OFF-BROADWAY ‘08: ICONOCLASTS Part Two of our 2008 Season Preview by Isaac Butler Buried in the standard-issue fare that dots the ‘08/’09 season sits a treasure trove of iconoclastic works waiting to be discovered Off-Broadway. From the debuts of startling new voices to provocative revisionist takes on the classics, the new season is chockablock with opportunities to experience distinctive theatre. If new plays are your thing, the calendar is positively saturated. Peter Brook, often hailed as the greatest living theatre director in the world, is coming to New York Theatre Workshop in November with The Grand Inquisitor, a new adaptation of The Brothers Karamazov. The Civilians, the acclaimed ensemble who have taken New october 2008 York by storm in the last few seasons, will open This Beautiful City—about the rise of volume XVII No. 2 Christian fundamentalism in Colorado Springs—at The Vineyard this winter. Mean- while, two of America’s hottest up-and-coming playwrights have high-profile new LAURA BENANTI HOSTS premieres. Noah Haidle’s Saturn Returns is coming to Lincoln Center Theatre in Oc- tober; directed by Williamstown artistic director Nicholas Martin, it follows a man FALL FESTIVITIES (played by three actors) dealing with pivotal moments in his life...and three women, all played by Rosie Benton. Across town, Itamar Moses will return to Manhattan by Roger Calderon Theatre Club, where his play The Four of Us was produced last season. This time, he’ll be tackling steroids in baseball with the help of director Daniel Aukin in his new A cherished Drama League tradition and play Back Back Back. one of the most exciting member events of the year, FALL FESTIVITIES—the an- Three lucky writers will enjoy multiple premieres this season. Craig Lucas, who in re- nual private concert previewing the cent seasons has been a Broadway fixture (The Light in the Piazza, Prelude To A Kiss), will season’s newest musicals, sung by cast have two debuts off-Broadway. First up: A Prayer for My Enemy at Playwrights Horizons, members from each show—will be held continued on page 2 on Monday, November 17, 2008 at 6pm. 2008 Tony Award Winner Laura Benanti (Gypsy), will serve as emcee for the event, which will be held at the Metropolitan Room, one of New York City’s premiere cabaret spaces. To reserve tickets, please use the enclosed order form or call (212) 244-9494 ext. 5. At press time, FALL FESTIVITIES had al- ready lined up performances from 13: The Musical, Pal Joey, A Tale of Two Cities, Sessions, White Christmas and more; addi- tional musicals will be added in the com- ing weeks, with updates posted in the Members Area at www.dramaleague.org. Bruce Myers in the title role of Peter Brook’s The Grand Inquisitor, which will make its North Celebrating the fifth anniversary of FALL American debut at New York Theatre Workshop later this season. Photo: Tristram Kenton. FESTIVITIES, the event will now move to the elegant confines of New York’s award- winning Metropolitan Room. The cabaret MEMBER BENEFITS TAKE CENTER STAGE AT DRAMALEAGUE.ORG has developed a buzzworthy reputation over the last year, presenting concerts by many of Broadway’s best, including by Rebecca Panfile Christine Ebersole, Euan Morton, and Tom Wopat. New plays and musicals aren’t the only exciting new offerings to members this sea- son! The Drama League’s website, www.dramaleague.org, has begun a major over- Ticket prices for FALL FESTIVITIES, which haul that will expand the value, ease, and flexibility for members to take advantage is available exclusively to Drama League of benefits and services. members and their guests, are $60 and $45 (plus a two drink minimum). Seating “In addition to our telephone service, concierge benefits and monthly newslet- is limited, so please reserve seats early. ters, we’ve begun a process to give members direct access via the internet,” said Performances are subject to change. continued on page 2 BENEFITS AT DRAMALEAGUE.ORG continued Gabriel Shanks, Co-Executive Director. “It’s an exciting time—one that will make membership