Stephen Lang talks In Plain Sight

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Stephen Lang talks In Plain Sight Powered By Docstoc
                                                                             Moderator: Lynn Weiss
                                                                               04-17-12/1:00 pm CT
                                                                            Confirmation # 21588487
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                                Moderator: Lynn Weiss
                                   April 17, 2012
                                    1:00 pm CT

Operator:     Ladies and gentlemen, thank you for standing by and welcome to the Stephen
              Lang “In Plain Sight” press call. During the presentation all participants will
              be in a listen-only mode. Afterwards we will conduct a question and answer
              session. At that time if you have a question please press the 1 followed by the
              4 on your telephone. Should you require operator assistance at any time please
              press star 0. As a reminder this conference is being recorded Tuesday, April
              17, 2012. I will now like to turn the conference over to Lynn Weiss from
              USA. Please go ahead.

Lynn Weiss:   Thank you everybody for joining us today. We do have Steven Lang on the
              line who plays James Wiley Shannon on “In Plain Sight.” He is guessing on
              the next two episodes he is playing Mary Shannon’s father, someone who has
              been referred to over the last 2 - 4-1/2 seasons and has been significantly
              impacted her life and responsible for many of the issues that Mary has had
              over the last - all her life actually. So we’ll turn it over to Mr. Lang and thank
              you everybody for your time. Go ahead (Claudine) you can start the Q&A.

Operator:     And our first question comes from Jamie Ruby. If anyone else would like to
              queue up please press the 1 followed by the 4. Please go ahead Mr. Ruby.
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Jamie Ruby:     Hi, it’s Ms. Thanks for doing the call.

Stephen Lang:   Beg your pardon?

Jamie Ruby:     Hi, thanks for doing the call today -- the interview.

Stephen Lang:   You bet, I’m glad to do it.

Jamie Ruby:     Great, so can you just kind of talk about how you got involved with “In Plain

Stephen Lang:   Well we had - let’s see, I was - I received an offer to do it and read the scripts
                and I felt they were terrific and that’s really how it all came about. What I was
                told by Dan Lerner who is one of the producers and directors of the show and
                has been with it for a long time was that over the years they’ve talked on and
                off about the role of James Wiley Shannon, about Mary’s dad and who should
                play it. And they bandied about ideas, I guess and finally when pushed and
                shoved they thought that I would be the right person to do it and so I was quite
                thrilled, you know. I thought it was excellent writing. I think that it’s a superb
                cast - led by Mary McCormack who’s terrific in the thing - and so I couldn’t
                see any reason in the world not to do it.

Jamie Ruby:     Okay, so I really enjoy the episode. I haven’t seen the second one - looking
                forward to it, so thanks.

Stephen Lang:   You’re welcome.

Operator:       And our next question comes from the line of (Janice Steinberg). Please
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(Janice Steinberg):   Hi, it’s such a pleasure to speak with you.

Stephen Lang:     Well thank you.

(Janice Steinberg):   I was wondering why you think it is that Mary’s dad expected her to be so
                  - to be more welcoming of him, upon his return?

Stephen Lang:     Well, I’m not sure that he does have any expectations along those lines. First
                  of all I’d say that not every motive has been revealed at this point but, you
                  know, the only thing he can really deal with or control is his own needs -- the
                  reasons he needs to do something -- and, you know, I guess you just reach a
                  point in your life where -- or he did -- he reached to the point in his life where
                  he really has to come to terms and kind of confront some of the consequences
                  of the way he’s lived his life. And so, I just don’t believe that he has any
                  expectations. Of course you have a fantasy or dream - that after being on the
                  lam for 30 years walking away 30 year ago - you know, you’re going to be
                  welcomed with a hug and a kiss but I think realistically that may be the dream
                  you have - I think realistically it’s not going to happen and he probably knows

(Janice Steinberg):   Well then is that what you find challenging about your role?

