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					              Walking On Sunshine
The decade of big hair, big egos, and big aspirations as seen through the eyes of the Milroy family and their
neighbours on Sunshine Rd, Hackney. The show features well-known 80s pop songs and draws on characters
from 80s sitcoms. A flexible cast: 7 men & 11 women plus chorus.
At Number 80
 F1   Mum               (Age 48-50) A fiery, worn-down, but still good-looking Catholic. [Irish accent not
      ‘Nellie’          needed] She‘s the glue that holds the family. Tough but tender. (solo-singing)
 M1    ‘Telboy’         (Age 23-25) The elder sibling. Dresses flash but is just a market stall holder who
                        trades in dodgy gear. He has aspirations to be a millionaire. (solo-singing)
 M2    Rory             (Age 21) Tall lanky brother. Somewhat put upon by Telboy in their uneven
                        business partnership.
 F2     ‘Katie’         (Age 17-19) Only daughter and hence over-protected. Has to wear a whistle
                        around her neck in case of attack. Wants be a model until she meets Oscar.
 M3    Granddad/        (Age 68-70) Lives in the kitchen and bangs on the wall when he wants a cuppa
       Raincoat         or feeding. Cantankerous, obnoxious and never grateful.
Friends who practically live at the house
 F3    Roxy            (Age 17-19) Katie’s friends. They act older and wiser – but aren’t. Roxy is sassy
 F4    Carmen          and Carmen is a bit dim. (solo-singing)
 M4 Dodger             (Age 21) RORY’s spiv-like mate who likes to see himself as Al Capone.
At Numbers 82, 84 & 86 (Houses are never seen)
 F5    Widow Blewitt                  (Ages 50s-70) Like black crows with ‘old lady’ hats wedged
 F6    Widow Featherstone             tightly on their heads.. Mrs. Featherstone has a feather in her
                                      hat. Mrs. Blewitt has a permanent cold. Mrs. Grimshaw never
 F7    Widow Grimshaw                 smiles. (They sing as trio and will double as WORKING GIRLS)
At Number 88 (The corner shop)
 M5 Pennywise          (Age 50s) Stuttering miserly shop keeper with designs on Nellie. (solo-singing)
 M6 Gregory            (Age 30s) His nephew and grocery ‘boy’. He yearns to ‘party’. (solo-singing)
Locals/Visitors
 F8    Gloria of the Gold Tops The local milkmaid. (solo-singing)
 F9    WPC Lightfoot               The local policewoman (solo-singing)
 F10 The Supreme Being             Mrs Thatcher - a figment of Telboy’s imagination (solo-singing)
 F11 The Blessed One               Madonna - figment of Katie’s imagination (solo-singing)
 M6 Oscar the Rev/raincoat         A leather jacket wearing ‘hip’ Protestant vicar. (solo-singing)
 M7 Nick Milroy (Age 48-50) Nellie’s estranged husband – Act Two only (solo-singing)
Soho inhabitants (one scene in Act One only) – only Ruby has solo singing
 M/F Ruby Venezuela An exotic drag queen (can be played by a girl with an alto voice)
 Fx4   Les Girls          Four girl backing group and dancers (NB use overstuffed bosoms, big hair, copious
                             amounts of eye-shadow, huge fake eyelashes to suggest they are drag queens)
 M      Boy-George*        The young pop star in his dreadlocks phase (can be played by a girl)
 M      Marilyn*           George’s very feminine long-blond haired mate (can be played by a girl)
 M      Dirty Den*         A sleazy pornographer
 * Ruby, Boy-George, Marilyn & Dirty Den can be played by Pennywise, Granddad, Nick & Gregory.




  Gregory &           Madonna             Ruby                Katie               Mum                 ‘Telboy’
  Pennywise                             Venezuela                                (Nellie)              & Rory
                                                                 SONGS & SCENES
 ACT ONE
 Sunshine Road/Milroy House
 1     Our House (Madness)                                    Telboy, Granddad, Katie & Company
 2     Don’t You Want Me, Baby? (Human League).                       Pennywise, Nellie, & Widows
 3     Opportunities (Pet Shop Boys)               Supreme Being, Telboy, Dodger, Rory & Company
 4     Express Yourself (Madonna)                       Madonna, Katie, Roxy, Carman & Company
 5     Uptown Girl (Billy Joel 1983)                      Telboy, Rory, Dodger, Granddad, & Men.
 6     Girls Just Want To Have Fun (Cyndi Lauper)                   Katie, Roxy, Carman & Women
 A Soho Street
 7     I Don't Wanna Dance (Eddie Grant, 1982)            Company as ‘Raincoats’ & Working Girls
 Madam Jo Jo’s, Soho
 8     I Will Survive (Gloria Gaynor)                                    Ruby Venezuela & Les Girls
 9     Let’s Hear it For The Boy (Denise Williams)                Katie, WPC Lightfoot & Company
 Sunshine Street
 10    I Say A Little Prayer                                                    Nellie with Widows
 10a I Say A Little Prayer                                                     Gloria with Widows
 11    Walking On Sunshine (Katrina & The Waves)                                          Company
ACT TWO
 Sunshine Street
 11a Our House (2nd time)                                                                      Rory, Granddad, Katie & Company
 12    Crazy Little Thing Called Love (Queen)                                                                 Oscar & Company
 13    Always On My Mind (The Pet Shop Boys)                                                                       Nick & Nellie
 Tab scene
 14    One Way Or Another (Blondie, 1978)                                                                                            Company
 Granddad’s Wake in the Milroy House
 15    Don’t Leave Me This Way (Communards)                                    Widows, Nellie, Katie, WPC Lightfoot & Company
 Sunshine Street
 16    It Must Be Love (sung by Madness)                                                                                  Gloria & Gregory
 Midnight in The Milroy House
 17    Thriller (Michael Jackson)                                                                    Granddad, soloists & Company
 17a Reprise: Walking On Sunshine                                                                                         Company
                                                                              PROPS
Table and bench................................Onstage in number 80                   Bowler hats..................COMPANY as city workers
Armchair ...........................................Onstage in number 80              ‘Katie’ badges............................COMPANY as fans
Mops, brooms and postcard rack.......Onstage outside shop                             Small whistle on chain..................................KATIE
Wire basket with six milk bottles..............................GLORIA                 Folded letter.................................................KATIE
Gold fob watch...................................................GRANDDAD             Pricing gun/price stickers..........GREGORY’s apron
Tea pot and mugs.............................................On the table             Unlabelled perfume spray bottle ..............TELBOY
Letters...............................................................On the table    Padded groin............................................DODGER
Newspaper........................................................On the table         Charity tin....................................................OSCAR
Party hats and streamers......................................COMPANY                 Small bar unit...............onstage in Madame Jo Jo’s
Box of large bottles of white wine...............Under the table                      Small high round bar table........... onstage – Jo Jo’s
Gift wrapped dressing gown with RAM on the back..NELLIE                               Handcuffs....................................WPC LIGHTFOOT
Wrapped briefcase with combination lock........Under table.                           Hand written note from Katie.....................NELLIE
Birthday cake...............................................THREE WIDOWS              Canvas Rucksack .....................................GREGORY
Tray with plastic glasses...............................................KATIE         Two small gift wrapped boxes......NELLIE & TELBOY
J-cloth or duster............................NELLIE (in her housecoat)                Gift-wrapped Vinyl record album..................ROXY
Paper plate full of party food.................................GREGORY                Postcard.....................................................GLORIA
Handbag...............................................THE SUPREME BEING               Guns..............................................MEN as hit-men
Paper money........................................THE SUPREME BEING                  Passport...............................................PENNYWISE
Cameras or notepads.......................COMPANY as reporters
                                                STORY
ACT ONE: Sunshine Road, Hackney/The Milroy’s house
It’s Rory’s surprise 21st birthday party and all the neighbours are there. - Our House. Telboy gives Rory
a briefcase (a factory reject). Left alone mum, Nellie is wooed by persistent local shopkeeper,
Pennywise. But Catholic Nellie is still married. All the pair can do is reminisce over their look-but-
don’t-touch ‘affair’ - Don’t You Want Me? Telboy, as usual, has a dream. But this vision came direct
from the Supreme Being (Maggie Thatcher) - Opportunities. Wannabe sister Katie also has had a
dream – Express Yourself. These visions of money and fame lure the younger Milroys up town. Tired
Nellie turns in early and the boys head-off to make a night of it – Uptown Girl.
Sunshine Road The girls sneak out and head-up town – Girls Just Want To Have Fun.
Gregory is also restless.
Soho Sex Shop & Outside/Inside Madam Jo Jo’s,
I Don’t Wanna Dance. The boys arrive at Soho and enter a colourful club. The exotic Ruby Venezuela
& Les Girls perform I Will Survive as Oscar the vicar collects for charity. Telboy goes to work his charm
on Ruby while Rory and Dodger try to chat up two long-haired ‘girls’ at the bar. They turn out to be
Boy-George and his very feminine mate, Marilyn. Meanwhile Telboy had an unfortunate encounter
with ‘Miss’ Ruby. Swearing to never mention their mistake the boys are about to exit when WPC
Lightfoot bumps into them. Lightfoot is undercover trying to catch a pornographer. Suddenly there is
a scream. A dishevelled Katie and her mates are trying to escape form Dirty Den – the pornographer.
Oswald knocks him out and WPC Lightfoot cuffs and arrests Dirty Den. Telboy and Katie are smitten
with the ‘saviours’ – as are the clientele. Let’s Hear It For The Boy/Girl.
Sunshine Road - Outside the Shop
Gloria (of the gold-tops) is delivering the milk when a worried Nellie asks if she has seen the girls.
Gloria says not to worry. Nellie says worrying is a mother’s lot. Say A Little Prayer. Gloria sees shop
’boy’ Gregory is off to the explore the world. He tells Gloria not to worry and leaves. Reprise: Say A
Little Prayer. The clan return (with WPC Lightfoot & Oswald) and once again they’re Walking On
Sunshine.
ACT TWO: Sunshine Road, Hackney/The Milroy’s house
 It’s Katie’s 18th surprise party and everyone is there -Reprise: Our House. The reformed Telboy (with
the now pregnant WPC Lightfoot) gives a charm bracelet. Nellie wishes they would marry. Katie
announces she has married the protestant Oscar. To make matters worse, Nellie’s estranged husband
(Nick) turns up. He claims he has a weak heart and wants to make amends and turns on the charm
Always On My Mind. Telboy suspects his dad is after the family heirloom (Granddad’s gold hunter
watch). With Rory and Dodger he cooks up a plan to get rid of him and enlists the neighbours’ help.
Sunshine Road/ Outside the local shop
Granddad’s Wake, the Milroy’s house
Later that evening a drunk Nick arrives back and finds the household in mourning for Granddad - Don’t
Leave Me This Way. . Nick plays the distraught son throwing himself on his ‘dead’ dad’s chest (but is
unable to find the gold watch). In keeping with Granddad’s Haitian beliefs Nick must keep a midnight
vigil by the body to stop him becoming a zombie.
Sunshine Road: Gloria reads another postcard from Gregory (from Kathmandu). The Widows tell her
not to waste her life moping. Death is only round the corner – look at Granddad being taken so
sudden. Gloria realises she misses Gregory - It Must Be love (taken-up by the returning Gregory). He
had forgotten his passport and had only got as far as Dover. They kiss and with Pennywise offering
promotion Gregory can marry Gloria.
Midnight in the Milroy’s house
Things go bump in the night as Granddad and zombies rise from the dead - Thriller. The shock gives
Nick a heart-attack. Nellie is free at last so Pennywise proposes. Nellie accepts but only if Telboy
marries WPC Lightfoot. Telboy agrees. No need to save money though a double-wedding, however, as
Oscar has had the gold watch valued and it’s worth a fortune. At least Telboy is a millionaire. Now the
Milroys and their friends really are Walking On Sunshine.
ACT ONE: Sunshine Rd, Hackney:
DSR outside of number 80 - the Milroy’s. Centre SR a covered dining table (NB needs only be an 8 inch ledge) with three chairs.
Next to this is an armchair in which sits GRANDAD in his dressing gown, pyjama s and flat cap. DSL is the outside of the
local shop (number 88) with a rack of postcards on special offer. Doors to both properties open inwards (i.e. upstage)
GRANDDAD                    (Bangs on floor with waking stick) Are you there? Why’s it dark?   Lights come up.
                            (GRANDDAD sees the audience) What you lot gawping at?
                            (Bangs on floor with waking stick) Wakey! Wakey! Where’s my breakfast? ‘
(GLORIA appears DSR with a cradle of milk bottles which she places SR to SL as TELBOY appears DSR and half asleep makes a cuppa)

