




 bassist james buckley and veteran vertiform drummer joey van phillips in what must have seemed like a




 eauty and power. a very promising debut from an equally promising new talent. an album that will
 ides in their vicious use of noises to hit your nerves at the most unexpected moments and stimulate your vulne




24page booklet. audio cd + cd-rom film 'the plastic wars part 1'




 sturbing mostly non-distorted rhythm-loops that are overlayed with harmonious passa




 ont yourself with the harsh reality of everyday life and get the perfect soundtrack to it.




 ve work of 'the burning hand' and '(the) fires within' to the seductive alien atmospheres and rhythm


 eliberate movements, carefully establishing a dark chord progression in the introductory “the cry of morgoth” that flows throughout the album. this ominous leitmotif is enriched by mootz’ libera
 e release is compared to the icy and colder atmosphere of 'medicine...'. just listen to the
 ars of work and hopefully escort ant-zen for the next ten years. a double cd compilation featuring mostly unreleased tracks by orphx, roger rotor, iszoloscope, synapscape, asche, axiome, cel
on inspirations from gauvin's pictures which were taken in the montreal area. so close your



o discover this listening experience then you will find yourself trapped in a complex building of rhyth
 l guide' to identify, prosecute and dispatch awfully bad electronic music - so-called 'living-r
melodies and even vocals – in other words they are structured like a song. but this isn’t p
 vertical' which disturbs the soft ambience and turns beautiful tracks into imaginary david l
 hite apartment, begat an intensity of emotion that compelled xingu hill and tamarin to work for over th
 iar with. pure electronica as it seems - until 'go go...' where u.m. shows their virtuosity



music and these (possible) reference points is the harshness of the rhythm itself (with
you might be surprised by the unusual straight ahead beats on track 1, but soon the typical silk saw
d 'katunga' (which lean heavily toward the distorted dance floor) and the live-killer-t


acks to one logical aural concept is always astonishing and is proven here once again. this releas
confronted by the needs of a country engaged in a battle for the world. ékranoplanes are the platypus of trans


ombine small scripts, visual effects, flashing colors, black & white pictures, moving puppet animations
n, the man has found peace of mind. the story's musical visualization will haunt you right
atterns. turn over to side b - hey what do we have here? it’s the beach boys - so maybe the rai
r the 3/4 metres of 'ill' this cd is a merciless four on the floor beat attack. the last beast 'no use'
factory' is a perfect example of an artist converting their roots into something new. if refer
been turned into a stroboscopic montage by one of the rabbits itself. right, inside of a man is a wolf, but after exper
ed them with posse. no arrests. recorded a second track. had to add more distortion to
ed bassy beat track with tim on vocals and a slower (but still harsh) piece with noisy synth and a fine me



one the less, you might notice that straight forward rhythms are on the album - 'conductor' or 'faggoted'




 pressing'. the band itself classifies the u.m. sound as 'hypnotic and mel
ing, repelling, suspicious - was and will be g.p.'s trademark. all of




 otheque into a starlight casino. another great album by a real starship trooper who is back to squa
-beat ('bad man') or a constant state of the rhythmic flux without an actual beat ('transfo fu


 octan's remix of invocation demonstrates that bipol's basics work perfectly in hard four-to-the-floor




 res change constantly, keeping the mind and ear busy. the manipulated voices seto collected are never


hese figures stand for. the deep drones, bass pulses and disturbing soundscapes s
 the rhythmic overkill. fightclub: a visualization of the fate of most everyday humans: struggle for assertive
tem. on their first self-titled release, empusae and flint glass chose eight periods of the tzolk'in calen
nsformed into coherent music (without being a eclectic cliché). an example: often many artists use voice sam
d aggression, rooted in the roughness of punk without any stylish teenage riot nostalgia. essentially the
d by a tremendous selection of samples). music that is complex, challenging and body oriented all at the
e floor blasts ('cannibal party'), distorted eighties nostalgia (6 6 5, 9), straight break
" comics. these ghost novels were pulp fiction that was published in the 1970s and that impressed him deeply