an even better experience.” Responding to many requests, Drama League members can now join, renew or edit their memberships directly online. An online log-in system can be accessed for membership in the left-hand naviga- tion bar of the website; friends and family can also join for the first time at this link. In the Members Area of www.dramaleague.org, members can now find expanded listings of each month’s discounted performances and special events. As they sell out, performances are removed from the page, giving members an at-a-glance snapshot of what remains available at any given time. Additional “bonus” offerings can be 520 8th Avenue, Suite 320, New York, NY 10018 212.564.1142 212.244.9191 fax found here as well; these late-breaking deals will also be sent by e-mail to members www.dramaleague.org who have requested their newsletters in e-mail format. To help in scheduling, an on- line calendar of all events (even those previously purchased!) is now available as well. Jano Herbosch President Roger T. Danforth Co-Executive Director Members wishing to attend upcoming special events (including The Drama League Gabriel J. Shanks Co-Executive Director Isaac Butler, Roger Calderon, J.J. Keyes, Presents..., The Holiday Luncheon, DirectorFest and The Drama League Awards) Jeff Lewonczyk, MaryBeth Makara, will be able to reserve seats online as those events approach; currently, mem- Charles Nelson, Rebecca Panfile Contributors bers can reserve seats for November’s Fall Festivities at The Metropolitan Room. continued on page 5 OFF-BROADWAY ‘08: ICONOCLASTS continued starring Spring Awakening’s Jonathan Groff and Piazza’s Tony winner, Victoria Clark, in a story about the tensions lurking in an American family. In the spring, The Public will present The Singing Forest, which braids together three different generations of a family and rockets back and forth between present-day America, 1930s Vienna and Post-WWII Paris. Barlett Sher (South Pacific) will direct both productions. Stephen Belber, a writer who always seems just on the verge of a major breakthrough, will begin his premieres at Rattestick Playwrights Theatre with Geometry of Fire, about a Saudi-American man investigating his father’s mysterious death in Washington, D.C. (Naked Angels is currently presenting Belber’s Fault Lines, a dark comedy about a boys’ night out that goes horribly awry, starring Josh Lucas and directed by David Schwimmer). Finally, Shelia Callaghan, one of America’s most con- sistently fearless new voices, will see 13P produce Crawl, Fade to White and Rattlestick present That Pretty Pretty or The Rape Play. It wouldn’t be Off-Broadway without some daring, controversial works to sample, and this season is no exception. Blasted, the late Sarah Kane’s play about war and sexual violence, has been alternately praised and condemned since its debut in 1995 at the Royal Court. New York audiences will finally get a chance to make up their own minds when Soho Rep premieres the show. At the BAM Next Wave Festival, Flemish director Ivo Van Hove—notorious for his radical reinterpretations of Tennessee Williams, Moliere and Henrik Ibsen—will take on cinematic bad boy John Cassavetes when he adapts the film Opening Night for the stage. Bypassing Broadway entirely, three high-profile musicals are coming to Off-Broadway this season. John Patrick Shanley (Doubt) and Henry Krieger (Dreamgirls) debut Romantic Poetry this month at MTC, featuring Mark Linn-Baker in a story of star-crossed love in New York City. In May, MCC Theater will produce Coraline, adapted from Neil Gaiman’s best-selling children’s novel, with music and book by Magnetic Fields’ frontman Stephin Merritt and downtown superstar David Greenspan. Of course, the biggest story in musical theater this season is Stephen Sondheim’s new musical Road Show at The Public. It’s changed titles (Bounce, Wise Guys), di- rectors and theatres many times; finally, audiences will see the finished product, helmed by John Doyle (Sweeney Todd, Company). While last year saw revivals by everyone from Moliere to