Piano keys

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					The number of black keys on the piano is determined by the size of the
piano. There are full size pianos and pianos of smaller dimensions. On a
full size piano with 88 keys, there are 52 white and 36 black keys.

A more complex question is how the black keys came to be on the piano,
and that is not quite so easy to answer.

Originally, the musical "keyboard" was crafted for use by the ancient
Greeks, and was used as a controlling device for a water organ called the

These early keyboard setups had one row of keys, roughly equivalent to
the white keys. They were all in the same plane, with no keys raised or
differentiated from the other keys in any way (as they are on a modern
piano, where the blacks are recessed and raised higher than the white

The mathematical relationship between the keys was quite complex,
originally discovered by the great mathematician Pythagoras. To simplify
it, each key to the right was higher than the previous one, and a formula
governed this setup, too difficult to mention here.

Eventually composers discovered that there were other tones that sounded
good in addition to the standard setup of seven or eight. In order to add
these additional tones to the setup, they modified the keyboard by
raising these additional keys and recessing them from the original
"white" keys. In this way, the original setup was not disturbed but
rather added to and refined.

After many hundreds of years, the Renaissance composers discovered a
total of five extra tones, (think "black") that could be added to the
original seven "white" tones. The end result was that the distance
between any two keys, whether white or black, was equidistant. That is,
the pitch from one to the next was raised by exactly the same increment.

How these white and black keys came to be arranged into the modern
arrangement of five black keys, with a group of three and a group of two,
is quite another story and has much to do with the shape of the human
hand and the musical developments occurring during the period of the

On many Baroque instruments, particularly elaborate harpsichords of the
eighteenth century, the colors were reversed, with the "white" keys black
and the "black" keys white. I've seen harpsichords with red and black,
and red and white.

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