                             OUR HOUSE (Madness)                                                                   Song# 1
TELBOY                       (Collecting milk from front step)
                             GRANDDAD WEARS HIS SUNDAY BEST
                             MOTHER'S TIRED SHE NEEDS A REST
                             THE KIDS ARE PLAYING UP DOWNSTAIRS
                             SISTER'S SIGHING IN HER SLEEP
KATIE                        (Spoken) Oh! Omar!
TELBOY                       BROTHER'S GOT A DATE TO KEEP
RORY (Fully dressed)         (Spoken as he nicks cuppa) Cheers, Telboy! (Sits at table, Checks the post)
TELBOY                       HE CAN'T HANG AROUND
                             (RORY reads the paper. KATIE & NELLIE enter - they are clearly hiding something)
        with GRANDDAD        OUR HOUSE, IN THE MIDDLE OF OUR STREET
                             OUR HOUSE, IN THE MIDDLE OF OUR ...
                             OUR HOUSE, IS OUR CASTLE AND OUR KEEP
                             OUR HOUSE, IN THE MIDDLE OF OUR...
ALL (led by Roxy &           (Appearing from under the table and other places. Some blow party squeakers. Some wear
Carman)                      party hats. We are now in RORY’s 21st Birthday – depicted by balloons and a banner)
                             Surprise! (Led by Carmen and Roxy the youngsters dance )
TELBOY                       OUR HOUSE IT HAS A CROWD
                             THERE'S ALWAYS SOMETHING HAPPENING (The Widows produce a cake)
                             AND IT'S USUALLY QUITE LOUD
              with KATIE     OUR MUM SHE'S SO HOUSE-PROUD
                             NOTHING EVER SLOWS HER DOWN
                             AND A MESS IS NOT ALLOWED
ALL                          OUR HOUSE, IN THE MIDDLE OF OUR STREET
                             OUR HOUSE, IN THE MIDDLE OF OUR ...
                             OUR HOUSE, IS OUR CASTLE AND OUR KEEP
                             OUR HOUSE, IN THE MIDDLE OF ....
                             DA DA DA DA DA DA DA
                             DA-DA DA-DA DA-DA
                             DA-DA DA-DA DA-DA HEY!
                  Group1     NA NA NA NA NA NA NA (X3)        Group2 AY YAY YAY YA (X3)
                             NA NA NA NA NA NA NA                        AY YAY
ALL                          DA LA DA LA DA LA LA (X2)
                             DA LA LA DA LA DA LA LA
                             DA DA LA DA DA
                             NA NA NA NA
                             DA LA DA LA DA LA LA (X2)
                             DA LA LA DA LA DA LA LA
                             DA DA LA DA DA
                             NA NA NA NA (Led by Carmen and Roxy the youngsters dance )
                             OUR HOUSE, IN THE MIDDLE OF OUR STREET (X3)
                             OUR HOUSE, IN THE MIDDLE OF OUR ...
                             OUR HOUSE, IN THE MIDDLE OF OUR STREET (X2)
                             OUR HOUSE, IN THE MIDDLE OF OUR ...
                             OUR HOUSE, IS OUR CASTLE AND OUR KEEP
                             OUR HOUSE, IN THE MIDDLE OF OUR.. (X2).
                             OUR HOUSE, IN THE MIDDLE OF OUR STREET
NELLIE          (Handing over a gift box) Many Happy returns Rory from me and the neighbours
                at Sunshine Road. Well go on open it. It’s a dressing gown – with your initials on
                the back. Well go on show everyone. (RORY reluctantly shows a dressing gown with the
                word ‘RAM’ emblazoned on the back. The girls giggle) See ... Rory Anthony Millroy.

DODGER          Nice one Mrs M. I got you an IOU, mate. Bit short of the readies.
TELBOY          Nice one Dodger! Well. Unlike this plonker I got you some'fink special.
                (Handing RORY a briefcase in a paper bag) ‘Appy returns from me, brouv’.
                 It’s for your new job as my executive partner.
RORY            Telboy! We’ve only got a market stall.
TELBOY          Yes. But that’s ‘ow Marks started out. An’ now e’s an institution.
RORY            Karl Marx had a market stall?
TELBOY          No! Marks and Spencer, you plonker! (RORY takes out the briefcase)
                That’s real genuine leather vinyl, that is. S’got a combination lock an’ all.
RORY            Terrific! It should fit right in at Hackney!
TELBOY          It will do, Rory.... after we’ve flogged the other twenty-nine I’ve got.
RORY            So where’s the combination number, then Tel?
TELBOYY         (Pause) The what? (RORY shakes the case)
RORY            You plonker! (KATIE, ROXY & CARMAN produce trays of plastic glasses)
TELBOY          Never mind that now. ‘Os for a drink? (With a large bottle) Come on don’t be shy.
                Drink up. Plenty more where that came from.
NELLIE          (Ushering)   Off you go. There’s a spread laid out in the front parlour.
GREGORY         Whey! Hey! Grub up! (The company begin to exit but PENNYWISE lingers).
PENNYWSIE        (TO GREGORY)  You better take yours b-b-b-back to the shop, Gregory.
                 It’s been closed for nearly half-an-hour, now.
GREGORY         Crikey! That could mean the end of capitalism!
                (PENNYWISE gives him a clip round the ear and they exit into the parlour)

NELLIE          Catherine show them where everything is.
KATIE           It’s Katie not Catherine.
NELIIE          Not to your mother it’s not! And you two - Pepsi and Shirley....
ROXY & CARMAN   Roxy and Carman!
NELIIE          No getting Granddad up to dance. You know what happened last time.
                (The girls exit. Calling off ) And eat something.! (Leans over the t able to wipe it)

GREGORY         (Entering holding aloft a plate piled with food) Excuse me. Grocery-boy on an urgent
                errand coming through. (Exits to shop. NELLIE bends over the table to wipe it with a cloth)
PENNYWSIE       Luverly spread, Nellie. And the food’s not ‘arf bad, either.
NELLIE          Ah! Away with you and your foolishness, Horace Pennywise. Don’t you have
                a shop that needs keeping?
PENNWISE        I’ve just sent Gregory back in case we get a sudden rush. Got a special offer on
                po-po-po-po...cards this week.
NELLIE          So I’ve seen. Who the heck is going to buy foreign postcards?
PENNWISE        Folks who can’t afford a real holiday. Ah! Nellie. When are you going to
                m-m-m-make me a happy man? Or failing that, marry me!
NELLIE                 Ssssh! I’m still married. Just because my low-down good-for-nothing husband
                      absconded with a jezebel and once, in a bleak moment of despair , we were....
                      close, doesn’t mean I should break the holy sanctity of my marriage vows .
PENNYWSIE             That’s a very one-sided view. Ah! Nellie where did yesterday go?
                          DON’T YOU WANT ME, BABY? (Human League)                                       Song# 2
PENNYWISE                 YOU WERE WORKING AS A WAITRESS IN A COCKTAIL BAR
                          WHEN I MET YOU
                          I PICKED YOU OUT, I SHOOK YOU UP, AND TURNED YOU AROUND
                          TURNED YOU INTO SOMEONE NEW
                          NOW TEN YEARS LATER ON
                          YOU'VE GOT THE STREET AT YOUR FEET
                          SUCESS HAS NOT BEEN EASY FOR YOU
                          BUT DON'T FORGET I STOOD RIGHT BY YOU
                          AND I’M HERE NOW
                          AND IT’S YOU IWANT TO ENSCHEW
 with Widows who enter DON'T, DON'T YOU WANT ME?
        like a girl group YOU KNOW I CAN'T BELIEVE IT
                          WHEN I HEAR THAT YOU WON'T SEE ME
                          DON'T, DON'T YOU WANT ME?
                          YOU KNOW I DON'T BELIEVE YOU
                          WHEN YOU SAY THAT YOU DON'T NEED ME
                          IT'S MUCH TOO LATE TO FIND
                          YOU THINK YOU'VE CHANGED YOUR MIND
                          YOU'D BETTER CHANGE IT BACK OR WE WILL BOTH BE SORRY
                          DON'T YOU WANT ME BABY? DON'T YOU WANT ME OH (X2)
NELLIE                    I WAS WORKING AS A WAITRESS IN A COCKTAIL BAR
                          THAT MUCH IS TRUE
                          BUT EVEN THEN I KNEW I'D FIND A MUCH BETTER PLACE
                          EITHER WITH OR WITHOUT YOU
                          THE TEN YEARS WE HAVE HAD HAVE BEEN SUCH GOOD TIMES
                          I STILL LIKE YOU
                          BUT NOW I THINK IT'S TIME
                          I LIVED MY LIFE ON MY OWN
                          I GUESS IT'S JUST WHAT I MUST DO
PENNYWISE & Widows        DON'T YOU WANT ME BABY? DON'T YOU WANT ME OH (X2)
TELBOY                 (Enters with hobbling GRANDDAD) All right, Mum? Granddad’s had a bit of bother.
                      (Sits GRANDDADD in armchair) He was trying to do the twist and sprained his truss
                                                                                  SFX: Knock at the back door
NELLIE                (Exiting to get the door) Now who can that be at the back door? .
TELBOY                (Lifts up a crate of wine from under the table and pours himself a large drink)
                      If it’s the pools tell ‘im I’ll take my winnings in cash.
NELLIE                (Offstage but loudly)   Oh! WPC Lightfoot. (TELBOY chokes on his drink)
GRANDDAD              Blimey! It’s the law!
PENNYWSIE             I’ll see myself out. (Exits to shop)
NELLIE                 (Offstage but loud) How very nice to see the police here.
                      (TELBOY shoves the crate under the table and shoves the briefcase behind GRANDDAD)

RORY                  (Enters with DODGER) Hey! Did I hear the door. Don’t tell me you got me a kiss-a-
                      gram? (WPC LIGHTFOOT enters in uniform followed by NELLIE) Struth! It’s a strip-a-gram!
                      All right. I’ve been a naughty boy. Handcuff me, officer bad-girl.
WPC LIGHTFOOT          it’s WPC Lightfoot to you. So do I take it that you do know something about a missing
                      lorry-load of Yugoslavian Riesling? (RORY shakes his head. TELBOY downs his glass)
NELLIE                   Yugoslavian? But Riesling’s German.
GRANDDAD                 ’Ave the bloomin’ Gerrys invaded Yugoslavia again?
WPC LIGHTFOOT            Just let me know if you come across it. Apparently it’s got antifreeze in it.
                         (Exits and NELLIE sees her out. TELBOY looks poisoned)

TELBOY                   I knew that wine weren’t kosher! Wot’s crime coming to when you can’t make a
                         honest living out of it? I tell you, lads I’ve ‘ad enough of this small time ducking
                          an’ diving. I’ve ‘ad a dream....
RORY, DODGER & GRAND     We know.. ..this time next year we’re be millionaires.
TELBOY                   All right clever clogs. But this time it was different. I ‘ad a call from ...
                         the Supreme Being.                                   LIGHTS DIM – strike table & chairs
RORY, DODGER & GRAND     You don’t mean....?. (They all look up at the ceiling)
TELBOY                   No! No that one. Our great leader...                     .SINGLE SPOT picks up MAGGIE.
                          OPPORTUNITIES (LET'S MAKE LOTS OF MONEY) Pet Shop Boys   Song# 3
MAGGIE THATCHER           I'VE HAD ENOUGH OF SCHEMING AND MESSING AROUND WITH JERKS
                          MY ROLLS’ IS PARKED OUTSIDE THE PRODUCT OF MUCH HARD WORK
                          I'M LOOKING FOR A PARTNER SOMEONE WHO GETS THINGS FIXED
                          ASK YOURSELF THIS QUESTION: DO YOU WANT TO BE RICH?
                          I'VE GOT THE BRAINS - YOU'VE GOT THE LOOKS
                          LET'S MAKE LOTS OF MONEY
                          YOU'VE GOT THE BRAWN - I'VE GOT THE BRAINS
                          LET'S MAKE LOTS OF MONEY
                          YOU CAN TELL I'M EDUCATED I STUDIED AFTER SO LONG
                          DOCTORED IN MATHEMATICS I COULD HAVE BEEN A DON
                          I CAN PROGRAM A COMPUTER CHOOSE THE PERFECT TIME
                          IF YOU'VE GOT THE INCLINATION I HAVE GOT THE CRIME
                          OH, THERE'S A LOT OF OPPORTUNITIES
                          IF YOU KNOW WHEN TO TAKE THEM YA KNOW
                          THERE'S A LOT OF OPPORTUNITIES
                          IF THERE AREN'T YOU CAN MAKE THEM
                          MAKE OR BREAK THEM
                          (MEN & WOMEN wearing bowlers, red braces or waistcoats appear)
  with COMPANY as city    I'VE GOT THE BRAINS - YOU'VE GOT THE LOOKS
             workers      LET'S MAKE LOTS OF MONEY LET'S MAKE LOTS OF -
                          AAHHHHH - MONEY
                          AAHHHHH [X2]
MAGGIE THATCHER           YOU CAN SEE I'M SINGLE-MINDED I KNOW WHAT I COULD BE
                          WHY DON'T YOU THINK ABOUT IT
                          COME AND TAKE A WALK WITH ME
                          I'M LOOKING FOR A PARTNER.....
TELBOY                    .....REGARDLESS OF EXPENSE
MAGGIE THATCHER           THINK ABOUT IT SERIOUSLY.....
TELBOY                    .....YOU KNOW IT MAKES SENSE
    MAGGIE THATCHER                                 TELBOY, RORY, GRANDDAD & DODGER
         & COMPANY        LETS                                      GOT THE BRAINS
                          MAKE                                      GOT THE LOOKS
                          LET'S MAKE LOTS OF MONEY                  OOHH MONEY
                          LETS                                      YOU'VE GOT THE BRAWN
                          MAKE                                      I'VE GOT THE BRAINS
                          LET'S MAKE LOTS OF MONEY                  OOHH MONEY
                          I'VE GOT THE BRAINS                        GOT THE BRAINS
                          YOU'VE GOT THE LOOKS                      GOT THE LOOKS
                          LET'S MAKE LOTS OF MONEY                  OOHH MONEY
                          MONEY
DODGER                        So Maggie wants you as her Deputy then? Cushty!
TELBOY                        No! She was telling me that with Rory as my executive business partner in
                              Milroy Enterprises, we can make lots of money.
RORY                          But no one round here as got any money, Tel!
TELBOY                        Not round they ain’t. But up town that’s where the dosh is. (Puts his arm round RORY)
                              The West-end - that’s where we belong, Rory. (Exiting with RORY)
DODGER                        (Following them off) Ere , if you two are partners what does that make me?