Caryl Churchill, this year features some lesser-known, largely-forgotten authors. Signature Theatre Company is presenting three plays originally produced by the Negro Ensemble Company; none of these plays are staples of the American theatrical diet, even though Charles Fuller (whose play Zooman and the Sign will be presented in the Spring) is a Pulitzer winner. The Mint Theatre Company, which has made its name presenting “neglected classics,” will present The Widowing of Mrs. Holyroyd by an author not usually regarded as a playwright: D.H. Lawrence. In their Off-Broadway theatre (The Laura Pels), Roundabout Theatre Company is presenting Streamers, the searing war drama by David Rabe, which follows four soldiers in Virginia in 1965 waiting to deploy to Vietnam. Finally, Classic Stage Company is producing a version of the Oresteia trans- lated by acclaimed poet Anne Carson and created by Big Dance Theater’s Paul Lazar and Annie-B Parson. The mix of controversial artists, well known heavyweights, distinctive newcomers and canon-challenging revivals ensures audi- ences a year filled with a heady mix of iconoclastic, inventive theatre Off-Broadway. Isaac Butler is a director and writer based in Brooklyn. He maintains the popular theatrical blog Parabasis. NEWS OF THE RIALTO THE REGIONAL REPORT by Charles Nelson by Jeffrey James Keyes CASEY AT THE BAT: No Drowsy Chaperone, that Casey Nich- Perhaps an autumnal road trip is in order? As fall creeps into olaw; there are so many projects on the director-choreog- Minnesota, Mixed Blood Theatre Company* is offering Ja- rapher’s plate, it’s practically a lazy Susan. Currently he’s di- son Grote’s 1001, the postmodern Arabian Nights epic about recting David Rasche and Jan Maxwell in To Be Or Not To Be, the cultural narratives that shape our lives. Performances run which will world-premiere October 14 at Broadway’s newly- from October 30-November 23 (mixedblood.com). Travel a christened Friedman Theatre (nee the Biltmore). It comes, little to the southeast, and there’s Milwaukee Chamber The- of course, from Ernst Lubitsch’s comedy which paired Jack atre* favorite Jacque Troy, taking a stab at the challenging Benny with Carole Lombard as “the Lunts of Poland” play- lead role in David Lindsay-Abaire’s Rabbit Hole from Octo- ing footsy with the Nazis. An audacious and hilarious antic, its ber 16-November 2 (chamber-theatre.com). From there, it’s a cult-classic status was slow-to-show because it reached the pleasant drive down to Chicago, where Lookingglass The- movie marketplace a mere month after Lombard perished atre Company* is mounting a world premiere adaptation of in a plane crash....When that’s up and at ‘em, Nicholaw shifts Dostoevsky’s The Brothers Karamazov, written and directed by to Minsky’s for its Ahmanson lift-off in Los Angeles (January Heidi Stillman, revving up October 15 (lookingglasstheatre. 21-March 1). The Charles Strouse-Susan Birkenhead-Bob org). Treat yourself to a cross-town bonus at American The- Martin musical is prompted by the 1968 flick The Night They ater Company*, where celebrity row by Itamar Moses runs Raided Minsky’s (which Strouse also scored). The Tony winner from October 16-November 9 (atcweb.org). they’ve tapped to star in the show is a big secret, because he has a TV pilot that may or may Up for more traveling? Native not go, but his initials are N.L.B. . son Michael Tisdale tells the sto- . . Once that’s moved from L.A. to ries of the 22 Marines from Ohio’s Broadway, Nicholaw will make- 325 Battalion who lost their lives over another movie: 1964’s Robin in Iraq in the Cleveland Public and the 7 Hoods (i.e., Sinatra, The Theater* premiere of Goldstar, Rat Pack and Crosby—in Prohi- Ohio running October 16 to No- bition-era Chicago.) The show is vember 8 (cptonline.org). The being “fast-tracked” to Broadway Dallas Theater Center* debuts and should be arriving the sea- Tracey Scott Wilson’s The Good son after Minsky’s. Negro October 15-November 9 (dallastheatercenter.org). If Jane REGROUPINGS FOR BROAD- Austen is more your speed, head Dennis Boutsikaris, Laurie Metcalf and JoBeth Williams in Jane Anderson’s WAY?: There are rialto rumblings The Quality of Life. Courtesy of the Geffen Playhouse and Michael Lamont. south to the Actors Theatre of that last spring’s Off-Broadway Louisville*, where Jon Jory’s success Rafta, Rafta will start Pride and Prejudice runs thru No- nesting at the Walter Kerr as soon as The Seagull finishes its vember 8 (actorstheatre.org). 