Stephen Lang:     Well, I find a lot of things challenging about the part. I - when I read it, you
                  know, it’s an ark over three scripts -- really two, just the introduction and the
                  first one -- but there’s a completeness to it. I find it challenging to first of all
                  to play a character who’s been talked about for a long time - who I guess the
                  core fans of this show have been waiting for a long time and they have
                  feelings about him and resentments about him as they identify with Mary to
                  try and argue as it were his side of the story, you know - to defend his life, to
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                  defend his character - that’s the challenge - to also be believable, convincing
                  as her father -- as Mary’s father.

                  So, you know, I guess on - roles have challenges on every level to me and this
                  one fit the bill. You know there are things you occasionally say, “Well, I can
                  do that in my sleep.” And such things - those roles don’t really interest me that
                  much. This one had some bite to it. It had history and so I thought, “Yes, this
                  is a good thing to do.” So there were a lot of challenges.


Stephen Lang:     Also, I’ll tell you something - I’ll tell you another thing. Just sort of occupying
                  the screen with an actress of Mary McCormack’s caliber - that’s challenging
                  because she really - you know, she’s formidable woman and actress - totally
                  believable as a marshall to me. I like...

(Janice Steinberg):   Oh I agree and it’s just her attitude and her - the way she exudes herself --
                  very intense.

Stephen Lang:     I love it too and you know, so much - it always seems to me that so much of
                  what we see on television the most important thing sometimes seems to be the
                  likeability factor. And it is important because you spend once a week with
                  people you want to be with and she just sort of pissed off all the time and yet
                  somehow there’s something very daring about her. So she’s got something
                  special I think.

(Janice Steinberg):   I totally agree. Thank you so much for your time.

Stephen Lang:     You’re welcome.
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Operator:       And the next question comes from the line of (Reg Seton). Please go ahead.

(Reg Seton):    Hi Steven, thanks for doing this today.

Stephen Lang:   You’re welcome.

(Reg Seton):    When understanding the circumstances around James and Mary how did you
                find a way to trust them to play them effectively?

Stephen Lang:   Did I find a way to trust him?

(Reg Seton):    How did you find a way to trust him and his sincerity in order to play...

Stephen Lang:   Well, I’d say, look - it’s maybe - there’s no one - what makes a good
                salesman? He has an ability to lie. To some extent his life is a lie but the
                earmark of a great liar is that he believes it himself -- it seems to me -- and
                he’s very convincing at that. I mean he’s been able to do that but, you know,
                like any kind of a - what’ the right word for it? A bad, something bad that you
                digested -- a lie -- eventually it’s going to work its way out and the
                fundamental goodness which is not even - not even the main part of the guy
                but it’s there - it’s a reaction against it and he has to kind of deal with it. So I
                really don’t worry too much about whether I trust him or whether he’s a good
                man, whether he’s a bad man. I just try and inhabit him and find his point of
                view and not judge it so much - just as he wouldn’t his own self. Does that
                make any sense?

(Reg Seton):    Oh yes, it does. In what ways were you able to give more to the character
                since it wasn’t quite as physically demanding as Terra Nova was?
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Stephen Lang:    Well, I liked the idea of playing somebody where a toll has been taken on him
                 over the years just - you know, physically from moving about, just from
                 circumstances being tough. But that was all pliable to me and it was all
                 something I - he’s the guy who - I don’t know if I’d say that he’s quite at the
                 end of his rope but he certainly has reached a point of vulnerability in his life
                 where the options are starting to run out for him, you know. He’s taken so
                 many paths and it all seems like it’s a big maze in a way. And I think he’s just
                 getting very tired of running.

(Reg Seton):     Well great. Thank you very much and a great performance.

Stephen Lang:    Thanks a million man.

Operator:        And our next question comes from the line of (Sheldon Weide)
                 (Unintelligible). Please proceed.

(Sheldon Weide): Now you played the pools. You’ve done some real standup guys and some
                 thoroughly evil characters but the vast majority of your roles are somewhere
                 in between and so they are all shadings of grey and odd colors and I was just
                 wondering what was it about James Wiley Shannon on the page that suggested
                 what colors that you could use to play him that would make you want to do
                 the role.