 e caught and captivated at the same time at the area keloza! a true journey of insanity, with a br
with scattered sounds and voices, generating powerful undertones of anxiety and threat. turning kean's guidelines into music, klima developed a one-of-a-kind style of digital sequences and h
ge and boil into tears. within this emotional turmoil, flore magnet and the turkish actress esra bezen bilgin replace women where they are never welcome. women of multiplicity, violence, eng
ed noise, challenging your audio equipment to the highest peak. walls of grinding uproar, pulsating frequencies and warped,
 tual works like '1953', which was an earlier release by bauke and dutch writer, vocalist and me
noid dance tracks with an industrial feel and disturbing soundscapes - all overlaid with a multitude of
 imstatt yipotash. this cd is a truly fine follow up to 'in floriculture there is no l
soundscapes, hypnotic drum patterns, an impressive stylistic range, emoti
uch a perfection that it won`t disturb in any case.



hat the tracks on law of the battle of conquest arise. in fact, the ferocity of hecate’s rhythmic prowess co
eat textures and discombobulated rhythms rush formless into a more agitated finale. “displacement” forges arc
w benny?' 'uhmmmm.... noooo.... but will you take this track?' 'uhm-yeah-ok.' klima came back, carryin
 both spinning around a shared sequence of unchanging tone sounds and downtempo in
re ferocity that would otherwise plant pounded mass firmly in the realm of xanopticon or orphx. then there’s
 s in this genre who have the talent for both sound experimentation/tunes and the ability to last. we are not the only ones who
k metal, brutalizing breakcore and esoteric sound design with top notch production values. 5 violent and mysterious tracks from t


 ort, a work of complexity and dramatic art.
of powerful compositions. compelling from start to finish, left is the culmination of more than a yea
s is electro-western manna for progressive political consciousness. why snog is now all western and not the ebm

 ubatomic disco divas' to the last 'satanic unicorn orgy', we are spoon-fed outstanding beats of all t
heck it out on your own!) and also the sound itself. straight beats are combined/compromised by sudden breaks, randoml




 and drums. scorn is a no joke movement.


 ery carefully created and integrate itself very well in an orchestra of percussions and slow analog progressions and




 rk post-industrial themes of science/fiction without the aid of traditional synths and drum machines, relying
t all; electric opium’s the next generation of electronic sound to emerge from the new urban experience. put simply, electric opium is proof that substanz-t is the future of urban electronic soun
s is electro-western manna for progressive political consciousness. why snog is now all western and not the ebm
 nd and depth throughout its six tracks - this isn’t just another manic break record composed entirely on a hard
 e ambient, industrial, and experimental electronic equipment operated under demanding cultural pressures: m


cohesiveness to caller id that makes it more than a simple collection of diverse remixes



 h spinning around a shared sequence of unchanging tone sounds and downtempo indu
 to the shrouded percussion and wandering lyrical melody of a ney flute in 'desecration of the baptist.' even when her severed head reeled down the pitched ice to the bank of the sikoris, the d
ou call them, midgets, and also a lot of de-clawed cats, but then th
escence of dj spooky with breaks and bass worthy of a depth charge or dj shadow cut. one track later, o
dark ('madison II') atmospheric moods in a masterfully arranged succession of tracks. periodically, scatterhear



 ash of spectral jazz, ambient americana, spooky boogie and psychotronic pop... smoke and mirrors looks behin



noctilucent” and ominous strumming hallucinations on 'gleaming rows.'. 4-page digipak packaging.


 r. the rough moods conveyed by many breakcore acts cannot be found here - 'form without function' is a s
 moods (indeed 'nicoffeine' seems like miles davis' agharta-period transformed into 2006 breakbeat madness - and '
huffle-beats, long forgotten tekkno-anthems are drowning in a sea of breakbea
compose film soundtracks - especially since his interests are still in visual arts. thomas's early musical in
usic' where only sound itself counts; you can always hear the human being behind the knob
 ck and the like'. the uniqueness of keef's musical talent can be described in mixing the above mentioned influe