14-week flight over Broadway (October 2-December 21). If so, the excellent all-Indian cast that The New Group assembled Baltimore may not be the best place to catch autumn in ac- for the much-applauded U.S. premiere last May will check tion, but there’ll be fireworks at CenterStage* (centerstage. in as well. An Olivier Award winner for Best New Comedy of org) with Edward Albee’s classic Who’s Afraid of Virginia 2008, it is an Indian rewrite of All in Good Time, a 1963 play Woolf? directed by Ethan McSweeny. Performances run from by Alfie author Bill Naughton about a working-class couple’s October 22-November 30. Up in New Haven, Liz Diamond stumbling start at marriage. The original British opus put in is orchestrating some laughs with Happy Now? at Yale Rep* 44 performances on Broadway in 1965, but a fine film was (yalerep.org). October 24-November 15. made of it a year later starring John and Hayley Mills and Hywel Bennett and featuring a straight (and haunting) musi- If you’d prefer to avoid the seasonal change entirely, Cali- cal score by Paul McCartney. Retitled for mass consumption, fornia’s South Coast Rep* (scr.org) is presenting The Heiress it misrepresented itself as The Family Way. (October 17-November 16), and American Conservatory Theater* of San Francisco is teaming up with L.A.’s Geffen THE RIGHT LANE: All that buzz about bringing City Center’s Playhouse for Jane Anderson’s The Quality of Life. This pro- recent Damn Yankees to Broadway went cold when Sean duction features Laurie Metcalf, JoBeth Williams, and Den- Hayes opted to bail out after the limited run (despite the go- nis Boutsikaris from October 24-November 23 (act-sf.org). go-go encouragement of critics). But a few die-hard mon- eybags are pursuing other silly Satans. Topping the list—it’s * Discounts are available at the box office to Drama League members with a valid membership card. For more discounts, see “Theatre Excel- dream casting, but they can dream, can’t they?—is Nathan lence” in the Members Area of www.dramaleague.org. Lane, who reportedly has another stage commitment. The continued on page 5 Jeffrey James Keyes has written for Metrosource, Out Traveler and The Advocate. OCTOBER MEMBER EVENTS Member Name _________________________________________ Enclosed Check Visa Mastercard American Express Address _________________________________________ Credit Card # _________________________________________ _________________________________________ Exp Date ________________ Daytime Phone _________________________________________ Signature _________________________________________ ALL LEAGUE MEMBERS MAY USE THIS FORM TO RESERVE SEATS Return By Mail: c/o The Drama League, 520 8th Avenue, Suite 320, New York, NY 10018 Return By Fax: (212) 244-9191 ANGEL MEMBERS & ABOVE may also order directly: (212) 564-1142 (Press “0” for a Representative) BENEFACTOR MEMBERS & ABOVE may reserve House, Premium & Anytime Seats by calling (212) 564-1142 ext. 25 THE DRAMA LEAGUE FALL FESTIVITIES PAL JOEY The Metropolitan Room • 34 West 22nd Street Roundabout @ Studio 54 • 254 West 54th Street Join the brightest talents of Broadway’s debonair schemer Broadway for a members-only returns in an all-star musical concert previewing the sea- VIP Seats: $60.00 each revival featuring Tony winners Orchestra Seats: son’s new musicals! 