Stephen Lang:    I don’t know that I see things so much in terms of colors. I do talk about
                 pallets sometimes when I act and I know what you mean. I think - I’m a
                 father. I have children much older than - are grown - and this circumstance of
                 walking out on your children and the pain that you cause and the knowledge
                 of having caused that pain and the pain that you carry with yourself because of
                 that, that’s all very - to me that’s very poignant stuff. It’s something that’s
                 very difficult for me to imagine, you know - doing something like that. And so
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                  that makes it kind of territory that’s worth exploring a little bit, trying to - and
                  I can’t say I go into it with any pre-conceived notion of - you know, I want to
                  paint him this color or that color. Sometimes I think of that wonderful line that
                  Henry Fonda says at the end of “Once Upon a Time In The West” and he and
                  Charles Bronson - he’s been wronged by him - and looks at him and says,
                  “You good and bad.” And Fonda says, “Just a man” and I feel that way that so
                  many of the characters you play - you’re just trying to find - you know, I try
                  not to put a name on it, you know. Just trying to find the person and then let
                  others be either - then they can say whether he’s a hero or a villain or
                  somewhere in between.

(Sheldon Weide): Cool. Now that you’ve done the role and people are about to see it, I’m just
                  wondering how do you assess what you’ve done with the role? Do you ever
                  think about that after you’ve finished? Are you ever - I know actors are rarely
                  completely satisfied with a performance because it can always be better but
                  what do you like with what you did?

Stephen Lang:     Well, I’ll have to watch the episodes. I haven’t seen them. I did watch the first
                  one where I make that first appearance and I thought that was simple and it
                  was honest. And that’s kind of what I look for. I do recall as we were shooting
                  it, walking away from scenes feeling that I had kept it simple and kept it
                  honest which is really where I’m at right now - those are major operative
                  words with me. And so, as I think as I watch it all I’ll assess it, I think. And as
                  you said, I’m sure I’ll see some things where I’ll go “I could have done that
                  better. Oh my gosh, what was I thinking. Why did they let me do that?” But
                  hopefully there won’t be too many of those moments, you know.

                  As long as the story is well served - and I feel that the entire company of “In
                  Plain Sight” - they have such a long term investment in this show. They’ve
                  created these roles - this story, this saga and if there had - to me their
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                  satisfaction is paramount, you know. If they feel if I’ve brought the life - the
                  Shannon that they had envisioned, then I’m really happy because they’ve been
                  with this thing long terms.

(Sheldon Weide): Great, and I thought you did really well in the role and I thoroughly enjoyed
                  the two - the first -- the introduction and the mental of Mary. So
                  congratulations on a fine performance.

Stephen Lang:     Thanks very much.

Operator:         And our next question comes from the line of (Jason Tabreeze). Please

(Jason Tabreeze): Hi Steve. Thanks for doing this.

Stephen Lang:     You’re welcome. Hi.

(Jason Tabreeze): I just wanted to ask you, after some of the effects - heavy work in Avatar,
                  Conan, Terra Nova - is it a nice change to sort of come in from the jungle and
                  do something a little more grounded to reality?

Stephen Lang:     Well the first thing I did when I got out there I said, “Excuse me, where’s the
                  green screen?” I can’t work without a grain screen. No, it was nice to get back
                  into this kind of century for one thing and wear something that wasn’t kind of
                  military I think - and, yes, tell kind of a human story - not that the others
                  aren’t but you know what I mean - it’s kind of on a...

(Jason Tabreeze): Yes.
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Stephen Lang:     different scale -- an intimate story. I mean, I know, it’s a big show and it’s all
                  about witness protection and everything but, you know, a sense of - we’re
                  telling a - we’re doing a father and a daughter kind of a reunion show - be it
                  not a conventional reunion. And so it was great. It’s good to do it.

(Jason Tabreeze): One other thing - you obviously have a long resume as a theater actor - did
                  that help you ease your transition to the CGI heavy work - working with the
                  green screen - did it help your ability to kind of work with that which you
                  can’t see?

Stephen Lang:     I think it does. Sure, I mean - look - when you go - on some level acting is the
                  art of pretend and you have to have a highly cultivated sense of imagination.
                  You have to be able to see things that aren’t there no matter what aspect of
                  acting, whether it’s green screen, whether it’s on stage, whether it’s anything
                  else, whether you’re working on the radio. And so it’s just something that we
                  cultivate. I think for some that kind of work comes quite naturally to us but
                  you have to - you want to develop the technique for it, yes.