RORY & TELBOY                 (Off)   The tea boy! (DODGER exits as KATIE, ROXY & CARMEN enter)
ROXY                          ’Ere, this wine don’t arf taste funny - even with Sprite in it.
KATIE                         ’That’s cause it’s foreign.
CARMEN                        ’Yeah. Anyway it’s not wine it’s riz-ling.
ROXY                          Well I’d rather ‘ave somef’ink sophisticated like a rum an’ pep wiv’ Tizer.
KATIE                         Girls! I’ve just gotta’ tell you. I ‘ad a dream. .                     LIGHTS DIM
ROXEY & CARMEN                Not Omar Sharif again!
KATIE                         No! This was different. It was about me being a famous model. It’s in my stars.
CARMEN                         Cosmopolitan or Jackie?
KATIE                          I mean Kismet. Fate. I got the message from the blessed one herself!
ROXY                          Girl! You don’t mean....(Strikes Madonna’s ‘Vogue’ pose)
                                                                                     SINGLE SPOT picks up MADONNA
                               EXPRESS YOURSELF (Madonna)                                            Song# 4
MADONNA                        (Spoken) Come on girls Do you believe in fame? 'Cause I got
                               something to say about it And it goes something like this
                               DON'T GO FOR SECOND BEST BABY
                               PUT YOUR FAME TO THE TEST
                               YOU KNOW, YOU KNOW, YOU'VE GOT TO
                               MAKE THEM EXPRESS HOW THEY FEEL
                               AND MAYBE THEN YOU'LL KNOW THEIR LOVE IS REAL
                               YOU WANT SOME DIAMOND RINGS
                               OR EIGHTEEN KARAT GOLD
                               FANCY CARS THAT GO VERY FAST
                               YOU KNOW THEY NEVER LAST, NO, NO
                               WHAT YOU NEED IS A BIG STRONG HAND
                               TO LIFT YOU TO YOUR HIGHER GROUND
                               MAKE YOU FEEL LIKE A QUEEN ON A THRONE
                               MAKE THEM LOVE YOU TILL YOU CAN'T COME DOWN
KATIE, CARMAN & ROXY           YOU'LL NEVER COME DOWN
                               (MEN & WOMEN appear as news reporters and fans wearing ‘Katie’ badges)
ALL                            DON'T GO FOR SECOND BEST BABY
      (Company as pressmen     PUT YOUR FAME TO THE TEST
                    & fans)    YOU KNOW, YOU KNOW, YOU'VE GOT TO
                               MAKE THEM EXPRESS HOW THEY FEEL
                               AND MAYBE THEN YOU'LL KNOW THEIR LOVE IS REAL
MADONNA                        LONG STEM ROSES ARE THE WAY TO YOUR HEART
                               BUT YOU NEED TO START WITH YOUR HEAD
                               SATIN SHEETS ARE VERY ROMANTIC
                               WHAT HAPPENS WHEN YOU'RE NOT IN BED
                               YOU DESERVE THE BEST IN LIFE
                               SO IF THE TIME ISN'T RIGHT THEN MOVE ON
                               SECOND BEST IS NEVER ENOUGH
                        YOU'LL DO MUCH BETTER BABY ON YOUR OWN
KATIE, CARMAN & ROXY    BABY ON YOUR OWN
MADONNA & ALL           DON'T GO FOR SECOND BEST BABY
                        PUT YOUR FAME TO THE TEST
                        YOU KNOW, YOU KNOW, YOU'VE GOT TO
                        MAKE THEM EXPRESS HOW THEY FEEL
                        AND MAYBE THEN YOU'LL KNOW THEIR LOVE IS REAL
MADONNA                 EXPRESS YOURSELF
KATIE, CARMAN & ROXY    YOU'VE GOT TO - GOT TO
MADONNA                 EXPRESS YOURSELF
KATIE, CARMAN & ROXY    HEY, HEY, HEY, HEY
MADONNA                 SO IF YOU WANT IT RIGHT NOW,
                        THEN JUST SHOW THEM HOW
                        EXPRESS WHAT YOU’VE GOT,
Girls                   OH BABY READY OR NOT
                        [Intermediate:]
MADONNA & KATIE,        AND WHEN YOU'RE GONE THEY MIGHT REGRET IT
                        THINK ABOUT THE LOVE THEY ONCE HAD
                        TRY TO CARRY ON, ‘COS YOU CAN JUST BET IT
                        THEY’'LL BE BACK ON THEIR KNEES
                        SO EXPRESS YOURSLEF
CARMAN & ROXY           YOU'VE GOT TO - GOT TO
MADONNA                 EXPRESS YOURSELF
KATIE, CARMAN & ROXY    HEY, HEY, HEY, HEY
MADONNA & ALL           WHAT YOU NEED IS A BIG STRONG HAND
                        TO LIFT YOU TO YOUR HIGHER GROUND
                        MAKE YOU FEEL LIKE A QUEEN ON A THRONE
                        MAKE THEM LOVE YOU TILL YOU CAN'T COME DOWN
KATIE                   I’LL NEVER COME DOWN
                        [intermediate]
ALL                     DON'T GO FOR SECOND BEST BABY
                        PUT YOUR FAME TO THE TEST
                        YOU KNOW, YOU KNOW, YOU'VE GOT TO
                        MAKE THEM EXPRESS HOW THEY FEEL
                        AND MAYBE THEN YOU'LL KNOW THEIR LOVE IS REAL
MADONNA & KATIE,        EXPRESS YOURSELF
CARMAN & ROXY           YOU'VE GOT TO - GOT TO
MADONNA                 EXPRESS YOURSELF
KATIE, CARMAN & ROXY    HEY, HEY, HEY, HEY
ALL                     SO IF YOU WANT IT RIGHT NOW,
                        THEN YOU SHOW THEM HOW
                        EXPRESS WHAT YOU’VE GOT,
                        OH BABY READY OR NOT
                        EXPRESS YOURSELF
KATIE                   I’VE GOT TO – I’VE GOT TO
ALL                     SO YOU CAN RESPECT YOURSELF
                        HEY, HEY                  Dim then Blackout lights on MADAONNA & COMPANY
CARMEN                 (In wonder)   Fancy Madonna coming all this way just to talk to you.
KATIE                  And it’s not just that. (Takes out a crumpled letter from her cleavage and a whistle on a chain
                       falls out) I’ve had a letter from a model agency.

ROXEY                  Girl! What is that thing doing round your neck?
CARMEN                 It’s a whistle. (Really believing there is a dog) Awww! ‘Ave you got a little doggy now?
KATIE                                It’s a rape alarm. Tel makes me wear it all the time.
                         (Embarrassed)
                         Anyway this letter ‘ere says they want me to go up West for a photo shoot.
ROXY                     For real? (Reads) Den Harper of London – Artistic Girl s. ‘Ere, is this legit?
KATIE                    Must be it’s on letterhead an’ it’s even got a Westminster postcode.
ROXY                     Up West? ‘Ere! Why don’t we check this place out?
KATIE                    Mum will never let me go up West. She says it’s full of degenerates.
ROXY                     Your mum ain’t gonna’ know. We’re gonna’ sneak out. (Exit)
(BOYS & GRANDDAD enter dressed in their finest togs. They are joined by available men -PENNYWISE & GREGORY stand by
the shop).
                          UPTOWN GIRL (Billy Joel)                                                Song# 5
ALL MEN (Including        AH______
GRANDDAD)                 AH________
RORY & DODGER             UPTOWN GIRL
                          OO’ IS LIVING IN HER UPTOWN WORLD
                          I BET SHE'S NEVER HAD A BACKSTREET GUY
TELBOY& GRANDDAD          I BET HER MOMMA NEVER TOLD HER WHY!
RORY & DODGER             I'M GONNA TRY FOR AN UPTOWN GIRL
                          OO’ IS LIVING IN HER WHITE BREAD WORLD
MEN (ex DODGE & RORY)     AND IS DESPERATE FOR HER OWN DAN
RORY & DODGER             OO’ IS NOW LOOKING FOR A DOWNTOWN MAN
                          THAT'S WHAT I AM
MEN (ex DODGE & RORY)     AND WHEN SHE KNOWS WHAT
                          SHE WANTS FROM HER TIME
                          AND WHEN SHE WAKES UP
                          AND MAKES UP HER MIND
                          SHE'LL SEE YOU’RE NOT SO TOUGH
RORY & DODGER             JUST BECAUSE I'M IN LOVE
                          WITH AN UPTOWN GIRL
                          YOU KNOW I'VE SEEN HER
                          IN HER UPTOWN WORLD
                          SHE'S GETTING TIRED
                          OF HER HIGH CLASS TOYS
                          AND ALL HER PRESENTS
                          FROM HER UPTOWN BOYS
                          SHE'S GOT A CHOICE
ALL MEN                   UPTOWN GIRL
                          YOU KNOW I CAN'T AFFORD TO BUY HER PEARLS
                          BUT MAYBE SOMEDAY WHEN MY SHIP COMES IN
                          SHE'LL UNDERSTAND WHAT KIND OF GUY I'VE BEEN
                          AND THEN I'LL WIN
DODGER                    AND WHEN SHE'S WALKING
                          SHE'S LOOKING SO FINE
RORY                      AND WHEN SHE'S TALKING
                          SHE'LL SAY THAT SHE'S MINE
MEN (ex DODGE & RORY)     SHE'LL SAY YOU’RE NOT SO TOUGH
RORY & DODGER             JUST BECAUSE I'M IN LOVE
                          WITH AN UPTOWN GIRL
                          OO’ IS LIVING IN HER WHITE BREAD WORLD
MEN (ex DODGE & RORY)      AND IS DESPERATE FOR HER OWN DAN
RORY & DODGER              OO’ IS NOW LOOKING FOR A DOWNTOWN MAN
                           THAT'S WHAT I AM
ALL MEN                    UPTOWN GIRL
                           SHE'S MY UPTOWN GIRL
                           YOU KNOW I'M IN LOVE
                           WITH AN UPTOWN GIRL (PENNYWISE exits into the shop but GREGORY remains)
(Boys exit DSL past the shop GRANDDAD goes to follow but TELBOT turns him to face home and gives him a gentle shove.
GREGORY watches them go)
GREGORY                   Looks like a lads’ night out. Can’t remember the last time when I had one of them.
                          Come to that I can’t remember when I had any sort of night out! That’s one of
                          drawbacks of working in my Uncle’s six till late shop. All work and no pay.
PENNYWISE                 (Entering form behind the shop) Gregory!