 for years to come. marching dynamics astounds the listener with its intricate arrangements of rhythms and melodic soun
bum opens with the epic majesty of 'one grain of sand', an ode to the pyramid builders o
que strings usage are still present ('stranded'), the enrichment with some blasts from the past ma
ts and warm bass lines, balancing the bold compositions. the album starts with 'punches to carefully coax,' a p
 nly a glimpse of the darkness behind the mirror of technology. all of this accented with sampled acoustic in
puissance, unleashed by discontent, the assurance to need a change, or even a stroke of fate.
esented here once again. as a reviewer wrote: 'surreal dreamscapes painted with tears and sometimes even bloo
d' between illbient, dubstep and darkest ambient that has accumulated hardtech aggressiveness. with this album h
 soundtracks. join the audio vandalism!




tener through ambient spaces to hard-driving rhythmic madnesses. don't miss this one - and enj
kout, broklyn beats and ambush have garnered intense press scrutiny in the last year, but no one’s prepared for the br
 essed to an intense heat that, by the time 'heart' blared through the speakers with its carefully m




performed regularly in new york, and touring literally around the whole world



 nce strong hints of xela, lbg, setzer and sense into the sauce to create four new cuts of unparalleled depth and zest! you’ll need a rickshaw full of naan to get through this meal! sense saute
s. 'kitty hawk' follows up next, its strong electro percussion swelling in your mouth like a crumpet before gliding down your throat. for the real caffeine kick, 'shadows' takes 'kitty hawk'’s elect
hrough your ears. we ain’t talkin’ about no hershey’s or nestle crap, either - “taks
s groove that’s strikingly warm despite its chilly name. 'ruw' peels off that synth
 your minerals! next up is xela, who you’ll remember from metamatics’ remix
oz t-bone steak, beginning as it does with a blistering outtake from an old symphony




ary masterpiece of electro-pop without any 'revival' clichés. some of the tracks have already garnered cheerful comments when they were played live and the album will definitely elate the rors


 chaft and top everything with a mesmerizing, distinctive voice - that's the music. rasputeen's inspira


ars the metamorphosis from rasputin to rasputeen took place. eventually they decided to enter a studio to a


der drum’n bass, both producers decided to create a harsh version of this sound. <c:f> is a harsh urban laboratory
 sea girls’ served as inspiration on one of them. ‘drones for drella’ might well be the collect




and remixes from flint glass and empusae.




here dead atoms has saved the souls, full of fury and love. from killing wall of sound in



 tapes, two tracks culled from compilations, and one previously unreleased track. the similarity with megaptera
m of world war I, embedding it in pulsating sounds, this title-less masterpiece demands your full att
 reaking noises of analogue devices and metallic artefacts, and fleeting voices leaking through from media br




 their projects, plus a perfect jumping off point for newcomers to this highly original duo’s body o
ually blurry and defined, if you utilize its virtues you will be rewarded by the vast spaces
come with it. based on mood and song titles 'sea' has a narrative running through it descri
 lilja excels and is proof of an artist who has found 'his' sound. 'time is on my side' i
es and compressed beats. songs of defiance, love, exasperation, hope, loss and even pleasure are all compiled in
  old spectres to make something all his own…


 nto a bright, affectionate, yet cohesive whole that features 12 vignettes of multi-cultural instrumentation, techn


 r diversity and more fullness of sound. few things stay the same and those things we wish would change




 de of the pacific along with solemn disconnected passages of dream nourished sonics. the occasion




 er chups one can imagine eros and thanatos dancing together on a circle of life called “
… 50’s b-movie soundtracks, the guitar at times reminiscent of ricky king, sci-fi horror ala ed woo



