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'Yo urnew fe nder InstrU' m nt 1nCO rp orates th e e:
hnest orkmans1ip , nd Ihiglhest quaUly com ponents h a and is guaranteed to give com ph:~t'e , atisfaction. As a Fender ID ne: s r you caln be plrou d ,2) nd sa If-aSSlJ red IIn "he knowIed, e g that you have th,e' fi nest ~I ns: _ ument tha,t j, plDssl~ble to I uy s
Mafl' outsta di rig play[~ng fea'tures and 1lechnica~ developments well , no n to strin, ~nstrumer1t p'ayers throU'gh(uJt the k g 'or I have com,e fro, Fender researc ' and are employed d m , i til e des iin and manlufa ctu re of t.h ~' s instrumen t. As , , l a r-SlJlt, Y u are assu red of recle~ving SUlpenor q y and lastiing beauty. 'o ;uah
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further playi,ng satisfaction ill be rea li'zed through the ye'ars by becomi rI, th, rlouglhly acqua'inted wit_ its features. We g o h sugg1s1 you ca re'full: read! 'the instruction manua [~ especia Ilfy' e y prepa red for your Fender Inst umernt. U, t amy time you slhould have a I I uestion I:oncerning its B j'ustment componets or other featu.'es q t , d consu II th·lS manua I or contact your Fender Dealer lor Fender Sa l~es, lnc. ,
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http://www.fenderstrat.net/
StrO'ng 'H eight Adjustment ': The new ty.~e lender bridge , mp loyed 011 the Jaguar utilizes , Ib idgs' e a ch ar ne~ suIPlPorted , t e, dh ,f! nd, You wi ~ I noh! 'th is n a a chalnne~ il.floaits:" l r rocks on the bridg,e posts. The o lP'Urpos'! of this design featu re is,to prov1de smooth tremolo action leUmlnating undue ear alf 'tohe strilngs. To 'f igure A rai s,e th e ch.a nne I a I. it he r en d ~ nS'Brt th B aIIen wre nch ' lt e in the bridge, po,st and raIse , r lower it alS desired. o I'f all of the ,stri'lr1l g heights are to be raised or l owe'red~ It IS be'Uer :0 ad just the! enb f B br~d~e channel 1,1 [:5t, -hen adjus the indl idual stnn g M EHght as desiired oWith the new Fende bridge unit ~xtre.me l y 1 0w pI,ay j' f'1 g action ca n be ac'hI eve,d fa ci Iitat I'ng f.a st p! filyi ng acUon and eas8 O'f pl, Vn, a 'i
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String Len - AdJus ', ent. (See r ~gure A) An , ,dr'sme ly importan ' fe'atu re of any guitar is the e; abi'l,ty to achte e accurab! string intoruliti:on so t ~ at c~ords B in tune th roughout ttr fre ,~t YOILI ill note i lre that each brJdg'e balr is held in place by the longitudJnal screws ,tnch ar@ used tQi ~'ary their positIon (string I, ng ,h). If a string pllays flat td the 12th let when compars,d with the harmonic at that 'frls . turn the e longi tudim3 screw counJsrclock'wlse so , s 0 mo~,e th e bridge bar tow ard l'h@, neck. ~'f the note at 'he '1 a 12th fret IS sharp ' ,herrn com pa ed wir the harmonic t hen t he strin ' :length is tOOl short and th, th e bridge ba shouild be adjusted clockw ise. The,se adjustment , w'ill be fractj'ona 'i 31f]d shoulld not be nlecessary E!( xcept in UnL;JslLIl.al cilrctJ m ·t anCl8'S,. Check the harmonic , nd the l 2t: frlet no e' several times a h while m, king the string len tlh a a ldjlUls.tmel1lt to be , ll 1'1 th bridge is. no moved past the proper , osition. S p
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The . ender ,~4 Floatii ngU Tre·m ol'o ! (See i ure '8) Th 's entirery ne remal, d sien is one o the fines yet developed for use' ith gui 'ars. It Pfovlides ex remely mOQ'th remolo i3lctiol'll. h ll addi Ion this ne I remolol unit cart be Ioc ed a any time. rth he tremolo un~t hlC:ked the t , molo m m y l e be re'moved. f1e trum'ent may be res rung ~ or shou1d a S' ring brea . du iog, perfo malilCE the remolo can be locked , nd all tring a ill retarn the'i r una pi' ell. (See I~Restringmg ymu a _ ar."}