GREGORY                   And here’s the other drawback!
PENNYWISE                 Why didn’t you stop those lads and bring ‘em into the shop?
GREGORY                   ‘Cos they didn’t need anything.
PENNYWISE                 Ah! B-b-b-but if you had got them in, I could have persuaded them otherwise.
                          A good shopkeeper could sell Playboy to a nun
GREGORY                   The lads were headed up town. Do you think I could have a night off sometime?
PENNYWISE                 A night off? You mean you would leave me here to f-f-fend off shop lifters
                          all on my own? Really! You wound me sometimes,
GREGORY                   How do I wound you?
PENNYWISE                 That time I sat on your bicycle clip springs to mind. (Exits with a wince)
GREGORY                   He bent them all out of shape, but still managed to sell them to Mrs Grimshaw.
                          And she doesn’t even ride a bike! (Exits behind shop)
                           GIRLS JUST WAN T TO HAVE FUN                                                    Song# 6
ROXY (Sneaking in all      I COME HOME IN THE MORNING LIGHT,
dolled-up)                 MY MOTHER SAYS - "WHEN YOU GONNA LIVE YOUR LIFE RIGHT?"
                           OH,MOTHER,DEAR, WE'RE NOT THE FORTUNATE ONES,
                           AND GIRLS, THEY WANNA HAVE FU-UN.
                           OH,GIRLS, JUST WANNA HAVE FUN
CARMEN (Entering all       THE PHONE RINGS IN THE MIDDLE OF THE NIGHT,
dolled-up)                 MY FATHER YELLS "WHAT YOU GONNA DO WITH YOUR LIFE?"
                           OH,DADDY,DEAR, YOU KNOW YOU'RE STILL NUMBER ONE,
                 & ROXY    BUT GIRLS, THEY WANNA HAVE FU-UN,
                           OH,GIRLS,JUST WANNA HAVE (Available women enter)
ALL WOMEN                  (excluding NELLIE & WIDOWS) THAT'S ALL THEY REALLY WANT.....
ROXY & CARMEN              (Spoken)   Ssssh!!
ALL WOMEN                  SOME FUN.... .
(excluding NELLIE &        WHEN THE WORKING DAY IS DONE,
WIDOWS)                    OH,GIRLS,THEY WANNA HAVE FU-UN,
                                                                                  (KATIE sneaks ‘out’ all dolled
                           OH,GIRLS, JUST WANNA HAVE FUN.... GIRLS,               up)
                                           ROXY         (Spoken)   Katie!
                           THEY WANT
                                          KATIE        (Spoken)    Ssssh!!
                           WANNA HAVE FUN                                           Overlap dialogue & music
                                          KATIE        (Spoken)    I did a note
                           WANNA HAVE FUN
                                           KATIE       (Spoken)   For mum
                         GIRLS,
                                         KATIE         (Spoken)   Let’s go!
                         WANNA HAVE
KATIE                    SOME BOYS TAKE A BEAUTIFUL GIRL,
                         AND HIDE HER AWAY FROM THE REST OF THE WORLD.
                         I WANNA BE THE ONE TO WALK IN THE SUN.
                         OH,GIRLS, THEY WANNA HAVE FU-UN.
                         OH,GIRLS,JUST WANNA HAVE
ALL WOMEN                THAT'S ALL THEY REALLY WANT.....
KATIE, ROXY & CARMEN     (Spoken)   Ssssh!!
ALL WOMEN                SOME FUN.... .
                         WHEN THE WORKING DAY IS DONE,
                         OH,GIRLS,THEY WANNA HAVE FU-UN,
                         OH,GIRLS, JUST WANNA HAVE FUN....
                         GIRLS THEY WANT,
                         WANNA HAVE FUN.
                         GIRLS,WANNA HAVE.,
KATIE, ROXY & CARMEN     THEY JUST WANNA,
                         THEY JUST WANNA.....
                         THEY JUST WANNA,
ALL WOMEN                OH...
KATIE, ROXY & CARMEN     THEY JUST WANNA.....
ALL WOMEN                GIRLS JUST WANNA HAVE FUN...
                         OH...GIRLS JUST WANNA HAVE FU-UN...
KATIE, ROXY & CARMEN     THEY JUST WANNA,
                         THEY JUST WANNA....
                         THEY JUST WANNA,
                         THEY JUST WANNA....
ALL WOMEN                OH...
KATIE, ROXY & CARMEN     THEY JUST WANNA...
ALL WOMEN                THEY JUST WANNA HAVE FUN...
KATIE, ROXY & CARMEN     GIRLS JUST WANNA HAVE FU-UN...
ALL WOMEN                (GREGORY comes out of the shop and the girls dance round him)
                         WHEN THE WORKIN',
                         WHEN THE WORKING DAY IS DONE.
                         OH,WHEN THE WORKING DAY IS DONE,
                         OH,GIRLS...GIRLS, JUST WANNA HAVE FU-UN.
                                                                              Close Tabs- set up Soho club interior
GREGORY                 (After the girls) That’s it you go off and enjoy y’erselves Never mind me.
                        Quarter to eight and I’m still in the clutches of my wicked uncle.
                        If only I was in the clutches of Big Edna!
GLORIA                  (Entering from behind the shop)   Talking to y’erself, Gregory? They say that’s the
                        first sign of madness.
GREGORY                 You’d be mad too if you was locked up like a caged animal.
GLORIA                  Hearing the call of the wild, are we?
GREGORY                 Yes, but I never get the chance to answer it!
PENNYPINCH (offstage)   Oo’s that out there. There’s a b-b-burst packet of beans that needs pricing.
GREGORY                 It’s Gloria of the gold tops. And me a packet of beans just waiting to burst.
GLORIA                  (Takes GREGORY’s pricing gun/price stickers out of his apron pocket and sticks label on his brow)
                        There! Save you the trouble. (Exits)
GREGORY                  (Taking price label off and looking at it)   Ninety-eight pence. Not even a full pound!
PENNYPINCH                (Entering from behind the shop)    I want a w-w-word with you.
GREGORY                  That's three words.
PENNYPINCH               That girl, Big Edna. Have you been kn-kn-knocking
GREGORY                  No! I’ve only admired her from a distance.
PENNYPINCH               Let me finish! Have you been kn-kn-knocking coppers off her weekly order?
GREGORY                  You do the same for the widows Blewiit,, Grimshaw, and Featherstone!
PENNYPINCH               Not without putting them back somewhere else I don’t!
GREGORY                   You’d take the widow’s last penny, wouldn’t you? You can’t (mimicking PENNYWISE)
                          t t-t-take it with you. You’re not going to live forever you know.
PENNYPINCH               (Exiting behind the shop)   I'm going' to have a d-damn good try, aren't you?
GREGORY                  With all this enforced clean living I‘ll have no choice. (He removes goods and exits)
Soho, up West
During the next song Sunshine Rd set is transformed into Soho. Number 80 (DRL) changes into Madame Jo-Jo’s by
a sign saying ‘Club’ covering the upper window and the door becoming a beaded curtain. The shop (DSL) changes into a
sex shop by a sign saying ‘Sex’ covering the upper window and door becoming a beaded curtain.

                          I DON'T WANNA DANCE (Eddie Grant, 1982)                                         Song# 7
RAINCOATS &               I DON'T WANNA DANCE
WORKING GIRLS             DANCE WITH YOU BABY NO MORE
                          I'LL NEVER DO SOMETHING TO HURT YOU, THOUGH
                          OH BUT THE FEELING IS BAD
                          THE FEELING IS BAD
WORKING GIRLS             I LOVE YOUR PERSONALITY
RAINCOATS                 OH! BUT I DON’T WANT OUR LOVE TO SHOW
WORKING GIRLS             SOMETIMES I THINK IT'S INSANITY
RAINCOATS                 GIRL THE WAY YOU GO
                          WITH ALL OF THE GUYS ON THE CORNER
WORKING GIRLS             OH BABY, YOU'RE THE LATEST TRICK
RAINCOATS                 OH, YOU SEEM TO HAVE THEIR NUMBER
                          LOOK THEY'RE DANCING STILL
RAINCOATS &               I DON'T WANNA DANCE
WORKING GIRLS             DANCE WITH YOU BABY NO MORE
                          I'LL NEVER DO SOMETHING TO HURT YOU, THOUGH
                          OH BUT THE FEELING IS BAD
                          THE FEELING IS BAD
                          DON'T WANNA DANCE
                          DON'T WANNA DANCE
                          DON'T WANNA DANCE
                          DON'T WANNA DANCE
                          DON'T WANNA DANCE
                          DON'T WANNA DANCE
                          DON'T WANNA DANCE
                          I DON'T WANNA DANCE
                          DANCE WITH YOU BABY NO MORE
                          I'LL NEVER DO SOMETHING TO HURT YOU, THOUGH
                          OH BUT THE FEELING IS BAD
                          THE FEELING IS BAD
RORY                                                       Honestly, Tel. I’ve never been so embarrassed!
                                (Entering DSL followed by TELBOY)
                                When you said it was grown-up bookshop ,I f’ought you meant, Smiths .
TELBOY                          They ‘ad books didn’t they? ,
RORY                            Yes but with pictures! I didn’t know where to look.
TELBOY                          Well you was in that backroom for a long enough.
RORY                            I thought it was the exit. It was dark. I couldn’t find my way back out.
TELBOY                          Well I ‘ad to get some perry-moans. (Sprays himself liberally with scent)
                                They’re scientifically proven to attract women.
RORY                            Leave it out. You’ll ‘ave all the stray dogs chasing us.
TELBOY                          Anyways, if I embarrassed you back there, what about Dodger then?
DODGER                          (Entering with a well padded groin)   All right, Telboy?
RORY                            Crickey! It’s Lynford Christie.
DODGER                          (Waving groin about)    I reckon I’m going to get well noticed tonight.
RORY                            He will if it starts buzzing!
TELBOY                          (Going SL) Come on lads this is the club I used to go to when I was a teen.

DODGER                          Are you sure, Telboy? I looks a bit... pink. .
TELBOY                          What are you, colour prejudice or some’fink? Sure it looks a bit ponsy.
                                But that’s class, ain’t it? See w’ot it says ‘ere. Madame Jo Jo presents Miss Ruby
                                and Les Girls. That’s your actual French.
DODGER                          Les Girls, eh? Let me in. (They exit into the club – crew/company set bar, table and screen)
ANNOUNCER (offstage)            Welcome! Bienvenue, Willkommen, , Messieurs et Mesdames. You have
                                arrived at Madame Jo-Jo’s. Tonight we present the toast of the West-end,
                                Miss Ruby Venezuela ...and ....Les Girls. [Open tabs to reveal nightclub]
Madame Jo Jo’s
Centre is a blue sequin screen in front of which is RUBY and Les Girls. DSR is a table which TELBOY,RORY
& DODGER stand at. DSL is a small bar at which BOY GEORGE & MARILYN sit with their backs to the audience.
                                 I WILL SURVIVE                                                                    Song# 8
RUBY VENEZUEULA                  FIRST I WAS AFRAID I WAS PETRIFIED
(In half-light onstage at the    KEPT THINKING I COULD NEVER LIVE
club)                            WITHOUT YOU BY MY SIDE
                                 BUT I SPENT SO MANY NIGHTS
                                 THINKING HOW YOU DID ME WRONG
                                 I GREW STRONG I LEARNED HOW TO CARRY ON
                                 (Lights up on RUBY. LES GIRLS side-step in behind her with their backs to audience)
                                 AND SO YOU'RE BACK FROM OUTER SPACE
                                 I JUST WALKED IN TO FIND YOU HERE
                                 WITH THAT SAD LOOK UPON YOUR FACE
                                 I SHOULD HAVE CHANGED MY STUPID LOCK
                                 I SHOULD HAVE MADE YOU LEAVE YOUR KEY
                                 IF I HAD KNOWN FOR JUST ONE SECOND
                                 YOU'D BE BACK TO BOTHER ME
             with Les Girls      (Turning round to face front)
                                 GO ON NOW GO WALK OUT THE DOOR
                                 JUST TURN AROUND NOW
                                 'CAUSE YOU'RE NOT WELCOME ANYMORE
                                 WEREN'T YOU THE ONE WHO TRIED TO HURT ME WITH GOODBYE
                                 YOU THINK I'D CRUMBLE
                                 YOU THINK I'D LAY DOWN AND DIE
                                 OH NO, NOT I - I WILL SURVIVE
                            AS LONG AS I KNOW HOW TO LOVE
                            I KNOW I WILL STAY ALIVE
                            I'VE GOT ALL MY LIFE TO LIVE
                            I'VE GOT ALL MY LOVE TO GIVE
                            AND I'LL SURVIVE - I WILL SURVIVE
RUBY VENEZUEULA             IT TOOK ALL THE STRENGTH I HAD
                            NOT TO FALL APART
                            KEPT TRYING HARD TO MEND
                            THE PIECES OF MY BROKEN HEART
                            AND I SPENT OH SO MANY NIGHTS
                            JUST FEELING SORRY FOR MYSELF
          with Les Girls    I USED TO CRY
                            NOW I HOLD MY HEAD UP HIGH
                            AND YOU SEE ME - SOMEBODY NEW
RUBY VENEZUEULA             I'M NOT THAT CHAINED UP LITTLE PERSON
                            STILL IN LOVE WITH YOU
          with Les Girls    AND SO YOU FELT LIKE DROPPING IN
                            AND JUST EXPECT ME TO BE FREE
                            NOW I'M SAVING ALL MY LOVING
                            FOR SOMEONE WHO'S LOVING ME
(Applause as RUBY and LES GIRLS bow and exit)
TELBOY                     C’or that Ruby’s a bit exotic. I f’ink I’ll go and see if she fancies a tay-toe-tent.
OSCAR                      (IN his dog collar. Comes to the table rattling a charity tin) Ev’ning, gents.
                           Could you spare some change? We’re collecting for fallen women.
TELBOY                     (Puts a fiver in the tin) Well save me one. I‘ll pick her up latter (OSCAR exits. TELBOY moves
                           to centre spraying himself with scent) Oi! Ruby! Are you indecent? (Exits behind curtain)

DODGER                     (Looking at the bar) ’Ere Rory.      Take a gander at those two uptown girls at the bar.
RORY Y                     (Looks at the bar)   Nice one, Dodger. A blond and a brunette. My favourite.
DODGER                     What is? Blond or the brunette?
RORY                       Well...er. Either really. I’m not fussy.
DODGER                     ‘Cos I really like blonds.
RORY                       Well I really like brunettes.
DODGER                     Sorted. Come on let’s chat them up.
                           (They go to the bar. DODGER outs his arm round the blond& RORY puts his round the brunette)

BOY GEORGE                 (Turning round) Well hello there!