 - barbara buchholz joined her teacher lydia kavina, also there joined some harp-player. all thes




  rhythm based soundsculptures of vromb are on this album accompanied by more ambient works; a bit comparea




 ctor, salt, frames a second, ms gentur, stupor, project arctic, the [law-rah] collective.
  hypnoskull that operates inbetween some well defined lines, and who still tries to




ence, rhytmic industrial, ritual and noise : all in the darkest shade of black, hidden from the


  the most inhospitable and threatning of them. this third journey through the deepest cav
oy' the tracks. it took god six days to create the world and a seventh one on
 designed 7'' artwork in which the cd's are packed contains three photo's
 t of a professional filmset. the result is some truely astonishing video material with which kr
he guys behind it don't give a f*ck because they are who they are and they do what they do best


composer and co-director of the grm (groupe de recherches musicales) ina/radio france is also artistic dire




e everyday, spreads in a soft distorted mode. the purpose: impact. but it's too late, you




ns features synapscape, larvae, kirdec, flint glass, dive, ambassador 21, cdatakill
u, die. some scars can never be healed.
n burial grounds. feat. guest appearances by scalper and ten data keshin.
ed up, this album is a passionate piece blasting our commercialized human condition that transcends the pain,

ovy mix of atmospheric soundscapes and thunderous rhythms that have led the duo to pro


 his amazing, dare we say ground-breaking, first debut release from our friend dev/null.
by dj slipmat, ratpack, and ellis d are reconstructed to make new breakcore styled dance tracks
st breakcore tracks you’ve ever heard, and then the next song, 'geliatin fixation' is built around a d




 by dj slipmat, ratpack, and ellis d are reconstructed to make new breakcore styled dance tracks
 y dj slipmat, ratpack, and ellis d are reconstructed to make new breakcore styled dance tracks.




 o us live in september 28 th in paris during a memorable evening organized by yb70 and kod.ex in the highly-rated exactly of imminent and iszoloscope.
d hands reach out..and if you're offguard it might entwine & drag you in... the music is electronically based on a foundation which is a musical jigsaw puzzle of the influences that has made an
 minutes - 4/3 - stereo pcm - 2006 - digipak.



funcken brothers end us off with quench's 'clan' - denser and darker in tone, slowed down squashed b
ps and scattered drums creep behind, the pitching coming in on the bass as the notes sli
ke sure you don’t miss this one.
hich previously appeared on various artists on001, what keeps the quality of the compilation to on’




d urban landscapes the appropriate soundtrack. hed nod (canada) and empty light (usa) gathered fifteen exclus


atmospheres to its weird sound treatments, this album is leading you through a journey into a warm


eiichi yamamoto (boredoms), keiji haino and david brown to name a few. the partnership between jim
oisemakers, moonsanto is actually a very solid yet diverse project. deconstructed rhyth
, their sound is organic and complex. on 'une occasion de chute' mgh! collected many improvisations they did with


e giving this release the signature of their more minimal and experimental incarnation, antiform. spybey's cont



his double trio collaboration. kapotte muziek’s sound is an electroacoustic experience with many subtle


ls, upon the first moments, the presence of each of the many sound components which will compose this
 john sellekaers, daniel de los santos and mathias delplanque have concocted a sound fabric which explores th
 the most powerful torchlights …you gotta watch your step, as some stairs are missing and, down in the basement
l shades. nos royaumes demonstrates, with the two monumental tracks of his first release, t
ng acoustic and electronic elements …the result and the overall feel were stunning. this 10incher is t




 ast tape 'tracks' wich contained all abc compilation contributions so far, but the band was put on no
 ren world of stone and cold steel isolation.




 drift' (wirikuta records), with tim schuldt, von magnet, shaolin wooden men and mimetic.



 rial structures from babylone chaos, h.i.v+ and mourmansk 150 (with remixes by asche, iszoloscope




 nd the graves. père-lachaise is a feeric and beautiful place. a place you'll need a whole existence to know 't


ed to the death of holy nature. the book comes with full coloured pictures; so enjoy it ! if we aught




s a reasonable amount of time to feel hopeless about everything...' philip k. dick




stricted to the essence, this is a timeless album, arising from a blinding, beatless labyrinth of beauty.


mited and numbered - 333 copies edition.


 nts, distorted noises, fast break beats and powerful industrial rhythms in the vein of somat
mposition: sad, introspective, haunting and somewhat disturbing at times. nick grey and empusae expertl
 s the stems...'. additional remixes by heimstatt yipotash, fragment king and 16p
midor, partially created in a state of vigil, on the verge of sleep, in straight contact with this
 es by detritus and disharmony + video clip by antonin de bemels. packaging: digipak.