(Jason Tabreeze): Let me - just one last thing on the subject of Shannon real quick. Do you think
                  that might have worked better as a film with a bit of a bigger budget than as
                  more of sort of - not something that had to run week after week with a story
                  that was a little more concise?

Stephen Lang:     Well, you know, I made one statement about Terra Nova a couple of weeks
                  ago and that’s it - that’s all I’m going to say about Terra Nova at this point.

(Jason Tabreeze): Well, I appreciate your time. Thank you very much.

Stephen Lang:     You’re welcome.
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Operator:         And our next question comes from the line of (Nathan Riles). Please go ahead.

(Nathan Riles):   Well, it’s a pleasure to speak with you. Thank you...

Stephen Lang:     Nice to talk to you, thank you.

(Nathan Riles):   Is it a particular joy for you to play a character that toe the line between friend
                  and foe?

Stephen Lang:     I think we probably were wondering about it - this sort of grey area and I was
                  thinking that it’s probably a product of having worked with Michael Mann a
                  lot because, you know, Michael is the guy who really - who threads that grey
                  area in almost all of this work, you know - the distinction between good guy
                  and bad guy. He’s so miniscule but if I look back on so many of the things
                  that I really loved so that the characters either real or imagined that I love very
                  often they are characters who - it’s very difficult to kind of ascertain whether
                  they are good or bad. For example, you know, I’ve always loved the character
                  of Nicholson in Bridge on the River Kwai - the Alec Guinness role of course,
                  you know. Is he a good man or is he a bad man, you know, I mean - or
                  someone like Patton, you know, who is sort of a wonderful man and at the
                  same time a complete monster it seems to me.

                  So I think that I do have sort of an attraction towards some of these Maverick
                  characters who are kind of morally ambivalent.

(Nathan Riles):   Sure. Just real quickly to pull off and the point that you said - how do you
                  prepare for a role in which there is so much reputation preceding the
                  character? You know, this character has been spoken of and heard about for
                  years and now finally the fans of the show who have certainly developed in
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                  their mind whatever, whoever, or whatever the father is supposed to be now
                  gets to see him for the first time - how do you prepare to live in the image?

Stephen Lang:     Well, it’s helpful that I didn’t - I wasn’t aware of any of it, okay. I didn’t
                  know what I was I walking into. You know, I suppose - with great and all due
                  respect I only learned about the kind of the meat of this show as I - after they
                  asked me to do it and then I was told that and learned that he was a very
                  important character. Well, you know, there’s not a lot I can do about that, you
                  know, but also I can’t say that I’m particularly daunted by it. I played Babe
                  Ruth. I played Stonewall Jackson. I played Ike Clanton. I played, you know, a
                  lot of people that people have opinions about and expectations about and what
                  I’ve learned is that - you know, you can please some of the people some of the

(Nathan Riles):   True.

Stephen Lang:     You can just do your best and just try and keep it honest and who knows you
                  might turn some people around. People have preconceptions and maybe go,
                  “Wow, I never thought that’s who he was but that’s who he was.” But that’s
                  who he was - maybe you can do that.

(Nathan Riles):   All right then. Thank you very much. I enjoyed the role. I enjoyed the work. I
                  look forward to seeing you in some projects coming up this year as I
                  understand as well.

Operator:         Ladies and gentlemen, if you’d like to register a question please press the 1
                  followed by the 4 and our next question comes from the line of (Kate Wells).
                  Please proceed.

(Kate Wells):     Hello.
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Lynn Weiss:     Go ahead, ask your question (Kate).

(Kate Wells):   Can you hear me.

Lynn Weiss:     Yes, we’re waiting for you (Kate), go ahead.

(Kate Wells):   In trying to make the character believable as Mary's father were there any
                specific things that went into that as far as trying to...?

Stephen Lang:   Physically?

Operator:       Sorry, we have lost that participant. We do have a follow-up question from the
                line of Jamie Ruby. Please proceed.