MARILYN                    (Turning round) Hiya, big boy.                                               SFX: Buzzing sound
DODGER                     (Clutching at his groin)   Aaaaah!
BOY GEORGE                 You must be happy to see us! (RORY & DODGER back away to centre).
TELBOY                     (Bustling backwards through the blue sequin curtain. Said to Ruby behind the curtain)
                            All right. Keep your draws on. PLEASE! (To himself as he mps his brow)
                           Crikey! That’s the last thing I expected to see in a ladies changing room!
                           Rory. Dodger. Let’s go. F’ank goodness no one we know is here.
                           (Grinning as he and the boys back away) Gotta’ go. Left the roller on a meter.
(They back away and bump into WPC LIGHTFOOT dressed as a goodtime girl ad trying to keep her bust under cover)
WPC LIGHTFOOT              Sorry I wasn’t look... Trevor Milroy! What are you doing here?
TELBOY                     I could ask you the same. (Looks at her bust) Are those police issue?
WPC LIGHTFOOT              I’m undercover.
TELBOY                 Yes but only just!
WPC LIGHTFOOT          We’ve had a tip off that a pornographer is operating in this vicinity.
DODGER                 What and you f’ought you’d try out?                                       SFX: Buzzing sound
                       (Clutching at his groin)   Aaaaah!                                  SFX:Blows from a whistle
KATIE                  (Backing onstage to get away from DIRTY DEN and clutching onto ROXY & CARMAN while she blows her
                       whistle. The club comes to a halt and OSCAR enters to see what the commotion is)
                       Keep way from me you....you ...seducer!
ROXY                   Stick your Polaroid where the sun don’t shine
CARMAN                 Yeah! In your dark room.
DIRTY DEN              I only wanted y’er to get y’er top off!
OSCAR                  (Rushing up to DIRTY DEN)    Why you... (punches him and DIRTY DEN falls down) Dirty man!
WPC LIGHTFOOT          Dirty Den, you’re nicked (She puts handcuffs on him)
KATIE                  My hero! (Hugs and kisses OSCAR)
TELBOY                 (Spinning WPC LIGHTFOOT into an embrace)    Ain’t she just!
OSCAR                  Just call me Oscar (Sweeps KATIE into his arms and kisses her)
TELBOY                 An’ you can call me Telboy. (Kisses her)
ALL                    Hooray!                                                            Close Tabs – strike club
(During the next song the shop and number 80 transform back into Sunshine Rd)
                        LET'S HEAR IT FOR THE BOY                                                  Song #9
KATIE                   MY BABY, HE DON'T TALK SWEET
                        HE AIN'T GOT MUCH TO SAY
                        BUT HE LOVES ME, LOVES ME, LOVES ME
                        I KNOW THAT HE LOVES ME ANYWAY
                        AND MAYBE HE DON'T DRESS FINE
                        BUT I DON'T REALLY MIND
                        CUZ EVERY TIME HE PULLS ME NEAR
                        I JUST WANNA CHEER
ALL                     LET'S HEAR IT FOR THE BOY
                        LET'S GIVE THE BOY A HAND
                        LET'S HEAR IT FOR MY BABY
                        YOU KNOW YOU GOTTA UNDERSTAND
                        WHOA, MAYBE HE'S NO ROMEO
                        BUT HE'S A LOVIN' ONE-MAN SHOW
                        WHOA, WHOA, WHOA, WHOA
                        LET'S HEAR IT FOR THE BOY
WPC LIGHTFOOT           MY BABY MAY NOT BE RICH
                        HIS EARNINGS ARE A CRIME
                        BUT HE LOVES ME, LOVES ME, LOVES ME
                        AND WE ALWAYS HAVE A REAL GOOD TIME
                        AND MAYBE HE SINGS OFF KEY
                        BUT THAT'S ALRIGHT BY ME
                        CUZ WHAT HE DOES HE DOES SO WELL
                        MAKES ME WANNA YELL
ALL                     LET'S HEAR IT FOR THE BOY
                        LET'S GIVE THE BOY A HAND
                        LET'S HEAR IT FOR MY BABY
                        YOU KNOW YOU GOTTA UNDERSTAND
                        MAYBE HE'S NO ROMEO
                        BUT HE'S MY LOVIN' ONE-MAN SHOW
                               WHOA, WHOA, WHOA, WHOA
                               LET'S HEAR IT FOR THE BOY
KATIE &                        MAYBE HE'S NO CASANOVA
WPC LIGHTFOOT                  STILL HIS KISSES BOWL ME OV-AH! (They grab OSCAR & TELBOY and kiss them)
ALL                            LET'S HEAR IT FOR THE BOY
                               LET'S GIVE THE BOY A HAND
                               LET'S HEAR IT FOR MY BABY
                               YOU KNOW YOU GOTTA UNDERSTAND
KATIE &                        OH, HE DON'T SCORE AT BOWL-A-RAMA
WPC LIGHTFOOT                  STILL, YOU GOTTA THANK HIS MAMA (They grab OSCAR & TELBOY and kiss them)
ALL                            WHOA, WHOA WHOA WHOA
                               LET'S HEAR IT FOR THE BOY
                               HEAR IT FOR MY MAN
                               LET'S HEAR IT FOR MY BABY (Exit)                                      Blackout
Sunshine Rd
(GLORIA at DSR with a cradle of full milk bottles and distributes these as NELLIE appears DSR clutching KATIE’s note)
NELLIE                       (At DSR with KATIE’s note. Screams)   Arggggh (Rushes over to GLORIA) Gloria!
                             Have you seen my Catherine?
GLORIA                       No, Mrs Milory. Something wrong?
NELLIE                       (Wails)   Awwwwwol!
Mrs FEATHERSTONE             (Enters centre stage with widows BELWITT & GRIMSHAW)        Whatever is the matter?
Mrs BLEWITT                  Has your Tel been arrested? Well, it was only a matter of time.
NELLIE                       No! He hasn’t! My Catherine’s been out all night (Blewitt & Featherstone comfort her)
Mrs GRIMSHAW                 Heavens above! She could have been lured into being a gangster’s moll
                             and life of vice! (NELLIE wails)
GLORIA                       I doubt that!
Mrs GRIMSHAW                 (Warming to her theme) Or lying in some Chinese opium den. (NELLIE wails)
GLORIA                       I very much doubt that!
Mrs GRIMSHAW                  Or kidnapped by white slave traders (NELLIE wails)
GLORIA                       I defiantly doubt that! Look she’s probably gone to a party and slept over
                             (NELLIE wails) On her own, I mean. You know on someone’s sofa. She’ll be home
                             soon. Try not to worry..
NELLIE                        Don’t worry!? Don’t worry! It’s a mother’s job to worry....
                               I SAY A LITTLE PRAYER (Slow tempo)                                               Song# 10
NELLIE                         THE MOMENT I WAKE UP
                               BEFORE I PUT ON MY MAKEUP
                               I SAY A LITTLE PRAYER FOR YOU
                               WHILE COMBING MY HAIR, NOW,
                               AND WONDERING WHAT DRESS TO WEAR, NOW,
                               I SAY A LITTLE PRAYER FOR YOU
           with WIDOWS         FOREVER, FOREVER,
                               YOU'LL STAY IN MY HEART
                               AND I WILL LOVE YOU
                               FOREVER, FOREVER,
                               WE NEVER WILL PART
                               OH, HOW I'LL LOVE YOU
                               TOGETHER, TOGETHER,
                               THAT'S HOW IT MUST BE
                               TO LIVE WITHOUT YOU
                           WOULD ONLY BE HEARTBREAK FOR ME.
NELLIE                     MY DARLING BELIEVE ME,
                           FOR ME THERE IS NO ONE - BUT YOU. (NELLIE Exits back into number 80)
GREGORY                    (Enters from shop with an over-stuffed rucksack wearing Levi jeans looking like a student on a gap
                           Year) Morning ladies. (Does physical jerks involving bending his knees and flinging his arms out)

Mrs FEATHERSTONE           What’s he doing that for? It’s not that dirty dancing is it? Anything that’s got
                           that word in it has to need cleaning... or banning!
GREGORY                    I am shaping up and preparing myself for my world tour.
Mrs FEATHERSTONE           What’s he talking about? Gloria you understand him.
GLORIA                     (To Mrs FEATHERSTONE)    I think he’s running away from home.
Mrs BLEWIIT                Oh! Is that all? He’ll be back before tea time, you mark my words,
GREGORY                    I will not! I am off to take in the pyramids, Kasbahs, and the follies bergere.
Mrs FEATHERSTONE           Don’t be daft. You’ll never get all that in your bedroom.
GREGORY                    I know. That’s why I’m leaving. I am going to travel and explore the world ‘s
                            highways and by-ways. And with any luck some low ways too!
Mrs GRIMSHAW               ‘Ooooo! You’ll regret it.
GREGORY                    Regrets? I’ve had a few. But then again... I’ll regret it a whole lot more if I stay.
                           (Declaiming) Fare thee well. Worry not about me for I am going to a far, far better
                           place. (Goes to DSR) I’ll send you a post-card from Dover, Gloria. (Exits DSR)
GLORIA                     Don’t worry he says!? Don’t worry! Doesn’t he know it’s a friend’s job to worry?
                           I SAY A LITTLE PRAYER (To tempo)                                              Song# 10a
GLORIA                     THE MOMENT I WAKE UP
                           BEFORE I PUT ON MY MAKEUP
                           I SAY A LITTLE PRAYER FOR YOU
                           WHILE COMBING MY HAIR, NOW,
                           AND WONDERING WHAT DRESS TO WEAR, NOW,
                           I SAY A LITTLE PRAYER FOR YOU
          with WIDOWS      FOREVER, FOREVER,
                 & Girls   YOU'LL STAY IN MY HEART
                           AND I WILL LOVE YOU
                           FOREVER, FOREVER,
                           WE NEVER WILL PART
                           OH, HOW I'LL LOVE YOU
                           TOGETHER, TOGETHER,
                           THAT'S HOW IT MUST BE
                           TO LIVE WITHOUT YOU
                           WOULD ONLY BE HEARTBREAK FOR ME.
GLORIA                     I RUN FOR THE BUS, DEAR,
                           WHILE RIDING I THINK OF US, DEAR,
                           I SAY A LITTLE PRAYER FOR YOU.
                           AT WORK I JUST TAKE TIME
                           AND ALL THROUGH MY COFFEE BREAK-TIME,
                           I SAY A LITTLE PRAYER FOR YOU.
          with WIDOWS      FOREVER, FOREVER,
                 & Girls   YOU'LL STAY IN MY HEART
                           AND I WILL LOVE YOU
                           FOREVER, FOREVER,
                           WE NEVER WILL PART
                         OH, HOW I'LL LOVE YOU
                         TOGETHER, TOGETHER,
                         THAT'S HOW IT MUST BE
                         TO LIVE WITHOUT YOU
                         WOULD ONLY BE HEARTBREAK FOR ME.
GLORIA                   MY DARLING BELIEVE ME,
                         FOR ME THERE IS NO ONE - BUT YOU.