 rcumsounds' with remix tracks from artists like displacer, hiv+, empusae, polygon, otx and m


ure and depth that so often lacks. l.d/wtm
ens in a very subtle way,gradually leading towards total chaos,a universe that is archtic,powerfu




 rought into something totally new and fresh. this cd is a beautiful piece of violent and complex composition, an



 rked and reinvented by some of the most acclaimed purveyors of modern dark electronics and ha
 epetitive, predictable cliches of current cookie-cutter releases in the hard electronic scene
ospero… makes an ex-pat torontonian teary eyed! the album opens with 'the elements' suite, four tracks of tribal



ur eyes and disassociate yourself from your immediate environment.
t's just too good. tasted & approved!!!




es the very best valve/test records. featuring breakswitching and timbre rich rhythm sections reminiscent of th


 you absorb life and bleed your purpose, so you can burn the words in the mouths of those you de
n collaboration with mothboy - 'winter trip 2' - ambassador21 create a big surprise for their fans, with a nice sl
n and energy. just beautiful from beginning to the end, 'gegen die wand' signing a solid and terribly sexy alb


gital destruction. world, beware! cd-r release.
nds very homogeneous. 'anti-matter' takes the listener back to the good old times of broken beats and har
result - intense, hard and nice. it's drunken, it's crazy, it's with a gun! this is ambassador21.



ned by psychopathic glitches. and duel of earfucking vocals which make their music absolutely uniqu
usic samples and distorted breaks, or 'the a team' cover, which is one of the biggest success on
ents to the mix - most specifically the shehnai, will's favorite, to add a unique quality to th



oduction on this album demonstrates how in tune hecate has become with these men's machines. subverting the




ng ambiance leading into the final chapter of this audio incubus. on 'zumo de mis cojones oscuros', bo



om 1987 to 1997. after the record was completed, it was buried in a deep, dark crypt for 7




 mic complexities abound!




 the city of the dead. metallic samples like desperate screams resound through endless hallways. the fast and constantl
e original sequences of the breakbeats. on the other hand the amen break is not in the center of the tracks




me during his tracks here; but his idols are masters whose control of sound is almost
ory, waves of emotion lull then provoke the mind as the needle eases ever closer to the gra



 ale of what could be guitar tones, then trailing off into introversion on the next. ea
 toying with, rather than replicating, the notions of those few notable exceptions within th
at ej comes up with on this record are as likely to appeal to new audiences as they are to those familiar with r


oundsystems like blackkat (ny), broklyn beats (ny), havoc (ny/sf), 5lowershop(sf), sofat (ny/uk),
ordings, and his mixes of the tune gone a jail, by reggae legend gregory isaacs, were recently rele
mped at the opportunity to support any act their name sounds funny next to. this remix compilation brings toget


probably the uk's best ever breakcore party!). the b side is a more 2 step garage / grime flavo


 breakcore, electro, idm, prodigy, madonna….'it’s all lovely to muck around with'. th
cordings, and his mixes of the tune gone a jail, by reggae legend gregory isaacs, were recently relea




nd terry edwards take turns to pound the two original tracks into new and disorientating sha
 aks and deep bass tones. for the second half of the disc wisp takes you to the next level with precision drilling sn



ws it down a bit, and offers some proper dubstep swagger. atki2 finishes the record with his r




 ', 'sweat') and suburban trash. there, amongst others, his solo debut 'bitpop ep' was released la




 udio material, it distills all the non - percussive elements of a track. cd gatefold sleeve.




