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From Wikipedia, the free encyclopedia Jaguar (cartoonist)









Jaguar (cartoonist)

Sérgio Jaguaribe (born February 29, 1932), known as which is concerned with offering satirical commentary

Jaguar is a Brazilian cartoonist and comics artist. He was

Jaguar, on an actual situation.[5] In the portrayal of a particular

born in Rio de Janeiro. milieu - that of bohemian 1960s Rio - he actually excelled,

A Banco do Brasil clerk, Jaguar started sketching in if only to be superseded by the demise of the same milieu.

a professional basis in 1952, when he offered the weekly The last of the Pasquim’s founders to keep on editing

magazine Manchete some cartoons loosely based on the the paper through the 1980s, when the weekly had lost

work of the French-Hungarian cartoonist André almost all of its public and influence, and Jaguar had to

François. After working for Manchete and the culture bank on the financial support of the Rio de Janeiro gov-

monthly Senhor, he became famous in the 1960s for his ernor Leonel Brizola.[6] When even that wasn’t enough,

works, among whose highlights were his illustrations to Jaguar had actually the task of closing the paper in 1991,

the collections of satirical chronicles by Sergio Porto en- something that left him personally bankrupt and sad-

titled FEBEAPÁ (acronym for "The Festival of Stupidities dened. During the 1990s, he worked as editor at the

that plagues our country" - the chronicles dealt mostly tabloid daily A Notícia.[7] In a 2001 interview, he said that

with the petty ridicules of the Military Dictatorship in "if I were a type who cared, I would have myself killed

Brazil), as well as his cartoon anthology "Átila, você é long ago".[8]

bárbaro" ("Attila, you’re barbarous![1]"). In 1969 -togeth-

er with his fellow cartoonists Millôr Fernandes, Ziraldo

and others journalistic celebrities, he founded the

References

groundbreaking satirical newspaper O Pasquim.[2] [1] "Bárbaro", besides being Portuguese for

One of his most popular creations at the time was "barbarian", at the time was also a Brazilian

the comic strip Chopiniks (from "chope", a Brazilian ver- vernacular slang for "cool"

nacular for draft beer), which was sketched by Jaguar [2] [1]

on scripts written by Ivan Lessa. Originally designed as a [3] Jaguar, interview, available at

means to advertise a new brand of beer, the strip was a [4] Jaguar, interview, available as Adobe Acrobat

satirical portrayal of the bohemian 1960s Rio de Janeiro document at

intelligentsia that gathered around the nighbourhood of [5] Jaguar, interview, Folha de S. Paulo, 13th. March

Ipanema, its chief characters being the bohemians Robe- 2007, available at [2]

spierre (from Maximilien Robespierre: the character was [6] Cf. Andréa Cristina de Barros Queiroz, "O enterro

created after a friend of Jaguar’s actually named Marat, de um folião: O Pasquim e os anos 1980", XII

for the French revolutionary) and "BD" (named after an- Encontro Regional de História, ANPUH, 2006

other friend of Jaguar’s, the bohemian Hugo Bidet), who available at [3]

had as their sidekick BD’s pet Sig (from "Sigmund"), a [7] cf. http://www.colecaoopasquim.com.br/

neurotic, debauched mouse (in the stories he’s called a organizadores.asp

rat), who had as his real life model Bidet’s pet white [8] Interview to José Maurício Costa, available at

mouse (who died after being treated to a diet of bread Persondata

crumbs drenched in vodka),[3] but was at the same time Name Jaguar

conceived as a satirical answer to Mickey Mouse. Sig was

in charge of most of the story’s comic vignettes, many of Alternative names

whom were actual bon mots who had found their way in- Short description

to Jaguar’s strip. Such is the case of the famous tag: "Int- Date of birth February 29, 1932

electuals don’t go to the beach. Intellectuals booze" (Inte-

Place of birth

lectual não vai à praia. Intelectual bebe) - a phrase attributed

by Jaguar to the journalist Paulo Francis[4] - which is re- Date of death

produced in one of the strips as being spoken by BD [4]. Place of death

In a late interview, Jaguar defined itself as a cartoon-

ist, in the Brazilian vernacular sense of a cartum maker

- cartum meaning a graphic joke based on stock models

and situations, as opposed, in Jaguar’s view, to caricature,



Retrieved from "http://en.wikipedia.org/w/index.php?title=Jaguar_(cartoonist)&oldid=474583406"



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From Wikipedia, the free encyclopedia Jaguar (cartoonist)









Categories:

• 1932 births

• Brazilian cartoonists

• Living people

• Cartoonist stubs





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