Studio Glass by akashshetty024


									Did you know glass is a flexible material that lends itself to stunning,
imaginative sculptures and decorative artworks? Studio glass, as this
creative enterprise is known, is a recognized aspect of the international
art scene.

The use of glass for both functional and artistic purposes goes back to
the ancient civilizations of Egypt and Assyria. Glass-blowing was first
developed by the Phoenicians and also widely practised in the Roman
Empire. The best known surviving examples of glass art are the superb
stained glass windows of Europe's great cathedrals.

Murano, Italy is held to be the centre of glass art in the modern age.
European ateliers that are virtually synonymous with glass art are
Lalique, Gallé and Daum. Tiffany and New York's Corning schools were the
pioneers of glass art across the Atlantic. Harvey Littleton's work in the
USA made it possible for artists to work individually in small furnaces
rather than large, industrial ones, hence the name, studio glass.

Studio glass art techniques

There are several approaches to creating glass artworks:

Glass-blowing: A traditional method, where artists work near a furnace
filled with molten glass. Using hand tools and metal rods, they can
fashion an infinite variety of shapes, typically improvising as they go
along. Blown glass enables artists to create extremely large, hollow

Flame-worked glass: This requires the use of torches and a kiln and
involves minimal space and investment. Using hand tools to shape metal
rods and glass tubes, the artist creates relatively small, but
extraordinarily realistic and detailed artworks. American master Paul
Stankard's floral paperweights are fine examples of flame-worked glass.

Cast glass: Ideal for large sculptures. At a furnace or kiln, or using a
torch, a mould is created from sand or plaster and silica. Depending on
the desired effect, this is filled with clear, coloured or patterned

Stained glass: The artist cuts coloured glass into the desired patterns.
The pieces are fitted into lead cames or channels whose joints are
soldered into place.

Etched glass: The artist creates an acid-resistant design on glass. This
is dipped into an acid solution. Etching is also achieved by hand
engraving and sandblasting.

Famous names in studio glass art:

Emile Gallé (1846-1904) of France was inspired by the Art Nouveau
movement. His "Autumn Crocus" series consist of delicate, elongated vases
inspired by these flowers.
Rene Jules Lalique (1860-1945) from France began his career as a
jewellery maker but switched to glass-making. Art Deco inspired Lalique
perfume bottles and tableware are popular collectibles, while Lalique
fountains are Parisian landmarks.

With artists worldwide constantly pushing the envelope in terms of
experimenting with new materials, forms and techniques, studio glass
holds out great promise for art collectors.

To top