 nd the most obscure experimentations and atmospheric works he releases as nihil est excellence and s
 rywhere, in a game of reverberation in which the listener is forced to take an active role. how can yo
anes: 'the music is at times angry, at times it sounds defeated and sad, and it's always a
ed into every piece of music recorded by magwheelsin order to conjugate sullivan's work with hi
 sual with klier, is built up on original sounds and a massive sense for personal, introspective art. in the words


k. what he now describes as 'something cruder than my main projects, more simple maybe, a tribal modern
 mes keeler does not walk the easy way of sampling and quoting to deal with the subjects he chose, but rath
 occasions, which has helped horchata gain the status of a band to watch. a great care is given here to the



 field recordings, distorted voices and unusual use of strings instruments which have been witnessed b



calming effect on a mad mind') and his own improvisation band, the manhattan gimp project (
movies. there's the vibrant optimism of the title track that plays off of having a
rately titled debut album, 'science of chance'. this album is a careful selection of tracks written by az-rotat
a musically and intellectually valid music with emotion and beauty. refusing to fall into clichés
ime rap producers and mcs slowly discovering the potentialities of a strictly electronic a




ospheres. still featuring the staccato rhythms and dry beats of cdatakill's past, 'valentine' is strongl
s sounds, and join the remixes by label mates bong-ra and dj hidden on the surprisingly coherent patchwork



he elements of grindcore updated to the standards of breakcore, drumcorps takes the best of both worlds and presents




atic, raquel buenafé, rosa sierra, rubén darío rodríguez, sagana bouffard, saner, sat
o create a graphic world inspired by some kind of electronic, twisted, noisy and broke




nt variety of different people and bands, such as old, mick harris, mark spybey, kk null, dj speedra
uvenir for those who have experienced the berlin festival, but is more so an audio manifesto o


hance to discover the works of younger projects such as nihil communication, nagual art, evoke scurvee, mytri



mehow replenish themselves with each listen. ‘elekatota: the other side of the tracks’ is timel
om this talented greek artist. featuring remixes by mobthrow (gr) and flaque (de). packaging: digipak.




d soul capturing melodies. the introduction of more organic instruments are thrown into the mix with a splash of


s and serendipitous melodies, ‘the institute of random events‘ will captivate your awareness and lure you in for




sn't so much stuff sounding that good out there so don't hesitate to get this excellent release. add a beautiful digipack
dimension. as she herself says, 'going to an exhibition should be like going to a rock concert...'




features speciel foreword by japanese cinema expert / takashi miike biography book author tom mes




ve at studio am rhein between december 2002 and march 2003. in order to reassure the performance'
s the musical equivalent of a car crash. 11 essential anthems for your own personal apocalypse. this c


himself through his different states of mind, expressed with musical and visual illustrations of hope,
ghout the album. this ominous leitmotif is enriched by mootz’ liberal use of vocal elements - both as a focal point via heart-wrenching voice


y orphx, roger rotor, iszoloscope, synapscape, asche, axiome, cell auto mata, contagious orgasm, this morn' omina, p.a.l, morgenstern, individual, mental destruction, converter, monokrom, h
, klima developed a one-of-a-kind style of digital sequences and human sentiment, defining an almost unreal post-industrial atmosphere. exocet is a crucible of sounds resonating with power
here they are never welcome. women of multiplicity, violence, engagement and resistance. phil von gives way to the voices of the rom kids of mostar and the jewish and palestinian actors from
                                                                            th
                                                                                 winter” and “atomontage” withers into a sepulchral dirge, “done processing.” like one of mahler’s early symphon




pium is proof that substanz-t is the future of urban electronic sound.




d head reeled down the pitched ice to the bank of the sikoris, the desolate winter landscape tumbling through her eyes, salome sensed only the strange echoing ney, the staccato pounding of
eed a rickshaw full of naan to get through this meal! sense sautes “byeway”’s milky tones together with b12-inspired punchy rhythm programming until it bubbles over as “byeway rewired.” lg
roat. for the real caffeine kick, 'shadows' takes 'kitty hawk'’s electro beats and builds a complex ten-minute interplay between a zesty warbling leitmotif and roasted low synth notes bearing th




en they were played live and the album will definitely elate the rorschach-fanbase. welcome to the toy factory!
imminent and iszoloscope.
hich is a musical jigsaw puzzle of the influences that has made an impact on the two band members: the rhythmically challenging electronica of autechre, the beauty of irresistible force, 70s d
orgenstern, individual, mental destruction, converter, monokrom, hypnoskull, ars moriendi, noosa hedz, squaremeter, veruschka, l'ombre, ah cama-sotz, ambre, ultra milkmaids, rob(u)nent, b
atmosphere. exocet is a crucible of sounds resonating with power and motion, completed with a pounding, merciless remix by u.s. electro-industrial legend manufactura - a truly fine conclusio
f the rom kids of mostar and the jewish and palestinian actors from amos gitai and hany abu-assad movies. at their side, def sharpens his analogue bass lines and darkens atmospherical am
chral dirge, “done processing.” like one of mahler’s early symphonies, formless conveys the spectacle of a death and spiritual passing as sonic revelation, a declaration of emotion torn asund




