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st The 21 -Century Classroom American classrooms are outdated. Slate seeks your great ideas for how to modernize them. By Linda PerlsteinUpdated Monday, Oct. 11, 2010, at 6:46 AM ET While going about my day, I sometimes engage in a mental exercise I call the Laura Ingalls Test. What would Laura Ingalls, prairie girl, make of this freeway interchange? This Target? This cell phone? Some modern institutions would probably be unrecognizable at first glance to a visitor from the 19th century: a hospital, an Apple store, a yoga studio. But take Laura Ingalls to the nearest fifth-grade classroom, and she wouldn’t hesitate to say, "Oh! A school!" Very little about the American classroom has changed since Laura Ingalls sat in one more than a century ago. In her school, children sat in a rectangular room at rows of desks, a teacher up front. At most American schools, they still do. Slate wants to change that, and we need your help. Today Slate launches a crowdsourcing project on the 21st-century classroom. In this "Hive," we’re seeking to collect your best ideas for transforming the American school. We’re asking you to describe or even design the classroom for today, a fifth- grade classroom that takes advantage of all that we have learned since Laura Ingalls’ day about teaching, learning, and technology--and what you think we have yet to learn. We will publish all your ideas on Slate; your fellow readers will vote and comment on their favorites; expert judges will select the ideas they like best, and, in about a month, we will pick a winner. That top design may be built as a model classroom in a new charter school. We know from our previous Hive projects that Slate’s millions of readers—some of you architects or educators or designers, most of you amateurs—have amazing ideas, and we’re confident that you’ll come up with exciting new ways to reconceive the most important space for American children. Speaking of children: We encourage you to have them enter ideas too. See the bottom of the article for more details about how to submit your proposal. " This, of course, isn’t the first effort to remake archaic school buildings. The most famous example was the "open classroom" movement of the 1970s. Walls were removed, so where you once had, say, four classrooms of 20 students each, you now had one room of 80. It was never clear what teachers were supposed to make of these new spaces. They were instructed to teach children in small sections, or maybe monitor them as they moved among hands-on activity stations, or maybe to do away with age- based groupings and teach each child at his or her level. The goals were rarely clear, and even more rarely met. Teachers taught as they always had, just with far more noise to shout over. The lesson was obvious: Education reform must begin with educators, not architects. But in other American institutions, architects and designers did change buildings to follow function. Take the museum. As the purpose of museum-going evolved—people needed not just to see but to interact, experience, feel—buildings were designed differently. So while we now have the Holocaust Museum in Washington, the Experience Music Project in Seattle, and marvelous children’s museums in many cities, schools have remained cold, rigid boxes. As Barbara Worth of the Council of Educational Facility Planners International puts it, "We more or less say, ‘Welcome to prison: We dare you to learn.’ " Student photographers have captured the best and worst physical spaces in American schools. View a gallery of student images of what they love--and hate--about their classrooms. Education has changed even if the room has not, and if you go into most schools, you are likely to see teachers and students chafing against the rectangle. The 21st-century imperative is to closely monitor students’ individual progress and teach them accordingly. Teachers are supposed to work together to analyze data and coordinate their approaches. Most classes include at least some traditional instruction: one teacher up front, addressing 20 or 30 students. But it is also common for students to work on projects in small groups, for aides to conduct "interventions" with a few kids around a table, and for teachers to assess children one at a time. Where the space has not been modified accordingly- -which is to say, most everywhere--you see lots of kids sprawling on cold tile floors and huddling in converted closets. Why haven’t schools evolved the way museums and playgrounds and supermarkets have? One key reason is money. Large commercial buildings are usually constructed with a sturdy shell that allows for the innards to be modified liberally. That’s expensive, so schools are built instead with fixed beams and walls. Capital decisions lie with school boards, notoriously change-resistant entities. This isn’t to say some districts haven’t kicked in for extravagant construction; the recent $578 million public school building in Los Angeles, a basically broke school district, is a jaw-dropping example. Another reason is that no one has yet proved that better spaces mean better education. No matter how enthusiastically