2008 Tony Monday, November 17 • 6pm Christian Hoff (Jersey Boys), $121.50 $91.50 each Friday, February 13 • 8pm Winner Laura Benanti (Gypsy) Stockard Channing (Six De- ________ x $60.00 = ______________ Saturday, February 14 • 2pm is Mistress of Ceremonies for grees of Separation) and nomi- the swelligant cabaret eve- Regular Seats: $45.00 each nee Martha Plimpton (Cym- ________ x $91.50 = ______________ ning, featuring performances Monday, November 17 • 6pm beline). In 1930’s Chicago, a from 13, Pal Joey, A Tale of Two song-and-dance man charms Cities, White Christmas and ________ x $45.00 = ______________ a rich, married older woman... more! (2 drink min. not includ- and gets more than he bargained for! Classic songs include and “I ed. Shows subject to change.) Could Write A Book” and “Bewitched, Bothered and Bewildered.” ROMANTIC POETRY A NEW MUSICAL AMERICAN BUFFALO Manhattan Theatre Club @ City Center • 131 W 55th St Belasco Theatre • 111 West 44th Street From the Oscar-winning au- David Mamet’s crackling mas- thor of Moonstruck and the terpiece is the story of three Front/Mid Orchestra Seats: Orchestra Seats: Tony-nominated composer of $85.00 $68.00 each desperate men, one rare coin... $116.50 $87.00 each Dreamgirls comes this crackpot Tuesday, December 9 • 7pm and a plan to rip it off. Street- Wednesday, December 17 • 8pm musical romance about missed Saturday, December 13 • 2pm savvy Teach (John Leguizamo) opportunities, second chances, schemes and spars with junk- ________ x $87.00 = ______________ ________ x $68.00 = ______________ and the unexpected side ef- shop owner Donny (Cedric the fects of love, starring Mark Rear Orchestra Seats: Entertainer) before enlisting Linn-Baker (A Funny Thing $85.00 $29.00 each Bobby (Haley Joel Osment), a slow-witted young delinquent, to carry Happened...). Star-crossed love Tuesday, December 9 • 7pm out their robbery. A comedic, banter-fueled heist and a heartbreaking is in the air...along with disap- ________ x $29.00 = ______________ portrait of small-time criminals, Mamet’s brilliant, rapid-ﬁre dialogue will proving exes, Little Italy, and a be directed in this Broadway thriller by two-time Tony winner Robert most mischievous Cupid! Falls (Death of a Salesman). DIVIDING THE ESTATE A PRAYER FOR MY ENEMY Booth Theatre • 222 West 45th Street Playwrights Horizons • 416 West 42nd Street Broadway legends are on dis- It’s a hell of a night—Austin’s play in this arresting drama falling off the wagon, Billy’s from Horton Foote, one of Friday, December 19 • 8pm back from Iraq, Marianne’s up- Orchestra Seats: America’s leading dramatists set about her marriage, and $65.00 $42.00 each Orchestra Seats: $96.50 $78.00 each Thursday, December 4 • 8pm “considered the Chekhov of the Red Sox are battling the Sunday, December 7 • 2:30pm small-town America.” His ac- ________ x $78.00 = ______________ Yankees for the 2004 AL title. claimed comedy about a fam- As secrets drag a family into its ________ x $42.00 = ______________ ily confronting its cunning Mezzanine Seats: $42.00 each final reckoning, this new clas- and hypocrisy includes the sic by Craig Lucas (Prelude to astounding Elizabeth Ash- ________ x $42.00 = ______________ a Kiss), starring Victoria Clark ley (Cat on a Hot Tin Roof) and (The Light in the Piazza) and Jonathan Groff (Spring Awakening, Hair), Penny Fuller(A New Brain). becomes a pæan to our age and the grace to share common ground. TO CONFIRM YOUR FAX HAS ARRIVED IN OUR OFFICES, YOU MAY CALL (212) 564-1142. TICKETS ARE FIRST-COME, FIRST-SERVED. ALL TICKET SALES ARE FINAL. Drama League Members may purchase up to six (6) tickets per performance per show. The placement and pricing of Orchestra Seats is determined by the theatre and producers, and will vary from show to show. Seats will be in the orchestra section unless otherwise speciﬁed above. Seats are assigned according to membership level. Speciﬁc seat assignments are not available until approximately two weeks prior to the performance, when tickets are mailed ﬁrst-class to members. BEYOND BROADWAY Returning to names spoken in reverent tones by theater folk, consider British director Peter Brook, whose 1968 text The by Jeffrey A. Lewonczyk Empty Space is required reading in theater classes worldwide. Now based in Paris, Brook only brings productions to the Unit- October is a big month for Big Names...Off-Broadway, that