                                                                                                                    th
me sensed only the strange echoing ney, the staccato pounding of a rumbling daf drum of 'black as silence' and '7        veil - overwhelming lacerations.' hecate’s seven veils of silence is salome
rhythm programming until it bubbles over as “byeway rewired.” lgb and setzer take on “the pod” like iron chefs, with the former crafting the silken ambient “el major de la nova” as his dish aga
n a zesty warbling leitmotif and roasted low synth notes bearing the aroma of early autechre. rounding out delikatessen’s teatime is the palette-cleansing 'compactor,' a crunchy drum affair w
nging electronica of autechre, the beauty of irresistible force, 70s dub of jamaican origin
hka, l'ombre, ah cama-sotz, ambre, ultra milkmaids, rob(u)nent, black lung, telerotor, vromb, imminent, silk saw, templegarden's, klangstabil. packaging: digifile [silver metallic cardboard].
y u.s. electro-industrial legend manufactura - a truly fine conclusion to a landmark in the neutral zone between electronica and industrial.
sharpens his analogue bass lines and darkens atmospherical ambiances which often feel like 'war'. scattered explosions, shots, crackles, complaints or laments. only our guest, kurdish sufi
erwhelming lacerations.' hecate’s seven veils of silence is salome’s only comfort in the underworld, rendering useless those eyes which had once glowered at the beheading of john the baptis
er crafting the silken ambient “el major de la nova” as his dish against the latter’s heavily hip-hop textured “parallactic” main course. it’s a three-way draw, though, as xela’s “shit hot dirt—hotw
atime is the palette-cleansing 'compactor,' a crunchy drum affair with flaky fresh breakbeats and sprinkles of sugary ambience. anti-matter is sure to make your tea pot whistle when you put
en's, klangstabil. packaging: digifile [silver metallic cardboard].
hots, crackles, complaints or laments. only our guest, kurdish sufi musician mübin dunen softens the crawling tension. his ney bringing our clamour down to a silent light thread. now von magn
eyes which had once glowered at the beheading of john the baptist.
course. it’s a three-way draw, though, as xela’s “shit hot dirt—hotwired in walsall” rounds out the meal with a tangy broken beat idm flavor sure to satisfy even the most exquisite palette.
e. anti-matter is sure to make your tea pot whistle when you put it on for a spin! about the chef: lilienthal’s arrow kleeman has been producing his special downtempo idm blends since his
y bringing our clamour down to a silent light thread. now von magnet signs a harsh, raw, urgent and po
at idm flavor sure to satisfy even the most exquisite palette.
has been producing his special downtempo idm blends since his 1999 debut, castor & pollux,' on emanate, but he’s been messing around with musical brews since he was 15 and collaborat
essing around with musical brews since he was 15 and collaborated with sybarite’s xian hawkins as mobius strip for a couple years. additionally, kleeman’s keen on painting like both his pare
years. additionally, kleeman’s keen on painting like both his parents before him, and places importance on his artistic impulses. i tend to be impatient, i don't labor…if something doesn't co
ses. i tend to be impatient, i don't labor…if something doesn't come out in a night or two it usually won't become anything. approximately 99% of my tracks are recorded live in one take imm
approximately 99% of my tracks are recorded live in one take immediately after it is sequenced. that way they may be imperfect but the emotional connection comes through. in fact the imper
ect but the emotional connection comes through. in fact the imperfections are for me what reminds me that there is a person behind it.' right, fine, we’ll have another cup!
behind it.' right, fine, we’ll have another cup!

				
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