Jamie Ruby:     Hi again. So, was it hard walking into a cast that was so established because, I
                mean because it’s - you know, have been on it for so long? I know it can be
                sometimes but everybody was real very gracious to me and it made it very
                kind of clear that, you know, they wanted me there and they gave me a nice
                place to live and I said it was easy. And I guess I’m - it’s not an unfamiliar
                situation to come into a thing. I would say it was a certain poignancy to it for
                me just having - because here I was coming into a show there and they’re in
                their fifth and they know it’s their final season. So, everything they do is the
                last time. You know, five years is a pretty good run -- certainly in show
                business. And it - I looked around - it was nice to be a part of. It’s sort of - I
                can’t tell you it made me envious because I’ve been very happy doing
                whatever I’ve been doing but I really could appreciate the, you know, the
                value, the commodore, the family atmosphere of how that emerges when
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                people work together over a long period of time and, you know - I certainly
                was hoping for that for my own self for the immediate future but that wasn’t
                to be so if it is sort of interesting to see it and it was nice to be part of it and to
                kind of be an important part of it too because it’s interesting. I’m entering into
                the life of a show that’s been established and right away you become kind of
                central just because of the fact that you’re on the father that’s been on the lam
                all this time.

(Kate Wells):   Yes.

Stephen Lang:   But everybody was great and it all starts with McCormack because the show
                radiates from her.

(Kate Wells):   Now you mentioned obviously this is a much different world from some of
                the other ones that you’ve done recently.

Stephen Lang:   I’m sorry, you’ve got to speak a little slow.

(Kate Wells):   I’m sorry.

Stephen Lang:   Talk a little slower and a little louder.

(Kate):         Okay, you mentioned how this is obviously a lot different than some of the
                other roles you’ve fit into recently. Do you enjoy more of the dramatic play
                acting or the action scenes or maybe find one more challenging?

Stephen Lang:   I like them all. I mean, you know, I like to have a - try to get a good balance
                of them. I love scenes that are just emotional give and take. By the same token
                action sequences are great to do. They have their own unique demands and
                requirements. So I take it as it comes and hopefully you can get a good
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                  balance of all of that stuff. What I rarely get to do is to do anything of a comic
                  nature too which is unfortunate because I’m very funny.

(Kate Wells):     Are you going to try to go after that comic role in the future, you think?

Stephen Lang:     Well, we’ll see if it comes to that - my agent’s sitting up there saying, “Lang,
                  he’s not funny. He kills people. He’s not funny.” You go, “He is. He’s really
                  funny. He is.” And then they go, “something funny” and I can’t be funny then.

(Kate Wells):     All right. Well, thank you so much.

Stephen Lang:     You’re welcome.

Operator:         And our next question comes from (Lance Carter). Please go ahead.

(Lance Carter):   Hey Steven, nice talking to you.

Stephen Lang:     Hi, how are you?

(Lance Carter):   I’m good. So I was in "God’s and Generals" with you.

Stephen Lang:     You were in it?

(Lance Carter):   Yes, I was in it. We - you and I had a scene together. We were - it was one of
                  the battle scenes. I come running up to you on the horse and in your Jackson
                  sort of way you kind of called me a “big girl.”

Stephen Lang:     I don’t know.

(Lance Carter):   But, it was great. It was one of the highlights.
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Stephen Lang:     You were going the wrong way.

(Lance Carter):   I was going the wrong way, exactly - that’s why you yelled at me. So since
                  then I’ve seen most everything you’ve done and I’ve got to say that whenever
                  you appear on screen your scenes always pop. They always have an energy
                  and even if you have like one line in the scene - and a lot of actors don’t have
                  that, I don’t know, power or something. Is that something you focus on and
                  strive for? I mean, does it come naturally and I guess what’s the secret that
                  you have that others don’t? I mean, yours immensely watchful when you’re
                  on screen. I mean, eyes focused on you, you know.

Stephen Lang:     Well, I can’t tell you the secret for obvious reasons.

(Lance Carter):   Okay.

Stephen Lang:     I can’t let that get out.

(Lance Carter):   Sure.

Stephen Lang:     Who noticed - all those other people noticed will get mad at me if I let it out.