Cheryl Hines touts the test scores after her upcoming NBC show, School Pride, made over a Compton, Calif., elementary school, no solid research proves that student achievement is affected by physical surroundings. Many of our nation’s top-performing schools are getting the job done in rectangles filled with desks. Classrooms in South Korea, which is kicking our ass in international rankings, look like ours do, just with far more kids packed in. Schools built around experiential learning often have unusual spaces. For the high schoolers at the School of Environmental Studies, workspaces are individual office cubicles and the grounds of the Minnesota Zoo. Waldorf classrooms have the uncluttered, woodlands-chic feel of a modern design blog. Montessori classrooms lack desks; students select activities from open shelves and do their work at little tables and on rugs. Sometimes just one piece of furniture forces a different way of doing business, as at Phillips Exeter Academy in New Hampshire, where conversational, small-group seminars take place at the oval Harkness Table in each classroom. And school buildings themselves have undergone something of a makeover. It’s nearly impossible to find a school built in the last decade without at least one soaring atrium, and there are usually a lot of skylights and windows, because some experts think sunlight helps learning. (Then again, there are architects are designing schools without eye-level windows, for security’s sake.) Hallways are bigger, and when you see students hanging out there during class, they’re not cutting. They’re working. There are more carpets, fewer lockers. Some schools are LEED-certified. They have started to embrace technology, albeit haphazardly: interactive whiteboards, laptops, Wi-Fi, more convenient electrical outlets. The emerging new model of classroom design should take advantage of changes in the way schools teach. In places where schools have moved away from the idea of teachers as sole practitioners, away from the science-then-reading-then-math-then-social-studies way of breaking up the day, and away from treating students as a mass toward treating them as individuals, some innovative classrooms have emerged. Architects have begun to toss out the usual set of spaces--classroom, cafeteria, auditorium, gym, hallway--for more flexible layouts. As a model of the new design, architects point to the the award-winning building for the Denver School of Science and Technology, a small public charter high school. The design touches are groovy and homey: carpeting and comfy couches and sunny, upholstered window seats. The ceilings are breathtakingly high, and the beams and ventilation system are exposed, a living engineering lesson. The core of the design aims for flexibility: There are rooms of all sizes, with drapes to pull across in order to fashion smaller learning spaces, and a "pod" that accommodates all students, for assemblies that look more like be-ins. Each classroom has a door to the outside. (When students are asked to design a dream school, their fantasies nearly always involve the outdoors.) It’s nice to see that some change is in the air, but there are great ideas that have not yet made it past a school district’s capital budget. That’s where you come in. We’re inviting you to envision, and design, a new American classroom. For consistency’s sake, we are asking that you design for fifth graders. You might be designing a room for the study of math, or language arts, or science, or everything. You might keep in mind a variety of students, including those special needs: students with disabilities, students who don’t speak English. Consider that we are dealing with children, who must be visible and safe. Your entries can be shovel-ready or fanciful. All entries must have a written description, and we strongly encourage submitting a sketch or a plan, so fellow readers can help visualize your ideas. Your proposal can emphasize the shape of the room, the furniture in it, the technology available, the materials—whatever you believe will make a real difference for students. You may submit actual designs you have proposed to school boards. (You may even submit an already built classroom you designed, though you must indicate in your submission that it has been built, so voters and judges can take that into account.) We ask that you send us the design for one room only, though that room may represent a comprehensive rethinking of school, which we encourage you to explain. You don’t have to consider budget; you should, however, consider how you think students should be taught and motivated. Effective school design, after all, "isn’t about making pretty," says Ronald Bogle, the president of the American Architectural Foundation, although pretty is welcome. "It’s about the space performing very particular functions." You can submit your design between now and Friday, Oct. 29. You can vote and comment on the ideas below. In early November, our expert judges and readers will choose a dozen finalists, and we’ll select a winner in mid-November. Read our terms and conditions, then please enter your great idea below.
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