NELLIE                   (Entering from Number 80)     I’ve checked all the hospitals. No sign of her.
                         (Of DSL there is a noise of TELBOY & company returning)
Mrs FEATHERSTONE         (Moving with WIDOWS to DSL to see)   Whatever is all that commotion? .
Mrs BLEWITT              Look! It’s your Trevor. And he’s in the arms of the law by the looks of it.
GLOIRA                   Well he doesn’t seem to be resisting WPC Lightfoot.
Mrs GRIMSHAW             He’ll end up with a life sentence, you mark my words.
Mrs FEATHERSTONE         (Moving with WIDOWS to DSL)    Isn’t that your Katie? She’s holding hands with a vicar!
NELLIE                   (Dashing to DSL to see)   Mercy me! My Katie’s got in with the god squad!
Mrs BLEWITT              Don’t you want her to get religion?
NELLIE                   Yes. So long as it’s religion of Our Holy Lady down the road. But he’s a protestant!
Mrs FEATHERSTONE         I'm not a religious woman, but I find if you say no to everything you can hardly
                         tell the difference.
(The Milroy siblings ROXY, CARMAN, LIGHTFOOT & OSCAR enter with the rest of the company).
NELLIE                   Catherine Patricia Milory! Where have you been!?
TELBOY                   Mum. She’s ‘ere now all safe and sound. We’re all here. Back on Sunshine Road.
                         And don’t it feel good?

                         WALKING ON SUNSHINE (Katrina & The Waves)                                       Song # 11
ALL                      OH! OHHHH YEEEH
                         I USED TO THINK MAYBE YOU LOVED ME - NOW BABY I'M SURE
                         AND I JUST CANT WAIT TILL THE DAY
                         WHEN YOU KNOCK ON MY DOOR
                         NOW EVERYTIME I GO FOR THE MAILBOX ,
                         GOTTA HOLD MYSELF DOWN
                         COS I JUST WAIT TILL YOU WRITE ME YOUR COMING AROUND
                         I'M WALKING ON SUNSHINE , WOOAH (X 3)
                         AND DON'T IT FEEL UPOD!!
                         HEY , ALRIGHT NOW
                         AND DONT IT FEEL GOOD!! HEY YEH
                         I USED TO THINK MAYBE YOU LOVED ME,
                         NOW I KNOW THAT ITS TRUE
                         AND I DON'T WANT TO SPEND ALL MY LIFE ,
                         JUST IN WAITING FOR YOU
                         NOW I DON'T WANT U BACK FOR THE WEEKEND
                         NOT BACK FOR A DAY , NO NO NO
                         I SAID BABY I JUST WANT YOU BACK AND I WANT YOU TO STAY
                         WOAH YEH!
                         I'M WALKING ON SUNSHINE , WOOAH (X 3)
                         AND DON'T IT FEEL GOOD!!
                         HEY , ALRIGHT NOW
                         AND DON'T IT FEEL GOOD!!
                         HEY YEH ,OH YEH
                         AND DON'T IT FEEL GOOD!!
                              WALKING ON SUNSHINE - WALKING ON SUNSHINE
                              I FEEL THE LOVE,I FEEL THE LOVE, I FEEL THE LOVE THAT'S REALLY REAL (X 2)
                              I'M ON SUNSHINE BABY OH (X2)
                              I'M WALKING ON SUNSHINE WOOAH (X 3)
                              AND DON'T IT FEEL GOOD!!
                              I'LL SAY IT AGAIN NOW
                              AND DON'T IT FEEL GOOD!!                                                  Blackout

                                       ---------------INTERVAL-------------------
ACT TWO; Sunshine Rd, Hackney/the Milroy’s (As per Act One)
GRANDDAD                     (Bangs on floor with waking stick) Are you there? Why’s it dark?   Lights come up.
                             (Sees t he audience) You lot still ‘ere gawping?
                             (Bangs on floor with waking stick) Wakey! Wakey! Where’s my breakfast? ‘
(GLORIA appears DSR with a cradle of full milk bottles which she distributes SR to SL as RORY appears DSR and half
asleep makes a cuppa)
                              OUR HOUSE (Madness)                                                                    Song# 11a
RORY                          (Collecting milk from front step)
                              GRANDDAD WEARS HIS SUNDAY BEST
                              MOTHER'S TIRED SHE NEEDS A REST
                              THE KIDS ARE PLAYING UP DOWNSTAIRS
                              SISTER'S SIGHING IN HER SLEEP
KATIE                         (Spoken) Oh! Oscar!
RORY                          SISTER’S GOT A DATE TO KEEP
KATIE (Fully dressed)         (Spoken ass he nicks the cuppa) Thanks, Rory. (She sits at the table, Checks
                              the post but sees there’s nothing for her)
RORY                          SHE CAN'T HANG AROUND
                              (Katie reads a magazine. NELLIE and TELBOY appears with a pregnant
                              LIGHTFOOT They are clearly hiding something)
        with GRANDDAD         OUR HOUSE, IN THE MIDDLE OF OUR STREET
                              OUR HOUSE, IN THE MIDDLE OF OUR ...
ALL                           (Suddenly appearing from under and behind the table and other places. Some
(led by Roxy & Carman)        blow party squeakers. Some wear party hats. We are now in a party as it is
                              KATIE’S 18st Birthday – depicted by balloons and a banner)
                              Surprise! (Led by Carman and Roxy the youngsters dance)
RORY                          OUR HOUSE IT HAS A CROWD
                              THERE'S ALWAYS SOMETHING HAPPENING
                              (The Widows produce a birthday cake)
                              AND IT'S USUALLY QUITE LOUD
             with TELBOY      OUR MUM SHE'S SO HOUSE-PROUD
                              NOTHING EVER SLOWS HER DOWN
                              AND A MESS IS NOT ALLOWED
ALL                           OUR HOUSE, IN THE MIDDLE OF OUR STREET
                              OUR HOUSE, IN THE MIDDLE OF OUR ...
                              OUR HOUSE, IS OUR CASTLE AND OUR KEEP
                              OUR HOUSE, IN THE MIDDLE OF ....
                              DA DA DA DA DA DA DA
                              DA-DA DA-DA DA-DA
                              DA-DA DA-DA DA-DA HEY!
                   Group1     NA NA NA NA NA NA NA (X3)                      Group2     AY YAY YAY YA (X3)
                              NA NA NA NA NA NA NA                                      AY YAY
ALL                     DA LA DA LA DA LA LA (X2)
                        DA LA LA DA LA DA LA LA
                        DA DA LA DA DA
                        NA NA NA NA
                        DA LA DA LA DA LA LA (X2)
                        DA LA LA DA LA DA LA LA
                        DA DA LA DA DA
                        NA NA NA NA (Led by Carmen and Roxy the youngsters dance )
                        OUR HOUSE, IN THE MIDDLE OF OUR STREET (X3)
                        OUR HOUSE, IN THE MIDDLE OF OUR ...
                        OUR HOUSE, IN THE MIDDLE OF OUR STREET (X2)
                        OUR HOUSE, IN THE MIDDLE OF OUR ...
                        OUR HOUSE, IS OUR CASTLE AND OUR KEEP
                        OUR HOUSE, IN THE MIDDLE OF OUR.. (X2).
                        OUR HOUSE, IN THE MIDDLE OF OUR STREET

NELLIE                 (Handing over a gift box) Many Happy returns, Katie. It’s another whistle –
                       a bigger one! t’s got you name engraved on it.
KATIE                  What? Catherine?
NELLIE                 No. Katie. It was cheaper!
ROXY                   (Handing KATIE a gift wrapped record album) And we got you this.
CARMAN                 It’s Madonna’s latest album.
TELBOY                 (Handing over a small gift-wrapped box) ‘Appy returns from Rory, me and the missus.

NELLIE                 Trevor Patrick Milory! You’re not married! She’s your girlfriend.
                       Your pregnant girlfriend!
WPC LIGHTFOOT          His common-law-wife. And don’t worry about the present, Katie. I chose it.
                       It’s a charm bracelet.
KATI E                 Thanks everyone. I‘ll open my presents later. But first Oscar and I have an
                       announcement. (Excited ) We got married yesterday! (Flashes a ring)
ROXY & CARMAN          (Delighted scream) Argggggh.   Oh my god! Oh my god! (Jump about with KATIE looking at
                       her engagement ring)
NELLIE                 Married! But you’ve only just turned nineteen! .Why on earth did you do that for?
OSCAR                  Perhaps I can explain.......
                        CRAZY LITTLE THING CALLED LOVE           (Queen)                             Song# 12
OSCAR                   THIS THING CALLED LOVE I JUST CAN'T WAIT FOR IT
                        THIS THING CALLED LOVE I MUST GET DOWN TO IT
                        I’M SO READY
                        CRAZY LITTLE THING CALLED LOVE           ALL (Except NELLIE)
                        THIS THING                                  THIS THING
                        CALLED LOVE                                 CALLED LOVE
                        IT CRIES                                    LIKE A BABY
                        IN A CRADLE ALL NIGHT
                        IT SWINGS                                   WOO WOO
                        IT JIVES                                    WOO WOO
                        IT SHAKES ALL OVER LIKE A JELLY FISH
                        I KINDA LIKE IT
            With ALL    CRAZY LITTLE THING CALLED LOVE
OSCAR                   THERE GOES MY BABY
                        SHE KNOWS HOW TO ROCK'N'ROLL
                        SHE DRIVES ME CRAZY
                        SHE GIVES ME HOT AND COLD FEVER
                    THEN SHE LEAVES ME IN A COOL COOL SWEAT
                    I GOTTA BE COOL RELAX GET HIP!
                    GET ON MY TRACKS
                    TAKE A BACK SEAT
                    HITCH HIKE
                    WON’T TAKE A LONG RIDE ON MY MOTOR BIKE
                    ‘COS I AM READY
                    CRAZY LITTLE THING CALLED LOVE
ALL                 I GOTTA BE COOL RELAX GET HIP!
                    GET ON MY TRACK'S
                    TAKE A BACK SEAT
                    HITCH HIKE
                    WON’T TAKE A LONG RIDE ON MY MOTOR BIKE
           OSCAR    ‘COS I AM READY                                   ALL   READY STEADY
             ALL    CRAZY LITTLE THING CALLED LOVE
                    THIS THING CALLED LOVE I JUST CAN'T WAIT FOR IT
                    THIS THING CALLED LOVE I MUST GET DOWN TO IT
OSACR               I’M SO READY
ALL                 CRAZY LITTLE THING CALLED LOVE
NELLIE              Crazy is just about right!
OSCAR               Aw! Mrs Mil... I mean,,,Ma, can’t you just be happy for us?
NELLIE              Can’t see what there’s to be happy about. Me an unmarried grandmother
                    with a protestant son-in-law. Oh! The shame of it! Could things get any worse?

NICK               (Appearing suddenly)   Is this a private party or can anyone join in?
GRANDDAD           What the ‘ell are you doing ‘ere?
NICK               And it’s n ice to see you too.... Dad. Still ticking over? Looking after your
                   granddad’s watch too, I hope.
TELBOY             Don’t you dare say that word . ‘Dad’. You don’t the meaning of it.
                   You walked out on mum and us kids eleven years ago.
NELLIE             That’s enough, Tel. This is between me and your father. Now everybody,
                   in the front parlour there’s a spread laid out. Off you go. (Company exit )
NICK               Still giving the orders, I see? That’s my Nellie.
NELLIE             Pity you didn’t remember that eleven years ago!
NICK               Ah! (Grabs his chest and sits) Don’t mind me. It’s just a heart murmur.
                   See that’s why I came to see you. I wanted to make amends before....
                   before it was too late. I know I’ve not done right by you, Nellie.
                   And I’m sorry for it. Honest......

                    ALWAYS ON MY MIND Pet Shop Boys                                        Song #13
NICK                MAYBE I DIDN'T TREAT YOU
                    QUITE AS GOOD AS I SHOULD
                    MAYBE I DIDN'T LOVE YOU
                    QUITE AS OFTEN AS I COULD
                    LITTLE THINGS I SHOULD'VE SAID AND DONE
                    I NEVER TOOK THE TIME
                    YOU WERE ALWAYS ON MY MIND
                    YOU WERE ALWAYS ON MY MIND
                    MAYBE I DIDN'T HOLD YOU
                    ALL THOSE LONELY, LONELY TIMES
                         AND I GUESS I NEVER TOLD YOU
                         I'M SO HAPPY THAT YOU'RE MINE
                         IF I MADE YOU FEEL SECOND BEST
                         I'M SO SORRY, I WAS BLIND
                         YOU WERE ALWAYS ON MY MIND
                         YOU WERE ALWAYS ON MY MIND
                         TELL ME - TELL ME THAT YOUR SWEET LOVE HASN'T DIED
                         GIVE ME - ONE MORE CHANCE TO KEEP YOU SATISFIED
                         SATISFIED
                         LITTLE THINGS I SHOULD'VE SAID AND DONE
                         I NEVER TOOK THE TIME
                         YOU WERE ALWAYS ON MY MIND
                         YOU WERE ALWAYS ON MY MIND
                         TELL ME - TELL ME THAT YOUR SWEET LOVE HASN'T DIED
                         GIVE ME - ONE MORE CHANCE TO KEEP YOU SATISFIED
                         YOU WERE ALWAYS ON MY MIND
NELLIE                   YOU WERE ALWAYS ON MY MIND
NICK                     YOU WERE ALWAYS ON MY MIND
NELLIE                   YOU WERE ALWAYS ON MY MIND
            With NICK    MAYBE I DIDN'T TREAT YOU
                         QUITE AS GOOD AS I SHOULD
                         MAYBE I DIDN'T LOVE YOU
                         QUITE AS OFTEN AS I COULD
                         MAYBE I DIDN'T HOLD YOU
                         ALL THOSE LONELY, LONELY TIME
NICK                     I GUESS I NEVER TOLD YOU
                         I'M SO HAPPY THAT YOU'RE MINE
NELLIE                   MAYBE I DIDN'T LOVE YOU...