Stephen Lang:     That’s right - the secret club eyes on me club. I don’t know. I think for me it’s
                  probably focus and relaxation, stillness is helpful, you know, kind of an
                  unwavering and unblinking look doesn’t hurt either, I think. It would depend
                  on the part. A part like James Wiley Shannon, you know, so much of his life
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                  has been based on disappearing into the woodwork. So, if I’m popping off the
                  screen - I don’t know, maybe I haven’t been - maybe I’m not being successful
                  there. I’m going to have to tend to that because, you know, his whole thing is
                  about being innocuous and, you know, unobserved -- stuff like that, I think.

(Lance Carter):   And I just have one more question there.

Stephen Lang:     Did I answer anything there?

(Lance Carter):   Oh, yes. It’s great. Obviously it’s great. What’s your advice to actors?

Stephen Lang:     Oh, my goodness - my advice to actors. To successful actors it’s, “sock it
                  away.” And unsuccessful actors it’s just, you know, I think just keep at it.
                  Don’t do it unless you have to do it and if you have to do it just - or you stay -
                  you’ve got to keep your instrument in shape, you know. You just got to keep
                  on getting better. If you’re not getting better, you’re standing still. If you’re
                  standing still, you’re petrified. If you’re petrified, you’re not good to anybody
                  in this business. So, just continually develop your craft.

(Lance Carter):   Cool, nice talking to you gain.

Stephen Lang:     You too man.

Operator:         And our next question comes from (Juan Kendall). Please go ahead.

(Juan Kendall):   Steve, thank you for talking with us today.

Steven Lang:      You’re welcome.
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(Juan Kendall):   I wanted to ask with all the movies you’ve done over the years a lot of - I’m
                  sorry - a lot of various performances - is there any role you were offered that
                  you were turned down and you regret turning down?

Steven Lang:      I think there were projects - I tend to put them out of my mind and I can’t
                  think of any one project that I turned down that I was - I’ve had a good eye for
                  things as a rule. Occasionally just because of, you know, time because you
                  can’t be in two places at once. Although now you can digitally I suppose. You
                  know, there have been things I haven’t been able to do although - to be
                  honest, I can’t think of them right now. There have been things I’ve done
                  haven’t had success that I felt bad about - you know, that I wanted to do more
                  of but that’s always going to be the case it seems to me. But no, you know, I’ll
                  tell you man I feel like I’m very happy where I am and you know it’s that old
                  butterfly effect thing. If you change one job even 20 years ago I wouldn’t be
                  sitting here talking to you right now, you know, the entire trajectory would
                  have been different.

                  So, you know, (unintelligible).

(Juan Kendall):   I also noticed looking back at your (biography) year one of those actors who
                  oddly spin on multiple incarnations of Law and Order playing multiple

Stephen Lang:     Well actually, I’ve done each Law and Order once. Then that’s it. The reason
                  I’ve done them, I’ve never - I didn’t - I never sought to do a Law and Order. I
                  did - any one that I did was because of a friend - either the director or star
                  called me and said that you’ve got to come and do this. And then I’m happy to
                  do it.

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Stephen Lang:     But I’ve done three of them - each, but you know - each one of them once.

(Juan Kendall):   Yes.

Stephen Lang:     I think there’s lots of folks that have done multiple roles on them probably.

(Juan Kendall):   Yes, I mean that has kind of been the trend of the show where a lot of actors
                  have been on one or more of the shows that played different characters.
                  Basically what (unintelligible). So it’s just one of those...

Stephen Lang:     It’s been a fantastic thing for - boy, it kept so many folks in New York
                  working and, you know, getting their health insurance paid and everything. I
                  mean, it’s a real - it’s a loss to New York. I know there’s one left I think right
                  now but that was a great thing. It was a great thing in New York -- Law and

(Juan Kendall):   Yes, I think that’s about it but thank you very much for taking the time to talk
                  to us.

Stephen Lang:     You’re welcome.

Operator:         We have a follow-up question from the line (Nathan Riles). Please go ahead.

(Nathan Riles):   Yes, if you don’t mind a touch of personal matter. Do you have anyone in
                  your own life -- your children or someone else -- that has Mary Shannon’s
                  qualities in them?

