Portfolios
Document Sample


Sally Fincher
hci Disciplinary Commons
First Meeting: 5th October 2007
Portfolios
What is the genre?
• Artists
• Models
slide 2
From the container …
• Political & monetary portfolios
BRIEF OF SURVEY OF BRITAIN’S WARTIME
ECONOMIC ORGANISATION FORWARDED BY NOTE BY
HONORABLE ARTHUR GREENWOOD, MINISTER WITHOUT
PORTFOLIO,
29 AUGUST 1940,
slide 3
From the container …
• Political & monetary portfolios
slide 4
What do they have in common?
• The purposeful selection of artefacts to achieve
an end
• Selection is not random: you choose the
contents to reflect the parts that are most
important to you (and/or your theme)
• What end? This requires consideration of
audience and purpose
• Our Commons Portfolios may be quite different
from a portfolio you would compile for
promotion – different audience, different
purpose
slide 5
The Lab Report The Journal Paper
• Title
• Title page
• Hypothesis
• Abstract
• Materials
• Introduction
• Procedure
• Materials and Methods
• Data
• Results
• Calculations
• Discussion
• Results
• Literature Cited
• Conclusions
slide 6
The power of form
• Allows comparability
• Allows for different sorts of research, with
different emphases
• Content is guaranteed by peer review
• The Journal paper is to research as …
slide 7
… the Portfolio is to teaching ?
• Context • Allows comparability
• Allows for different sorts of
(or environment or place and space)
• Content practice, with different
• Instructional Design • Content guaranteed by
emphases
• Delivery the nature of the evidence
• Assessment (and how it is structured)
and peer review
• Evaluation
slide 8
The Nature & Structure of Portfolio Content
Artefact – Commentary
Evidence – Analysis
What – Why
• Paired elements
• Nothing admissible without an evidential
artefact
• Necessity of capture
slide 9
The Portfolio?
• Common headings … but how do they fit
together?
“I would propose four different formats and
themes that might be useful frameworks for our
course investigations and documentation: the
course as anatomical structure; the natural
history of a course; the ecology of courses; and
courses as investigations.”
Lee Shulman, "Course Anatomy: The Dissection and Analysis of Knowledge Through
Teaching", in The Course Portfolio, Hutchins, Pat (ed.), 1999.
slide 10
The Portfolio?
Anatomy
• parts, structure, part-part relations, aggregations of parts,
function of parts and aggregates.
Natural History
• developmental trajectory; narrative, journey, itinerary,
coherence.
Ecology
• programmatic context; it's “fit” within the scheme of
things.
Investigation
• course as series of experiments to test learning
conjectures. What do you want to understand about your
students?
Summarized list by Josh Tenenberg
slide 11
Developing Reflective Practice
The Course Portfolio can be thought of as
a document that provides different levels
of access to different audiences:
• Private
• Protected
• Public
slide 12
Portfolio: Levels of Access
• Private: The Individual Teacher - just
you
This material is for your eyes only. A diary space for
self-disclosure and reflection.
• Protected: The Group of Peers - a few
friends
This is material that you share with your peers. For
our purposes, we can certainly consider one another
as peers, though you might want to consider
colleagues in your department or in the broader
discipline as part of this group as well. Sharing here
is relatively safe and contained, and will be where
we’ll draw most of our peer reviews from.
slide 13
Portfolio: Levels of Access
• Public:isThematerial that we will post on the Internet,
This the
Wide Wide World
for all eyes to see, the final product that is often
referred to as The Course Portfolio. We’ll want to
ensure that there are no gaffes or errors, and, as a
result of this being accessed by a wider audience,
we might want to include more context and
navigational aids
slide 14
This work is licensed under an Attribution-NonCommercial-ShareAlike
2.0 UK: England & Wales Creative Commons License
slide 15
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