NICK                    Well That’s what I came to say, Nellie. I guess I better leave you to your
                        party. I’ve got to find a cheap B&B.
NELLIE                  No you don’t. You’ll stay here where I can keep an eye on you. I’m still your wife.
                        You can have our bed....I’ll be on the sofa downstairs. I’ll get it ready. (Exits)
TELBOY                  (Enters with PENNYWISE & RORY)
                        You still ‘ere? Fought Mum would ‘ave slung you out by now.
NICK                          Better get used to it. Telboy. I’ve been invited to stay. I plan to be
                        (Rising)
                        around for a while (Exits)
PENNYWISE               D'yer know what he needs? A good walloping.
RORY                    Oh, yeah and who's Gonna’ give it to him?
PENNYWISE               I... I... I am! (Exits to his shop)
TELBOY                  Oh! All three of you!
GRANDDAD                (Entering) I s’pose ‘e’s still ‘ere? Never get rid of ‘im now.
RORY                    Yeah. But why is he here? It can’t be to play daddy.
GRANDDAD                Oh! I know why e’s ‘ere. E’s after my grandfather’s solid gold hunter watch.
TELBOY                  W’ot that old f’ing. ‘Old on a mo! What do y’er mean solid gold.
                        I f’ought it was just a gold plated knock-off.
GRANDDAD                No! Tel. It’s the real McCoy. Worth a few bob it is. That’s why that no good
                        son of mine wants to get ‘is sticky fingers on it. Probably run out of
                        the readies and wants to pawn it. That’s why I never let ‘im ‘ave it.
RORY                      The low down thieving bas....
TELBOY                    All right Rory. Do you mean to say that that man who calls ‘iself our Dad gets
                          his grubby paws on that there watch, he’ll leave mum an’ us lot alone for good?
GRANDDAD                  You can bet your life in it.
TELBOY                    No. Granddad. But I can bet yours.
GRANDDAD                  You’re not going to kill me are you, Tel?.
TELBOY                    No! Course I’m not. You’re just going to play dead.
                          Now ‘ere’s what we’re going to do...                                Blackout
SUNSHINE Rd
                          ONE WAY OR ANOTHER (Blondie)                                       Song #14
MEN entering dressed as   ONE WAY OR ANOTHER,
as hit-men                I'M GONNA FIND YA'
                          I'M GONNA GET YA',
                          GET YA', GET YA', GET YA'
                          ONE WAY OR ANOTHER,
                          I'M GONNA WIN YA'
                          I'M GONNA GET YA',
                          GET YA' ,GET YA', GET YA'
                          ONE WAY OR ANOTHER,
                           I'M GONNA SEE YA'
                          I'M GONNA MEET YA',
                          MEET YA', MEET YA', MEET YA'
                          ONE DAY MAYBE NEXT WEEK,
                          I'M GONNA MEET YA'
                          I'M GONNA MEET YA', I'LL MEET YA'
                          I WILL DRIVE PAST YOUR HOUSE
                          AND IF THE LIGHTS ARE ALL DOWN
                          I'LL SEE WHO'S AROUND
         with ALLGIRLS    ONE WAY OR ANOTHER, I'M GONNA FIND YA'
                          I'M GONNA GET YA', GET YA', GET YA', GET YA'
                          ONE WAY OR ANOTHER, I'M GONNA WIN YA'
                          I'LL GET YA', I'LL GET YA'
ALL WOMEN                 ONE WAY OR ANOTHER,
                           I'M GONNA SEE YA'
                          I'M GONNA MEET YA',
                          MEET YA', MEET YA', MEET YA'
                          ONE DAY MAYBE NEXT WEEK
                          ,I'M GONNA MEET YA'
                          I'LL MEET YA' AH
                          AND IF THE LIGHTS ARE ALL OUT
                           I'LL FOLLOW YOUR BUS DOWNTOWN
                          SEE WHO'S HANGIN' OUT
                          ONE WAY OR ANOTHER,
                          I'M GONNA LOSE YA'
                          I'M GONNA GIVE YOU THE SLIP
                          A SLIP OF THE LIP OR ANOTHER
                          I'M GONNA LOSE YA'
                          I'M GONNA TRICK YA', I'LL TRICK YA'
                          ONE WAY OR ANOTHER, I'M GONNA LOSE YA'
                          I'M GONNA TRICK YA',
                          TRICK YA', TRICK YA', TRICK YA'
                          ONE WAY OR ANOTHER,
                           I'M GONNA LOSE YA'
                          I'M GONNA GIVE YOU THE SLIP
                           I'LL WALK DOWN THE MALL,
                           STAND OVER BY THE WALL
                           WHERE I CAN SEE IT ALL,
                           FIND OUT WHO YA' CALL
                           LEAD YOU TO THE SUPERMARKET CHECKOUT,
                           SOME SPECIALS AND RAT FOOD
                           GET LOST IN THE CROWD
              with MEN     ONE WAY OR ANOTHER
                            I'M GONNA GET YA'
                           I'LL GET YA'
                           I'LL GET YA', GET YA', GET YA', GET YA'
                           WHERE I CAN SEE IT ALL,
                           FIND OUT WHO YA' CALL

Sunshine Road : outside the shop
Mrs BLEWITT               I see that Nick Milroy’s back again. Large as life and knocking back doubles.
                          Mind you ,I wouldn't give tuppence for his kidneys. ‘Ow much is your best
                          boiled ham?
PENNYWISE                 Oh! Splashing out, are we Mrs Blewitt?
MRS BLEWITT               It’s for the ham tea after Bert Milroy’s funeral. Are you going?
PENNYWISE                 Yes. Even though it's very unlikely that he'll ever come to mine.
Mrs BLEWITT               It was so very sudden. But that’s death for you. He doesn’t leave
                          a calling card or give you any warning.
PENNYWISE                 Must be related to the VAT man then! He never warns he’s coming either!
Mrs BLEWITT               Oh! I do like a good funeral and a ham tea. And I’ll have a large washing-up liquid
                          as well. (Exits n to the shop)
PENNYWISE                 Really? I think I'll join you. (Goes to exit into the shop)
GLORIA                   (Entering DSL)   Mister Pennywise. I got another postcard from Gregory.
PENNYWISE                 I got one this s morning. He certainly is doing his bit to keep the post moving.
                          Is the little loco still in Tokyo?
GLORIA                   No. This one’s from Crete.
PENNYWISE                 Tokyo to Create all in one morning!? . Well I never! . Still at least he’ll be at
                          home in Crete among all those cretins. (Exits with GLORIA into the shop)
NICK                      (Enters DSR swigging from a hip flaks and swaying as he sings)
                          Indicate the way to my abode. I’m tired an’.... Hey!
                           Why the house in darkness? What’s going on?                        Tabs open
Granddad’s Wake - the Milroy’s house
At centre is a coffin propped up to reveal GRANDDAD lying in sate. Gathered around is the full company in mourning.
Granddad is not happy at playing dead.
                           DON’T LEAVE ME THIS WAY (The Communards)                                Song #15
WIDOWS                     DON'T LEAVE ME THIS WAY
                           I CAN'T SURVIVE, I CAN'T STAY ALIVE
                           WITHOUT YOUR LOVE, NO BABY
                           DON'T LEAVE ME THIS WAY
                           I CAN'T EXIST, I WOULD SURELY MISS
                           YOUR TENDER KISS
                           SO DON'T LEAVE ME THIS WAY
ALL                        AAAHH BABY,
                           MY HEART IS FULL OF LOVE AND DESIRE FOR YOU
                           SO COME ON DOWN AND DO WHAT YOU'VE GOT TO DO
                        YOU STARTED THIS FIRE DOWN IN MY SOUL
                        NOW CAN YOU SEE IT'S BURNING OUT OF CONTROL
                        SO COME ON DOWN AND SATISFY THE NEED IN ME
                        COS ONLY YOUR GOOD LOVING CAN SET ME FREE
NELLIE, KATIE, ROXY &   DON'T LEAVE ME THIS WAY
CARMAN                  I DON'T UNDERSTAND HOW I'M AT YOUR COMMAND
                        SO BABY PLEASE DON'T DON'T YOU LEAVE ME THIS WAY
ALL                     AAAHH BABY,
                        MY HEART IS FULL OF LOVE AND DESIRE FOR YOU
                        SO COME ON DOWN AND DO WHAT YOU'VE GOT TO DO
                        YOU STARTED A FIRE DOWN IN MY SOUL
                        NOW CAN YOU SEE IT'S BURNING OUT OF CONTROL
                        SO COME ON DOWN AND SATISFY THE NEED IN ME
                        COS ONLY YOUR GOOD LOVING CAN SET ME FREE
                        SET ME FREE, SET ME FREE, SET ME FREE (X2)
                        BELIEVE, BELIEVE, BELIEVE, BELIEVE
                        COME SATISFY ME, COME SATISFY ME (X2)
                        DON'T YOU LEAVE ME THIS WAY,
                        NO NO, NO NO, NO NO, NO NO
                        OH BABY DON'T YOU GO
WIDOWS                  DON'T LEAVE ME THIS WAY
                        OOH BABY I CAN'T EXIST, I WILL SURELY MISS
                        YOUR TENDER KISS
                        SO DON'T LEAVE ME THIS WAY
ALL                     AAAHH BABY, MY HEART IS FULL OF LOVE AND DESIRE FOR YOU
                        SO COME ON DOWN AND DO WHAT YOU'VE GOT TO DO
                        YOU STARTED A FIRE DOWN IN MY SOUL
                        NOW CAN YOU SEE IT'S BURNING OUT OF CONTROL
                        SO COME ON DOWN AND SATISFY THE NEED IN ME
                        COS ONLY YOUR GOOD LOVING CAN SET ME FREE
                        SET ME FREE, SET ME FREE, SET ME FREE (X2)
                        DON'T LEAVE ME THIS WAY (X3)
NICK                    (Throwing himself on GRANDDAD’s chest causing GRANDDAD to rise. TELBOY pushes him
                        back down) Dad! Dad! Don’t leave me. (Rising) He looks so alive.
                        I swear I could hear his ticker ticking
TELBOY                  (As he recovers the fob watch and gives it to Oscar) Could you really? Fancy that.

NICK                    (Pretend tragedy) Ah!   Dad! Why did you have to go? And I wasn’t even by his bedside.
GRANDDAD                (Rising) Thank   gawd f’er that! (Telboy pushes him back down)
NICK                    (Pretend tragedy) If only there was something I could do for him now.