is. In ed States once every few years, with tickets selling out fast. This one of the most anticipated New York premieres of recent years, year, New York Theater Workshop and Theatre for a New Audi- Stephen Sondheim’s long-developing musical Road Show will ence will be presenting Brook’s The Grand Inquisitor, a solo ad- begin performances at the Public Theater starting on October aptation of the most famous section of Fyodor Dostoyevsky’s 28. Musical-theater buffs are familiar with the show’s circuitous epic novel The Brothers Karamazov (an excerpt that also hap- history, which seems to reflect the misadventures of its sub- pens to be Laura Bush’s favorite piece of literature). Performed jects, the Mizner Brothers, a pair of historical dreamers (played by longtime Brook collaborator Bruce Myers, it is a philosophi- here by Michael Cerveris and Alexander Gemignani) who cal tale of faith and philosophy, describing what would happen scam their way from Alaska to Florida in the early decades of if Jesus returned to earth during the Inquisition. Running from the 20th Century. John Doyle (Company) directs, and longtime October 22 through November 23, expect this to be one of the Sondheim collaborator John Weidman (Assassins) provides the season’s most sought-after tickets. (212.239.6200/nytw.org) book. (212.967.7555/publictheater.org) And to balance out a premiere, a return: the National Theatre of A Stephen who’s even bigger in pop culture (but less so in the- Scotland’s Black Watch was such a critical and commercial suc- ater) is Stephen King. All the more of a coup, then, that Nose- cess last fall that Brooklyn’s home for innovative performance, dive Productions has received his blessing to present three of St. Ann’s Warehouse, has decided to bring it back for an encore his short stories as part of their yearly Halloween omnibus of engagement. After finding its place near the top of many a crit- short plays. The Blood Brothers Present…The Master of Horror ic’s 2007 Best-Of list, this semi-documentary tour of the Iraq War – which includes Nona, adapted by James Comtois, Quitters, as experienced by a historic regiment of Scottish soldiers will Inc., adapted by Qui Nguyen, and In the Deathroom, adapted by play from October 9 through November 30 – and yes, there will Mac Rogers – promises grand-guignol violence. Considering be bagpipes. (718.254.8779/stannswarehouse.org) the provenance of the material (and the fact that the company bills itself as “Theater for Sick Little Monkeys”), it will no doubt Jeffrey A. Lewonczyk is a playwright, director, actor, critic deliver. At the Gene Frankel Theatre, from October 9 through and founder of Piper McKenzie Productions. November 1. (212.352.3101/nosediveproductions.com) NEWS OF THE RIALTO continued DRAMALEAGUE.ORG continued hope is an adjustment can be made, since the show is said to Over the next year, The Drama League will roll out reservation have grown to Jubilation Level in 17 days. For once, the Sep- access for all discount performances and eventually a member tember-May romance between Joe and Meg that’s usually messageboard, ticket exchange, photo galleries from member glossed over moved center stage, thanks to the resonant play- events, and video clip excerpts. ing of Randy Graff and Cheyenne Jackson. “The website’s benefits to members will never replace our tele- PRINCE AND MONK: Grieve not for Faith Prince and Debra phone concierge service, our VIP access, or our commitment to Monk that their Tony-nominated shows are no longer on Broad- personalized, friendly, individual patron service,” says Shanks. way (i.e., A Catered Affair and Curtains, respectively). Prince has “But for those members who have wished for direct control landed the star part in Terrence McNally’s Unusual Acts of Devo- over their theatrical experiences, www.dramaleague.org will tion, which is world-premiering October 22 at the Philadelphia serve as an invaluable tool and resource for years to come.” Theatre Company, while Monk is busy workshopping a James Lapine show about