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Grant Wood. American Gothic_ 1930 miniaturist style reminiscent of

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Grant Wood. American Gothic_ 1930 miniaturist style reminiscent of Powered By Docstoc
					Twentieth Century Realism
Robert Henri. Salome, 1909

     Robert Henri/
     Ash Can School
George Bellows. Dempsey and Firpo, 1924, oil on canvas
George Bellows. Both Members of This Club, 1909
George Bellows. Forty-two Kids, 1907, oil on canvas
John Sloan. The City from Greenwich Village, 1922
Guy Pene du Bois. Mr. And Mrs. Chester Dale Dine
            Out, 1924, oil on canvas
Charles Sheeler. American Landscape, 1930
Precisionism/ status of the human
 figure/ influence of photography
Left: Charles Sheeler. River Rouge Plant, 1932
  Right: Charles Sheeler. Upper Deck, 1929
Charles Sheeler. Rolling Power, 1939
Charles Sheeler.
Suspended Power,
1939, oil on canvas
 Photo of Thomas Hart
Benton in the late 1920s
Thomas Hart Benton. Social History of Missouri, 1935,
mural from the Members’ Lounge of the Missouri House
     of Representatives, Jefferson City, Missouri
Thomas Hart Benton/ Regionalism/ stylistic
  conventions reminiscent of Mannerism
Left: Thomas Hart Benton. The Ballad of the Jealous
 Lover of Lone Green Valley, 1934, oil and tempera on
                       canvas
Right: Thomas Hart Benton. The Lord is My Shepherd,
               1926, tempera on canvas
  Thomas Hart
 Benton. Steel
(detail from the
America Today
 murals at the
 Equitable Life
   Assurance
 Society of the
U.S., New York),
1930, distemper
and egg tempera
on gessoed linen
  with oil glaze
 Thomas Hart Benton. City Activities (detail from the
 America Today murals at the Equitable Life Assurance
Society of the U.S., New York), 1930, distemper and egg
         tempera on gessoed linen with oil glaze
Thomas Hart Benton.
July Hay, 1942, oil on
       canvas
  Grant Wood.
American Gothic,
     1930

miniaturist style
 reminiscent of
   fifteenth
century Flemish
painting/ Great
  Depression/
    austere
 American icon
Grant Wood. Fall Plowing, 1931, oil on canvas
Grant Wood. Midnight Ride of
Paul Revere, 1931, oil on board
John Steuart Curry. Baptism in Kansas, 1928
Alexander Hogue. The Crucified Land, 1939, oil on canvas
   Edward Hopper. Nighthawks, 1942, oil on canvas

Edward Hopper/ asymmetrical composition of an urban
      landscape/ solitary strangers/ artificial
         light/protestations of abstract art
 Left: Edward Hopper. Automat, 1927, oil on canvas
Right: Edward Hopper. Chop Suey, 1929, oil on canvas
Edward Hopper. Western Motel, 1957, oil on canvas
Edward Hopper. New York Movie, 1939, oil on canvas
Edward Hopper. Early Sunday Morning, 1930, oil on canvas
Edward Hopper. Office at Night, 1940, oil on canvas
Edward Hopper. House by the Railroad, 1925, oil on canvas
Isabel Bishop. Lunch Hour,
 1939, oil and tempera on
            panel
    Paul Cadmus.
Playground, 1948, egg
   yolk tempera on
       masonite
   Paul Cadmus. The Bath, 1951,
egg tempera on pressed wood panel
 Left: Jared French. Evasion,
 1947, egg tempera on gesso
              panel
  Below: Jared French. The
Double, c. 1950, egg tempera on
           gesso panel
Andrew Wyeth. Christina’s World, 1948, tempera on gesso
                         panel

    Andrew Wyeth/ painstaking tempera technique/
            reactionary or traditional?
Andrew Wyeth.Winter 1946, 194, tempera on board
Andrew Wyeth. Up in the Studio, 1965, watercolor
Andrew Wyeth. Tenant Farmer, 1961, tempera on board
 Norman Rockwell.
Freedom from Want,
 1943, oil on canvas
Twentieth Century Realism

				
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posted:7/30/2012
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