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To ilIcitiate th'e trem -Iock" depn3ss the tremolo arm and sli Ie te l tre.m -Iockr, buttoJ:1 · 0 ard ttl spr~ng tension SClew. TI release , depress thle tremolo arm , nd eturn the Iltrem-llock"1 buton t il ) its 0' igin 'I ' asi ·on D a
T 'r e'm loi, Spir ing 'Tens~on Screw: It is pos~ft1!e o to va y the tens~on of he tr, molo ctlOn b ~djusting the e tremolo spri Ilg t, nskm 'Sere . it should be kept ~n mlrid e th, t he ter]sion of the ' 'rem, lo sp rng di e- 'I , af eels th~ a o
pir en of the . nngs nd if you i ht'Em this screw '_ e p·tch o the stni ngs jib raised. Should ·he tension be lessened then 'the pib:n of trne strinl,gs will he lowered. l ither adjustmen - ill in no a at ect the playing c ion of me instru men but ill require e un] ng the. s ,nngs tOI the" orig~ n al pitch . -his fea u e affords th,e playe.r ny d, gme of tremol, a -ion . e ~U",e ers whkh ill be radily e o apprecia 'ed by e ell player.
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: ender 1 ute:' Your new Jaguar ~s @ F M 'quipped w~·th the Fender MtJJte, aJ!rnother Fender Firs, . This Mute enable'S the p!al.. ·er t, dam~n~n the strings for a non ~sustained o
note. Li.gh t fli f1 ge r pres·su e on the IeUered po rti 0n of tlh e mlutle will actuvarte lO r dis'en.gage the unIt With the ender Mute it 'is no Ion ;·er neces'sary to rem o e tine
bridge Co.Ve.'f lin order to dam pelmthe 51rijngs by hand
tri ging Your Jagu r . It is , dvilsao,e to I, ck the temo l:o ~ction when ch, ngiillg a st ri n,g or
a l o a restrrf1lging the jir.1!strument. I his 'facii litate tuning the new sring , r 'strings to the proper p~ayi ng
o pitch w'i' hout: detun~lrng those already mou I1ted. It shol!..llid be mentiolne'd ·hat Fende:r Strilngs
h.ave beeIflI es peci a~ Ily deve:I) pee 'for t he en de r Jagu r gu~ta rand Ul 1 in ee: y detaj 1' . ey proV'id'e YO'U with an ~uxurately gaug,ed s;tring , i3ssurin' yOlu crr
r hig,he.r output g-rea1er brilli,ance, long r Illife 8md ·t ruler fretting
Whether you lise the fender Mastersound Fla't WOlHld Strings or ende ure Nic,ke l Wrap Strings,
e'Jde.nded string life can be eX.p'ected und,er .afl playing cond i,t'ions. YmJI wiiU ce dOling
ytwrself a 'favor to always rep liace with genuine Fender Stlri ngs.
If other set.s are used. a varialtionl in thei r gaug8 and defilsity of
the metal o'f t e s_ rings may reQu ilr,e adjus;tments 35. de'scri bed above.
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-eadl and .hythm I iir'cu it . In .additlon til the wide tOlne variall ions t hat may be alchiev.ed wi :h C 'lh, Ja,gu2l-r pickup clrclLJit~ it alsOi offers yo u the advantage lof being aMe "0, pre ' :iH~t , our rhythm ,an ~ le, d e y a
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http://www.fenderstrat.net/
- ell - nown featwr of all . ndler ledric Guitars IS the adjustab le neck truss rod wil1ch mai'otains perfect neck alignm, n . If for any rea,son the e nee - olf you'r Jaguar · ppe'ars to req uire flJ ' her adJL!ls' mlent r you can make lhe COffEl:C 'an - ~t hou the nec, ss ity of returning the instrument ~o Y ur dea[er ,or the· manu acture . e , D
nut exposed a the' I md of the neck near 'h e pickgulard eo ge, If the neck bows UPI in t~e C'en er, turn E b slo' ed sere ' counterclockwise a quarter u n. If he n ck is conlcave in the m~nter tu n he slo ted sere cloc ·--ise 10 ease he press ure' on the nut, have anohe person , old down tht body , f h o the gu~tar and with you r left ha d depress or raise the end of the nee ,a c,,~ording to the ad justment requ·red. ilI.rld with th~ rign1 hand turn he nu i the appropnate d~recti on .