RORY                    There is something you can do for him. You see when Granddad was in the
                        navy during the war he saw many things that caused ‘im to question.. well...er...
                        Life.... God... The universe.
KATIE                   And he always said that when he died we had to bury him like they did in
                        Haiti.
NICK                    Haiti? Isn’t that where all that voodoo mumbo jumbo comes from?
RORY                    Funny you should say that, eh Telboy? ‘Cos while Granddad was in Haiti it seems
                        he upset the local head witch doctor.
NICK                    Witch doctor!?
RORY                    Well we don’t know which one exactly.
KATIE                   All we know is that he upset this witch doctor and he put a curse on Granddad.
NICK                      A curse? Hey! It’s not hereditary, is it?
TELBOY                    No! Mind you, shrunken ‘eads do seem to run on Granddad’s side of the family.
NICK                      So what was this curse ‘fing? .
KATIE                     Well before we can safely bury Granddad, His eldest living son .....
RORY                      ...and heir apparent....
KATIE                     ...must keep a midnight vigil to make sure the candles at his feet and head
                          don’t go out. Or he will come back as a zombie.
RORY                      ...and his son will die penniless! .
NICK                      What? Well it’s stuff and nonsense of course. But I’ll keep the old man company
                          tonight. Whose going to sit up with me, then?
TELBOY                    Oh! No! ...er..’Dad’. The curse is quite speci’fik. It s gotta be a lone vigil
                                                                                                            Blackout
Sunshine Road – Outside the shop
GLORIA                                                      Dear, Gloria...here all alone in Kathmandu.
                          (AT DSL by the shop reading a postcard0
                          Weather fine, but can’t get used to tea with yak milk in it.. Bye for now.
                          Oh! Gregory! Why did you have to go?....
                          .
                            IT MUST BE LOVE (Madness)                                            Song #16
GLORIA                      I NEVER THOUGHT I'D MISS YOU HALF AS MUCH AS I DO
                            AND I NEVER THOUGHT I'D FEEL THIS WAY
                            THE WAY I FEEL ABOUT YOU.
                            AS SOON AS I WAKE UP, EVERY NIGHT, EVERY DAY
                            I KNOW THAT IT'S YOU I NEED TO TAKE THE BLUES AWAY.
                            IT MUST BE LOVE, LOVE, LOVE.
                            IT MUST BE LOVE, LOVE, LOVE.
                            NOTHING MORE NOTHING LESS LOVE IS THE BEST.
                           (GREGORY appears DSR with rucksack)
GREGORY                    HOW CAN IT BE THAT WE CAN SAY SO MUCH WITHOUT WORDS.
                           BLESS YOU AND BLESS ME, BLESS THE BEES AND THE BIRDS.
                           I'VE GOT TO BE NEAR YOU, EVERY NIGHT, EVERY DAY
                           I COULDN'T BE HAPPY ANY OTHER WAY
                           (They run to each other)
            with GLORIA    IT MUST BE LOVE, LOVE, LOVE.
                           IT MUST BE LOVE, LOVE, LOVE.
                           NOTHING MORE NOTHING LESS LOVE IS THE BEST
ALL                        AS SOON AS I WAKE UP, EVERY NIGHT, EVERY DAY
                           I KNOW THAT IT'S YOU I NEED TO TAKE THE BLUES AWAY.
                           IT MUST BE LOVE, LOVE, LOVE. IT MUST BE LOVE, LOVE, LOVE. (X4)
GLORIA                    Oh! Gregory (She kisses him. GREGORY sweeps her up into a long passionate kiss)
PENNYWISE                                      Gloria! P-p-ut that grocery boy down. You don’t know
                          (Entering from the shop)
                          where he’s b-b-been. Oh! Yes you do. You had a post-card. Several in fact.
                          And all of them just like the ones that went missing from my central display.
GLORIA                    So just how far did you get, Gregory?
PENNYWISE                 Very nearly all the way by the looks of it.
GREGORY                   Well I travelled quite a bit here first and.... Dover!
GLORIA                    Dover!
PENNYWISE                 (Takes out passport)   The stupid boy forgot his passport.
GLORIA                    But all those foreign post-cards you sent?
GREGORY                   Ah! Yes the post-cards
PENNYWISE                 Taken from my special offer display
GLORIA                    Oh! Gregory! Why didn’t you just come back home?
GREGORY                   I couldn’t do that. You would have laughed at me.
GLORIA                    Well I’m just happy you’re back. I’ll go and put the kettle on. (Goes to exit into the shop)
                          I hope you won’t mind it without yak milk? (Exits into shop)
GREGORY                   (Calls after her) Ha! Blooming ha! Ha! Very funny, No ordinary is fine.
                           (To himself) In fact ordinary is just how I like things.

PENNYWISE                 (Arm round GREGORY) Welcome back, lad. Well now that you’ve seen the world
                          I better make you shop manager. I’m planning to retire.
GREGORY                   Me? Shop manager! Gosh. I can afford to get married to Gloria now. (Goes to exit)
PENNYWISE                 And Gregory.... Don’t forget to put the money in the till for those postcards. (Exits)
GREGORY                   Retire? He’ll never retire. He’ll just pass his sell by date! (Exits)
The Milroy’s house
GRANDDAD is propped up in his coffin with candles at his head and feet. NICK is napping in the chair. Suddenly the
candles go out.
                           THRILLER                                                                    Song #17
GRANDDAD                   IT'S CLOSE TO MIDNIGHT
rising from his coffin     AND SOMETHING EVIL'S LURKING IN THE DARK
                           UNDER THE MOONLIGHT,
                           (NICK wakes and rise unable to speak)
                           YOU SEE A SIGHT THAT ALMOST STOPS YOUR HEART
                           YOU TRY TO SCREAM
                           BUT TERROR TAKES THE SOUND BEFORE YOU MAKE IT
                           YOU START TO FREEZE AS HORROR LOOKS YOU
                           RIGHT BETWEEN THE EYES
                           YOU'RE PARALYZED
ALL as monsters            'CAUSE THIS IS THRILLER, THRILLER NIGHT
                           AND NO ONE'S GONNA SAVE YOU FROM THE BEAST ABOUT STRIKE
                           YOU KNOW IT'S THRILLER,
                           THRILLER NIGHT
                           YOU'RE FIGHTING FOR YOUR LIFE INSIDE A KILLER,
                           THRILLER TONIGHT
ROXY, CARMAN & KATIE       YOU HEAR THE DOOR SLAM
as Vampires                AND REALIZE THERE'S NOWHERE LEFT TO RUN
                           YOU FEEL THE COLD HAND
                           AND WONDER IF YOU'LL EVER SEE THE SUN
                           YOU CLOSE YOUR EYES
                           AND HOPE THAT THIS IS JUST IMAGINATION, GIRL!
                           BUT ALL THE WHILE
                           YOU HEAR THE CREATURE CREEPING UP BEHIND
                           YOU'RE OUT OF TIME
ALL                        'CAUSE THIS IS THRILLER,
                           THRILLER NIGHT
                           THERE AIN'T NO SECOND CHANCE
                           AGAINST THE THING WITH FORTY EYES, GIRL
                           THRILLER, THRILLER NIGHT
                           YOU'RE FIGHTING FOR YOUR LIFE INSIDE A KILLER,
                           THRILLER TONIGHT
TELBOY, DODGER &           NIGHT CREATURES CALLING,
RORY as wolf-men           THE DEAD START TO WALK IN THEIR MASQUERADE
                     THERE'S NO ESCAPING THE JAWS OF THE ALIEN THIS TIME
                     (THEY'RE OPEN WIDE)
                     THIS IS THE END OF YOUR LIFE
PENNYPINCH           THEY'RE OUT TO GET YOU,
as the Devil         THERE'S DEMONS CLOSING IN ON EVERY SIDE
                     THEY WILL POSSESS YOU
                     UNLESS YOU CHANGE THAT NUMBER ON YOUR DIAL
                     NOW IS THE TIME FOR YOU AND I TO CUDDLE CLOSE TOGETHER, YEAH
                     ALL THROUGH THE NIGHT
                     I'LL SAVE YOU FROM THE TERROR ON THE SCREEN
                     I'LL MAKE YOU SEE
ALL                  THAT THIS IS THRILLER,
                     THRILLER NIGHT
                     'CAUSE I CAN THRILL YOU MORE
                     THAN ANY GHOST WOULD EVER DARE TRY
                     THRILLER, THRILLER NIGHT
                     SO LET ME HOLD YOU TIGHT AND SHARE A
                     KILLER, DILLER, CHILLER, THRILLER HERE TONIGHT
                     'CAUSE THIS IS THRILLER, THRILLER NIGHT
                     GIRL, I CAN THRILL YOU MORE
                     THAN ANY GHOST WOULD EVER DARE TRY
                     THRILLER, THRILLER NIGHT
                     SO LET ME HOLD YOU TIGHT AND SHARE A KILLER,
                     THRILLER - OW!
               ALL   I'M GONNA THRILL YA TONIGHT              GRANDDAD
                                                     DARKNESS FALLS ACROSS THE LAND
                                                     THE MIDNIGHT HOUR IS CLOSE AT HAND
                                                     CREATURES CRAWL IN SEARCH OF BLOOD
                                                     TO TERRORIZE Y'ALLS NEIGHBORHOOD
               ALL   I'M GONNA THRILL YA TONIGHT, OOH BABY
                     I'M GONNA THRILL YA TONIGHT, OH DARLIN'
                     THRILLER NIGHT, BABY, OOH!     GRANDDAD
                                                     THE FOULEST STENCH IS IN THE AIR
                                                     THE FUNK OF FORTY THOUSAND YEARS
                                                     AND GRIZZLY GHOULS FROM EVERY TOMB
                                                     ARE CLOSING IN TO SEAL YOUR DOOM
                     AND THOUGH YOU FIGHT TO STAY ALIVE
                     YOUR BODY STARTS TO SHIVER
                     FOR NO MERE MORTAL CAN RESIST
                     THE EVIL OF THE THRILLER

NICK                 (Clutching his heart) Argggh! (Falls down dead)

DODGER               ‘Strueth! ‘E’s kicked the bucket! (Checks NICK) ‘E’s brown bread all right.
RORY                 What!!! We only wanted to scare ‘im off. We’ll get prison for this!
TELBOY               Don’t be a plonka! It was natural causes. .
KATIE                Who’d call being scared to death by your own family natural!?
RORY                 Murder!? We’ll get prison for that!
NELLIE               (Entering with OSCAR)   Oh! No you won’t!
WIDOWS               Oh! Yes they will!
NELLIE               They will not. Look everyone knows Nick’s health wasn’t that good.
                     He drank too much. ‘Especially when he was staying here. I saw to that.
                     Always left my purse where he could find it. I knew he’d help himself so he
                     could he drink himself silly.
PENNYPINCH      You mean you weren’t taking him back?
NELLIE          And why should I do that when I got an eager, but furtive Green-Grocer
                on the verge of proposing to me?
PENNYPINCH      I am? I mean..., Nellie Milroy will you m- m- -m?
NELLIE          I will – so long as Telboy gets married as well. I want us to be a respectable
                 family now that we’re in a legitimate trade.
TELBOY          All right Mum. WPC Lightfoot – Patricia and I will get married.
WPC LIGHTFOOT   Oh! Telboy (Kisses him)?
TELBOY          Don’t worry, Pennypinch. We can save on the catering by making it a
                double-wedding.
OSCAR           You don’t have to worry about money anymore, Telboy. I had granddad’s gold
                watch valued. Christies say it’s worth four and a half.....
GRANDDAD        What? Four and a half hundred nicker? (OSCAR shakes ‘no’ with his head)
RORY            Four and a half thousand!? (OSCAR shakes ‘no’ with his head)
TELBOY          You don’t mean...???
OSACR           Four and a half million! (TELBOY does a half-faint)
TELBOY          (Recovering)   Fo- fo-fo-fo
PENNYWISE       Crickey! My stutter must be contagious!
TELBOY          Four... and a half.... million! Yey-hey! Now we really are walking on sunshine!

                 WALKING ON SUNSHINE                                                Song #17a
ALL              OH! OHHHH YEEEH
                 I USED TO THINK MAYBE YOU LOVED ME NOW BABY I'M SURE
                 AND I JUST CANT WAIT TILL THE DAY
                 WHEN YOU KNOCK ON MY DOOR
                 NOW EVERYTIME I GO FOR THE MAILBOX ,
                 GOTTA HOLD MYSELF DOWN
                 COS I JUST WAIT TILL YOU WRITE ME YOUR COMING AROUND
                 I'M WALKING ON SUNSHINE , WOOAH
                 I'M WALKING ON SUNSHINE, WOOOAH
                 I'M WALKING ON SUNSHINE, WOOOAH
                 AND DON'T IT FEEL GOOD!!
                 HEY , ALRIGHT NOW
                 AND DONT IT FEEL GOOD!!
                 HEY YEH
                 I USED TO THINK MAYBE YOU LOVED ME,
                 NOW I KNOW THAT ITS TRUE
                 AND I DON'T WANT TO SPEND ALL MY LIFE ,
                 JUST IN WAITING FOR YOU
                 NOW I DON'T WANT U BACK FOR THE WEEKEND
                 NOT BACK FOR A DAY , NO NO NO
                 I SAID BABY I JUST WANT YOU BACK AND I WANT YOU TO STAY
                 WOAH YEH!
                 I'M WALKING ON SUNSHINE , WOOAH
                 I'M WALKING ON SUNSHINE, WOOOAH
                 I'M WALKING ON SUNSHINE, WOOOAH
                 AND DON'T IT FEEL GOOD!!
                 HEY , ALRIGHT NOW
                 AND DON'T IT FEEL GOOD!!
                 HEY YEH ,OH YEH
AND DON'T IT FEEL GOOD!!
WALKING ON SUNSHINE
WALKING ON SUNSHINE
I FEEL THE LOVE,I FEEL THE LOVE,
I FEEL THE LOVE THAT'S REALLY REAL
I FEEL THE LOVE, I FEEL THE LOVE,
I FEEL THE LOVE THAT'S REALLY REAL
I'M ON SUNSHINE BABY OH
I'M ON SUNSHINE BABY OH
I'M WALKING ON SUNSHINE WOOAH
I'M WALKING ON SUNSHINE WOOAH
I'M WALKING ON SUNSHINE WOOAH
AND DON'T IT FEEL GOOD!!
I'LL SAY IT AGAIN NOW
AND DON'T IT FEEL GOOD!!




        -----------------THE END-----------------

				
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