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					                                        The Incredibles
The Stats
Movie: The Incredibles
Director: Brad Bird
Genre: Animation / Action / Adventure / Comedy /
       Family / Sci-Fi
Review Date: August 19, 2004
Showing at: Now out on video
Runtime: 115 min.
Rating: PG for Action Violence
Reviewer: Anonymous


The Review
    In his prime crime fighting days, Bob Parr (voiced by Craig T. Nelson) was known as Mr. Incredible,
and fought crime using his super strength. He, and all other superheroes, were treated like royalty and
beloved. But when simple, litigious crime fighting mishaps forced the segregation of superheroes away
from the public, Bob took a superhero wife in Helen (aka 'Elastigirl,' voiced by Holly Hunter), and had
three kids, Violet (Sarah Vowell), Dash (Spencer Fox), and an infant son. He now resigns himself to a dull
life in the suburbs, working for an insurance company. Danger arrives again when evil supervillain,
Syndrome (Jason Lee), rises to power, forcing Bob and his family back into their forbidden superhero form,
along with ice-powered friend 'Frozone' (Samuel L. Jackson), to try and save humanity once again.
    With 'The Incredibles,' Pixar and Disney take a perilous leap toward big kid entertainment. Not that this
PG-rated superhero comedy isn't for all ages (parents of younger ones might want to exercise more
caution). But compared to the sunny days found in 'Finding Nemo' and 'Toy Story,' the blend of action and
genuine threat found in this new computer animated offering might be a shock to some parents who want
more Mike and Sulley style shenanigans in their animated features.
    The change the in the Pixar wind is brought by outsider Brad Bird, the writer and director of the
notoriously overlooked 1999 animated masterpiece, 'The Iron Giant.' Bird wasn't born in the Pixar camps of
cute and cuddly, and he brings to 'The Incredibles' a longing to play with the medium's conventions and
expectations. He's brought a tougher, more angular look to the visual representation of the cartoon
superhero world, taking great cues from the early James Bond films and 1950s, Donna Reed-style
household idealism. This is brought to life by the Pixar team with exquisite detail (of course) and clarity,
meeting the greatest challenge of the film: creating a world that the human animations (albeit super
powered ones) can live in with believability.
    Bird pays his homages to various superhero sources (including the Fantastic Four), Cold War era
politics, and Art Deco design, which results in a full plate of visual treats that many animated films skimp
on. I would even go as far as to say this is the best looking Pixar film yet. Bird also ratchets up the tension
in this sometimes breathlessly frenetic picture, making sure to underline that his characters are in real threat
of death from Syndrome, as explained in a chilling scene where Helen clarifies to her kids that they might
need to fight to the death with the bad guys. This observation of mortality in the screenplay is a brave step
forward for Bird and Pixar, even if it's hard to believe.
    And get this, not one single flatulence joke to be found in the entire film. Thank you, Brad Bird. Thank
you.
    Because Bird is aiming a little higher than previous Pixar productions, his aspirations sometimes
outweigh what 'The Incredibles' can truly handle dramatically. The acute domestic drama played out
between Bob and Helen, over their return to their superhero roots, often results in the pair simply
squabbling. Dramatically speaking, it's truthful to the situation, and sets up the weight of the risk Bob takes
when he eventually jets off on his own to stop Syndrome. Narratively important, the argument scenes are
nevertheless a huge drain on the pace of the film, as the action and any momentum are killed instantly so
'Mom and Dad' can fight. 'Incredibles' is a superhero film as much as it is a matrimonial drama, and since
Bird did not attend Pixar academy, he hasn't developed the gift for transitioning both sides of the film into
one whole, and leaves the first hour of the film feeling deflated and labored.
    Bird saves his juice for the last act of the film, where the family comes together to take Syndrome down.
It's then and there that 'The Incredibles' drinks a 12 pack of Jolt Cola and goes to town, staging action
sequence after action sequence of amazing adventure set pieces, showing off the various gifts the Parrs are
endowed with. In superhero films like 'Spider-Man' or 'X-Men,' the limits of live action always come into
play quickly. Bird has no fence around his imagination in 'The Incredibles,' and stages incredible imagery
for the eyes, depicting elasticity, super strength, and speed in ways that would break the budget of a live
action production. Bird keeps his camera fluid and always tracking, making the last act of the movie a real
treat for comic book fans and anyone who might think the first half of the film is a little too dry. Once 'The
Incredibles' comes alive, it does so with an invigorating vengeance.


Final Thoughts:
   The trailer for the next Pixar production, 'Cars,' is attached to prints of 'The Incredibles,' and reveals a
cuddly return to the softball productions Pixar is normally associated with. This makes the triumph of tone
and design found in 'The Incredibles' all the more important to appreciate. Bird has brought to the screen a
glowing representation of the comic book/family adventure genre, and if the production is blessed with a
sequel, I can only imagine how far his vision will soar now that it's fully unleashed. ---- 8/10

				
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