Mrs. Miller, the most famous audience- Rebecca Panfile is the Audience Project Manager of The Drama League. member of 1950s TV. A STUDIO 54 VISIT?: After the dust settled from the theatrical stampede to Arlington, VA. to see the third coming of Kander & Ebb’s The Visit, encouraging word has filtered back that the HIS GIRL FRIDAY UPDATE show improved by leaps and bounds—although the leaping and the bounding is limited when you have a one-legged Chita The Drama League Presents...HIS GIRL FRIDAY, previously Rivera in the star spot. She plays the world’s richest woman scheduled for October 20th, has been postponed due to un- expected scheduling conflicts among the performers. The who proposes the communal murder of the lover who jilted her reading will be re-scheduled for early 2009; when details are (George Hearn)—and makes that stick with the best acting of finalizes, it will again be offered to members via this news- her career. From here, it looks as if Roundabout will be installing letter. We apologize for any inconvenience this delay may the show at Studio 54. cause. Please call (212) 244-9494 ext. 5 with any questions. Charles Nelson has contributed theatre commentary to Playbill, BackStage, Theatremania, and works for People Magazine. www.dramaleague.org Member News October 2008 212.564.1142 New York, NY 10018 520 8th Avenue, Suite 320 DIRECTORWATCH Keeping Up With Alumni of the Directors Project by Marybeth Makara You have just a few more days to catch Daniela Varon’s produc- tion of Robert Brustein’s The English Channel at Abingdon The- Two 2008 Princess Grace Award Fellowships were awarded last atre, running through October 5. Alex Timbers’ production of month to alums of The Drama League Directors Project: Arin The Language of Trees by Steven Levenson begins previews at Arbus, who received a Directing Fellowship at Manhattan’s The- Roundabout Theatre Underground on October 3. At the Hud- atre for a New Audience, and Jaime Castañeda, who received a son Guild Theater beginning October 18, Cara Reichel, Produc- Directing Apprenticeship at Chicago’s American Theatre Com- ing Artistic Director of Prospect Theatre Company, will direct pany. Three other alumni, Davis McCallum, Alec Duffy and Illyria, the terrific musical adaptation of Shakespeare’s Twelfth Hal Brooks, were awarded NEA-TCG Directing Fellowships for Night she wrote with composer (and husband) Peter Mills. the coming year. Brooks, by the way, is currently on the boards directing Basic Training, a new play that chronicles Kahlil Ashan- If you happen to be in the San Diego area, don’t miss Davis Mc- ti’s tour as a member of the elite entertainment troupe “Tops In Callum’s production of Itamar Moses’ newest play Back, Back, Blue” in the U.S. Air Force. Performances are running now at Bar- Back at the Old Globe starting September 25. John Rando, who row Street Theatre. recently directed Damn Yankees at City Center, will direct the new musical The Toxic Avenger at New Jersey’s George Street Alumna Diane Paulus, the new Artistic Director at American Playhouse beginning October 10. John is being assisted by Repertory Theatre in Cambridge, MA, will see her wonderfully- current DP Fall Fellow Wes Grantom. In October Anne Kauf- received recent production of Hair at The Delacorte Theatre in mann is at American Repertory Theatre in Cambridge to direct Central Park transfer to Broadway in 2009; Paulus will make his- The Communist Dracula Pageant by Anne Washburn, before re- tory as the first female alum of The Directors Project to have a turning to NYC to direct 60 Miles to Silver Lake by Dan LeFranc production on Broadway, one of a very select number of wom- in November. Laura Kepley, another new Fall Fellow, will be en ever to do so. Kevin Moriarty, in his first season as the new assisting Anne on that Soho Rep production. Artistic Director of Dallas Theatre Center, made an splash with The Who’s Tommy!, his first show in his new Texas home. MaryBeth Makara is the Administrator of the Directors Project.
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