Stephen Lang:     Mary Shannon’s qualities? Well, I have a - I do. I mean, all my children are
                  not too much - my dad and siblings - they all have a toughness to them.
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                  There’s a resilience to them. They’re all very - they’re strong people. I
                  actually have a - one of my children is in law enforcement -- the justice
                  system -- and is, you know, is pretty much I’d say as tough as Mary Shannon

(Nathan Riles):   Does it help that way? Does it help to have people in your own life you can,
                  you know, that - kind of prepares you for a character you are up against -
                  you’re working with?

Stephen Lang:     Well, they - I don’t know - the relations - yes. The answer’s yes. I mean, look,
                  but those are automatic associations that you make. You know, if somebody’s
                  playing my daughter I don’t think - you know, spend a lot of time thinking,
                  “Well, how is she like my daughter?” sort of.

(Nathan Riles):   Right, all right.

Stephen Lang:     But I know what it is to be a father to a daughter, you know. And so, I’m just
                  sort of - that experience I think is just there. You’re drawing on it one way or
                  the other.

(Nathan Riles):   True.

Stephen Lang:     And you know, if you learn anything you know it’s not easy. You know, it
                  ain’t easy. No relationship is going to be. There’s going to be periods of calm
                  and there’s going to be storms.

(Nathan Riles):   Sure. All right, thank you.

Stephen Lang:     You’re welcome.
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Operator:         And we have a follow-up questions from (Jason Tabreeze). Please go ahead.

(Jason Tabreeze): (Unintelligible) your way. (Unintelligible).

Stephen Lang:     I’m having a hard time hearing. (Jason), start over again will you and get

(Jason Tabreeze): Oh, my finger was over the microphone, sorry. With “In Plain Sight” - not to
                  give so much away - but is there a chance that you’re going to reappear on the
                  show next season? I’m sorry, is there a chance you’re going to reappear on the
                  show at a later point and also going forward, are you looking for other TV
                  projects would you want to join something that is already in motion or would
                  you want to start with scratch with something again?

Stephen Lang:     Well, I think - I mean, I believe it’s a matter of public record that this is the
                  show, “In Plain Sight’s” final season. So I won’t be joining it except for ten
                  years down the line when they do the “In Plain Sight” reunion show and then
                  perhaps I’ll be here for that. But as I don’t anticipate every playing James
                  Wiley Shannon again. In terms of - I love television. I love working at that
                  intense speed that one does work in television and I love the opportunity to
                  create a character over a long period of time.

                  So yes, I look for television projects. I never say, I don’t say no to anything so
                  I’ll read something - I’ll read anything that comes along whether it’s an
                  existing series or whether it’s a new series. If given my drothers - you want to
                  be there at the moment of inception and do something that’s completely
                  startling and completely different.
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(Jason Tabreeze): What if it’s - throughout your career you obviously put a lot of - some of your
                  figures are a lot of soldiers, warriors - what is it about those kind of roles that
                  really appeal to you, other than the fact that you keep getting offered them?

Stephen Lang:     Well, I - it’s a good question. I think that if you look at a career probably more
                  in retrospect from what’s happening you’ll probably be able to identify scenes
                  that happen in an actress’ career. I mean you look at Nicholson’s career and
                  very often you’ll see that he’s playing an outsider, you know. Maybe at (Ted
                  Dustan)’s career is somebody who is an underdog and compensator. It’s just -
                  there are - you can say their character, qualities or themes. I’ve been interested
                  for years on a lot of the themes that are personified -- that military stuff -- the
                  nature of courage, the nature of duty. Either the whole concept of humility,
                  you know, and selflessness. All kinds of interesting stuff and so much of the
                  time military figures and military stores are basis for drama just because of the
                  nature of the conflict it seems to me.

                  So, I think it’s - maybe it’s a thematic thing as much as anything but as you
                  pointed out asking the question, these are the roles you get offered. That, you
                  know, that counts for a lot of it because I’d love to move outside of that as
                  well, you know, I feel like I’ve got a lot of range.

(Jason Tabreeze): Well, I appreciate the answer involved on the original question too. Thank you
                  very much.

Stephen Lang:     You’re welcome.