Adjustable . ec,k. Trusis Rod '· (See Fig,ure C)
Lay he instrument on a ': able or other Ua surfal::e and Jirlsert al small , nda _ d-head screwdriver ~ n 'h e
f at any ''ime yr u have any qlJestir n con cenliling,any of the v,anous djustmen s described please do no o o hfl!snatle to con ac' your dea ler or rite' ender Sales Inc., S,anta Ana Carfornia
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ill i d the ne . Fender pi c ups em p1 0yed on th ' Jagua r extreme~y vetsarUle and provid, a wide one e I"i:mge. If a any time yo u, desire to change he' balance 0 ' he strings, you may d Ol so by le atJirn g or r owering t~e two s'crews on each pickup., hel , spons! lof ttle tre, d 0 b 55 may be ,3 c,ce u Bited or e e les. ened a1 ccord in, to you r playing n!ed5~
All par 5, of h~ Jagu I Guitar exposed t o tbe player's hand orr body are hBavi Iy chrome pia ed illnd III re ain, 'heil r1f ,-Ii e appE 'arance for , lon, p~riodl c'f 'Hme. In a i ion. ';he parts wh ic'h are sub,~ec . 1 a g .dd 0
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me, har1lijcal wear are made of case h, rdened steel. hereby providing rugge1 ness and du rability , n · c a d a e.llimiIII at iIllg breakd own or mB,TU nct io n. II
0 ,..--set W· i's Design: The rad ical IOff-sm . aist b1dy desi,gn or the Jaguar c.orJrtriibutes to the : 0 ef ortless p'laying of th is i'nstrument This,uniqlue body design places 'th'8 playe"'s, arm 'in a naltural position lOver the stri ngs" supper ling the arm S6 tha considerably great, r com'fort is e aClhie ed. In addi,tion, ' he contoured body snug·gly flits into the the phllyer's bo,dy, adding to the rlli PIlay,ng po,sa ti 0 1:'11 lh ese aIre teat ure s .,hie h e~ ery' gu i J~ rJ will reacLi Iy n~~,co gJ'il ~le. ,(I nd aJ Ppn;, d a [fL i i st F n,de, Jag ar Cases: Avaflablle flo the fender r t h standa 'd hard-shell role cov[ red case le
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is.the ne ' high-impac.t molded case and
1he be,aut i fUll ne ·mold edl Cill se offers. th e fi nest qua Iity vatu um·fo rm ed styre ru~ oonsi rUr Gt~ 0 nL The' 0 LJ lsi de. .. str~ pping is. of gold , nodized 81 a 1umin um tilnd fe, tures heavy dtJ, y brush ~ ibrassed fi hngs. The i·lrII erior of a UU~ [, se is Sil lk- I ~ned and semi! !rl nch-'fiUs,d to he instrument T ,0 ~nner compa rt memrts are i nc~~ded :·or a e co nVle11 jlence n sto ri ng eOn)s,! pi C st ri ngs andoth er a:ce, ssori e$:. ks e
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f he shuularrllolex. coen!d cas.e is extremel}l rugged, built to take hard prafessi'onal us€.. Its hardshe~ l: constn:.JJction ·jth interlock ing corners and r'einforced edges. provides the Ip rot€ct~on requ ire:d by a fine' ins·rume'nt. The lolx Clove JJr1g n,Bs a rich appearamce ,and is scuff and abrasion res~s' · n''. lhe lnterio'r 8 is plIUS,h lined [ nd includes a large accessory s, [0 ag1 comp,ertmen a e
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Fend[ r case·s will gl e long and satis actory . e-ar and e ' protection 'or ~our ins' um· nt. e
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asters.,Qund F l atwo,u nd and P ure
• Perfect Balance or ab olute @ve lFln ess. 0 lone , .. • Con ro lled lliamlet r hrlo ghou ' for perfect in ana ' ·I n or o
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