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Fragile Things by Neil Gaiman

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From Somervell’s abridgement of Toynbee’s “A Study Of History”, volumes 7-10 page 236: “An air

of failure or, where there is not positive failure, futility surrounds practically all the examples of

Archaism that we have that we have been examinin, and the reason is not far to seek [should be

“to be sought”]. The archaist is condemned, by the very nature of his enterprise, to be for ever

tryin to reconcile past and present…. If he tries to restore the past without takin the present into

consideration, then the impetus of life ever movin onward will shatter his brittle construction into

fragments. If on the other hand, he consents to subordinate his whim of resuscitatin the past to

the task of makin the present workable, his Archaism will prove a sham. Greetins, o Child of

Wotan! RU fed up with bein treated like a 2nd-class citizen in your own land? Discover that, which

the ancient sources prescribe for our victory! Check out THE BOOK OF ODIN!

http://www.amazon.com/gp/product/B0065QN8KW/ref=as_li_ss_tl?ie=UTF8&tag=4faskidstorem-

20&linkCode=as2&camp=1789



==== ====







Fragile Things is a collection of short stories and verse from multi award winning author, Neil

Gaiman. Originally, I was going to give a brief review of each piece in the collection. However, as

there are twenty seven stories and poems in total, I shall limit my review to what I consider the

highlights of this collection, as well as some general observations.

The introduction to the book is written by Gaiman himself, and explains the origins of most of the

work. All but one of the stories have seen light of day already, in a variety of different places,

ranging from other compilations to being published online or appearing in tour programmes for

Tori Amos.



The never-seen-before piece is entitled 'How to Talk to Girls at Parties' and is a typically surreal

offering. The narrator recalls an incident from his youth encapsulating the the awkwardness of

young men trying to talk to young women but with Gaiman's distinctive, otherworldly spin.



A number of the stories in this book were commissioned for various sources, which gives a rich

range of content. The story 'Goliath' was written for the website associated with the film 'The

Matrix'. The story is inspired by some of the concepts used in the film trilogy, but uses Gaiman's

own backstory rather than being a story set in the Matrix universe. If anything, the story is more

reminiscent of the stories of Philip K. Dick in mood and atmosphere, particularly the Dick short

story entitled 'The Adjustment Team'.



The short story 'A Study in Emerald' is a marvellous pastiche of Doyles' Sherlock Holmes and

Lovecrafts' Cthulhu Mythos. As always, the narrator of the story is the stalwart Dr Watson but

there is little else about the story that is traditional Holmes fare. Gaiman has taken both of the

sources, mixed them expertly and made the darkly comic result his own. I imagine there are a few

people who have pondered how well the Great Detective would fare against the Mythos, I must

admit I had never considered what would happen if Holmes worked for the Mythos...



Another of the stories which draws upon another authors' universe is the intriguing 'The Problem

of Susan'. The Susan in question is the one from the 'Chronicles of Narnia' series by C.S. Lewis.

Readers of that series may recall that Susan was no longer considered a 'friend of Narnia because

she's too fond of lipsticks and nylons and invitations to parties' [Fragile Things, p244]. Essentially

when the other children went to Heaven, she was left behind. Gaiman offers us his insight on

Susan's life after this display of cosmic inequality, does a fondness for lipstick preclude a place in

Heaven?



The award for Most Sinister Story in the Collection is hereby awarded to the tale 'Closing Time'.

Told as a story within a story, it is another anecdote from the weird-childhood-events part of

Gaiman's imagination. Another commissioned story; this one was requested to be in the style of

M.R. James, something the author achieves admirably without merely cloning James' writing style.

Distinctly chilling, this is one of, if not my favorite story in the collection and is a worthy addition to

the genre of the ghost story.



The last story in the book, 'The Monarch of the Glen', is a treat for fans of Gaiman's novel

'American Gods' as it continues the adventures of the protagonist, Shadow. The story is set in

Scotland and is a reimagining of a key sequence in the saga of Beowulf. As Shadow has already

been identified with elements of Norse and Germanic mythology in 'American Gods', the story

works effortlessly, drawing on the ancient connection between Scotland and the Scandinavian

countries for background color.



The story 'Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread

Desire' is a hilarious gem, which according to the author's notes has been lurking around for a

number of years. It is cleverly constructed with the action switching between a baroque, Gothic

story and the author of said story, as he attempts to avoid the pitfalls of stereotyping and cliche.



To come to some sort of conclusion, then, this is a very solid collection of work. To be candid, I

really have to be in the mood for poetry and I really wasn't when I read this, so I just skipped them.

They do, after all, take up only a few pages and Gaiman himself suggests they be considered a

free bonus. To paraphrase, the book wouldn't cost any less with the poems removed, so your not

being ripped off. As I say, among the stories there are no duds whatsoever, this is vintage Gaiman

and I defy any fan not to enjoy this collection.









Mr McBlonde is the author of a series of short stories, details of which can be found on his website

at http://www.unifiedterrancommunity.co.uk









Article Source:

http://EzineArticles.com/?expert=Scott_McBlonde

==== ====



From Somervell’s abridgement of Toynbee’s “A Study Of History”, volumes 7-10 page 236: “An air

of failure or, where there is not positive failure, futility surrounds practically all the examples of

Archaism that we have that we have been examinin, and the reason is not far to seek [should be

“to be sought”]. The archaist is condemned, by the very nature of his enterprise, to be for ever

tryin to reconcile past and present…. If he tries to restore the past without takin the present into

consideration, then the impetus of life ever movin onward will shatter his brittle construction into

fragments. If on the other hand, he consents to subordinate his whim of resuscitatin the past to

the task of makin the present workable, his Archaism will prove a sham. Greetins, o Child of

Wotan! RU fed up with bein treated like a 2nd-class citizen in your own land? Discover that, which

the ancient sources prescribe for our victory! Check out THE BOOK OF ODIN!

http://www.amazon.com/gp/product/B0065QN8KW/ref=as_li_ss_tl?ie=UTF8&tag=4faskidstorem-

20&linkCode=as2&camp=1789



==== ====


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