Operator:         And we have a follow-up question from the line of Jamie Ruby. Please
                                                                              Moderator: Lynn Weiss
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                                                                                              Page 22

Jamie Ruby:     Hi again. So, is there anything you learned about yourself after working on
                “In Plain Sight?

Stephen Lang:   Is there anything I’ve learned about myself?

Jamie Ruby:     Yes.

Stephen Lang:   Is that a question?

Jamie Ruby:     Yes.

Stephen Lang:   I don’t want to be flip. I want to see if I have learned anything about myself. I
                learned that I - well, it’s not about myself - I learned about Albuquerque. I
                learned I like Albuquerque a lot. Myself - Jamie, I wish I could give you a
                better answer to that. I’d really have to think about it. I’d probably kick myself
                two hours from now and I do remember something I have - but I’m learning
                the guitar, so I practiced a lot while I was there. That’s not the answer you
                were looking for; is it?

Jamie Ruby:     It’s okay. It’s interesting. So, are there - who’s someone you’d like to work
                with that you haven’t yet?

Stephen Lang:   Say that again.

Jamie Ruby:     Someone that you haven’t worked with yet. Like either actor or director --
                somebody that you’d really like to be able to work with.

Stephen Lang:   Oh gosh. Well, I always wanted to do a film with Martin Scorsese, just
                because, you know, he's great. And just so many of the lions that I’d like to
                work with. I’ve never worked with Jack Nicholson. I’d love to do that I
                                                                               Moderator: Lynn Weiss
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                suppose. I have worked with Meryl Streep but I’d love to work with her again.
                She’s just the greatest. I mean, it’s a pretty long list to be honest, you know.
                There are so many talented and brilliant people out there that I see and you
                want to work with people who are doing stuff that you can possibly do, you
                know, that you’re really going to learn from it. And so - but - I would have to
                say the director that I’d like to work with is Scorsese.

Jamie Ruby:     Okay, great. And...

Lynn Weiss:     Thanks everybody. We have time for just one more question please.

Operator:       Pardon me. I have no more further questions in queue. One moment. Someone
                has queued up and it...

Lynn Weiss:     Okay, this is our last question (Claudine), thank you.

Operator:       You’re welcome. Please go ahead.

Man:            Hi Steven. Thanks for the question again.

Stephen Lang:   You bet.

Man:            After playing a different father in "White Irish Drinkers" what appealed to you
                about this type of father figure and his relationship to his two kids?

Stephen Lang:   I like the idea of playing a guy on the lam. I like the idea of dealing with the
                problem of being a father who never was a father - who was a miserable father
                but he wasn’t a father by absence. I mean, a father that was drinking. He was
                not a great father but he was there, you know. I just loved the idea of trying to
                - I thought the idea of showing up after 30 years at your daughter’s door and
                                                                               Moderator: Lynn Weiss
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                saying, “Hi honey, here I am” was so bizarre and I mean, inexplicably a
                difficult thing to do that I wanted to do it, you know. I wanted to see what that
                was like and I mean, I just thought that - playing him was very easy because
                it’s all on Mary, you know what I mean. All I had to do was say, “Hi honey,
                I’m home.” And the look on her face is just - it’s priceless. I mean, she just
                nailed it I thought.

                So, playing - the idea of playing a circumstance that is not part of your life but
                is imaginable to you and that you never played before - that’s got an appeal to
                me, so that’s why I would say that I was attracted to this guy.

Man:            Great, thanks Steve.

Lynn Weiss:     Okay, thanks everybody so much. We’re going to end the call now. Mr. Lang,
                thank you for your time. As we said earlier, he gets on “In Plain Sight” this
                Friday in "The Middle of Mary" and then the following week on the 27th in
                an episode called “Sacrificial Lamb.” Thank you all for your support and
                again, thank you Mr. Lang for your time.

Stephen Lang:   You’re more than welcome. Thank you all.

Lynn Weiss:     Okay, bye everybody.

Operator:       Ladies and gentlemen that does conclude today’s press call week. Thank you
                for your participation and we ask that you please disconnect your line. Have a
                great day everyone.


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Description: Stephen Lang talks about his role on In Plain Sight